#idk why this woke up ann's daughters in particular but it did

[whitecrownsblackthrones-archived]

They heard cookies were afoot, & they want cookies!!

[chirpsythismorning]

Penholdergate is pretty much bones at this point, but I'm bored so

Now, I'm not saying that cryptic game the ST writers had going on was actually at all related to the pen of possibility from Anne with an E.

Initially, I thought it was weird they put this emphasis on it being a penholder. Like yes, you can put pens in it, and it can be referred to as such, but idk. I've just never heard it actually be called that, especially when it's surrounded by expo markers on a whiteboard? But anyways, whatever.

Could it all be a joke? Yes. Could it be hinting at something we have to look at deeper in order to figure out? Perhaps.

But, because I literally couldn't think of anything, my brain went straight to the pen of possibility and that took me on a whole different trip.

When promoting season 3 of Anne with an E, Amybeth hinted at the pen of possibility playing a significant role, even sneaking the pen emoji in a q&a, which she posted a week before the final episode aired.

Basically this whole penholder fiasco reminded me of AWAE in general, which makes this the perfect opportunity for me to ramble about how it could end up being one of many inspirations for ST5.

Them casting Amybeth and the Duffer's making a point to say they were big fans of AWAE means it's on their radar at the very least.

I’m also fairly certain they've watched it after recently finding out that, the first time Vickie was mentioned in ST4, during the boobies scene with Robin and Steve, the song Object of My Desire plays.

I kid you not, when Amybeth was announced for the role, I made a playlist of songs I hoped could potentially play during a Vickie scene (because they were released on or close to 1986). And Object of My Desire was one song in particular that I thought would be a cool easter egg/homage to AWAE, since the title matches fairly on point with Gilbert's letter to Anne in the last episode of the series.

If you haven't watched AWAE, I highly recommend it. It's surprisingly very queer and just beautiful all around. There's a lot of care put into all the storylines, both romantic, platonic and familial. I can see why the Duffer's would be fans because AWAE very much follows similar rules of storytelling as ST.

If you also aren't aware, the show is based on Anne of Green Gables, which is a book from 1908. It ended up being an 8 part book series, spanning decades from Anne's childhood to her adulthood, and with a lot of adaptations made based on it over the next century. One TV mini-series from 1985 in particular is especially beloved.

The original book from 1908 has also been referenced in ST itself, with Hopper having read it to both his daughter and then El later on.

And so it wasn't much of a surprise that the creator of AWAE wanted to do something different than the dozens of versions before it, by going more in depth into what was truly going on back then, but most likely wasn't explored fully for that very reason. And even despite all the backlash from Anne purists saying they ruined the story with woke-ness, the writers didn't give a fuck (sound familiar?).

Also, I want to say that a popular headcanon for Anne is that she was queer, as the writing of her does feel very much like she loved Diana in a way that wasn't acceptable back then (she talks about dreading the day Diana goes off and gets married, like she has literal nightmares about it...). With the books being written in the 1900's, and written by a woman, it wasn't an option to even tell a story from that perspective, without it being at most subtextual.

So honestly, if Anne and Gilbert hadn't been so perfectly written in AWAE, I may very well have shipped Anne and Diana more, similar to how I did with the books and a few of the other adaptations. But alas, the straights won this round.

Personally, I felt this version was building up Diana and Ruby, if anything. The way Ruby's crush on Gilbert was kind of a running joke throughout the series, only for her to drop him completely at a moments notice after developing a sudden crush on Moody? Idk, very comp-het of her. And Diana is like Mike Wheeler only 10x worse. Her entire arc was focused on her need to be normal: her disgust when finding out her aunt was a lesbian in s2 (ITS NOT NATURAL), only to start a fling with Jerry in s3, whom she kissed in private, but basically hurt in the end, when he realized she didn't like him beyond the kissing part. She also had a lot of resentment for the future her parents planned for her, which was finishing school and then marriage.

