#ibiza house music

[onemoremedicatedpeacefulmoments]

[ky1echristian]

Lifetimes / Katy Perry / Dir. by Stillz

[haveyouheardthisband]

[redtelephone]

☆☆ I TOOK A PILL IN IBIZA ☆☆

[afrohouseking]

How To Black Coffee! UNREAL DJ Skills

[randomvarious]

Today's compilation:

Balearic Beats (The Album Vol 1) 1988 Balearic Beat / Disco / House / Industrial

Man, this is such a momentous fuckin' album that was compiled by legends Paul Oakenfold, Pete Tong, and Trevor Fung back in '88. Here they deliver the first compilation to *ever* attempt to encapsulate the sound of the wide-ranging 'Balearic beat,' a dance phenomenon whose home was in the party capital of the world, on the Spanish isle of Ibiza, where plenty of Europeans would visit and end up drawing inspiration from. And with this album, these three guys appear to have finally successfully broken through, able to bring this very quirky vibe into the UK to coat its own exploding dance music scene during the historic 'Second Summer of Love,' which saw the Chicago-born genre of acid house reach critical mass among the youth and spawn a first generation of ravers.

But Balearic beat is not something that one can easily describe, because its most defining trait is that it really only has one rule: so long as there is some sort of tangible beat that's danceable, it'll do. Essentially, Balearic beat represents an extremely expansive coterie of a whole bunch of different genres: pop, rock, house, disco—pretty much everything that ranges between James Brown funk records and industrial music, and with blends of psychedelia, Italo flavor, plenty of leftfield experimentalism, guitar rock, and chunks of world music too. It's probably the single-most unique dance music scene that this world's ever borne witness to, and it not only allowed, but actively encouraged DJs to take unprecedented levels of risk in their own selections, as a culture of decadence, hedonism, freedom, and acceptance was nurtured and fostered.

And Oakenfold and co. really tried to bring this vibe and approach into the UK's own dance consciousness a couple times between '87 and '88, after returning from summers spent on Ibiza and opening up a couple nightclubs. But things finally started taking hold with Oakey's own Monday club night called Spectrum at gay superclub Heaven in Westminster, London. And this comp, with liner notes provided by Boy's Own's Terry Farley, represents those Spectrum club nights, as well as stuff from Shoom, which is the club where the UK's acid house movement first originated. Shoom was founded by Oakenfold compatriot Danny Rampling, whose own first trip to Ibiza with Oakey and others is what inspired him to open up the club in the first place. And Rampling took ecstasy for the first time on that Ibiza trip too 💊😁🥹.

So, from a glance, by looking at this tracklist and not having any familiarity with what Balearic beat entails, you might see this list of songs and inevitably scratch your head: Italo-jazz saxophonist Enzo Avitabile?; pop starlet Mandy Smith, who's unfortunately best known for having an underage relationship with former Rolling Stone Bill Wyman and then marrying him 🤮?; San Francisco avantgardists The Residents taking the bassline from "Billie Jean" and fashioning a cover of a Hank Williams honky-tonk tune out of it?; EBM group Nitzer Ebb?; industrial act Fini Tribe on a weird, cocaine-fueled tribal disco tip with ringing and clanging bells??? What on earth is this?!?!?

But don't worry, now that you have a proper frame of reference, it'll all make a whole lot more sense when you actually put this album on 😎.

And we gotta make special mention of this release's opener too, "Jibaro" by Oakenfold and Steve Osborne's Balearic electronic project, Electra. Yesterday I posted about an Italo comp that was put out by this same Pete Tong-run FFRR label called The House Sound of Europe - Vol. V - 'Casa Latina', and I remarked that although the Electra track on there really had no business being included—because it was neither Italian-made nor really a house tune—it was still the best track that that comp had to offer, as it was the pure ultimate in 80s Ibiza silky-chillness. But this "Jibaro" track, a cover of a mid-70s Spanish psychedelic disco-funk tune, and whose own 12-inch art inspired the album art for this comp itself, represents a different branch of that girthy Balearic tree, because this one's a full-fledged house jam; slower than a typical house tune, but a house tune nonetheless; and with a richly patched-together sonic quilt of different sounds that *majorly* diverges from all the black, queer, and acid-jacking beauty that'd been emanating from Chicago.

