#icons mulata

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"Five Girls of Guaratinguetá" iconic work by artist Di Cavalcanti - 1932. São Paulo Museum of Art.

In it, the painter portrays five women in an environment reminiscent of the city of Guaratinguetá, in the interior of São Paulo, Brazil. The work is marked by Di Cavalcanti's characteristic modernist style, which mixes vibrant colors, geometric shapes and an expressive representation of female figures.

The painting is an emblematic representation of Brazilian culture and identity at the time, using local and popular elements to portray the beauty and diversity of Brazilian women. Di Cavalcanti's work often brought up social, cultural and political themes, reflecting the reality of Brazil at the beginning of the 20th century.

"Cinco Moças de Guaratinguetá" is considered one of Di Cavalcanti's most important paintings and continues to be studied and appreciated for his contribution to modern Brazilian art.

The work features five women in different planes, all wearing hats and clothes that reflect the fashion of the time.

Using the oil on canvas technique, Di Cavalcanti managed to create depth and texture, making the work even more impactful.

His time in Europe brought him valuable contacts, such as Picasso and Matisse. These influences are clearly visible in his work, but always with a Brazilian touch.

The beautiful Benedita and her four daughters, who inspired the work, had an engaging story with the Clown Piolin, adding layers of meaning to the painting.

Di Cavalcanti frequently portrayed mulattas, a clear tribute to Brazil's diversity and cultural richness.

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"Cinco Moças de Guaratinguetá" obra icônica do artista Di Cavalcanti - 1932. Museu de Arte de São Paulo.

Nela, o pintor retrata cinco mulheres em um ambiente que remete à cidade de Guaratinguetá, no interior de São Paulo, Brasil. A obra é marcada pelo estilo modernista característico de Di Cavalcanti, que mescla cores vibrantes, formas geométricas e uma representação expressiva das figuras femininas.

O quadro é uma representação emblemática da cultura e da identidade brasileira da época, utilizando-se de elementos locais e populares para retratar a beleza e a diversidade das mulheres brasileiras. A obra de Di Cavalcanti frequentemente trazia temas sociais, culturais e políticos, refletindo a realidade do Brasil do início do século XX.

"Cinco Moças de Guaratinguetá" é considerada uma das pinturas mais importantes de Di Cavalcanti e continua a ser estudada e apreciada pela sua contribuição para a arte moderna brasileira.

A obra cinco mulheres em diferentes planos, todas com chapéus e vestimentas que refletem a moda da época.

A técnica de óleo sobre tela, Di Cavalcanti conseguiu criar profundidade e textura, tornando a obra ainda mais impactante.

Sua passagem pela Europa trouxe contatos valiosos, como Picasso e Matisse. Essas influências são claramente visíveis em sua obra, mas sempre com uma pitada brasileira.

A bela Benedita e suas quatro filhas, que inspiraram a obra, tinham uma história envolvente com o Palhaço Piolin, adicionando camadas de significado à pintura.

Di Cavalcanti frequentemente retratava mulatas, uma clara homenagem à diversidade e riqueza cultural do Brasil. @edisonblog

[art-now-usa]

Venus Mulata, Alberto Linero Gallery

Venus Mulata (2000) is a copper sculpture of small format that from the title alludes to the most iconic representation of female beauty: the mythical Venus. But, in the case of this representation, the ideal of beauty embodied is a typical mulatta with a svelte, corpulent, strong and expressive body. In a lofty posture, this woman shows a beauty that represents the Cuban and Caribbean canon.

https://www.saatchiart.com/art/Sculpture-Venus-Mulata/922152/3269383/view

[afrodiaspores]

The Blessed Virgin of Charity--Nuestra Señora de la Caridad del Cobre--is the Catholic Patronness of Cuba. No matter how light-skinned her image might look, she is not seen as white but as of mixed European and African descent (mulata); Cubans call her “La Cachita.” In Lucumí (popularly known as “Santería”), she corresponds to Ochún, the goddess (orisha) of sensuality, prosperity, intelligence, sweetness, and fresh water. She is the mother of twins.

In the New World, orishas came to be paired with Roman Catholic saints or Marian apparitions, and their icons continue to represent the spirits on household altars and elsewhere. Although the everyday elevation of the mulatta over other women of African descent was anything but colorblind, the caramel-complexioned Virgin of Charity connected with Ochún the everyday elevation of the mulatta over other women of African descent. 

Ironically, the youthful and attractive Virgin’s correspondence with Ochún in popular culture reinforced the stereotype of this orisha as a one-dimensional coquette. As if in response to the limitations foisted on her—as onto other women of African descent—[Lucumí] divination verses and praise-songs paint a vibrant picture of Ochún as wizened medicine woman, affluent matron, talented diviner, weaver, potter, and merchant, with a vulture as her fearless, carrion-eating familiar. X

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The Retirantes is one of Portinari's iconic works . Elizabeth A. M. Kajiya is known for her expertise in art history, particularly in Brazilian art.