But honestly, the framing for them alone was just, interesting:

Still, even though I would argue Diana and Ruby were queer-coded, I don't think it was guaranteed to pan out as endgame in the end. Especially seeing as Ruby died in the books. So maybe the show getting cancelled was for the best...

Now, Cole on the other hand, was very much gay in canon.

Within the span of one season (s2), they introduced Cole, somehow managed to make it very clear he was gay, without saying it outright, and in a way that felt natural despite the time period that the show was set in (AWAE also had a lot of emphasis on the words weird/different = gay/freak). Although he went through hardships, Cole did get a happy resolution to his storyline at the end of the season, and I think that's what makes AWAE (and hopefully ST) so special.

Not only did we get a glimpse into Cole's perspective as a gay kid growing up in the late 1800's, we also got a more unfortunate perspective, their teacher, Mr. Phillips. Mr. Phillips experienced dangerously toxic levels of internalized homophobia, going as far as to take it out on Cole, essentially punishing a younger version of himself through projection. Whenever he caught Cole doing something perceived as feminine or out of the norm for men in those times, he would make a spectacle out of it and humiliate him.

He had also just jumped into a relationship with Prissy, the eldest girl in the class (ewwww). Although it seemed like he was interested in her romantically when things were still fairly casual, it's in moments of privacy you can see there is an internal struggle going on there. And as he and Prissy get more serious, talking about marriage, these confrontations with Cole are happening simultaneously with Mr. Phillips getting more and more dejected from reality and his impending heteronormative fate.

Although it wasn't clear to Prissy why he didn't love her the way she deserved to be loved, the audience knew it was because he was gay. Fortunately for her, instead of marrying him and being miserable for the rest of her life, Prissy ran out of the wedding, which lead to arguably some of the most beautiful shots in the entire show.

I can't end this mini gay AWAE analysis though without mentioning the beauty that is Gertie and Joe. It was revealed at the end of s1 that Diana's aunt, Josephine Barry, was lesbian, still mourning her love Gertrude, who had just died a year or so prior. But honestly, I'm going to stop there. That's all I'm gonna say because if I talk about them I'll get too emotional (THEY WERE ROOMMATES!).

Now, Anne and Gilbert. Like I said, if they weren't written and framed to very clearly be endgame all along, maybe I wouldn't have been so on board. But they were, and so here we are. (s/out to antis who are convinced all bylers only ship Mike and Will bc they're 2 boys. Newsflash, people ship byler bc of how they were written/framed to be endgame, just like Anne and Gilbert here. If it weren't for these sorbet bitches, I wouldn't have started shipping Byler in the first place. So, you can blame the straights for this one!.)

For those that haven't read the original books, Anne and Gilbert get together midway through the overall series, with the last couple novels even being from the perspective of their children (they had 7 total).

Now when I say endgame framing, I mean endgame framing.

Although back then, couples did get married fairly young, AWAE was based on the events of Anne's life at a really young age, spanning from 13-16, so marriage was just not in the cards for this adaptation.

Because of this, they used cinematography, specifically the framing of Anne and Gilbert, to hint that they would end up together, ie. them standing before a threshold in the finale of every season:

There's even a shot of them standing in front of the tunnel of love, where you can see a couple that resembles a future version of them walking in the background, foreshadowing the inevitable.

There's a lot of shots like this, and while neither of them are reserved to being exclusively on one side of the frame at all times (besides the threshold shots), it's clear the framing of them in general was intended to capture a chemistry building up over the years, which would eventually lead to a payoff, making all these little moments even more special once you can finally look at the story as a whole (remind you of anyone?).

For those who haven't seen AWAE or just want a refresher for the sake of this analysis, here goes:

During the first season, Anne and Gilbert more so embody the academic rivals to lovers trope. It isn't until the end of that season, after budding heads with Gilbert, that Anne realizes she has feelings for him. Unfortunately, it was too late, as he had apparently left town and probably wouldn't return ever again. Or so she thought.

