#if i had a nickel...on how many times a post of mine brought back old discourse
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What are your thoughts on Age of Calamity Zelink!!?? I like that version a lot because champions are alive, and there's the longing and the added pressure on Link and his future if he decides to court Zelda
I'm gonna be honest I dont really think about it much. It's mostly cause 1) i haven't played Age of Calamity and 2) I just feel like...idk no matter how Nintendo sugar coats it Zelda and Link were NOTTT happy in that timeline. Yes they won, yes people are alive but idk!! Also I feel like AoC went against what BOTW established in terms of Zelda and Link's growth together so it was hard for me to really...get attached.
But AoC aside I used to think about a "what if they won, they're a little damaged but they won" scenario but it went EXACTLY how BOTW played out, instead of AoC's cutscenes. Then to me it has a good sense of longing. Zelda would have different motivations and ways to heal v.s. post-calamity Zelda. Hyrule Castle is messy but its still...there and so are many of the people. I feel that this version of Zelda would feel more motivated to rebuild the kingdom and take over her status of Queen (while post-calamity Zelda was like "nah actually. i'm not gonna re-establish a monarchy"). And Link...would still have that same closed off personality. Yeah he'd be more open to Zelda but he's still dealing with that anxiety of that social status given to him. Additionally he's unsure what he is now. He put away the master sword and now what?? who is he? Why doesn't he feel free from this burden? They won, right?
Overall I think theres definitely a different dynamic in their relationship, one that doesn't exist in post-calamity. Do they pursue it? Well its going to take a lot of time, and tbh more growth on Link's side.
Sorry for the long rant kJSBDAKSBJD I think i just lost the plot
#theres also a third reason why i dont particularly care for AoC's story telling but i will NOT state it#because its petty and i'm not bringing that discourse back#if i had a nickel...on how many times a post of mine brought back old discourse#i'd have two nickels#anyways does what i'm saying make sense#pre-calamity botw and aoc are definitely not the same#and i kinda didn't like how nintendo just went “OKAY HAPPY ENDING WEEEEE”#no...wheres the angst...the sadness..#maybe i'm super wrong and i need to play AoC#the main reason i haven't played is cause I'm BROKE and that style of gameplay isn't my type
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Adore You - Harry Styles (2019) // you’re wonder, under summer sky // All About That Bass – Meghan Trainor (2014) // every inch of you is perfect from the bottom to the top // Alone Again – Betty Who (2014) // when it rains it pours and you drown me out // Anything Could Happen – Ellie Goulding (2012) // letting darkness grow, as if we need it's palette and we need it's color // Bad Girls - M.I.A. (2012) // leaving boys behind ‘cause it’s illegal just to kill // Bitch Better Have My Money - Rihanna (2015) // your wife in the backseat of my brand new foreign car // Blank Space – Taylor Swift (2014) // darling I'm a nightmare dressed like a daydream // Bloodbuzz Ohio – The National (2010) // I was carried to Ohio in a swarm of bees // Bo$$ – Fifth Harmony (2014) // boss. Michelle Obama. purse so heavy gettin' Oprah dollas // Boy Problems - Carly Rae Jepsen (2015) // I think I broke up with my boyfriend today and I don't really care // Boys - Charli XCX (2017) // I wish I had a better excuse like I had to trash the hotel lobby // Butterflies - Kacey Musgraves (2018) // I was hiding in doubt till you brought me out of my chrysalis // Call Me Maybe – Carly Rae Jepsen (2011) // before you came into my life I missed you so bad // Call Your Girlfriend – Robyn (2010) // don't you tell her how I give you something that you never even knew you missed // Canyon Moon - Harry Styles (2019) // doors yellow, broken, blue // Chandelier – Sia (2014) // I'm gonna fly like a bird through the night, feel my tears as they dry // Cherry - Harry Styles (2019) // I confess I can tell that you are at your best, I'm selfish so I'm hating it // Circles - Post Malone (2019) // we couldn't turn around, 'til we were upside down // C’mon - Panic! At the Disco and Fun. (2011) // feels like I am falling down a rabbit hole, falling for forever, wonderfully wandering alone // C’Mon – Kesha (2012) // feeling like a saber-tooth tiger sipping on a warm budweiser // Cruise (Remix) - Florida Georgia Line ft. Nelly (2012) // she was sippin' on southern and singin' Marshall Tucker, we were falling in love in the sweet heart of summer // Daddy Lessons - Beyonce ft. Dixie Chicks (2017) // it’s your song // Dark Fantasy – Kanye West (2010) // too many Urkels on your team, that's why your wins low // Death of a Bachelor - Panic! At the Disco (2016) // the lace in your dress tingles my neck, how do I live? // Demons- Sleigh Bells (2012) // They're gonna stand em up six by six by six // Diane - Cam (2017) // And all those nights that he's given to me I wish that I could give them back to you // Diane Young – Vampire Weekend (2013) // you torched a Saab like a pile of leaves // Downtown - Macklemore & Ryan Lewis ft. Eric Nally, Melle Mel, Grandmaster Caz, Kool Moe Dee (2016) // neighbors yelling at me like, you need to slow down going thirty-eight, Dan, chill the fuck out, mow your damn lawn and sit the hell down // End of the Day - One Direction (2015)// I told her that I loved her, just not sure if she heard. the roof was pretty windy and she didn't say a word, party died downstairs, had nothing left to do just me, her and the moon // Fireproof – One Direction (2015) // riding on the wind and I won't give up // ***Flawless – Beyonce ft. Nicki Minaj (2013) // mayday, mayday, earth to bitches // Follow Your Arrow - Kacey Musgraves (2013) // if you save yourself for marriage, you're a bore. if you don't save yourself for marriage, you're a whore-able person // Formation - Beyonce (2016) // always stay gracious, best revenge is your paper // Forrest Gump – Frank Ocean (2012) // my fingertips and my lips, they burn from the cigarettes // Freaks and Geeks – Childish Gambino (2011) // I have worked all winter, I will not fail summer, in the back of the bush, like Gavin Rossdale's drummer // Gay Pirates - Cosmo Jarvis (2011) // and I hope they didn't tie up your hands as tight as mine. I'll see you on the bed of this blue ocean, babe, sometime // Get Lucky – Daft Punk ft. Pharrell Williams (2013) // the present has no ribbon, your gift keeps on giving // Glory - Bastille (2016) // and then you put your hand in mine and pulled me back from things divine, stop looking up for heaven, waiting to be buried // Good Grief - Bastille (2016) // caught off guard by your favourite song, I'll be dancing at a funeral, dancing at a funeral // Green Light - Lorde (2017) // I whisper things, the city sings them back to you // Grown - Little Mix (2015) // no regrets, it's a lesson learned 'cause what you think ain't my concern // Hayloft - Nickel Creek (2014) // young lovers with their legs tied up in knots // Holocene – Bon Iver (2011) // and at once I knew I was not magnificent // I Believe - Original Broadway Cast (2011) // and I believe that the Garden of Eden was in Jackson County, Missouri // I Like It - Cardi B, Bad Bunny, and J Balvin (2018) // I like those Balenciagas, the ones that look like socks // I Love It – Icona Pop ft. Charli XCX (2012) // you're from the '70s, but I'm a '90s bitch // Judas – Lady Gaga (2011) // I'm just a holy fool, oh baby he's so cruel, but I'm still in love with Judas, baby // Juice - Lizzo (2019) // I be drippin' so much sauce got a bitch lookin' like RAGÚ // Just Hold On - Steve Aoki ft. Louis Tomlinson (2016) // feels like you're standing on the edge looking at the stars and wishing you were them // Laura Palmer – Bastille (2013) // what a year and what a night, what terrifying final sights put out your beating heart // Lemonworld – The National (2010) // I gave my heart to the Army, the only sentimental thing I could think of // Love on Top – Beyonce (2011) // I can see the stars all the way from here, can't you see the glow on the window pane // Make Me Feel - Janelle Monáe (2018) // it's like I'm powerful with a little bit of tender, an emotional, sexual bender // Making the Most of the Night - Carly Rae Jepsen (2015) // baby I'm speeding and red lights, I'll run // Meet Me in the Hallway - Harry Styles (2017) // just let me know I'll be on the floor, on the floor // Menswear – The 1975 (2013) // well, who's this? going for the kiss, I'm probably gonna yosh in your mouth // Mirrors – Justin Timberlake (2013) // if you ever feel alone and the glare makes me hard to find, just know that I'm always parallel on the other side // Monster – Kanye West ft. Jay-Z, Rick Ross, Nicki Minaj, and Bon Iver (2010) // you could be the king but watch the queen conquer // The Mother We Share - Chvrches (2012) // I'm in misery but you can't see, as old as your omens // My Church - Maren Morris (2016) // I just keep the wheels rolling, radio scrolling 'til my sins wash away // N****s in Paris - Jay-Z and Kanye West (2011) // Prince William's ain't do it right if you ask me 'cause I was him, I would have married Kate and Ashley // Oh, What a World - Kacey Musgraves (2018) // did I know you once in another life? are we here just once or a billion times? // Old Town Road (Remix) - Lil Nas X ft. Billy Ray Cyrus (2019) // cowboy hat from Gucci, Wrangler on my booty // Otis – Jay-Z and Kanye West (2011) // luxury rap, the Hermes of verses, sophisticated ignorance, write my curses in cursive // Pineapple Girl - Mister Heavenly (2011) // I am besieged by the vagaries of power. I'm all alone and lonely in this tower // Primadonna – Marina and the Diamonds (2012) // I know I've got a big ego, I really don't know why it's such a big deal though // Pumped Up Kicks – Foster the People (2010) // he's got a rolled cigarette, hanging out his mouth he's a cowboy kid // Radio - Lana Del Rey (2012) // pick me up and take me like a vitamin 'cause my body's sweet like sugar venom // Raising Hell - Kesha ft. Big Freedia (2019) // hungover, heart of gold, holy mess. doin' my best, bitch, I'm blessed // Rivers and Roads - The Head and the Heart (2011) // been talking 'bout the way things change // Royals - Lorde (2013) // we don't care, we aren't caught up in your love affair // S.O.B. - Nathaniel Rateliff & The Night Sweats (2015) // I'm going to cover myself with the ashes of you and nobody's gonna give a damn // Satisfied - Original Broadway Cast (2015) // it's a dream and it's a bit of a dance, a bit of a posture, it's a bit of a stance. He's a bit of a flirt, but I'm 'a give it a chance. I asked about his fam'ly, did you see his answer? his hands started fidgeting, he looked askance? he's penniless, he's flying by the seat of his pants // Sex – The 1975 (2013) // and she said use your hands and my spare time, we've got one thing in common it's this tongue of mine // Shake It Out – Florence + the Machine (2011) // our love is pastured such a mournful sound, tonight I'm gonna bury that horse in the ground// Shut Up and Dance - Walk the Moon (2014) // my discotheque Juliet teenage dream // Silly Love Songs - Darren Criss (2011) // how can I tell you about my loved one // Some Nights - Fun. (2012) // this is not one for the folks at home, I'm sorry to leave, mom, I had to go. who the fuck wants to die alone all dried up in the desert sun? // Someone Like You – Adele (2011) // we were born and raised in a summer haze, bound by the surprise of our glory days // Sorry - Justin Bieber (2015) // *dolphin noises* // Spaceship - Kesha (2017) // I knew from the start I don't belong in these parts. there's too much hate, there's too much hurt for this heart // Stars - Fun. (2012) // some nights I rule the world with bar lights and pretty girls, but most nights I stay straight and think about my mom // Stitches - Shawn Mendes (2015) // needle and the thread gotta get you out of my head // Sunflower, Vol. 6 - Harry Styles (2019) // *gasp* your flowers just died, plant new seeds in the melody // Super Bass - Nicki Minaj (2010) // and he ill, he real, he might gotta deal. he pop bottles and he got the right kind of build. he cold, he dope, he might sell coke. he always in the air, but he never fly coach // Take Me to Church - Hozier (2013) // I'll worship like a dog at the shrine of your lies. I'll tell you my sins, and you can sharpen your knife // Thank u, Next - Ariana Grande (2018) // she taught me love, she taught me patience, how she handles pain // The Pachanelly Canon - Gentleman’s Rule (2012) // I'm getting pages out of New Jersey, from Courtney B telling me about a party up in NYC. can I make it? damn right I be on the next flight. payin cash. first class. sittin' next to Vanna White // The Wire - Haim (2013) // I just know, I know, I know, I know that you're gonna be okay anyway // Theme From “Cheers” - Titus Andronicus (2010)// I'm sick and tired of everyone in this town being so goddamn uptight, but don't you worry, I'll do all the talking when they turn on the flashing lights // Thieves – She & Him (2010) // I'm not a prophet, old love is in me. new love just seeps right in and makes me guilty // This is America - Childish Gambino (2018) // tell somebody, you go tell somebody. grandma told me, get your money, black man // Trouble - Neon Jungle (2013) // lights up let's have a toke, pour more whiskey in my coke .. Truth Hurts - Lizzo (2017) // you coulda had a bad bitch, non-committal // Uma Thurman - Fall Out Boy (2015) // and I slept in last night's clothes and tomorrow’s dreams, but they are not quite what they seem // Wetsuit – The Vaccines (2011) // with a cool, cool breeze and dirty knees, I rest on childhood memories // What a Feeling - One Direction (2015) // when the air ran out and we both started running wild, the sky fell down // Wilson - Fall Out Boy (2018) // I'll stop wearing black when they make a darker color // Wolves - One Direction (2015) // I feel the waves getting started, it's a rush inside I can't control // You Need Me, I Don’t Need You - Ed Sheeran (2011) // melody music maker, reading all the papers, they say I'm up and coming like I'm fucking in an elevator // You’re in Love With a Psycho - Kasabian (2017) // I'm like the taste of macaroni on a seafood stick
Songs that would have made the list were they on Spotify: We Can’t Stop - Bastille // I Love Clothes (Deadbeat Summer) - Childish Gambino // G.O.O.D. Friday - Kanye West ft. Common, Pusha T, Kid Cudi, Big Sean & Charlie Wilson // Driving in Cars with Boys - Lana Del Rey // Blurred Lines - Vampire Weekend // a number of mashups (Office Musik, What Makes You Da One, Live While We Die Young, Brush Your Bittersweet Shoulders Off, We Are Complicated)
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Reasons To Stay || Jung Yunho x Gender Neutral Reader
Summary: Y/n’s been working for one of the biggest news companies in Seoul for five years now, and like many others she/he wants a change in scenery. However, there are a handful of things keeping her/him from leaving, and one of them came in the form of an accidental blind date.
Genre: Fluff
Warnings: SOFTNESS OVERDOSE- None
Word Count: 7.7k
A/N: I’m posting my very first Ateez imagine on my two week anniversary as a new Atiny. I’m so psyched to be a part of this growing family and I’d like to thank @every1studio for welcoming me into it UwU. The main character’s best friend was inspired by this ray of sunshine right here @rubyyong, I wanted to show her a little appreciation for being one of the many writers who influence me to become better and let her know that I’m here supporting her from afar. So yeah, happy reading. <3
꧁Masterlist꧂
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I sighed, glancing through one of the floor length windows adjacent to my desk. It was a particularly nice day outside, the fluffy clouds casting dark shadows on the world while the sun lit it up with a brilliant glow. The contrast was nearly eerie, like yin and yang, both the sun and the clouds out of our reach yet seemingly tangible if you lay on your back and reach your hands for the sky.
The streets below seemed busier than usual, the already terrible traffic appeared far more congested than normal. Due to the lack of movement in the streets, the multitude of car horns blared in a messy diarray with one another, the loud sounds varying in pitch but all sharing one thing in common. They wouldn’t stop.
Looking down at the vehicles made me glad that the office’s walls were soundproof, otherwise everyone in the building would have gone deaf by now. However, there were a few unlucky people on the street who had to endure cacophony of car horns as their speed quickened while walking to whatever destination they had in mind.
“It’s terrible isn’t it?” asked one of my coworkers, the newly promoted intern seeming to appear out of the blue. Her name was Chloe and she was one of the few reasons why I hadn’t quit my job yet in this suffocating office building. We worked for one of Seoul’s biggest news companies, her in the creative department and me in the editorial department.
Our departments were located on different floors, so it surprised me to see her standing here, one hand fiddling with her ID badge and the other resting on her hip. Her eyes were trained on the streets below like mine were, before fluttering up to meet mine while waiting for my response.
I simply nodded as my eyebrows furrowed, hoping that the traffic wouldn’t be this bad when I had to drive back to my apartment in the evening. It already took a solid half an hour to drive back home without any traffic jams, and just imagining trying to get back while moving at a snail’s pace… Well, I honestly didn’t even want to imagine that.
