#icons Charmian Carr

[nostalgc]

Charmian Carr in the sound of music (1965)

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[simplysummers]

Thank you for tagging me @ms-march to select my top five favourite female characters. I actually don’t have too many favourite females, so one of these isn’t a “character”, and the majority are honestly just my childhood comfort characters. But I tried my best nevertheless!

1) Liesl Von Trapp (the Sound of Music)

Does this really come as a surprise to anybody? Charmian Carr was such a stunning young women, she was beautiful, caring, so talented, and this really shows within Liesl. Not to mention her gorgeous dresses and beautiful singing voice.

2) Lady (Lady and the Tramp)

I’m not quite sure if this counts, but I absolutely adore dogs. I grew up around many dogs and they bring me instant peace, they’re such incredible and loyal creatures. Lady was always so regal and collected, but also fun and excitable! I’ve loved her since I was a small child, and LatT is still one of my comfort movies to this day. (Also this sassy look lmao queen)

3) Rae Sloane (Star Wars: Aftermath)

Lmao I think they aftermath series honestly sucks, but Rae Sloane is such a badass and probably the best thing to come out of the new Star Wars EU. She has some iconic one liners, beautiful designs, a strong occupation, dedication and just the right amount of bizarre. Can’t wait for any progression on her character.

4) Belle (Beauty and the Beast)

Another one of my childhood comfort movies, but also what a role model, especially to someone of myself. Loves to read, very invested in academics and adventures, of French descent, obsessed with romances novel wise (lmao me and my gays), and although I have no relation here, she’s incredibly beautiful! There’s so much to admire from Belle, I love her. (Not to mention her dress is impeccable, a favourite of mine!)

5) Martha “Patsy” Parke Custis (AmRev)

I know this doesn’t really count as she isn’t mentioned in any pop culture, which was the main reason I didn’t include Jacky on my top 5 male characters, but I was really struggling for females who weren’t childhood/Disney related. I honestly love Patsy so much, she was such a gentle soul, so sweet and kind, only ever interested in the best for her parents and older brother, if only a little naive. She didn’t deserve her illnesses and I honestly hope she is resting easy. She deserved the world 💜

I’m tagging @quillsink @binch-i-might-be @imgaybut and @nonstopfangirl along with anybody else who wants to give it a whirl, although no pressure guys! I definitely struggled with this one lmao!

[introvertguide]

The Sound of Music (1965); AFI #40

The next film that we reviewed from the AFI Top 100 was the most successful movie adaptation of a Hollywood play of all time, The Sound of Music (1965). The story was based on the 1949 memoir of Maria Von Trapp, who became a nanny for a retired naval officer and his children. They lived together in Austria and had to escape from the invading Nazi party right before the start of WW2. That story was turned into a musical by the dynamic duo of Rogers and Hammerstein and eventually translated to a Best Picture Oscar winner directed by the great Robert Wise. The film was nominated for 10 Academy Awards and won 5 of them. This truly is a phenomenal story with great music and I can't wait to get into the breakdown. Of course, I do need to mention...

SPOILER ALERT!!! IT IS NOT LIKELY THAT MANY PEOPLE DON'T HAVE AT LEAST AN IDEA OF THE PLOT OF THIS FILM, BUT I REALLY GO OVER THE DETAILS!!! MAKE SURE THAT YOU REALLY KNOW THE STORY AND HAVE SEEN THE MOVIE BEFORE GOING ANY FURTHER!!!

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The film opens on that iconic spinning shot of Maria (Julie Andrews) from a helicopter and establishes the beautiful hills of Austria. The whole movie is set on and around the city and hills of Salzburg, Austria. It is 1938, dangerously close to the rise of the the Third Reich and Nazi occupation, but Maria is not involved in such things at the time. She is young, enthusiastic, and completely lacking discipline. Turns out she is training to be a nun at the millennia-old Nonnberg Abbey and the Mother Abbess (Peggy Wood) is considering what to do with her. It is decided that Maria will leave the abbey for a time and work as a governess for one Captain von Trapp (Christopher Plummer) and his seven children.

On the day she arrives, Maria learns that the Captain cares for his children with strict military discipline and also that the kids have caused a lot of trouble for their previous governesses. It seems that their mother has died and their father is distant, so they act out to try and get attention. The kids put a frog in Maria's pocket and place a pine cone in her chair at dinner, but she instead thanks them for their warm welcome and they all cry out of guilt. That night, the eldest daughter Liesl (Charmian Carr) goes out and meets with a young suitor named Rolfe (Daniel Truhitte). They sing together in the rain and then she returns to the house via Maria's room. While there, a thunder storm begins and all the other children join out of fear. Maria sings with them about getting over their fears by imagining good things and the children begin to trust her. The next morning, the Captain leaves to go to Vienna giving Maria a chance to bond with the children even more.

