#if I can make something great with the shittiest tools possible… IMAGINE WHAT I COULD DO WITH. YA KNOW. OPTIMISED PROGRAMS?!?

[izzyscursedcorner]

Me thinking about graduation: *sobs* DHXJXXJXJXJ everyone is lying to me! No one wants to hire animators who didn’t go to an art school let alone one who didn’t attend a school in Cali! Four years on a degree just to be rejected from INTERNSHIPS just because I’m not a senior animator!

Me five minutes later after eating:

…Perhaps I was a little… too harsh…

…Nah. I might have shit I gotta learn, but the fact that as soon as I mention my school you lose ALL interest you had in me is actually fucked.

[curious-minx]

Left Behind In The Halloween Parade: Late Review of Bob’s Burgers And The Simpsons.

The First Sunday of November, and the Last Sunday of the Trump and Biden election, found Hulu finally uploading the Bob’s Burgers and Simpsons Halloween episodes. So in the spirit of taking your sweet ass time that is exactly what I did with this review. The Bob’s Burgers Halloween episode is probably the weakest of the series, a series that is practically a Hallmark card company in terms of the amount of holiday-inspired content they have churned out. Episode “Heartbreak Hotel-oween” isn’t a particularly offensive in any way it just fails to live up to Halloween episodes such as my personal favorites Season 8 “The Wolf of Wharf Street,” which remains one of the most visually stunning episodes of the series,  and  Season 4, the series’ second Halloween episode,“Fort Night,” which has incredibly gruesome stakes and the most satisfying entry in the Louise versus Millie feud. 

“Heartbreak Hotel-oween” is still ultimately pretty good and though it took a second viewing to fully appreciate it I do like watching the Belcher children deftly sail through the world of adults. The tantalizing plot thread of a Bob’s Burgers Delivery service is dangled and I would like to see more Delivery based plots. Getting these characters into different areas and expanding upon the ambitious Jersey shore town. Having the kids deliver a burger to an older woman using the burger as a lure for her seance is flattened against a brown and forgettable after thought of a hotel. Everything with the Belcher kids is good and interesting and with the help of Andy Daly voicing the Hotel Manager; Lindsey Stoddart doing Quarantine duty and voicing multiple characters including the old woman Dolores conducting the seance, and Loren Bouchard Home Movies collaborator Melissa Robbins stops by as a bystander character as well. 

The episode starts getting in its own way with the adults blood bank centric B-plot. The entire plot is given in a single exchange with Teddie being excited about donating blood and everyman Bob with his everyman  O-negative blood finds giving blood nauseating and gross. That’s it. That’s the whole plot and besides the blood banker workers being dressed up as vampires there are no other comedic games being played and it is total unmemorable fluff, which has been a common issue for the ongoing series. One thing this episode does right is at least get Bob, Linda and Teddie out of the restaurant and into a new environment. A lot of the verbal exchanges between Bob, Linda and Teddie feel a lot more stilted due to Covid recordings and the lack of non-scripted banter is sorely missed. I have noticed this season having more John H. Benjamin monologue Bob by himself moments, which only work when Bob’s imagination is in full flight. Where was the talking bag of Bob’s blood? Hell I wouldn’t even had objected to hearing a dang song sung by the vampires to help soothe Bob into giving blood or something beyond: Bob doesn’t like giving blood because it makes him woozy, he gives blood and get’s woozy. 

Overall this is a perfectly serviceable episode: three Ghost-baiting cheeseburgers out of five. 

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Intermission. 

Fox is certainly using the Loren Bouchard & Molyneux sisters brand like a blood bag with the recent announcement of the new series The Great North. Wendy Molyneux is a frequent writer, (executive) story editor since Bob’s Burgers inception. She is the writer of  “The Wolf of Wharf Street” and the episode of Bob’s Burgers I have watched the most - “There's No Business Like Mr. Business Business,” because I am a cat fanatic, John Oliver fan, and have been the pet companion of a standard poodle exactly like Snoodle named Faust that I love dearly. Basically, I am excited for this show. Molyneux is also a deeply connected collaborator with Megan Mullally writing on all 74 episodes of Mullally’s forgotten by the ages The Megan Mullally Show. A show according to Wikipedia’s citation of Fox News, “viewers were disappointed to find out that Megan is not anything like Karen in real life,” and if there is any white woman out there that is an anti-Karen it is Mullally. Mullally is not the focus of the show but her more visible and commercially accessible husband Nick Offerman is finally being anointed into the annals of TV Dads. With his three sons voiced by Paul Rust, Will Forte and National Treasure Aparna Nancherla and sole daughter voiced by Bob’s Burgers alum Jenny Slate, who recently honorably stepped down from a lucrative tv series Big Mouth deal like the real champ that she is.  Mullally will show up as Jenny Slate’s character’s boss andThe cast is undeniable the backdrop of Alaska has a lot of promise for elaborate or interesting set pieces. I am ready for this show! Will this be Bob’s Burgers Futurama? That’s probably a vicious hex based on how Futurama was infamously jerked around by Fox. FOX has already given the show a promising two-season deal, which is already a lot better than what Netflix did for Tuca and Bertie. Faint nowhere discussions of the Bob’s Burgers movie were also mentioned in an interview with Bouchard who has a cantankerous “theater release only” policy, which bums out a little, but I would much prefer they take as long as possible. The Bob’s Burgers movie cannot end up carrying out the Simpson movie curse.