So, ultimately, this was a very important album in the grand scheme of things. Balearic beat brought a very elastic dimension to the acid house movement writ large in the UK, and if you'll now all allow me to unveil my corkboard-and-yarn setup here to give you all a parting glimpse of just how intertwined all of this got within the UK's own vibrant, fluid, and interconnected music landscape, let's bring all of this full-circle by talking about legendary Manchester new wave band New Order.

New Order once took a two-week trip to Ibiza that had such a profound effect on them that it yielded their fifth studio LP, Technique, in 1989. And they also owned a very popular club in Manchester called The Haçienda. In '88, The Haçienda would launch its own Ibiza-themed club nights, which then played an integral role in the development of the city's own Madchester scene, a style of alternative dance music that saw indie bands mesh their sound with psychedelia and acid house beats. And one of Madchester's biggest landmarks ended up being 1990's Pills 'n' Thrills and Bellyaches, an album by a group called Happy Mondays that was co-produced by none other than the Electra boys themselves—Paul Oakenfold and Steve Osborne! 🤯

Highlights:

Electra - "Jibaro" Code 61 - "Drop the Deal" Beats Workin' - "Sure Beats Workin'" Enzo Avitabile - "Black Out" Mandy Smith - "Mandy's Theme (I Just Can't Wait) (Cool & Breezy Jazz Version)" The Residents - "Kaw-Liga (Prairie Mix)" The Woodentops - "Why Why Why (Live)" Fini Tribe - "De Testimony (Collapsing Edit)" The Thrashing Doves - "Jesus On the Payroll"

[my-chaos-radio]

Release: November 1, 1998

Lyrics:

… I don't want to be a bus driver

All my life

I'm gonna pack my bags and leave this town

Grab a flight

Fly away on Venga airways

Fly me high

Ibiza sky

I look up at the sky

And I see the clouds

I looked down at the ground

And I see the rainbow down the drain

Fly away on Venga airways

Fly me high

Ibiza sky

… Whoah! We're going to Ibiza

Whoah! Back to the island

Whoah! We're gonna have a party

Whoah! In the Mediterranean Sea

… Far away from this big town

And the rain

It's really very nice to be

Home again

Fly away on venga airways

Fly me high, Ibiza sky

… Whoah! We're going to Ibiza

Whoah! Back to the island

Whoah! We're gonna have a party

Whoah! In the Mediterranean Sea

… Whoah! We're going to Ibiza

Whoah! Back to the island

Whoah! We're gonna have a party

Whoah! In the Mediterranean Sea

… Whoah! We're going to Ibiza

Whoah! Back to the island

Whoah! We're gonna have a party

Whoah! In the Mediterranean Sea

… Whoah! We're going to Ibiza

Whoah! Back to the island

Whoah! We're gonna have a party

Whoah! In the Mediterranean Sea

… Whoah! We're going to Ibiza

… Whoah! We're going to Ibiza

Whoah! Back to the island

Whoah! We're gonna have a party

Whoah! In the Mediterranean Sea

Songwriter:

Geraint Hughes / Jeffrey Calvert

SongFacts:

👉📖

Homepage:

Vengaboys

[kmadkour]

(LUK)

[lyaiozpress]

In "THE STORE ROOM" this week, we are walking into some love classics. This was basically curated by someone sacred to me so please, I do not take credit for such greatness. I had a totally different list going into this week, hence my delayed post.

I was quite conflicted about sharing this but sometimes we need to remember the beginning to see how far we have met ourselves in the journey. This post is definitely a spiritual souvenir.

May these songs remind you that belonging requires no effort. We can't accept ourselves fully if we desire to know more about who we can be. The nature of the house music truly nurtures us most when we are open to the dancefloor. I don`t know where I was going with that but enjoy.

Liquid Deep- Fairytale

N’Dinga Gaba - Summer Breeze Raw Artistic Soul Remix

Kings of Tomorrow (feat. April Morgan) Sandy Classic Mix - Fall For You

Beatsbyhand ft. (Rona Ray) - Say Yes

Alexkid - Love We Have

Kaskade, Joslyn - It’s You, It’s Me

[manol085]

Love 90’s vibes. ❤️✌️❤️

[samanthasgone]

Credit: kylieminogue (stories)

[akira28es]

Mi última sesion DJ mix This is Ibiza 2024 enjoy!!! https://youtu.be/fycxCQ4HEzo?feature=shared

[timmurleyart]

Remixed in the 90s. 🍋🎶