While the Captain is away in Vienna, Maria decides she will teach the children to have fun and allow them to play. She tears down drapes and makes play clothes for the children, then takes them around Salzburg and the surrounding mountains. She teaches them how to sing, allows them to climb in trees, and piles them in a boat to go rowing. The Captain unexpectedly returns to the villa with rival love interest Baroness Elsa Schraeder (Eleanor Parker), a rich Viennese socialite and widow looking for a new husband, and mutual friend "Uncle" Max Detweiler (Richard Haydn). The Captain and his guests are greeted by Maria and the children returning from a boat ride on the lake that concludes when the boat overturns. Displeased by his children's clothes and Maria's impassioned appeal that he get closer to his children, the Captain orders Maria to return to the abbey. Just then, he hears singing coming from inside the house and is astonished to see his children singing for the Baroness. Filled with emotion, the Captain joins his children, singing for the first time in years. Afterwards, he apologizes to Maria and asks her to stay.

Impressed by the children's singing, Max proposes he enter them in the upcoming Salzburg Festival but the suggestion is immediately rejected by the Captain as he does not allow his children to sing in public. He does agree, however, to organize a grand party at the villa. The night of the party, while guests in formal attire waltz in the ballroom, Maria and the children look on from the garden terrace. When the Captain notices Maria teaching Kurt the traditional Ländler folk dance, he cuts in and partners Maria in a graceful performance, culminating in a close embrace. The children get together and sing a goodnight song to the party crowd and the impressed Max insists that Maria join the group for dinner. Confused about her feelings, Maria blushes and breaks away to change clothes. The Baroness, who noticed the Captain's attraction to Maria, hides her jealousy while convincing Maria that she must return to the abbey. Instead of joining the party, Maria leaves a note and runs back to the abbey.

Intermission

Back at the abbey, when Mother Abbess learns that Maria has stayed in seclusion to avoid her feelings for the Captain, she encourages Maria to return to the villa to look for her life. We get the very appropriate, but perhaps the most out-of-nowhere and cringy performance in the film, "Climb Every Mountain" sung by the Mother Abbess. It is convincing and Maria returns to the villa, only to learn about the Captain's engagement to the Baroness and agrees to stay until they find a replacement governess. The Captain's feelings for Maria, however, have not changed and he breaks off his engagement with the Baroness and proposes to Maria. The announcement of the first engagement, the return of Maria, the break-up, and the second engagement all happen in a single day in film and about 20 minutes of run time, so make sure to pay attention.

While they are on their honeymoon, Max enters the children in the Salzburg Festival against their father's wishes. When they learn that Austria has been annexed by the Third Reich in the Anschluss, the couple return to their home, where a telegram awaits informing the Captain that he must report to the German Naval base at Bremerhaven to accept a commission in the German Navy. Strongly opposed to the Nazis and the Anschluss, the Captain tells his family they must leave Austria immediately. That night, as the von Trapp family attempt to leave, they are stopped by a group of brown shirts waiting outside the villa. When questioned by Gauleiter Hans Zeller, the Captain maintains they are headed to the Salzburg Festival to perform. Zeller insists on escorting them to the festival, after which his men will accompany the Captain to Bremerhaven.

Later that night at the festival, during their final number, the von Trapp family slip away and seek shelter at the nearby abbey, where Mother Abbess hides them in the cemetery crypt. They are about to get cleanly away when the are discovered by the boy who was courting Liesl. Rolfe is sill a boy but is shouldering the responsibilities of a man. He lets the family get by because he can't bring himself to harm them, but he does call for backup. More brown shirts soon arrive and attempt to pursue, but they discover their cars will not start as two nuns have removed parts of the engines. The next morning, after driving to the Swiss border, the von Trapp family make their way on foot across the frontier into Switzerland to safety.

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I think the first thing to mention is the undeniably beautiful music. I absolutely love the music of this film and how each song starts off simple and just builds in complexity. The best songs either set the scene or progress the plot and are magnificently placed. From the opening song that sets the scene, to the discussion of how to deal with a woman that doesn't fit in, to the discussion of what to do when you are afraid, to putting your love and affection towards somebody who can't love you. The themes are incredibly deep when you consider the lyrics of the songs as foreshadowing the rest of the movie. The von Trapp family has to escape into the hills and they do it using their musical skills. When the family is trapped and has to keep quiet despite extreme fear for their lives, they are able to make it through because they have been taught to suppress their fear thinking of their favorite things. "Sixteen Going on Seventeen" has the young German boy talking about being a man because he is slightly older then the eldest von Trapp daughter, yet he is charged with finding the family and turning them over to the German military and he can't do it. The music serves a purpose and the movie would be far less palatable for it, despite the story being a truly fascinating real life drama.