“I heard someone in the elevator say that the city closed a few roads to repair them, so that must be the reason why there’s so much traffic,” I stated, eyebrows arched and lips pursed in an expression that read ‘I don’t really know’ while I shrugged to emphasize my lack of knowledge over the situation.
Chloe nodded as if to show that she’d agreed with my thoughts, her sleek high ponytail bouncing with the movement. She was wearing a knee length, peach colored sundress today, with soft magenta roses littering the garment like powdered sugar on freshly baked cupcakes. Her excellent sense of fashion always brought a bright burst of liveliness into the office, regardless of whether she was in a black, leather jacket or a pastel blue sweater top.
The comparison I always made, much to her distaste, was a small, yet thriving plant amidst a world of manmade objects and other inanimate items. I thought it was fitting. She just found it cliché.
It was a little off how we ended up as friends. Originally I thought that it’d be best to keep my distance, as bubbly people tend to get annoying after a while. Although, when I was asked to show her around the building, I realized that her perkiness was a breath of fresh air compared to the droopy gazes of the sleepy workers mulling about on my floor.
She was a ray of sunshine that lit my dim world and inspired me to let loose and remember what it’s like seeing things from an optimistic point of view. To put it simply, she helped me learn to live again, something I had forgotten when I reached adulthood.
Suddenly seeming to remember why she was up here, Chloe let out a small “Oh, right” while snapping her fingers before turning her body away from the window to face me instead. “I just wanted to inform you that it was lunch break, since you tend to forget while you’re immersed in the fancy world of grammar and punctuation.”
Her wild hand gestures accompanying the last three words of her sentence had me rolling my eyes. It was a known fact that no one on my floor, except for me, actually enjoyed correcting the numerous grammatical errors of others.
I couldn’t blame them though, since most of us were just here to make a living. Which brings me to my second reason for tolerating my job. I used to love the idea of doing something in this field for a living, words always had a way to entrance me in them which explains why I practically lived in libraries growing up.
I practically jumped at the opportunity when I was offered this job, but after five years of being stuck here, the magic of it all faded away into oblivion. Originally I was only working part time, since I was in my second year of college, but when I graduated I was given a full time job.
Of course, when I entered the company, I started at the very bottom of the corporate ladder. My main job was to be an errand girl like Chloe was before her promotion. I won’t even lie, it was absolutely horrible, and I know the girl in front of me would agree.
I can’t even recall how many cups of coffee just a single worker needed, as they would all fall asleep otherwise. In the first few hours of the morning, the demand for coffee was so great that I had petitioned for there to be five coffee machines rather than the two that we had.
Needless to say, I went home everyday with at least one new burn from the boiling hot liquid I had to carry around, and my hands really weren’t a pretty sight due to them. Thankfully I learned my lesson after the first week, opting to buy gloves that would help protect my hands and a bright red stop sign I attached to my tray so that people would stop running into me.
It was quite the sight, and really just a mortifying memory I have ingrained in the back of my head. Though Chloe didn’t have it as bad, shortly after I was promoted the company bought three more coffee machines as requested and hired more people so that there were more sets of hands dealing everyone their daily doses of caffeine.
Which brings me back to present day, as a 22 year old who seemed to age mentally far beyond my actual years living on this earth.
“Yeah, I didn’t notice the time. Do you want to go get a drink with me? I heard a new cafe opened up a few blocks down and so far there have only been positive reviews from the people I’ve asked about it,” I asked, kind of hoping that Chloe would agree to go, because who wouldn’t want some company?
However, I could see her response before she verbalized it in the way that she furrowed her eyebrows with a slight pout. “I can’t, there’s a new batch of interns that came in just yesterday, and for some reason none of them know how to work a coffee machine.”
I laughed at her predicament, imagining Chloe surrounded by a small group of college students too used to buying an overpriced coffee at a local cafe than to make their own brews with a machine.
“Okay, have fun,” I teased, standing up to stretch my back and roll a few cricks out of my neck. Chloe cringed at the little pops and cracks, reaching behind me to help pick up my bag that strewn across the back of my chair. It was pretty warm outside still, being in the early months of fall, which is why I didn’t have a coat with me.
I thanked her as I slipped the bag over my shoulder, before walking away with a slight wave. Since Chloe wouldn’t be going with me today, I decided to get her something at the cafe since I knew her taste in pastries and drinks quite well.
The elevator ride was pretty quick, albeit rather crowded as large groups of people were also on their way out to enjoy their break somewhere else.
The company was rather generous with its workers, allowing them a full hour long break before returning back to their 9-5 schedule. Maybe that was my third reason for staying at the company despite being sick of the mountain of words I had to go through daily.
The elevator reached the lobby floor with a small ding, the door nearly closing on me as everyone shuffled out of the metal box. I had allowed myself to get trapped near the back of the elevator as people piled in, which was why I had been the last to leave.
The front lobby was rather big, with a fancy granite front desk with gold accenting, and several marble columns spread around the floor to support the high ceiling.
To the right of the front desk was a small sitting area marked by a sprawling beige rug, dark leather couches, and a bamboo table resting in the middle. To the left of the front desk was a small water fountain with a family of koi fish lazily swimming about the bed of pennies and nickels thrown in.
I never really understood the point of throwing coins into fountains. People were basically wasting change, poisoning the fish, and drowning their elusive dreams in a supposed wishing well.
Still, I never voiced my thoughts out loud. After all, I didn’t want to crush the pure wishes of the children begging for coins from their parents in order to perform the simple act of hoping.
Not to mention that I had also fit into that crowd as a young girl, making desperate wishes to get the boy I liked to like me back. Of course, they were all left unheard, or maybe even ignored, which only served to fuel my distaste for making wishes on copper coins.
I’d much rather save my change to tip baristas, as I finally understood their struggle after having made hundreds of cups of coffee myself. It was a grueling task and I couldn’t help but sympathize with anyone who had to do what I did as an intern for a living.
Speaking of which, I made my way out of the front door of the office building, immediately cringing at the racket of noise that met my ears. Much to my bittersweet relief, the cars seemed to be moving a tad bit faster than earlier.
Albeit, the new set of cars didn’t sound any different from the last set, with their loud beeping at the mini traffic jams that hadn’t quite thinned out yet.
I reached into my purse and pulled out my earbuds, skilled fingers working quickly to untangle the messy knots the cord had fallen into. There had never been a day where I found them neatly folded like I had left them, so untangling them had become a regular part of my daily routine.
It didn’t take very long, and soon enough I had them plugged into my phone and placed in my ears. Going to my usual playlist, a slow smile spread across my face at the song that had arisen first by chance.
The noise of the car horns completely drowned out with the melody playing in my ears, and I happily mouthed along to the lyrics when the sidewalk before me cleared of any prying eyes as I walked down it.
The only people who could see me making a slight fool out of myself was the people in the cars adjacent to me, nevertheless, they all seemed far too preoccupied with their own lives to notice. Some were on their madly typing away at their phones, others messing with toys they had received with their fast food, and in the driver’s case: vigorously slamming their fists on their horns as if it would help resolve the situation.
“Snapping, snapping,” I whispered softly, eyes taking on a playful lilt as I fell into step with the beat of the song. Despite wanting to burst out dancing, I restrained myself as my mouth snapped closed with an audible click when a figure appeared several feet in front of me.
I wasn’t quite ready to let go of my dignity to the extent of having a little dance break in the middle of the sidewalk of a bustling city. I could practically see steam coming out of the nose of the young woman in front of me, so I popped out an earbud wondering what she could be fuming about.
“Stupid date left me waiting there… Screw men… If I ever get my hands on him… He’ll be dead meat…”
The rest of her words faded with the growing distance between us, having already passed by her as she was walking off in the opposite direction.
“She must’ve been stood up,” I thought, almost pitying her if not for her horrid attitude and snobby scowl. Her date might of had a reason for not showing up, who knows?
Realizing that I had reached my destination, I looked up to check the name of the cafe to be sure. The sign was done in a beautiful gradient with a faint blush pink fading into a vibrant fuchsia. Looking out front, there were bright posters taped to the windows advertising popular drinks and desserts.
Just from the prices on the posters, I could this was a higher class joint, as there was even a small seating area outside with large, turquoise blue umbrellas shielding the tables from the sun. Not to mention that the place also offered breakfast and lunch despite just being a cafe.
In spite of the high prices, I stepped through the door, taking notice of the white daisies growing in the pastel green window boxes. The golden bells above the door chimed, notifying my entrance.
Like always, I was instantly hit with the heavenly scent of freshly ground cinnamon and coffee beans that most cafes seemed to boost.
After becoming employed, I never really had to worry about spending a little extra on a higher quality drink everyday. The high paycheck was the fourth reason why I found the idea of leaving my job so difficult. Besides, It never hurt to have a little extra cash in my bank account in case of a financial emergency.
Slowly making my way to a booth, I took in the interior of the cafe. The walls of the joint were painted the same color as the window boxes, with accenting lining the corners of the spacy room matched the color of the umbrellas outside. The round tables had a translucent glass top with black metal legs, and the chairs sitting around them were made of the same black metal twisted into an intricate design.
I highly doubted the large jewels in the back of the chairs were made of real glass, though they shone the same way a real gem would in the soft lighting coming from the beautiful light fixtures dangling from the ceiling.
There was a marble front desk where the cashier was incase someone just wanted to grab a takeout coffee and/or pastry. Speaking of which, there were numerous display cases lining the marble counters filled with various treats ranging from rainbow colored macarons to cream filled mochi.
Although, there were waiters and waitresses that came to you if you get their attention, in case you have the time to sit about, which is what I choose to do. Standing in line in front of the cashier just seemed like far too much work today, so I decided to just skip the wait.
I sat down in one of the empty booths lining the wall of the cafe. They also had glass table tops, however they were rectangular and the seats were made of artificial black leather the same shade as the chairs in the center of the room.
Suddenly a tall figure burst through the front door, the bells in front of the door crashing together rather harshly unlike the gentle tingle they let out when I walked through.
The male seemed to be around my age, though it was rather hard to tell if he was older or younger considering how his youthful face was paired with a ridiculously tall stature.
The straps of his beige jacket fluttered behind him in the small gust of his abrupt entrance, nearly getting caught in the closing door. His almost puppy like features were framed was light blue hair that looked softer than the clouds I had been admiring in the morning.
I was suddenly struck with the creeping urge to run my hands through the strands, causing an immediate flush to race up my neck as I averted my gaze.
“What am I thinking?” I thought, embarrassment and guilt coursing through my veins. This was precisely why I avoided attractive men like my life depended on it, because I knew as a matter of fact that my dignity did.
The moment my eyes settled on someone who was remotely handsome, my heart raced so quickly that I felt a love struck school girl all over again. Nonetheless, I could never keep my eyes off beautiful specimen for long, hence why my gaze subconsciously traveled back to the male standing at the doorway.
His eyes had been roaming the room, his shoulders sinking dejectedly as he didn’t seem to see who or what he was looking for. However, when he continued to look around his eyes met mine, much to my horror.
His eyes lit up, his mouth forming a little ‘o’ shape, as my eyes snapped back to my lap. A string of curses flew across the forefront of my mind at getting caught staring, as I desperately hoped with all of my being that he wouldn’t walk over.
Of course the heavens ignored my plead.
The cute male slid into the seat across from mine with an apologetic smile. Which struck me as odd as I should have been the apologetic one. Yet the words that slipped out of his lips were far odder, in my opinion.
“I’m so sorry for being late, the traffic today truly was horrible and I ended up stuck in this one traffic jam for…” he started, trailing off as he lifted his wrist to check his watch for the time. “An hour.”
“Huh?” I asked, completely confused. An extremely attractive stranger suddenly appeared out of nowhere, approached me out of all the pretty girls sitting alone in this cafe, and started apologizing when we had never met each other before?
I was about as lost as the person across from me was hot. Like dang, his visuals really attracted the curious gaze of all the aforementioned ladies sitting around the room.
Suddenly something nagged at the back of my mind, the vivid image of the woman from early resurfacing from my memories.
Oh.
He must have thought that I was his blind date.
I opened my mouth to explain the situation, but before I had the chance to collect my thoughts, the guy started talking once again. He had been taking off his coat so he didn’t see the way I had been gaping while pondering how to tell him he had mistaken me for someone else.
He looked up at me, eyes widening when he realized that he never introduced himself. A spellbinding smile spreading across his soft features as he held his hand across the table for a handshake. “Right, my name is Yunho, it’s nice to meet you.”
I hesitantly took his hand, introducing myself with a shaky smile. One look into his warm eyes and I knew that I couldn’t break it to him that his real date had left like a fiery hurricane while spitting out curses like a tasteless rapper.
Yunho repeated my name slowly, as if the savor each and every syllable with a thoughtful smile. It was clear that he was about to drop a cliché pickup line from the way his eyes sparkled mischievously, however, that didn’t soften the impact as my cheeks flushed red. “What a beautiful name.”
What he did next completely caught me off guard as he started mumbling to himself with a sly smile. “I wonder what our ship name would be…”
Deciding that my heart wouldn’t be able to take anymore of his cheesiness, I waved one of the waiters over.
“Ready to order?” Asked the waiter, his ears tinting red when I directed my gaze at him. His grip tightened a little on his mini clipboard and pen, eyes averting to Yunho instead.
“How cute,” I thought, slightly flattered over his actions. Although I never really dated before, I could recognize that smitten expression anywhere. It was then that I recalled that I never actually looked at the small menu, however, that didn’t turn out to be a problem as Yunho ordered for the both of us.
“Have you been here before?” I asked, surprised because I never saw him look at the menu either before the waiter walked away. The cafe opened a few days ago, so it wasn’t entirely unbelievable that he had gone before, though I didn’t think that was the case.
“No, I just ordered the special today if that’s okay with you,” he admitted, rubbing the back of his head sheepishly. His shy smile was a stark contrast to the confident front he had thrown up while flirting with me.
I smiled, nodding to assure that I didn’t mind as I would’ve done the same thing. From his timid gaze, I could tell that he never really went out on dates, which greatly relieved me as I hadn’t either.
The waiter came back around again in a few minutes with two plates of omelets with hot cheese oozing out of the seams and juicy, cubed tomatoes peeking through pale yellow egg. On the side of both plates were small bowls of freshly cut fruit topped with little mint sprigs.
It gave off a very insta worthy aesthetic, so I fished out my phone before taking a bite, raising the camera. A smile unknowingly spread across my face at how at peace Yunho looked with the warm afternoon sun perfectly catching the soft curves of his full cheeks while simultaneously dusting golden flakes into his umber eyes.
I lifted my camera a little further, so that it still captured the plate before me but also included Yunho’s adorably focused face. His eyes snapped up at the sound of the camera clicking, fork dangling an inch away from his mouth as I had caught him midbite.
I put my phone away, bashfully mumbling that he looked like an angel glowing in the sunlight like that and I couldn’t pass up the opportunity to capture the moment. He blinked a few times in surprise, before laughing softly.
“You should’ve told me beforehand, I could’ve posed,” he teased, cheekily wiggling two peace signs in front of his eyes before drawing up two finger hearts.
I blushed, internally cooing at how cute he looked with such an innocent sparkle in his eye that I thought only existed in children. He was everything he looked like at that moment. A complete and utter angel who radiated purity under the glimmering sun.
Deciding to get something to drink, we called the waiter over once more, who whipped out his mini notepad habitually. And like earlier, he refused to meet my gaze for long, something both Yunho and I noticed.
Yunho flashed me a wink, nudging his head subtly at the waiter as if we weren’t on a date ourselves. I hid a giggle behind my hand at his goofy antics, quickly returning my arm back to the table when the waiter glanced up at me for a second.
“I’ll take two bubble teas with normal tapioca,” I requested, biting back a smile at the bewildered look Yunho shot me. He asked for an iced latte, eyes never leaving mine as the waiter walked away.
“Do you really like bubble tea that much?” He asked, a little awestruck. It wouldn’t have been all that surprising if I did, since everyone on Earth had one big craving they could never get enough of. So, I nodded firmly, looking him dead in the eye with a stoic “yes”.
He looked scared for a moment as if worried he said something wrong and at that I couldn’t hide my snicker.
“I do, but the second cup isn’t for me. I promised a friend that I’d bring her back something since she couldn’t go out for her break,” I explained, smiling cordially as his expression melted back into its usual peaceful bliss.
“How thoughtful,” he whispered, but I heard his sweet words as my disappearing blush suddenly bloomed all over again. I chose to ignore his comment, eyes flashing up to the waiter who reappeared once more with our drinks and a plate of bite size sugar cookies.
