#idak what i was doing and the more i look at it the less i like it so i’m just gonna post it and then forget about it forever

[long-suffering-little-spoon]

rip lloyd garmadon you would’ve loved chromakopia [ID in alt]

[bluestarjay]

Yk that one audio "boys at school don't look at me. Taylor (?) Is the one they look at." Idak what the name is, but yall get the gist. That audio is so Kageyama and Hinata. Everybody looks at Kageyama, not Hinata. Kageyama is the standard volleyball player, tall, muscular, incredibly talented, and attractive. Everybody looks at him. The girls all think he's mysterious and hot, and volleyball players agree that he's hot and talented, and Hinata, at first, is just there. Because Hinata is worthless without Kageyama, right? He's not hot like everybody else we've seen, not like Daichi, or Kuroo, or Bokuto. Sure, he's /cute/ but that's all. He's too short and looks like a middle schooler. He probably sees all the guys at tournaments and wishes that even if he didn't grow, he at least had some muscle. Hinata doesn't even look like a middle schooler. But people probably joked and mocked him about it so much he gaslit himself into thinking he genuinely looked like a child. He literally just looks like a short high schooler. Normally, he wouldn't care about how he looks, but it probably gets to him when he sees himself surrounded by attractive guys who have way more height and talent than him; who have tons of fangirls. And then, when guys like Tsukishima are getting dozens of confessions from girls, all the time? He wants to be loved like they are. He wants someone to like him even though he's short and skinny and his hair is curly and bright orange - and all the things that Kageyama and Tsukishima are that he isn't. He doesn't care about fangirls and that sort of thing. He just wishes that he wasn't so invisible all the time, even though he's so easily recognizable. He was probably asked out as a joke by a popular girl in middle school tbh. Hinata is literally Letter To My 13 Year Old Self by Laufey coded, the way that his clothes literally don't fit him anywhere because he's so small, and while all the other boys are talking about how goregous and hot Nami is, he's thinking that about Zoro. He doesn't fit in and looks weird to everybody, he doesn't like girls the same way the other guys do, not because he doesn't like girls, because he does, he just /also/ likes guys (and likes them more than girls). And he knows that any of the other queer volleyball players he's met would never choose him (except for Atsumu ;)), they'd choose someone more attractive like Kageyama. Because he's nothing without Kageyama. Kageyama is incredible on his own, but he looks even /better/ standing next to Hinata. Hinata is Peter Parker, while Kageyama is Harry Osbourne. Hinata is Ron Weasley, while Kageyama is Harry Potter. Hinata is Grover Underwood, while Kageyama is Percy Jackson. It doesn't make them any less friends, but no matter what, Hinata will never stand on even ground with Kageyama. In a previous post, I said that in a poor Hinata family dynamic, it'd realistically look something like Young Sheldon, and this is what I mean!! Hinata is just constantly fighting for attention, even though he is constantly praised for his jumping. But that's also just it; he's nothing more than his ability to jump. He has no more value than a frog. He's the ugly duckling, although he is, in fact, a swan, and he's the prince that's been cursed to turn into a frog unless kissed by a princess (or something), y'know? He has so much potential that doesn't bloom until post timeskip because GOD is he fine post timeskip, but also he is so insanely talented and is finally respected the way he should've been in high school. The way people make fun of his height and build and stuff, is, in fact, body shaming. And it must've been devastating to be treated the way he was, in the one thing that truly mattered to him; the ONE thing that made him happy. And I'm so glad he kept going, and again, so LTM13YOS by Laufey coded, "keep on going with your silly dream" and he did. It was silly to everyone, but he did it.

[filliteapot]

i live for josei manga! it seems like there are so many series that never get a release outside of japan tho. :( what are your favorites that you would recommend?

Okay, I made some lists in the past and I’m not taking any of those I had put there back, but I wanted to make a new list of recs for a while, so I guess it’s high time to do so.

All time recs: 

Ikuemi Ryo’s works: my faves are Kiyoku Yawaku, Taiyou ga Miteiru, Principal, Anata no Koto Wa Sorehodo. But. Pretty Much everything by Ikuemi is worth checking.

Tamura Yumi’s works: the obvious 7seeds and Basara aside, I beg you, read her Neko Mix Genkitan Toraji. Also, she has some quality oneshots like this one.