The great actress Julie Andrews does such a good job as Maria. This was most definitely a perfect role for her and might be her greatest performance. It is between this role and the part she played in Mary Poppins the year earlier. In fact, Julie Andrews was much better known for her Broadway performances at the time of this film. Mary Poppins was the first feature film role for Julie Andrews and The Sound of Music was technically her third. She jumped on the Hollywood scene and was exceptionally lucky that musicals were popular and she was a beautiful young triple threat (acting, singing, and dancing). She is the perfect example of success being a mixture of preparation, luck, and opportunity.

One thing I forget about musicals from this time period is how quickly plot points (like falling in love and building relationships) happen. I don't mean in terms of run time, I mean in terms of time passing by in the story. Maria is sent to be with the von Trapp family and the children go from hating her to needing and trusting her in a single day. She goes from being a beloved nanny to running away to rejoin the nunnery in one evening. The captain goes from proposing to the Baroness to Maria returning to breaking off his engagement to asking Maria to marry him in a 48 hour period. The Captain and Maria return to Austria after their honeymoon and enter a singing competition to escape to Switzerland all on the same day. In terms of run time, that first day actually takes up the first hour of the film. That last night takes up the last half an hour. I doubled checked this just to make sure, but it is true: only 4 critical days are shown in the film. Maria leaves the convent and arrives at the von Trapp house. Time passes, The Captain returns to fire Maria but changes his mind and instead throws a party where Maria runs away. Time passes. Maria is convinced to return and arrives to find the Captain is engaged before he changes his mind to leave the Baroness and immediately proposes to Maria. We see them on their wedding day. Time passes. The Captain and Maria return and he is ordered to join the Navy, but he instead using the children's performance that night as cover to escape with his family. End of movie.

Despite the story being about a young family escaping the Nazis, this film has the lightest rating (G) of any best picture winner. Some films were not rated at the time that would now be considered a G rating and Oliver! in 1968 had a rating of GP (general public) that no longer exists. It seems like a movie that doesn't have at least a bit of a serious tone can't win a Best Picture and that comes with a heavier rating. It was funny that the Amazon Prime virtual copy that I saw most recently starts out with a screen that says rated G for violence, language, and adult situations.

There are some funny behind the scenes stories since there were many young children in the film. This means that many of them are still alive and can relive their memories with young fans. We are also lucky enough to have Dame Julie Andrews still working and sharing her experiences like a champ. She really is a treasure. The young girl who played the adorable Gretl von Trapp (Kym Karath) is only in her early 60s since she was only six in the film. it was actually her 4th picture, giving her more experience in film than Julie Andrews at the time. There were plenty of specials commemorating the 50th anniversary of the film back in 2015, so there are actually some really good interviews with the surviving cast that are relatively recent. I would highly suggest the 20/20 review of the film that can be found on YouTube:

NBC|ABC|20/20: The Untold Story of 'The Sound of Music - YouTube

There was some concern from the cast and the producers that a film version of a musical would not be financially viable. Other Rogers and Hammerstein musicals had been adapted to film and had not lived up to the success that was found on Broadway. Luckily, director Robert Wise used the natural lighting and countryside of Austria and Germany to slightly excuse the sudden singing of a musical that seems out of place in film. Also, he had recently directed West Side Story and knew how to best accomplish this. Then again, who wouldn't want to dance around and sing in those mountains? Wise did some things like lowering the tone of the song "Climb Every Mountain" and moving Maria through the countryside while she was singing "Confidence in Me." This helped reduce the cringe factor.

So does this film belong on the AFI top 100? Oh God yes. It is a great story adapted by the greatest American songwriting duo and directed by one of the great American directors who specialized in musicals. The list would be lacking if this film was not on it. Would I recommend it? Oh man, yes. Go watch it right now. Oh, you just saw it? Watch it again. It's that good.

[male-model-confessions]

Year in Review It is time for the Year in Review again. I want to start out by thanking all my followers. It has been a long year and I have not been on top of things like I should. I finished my MBA and have been looking for a job. I am sorry this year in review is late. I had trouble deciding how to begin. This year has been filled with so many tragedies and deaths. It seems to me, that there are way more deaths this year than I can include in this post. Everyone in the media is subjected to scrutiny and can influence the world of fashion. I have decided that I will provide a list of the names of the people that passed away. 