He placed all three cups down before putting down the plate with a quiet clinking sound. “Here’s a complimentary plate of sugar cookies for all customers who come during our opening week. Enjoy.”
And with that, he was gone again, almost tripping over himself in his haste to get away.
“Does he think I have the bubonic plague?” I wondered aloud, despite knowing why he was in such a rush. It was written all over the back of his neck and the tips of his ears in various hues of red.
“Maybe you should ask for his number,” mused Yunho, still very clearly amused over the waiter’s crush on me. I narorred my eyes at him, normally if a date encouraged you to pick up someone else then that’s a telltale sign that they’re obviously not interested in a relationship with you.
However, I could tell that Yunho meant everything that he was saying lightheartedly, so I decided to tease him back. “No thanks, I’d rather have yours.”
I could tell the unexpected flirt stunned Yunho, as his jaw dropped. I winked at him the same way he winked at me when the waiter came over, enjoying his flustered reaction. Despite the fact that Yunho would tower over me if we both stood up, he looked no bigger than a child at the moment shrinking into himself with a fiery blush. “Oh.”
I loved how table had turned, with how many times he caused my cheeks to tint pink. It was a small stroke of success, but I didn’t have the heart to continue. Taking the initiative, I asked him about himself, wanting to spend the time we had together developing a close friendship since he seemed to be a fun person to have around.
It wasn’t long before we fell into a deep conversation about ourselves. I learned that he was indeed younger than me by two years, and managed to convince him to call me noona but drop all other honorifics.
Honestly if anyone had told me that I’d end up on a date with someone younger than me, I wouldn’t have believed them. It was always a condition on my ideal type list that the male had to be older. Yet the ridiculous list completely faded away into nothingness in the back of my mind the longer I talked to Yunho.
Instead a new list wrote itself with only two conditions on it: His eyes had to sparkle like a galaxy of stars being reflected on a still lake and his smile had to hold the same warmth as a steaming cup of hot chocolate on a cold winter night.
In other words it was describing the person sitting right in front of me, as he threw his head back, laughing at one of the many comical stories I told him about my fanatical college days.
He was currently in college right now, majoring in the same subject that I majored in. It was nice having someone relate so hard to my past struggles, as he was going through the same things I had gone through with crazy strict teachers and boisterous students marching down the halls like they owned the school.
In return I told him about how I worked as an editor, along with a few facts about me that few people knew or cared to ask about, such as my lowkey love for the artist Chungha.
Yunho said that he had heard a few of her songs before too, leading us down another conversation about our tastes in music and other pop culture.
Sometime during the conversation, Yunho’s phone started to ring as he excused himself from the table. I called the waiter over again during that time, asking for a small takeout bag.
I stuffed the rest of the cookies into it, deciding to take them back to Chloe along with the drink. Pausing for a bit, I pulled out one cookie and placed it back onto the plate incase Yunho wanted one more.
It wasn’t long before he came back, brushing off the topic when I asked him if the call was important. I didn’t want to invade his privacy, hence why I didn’t push the topic. In fact, I only asked because I didn’t want to keep him if there was some sort of emergency.
We picked up on the tail of our last conversation, reengaging in a passionate debate over which Harry Potter book was the best and other things of the sort.
Before I knew it, half an hour past and my break was about to end in twenty minutes. As much as I enjoyed learning about Yunho’s love for sports, fascination over the Harry Potter, and sweet but wild group of friends, I didn’t even want to think about how my manager would breath down my back if I came back late.
Looking down to see my empty cup, I realized with a start that my hand had somehow ended up in Yunho’s. During our conversation his hand had gotten closer and closer to mine, as I had left it lying on the table. I didn’t remember when that had changed, from the tips of his fingers brushing mine to slipping his hand on top of my own.
I wasn’t sure if he noticed this, but when I tried to remove my hand back from his grip, his hold only tightened as his thumb brushed the back of my hand. It became clear that it had been quite intentional.
“Hey, Yunho?” I asked, eyes lifting from our hands up to his face.
“Yeah?” He asked, sweet smile never leaving his lips before the corner of his lips quirked up into a small smirk. It was clear that he was only teasing me by not letting go, as I uncomfortably shifted in my chair.
Deciding not to mention it to save a little bit of my pride, I glanced over at the antique clock on the opposite wall. “My lunch break is nearly over, I have to go.”
He nodded in acknowledgement of my statement, reaching over with his free hand to sling his coat over his arm. “Is it close to here?”
“Yeah, just a ten minute walk away.”
He got up, pulling me up with my hand in his. Before I could comprehend what he was doing, he intertwined our fingers, taking the last sugar cookie off the plate and stuffing it in my mouth to muffle my protests.
My ears were burning scarlet as he led me out of the cafe, pouting slightly as I chewed. This guy seriously… A question floated up, bubbling through my mouth as I looked up at Yunho with furrowed eyebrows. “Did we just dine and dash?”
Yunho shook his head with a little laugh, eyes shifting down to meet mine before looking forward again. “No, I covered the bill earlier.”
That had me pause in my step, causing Yunho to come to a stop too since our hands were intertwined. I don’t recall ever receiving the bill at our table, nor did I hear Yunho say that he was going up front to pay, otherwise I would’ve forced him to split the bill. Although, there was that one time he left to take a call…
That was when the realization of what had happened dawned on me and from Yunho’s knowing smile he could tell that I had figured it out. “You didn’t.”
“But, I did.” he chuckled once more, pulling me forward as he began to walk again. It was clear that he didn’t actually know where we were going, so I widened my stride a little so that we would be walking side by side. It was rather sweet how he intended to walk me back to my office, the same way a guy would take a date home.
Before we got far, my phone went off, the familiar tune of Chungha’s debut song filling the silence between us. My cheeks flushed pink at Yunho’s teasing gaze, deepening as he teased, “Didn’t you say you were just a minor fan?”
“Yeah, yeah,” I brushed him off, excusing myself to take the call. The caller ID read ‘Chlo~’ with a couple of red hearts after it.
“Where are you? You’re usually back by now!” Exclaimed Chloe from the other side of the line, the faint bubbling in the background signifying that she was currently in the lobby near the fountain.
“Sorry, I lost track of time,” I apologized, smiling sheepishly despite the fact that she couldn’t see me. I heard Chloe sigh, telling me to hurry up and get back because ‘she missed me’ before hanging up.
I slipped my phone back into my pocket, before swiftly making my way back to Yunho. “Sorry about that, my coworker was fretting over the fact that I wasn’t back yet.”
Yunho shook his head to dismiss my apology, saying not to worry about it since he was the one taking up my time.
Suddenly, a familiar voice could be heard from the distance coming closer and closer. “Stupid day… No, stupid date… Ditched by a guy now ditched by my clutch… I must have left if in that stupid cafe.”
The girl from earlier appeared in front of us as she rounded the corner, with her head down as she appeared to be typing away angrily on her phone. Pure and sheer panic coursed through my veins at the sight of her. If she was indeed who I thought she was, then the moment she opened her mouth, I’d be exposed.
However, before I could do anything, she slammed in Yunho’s chest due to not watching where she was going. Yunho’s hands flew to her shoulders to steady her, wincing at how he hadn’t seen her coming either since he had been looking at me.
“Watch where you’re- Oh,” she trailed off, eyes widening when she lifted her head up and saw Yunho’s face for the first time. It was almost comical how Yunho could attract the interest of everyone around him without even trying, me being included.
Her hands slowly slipped up to his arms, squeezing lightly while a flirtatious smile replaced her scowl. Since she was so close to Yunho, her back was to me and couldn’t see what I was doing.
Despite being wary of the situation, I couldn’t help but let out an over exaggerated, but silent, gagging noise. I muffled my own laughter at the act with the palm of my hand, however, Yunho didn’t have the liberty to, which was why he couldn’t hide his chuckle.
The girl clinging onto him was confused, but somehow took that as a positive sign as she started to bat her freakishly long eyelashes at him. “Hey, aren’t you Yunho? My name is Hayoung, I’m pretty sure a guy from my class set us up on a date. What was his name again… Junhao?”
I felt like my heart had stopped at her words, hands becoming cold and clammy as I looked at Yunho. Would he get mad at me? Maybe even leave and go on the date that he missed with Hayoung? In my defense I had tried to tell him that I wasn’t his date, though to be fair I really could have tried harder.
Still, Yunho didn’t notice my terrified gaze, instead looking at Hayoung’s hands which were shamelessly feeling up his biceps. He reached up to pry her hands off of him, stepping back to put some distance between the two of them.
“Yeah, that’s me, though I don’t think it’s appropriate to hang off a guy in front of his date,” he commented, shocking me to my core. Yunho finally looked at me with a soft smile, taking one of my hands in his once more.
Hayoung’s wide eyes weren’t nearly as large as mine as we were both baffled over what had just happened. My eyes kept scanning over Yunho’s face to see if I could get a read over his thoughts, yet all I could see in his eyes was the same warmth they always held.
He squeezed my hand in response, assuring me that he didn’t regret his actions as he turned back to look at a gaping Hayoung.
“Now if you’ll excuse us, we really need to go,” Yunho stated, quickly leading us away from the fuming girl.
Once we reached my office building, I stopped in front of it, saying that this was me. I gently pulled my hand out of his, shyly brushing a stray strand of hair out of my eyes.
Yunho, tucked both of his hands into his pockets as he stood in front of me, not quite wanting to leave, yet not having a valid reason to stay.
I took that as my que to ask the question burning in the back of my mind. “You didn’t seem very surprised at Hayoung’s appearance, did you know I wasn’t your date?”
Yunho nodded with a guilty smile, reaching up to rub the back of his neck in embarrassment. “Yeah, the call I took earlier was from my friend Jongho, saying that Hayoung called chewing his ear off. I also may or may not have known what she looked like beforehand…”
My jaw dropped at his confession, and to think that I had worried over nothing. “You knew and yet you approached me out of the blue? Why in the world would you do something like that? Not saying that I didn’t enjoy your company, but that’s kinda creepy you know…”
“Sorry, you were just the most attractive person I’ve ever seen in my life. Not to mention the fact that you seemed to be alone in the cafe,” Yunho apologized, eyes dropping to the floor as he was unable to meet my gaze in fear of being scolded. I was stunned into silence. That was the sweetest thing anyone had ever said to me, especially from someone so good looking.
Shoving down the reprimand I had in mind, I jokingly nudged Yunho in the ribs to get him to look at me again. “Well she didn’t really seem to be your type anyways.”
Yunho laughed at this, wholeheartedly agreeing with me. “It seems you know my type better than my own friends. Though to be honest, I’m pretty sure Jongho knew that I would never approach a girl like Hayoung and was only trying to get me back for finishing the last bottle of Sprite from his secret collection. We’re housemates.”
I laughed at his in depth explanation, relating to his struggles. Chloe moved in with me in the summer, a few months after we met. The air conditioning unit in her run down apartment kept breaking down and was twice the distance from the company than mine.
It was far more convenient with her as a housemate as we had more spare change to spend on the money we saved on rent with a split bill. However, with every housemate comes the temptation of stealing their things.
Just recalling that one time I finished the last slice of the cake Chloe bought… She deemed it fair play to sprinkle a few pinches of flour in our shared hairdryer while I was in the shower. Though I couldn’t get mad at her for it though, because she apologized immediately after, while laughing her head off. It was extremely fortunate for her that I loved her, otherwise she would have been in for it.
“Hey, you said you were an editor, but you never mentioned the fact that you worked for this particular company,” mused Yunho, drawing me back from the mini memory lane my mind had skipped down.
“Oh I must’ve forgotten to mention it,” I said, arching an eyebrow at Yunho who’s smile spread impossibly wider. I was curious as to why me working at this company sparked his interest so much.
“You know, I just passed my interview here a few months ago?” asked Yunho casually, eyes gleaming playfully at the way my eyes widened at his words.
“Holy spades, though why weren’t you with the other interns today?” I asked, recalling the reason why Chloe couldn’t join me today.
“Well we were toured around the company earlier this morning but when my group was handed off to this other woman I turned out to be the only person who knew how to work the coffee machine. I used to work part time as a barista,” he explained with a mirthful tone of voice.
“That’s explains it,” I thought, nodding at his words. As much as I loved talking to Yunho today, I knew my break was drawing to a close and that I needed to leave soon.
“Well, I guess we’ll be seeing each other more often then,” I smiled at him bashfully, already visualizing what it would be like seeing him around at the office in the future.
“Yeah,” he agreed, hesitating a little with his next actions before stepping forward and placing a chaste kiss on my cheek.
He pulled away with a burning red blush crawling up his neck as he waved goodbye and walked off, back in the direction of the cafe and what I assumed was his car.
I shoved down my own blush, trying to recollect myself as I stepped back into the front lobby of my apartment building.
Chloe was sitting on the rim of the fountain, seemingly preoccupied with her phone. It was clear that she hadn’t seen what went down outside, otherwise she would’ve pounced on me right then and there with a mountain of questions.
Sneaking up beside her, I dangled the paper bag of sugar cookies in front of her face with a small “tada”. Chloe looked up from her phone, smiling at the bag. “Ah, you’re back. Thanks.”
I also handed her the sealed takeout cup of bubble tea and a plastic straw that I had kept hidden inside of my bag. Miraculously there was still a few ice cubes left, as the cafe had its air conditioner turned pretty high to combat the early fall heat. Or maybe it was just that my bag had some sort of secret insulation tech embedded into the interior pouch. Who knows?
She accepted it with yet another “thanks” and popped the straw through the plastic covering. Taking a small sip, she hummed in content with the sweet drink. I grinned at her as she looked down at the sweet drink as if she was trying to see a visible difference between this mixture and every other milk tea she’s tried.
The cafe really did the name of bubble tea justice, with chewy tapioca pearls of a perfect consistency and a tea base with just the right amount of sugar and flavouring. It was a little pricier as expected, however the extra dollar was definitely worth it.
“It’s good isn’t it?” I asked, as she nodded without an ounce of hesitation much like I did at Yunho when he inquired about my love for bubble tea.
We made our way to the elevator arm in arm, with Chloe asking me why I had been gone for so long.
“Were you with a guy?” Chloe asked teasingly, expecting my usual mundane response of “no”. After all, dates were never my thing and she knew that quite well. I glanced at the bright red numbers flashing in the elevator’s screen, noticing that it had reached my floor.
“Actually, yes I was,” I stated mischievously, stepping out of the elevator when the door opened. I spun around, watching as Chloe’s eyes widened.
“What?!” she exclaimed, watching in horror as the door started closing before she could ask anymore questions. I knew that she wouldn’t risk angering her manager by going back late as she certainly would if she ran out of the elevator after me.
I waved at her as the door shut, laughing a little. I knew that I wouldn’t be able to get away from her later when we got home, however, I was too giddy to really think about how I’d suffer her wrath for dropping a bomb like that and just leaving.
Making my way back to my own desk, I plopped down in the spinning chair with a soft smile at everything that had occurred today. Sure, the traffic I’d have to deal with later might put a damper on my mood, and sure, I’d have to deal with Chloe’s inevitable interrogation but the carefree giddiness I felt at that moment felt like it would last forever.
When tomorrow comes, the internships will officially start and with them will come the one blue haired male that captured my attention today and heck, maybe he’ll be my fifth and final reason to stay.
#ateez#yunho#fanfiction#imagine#oneshot#romance#fluff#ateez yunho imagine#ateez yunho oneshot#ateez yunho fanfic
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Pop Picks – October 31
October 31, 2019
What I’m listening to:
It drove his critics crazy that Obama was the coolest president we ever had and his summer 2019 playlist on Spotify simply confirms that reality. It has been on repeat for me. From Drake to Lizzo (God I love her) to Steely Dan to Raphael Saadiq to Sinatra (who I skip every time – I’m not buying the nostalgia), his carefully curated list reflects not only his infinite coolness, but the breadth of his interests and generosity of taste. I love the music, but I love even more the image of Michelle and him rocking out somewhere far from Washington’s madness, as much as I miss them both.
What I’m reading:
I struggled with Christy Lefteri’s The Beekeeper of Aleppo for the first 50 pages, worried that she’d drag out every tired trope of Mid-Eastern society, but I fell for her main characters and their journey as refugees from Syria to England. Parts of this book were hard to read and very dark, because that is the plight of so many refugees and she doesn’t shy away from those realities and the enormous toll they take on displaced people. It’s a hard read, but there is light too – in resilience, in love, in friendships, the small tender gestures of people tossed together in a heartless world. Lefteri volunteered in Greek refugee programs, spent a lot of interviewing people, and the book feels true, and importantly, heartfelt.