Okazaki Mari’s works: & (I didn’t like it when I first tried to read it, but last year I opened it and it got to my heart), Tomodachi Ijou (second oneshot is something I reread to feel better) and Suppli (love from the first page I saw)

Nishi Keiko’s Otoko no Isshou (it has some things I don’t rly like reading about and yet it owns my heart) and Koi to Gunkan (sadly, translation was dropped)

Umino Chica’s Honey and clover (and 3gatsu no Lion)

Higashimura Akiko’s works: Kakukaku Shikajika (her best work imo) and Tokyo Tarareba Musume

Yazawa Ai’s works

Attention: I know that some of these go as shoujo or seinen but it’s just bc they were published in shoujo/seinen magazines which doesn’t change the fact that these are Josei Authors to me and frankly I don’t give a damn about how they are labeled so no need to tell me about it. Thank you very much.

Stories I mention less often:

Konishi Asuka’s Haru no Noroi

Watanuki Yoshiko’s Manatsu no Delta (a real jem imo, keeping an eye on this author from now)

Fumino Yuki’s Saraba Yoki Hi (I feel like when Ikuemi’s TGM ended the Universe tossed this one to me bc it knew I needed something else with the same lvl of pain and ability to make me rage and want to die while reading but not dropping the series)

Omoide no Toki Shuurishimasu by Tani Mizue (story) and Yamaguchi Izumi (art) - I read it years ago on otakumole, not sure if there’s     translation anywhere else.

Hozumi’s Usemono Yado

Ninomiya Tomoko’s Nodame Cantabile

Katsuta Bun’s Chikutaku Bonbon and Daddy Long Legs (oneshot collection)

Kazuno Tani’s works (Her oneshot In The Pocket is the right mix of slice     of life and fantasy-or-was-it-a-dream-like experience which I appreciate     so I want more of her works)

Ima Ichiko’s Hyakki Yakoushou (not romance, darker fantasy with  Japanese folklore creatures)

Kodama Yuki’s works (her stories are not my 100% faves, but I love the art and the nostalgic atmosphere)

Morimoto Kozueko’s Koudai-ke no Hitotobito (for the humour and The Poor Little Bjorn)

Yoshimura Akemi’s Bara no Tame ni (the main romance annoys me so much but this series overall does have good things so I’m putting it here)

Tanikawa Fumiko’s works (cute romance oneshots mostly)

Things that caught my attention that I still need to check out myself:

Ikebe Aoi’s works (Zassou-tachi yo Taishi o Idake)

Nanamaki Kanako’s works (Minato Machi Neko Machi)

Yoshinaga Fumi’s Ooku (an award winning thing, I’ve read the first volume and wanna continue bc it is interesting indeed but I can’t read it with a lighthearted attitude)

Shimura Takako’s Koiiji (I feel like I’ll be raging a lot while reading about unrequieted love and bad life decisions but I’ll check this one)

Opening a New Rubric: Things I Want Translated

Sugita Kei’s Chouyaku Hyakunin Isshu: Uta Koi. I yelled about it so much last year, so I want to mention it here too. The anime for Uta Koi is a rec too, but the manga has more stories and contents.

Okazaki Mari’s Suppli (I’m that “let me in” meme but “let me read it let me reaaaad” as this story got me caught with raws only - I knew it was over for me when I saw this page)

Kuramochi Fusako’s Tennen Kokekko and Tsuki no Pulse (in love with her style and wishing to get Tsuki for personal reasons)

Itoi Key’s Hana to Hoho (I loved the summary and Nishi Keiko’s comment on it, would love to read it one day) 

Isoya Yuki’s Nagatan to Ao To (for the sake of Yearning and Food)

Iwamoto Nao’s works (they look so interesting and I love the style)

Nemu Yoko’s Sandaime Kusuriya Kyuubee (several oneshot collections of hers are translated, but I’m not really into them, and I want to read her longer series much more)

Ikuemi’s new series: Ichinichi Nikai and her adaptation of the novel Eine kleine Nachtmusik (looked through chinese raws > cried bc of Ikuemi’s powerful storytelling getting to me even past the language I don’t understand at all)

Anything by Katsuta Bun

Webtoons - I’m (sooo) not a big fan of this format but there are good josei-like stories in it so I decided to mention them too:

Yaggug’s Unlucky Mansion

Go Ara’s stories (some of them are pretty much pessimistic but ugh they hurt me and left a mark – yeah I’m looking at you, Teenager Younghwa)

Kim Ji Hyo’s Hans and Emily (I got such a good fairytale feeling from this one and loved the style)

Uni life stories like Cheese in the trap or Love Barometer (I enjoyed them pretty much in the past, though I haven’t finished both stories yet)

This is it. For now. I’m not sure what you expected from me when asking about josei recs, but I guess now you can see how much I love talking about it. :“)

Of course, the new josei suggestions (and asks about stories in general) are always welcome.