January 10 David Bowie, 69, Rock icon January 14 Alan Rickman, 69, Actor January 18 Glenn Frey, 67, Eagles rocker January 23 Jimmy Bain, 68, Rainbow rock star January 30 Frank Finlay, 89, Acting great January 31 Terry Wogan, 77, TV & radio legend February 3 Maurice White, 74, Earth Wind & Fire star

February 4 Katie May, 34, female model February 19 Harper Lee, 89, To Kill A Mockingbird author February 28 George Kennedy, 91, Movie great March 8 George Martin, 90, Beatles producer March 11 Keith Emerson, 71, ELP rock legend March 15 Sylvia Anderson, 88, Lady Penelope March 16 Frank Sinatra Junior, 72, Sinatra’s singer son March 17 Paul Daniels, 77, Comedy magician March 29 Patty Duke, 69, Child star March 31 Ronnie Corbett, 85, Comedy legend March 31 Denise Robertson, 83, TV agony aunt April 6 Merle Haggard, 79, Country legend April 12 David Gest, 62, TV personality April 20 Victoria Wood, 62, Comedian April 20 Joanie “Chyna” Laurer, 46, WWE wrestling legend April 21 Lonnie Mack, 74, Blues guitar great April 21 Prince, 57, Pop icon April 21 Guy Hamilton, 93, Bond director April 24 Billy Paul, 80, Chart star May 17 Guy Clark, 74, Country legend May 19 John Berry, 52, Beastie Boys star May 19 Alan Young, 96, Mister Ed TV star May 21 Nick Menza, 51, Megadeth drummer May 24 Burt Kwouk, 85, Pink Panther star May 31 Carla Lane, 87, Liver Birds writer June 3 Muhammad Ali, 74, Boxing legend June 14 Henry McCullough, 72, Wings guitarist June 19 Anton Yelchin, 27, Star Trek’s Chekov June 24 Bernie Worrell, 72, Funkadelic star

June 25 Billy Cunningham, 87, Fashion photographer June 28 Scotty Moore, 84, Elvis’s guitarist July 2 Caroline Aherne, 52, Comedy actress July 16 Alan Vega, 78, Suicide punk pioneer August 13 Kenny Baker, 81, Star Wars’ R2-D2 August 29 Gene Wilder, 83, Comic genius September 11 Alexis Arquette, 47, Transgender actress September 17 Charmian Carr, 73, Sound of Music’s Liesl September 25 Arnold Palmer, 87, Golfing legend October 14 Jean Alexander, 90, Corrie’s Hilda Ogden October 23 Pete Burns, 57, Dead or Alive chart star October 24 Bobby Vee, 73, 1960s teen idol November 7 Leonard Cohen, 82, Iconic singer & writer November 11 Robert Vaughn, 83, Veteran actor November 13 Leon Russell, 74, US rock legend November 24 Colonel Abrams, 67, 80s chart star November 25 Florence Henderson, 82, Brady Bunch star November 26 Ron Glass, 71, US TV star December 1 Andrew Sachs, 86, Fawlty Towers star December 6 Peter Vaughan, 93, Game of Thrones star December 8 John Glenn, 95, First to orbit Earth December 8 Greg Lake, 69, ELP legend December 13 Alan thicke, 69,Actor, composer, television host December 18 Zsa Zsa Gabor, 99, Actress December 24 Rick Parfitt, 68, Quo Rocker December 25 George Michael, 53, Singer December 26 George Irving, 94, Actor December 27 Richard Adams, 96, Author December 27 Carrie Fisher, 60, Actress

December 28 Debbie Renyolds, 84, Actress and mother.

December 31 William Christopher, 84, Actor

Of course, not everything is about death. Some good things happened this year. I’m going to stick to the fashion world, in this one. 

• More insight and awareness was achieved in the struggles and pressure male actors Cover Girl hired James Charles, the first male model to advertise make up. This is a big step in normalizing the use of make up, by men.

 • Several models, including Jaden Smith, stood up against gender norms and began advertising skirts and dresses

.• Colton Hayes received the visibility award from the Human Rights Campaign. This year has been amazing at highlighting gender issues and destroying gender stereotypes. 

Top five favorites confessions:

1. I think it is important to raise awareness on this matter. It is usually easy to dismiss the idea that men do not suffer from sexism but here is the unglamorous truth and the problem with the social constructs of masculinity. [I think it is important that we address this issue. Sexism is not excluded to female models.]

2. I just saw the BBC report on modelling agencies demanding to end gender pay gap in modelling. The argument is actually very fair, but in the long run male models and their agencies will never see it, because as Ty Ogunkoya (featured in the report) said; nobody wants to speak out because they will lose modelling jobs, and male models are just happy that they’re given the opportunity. [I like this one because It sheds light on a major problem in the fashion industry.]