What I’m watching:
Soap opera meets Shakespeare, deliciously malevolent and operatic, Succession has been our favorite series this season. Loosely based on the Murdochs and their media empire (don’t believe the denials), this was our must watch television on Sunday nights, filling the void left by Game of Thrones. The acting is over-the-top good, the frequent comedy dark, the writing brilliant, and the music superb. We found ourselves quoting lines after every episode. Like the hilarious; “You don’t hear much about syphilis these days. Very much the Myspace of STDs.” Watch it so we can talk about that season 2 finale.
Archive
August 30, 2019
What I’m listening to:
I usually go to music here, but the New York Times new 1619 podcast is just terrific, as is the whole project, which observes the sale of the first enslaved human beings on our shores 400 years ago. The first episode, “The Fight for a True Democracy” is a remarkable overview (in a mere 44 minutes) of the centrality of racism and slavery in the American story over those 400 years. It should be mandatory listening in every high school in the country. I’m eager for the next episodes. Side note: I am addicted to The Daily podcast, which gives more color and detail to the NY Times stories I read in print (yes, print), and reminds me of how smart and thoughtful are those journalists who give us real news. We need them now more than ever.
What I’m reading:
Colson Whitehead has done it again. The Nickel Boys, his new novel, is a worthy successor to his masterpiece The Underground Railroad, and because it is closer to our time, based on the real-life horrors of a Florida reform school, and written a time of resurgent White Supremacy, it hits even harder and with more urgency than its predecessor. Maybe because we can read Underground Railroad with a sense of “that was history,” but one can’t read Nickel Boys without the lurking feeling that such horrors persist today and the monsters that perpetrate such horrors walk among us. They often hold press conferences.
What I’m watching:
Queer Eye, the Netflix remake of the original Queer Eye for the Straight Guy some ten years later, is wondrously entertaining, but it also feels adroitly aligned with our dysfunctional times. Episode three has a conversation with Karamo Brown, one of the fab five, and a Georgia small town cop (and Trump supporter) that feels unscripted and unexpected and reminds us of how little actual conversation seems to be taking place in our divided country. Oh, for more car rides such as the one they take in that moment, when a chasm is bridged, if only for a few minutes. Set in the South, it is often a refreshing and affirming response to what it means to be male at a time of toxic masculinity and the overdue catharsis and pain of the #MeToo movement. Did I mention? It’s really fun.
July 1, 2019
What I’m listening to:
The National remains my favorite band and probably 50% of my listening time is a National album or playlist. Their new album I Am Easy To Find feels like a turning point record for the band, going from the moody, outsider introspection and doubt of lead singer Matt Berninger to something that feels more adult, sophisticated, and wiser. I might have titled it Women Help The Band Grow Up. Matt is no longer the center of The National’s universe and he frequently cedes the mic to the many women who accompany and often lead on the long, their longest, album. They include Gail Ann Dorsey (who sang with Bowie for a long time), who is amazing, and a number of the songs were written by Carin Besser, Berninger’s wife. I especially love the Brooklyn Youth Chorus, the arrangements, and the sheer complexity and coherence of the work. It still amazes me when I meet someone who does not know The National. My heart breaks for them just a little.
What I’m reading:
Pat Barker’s The Silence of the Girls is a retelling of Homer’s Iliad through the lens of a captive Trojan queen, Briseis. As a reviewer in The Atlantic writes, it answers the question “What does war mean to women?” We know the answer and it has always been true, whether it is the casual and assumed rape of captive women in this ancient war story or the use of rape in modern day Congo, Syria, or any other conflict zone. Yet literature almost never gives voice to the women – almost always minor characters at best — and their unspeakable suffering. Barker does it here for Briseis, for Hector’s wife Andromache, and for the other women who understand that the death of their men is tragedy, but what they then endure is worse. Think of it ancient literature having its own #MeToo moment. The NY Times’ Geraldine Brooks did not much like the novel. I did. Very much.
What I’m watching:
The BBC-HBO limited series Years and Years is breathtaking, scary, and absolutely familiar. It’s as if Black Mirrorand Children of Men had a baby and it precisely captures the zeitgeist, the current sense that the world is spinning out of control and things are coming at us too fast. It is a near future (Trump has been re-elected and Brexit has occurred finally)…not dystopia exactly, but damn close. The closing scene of last week’s first episode (there are 6 episodes and it’s on every Monday) shows nuclear war breaking out between China and the U.S. Yikes! The scope of this show is wide and there is a big, baggy feel to it – but I love the ambition even if I’m not looking forward to the nightmares.
May 19, 2019
What I’m listening to:
I usually go to music here, but I was really moved by this podcast of a Davis Brooks talk at the Commonwealth Club in Silicon Valley: https://www.commonwealthclub.org/events/archive/podcast/david-brooks-quest-moral-life. While I have long found myself distant from his political stance, he has come through a dark night of the soul and emerged with a wonderful clarity about calling, community, and not happiness (that most superficial of goals), but fulfillment and meaning, found in community and human kinship of many kinds. I immediately sent it to my kids.
What I’m reading:
Susan Orlean’s wonderful The Library Book, a love song to libraries told through the story of the LA Central Library. It brought back cherished memories of my many hours in beloved libraries — as a kid in the Waltham Public Library, a high schooler in the Farber Library at Brandeis (Lil Farber years later became a mentor of mine), and the cathedral-like Bapst Library at BC when I was a graduate student. Yes, I was a nerd. This is a love song to books certainly, but a reminder that libraries are so, so much more. It is a reminder that libraries are less about a place or being a repository of information and, like America at its best, an idea and ideal. By the way, oh to write like her.
What I’m watching:
What else? Game of Thrones, like any sensible human being. This last season is disappointing in many ways and the drop off in the writing post George R.R. Martin is as clear as was the drop off in the post-Sorkin West Wing. I would be willing to bet that if Martin has been writing the last season, Sansa and Tyrion would have committed suicide in the crypt. That said, we fans are deeply invested and even the flaws are giving us so much to discuss and debate. In that sense, the real gift of this last season is the enjoyment between episodes, like the old pre-streaming days when we all arrived at work after the latest episode of the Sopranos to discuss what we had all seen the night before. I will say this, the last two episodes — full of battle and gore – have been visually stunning. Whether the torches of the Dothraki being extinguished in the distance or Arya riding through rubble and flame on a white horse, rarely has the series ascended to such visual grandeur.
March 28, 2019
What I’m listening to:
There is a lovely piece played in a scene from A Place Called Home that I tracked down. It’s Erik Satie’s 3 Gymnopédies: Gymnopédie No. 1, played by the wonderful pianist Klára Körmendi. Satie composed this piece in 1888 and it was considered avant-garde and anti-Romantic. It’s minimalism and bit of dissonance sound fresh and contemporary to my ears and while not a huge Classical music fan, I’ve fallen in love with the Körmendi playlist on Spotify. When you need an alternative to hours of Cardi B.
What I’m reading:
Just finished Esi Edugyan’s 2018 novel Washington Black. Starting on a slave plantation in Barbados, it is a picaresque novel that has elements of Jules Verne, Moby Dick, Frankenstein, and Colson Whitehead’s Underground Railroad. Yes, it strains credulity and there are moments of “huh?”, but I loved it (disclosure: I was in the minority among my fellow book club members) and the first third is a searing depiction of slavery. It’s audacious, sprawling (from Barbados to the Arctic to London to Africa), and the writing, especially about nature, luminous.
What I’m watching:
A soap opera. Yes, I’d like to pretend it’s something else, but we are 31 episodes into the Australian drama A Place Called Home and we are so, so addicted. Like “It’s AM, but can’t we watch just one more episode?” addicted. Despite all the secrets, cliff hangers, intrigue, and “did that just happen?” moments, the core ingredients of any good soap opera, APCH has superb acting, real heft in terms of subject matter (including homophobia, anti-Semitism, sexual assault, and class), touches of our beloved Downton Abbey, and great cars. Beware. If you start, you won’t stop.
February 11, 2019
What I’m listening to:
Raphael Saadiq has been around for quite a while, as a musician, writer, and producer. He’s new to me and I love his old school R&B sound. Like Leon Bridges, he brings a contemporary freshness to the genre, sounding like a young Stevie Wonder (listen to “You’re The One That I Like”). Rock and Roll may be largely dead, but R&B persists – maybe because the former was derivative of the latter and never as good (and I say that as a Rock and Roll fan). I’m embarrassed to only have discovered Saadiq so late in his career, but it’s a delight to have done so.
What I’m reading:
Just finished Marilynne Robinson’s Home, part of her trilogy that includes the Pulitzer Prize winning first novel, Gilead, and the book after Home, Lila. Robinson is often described as a Christian writer, but not in a conventional sense. In this case, she gives us a modern version of the prodigal son and tells the story of what comes after he is welcomed back home. It’s not pretty. Robinson is a self-described Calvinist, thus character begets fate in Robinson’s world view and redemption is at best a question. There is something of Faulkner in her work (I am much taken with his famous “The past is never past” quote after a week in the deep South), her style is masterful, and like Faulkner, she builds with these three novels a whole universe in the small town of Gilead. Start with Gilead to better enjoy Home.
What I’m watching:
Sex Education was the most fun series we’ve seen in ages and we binged watched it on Netflix. A British homage to John Hughes films like The Breakfast Club, Ferris Bueller’s Day Off, and Pretty in Pink, it feels like a mash up of American and British high schools. Focusing on the relationship of Maeve, the smart bad girl, and Otis, the virginal and awkward son of a sex therapist (played with brilliance by Gillian Anderson), it is laugh aloud funny and also evolves into more substance and depth (the abortion episode is genius). The sex scenes are somehow raunchy and charming and inoffensive at the same time and while ostensibly about teenagers (it feels like it is explaining contemporary teens to adults in many ways), the adults are compelling in their good and bad ways. It has been renewed for a second season, which is a gift.
January 3, 2019
What I’m listening to:
My listening choices usually refer to music, but this time I’m going with Malcolm Gladwell’s Revisionist History podcast on genius and the song Hallelujah. It tells the story of Leonard Cohen’s much-covered song Hallelujah and uses it as a lens on kinds of genius and creativity. Along the way, he brings in Picasso and Cézanne, Elvis Costello, and more. Gladwell is a good storyteller and if you love pop music, as I do, and Hallelujah, as I do (and you should), you’ll enjoy this podcast. We tend to celebrate the genius who seems inspired in the moment, creating new work like lightning strikes, but this podcast has me appreciating incremental creativity in a new way. It’s compelling and fun at the same time.
What I’m reading:
Just read Clay Christensen’s new book, The Prosperity Paradox: How Innovation Can Lift Nations Out of Poverty. This was an advance copy, so soon available. Clay is an old friend and a huge influence on how we have grown SNHU and our approach to innovation. This book is so compelling, because we know attempts at development have so often been a failure and it is often puzzling to understand why some countries with desperate poverty and huge challenges somehow come to thrive (think S. Korea, Singapore, 19th C. America), while others languish. Clay offers a fresh way of thinking about development through the lens of his research on innovation and it is compelling. I bet this book gets a lot of attention, as most of his work does. I also suspect that many in the development community will hate it, as it calls into question the approach and enormous investments we have made in an attempt to lift countries out of poverty. A provocative read and, as always, Clay is a good storyteller.
What I’m watching:
Just watched Leave No Trace and should have guessed that it was directed by Debra Granik. She did Winter’s Bone, the extraordinary movie that launched Jennifer Lawrence’s career. Similarly, this movie features an amazing young actor, Thomasin McKenzie, and visits lives lived on the margins. In this case, a veteran suffering PTSD, and his 13-year-old daughter. The movie is patient, is visually lush, and justly earned 100% on Rotten Tomatoes (I have a rule to never watch anything under 82%). Everything in this film is under control and beautifully understated (aside from the visuals) – confident acting, confident directing, and so humane. I love the lack of flashbacks, the lack of sensationalism – the movie trusts the viewer, rare in this age of bombast. A lovely film.
December 4, 2018
What I’m listening to:
Spending a week in New Zealand, we had endless laughs listening to the Kiwi band, Flight of the Conchords. Lots of comedic bands are funny, but the music is only okay or worse. These guys are funny – hysterical really – and the music is great. They have an uncanny ability to parody almost any style. In both New Zealand and Australia, we found a wry sense of humor that was just delightful and no better captured than with this duo. You don’t have to be in New Zealand to enjoy them.
What I’m reading:
I don’t often reread. For two reasons: A) I have so many books on my “still to be read” pile that it seems daunting to also rereadbooks I loved before, and B) it’s because I loved them once that I’m a little afraid to read them again. That said, I was recently asked to list my favorite book of all time and I answered Leo Tolstoy’s Anna Karenina. But I don’t really know if that’s still true (and it’s an impossible question anyway – favorite book? On what day? In what mood?), so I’m rereading it and it feels like being with an old friend. It has one of my very favorite scenes ever: the card game between Levin and Kitty that leads to the proposal and his joyous walking the streets all night.
What I’m watching:
Blindspotting is billed as a buddy-comedy. Wow does that undersell it and the drama is often gripping. I loved Daveed Diggs in Hamilton, didn’t like his character in Black-ish, and think he is transcendent in this film he co-wrote with Rafael Casal, his co-star. The film is a love song to Oakland in many ways, but also a gut-wrenching indictment of police brutality, systemic racism and bias, and gentrification. The film has the freshness and raw visceral impact of Spike Lee’s Do the Right Thing. A great soundtrack, genre mixing, and energy make it one of my favorite movies of 2018.
October 15, 2018
What I’m listening to:
We had the opportunity to see our favorite band, The National, live in Dallas two weeks ago. Just after watching Mistaken for Strangers, the documentary sort of about the band. So we’ve spent a lot of time going back into their earlier work, listening to songs we don’t know well, and reaffirming that their musicality, smarts, and sound are both original and astoundingly good. They did not disappoint in concert and it is a good thing their tour ended, as we might just spend all of our time and money following them around. Matt Berninger is a genius and his lead vocals kill me (and because they are in my range, I can actually sing along!). Their arrangements are profoundly good and go right to whatever brain/heart wiring that pulls one in and doesn’t let them go.
What I’m reading:
Who is Richard Powers and why have I only discovered him now, with his 12th book? Overstory is profoundly good, a book that is essential and powerful and makes me look at my everyday world in new ways. In short, a dizzying example of how powerful can be narrative in the hands of a master storyteller. I hesitate to say it’s the best environmental novel I’ve ever read (it is), because that would put this book in a category. It is surely about the natural world, but it is as much about we humans. It’s monumental and elegiac and wondrous at all once. Cancel your day’s schedule and read it now. Then plant a tree. A lot of them.
What I’m watching:
Bo Burnham wrote and directed Eighth Grade and Elsie Fisher is nothing less than amazing as its star (what’s with these new child actors; see Florida Project). It’s funny and painful and touching. It’s also the single best film treatment that I have seen of what it means to grow up in a social media shaped world. It’s a reminder that growing up is hard. Maybe harder now in a world of relentless, layered digital pressure to curate perfect lives that are far removed from the natural messy worlds and selves we actually inhabit. It’s a well-deserved 98% on Rotten Tomatoes and I wonder who dinged it for the missing 2%.
September 7, 2018
What I’m listening to:
With a cover pointing back to the Beastie Boys’ 1986 Licensed to Ill, Eminem’s quietly released Kamikaze is not my usual taste, but I’ve always admired him for his “all out there” willingness to be personal, to call people out, and his sheer genius with language. I thought Daveed Diggs could rap fast, but Eminem is supersonic at moments, and still finds room for melody. Love that he includes Joyner Lucas, whose “I’m Not Racist” gets added to the growing list of simply amazing music videos commenting on race in America. There are endless reasons why I am the least likely Eminem fan, but when no one is around to make fun of me, I’ll put it on again.
What I’m reading:
Lesley Blume’s Everyone Behaves Badly, which is the story behind Hemingway’s The Sun Also Rises and his time in 1920s Paris (oh, what a time – see Midnight in Paris if you haven’t already). Of course, Blume disabuses my romantic ideas of that time and place and everyone is sort of (or profoundly so) a jerk, especially…no spoiler here…Hemingway. That said, it is a compelling read and coming off the Henry James inspired prose of Mrs. Osmond, it made me appreciate more how groundbreaking was Hemingway’s modern prose style. Like his contemporary Picasso, he reinvented the art and it can be easy to forget, these decades later, how profound was the change and its impact. And it has bullfights.
What I’m watching:
Chloé Zhao’s The Rider is just exceptional. It’s filmed on the Pine Ridge Reservation, which provides a stunning landscape, and it feels like a classic western reinvented for our times. The main characters are played by the real-life people who inspired this narrative (but feels like a documentary) film. Brady Jandreau, playing himself really, owns the screen. It’s about manhood, honor codes, loss, and resilience – rendered in sensitive, nuanced, and heartfelt ways. It feels like it could be about large swaths of America today. Really powerful.