She runs into him before he leaves, gets all overwhelmed, happy to see him (to his surprise) and they end up chatting over tea. They apologize to each other, argue over who should be apologizing, listen to each other's feelings and concerns, have their classic 'anyway' 'anyway' moment, and end it with a staring contest/their breaths catching, aka endgame coded behavior (remind you of anyone...)

In the first half of the second season, they stay in contact via letters. What I find funny is the way Bash teases Gilbert about the letters to Anne being romantic, all while Gilbert insists that she is just a friend. And at the same time Anne is rambling (unprompted) to Marilla that the letters between her and Gilbert are not romantic WHATSOEVER!

Then, in the second half of s2 they reunite and Gilbert basically implies that he came back to Avonlea bc of her. They start traditions together (Christmas episode my beloved), and even stand alongside each other fighting for what's right (getting Ms. Stacy her job back after being unjustly fired) and it's all just very wholesome (with a mix of academic rivals conflict). The season ends with Bash and Mary's wedding, the last shot being Anne and Gilbert standing in the threshold of the church entrance, talking about the future, with Gilbert repeating back something he overheard Anne say in a rant just a few episodes prior:

Gilbert: Tragical romance and all?

Anne: Remains to be seen.

Essentially, they foreshadow their own fate (REMIND YOU OF ANYONE?)

What follows is the third and final season, which means endgame was fast-tracked and so what we got was peak mutual pining/misunderstanding/jealousy tropes, ending with the classic letters tragically unreceived until the very last second trope.

Initially, at the start of s3, Anne pushes Gilbert towards Ruby, by confronting him about the take notice board in a conversation that leaves both of them slightly hurt and confused. Because according to Ruby, while Anne talked to him about her, his eyes were full of romance. Only Gilbert wasn't smiling because of Ruby, he was smiling because he thought Anne was talking about herself and their future, about the two of them taking notice of each other. The moment Anne says Ruby's name, Gilbert's face falls, no longer interested (*cough* van scene *cough*)

In the following episode, Anne pushes Gilbert away even more, insisting she doesn't need him, but it was only because she was frustrated that she needed a man accompanying her in order to travel. But Gilbert took this as her not needing him at all, and was pretty much just defeated at this point. He'd hoped they could use this opportunity traveling together privately to get closer, but now he's starting to think maybe Anne truly doesn't feel the same. And so he decides to give her the cold shoulder, and proceeds to attempt his 'moving on from my true love' era. He then meets Winifred Rose only a couple scenes later, who he begins courting soon after. They even go out to tea a couple of times...

Mary's sickness and passing is something both Anne and Gilbert struggle with, as they have come to associate each others families as their own. So despite the recent tension between them, they quickly go back into a flow of mutual understanding.

When Gilbert gets upset upon realizing, that if he continues with his passion of becoming a doctor, he'll have to deal with people dying and not being able to save everyone, Anne quickly comforts/encourages him for being the kind of doctor people would want to bring their loved ones to, because he cares so much (Caring deeply will always be the right thing). You can see this means a lot to Gilbert. Then when rehearsing the dance for the carnival, Gilbert messes up the formation of the dance to get closer to Anne, where they enter their own little world. Time slows; it's electric. We then see both of them flustered over what they're feeling afterwards.

The rest of the season is filled with misunderstandings, but also moments that parallel to previous seasons, where they work together to stand up for what's right (Who knew, we'd make such a good, T-E-A-M) and all of these feelings basically build up, making both of them wonder if maybe the other could actually feel the same way.

So, when Gilbert is offered the perfect future, the Sorbonne in Paris (his dream school) completely paid in full by Winifred's father if he agrees to propose to her, his first instinct is to track down Anne to ask her what she thinks. When he finds her, she's drunk at the ruins with all their classmates, celebrating finishing the queens entrance exam. But she's confused and quite frankly speechless over the fact that Gilbert felt the need to get her input at all. The choice seemed obvious to her. And that's when we have this long awaited moment happen, where it's basically confirmed Gilbert does indeed return Anne's feelings, that she's literally the one thing holding him back. Unfortunately, Gilbert interprets Anne's hesitation and confusion as rejection. And Anne also sort of interprets this as making him choose between her and his dreams which, she obviously doesn't want to get in the way of.