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I am no Simsons scholar. I could not give you an active ranking of favorite Tree House of Horror episodes. I could tell you that I really like Bart as an Edgar Allen Poe’s Raven. You don’t need to be Simpsons scholar to safely state that “Treehouse of Horror XXXI” should be ashamed to show its “funny face.” For starters the entire appeal of the anthology style of storytelling has been completely deflated by having two of the previous episodes in this season being gimmicky non-standard episodes. The only positive thing I can say about this episode is that it is an important teaching tool for what the most broken and shittiest, laziest satire imaginable would look like and the 2020 Election cold opening is actually pretty solid. All of the good will earned by the strong opening is completely squandered starting with an inexplicably CGI Toys Story sketch. I am assuming the animation department went with CGI because the source material is CGI. The CGI is really bad and makes me really miss the 3D models of Simpsons Hit And Run and perfectly charming The Simpsons Game. Instead this sketch’s particular animation looks like the animators were most inspired not by Pixar’s clean and craftsmen like CGI models but were going for more of a Fanboy & Chum Chum look. A Toy’s Story parody in this day and age is asinine in its laziness, but it’s still an evergreen territory. A good Toy’s Story parody is possible, but simply having Bart play out the role of Toy Story’s Sid except he gets lobotomized by his own toys. I did appreciate the writer’s making the explicit moral of the story to not buy toys, which for a Disney product like the Simpsons is pretty rich. 

Behold! The last recorded instance of a quality Toys Story satire from China, IL

The next two parodies go down slightly better simply because they aren’t sporting that eye bleeding animation but paying homage to Enter The Spider-verse and Russian Doll/Happy Death Day 2U in 2020 feels just as dated as Toy Story. What kind of fool is still writing about Russian Doll in 2020? The Enter the Homer-verse sketch is at least ambitious and showcases how masturbatory  the show has come whenever it is showcasing Dan Castellaneta’s various vocal talents. I get it dude, you like having dump trucks of money given to you for barely making an effort and doing Hannah Barbara impersonations that sound more like a bad Woody Allen. Regardless, this is still the one sketch that makes the most attempt to have comedic games with its multiple iterations of Homer and even throwing out some alternative universe Burns and Smithers for good measure. The final third Russian Doll sketch that let’s you know that this sketch is more Russian Doll than Happy Death Day by using the same exact Harry Nilsson “Gotta Get Up”  piano riff. This sketch had potential but once again the show writers and creatives seem to only indulge the worst possible instincts and cast Lisa as the lead of the sketch. So that means we get to watch this 8 soon-to-be 9 year old girl and fellow child Nelson get murdered in a variety of banal and brutal ways, and it’s just not fun or pleasant to watch. The obvious choice is an unexpected Springfield resident and if it has to be a Simpson having Marge or one of her sisters be the Nadia surrogate makes far more logical sense and Marge’s birthday would carry more emotional weight. 

Reminder to myself to check out this lost late series entry where Natasha Lyonne is the voice of Krusty’s daughter. 

I completely understand why The AV Club canceled their coverage of The Simpsons. The whole series has a very masochistic and sadistic pull and tug between creatives and fans. The sweet and simple souls of Den of Geek are still reviewing the Simpsons and offer a far more favorable review: https://www.denofgeek.com/tv/the-simpsons-season-32-episode-4-review-treehouse-of-horror-xxxi/.  Google results also yield one another publication reviewing this current season published on medium that has been taken by for violating medium rules. Will the Simpsons be coming for me next? 

Skip this episode! Judging by the synopsis of the season’s next ep finding the Simpsons, once again, finding themselves somewhere other than Springfield is looking to be another skippable entry. I want to be proven wrong! The latter day Simpsons seasons usually have a memorable or decent episode here or there. So far the only thing remarkable about this season is how much it wants to try to be different and think outside of the Springfield box but in the process give the season an overwhelming sense of hollowness. I shall forge ahead with my coverage, because I am either a masochist or a sadist depending on the weather.