August 16, 2018
What I’m listening to:
In my Spotify Daily Mix was Percy Sledge’s When A Man Loves A Woman, one of the world’s greatest love songs. Go online and read the story of how the song was discovered and recorded. There are competing accounts, but Sledge said he improvised it after a bad breakup. It has that kind of aching spontaneity. It is another hit from Muscle Shoals, Alabama, one of the GREAT music hotbeds, along with Detroit, Nashville, and Memphis. Our February Board meeting is in Alabama and I may finally have to do the pilgrimage road trip to Muscle Shoals and then Memphis, dropping in for Sunday services at the church where Rev. Al Green still preaches and sings. If the music is all like this, I will be saved.
What I’m reading:
John Banville’s Mrs. Osmond, his homage to literary idol Henry James and an imagined sequel to James’ 1881 masterpiece Portrait of a Lady. Go online and read the first paragraph of Chapter 25. He is…profoundly good. Makes me want to never write again, since anything I attempt will feel like some other, lowly activity in comparison to his mastery of language, image, syntax. This is slow reading, every sentence to be savored.
What I’m watching:
I’ve always respected Supreme Court Justice Ruth Bader Ginsburg, but we just watched the documentary RGB. It is over-the-top great and she is now one of my heroes. A superwoman in many ways and the documentary is really well done. There are lots of scenes of her speaking to crowds and the way young women, especially law students, look at her is touching. And you can’t help but fall in love with her now late husband Marty. See this movie and be reminded of how important is the Law.
July 23, 2018
What I’m listening to:
Spotify’s Summer Acoustic playlist has been on repeat quite a lot. What a fun way to listen to artists new to me, including The Paper Kites, Hollow Coves, and Fleet Foxes, as well as old favorites like Leon Bridges and Jose Gonzalez. Pretty chill when dialing back to a summer pace, dining on the screen porch or reading a book.
What I’m reading:
Bryan Stevenson’s Just Mercy. Founder of the Equal Justice Initiative, Stevenson tells of the racial injustice (and the war on the poor our judicial system perpetuates as well) that he discovered as a young graduate from Harvard Law School and his fight to address it. It is in turn heartbreaking, enraging, and inspiring. It is also about mercy and empathy and justice that reads like a novel. Brilliant.
What I’m watching:
Fauda. We watched season one of this Israeli thriller. It was much discussed in Israel because while it focuses on an ex-special agent who comes out of retirement to track down a Palestinian terrorist, it was willing to reveal the complexity, richness, and emotions of Palestinian lives. And the occasional brutality of the Israelis. Pretty controversial stuff in Israel. Lior Raz plays Doron, the main character, and is compelling and tough and often hard to like. He’s a mess. As is the world in which he has to operate. We really liked it, and also felt guilty because while it may have been brave in its treatment of Palestinians within the Israeli context, it falls back into some tired tropes and ultimately falls short on this front.
June 11, 2018
What I’m listening to:
Like everyone else, I’m listening to Pusha T drop the mic on Drake. Okay, not really, but do I get some points for even knowing that? We all walk around with songs that immediately bring us back to a time or a place. Songs are time machines. We are coming up on Father’s Day. My own dad passed away on Father’s Day back in 1994 and I remembering dutifully getting through the wake and funeral and being strong throughout. Then, sitting alone in our kitchen, Don Henley’s The End of the Innocence came on and I lost it. When you lose a parent for the first time (most of us have two after all) we lose our innocence and in that passage, we suddenly feel adult in a new way (no matter how old we are), a longing for our own childhood, and a need to forgive and be forgiven. Listen to the lyrics and you’ll understand. As Wordsworth reminds us in In Memoriam, there are seasons to our grief and, all these years later, this song no longer hits me in the gut, but does transport me back with loving memories of my father. I’ll play it Father’s Day.
What I’m reading:
The Fifth Season, by N. K. Jemisin. I am not a reader of fantasy or sci-fi, though I understand they can be powerful vehicles for addressing the very real challenges of the world in which we actually live. I’m not sure I know of a more vivid and gripping illustration of that fact than N. K. Jemisin’s Hugo Award winning novel The Fifth Season, first in her Broken Earth trilogy. It is astounding. It is the fantasy parallel to The Underground Railroad, my favorite recent read, a depiction of subjugation, power, casual violence, and a broken world in which our hero(s) struggle, suffer mightily, and still, somehow, give us hope. It is a tour de force book. How can someone be this good a writer? The first 30 pages pained me (always with this genre, one must learn a new, constructed world, and all of its operating physics and systems of order), and then I could not put it down. I panicked as I neared the end, not wanting to finish the book, and quickly ordered the Obelisk Gate, the second novel in the trilogy, and I can tell you now that I’ll be spending some goodly portion of my weekend in Jemisin’s other world.
What I’m watching:
The NBA Finals and perhaps the best basketball player of this generation. I’ve come to deeply respect LeBron James as a person, a force for social good, and now as an extraordinary player at the peak of his powers. His superhuman play during the NBA playoffs now ranks with the all-time greats, Larry Bird, Magic Johnson, MJ, Kobe, and the demi-god that was Bill Russell. That his Cavs lost in a 4-game sweep is no surprise. It was a mediocre team being carried on the wide shoulders of James (and matched against one of the greatest teams ever, the Warriors, and the Harry Potter of basketball, Steph Curry) and, in some strange way, his greatness is amplified by the contrast with the rest of his team. It was a great run.
May 24, 2018
What I’m listening to:
I’ve always liked Alicia Keys and admired her social activism, but I am hooked on her last album Here. This feels like an album finally commensurate with her anger, activism, hope, and grit. More R&B and Hip Hop than is typical for her, I think this album moves into an echelon inhabited by a Marvin Gaye’s What’s Going On or Beyonce’s Formation. Social activism and outrage rarely make great novels, but they often fuel great popular music. Here is a terrific example.
What I’m reading:
Colson Whitehead’s Underground Railroad may be close to a flawless novel. Winner of the 2017 Pulitzer, it chronicles the lives of two runaway slaves, Cora and Caeser, as they try to escape the hell of plantation life in Georgia. It is an often searing novel and Cora is one of the great heroes of American literature. I would make this mandatory reading in every high school in America, especially in light of the absurd revisionist narratives of “happy and well cared for” slaves. This is a genuinely great novel, one of the best I’ve read, the magical realism and conflating of time periods lifts it to another realm of social commentary, relevance, and a blazing indictment of America’s Original Sin, for which we remain unabsolved.
What I’m watching:
I thought I knew about The Pentagon Papers, but The Post, a real-life political thriller from Steven Spielberg taught me a lot, features some of our greatest actors, and is so timely given the assault on our democratic institutions and with a presidency out of control. It is a reminder that a free and fearless press is a powerful part of our democracy, always among the first targets of despots everywhere. The story revolves around the legendary Post owner and D.C. doyenne, Katharine Graham. I had the opportunity to see her son, Don Graham, right after he saw the film, and he raved about Meryl Streep’s portrayal of his mother. Liked it a lot more than I expected.
April 27, 2018
What I’m listening to:
I mentioned John Prine in a recent post and then on the heels of that mention, he has released a new album, The Tree of Forgiveness, his first new album in ten years. Prine is beloved by other singer songwriters and often praised by the inscrutable God that is Bob Dylan. Indeed, Prine was frequently said to be the “next Bob Dylan” in the early part of his career, though he instead carved out his own respectable career and voice, if never with the dizzying success of Dylan. The new album reflects a man in his 70s, a cancer survivor, who reflects on life and its end, but with the good humor and empathy that are hallmarks of Prine’s music. “When I Get To Heaven” is a rollicking, fun vision of what comes next and a pure delight. A charming, warm, and often terrific album.
What I’m reading:
I recently read Min Jin Lee’s Pachinko, on many people’s Top Ten lists for last year and for good reason. It is sprawling, multi-generational, and based in the world of Japanese occupied Korea and then in the Korean immigrant’s world of Oaska, so our key characters become “tweeners,” accepted in neither world. It’s often unspeakably sad, and yet there is resiliency and love. There is also intimacy, despite the time and geographic span of the novel. It’s breathtakingly good and like all good novels, transporting.
What I’m watching:
I adore Guillermo del Toro’s 2006 film, Pan’s Labyrinth, and while I’m not sure his Shape of Water is better, it is a worthy follow up to the earlier masterpiece (and more of a commercial success). Lots of critics dislike the film, but I’m okay with a simple retelling of a Beauty and the Beast love story, as predictable as it might be. The acting is terrific, it is visually stunning, and there are layers of pain as well as social and political commentary (the setting is the US during the Cold War) and, no real spoiler here, the real monsters are humans, the military officer who sees over the captured aquatic creature. It is hauntingly beautiful and its depiction of hatred to those who are different or “other” is painfully resonant with the time in which we live. Put this on your “must see” list.
March 18, 2018
What I’m listening to:
Sitting on a plane for hours (and many more to go; geez, Australia is far away) is a great opportunity to listen to new music and to revisit old favorites. This time, it is Lucy Dacus and her album Historians, the new sophomore release from a 22-year old indie artist that writes with relatable, real-life lyrics. Just on a second listen and while she insists this isn’t a break up record (as we know, 50% of all great songs are break up songs), it is full of loss and pain. Worth the listen so far. For the way back machine, it’s John Prine and In Spite of Ourselves (that title track is one of the great love songs of all time), a collection of duets with some of his “favorite girl singers” as he once described them. I have a crush on Iris Dement (for a really righteously angry song try her Wasteland of the Free), but there is also EmmyLou Harris, the incomparable Dolores Keane, and Lucinda Williams. Very different albums, both wonderful.
What I’m reading:
Jane Mayer’s New Yorker piece on Christopher Steele presents little that is new, but she pulls it together in a terrific and coherent whole that is illuminating and troubling at the same time. Not only for what is happening, but for the complicity of the far right in trying to discredit that which should be setting off alarm bells everywhere. Bob Mueller may be the most important defender of the democracy at this time. A must read.
What I’m watching:
Homeland is killing it this season and is prescient, hauntingly so. Russian election interference, a Bannon-style hate radio demagogue, alienated and gun toting militia types, and a president out of control. It’s fabulous, even if it feels awfully close to the evening news.
March 8, 2018
What I’m listening to:
We have a family challenge to compile our Top 100 songs. It is painful. Only 100? No more than three songs by one artist? Wait, why is M.I.A.’s “Paper Planes” on my list? Should it just be The Clash from whom she samples? Can I admit to guilty pleasure songs? Hey, it’s my list and I can put anything I want on it. So I’m listening to the list while I work and the song playing right now is Tom Petty’s “The Wild One, Forever,” a B-side single that was never a hit and that remains my favorite Petty song. Also, “Evangeline” by Los Lobos. It evokes a night many years ago, with friends at Pearl Street in Northampton, MA, when everyone danced well past 1AM in a hot, sweaty, packed club and the band was a revelation. Maybe the best music night of our lives and a reminder that one’s 100 Favorite Songs list is as much about what you were doing and where you were in your life when those songs were playing as it is about the music. It’s not a list. It’s a soundtrack for this journey.
What I’m reading:
Patricia Lockwood’s Priestdaddy was in the NY Times top ten books of 2017 list and it is easy to see why. Lockwood brings remarkable and often surprising imagery, metaphor, and language to her prose memoir and it actually threw me off at first. It then all became clear when someone told me she is a poet. The book is laugh aloud funny, which masks (or makes safer anyway) some pretty dark territory. Anyone who grew up Catholic, whether lapsed or not, will resonate with her story. She can’t resist a bawdy anecdote and her family provides some of the most memorable characters possible, especially her father, her sister, and her mother, who I came to adore. Best thing I’ve read in ages.
What I’m watching:
The Florida Project, a profoundly good movie on so many levels. Start with the central character, six-year old (at the time of the filming) Brooklynn Prince, who owns – I mean really owns – the screen. This is pure acting genius and at that age? Astounding. Almost as astounding is Bria Vinaite, who plays her mother. She was discovered on Instagram and had never acted before this role, which she did with just three weeks of acting lessons. She is utterly convincing and the tension between the child’s absolute wonder and joy in the world with her mother’s struggle to provide, to be a mother, is heartwarming and heartbreaking all at once. Willem Dafoe rightly received an Oscar nomination for his supporting role. This is a terrific movie.
February 12, 2018
What I’m listening to:
So, I have a lot of friends of age (I know you’re thinking 40s, but I just turned 60) who are frozen in whatever era of music they enjoyed in college or maybe even in their thirties. There are lots of times when I reach back into the catalog, since music is one of those really powerful and transporting senses that can take you through time (smell is the other one, though often underappreciated for that power). Hell, I just bought a turntable and now spending time in vintage vinyl shops. But I’m trying to take a lesson from Pat, who revels in new music and can as easily talk about North African rap music and the latest National album as Meet the Beatles, her first ever album. So, I’ve been listening to Kendrick Lamar’s Grammy winning Damn. While it may not be the first thing I’ll reach for on a winter night in Maine, by the fire, I was taken with it. It���s layered, political, and weirdly sensitive and misogynist at the same time, and it feels fresh and authentic and smart at the same time, with music that often pulled me from what I was doing. In short, everything music should do. I’m not a bit cooler for listening to Damn, but when I followed it with Steely Dan, I felt like I was listening to Lawrence Welk. A good sign, I think.
What I’m reading:
I am reading Walter Isaacson’s new biography of Leonardo da Vinci. I’m not usually a reader of biographies, but I’ve always been taken with Leonardo. Isaacson does not disappoint (does he ever?), and his subject is at once more human and accessible and more awe-inspiring in Isaacson’s capable hands. Gay, left-handed, vegetarian, incapable of finishing things, a wonderful conversationalist, kind, and perhaps the most relentlessly curious human being who has ever lived. Like his biographies of Steve Jobs and Albert Einstein, Isaacson’s project here is to show that genius lives at the intersection of science and art, of rationality and creativity. Highly recommend it.
What I’m watching:
We watched the This Is Us post-Super Bowl episode, the one where Jack finally buys the farm. I really want to hate this show. It is melodramatic and manipulative, with characters that mostly never change or grow, and it hooks me every damn time we watch it. The episode last Sunday was a tear jerker, a double whammy intended to render into a blubbering, tissue-crumbling pathetic mess anyone who has lost a parent or who is a parent. Sterling K. Brown, Ron Cephas Jones, the surprising Mandy Moore, and Milo Ventimiglia are hard not to love and last season’s episode that had only Brown and Cephas going to Memphis was the show at its best (they are by far the two best actors). Last week was the show at its best worst. In other words, I want to hate it, but I love it. If you haven’t seen it, don’t binge watch it. You’ll need therapy and insulin.
January 15, 2018
What I’m listening to:
Drive-By Truckers. Chris Stapleton has me on an unusual (for me) country theme and I discovered these guys to my great delight. They’ve been around, with some 11 albums, but the newest one is fascinating. It’s a deep dive into Southern alienation and the white working-class world often associated with our current president. I admire the willingness to lay bare, in kick ass rock songs, the complexities and pain at work among people we too quickly place into overly simple categories. These guys are brave, bold, and thoughtful as hell, while producing songs I didn’t expect to like, but that I keep playing. And they are coming to NH.
What I’m reading:
A textual analog to Drive-By Truckers by Chris Stapleton in many ways is Tony Horowitz’s 1998 Pulitzer Prize winning Confederates in the Attic. Ostensibly about the Civil War and the South’s ongoing attachment to it, it is prescient and speaks eloquently to the times in which we live (where every southern state but Virginia voted for President Trump). Often hilarious, it too surfaces complexities and nuance that escape a more recent, and widely acclaimed, book like Hillbilly Elegy. As a Civil War fan, it was also astonishing in many instances, especially when it blows apart long-held “truths” about the war, such as the degree to which Sherman burned down the south (he did not). Like D-B Truckers, Horowitz loves the South and the people he encounters, even as he grapples with its myths of victimhood and exceptionalism (and racism, which may be no more than the racism in the north, but of a different kind). Everyone should read this book and I’m embarrassed I’m so late to it.
What I’m watching:
David Letterman has a new Netflix show called “My Next Guest Needs No Introduction” and we watched the first episode, in which Letterman interviewed Barack Obama. It was extraordinary (if you don’t have Netflix, get it just to watch this show); not only because we were reminded of Obama’s smarts, grace, and humanity (and humor), but because we saw a side of Letterman we didn’t know existed. His personal reflections on Selma were raw and powerful, almost painful. He will do five more episodes with “extraordinary individuals” and if they are anything like the first, this might be the very best work of his career and one of the best things on television.