But it doesn't matter. Because Gilbert still can't go through with marrying Winifred. He spends the whole day before confronting her, visiting places all over the Island, specifically places that remind him of home (Anne). He even goes to the destroyed Avonlea Story Club (*cough* Castle Byers *cough*) and takes one of the sea shells there from Anne's abandoned collection and brings it with him. We then see him looking conflicted between the ring he's supposed to propose to Winifred with, and the sea shell that symbolizes his love for Anne.

It isn't until the opening scene of the series finale that we see Gilbert calling off his impending engagement to Winifred. (I care about you very much / But not as much as for a certain someone?)

Just before this, in the second to last episode, Anne wrote a letter to Gilbert revealing her true feelings, because their talk at the ruins made her start to believe he could feel the same. But the letter (tragically) never gets to Gilbert.

In a last ditch effort before leaving forever potentially (again), Gilbert also leaves Anne a letter revealing his true feelings, which Anne also never receives (even more tragically if you can believe that).

And all this miscommunication comes to a head at the very end, when Winifred reveals the truth to Anne, and Diana reveals the truth to Gilbert. What follows is them both running to find each other, where they kiss, only to once again go their separate ways, pursuing their dreams, with Anne going to school in Charlottetown to eventually be a teacher/writer, and Gilbert to Toronto to study medicine. They make plans to write each other. (I have follow up questions! / So do I!).

Even though the show ended there, because of the books and all the hints the show left along the way, we know that they end up together.

So, as you can see, the pen lived up to its name as the pen of possibility. I also think the comment Anne made early on, about how Gilbert doesn't have a way with words, was meant to ironically hint at the fact that he very much does have a way with words, and that Anne, and we the audience, would find out soon enough.

But like I said, it's entirely unlikely that the ST writers were hinting at the pen of possibility, like SOO unlikely it's unreal. That wasn't even my main point making this. There just honestly hasn't been much to go off with this whole penholdergate thing, and the tag is so dead anyways, so i figured, why not? And I really just needed an excuse to bring up how similar the style of these shows are when it comes to narrative choices, especially the set up for shirbert and byler, because like I said, full serious, I never would have put so much consideration into Byler if it wasn't for how endgame coded they were, just like Shirbert.

Specifically the way Mike looks at Will, it just feels very, very similar to the way Gilbert looks at Anne.

Nevertheless, I still think this adds an interesting layer of possibility to the whole lettergate/pocketgate theory for ST5. After all, we know Will is good at painting, and it's his love language, which is why he gifted Mike a painting in the first place. In contrast, we're given these implications that writing is Mike's love language. He also attributes it to romantic feelings, which is why he feels he has an obligation to reserve letter writing to El, his girlfriend. But because it is his love language, there's an element of truthfulness that he can't fully submit to. He couldn't 'in good conscious' go through with it fully, by ending his letters to El with, "love Mike", as it would have contradicted the whole truth of this being Mike's love language.

I feel like the only way for them to properly resolve this whole storyline, is to let us see a letter from Mike. Perhaps a letter ending with, 'love--?. Perhaps a letter addressed to Will?. (Just as long as he doesn't rip it up before he even reads it or step on it and lose it outside, crumpled in the dirt, never to be found. Iykyk. Those were tragic times in Anne nation.)

As you can probably tell by now, there's a shit ton of things the ST writers could pull from AWAE for inspiration, but we won't know if they have done so officially unless it ends up being listed on the updated whiteboard for ST5. If it isn't, then we can rule it out and move on. But if it is (genuinely possible), then I wouldn't be surprised to see some of these elements above paralleled, either with literal parallels or just narratively in a broad sense when it comes to certain characters dynamics and their inevitable fate...