She has delved into the significance of pigments and the role of color in the works of Candido Portinari, a renowned Brazilian painter.

Portinari's art often carried strong socio-political messages, and his use of color was a significant tool in conveying these messages.

The Retirantes is one of Portinari's iconic works displayed at the São Paulo Museum of Art. This piece captures the struggles of the rural poor in Brazil, particularly during times of drought and economic hardship. The colors used by Portinari in Retirantes were carefully chosen to evoke emotions and portray the harsh realities faced by these marginalized communities.

Kajiya likely explores how Portinari employed pigments and color theories to convey the emotional depth and social commentary within his artworks. Understanding the significance of color in Portinari's pieces helps unravel the layers of meaning and symbolism embedded in his paintings, offering insights into the historical and cultural contexts of Brazil during his time.

About Candito Portinari.

Considered one of the most expressive names in modernist painting, Portinari sought inspiration in his daily life in Brodowski, the city where he was born, close to Ribeirão Preto, in the interior of São Paulo, to portray rural and urban workers. In O Lavrador de Café, from 1934, for example, he immortalized the importance of black people in agriculture.

Among his paintings that have also gained recognition around the world are scenes of the activities of a washerwoman, a rubber tapper, a miner, a musician, a rafter, a worker or a dockworker, as well as an Indian woman, a mestizo, a mulatta, a Bahian woman, migrants, evacuees or evicted people. All are marked by a context of political, social manifestations or a simple outline of cultural traditions such as popular festivals, typical games and karajá dolls.

image: The Retirantes is one of Portinari's iconic works . - MASP

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Os Retirantes é uma das obras icônicas de Portinari. Elizabeth A. M. Kajiya é conhecida por sua expertise em história da arte, principalmente na arte brasileira.

Ela se aprofundou na importância dos pigmentos e no papel da cor nas obras de Candido Portinari, renomado pintor brasileiro.

A arte de Portinari muitas vezes carregava fortes mensagens sociopolíticas, e o uso da cor foi uma ferramenta significativa para transmitir essas mensagens.

Os Retirantes é uma das obras icônicas de Portinari expostas no Museu de Arte de São Paulo. Esta peça captura as lutas dos pobres rurais no Brasil, especialmente em tempos de seca e dificuldades econômicas. As cores utilizadas por Portinari em Retirantes foram cuidadosamente escolhidas para evocar emoções e retratar a dura realidade enfrentada por essas comunidades marginalizadas.

Kajiya provavelmente explora como Portinari empregou pigmentos e teorias de cores para transmitir a profundidade emocional e o comentário social em suas obras. Compreender o significado da cor nas peças de Portinari ajuda a desvendar as camadas de significado e simbolismo embutidas em suas pinturas, oferecendo insights sobre os contextos históricos e culturais do Brasil de sua época.

Sobre Candito Portinari.

Considerado um dos nomes mais expressivos da pintura modernista, Portinari buscou inspiração em seu cotidiano em Brodowski, cidade onde nasceu, próxima a Ribeirão Preto, interior de São Paulo, para retratar trabalhadores rurais e urbanos. Em O Lavrador de Café, de 1934, por exemplo, eternizou a importância do negro na agricultura.

Entre suas pinturas que também ganharam reconhecimento em todo o mundo estão cenas das atividades de uma lavadeira, de um seringueiro, de um mineiro, de um músico, de um caibro, de um operário ou de um estivador, além de uma índia, uma mestiça, uma mulata, baiana, migrantes, desalojados ou despejados. Todas são marcadas por um contexto de manifestações políticas, sociais ou por um simples recorte de tradições culturais como festas populares, brincadeiras típicas e bonecos karajá. @edisonblog

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O’Sisters | Unity Is Power 🇺🇳 Founded by the talented French DJ and producer Missill, O'Sisters is a women's collective bringing together artists from around the world. O'Sisters spreads positive messages of empowerment, unity and solidarity to women everywhere. O'Sisters defends the idea that we are all part of a big family, that we can improve each other by sharing our experiences and knowledge through a common passion: music. The sound of O’Sisters is thus shaped by Missil, iconic figure of the French breakbeat scene. Collaborative project par excellence, she is joined by several gifted musicians and a myriad of talented sisters from around the world: Alima Pelagie from Cameroon, Seny from Senegal, Tiana from Bosnia, Bogota’s best female trio of today La Perla, La Mulata from Dominican Republic, Ajada Reigns or Jordan King, both American rapper based in New York. #UbuntuFM #Radio O'Sisters https://one.ubuntu.fm/3c3WPCS

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