December 22, 2017
What I’m reading:
Just finished Sunjeev Sahota’s Year of the Runaways, a painful inside look at the plight of illegal Indian immigrant workers in Britain. It was shortlisted for 2015 Man Booker Prize and its transporting, often to a dark and painful universe, and it is impossible not to think about the American version of this story and the terrible way we treat the undocumented in our own country, especially now.
What I’m watching:
Season II of The Crown is even better than Season I. Elizabeth’s character is becoming more three-dimensional, the modern world is catching up with tradition-bound Britain, and Cold War politics offer more context and tension than we saw in Season I. Claire Foy, in her last season, is just terrific – one arched eye brow can send a message.
What I’m listening to:
A lot of Christmas music, but needing a break from the schmaltz, I’ve discovered Over the Rhine and their Christmas album, Snow Angels. God, these guys are good.
November 14, 2017
What I’m watching:
Guiltily, I watch the Patriots play every weekend, often building my schedule and plans around seeing the game. Why the guilt? I don’t know how morally defensible is football anymore, as we now know the severe damage it does to the players. We can’t pretend it’s all okay anymore. Is this our version of late decadent Rome, watching mostly young Black men take a terrible toll on each other for our mere entertainment?
What I’m reading:
Recently finished J.G. Ballard’s 2000 novel Super-Cannes, a powerful depiction of a corporate-tech ex-pat community taken over by a kind of psychopathology, in which all social norms and responsibilities are surrendered to residents of the new world community. Kept thinking about Silicon Valley when reading it. Pretty dark, dystopian view of the modern world and centered around a mass killing, troublingly prescient.
What I’m listening to:
Was never really a Lorde fan, only knowing her catchy (and smarter than you might first guess) pop hit “Royals” from her debut album. But her new album, Melodrama, is terrific and it doesn’t feel quite right to call this “pop.” There is something way more substantial going on with Lorde and I can see why many critics put this album at the top of their Best in 2017 list. Count me in as a huge fan.
November 3, 2017
What I’m reading: Just finished Celeste Ng’s Little Fires Everywhere, her breathtakingly good second novel. How is someone so young so wise? Her writing is near perfection and I read the book in two days, setting my alarm for 4:30AM so I could finish it before work.
What I’m watching: We just binge watched season two of Stranger Things and it was worth it just to watch Millie Bobbie Brown, the transcendent young actor who plays Eleven. The series is a delightful mash up of every great eighties horror genre you can imagine and while pretty dark, an absolute joy to watch.
What I’m listening to: I’m not a lover of country music (to say the least), but I love Chris Stapleton. His “The Last Thing I Needed, First Thing This Morning” is heartbreakingly good and reminds me of the old school country that played in my house as a kid. He has a new album and I can’t wait, but his From A Room: Volume 1 is on repeat for now.
September 26, 2017
What I’m reading:
Just finished George Saunder’s Lincoln in the Bardo. It took me a while to accept its cadence and sheer weirdness, but loved it in the end. A painful meditation on loss and grief, and a genuinely beautiful exploration of the intersection of life and death, the difficulty of letting go of what was, good and bad, and what never came to be.
What I’m watching:
HBO’s The Deuce. Times Square and the beginning of the porn industry in the 1970s, the setting made me wonder if this was really something I’d want to see. But David Simon is the writer and I’d read a menu if he wrote it. It does not disappoint so far and there is nothing prurient about it.
What I’m listening to:
The National’s new album Sleep Well Beast. I love this band. The opening piano notes of the first song, “Nobody Else Will Be There,” seize me & I’m reminded that no one else in music today matches their arrangement & musicianship. I’m adding “Born to Beg,” “Slow Show,” “I Need My Girl,” and “Runaway” to my list of favorite love songs.
https://ift.tt/eA8V8J from President's Corner https://ift.tt/2r33GID via IFTTT
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Coin Finds: If you want it, you can find it
Based on the long-running “Coin Finds” column in Coins Magazine, which will continue to appear in print, this online version will give additional exposure to the thrill of the hunt.
Submit your own discoveries via email to David C. Harper at [email protected].
I’ve been a collector, off and on, for probably 30 years now, starting at a pretty young age. My grandpa originally got me interested in coins, and over the years I’ve gone down different paths as far as what I collected. I’ve always made sure to check my change, though. In recent years, it has seemed much more difficult to find anything, especially the older silver coins, but yesterday while grabbing lunch in downtown Cedar Rapids, I discovered a 1948-S dime in my change! So I guess there are still finds to be had!
Mark S via email.
I’m a long-time collector for 50-plus years, and I still buy rolls and pick up change in parking lots to keep looking for gems. I bought two rolls of cents last hunt and found one wheat cent, 1957-D, and a 1998 Wide AM variety cent in AU condition. Then I went to Walmart and found two coins in the Coinstar reject slot, a 2001 Canadian quarter and a 2009 South Korean coin about the same size. All in one week. I’ll keep looking. They are still out there. Even free ones!
Gene K. Southern Minnesota
Here is an unusual one:
An elderly friend of mine told me he had “some old coins” from the U.S. Mint and asked if I would look at them and maybe sell them for him. I said sure, and the next day he handed me two small, heavy cardboard packages, both from the U.S. Mint in Philadelphia, one from 1961 and the other from 1962. He had been sitting on them for 57 and 56 years without opening them! I opened the 1961 package carefully, and stuffed inside were 25 Proof sets of the usual penny, nickel, dime, quarter, and half. All 25 were in sealed brown envelopes. Ditto for the 1962 carton, 25 more.
Initial selling price back in the day was $2.10, so he paid $52.50 twice to get two boxes that have been untouched for over half a century.
I checked with four Indiana dealers, and the best price I was offered is $14.50 per set, for all 50 sets. I’m a bit disappointed, as my two-year-old Blue Book says $18, but then again, $725 is not a bad return for two boxes that sat in a drawer for 57 and 56 years! Deal struck, and now my friend has a check for $725.
Steve B. Fishers, Ind.
I’ve only been a serious coin collector for maybe one or two years now. I collect for the historic value, and investment, and just the fun of finding coins of interest or value. So to make a long story short, I called my bank looking for Kennedy halves and Eisenhower dollars. The manager at my bank told me to go to another branch, as they had a couple of Eisenhowers. Went over and, to my amazement, they handed me two rolls of uncirculated Eisenhower dollars! What a find! All were Bicentennial dollars, too! Just goes to show you, if you want it, you can find it.
Jim B. Tonawanda, N.Y.
P.S. My daughter shares the same interest in coin collecting as I do, probably because I give her doubles of what I have collected, but she has a very nice collection herself.
I very much enjoy your magazine, especially the “Coin Finds” section. I haven’t had as much luck or success in finding hard-to-find items as some of the other readers have, but I’m still searching.
My youngest son, who has no real interest in the hobby, has brought me coins on occasions. On one such occasion, he called me from his job and asked if coins are counterfeited. I told him if there is some value to the coin, some people will try.
He proceeded to describe a quarter he had come across at work. I asked a few questions and told him to swap it out and bring it to me if he could. A few hours later, he showed it to me.
It turned out to be a 2005 Minnesota state silver proof quarter. This was a big surprise. It had been circulated for some time, by the scratches and blemishes on it, but still had some mint proof luster to it.
On another occasion, a couple of weeks later, my son brought home six Teddy Roosevelt presidential dollar coins he received at work. They were bright, new, shiny coins that looked as though they just came out of the package. I don’t know how or why these coins were in circulation, but it’s pleasing that I was able to acquire them.
Good luck and happy hunting to all.
Joe S. via email
I’ve enjoyed “Coin Finds” in this magazine for a while. I want to write about one of the most unusual finds I’ve ever made.
One morning in August of 2017, I decided to go to the store for some items. As I walked to the Coinstar machine, I could see some coins in the reject tray. I got everything out, which included (as I somewhat remember) two dimes, three pennies, and four foreign coins.
It’s normal to find foreign coins at the Coinstar machine, as it is calibrated to reject such coins. What was unusual, however, were the dates of these examples. They include (from most recent to earliest): 1979 Australian 10 cents (the size of a U.S. quarter), 1958 Mexican 5 Contavos (I like the brown color of it), 1950 German 1 Pfennig (the smallest of the group), and 1923 Canadian 5 cents (with King George V on the obverse).
This was definitely among my oddest coin finds, but still very exciting.
James via email
I first wrote to Coins Magazine back in December of 2016 regarding Wheat back pennies and was pleasantly surprised that my letter, and finds were printed in the August 2017 edition. Since that letter, I have a new find to share with you. I call it “The Mother of All Finds…….EVER.” Well, at least it was to me. Here’s the back story:
My eldest son is not at all a coin collector, but rather the grandson and son of coin collectors. He has listened to me for countless hours ramble on about every aspect of coins and collecting coins for as long as I can remember, much of the time with two minutes of enthusiasm (then his eyes become glossed over from information overload). Hey, I understand that. I was the same way with my Dad years ago. However, something happened to him recently that made him change his outlook on his Grandfather’s and father’s passion. You can say HE STRUCK GOLD.
My son works for a house flipper and recently came across a small metal bank tucked away in the back of an old dresser in a house they were prepping for rehab. He took it to his boss and asked what he wanted to do with it. The boss said keep it and get back to work. So, he did just that. At the end of his work day, he decided to smash open his rehab find as clearly there were coins inside. How many, what kind, and what condition remained to be seen.
He called me two weeks after his discovery to tell me the story and what he found inside. As he began to describe each coin, it soon became clear to me that, condition notwithstanding, his find was not your average, everyday piggy bank variety. In fact, it was exemplary. Here is what was inside:
• Three each Walking Liberty Half Dollars dated: 1935, 1944 and 1947 • Nine each Mercury Head Dimes dated: 1920, 1926, 1936 (two), 1939 (two), 1940, 1942 and 1945 •Four Buffalo Head Nickels dated: 1934, 1937, and two unreadable dates • Two Mexican Cinco Centavos dated: 1968 and 1969 • Nine Washington Quarters dated: 1936, 1942 (two), 1943 (two), 1944, 1949, 1954 and 1957 • Three Roosevelt Dimes dated: 1946, 1954, and 1957 • One Standing Liberty Quarter dated: unknown – worn off • Six Jefferson Nickels dated: 1940, 1944 (two), 1947, 1948 and 1949 • One Canadian Penny dated: 1981 • Twenty Lincoln Head Pennies dated: 1959, 1962, 1964 (two), 1965, 1966, 1967, 1968 (four), 1969 (two), 1970 (two), 1971, 1980, 1983, 1984 and 1990 • Thirty-six Wheat Back Pennies dated: 1910, 1920, 1928, 1930, 1935, 1937, 1939 (three), 1940, 1941, 1942 (three), 1943, 1944 (four), 1945 (three), 1946 (two), 1947 (three), 1949, 1950 (two), 1951, 1952, 1953 (two), 1955 and 1957
And last but not least, the gem of the bunch: one Gold Liberty Head $5 piece dated: 1882
Few of these coins, all which were gifted to me by my son, have any higher grade than an EF, and most not even that. But the 1882 Gold Liberty Head has the highest grade of them all, with an estimate of AU-56-MS-61, in my humble opinion.
So is there a moral to this story? I’d say so. Involve your kids or grandkids at an early age by planting the seeds of knowledge and appreciation for the things you love most. Their eyes may soon gloss over, but I assure you, your passion means more to them than even THEY realize.
Happy hunting, everyone!
M.D. Elgin, Illinois
Editor’s Note: Upon reading a recent blog post by my colleague and Numismatic News and World Coin News Editor Dave Harper, I thought it was a perfect fit for this space and a story many of you would enjoy.
I am eating too many lunches at McDonald’s these days.
I have become addicted to speed eating since we moved our office from Iola, Wis., to Stevens Point.
The franchise is handy. It is fast.
I get back to the office so I can work during the remaining portion of lunch hour.
How long I can keep this up is a good question, but it has been going long enough that I can now claim a circulation find in change.
Recently, I ordered three cheeseburgers off the Dollar Menu.
The bill came to $3.17.
I tendered a $20 bill.
The change came back in the form of three $5s and a $1 bill.
The 83 cents was made up of two quarters, three dimes and three cents.
I knew I had something as soon as I looked in my palm.
There was the unmistakable look of silver to one of the dimes.
My rational brain immediately kicked in.
“It can’t be. You haven’t gotten a silver dime in years.”
But it was silver. The unmistakable white color was obscured a bit by some light dirt or dried grease.
The dime will win no prizes for beauty or top grade, but the date is 1963.
Flipping it over, the mintmark to the left of the base of the torch was “D” for Denver.
Beyond the satisfaction of getting a silver coin was a sense of nostalgia for having to flip the coin over to see a mintmark on the reverse.
It is kind of fun to be successful in circulation finds mode.
I will report on the rest of the coins.
The other two dimes were 2006-P and 2008-P.
The three cents are a 1977-D, 1983-D and a 2013-D, reflecting the dominance of Denver coins here.
Two quarters are a very worn 1973-D and a 2014-P Arches America the Beautiful quarter.
Now I can hold my head up among the readers of Numismatic News who continue to scan their change and search bank rolls.
This article was originally printed in Coins Magazine. >> Subscribe today.
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Pop Picks — August 30, 2019
August 30, 2019
What I’m listening to:
I usually go to music here, but the New York Times new 1619 podcast is just terrific, as is the whole project, which observes the sale of the first enslaved human beings on our shores 400 years ago. The first episode, “The Fight for a True Democracy” is a remarkable overview (in a mere 44 minutes) of the centrality of racism and slavery in the American story over those 400 years. It should be mandatory listening in every high school in the country. I’m eager for the next episodes. Side note: I am addicted to The Daily podcast, which gives more color and detail to the NY Times stories I read in print (yes, print), and reminds me of how smart and thoughtful are those journalists who give us real news. We need them now more than ever.
What I’m reading:
Colson Whitehead has done it again. The Nickel Boys, his new novel, is a worthy successor to his masterpiece The Underground Railroad, and because it is closer to our time, based on the real-life horrors of a Florida reform school, and written a time of resurgent White Supremacy, it hits even harder and with more urgency than its predecessor. Maybe because we can read Underground Railroad with a sense of “that was history,” but one can’t read Nickel Boys without the lurking feeling that such horrors persist today and the monsters that perpetrate such horrors walk among us. They often hold press conferences.
What I’m watching:
Queer Eye, the Netflix remake of the original Queer Eye for the Straight Guy some ten years later, is wondrously entertaining, but it also feels adroitly aligned with our dysfunctional times. Episode three has a conversation with Karamo Brown, one of the fab five, and a Georgia small town cop (and Trump supporter) that feels unscripted and unexpected and reminds us of how little actual conversation seems to be taking place in our divided country. Oh, for more car rides such as the one they take in that moment, when a chasm is bridged, if only for a few minutes. Set in the South, it is often a refreshing and affirming response to what it means to be male at a time of toxic masculinity and the overdue catharsis and pain of the #MeToo movement. Did I mention? It’s really fun.
Archive
July 1, 2019
What I’m listening to:
The National remains my favorite band and probably 50% of my listening time is a National album or playlist. Their new album I Am Easy To Find feels like a turning point record for the band, going from the moody, outsider introspection and doubt of lead singer Matt Berninger to something that feels more adult, sophisticated, and wiser. I might have titled it Women Help The Band Grow Up. Matt is no longer the center of The National’s universe and he frequently cedes the mic to the many women who accompany and often lead on the long, their longest, album. They include Gail Ann Dorsey (who sang with Bowie for a long time), who is amazing, and a number of the songs were written by Carin Besser, Berninger’s wife. I especially love the Brooklyn Youth Chorus, the arrangements, and the sheer complexity and coherence of the work. It still amazes me when I meet someone who does not know The National. My heart breaks for them just a little.
What I’m reading:
Pat Barker’s The Silence of the Girls is a retelling of Homer’s Iliad through the lens of a captive Trojan queen, Briseis. As a reviewer in The Atlantic writes, it answers the question “What does war mean to women?” We know the answer and it has always been true, whether it is the casual and assumed rape of captive women in this ancient war story or the use of rape in modern day Congo, Syria, or any other conflict zone. Yet literature almost never gives voice to the women – almost always minor characters at best — and their unspeakable suffering. Barker does it here for Briseis, for Hector’s wife Andromache, and for the other women who understand that the death of their men is tragedy, but what they then endure is worse. Think of it ancient literature having its own #MeToo moment. The NY Times’ Geraldine Brooks did not much like the novel. I did. Very much.