3. I hate what that person said about Marc Schulze’s girlfriend. She’s super pretty and just because someone’s SUPER attractive (Marc) doesn’t mean that they aren’t allowed to like people who are less attractive. Which I don’t even think she is less attractive. [I love that someone stood up for a model’s girlfriend, rather than tearing them down.] 

4. It’s pretty damn sad to see people say “oh it’d be sad if” or ‘what a waste if “ Ben Allen is gay. People - it’s not a 'waste’ or 'sad’ if someone isn’t heterosexual and you are. That’s you being selfish and talking about a person as if they are 'property’ you could potentially own, and you dismissing their worth based on your personal preferences. Rude! [I agree with this statement on so many levels. It is not sad that these people have a life outside of modeling.]

5. Felix Gesnouin is not ugly at all, i like the fact that he is not dating a model…(like most of male models nowdays) and he is really a funny guy,i worked with him once in London. [I seriously love when people right in and defend the models.]

5 of my least favorite confessions:

1. No thanks. CoverGirl used James Charles as a token. Not groundbreaking…[I disagree. This was a groundbreaking move for CoverGirl.]

2. Ben Allen is so gross, honestly. I was at a small party that he was at and everyone was so uncomfortable around him and no one wanted to talk to him because he was saying some ridiculous shit and acting real fucking cocky. He is hot garbage. [I hate when people completely tear into the models.]

3. I’m so happy RJ King finally came out! I mean, it felt like everyone already knew except him. There were already so many rumors circulating back then. Much love to them both! [I love the positivity in this post, but I don’t like outing anyone.]

4. French model Paul Hameline comes off as over-sexed and lustful, but in a good way that makes you want to rip his pants off without shame. His Instagram is full of nearly naked men, sometimes engaging in sex! I think he has a fling with Jonas Gloer. [His Instagram seriously disturbed me, but I thought this confession was too judgmental on the man’s sexuality.]

5. This is a photo of Kristof Kralik taken by Nicolas Hagius (another male model) that pretty much show how pigs and misogynist some male models can actually. The “funny” thing is right after this Kristof and Nicolas stopped working for some time in the big markets, upto some time ago (Kristof walked Versace A/W 2016). I’ve always wondered what is the real reason why guys become male models, they always say because of traveling and meeting new people, it seems like some of them want to be a douchebag in as many different countries as they can be. [I think the picture was taken out of context. You cannot always judge a picture at face value.]

Well, that is another year in review. I wish everyone a Happy New Year. 

[maddiexaldc-blog]

{PYRAMID O N E}

❝ Well hello there girls. Now i'm sure you're all expecting me to congratulate you on this last competition, right? Considering I wasn't there to see it, I should go off your texts of 'it went well' and 'we killed it' right? Wrong. I saw the dances and you looked sloppy. Messy. Unrehearsed. Anyway, moving on. This week is going to be an emotional week girls. I’m calling the theme for solos this week, “Goodbye 2016″. We have lost many amazing talents last year, and we’re going to say goodbye to them in the true ALDC fashion. You are all assigned a different star, and that star is the name of your dance. I want you to understand who they were. What they brought to the world, and what their legacy is. And these all mean a lot to people, because people loved these icons. Looked up to them. Idolized them. And if you screw them up, consider yourself benched for the rest of the season.The competition will be in Chicago, and it’s Sheer Talent, on September 16th. The routines are as followed. ❞

S o l o s;

» Brooke → Edelweiss, Charmian Carr, Lyrical Acro, senior division » Kalani → Purple Rain, Prince, Acro, senior division » Chloe →  Mama Said Knock You Out, Muhammad Ali, Hip Hop, senior division » Maddie → Pure Imagination, Gene Wilder, Lyrical, teen division » Kendall → Hedwig’s Theme, Alan Rickman, Pointe, teen division   » Mackenzie → Demons, Christina Grimmie, Lyrical,  junior division  » Paige→ Princess Leia’s Theme, Carrie Fisher, Acro,  senior division  » Brynn→ Can Can, Zsa Zsa Gabor, Contemporary,  teen division

D u e t s / T r i o s;

» Chloe, Kendall→ I Hope I Get It, Musical Theatre, teen division » Brooke, Maddie→ Mirrors, Contemporary, teen division » Mackenzie, Kalani→ Sparkling Diamonds, Tap, teen division  » Brynn, Paige→ Man I Feel Like A Woman, Jazz, teen division

G r o u p s;

» All Dancers → Believer, Contemporary, teen division