What I’m watching:
The BBC-HBO limited series Years and Years is breathtaking, scary, and absolutely familiar. It’s as if Black Mirrorand Children of Men had a baby and it precisely captures the zeitgeist, the current sense that the world is spinning out of control and things are coming at us too fast. It is a near future (Trump has been re-elected and Brexit has occurred finally)…not dystopia exactly, but damn close. The closing scene of last week’s first episode (there are 6 episodes and it’s on every Monday) shows nuclear war breaking out between China and the U.S. Yikes! The scope of this show is wide and there is a big, baggy feel to it – but I love the ambition even if I’m not looking forward to the nightmares.
May 19, 2019
What I’m listening to:
I usually go to music here, but I was really moved by this podcast of a Davis Brooks talk at the Commonwealth Club in Silicon Valley: https://www.commonwealthclub.org/events/archive/podcast/david-brooks-quest-moral-life. While I have long found myself distant from his political stance, he has come through a dark night of the soul and emerged with a wonderful clarity about calling, community, and not happiness (that most superficial of goals), but fulfillment and meaning, found in community and human kinship of many kinds. I immediately sent it to my kids.
What I’m reading:
Susan Orlean’s wonderful The Library Book, a love song to libraries told through the story of the LA Central Library. It brought back cherished memories of my many hours in beloved libraries — as a kid in the Waltham Public Library, a high schooler in the Farber Library at Brandeis (Lil Farber years later became a mentor of mine), and the cathedral-like Bapst Library at BC when I was a graduate student. Yes, I was a nerd. This is a love song to books certainly, but a reminder that libraries are so, so much more. It is a reminder that libraries are less about a place or being a repository of information and, like America at its best, an idea and ideal. By the way, oh to write like her.
What I’m watching:
What else? Game of Thrones, like any sensible human being. This last season is disappointing in many ways and the drop off in the writing post George R.R. Martin is as clear as was the drop off in the post-Sorkin West Wing. I would be willing to bet that if Martin has been writing the last season, Sansa and Tyrion would have committed suicide in the crypt. That said, we fans are deeply invested and even the flaws are giving us so much to discuss and debate. In that sense, the real gift of this last season is the enjoyment between episodes, like the old pre-streaming days when we all arrived at work after the latest episode of the Sopranos to discuss what we had all seen the night before. I will say this, the last two episodes — full of battle and gore – have been visually stunning. Whether the torches of the Dothraki being extinguished in the distance or Arya riding through rubble and flame on a white horse, rarely has the series ascended to such visual grandeur.
March 28, 2019
What I’m listening to:
There is a lovely piece played in a scene from A Place Called Home that I tracked down. It’s Erik Satie’s 3 Gymnopédies: Gymnopédie No. 1, played by the wonderful pianist Klára Körmendi. Satie composed this piece in 1888 and it was considered avant-garde and anti-Romantic. It’s minimalism and bit of dissonance sound fresh and contemporary to my ears and while not a huge Classical music fan, I’ve fallen in love with the Körmendi playlist on Spotify. When you need an alternative to hours of Cardi B.
What I’m reading:
Just finished Esi Edugyan’s 2018 novel Washington Black. Starting on a slave plantation in Barbados, it is a picaresque novel that has elements of Jules Verne, Moby Dick, Frankenstein, and Colson Whitehead’s Underground Railroad. Yes, it strains credulity and there are moments of “huh?”, but I loved it (disclosure: I was in the minority among my fellow book club members) and the first third is a searing depiction of slavery. It’s audacious, sprawling (from Barbados to the Arctic to London to Africa), and the writing, especially about nature, luminous.
What I’m watching:
A soap opera. Yes, I’d like to pretend it’s something else, but we are 31 episodes into the Australian drama A Place Called Home and we are so, so addicted. Like “It’s AM, but can’t we watch just one more episode?” addicted. Despite all the secrets, cliff hangers, intrigue, and “did that just happen?” moments, the core ingredients of any good soap opera, APCH has superb acting, real heft in terms of subject matter (including homophobia, anti-Semitism, sexual assault, and class), touches of our beloved Downton Abbey, and great cars. Beware. If you start, you won’t stop.
February 11, 2019
What I’m listening to:
Raphael Saadiq has been around for quite a while, as a musician, writer, and producer. He’s new to me and I love his old school R&B sound. Like Leon Bridges, he brings a contemporary freshness to the genre, sounding like a young Stevie Wonder (listen to “You’re The One That I Like”). Rock and Roll may be largely dead, but R&B persists – maybe because the former was derivative of the latter and never as good (and I say that as a Rock and Roll fan). I’m embarrassed to only have discovered Saadiq so late in his career, but it’s a delight to have done so.
What I’m reading:
Just finished Marilynne Robinson’s Home, part of her trilogy that includes the Pulitzer Prize winning first novel, Gilead, and the book after Home, Lila. Robinson is often described as a Christian writer, but not in a conventional sense. In this case, she gives us a modern version of the prodigal son and tells the story of what comes after he is welcomed back home. It’s not pretty. Robinson is a self-described Calvinist, thus character begets fate in Robinson’s world view and redemption is at best a question. There is something of Faulkner in her work (I am much taken with his famous “The past is never past” quote after a week in the deep South), her style is masterful, and like Faulkner, she builds with these three novels a whole universe in the small town of Gilead. Start with Gilead to better enjoy Home.
What I’m watching:
Sex Education was the most fun series we’ve seen in ages and we binged watched it on Netflix. A British homage to John Hughes films like The Breakfast Club, Ferris Bueller’s Day Off, and Pretty in Pink, it feels like a mash up of American and British high schools. Focusing on the relationship of Maeve, the smart bad girl, and Otis, the virginal and awkward son of a sex therapist (played with brilliance by Gillian Anderson), it is laugh aloud funny and also evolves into more substance and depth (the abortion episode is genius). The sex scenes are somehow raunchy and charming and inoffensive at the same time and while ostensibly about teenagers (it feels like it is explaining contemporary teens to adults in many ways), the adults are compelling in their good and bad ways. It has been renewed for a second season, which is a gift.
January 3, 2019
What I’m listening to:
My listening choices usually refer to music, but this time I’m going with Malcolm Gladwell’s Revisionist History podcast on genius and the song Hallelujah. It tells the story of Leonard Cohen’s much-covered song Hallelujah and uses it as a lens on kinds of genius and creativity. Along the way, he brings in Picasso and Cézanne, Elvis Costello, and more. Gladwell is a good storyteller and if you love pop music, as I do, and Hallelujah, as I do (and you should), you’ll enjoy this podcast. We tend to celebrate the genius who seems inspired in the moment, creating new work like lightning strikes, but this podcast has me appreciating incremental creativity in a new way. It’s compelling and fun at the same time.
What I’m reading:
Just read Clay Christensen’s new book, The Prosperity Paradox: How Innovation Can Lift Nations Out of Poverty. This was an advance copy, so soon available. Clay is an old friend and a huge influence on how we have grown SNHU and our approach to innovation. This book is so compelling, because we know attempts at development have so often been a failure and it is often puzzling to understand why some countries with desperate poverty and huge challenges somehow come to thrive (think S. Korea, Singapore, 19th C. America), while others languish. Clay offers a fresh way of thinking about development through the lens of his research on innovation and it is compelling. I bet this book gets a lot of attention, as most of his work does. I also suspect that many in the development community will hate it, as it calls into question the approach and enormous investments we have made in an attempt to lift countries out of poverty. A provocative read and, as always, Clay is a good storyteller.
What I’m watching:
Just watched Leave No Trace and should have guessed that it was directed by Debra Granik. She did Winter’s Bone, the extraordinary movie that launched Jennifer Lawrence’s career. Similarly, this movie features an amazing young actor, Thomasin McKenzie, and visits lives lived on the margins. In this case, a veteran suffering PTSD, and his 13-year-old daughter. The movie is patient, is visually lush, and justly earned 100% on Rotten Tomatoes (I have a rule to never watch anything under 82%). Everything in this film is under control and beautifully understated (aside from the visuals) – confident acting, confident directing, and so humane. I love the lack of flashbacks, the lack of sensationalism – the movie trusts the viewer, rare in this age of bombast. A lovely film.
December 4, 2018
What I’m listening to:
Spending a week in New Zealand, we had endless laughs listening to the Kiwi band, Flight of the Conchords. Lots of comedic bands are funny, but the music is only okay or worse. These guys are funny – hysterical really – and the music is great. They have an uncanny ability to parody almost any style. In both New Zealand and Australia, we found a wry sense of humor that was just delightful and no better captured than with this duo. You don’t have to be in New Zealand to enjoy them.
What I’m reading:
I don’t often reread. For two reasons: A) I have so many books on my “still to be read” pile that it seems daunting to also rereadbooks I loved before, and B) it’s because I loved them once that I’m a little afraid to read them again. That said, I was recently asked to list my favorite book of all time and I answered Leo Tolstoy’s Anna Karenina. But I don’t really know if that’s still true (and it’s an impossible question anyway – favorite book? On what day? In what mood?), so I’m rereading it and it feels like being with an old friend. It has one of my very favorite scenes ever: the card game between Levin and Kitty that leads to the proposal and his joyous walking the streets all night.
What I’m watching:
Blindspotting is billed as a buddy-comedy. Wow does that undersell it and the drama is often gripping. I loved Daveed Diggs in Hamilton, didn’t like his character in Black-ish, and think he is transcendent in this film he co-wrote with Rafael Casal, his co-star. The film is a love song to Oakland in many ways, but also a gut-wrenching indictment of police brutality, systemic racism and bias, and gentrification. The film has the freshness and raw visceral impact of Spike Lee’s Do the Right Thing. A great soundtrack, genre mixing, and energy make it one of my favorite movies of 2018.
October 15, 2018
What I’m listening to:
We had the opportunity to see our favorite band, The National, live in Dallas two weeks ago. Just after watching Mistaken for Strangers, the documentary sort of about the band. So we’ve spent a lot of time going back into their earlier work, listening to songs we don’t know well, and reaffirming that their musicality, smarts, and sound are both original and astoundingly good. They did not disappoint in concert and it is a good thing their tour ended, as we might just spend all of our time and money following them around. Matt Berninger is a genius and his lead vocals kill me (and because they are in my range, I can actually sing along!). Their arrangements are profoundly good and go right to whatever brain/heart wiring that pulls one in and doesn’t let them go.
What I’m reading:
Who is Richard Powers and why have I only discovered him now, with his 12th book? Overstory is profoundly good, a book that is essential and powerful and makes me look at my everyday world in new ways. In short, a dizzying example of how powerful can be narrative in the hands of a master storyteller. I hesitate to say it’s the best environmental novel I’ve ever read (it is), because that would put this book in a category. It is surely about the natural world, but it is as much about we humans. It’s monumental and elegiac and wondrous at all once. Cancel your day’s schedule and read it now. Then plant a tree. A lot of them.
What I’m watching:
Bo Burnham wrote and directed Eighth Grade and Elsie Fisher is nothing less than amazing as its star (what’s with these new child actors; see Florida Project). It’s funny and painful and touching. It’s also the single best film treatment that I have seen of what it means to grow up in a social media shaped world. It’s a reminder that growing up is hard. Maybe harder now in a world of relentless, layered digital pressure to curate perfect lives that are far removed from the natural messy worlds and selves we actually inhabit. It’s a well-deserved 98% on Rotten Tomatoes and I wonder who dinged it for the missing 2%.
September 7, 2018
What I’m listening to:
With a cover pointing back to the Beastie Boys’ 1986 Licensed to Ill, Eminem’s quietly released Kamikaze is not my usual taste, but I’ve always admired him for his “all out there” willingness to be personal, to call people out, and his sheer genius with language. I thought Daveed Diggs could rap fast, but Eminem is supersonic at moments, and still finds room for melody. Love that he includes Joyner Lucas, whose “I’m Not Racist” gets added to the growing list of simply amazing music videos commenting on race in America. There are endless reasons why I am the least likely Eminem fan, but when no one is around to make fun of me, I’ll put it on again.
What I’m reading:
Lesley Blume’s Everyone Behaves Badly, which is the story behind Hemingway’s The Sun Also Rises and his time in 1920s Paris (oh, what a time – see Midnight in Paris if you haven’t already). Of course, Blume disabuses my romantic ideas of that time and place and everyone is sort of (or profoundly so) a jerk, especially…no spoiler here…Hemingway. That said, it is a compelling read and coming off the Henry James inspired prose of Mrs. Osmond, it made me appreciate more how groundbreaking was Hemingway’s modern prose style. Like his contemporary Picasso, he reinvented the art and it can be easy to forget, these decades later, how profound was the change and its impact. And it has bullfights.
What I’m watching:
Chloé Zhao’s The Rider is just exceptional. It’s filmed on the Pine Ridge Reservation, which provides a stunning landscape, and it feels like a classic western reinvented for our times. The main characters are played by the real-life people who inspired this narrative (but feels like a documentary) film. Brady Jandreau, playing himself really, owns the screen. It’s about manhood, honor codes, loss, and resilience – rendered in sensitive, nuanced, and heartfelt ways. It feels like it could be about large swaths of America today. Really powerful.
August 16, 2018
What I’m listening to:
In my Spotify Daily Mix was Percy Sledge’s When A Man Loves A Woman, one of the world’s greatest love songs. Go online and read the story of how the song was discovered and recorded. There are competing accounts, but Sledge said he improvised it after a bad breakup. It has that kind of aching spontaneity. It is another hit from Muscle Shoals, Alabama, one of the GREAT music hotbeds, along with Detroit, Nashville, and Memphis. Our February Board meeting is in Alabama and I may finally have to do the pilgrimage road trip to Muscle Shoals and then Memphis, dropping in for Sunday services at the church where Rev. Al Green still preaches and sings. If the music is all like this, I will be saved.
What I’m reading:
John Banville’s Mrs. Osmond, his homage to literary idol Henry James and an imagined sequel to James’ 1881 masterpiece Portrait of a Lady. Go online and read the first paragraph of Chapter 25. He is…profoundly good. Makes me want to never write again, since anything I attempt will feel like some other, lowly activity in comparison to his mastery of language, image, syntax. This is slow reading, every sentence to be savored.
What I’m watching:
I’ve always respected Supreme Court Justice Ruth Bader Ginsburg, but we just watched the documentary RGB. It is over-the-top great and she is now one of my heroes. A superwoman in many ways and the documentary is really well done. There are lots of scenes of her speaking to crowds and the way young women, especially law students, look at her is touching. And you can’t help but fall in love with her now late husband Marty. See this movie and be reminded of how important is the Law.
July 23, 2018
What I’m listening to:
Spotify’s Summer Acoustic playlist has been on repeat quite a lot. What a fun way to listen to artists new to me, including The Paper Kites, Hollow Coves, and Fleet Foxes, as well as old favorites like Leon Bridges and Jose Gonzalez. Pretty chill when dialing back to a summer pace, dining on the screen porch or reading a book.
What I’m reading:
Bryan Stevenson’s Just Mercy. Founder of the Equal Justice Initiative, Stevenson tells of the racial injustice (and the war on the poor our judicial system perpetuates as well) that he discovered as a young graduate from Harvard Law School and his fight to address it. It is in turn heartbreaking, enraging, and inspiring. It is also about mercy and empathy and justice that reads like a novel. Brilliant.
What I’m watching:
Fauda. We watched season one of this Israeli thriller. It was much discussed in Israel because while it focuses on an ex-special agent who comes out of retirement to track down a Palestinian terrorist, it was willing to reveal the complexity, richness, and emotions of Palestinian lives. And the occasional brutality of the Israelis. Pretty controversial stuff in Israel. Lior Raz plays Doron, the main character, and is compelling and tough and often hard to like. He’s a mess. As is the world in which he has to operate. We really liked it, and also felt guilty because while it may have been brave in its treatment of Palestinians within the Israeli context, it falls back into some tired tropes and ultimately falls short on this front.
June 11, 2018
What I’m listening to:
Like everyone else, I’m listening to Pusha T drop the mic on Drake. Okay, not really, but do I get some points for even knowing that? We all walk around with songs that immediately bring us back to a time or a place. Songs are time machines. We are coming up on Father’s Day. My own dad passed away on Father’s Day back in 1994 and I remembering dutifully getting through the wake and funeral and being strong throughout. Then, sitting alone in our kitchen, Don Henley’s The End of the Innocence came on and I lost it. When you lose a parent for the first time (most of us have two after all) we lose our innocence and in that passage, we suddenly feel adult in a new way (no matter how old we are), a longing for our own childhood, and a need to forgive and be forgiven. Listen to the lyrics and you’ll understand. As Wordsworth reminds us in In Memoriam, there are seasons to our grief and, all these years later, this song no longer hits me in the gut, but does transport me back with loving memories of my father. I’ll play it Father’s Day.
What I’m reading:
The Fifth Season, by N. K. Jemisin. I am not a reader of fantasy or sci-fi, though I understand they can be powerful vehicles for addressing the very real challenges of the world in which we actually live. I’m not sure I know of a more vivid and gripping illustration of that fact than N. K. Jemisin’s Hugo Award winning novel The Fifth Season, first in her Broken Earth trilogy. It is astounding. It is the fantasy parallel to The Underground Railroad, my favorite recent read, a depiction of subjugation, power, casual violence, and a broken world in which our hero(s) struggle, suffer mightily, and still, somehow, give us hope. It is a tour de force book. How can someone be this good a writer? The first 30 pages pained me (always with this genre, one must learn a new, constructed world, and all of its operating physics and systems of order), and then I could not put it down. I panicked as I neared the end, not wanting to finish the book, and quickly ordered the Obelisk Gate, the second novel in the trilogy, and I can tell you now that I’ll be spending some goodly portion of my weekend in Jemisin’s other world.
What I’m watching:
The NBA Finals and perhaps the best basketball player of this generation. I’ve come to deeply respect LeBron James as a person, a force for social good, and now as an extraordinary player at the peak of his powers. His superhuman play during the NBA playoffs now ranks with the all-time greats, Larry Bird, Magic Johnson, MJ, Kobe, and the demi-god that was Bill Russell. That his Cavs lost in a 4-game sweep is no surprise. It was a mediocre team being carried on the wide shoulders of James (and matched against one of the greatest teams ever, the Warriors, and the Harry Potter of basketball, Steph Curry) and, in some strange way, his greatness is amplified by the contrast with the rest of his team. It was a great run.
May 24, 2018
What I’m listening to:
I’ve always liked Alicia Keys and admired her social activism, but I am hooked on her last album Here. This feels like an album finally commensurate with her anger, activism, hope, and grit. More R&B and Hip Hop than is typical for her, I think this album moves into an echelon inhabited by a Marvin Gaye’s What’s Going On or Beyonce’s Formation. Social activism and outrage rarely make great novels, but they often fuel great popular music. Here is a terrific example.
What I’m reading:
Colson Whitehead’s Underground Railroad may be close to a flawless novel. Winner of the 2017 Pulitzer, it chronicles the lives of two runaway slaves, Cora and Caeser, as they try to escape the hell of plantation life in Georgia. It is an often searing novel and Cora is one of the great heroes of American literature. I would make this mandatory reading in every high school in America, especially in light of the absurd revisionist narratives of “happy and well cared for” slaves. This is a genuinely great novel, one of the best I’ve read, the magical realism and conflating of time periods lifts it to another realm of social commentary, relevance, and a blazing indictment of America’s Original Sin, for which we remain unabsolved.
What I’m watching:
I thought I knew about The Pentagon Papers, but The Post, a real-life political thriller from Steven Spielberg taught me a lot, features some of our greatest actors, and is so timely given the assault on our democratic institutions and with a presidency out of control. It is a reminder that a free and fearless press is a powerful part of our democracy, always among the first targets of despots everywhere. The story revolves around the legendary Post owner and D.C. doyenne, Katharine Graham. I had the opportunity to see her son, Don Graham, right after he saw the film, and he raved about Meryl Streep’s portrayal of his mother. Liked it a lot more than I expected.
April 27, 2018
What I’m listening to:
I mentioned John Prine in a recent post and then on the heels of that mention, he has released a new album, The Tree of Forgiveness, his first new album in ten years. Prine is beloved by other singer songwriters and often praised by the inscrutable God that is Bob Dylan. Indeed, Prine was frequently said to be the “next Bob Dylan” in the early part of his career, though he instead carved out his own respectable career and voice, if never with the dizzying success of Dylan. The new album reflects a man in his 70s, a cancer survivor, who reflects on life and its end, but with the good humor and empathy that are hallmarks of Prine’s music. “When I Get To Heaven” is a rollicking, fun vision of what comes next and a pure delight. A charming, warm, and often terrific album.
What I’m reading:
I recently read Min Jin Lee’s Pachinko, on many people’s Top Ten lists for last year and for good reason. It is sprawling, multi-generational, and based in the world of Japanese occupied Korea and then in the Korean immigrant’s world of Oaska, so our key characters become “tweeners,” accepted in neither world. It’s often unspeakably sad, and yet there is resiliency and love. There is also intimacy, despite the time and geographic span of the novel. It’s breathtakingly good and like all good novels, transporting.
What I’m watching:
I adore Guillermo del Toro’s 2006 film, Pan’s Labyrinth, and while I’m not sure his Shape of Water is better, it is a worthy follow up to the earlier masterpiece (and more of a commercial success). Lots of critics dislike the film, but I’m okay with a simple retelling of a Beauty and the Beast love story, as predictable as it might be. The acting is terrific, it is visually stunning, and there are layers of pain as well as social and political commentary (the setting is the US during the Cold War) and, no real spoiler here, the real monsters are humans, the military officer who sees over the captured aquatic creature. It is hauntingly beautiful and its depiction of hatred to those who are different or “other” is painfully resonant with the time in which we live. Put this on your “must see” list.
March 18, 2018
What I’m listening to:
Sitting on a plane for hours (and many more to go; geez, Australia is far away) is a great opportunity to listen to new music and to revisit old favorites. This time, it is Lucy Dacus and her album Historians, the new sophomore release from a 22-year old indie artist that writes with relatable, real-life lyrics. Just on a second listen and while she insists this isn’t a break up record (as we know, 50% of all great songs are break up songs), it is full of loss and pain. Worth the listen so far. For the way back machine, it’s John Prine and In Spite of Ourselves (that title track is one of the great love songs of all time), a collection of duets with some of his “favorite girl singers” as he once described them. I have a crush on Iris Dement (for a really righteously angry song try her Wasteland of the Free), but there is also EmmyLou Harris, the incomparable Dolores Keane, and Lucinda Williams. Very different albums, both wonderful.
What I’m reading:
Jane Mayer’s New Yorker piece on Christopher Steele presents little that is new, but she pulls it together in a terrific and coherent whole that is illuminating and troubling at the same time. Not only for what is happening, but for the complicity of the far right in trying to discredit that which should be setting off alarm bells everywhere. Bob Mueller may be the most important defender of the democracy at this time. A must read.
What I’m watching:
Homeland is killing it this season and is prescient, hauntingly so. Russian election interference, a Bannon-style hate radio demagogue, alienated and gun toting militia types, and a president out of control. It’s fabulous, even if it feels awfully close to the evening news.
March 8, 2018
What I’m listening to:
We have a family challenge to compile our Top 100 songs. It is painful. Only 100? No more than three songs by one artist? Wait, why is M.I.A.’s “Paper Planes” on my list? Should it just be The Clash from whom she samples? Can I admit to guilty pleasure songs? Hey, it’s my list and I can put anything I want on it. So I’m listening to the list while I work and the song playing right now is Tom Petty’s “The Wild One, Forever,” a B-side single that was never a hit and that remains my favorite Petty song. Also, “Evangeline” by Los Lobos. It evokes a night many years ago, with friends at Pearl Street in Northampton, MA, when everyone danced well past 1AM in a hot, sweaty, packed club and the band was a revelation. Maybe the best music night of our lives and a reminder that one’s 100 Favorite Songs list is as much about what you were doing and where you were in your life when those songs were playing as it is about the music. It’s not a list. It’s a soundtrack for this journey.
What I’m reading:
Patricia Lockwood’s Priestdaddy was in the NY Times top ten books of 2017 list and it is easy to see why. Lockwood brings remarkable and often surprising imagery, metaphor, and language to her prose memoir and it actually threw me off at first. It then all became clear when someone told me she is a poet. The book is laugh aloud funny, which masks (or makes safer anyway) some pretty dark territory. Anyone who grew up Catholic, whether lapsed or not, will resonate with her story. She can’t resist a bawdy anecdote and her family provides some of the most memorable characters possible, especially her father, her sister, and her mother, who I came to adore. Best thing I’ve read in ages.
What I’m watching:
The Florida Project, a profoundly good movie on so many levels. Start with the central character, six-year old (at the time of the filming) Brooklynn Prince, who owns – I mean really owns – the screen. This is pure acting genius and at that age? Astounding. Almost as astounding is Bria Vinaite, who plays her mother. She was discovered on Instagram and had never acted before this role, which she did with just three weeks of acting lessons. She is utterly convincing and the tension between the child’s absolute wonder and joy in the world with her mother’s struggle to provide, to be a mother, is heartwarming and heartbreaking all at once. Willem Dafoe rightly received an Oscar nomination for his supporting role. This is a terrific movie.
February 12, 2018
What I’m listening to:
So, I have a lot of friends of age (I know you’re thinking 40s, but I just turned 60) who are frozen in whatever era of music they enjoyed in college or maybe even in their thirties. There are lots of times when I reach back into the catalog, since music is one of those really powerful and transporting senses that can take you through time (smell is the other one, though often underappreciated for that power). Hell, I just bought a turntable and now spending time in vintage vinyl shops. But I’m trying to take a lesson from Pat, who revels in new music and can as easily talk about North African rap music and the latest National album as Meet the Beatles, her first ever album. So, I’ve been listening to Kendrick Lamar’s Grammy winning Damn. While it may not be the first thing I’ll reach for on a winter night in Maine, by the fire, I was taken with it. It’s layered, political, and weirdly sensitive and misogynist at the same time, and it feels fresh and authentic and smart at the same time, with music that often pulled me from what I was doing. In short, everything music should do. I’m not a bit cooler for listening to Damn, but when I followed it with Steely Dan, I felt like I was listening to Lawrence Welk. A good sign, I think.
What I’m reading:
I am reading Walter Isaacson’s new biography of Leonardo da Vinci. I’m not usually a reader of biographies, but I’ve always been taken with Leonardo. Isaacson does not disappoint (does he ever?), and his subject is at once more human and accessible and more awe-inspiring in Isaacson’s capable hands. Gay, left-handed, vegetarian, incapable of finishing things, a wonderful conversationalist, kind, and perhaps the most relentlessly curious human being who has ever lived. Like his biographies of Steve Jobs and Albert Einstein, Isaacson’s project here is to show that genius lives at the intersection of science and art, of rationality and creativity. Highly recommend it.
What I’m watching:
We watched the This Is Us post-Super Bowl episode, the one where Jack finally buys the farm. I really want to hate this show. It is melodramatic and manipulative, with characters that mostly never change or grow, and it hooks me every damn time we watch it. The episode last Sunday was a tear jerker, a double whammy intended to render into a blubbering, tissue-crumbling pathetic mess anyone who has lost a parent or who is a parent. Sterling K. Brown, Ron Cephas Jones, the surprising Mandy Moore, and Milo Ventimiglia are hard not to love and last season’s episode that had only Brown and Cephas going to Memphis was the show at its best (they are by far the two best actors). Last week was the show at its best worst. In other words, I want to hate it, but I love it. If you haven’t seen it, don’t binge watch it. You’ll need therapy and insulin.
January 15, 2018
What I’m listening to:
Drive-By Truckers. Chris Stapleton has me on an unusual (for me) country theme and I discovered these guys to my great delight. They’ve been around, with some 11 albums, but the newest one is fascinating. It’s a deep dive into Southern alienation and the white working-class world often associated with our current president. I admire the willingness to lay bare, in kick ass rock songs, the complexities and pain at work among people we too quickly place into overly simple categories. These guys are brave, bold, and thoughtful as hell, while producing songs I didn’t expect to like, but that I keep playing. And they are coming to NH.
What I’m reading:
A textual analog to Drive-By Truckers by Chris Stapleton in many ways is Tony Horowitz’s 1998 Pulitzer Prize winning Confederates in the Attic. Ostensibly about the Civil War and the South’s ongoing attachment to it, it is prescient and speaks eloquently to the times in which we live (where every southern state but Virginia voted for President Trump). Often hilarious, it too surfaces complexities and nuance that escape a more recent, and widely acclaimed, book like Hillbilly Elegy. As a Civil War fan, it was also astonishing in many instances, especially when it blows apart long-held “truths” about the war, such as the degree to which Sherman burned down the south (he did not). Like D-B Truckers, Horowitz loves the South and the people he encounters, even as he grapples with its myths of victimhood and exceptionalism (and racism, which may be no more than the racism in the north, but of a different kind). Everyone should read this book and I’m embarrassed I’m so late to it.
What I’m watching:
David Letterman has a new Netflix show called “My Next Guest Needs No Introduction” and we watched the first episode, in which Letterman interviewed Barack Obama. It was extraordinary (if you don’t have Netflix, get it just to watch this show); not only because we were reminded of Obama’s smarts, grace, and humanity (and humor), but because we saw a side of Letterman we didn’t know existed. His personal reflections on Selma were raw and powerful, almost painful. He will do five more episodes with “extraordinary individuals” and if they are anything like the first, this might be the very best work of his career and one of the best things on television.
December 22, 2017
What I’m reading:
Just finished Sunjeev Sahota’s Year of the Runaways, a painful inside look at the plight of illegal Indian immigrant workers in Britain. It was shortlisted for 2015 Man Booker Prize and its transporting, often to a dark and painful universe, and it is impossible not to think about the American version of this story and the terrible way we treat the undocumented in our own country, especially now.
What I’m watching:
Season II of The Crown is even better than Season I. Elizabeth’s character is becoming more three-dimensional, the modern world is catching up with tradition-bound Britain, and Cold War politics offer more context and tension than we saw in Season I. Claire Foy, in her last season, is just terrific – one arched eye brow can send a message.
What I’m listening to:
A lot of Christmas music, but needing a break from the schmaltz, I’ve discovered Over the Rhine and their Christmas album, Snow Angels. God, these guys are good.
November 14, 2017
What I’m watching:
Guiltily, I watch the Patriots play every weekend, often building my schedule and plans around seeing the game. Why the guilt? I don’t know how morally defensible is football anymore, as we now know the severe damage it does to the players. We can’t pretend it’s all okay anymore. Is this our version of late decadent Rome, watching mostly young Black men take a terrible toll on each other for our mere entertainment?
What I’m reading:
Recently finished J.G. Ballard’s 2000 novel Super-Cannes, a powerful depiction of a corporate-tech ex-pat community taken over by a kind of psychopathology, in which all social norms and responsibilities are surrendered to residents of the new world community. Kept thinking about Silicon Valley when reading it. Pretty dark, dystopian view of the modern world and centered around a mass killing, troublingly prescient.
What I’m listening to:
Was never really a Lorde fan, only knowing her catchy (and smarter than you might first guess) pop hit “Royals” from her debut album. But her new album, Melodrama, is terrific and it doesn’t feel quite right to call this “pop.” There is something way more substantial going on with Lorde and I can see why many critics put this album at the top of their Best in 2017 list. Count me in as a huge fan.
November 3, 2017
What I’m reading: Just finished Celeste Ng’s Little Fires Everywhere, her breathtakingly good second novel. How is someone so young so wise? Her writing is near perfection and I read the book in two days, setting my alarm for 4:30AM so I could finish it before work.
What I’m watching: We just binge watched season two of Stranger Things and it was worth it just to watch Millie Bobbie Brown, the transcendent young actor who plays Eleven. The series is a delightful mash up of every great eighties horror genre you can imagine and while pretty dark, an absolute joy to watch.
What I’m listening to: I’m not a lover of country music (to say the least), but I love Chris Stapleton. His “The Last Thing I Needed, First Thing This Morning” is heartbreakingly good and reminds me of the old school country that played in my house as a kid. He has a new album and I can’t wait, but his From A Room: Volume 1 is on repeat for now.
September 26, 2017
What I’m reading:
Just finished George Saunder’s Lincoln in the Bardo. It took me a while to accept its cadence and sheer weirdness, but loved it in the end. A painful meditation on loss and grief, and a genuinely beautiful exploration of the intersection of life and death, the difficulty of letting go of what was, good and bad, and what never came to be.
What I’m watching:
HBO’s The Deuce. Times Square and the beginning of the porn industry in the 1970s, the setting made me wonder if this was really something I’d want to see. But David Simon is the writer and I’d read a menu if he wrote it. It does not disappoint so far and there is nothing prurient about it.
What I’m listening to:
The National’s new album Sleep Well Beast. I love this band. The opening piano notes of the first song, “Nobody Else Will Be There,” seize me & I’m reminded that no one else in music today matches their arrangement & musicianship. I’m adding “Born to Beg,” “Slow Show,” “I Need My Girl,” and “Runaway” to my list of favorite love songs.
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