#i.n.r.i.

[k-i-l-l-e-r-b-e-e-6-9]

Sarcófago - I.N.R.I.

[amatesura]

Katsuhiro Ōtomo, I.N.R.I. (1981)

[thelowestorder]

Sarcófago - The Last Slaughter

[fashionbooksmilano]

I.N.R.I.

Serge Bramly & Bettina Rheims

Gina Kehayoff Verlag, München 1998, 218 pages, 30 x 26 cm,  silk dust jacket, ISBN  9782226094629

euro 90,00

email if you want to buy :booksinprogressmilano@yahoo.it

I.N.R.I.: Iesus Nazareus Rex Iuderoum; Jesus of Nazareth, King of the Jews. The story of Jesus has been continually reinvented and reinterpreted, in fact and in fiction, over the course of the last two millennia. Yet the visual iconography has remained largely that of the Renaissance. Now, at the turn of the twenty-first century, writer Serge Bramly and photographer Bettina Rheims have turned to photography -- the most contemporary of art forms -- as well as to the original biblical texts and legends to present the life and death of Jesus in a series of stunning tableaux and an evocative, meaningful text. The words of the apostles are retold in contemporary and accessible language, at once a rereading, synthesis, transposition, and commentary on the four gospels. In the photographs, characters such as Mary and Joseph, John the Baptist, and Mary Magdalene are placed in sites ranging from the beautiful island of Majorca, Spain, to an abandoned hospital on the outskirts of Paris. Jesus' birth occurs in a rough garage, where he is attended not only by the three kings but by people drawn from the surrounding streets; his miracles and cures address the ailments of all times; the Sermon on the Mount is a dramatic piece of performance art; and his crucifixion is that of every man, and every woman. Bramly and Rheims' re-creation of the ancient story is a true modern icon.

25/11/22

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[mihaicioranu]

[borninwinter81]

I just tried a new patch method, completely spur of the moment, winging it kind of thing, but I think it turned out pretty well.

Instead of cutting a stencil, I had the idea to trace the logo on paper and try to transfer the tracing to fabric.

First I flipped the logo in my phone, then taped a piece of paper over it, which made the phone act like a light box, and I was able to trace super easily. After I removed the paper from my phone I went over all the lines again to make it as clear as possible, which gave me this.

I put it face down onto some white fabric, and shaded all over the back to transfer the pencil, which worked way better than I thought it would. Then I started filling it in with black fabric paint and the smallest brush I had.

And the final result!

This is the logo I traced from. (Edit: I realise looking at this just now that I totally missed the bottom part of the second "A", will fix that!)

Obviously it's slightly less detailed and not as clean and crisp as the original, but I think it's still clearly recognisable as the same logo. And part of the charm of handmaking your own patches is that they'll be a little rough around the edges 😁

For those not aware, Sarcófago are an extreme metal band from Brazil, formed in 1985, and were highly influential in shaping the Black Metal sound as part of its "first wave". They won't be to most people's taste, but if you happen to be into extreme metal and have never heard them before I would urge you to give their first album I.N.R.I. a try.

[talonabraxas]

I.N.R.I: De Mysteriis Rosæ Rubeæ et Aureæ Crucis, by Frater Achad (Charles Robert Stansfeld Jones), 1924 “A rose within the night. The dark-red rose so deep within the night.”

Gertrud Kolmar, from Dark Soliloquy: The Selected Poems; “Rose In The Night,”

The Rose Cross A rose cross thought to have been made by George Alexander in the 1970s. It is a replica of those worn by adepts in the Rosae Rubae et Aureae Crucis, the inner order of the Hermetic Order of the Golden Dawn. The rose cross is a lamen (magical pendant) worn over the heart by members during important operations. Its design is influenced by Rosicrucian legend, the Kabbalah and by Moina and Samuel Liddell MacGregor Mathers’ symbolic application of colour. The red rose and the cross of gold represents a reconciliation of divinity and humanity, which forms the basis of the glyph. A visitor to the museum explained that traditionally the rose cross is to be made and consecrated by its owner unassisted, and must not be touched by another person after consecration.

[indiepressrevolution]

Now at IPR - Ready Play Games: I.N.R.I.

The plague knocks on the door of this small convent in 16th century Austria.

https://www.indiepressrevolution.com/xcart/Ready-Play-Games-INRI.html

[thethroneislost]

Sarcofago Brazil Band photos and their 1987 LP "I.N.R.I."

[fibrofeline]

From Sarcófago’s debut studio album, I.N.R.I. (1987, Cogumelo).

[k-i-l-l-e-r-b-e-e-6-9]

𝔖𝔞𝔯𝔠ó𝔣𝔞𝔤𝔬 ⸸⛧

[haveyouheardmetal]

Pictured: I.N.R.I., released in 1987

[stetson-sarsaparilla]

Sometimes I wonder if Pilate really knew what he had done.

He put I.N.R.I. (IESVS NAZARENVS REX IVDÆORVM) on that cross despite the protests of the Pharisees.

In John 19-22 it says

"19 And Pilate wrote a title, and put it on the cross. And the writing was Jesus Of Nazareth The King Of The Jews. 20 This title then read many of the Jews: for the place where Jesus was crucified was nigh to the city: and it was written in Hebrew, and Greek, and Latin. 21 Then said the chief priests of the Jews to Pilate, Write not, The King of the Jews; but that he said, I am King of the Jews. 22 Pilate answered, What I have written I have written."

[joseandrestabarnia]

Virgen con el Niño entronizado con santos

Maestro del Tríptico Panzano (italiano, activo en el siglo XIV) (Artista)

c. 1380-1400

Témpera y pan de oro sobre tabla

Trípticos plegables como este se utilizaban para la devoción privada. La Virgen y el Niño entronizados están flanqueados por (de izquierda a derecha) san Nicolás, Bartolomé, Catalina de Alejandría, Antonio Abad, Francisco y Lucía. Esta composición utiliza la metáfora de una reina rodeada de sus cortesanos para representar a la Virgen en su papel de Reina del Cielo. El pintor simuló la tela bordada en oro del trono de la Virgen rascando la pintura blanca para revelar el pan de oro subyacente, que ha sido pinchado para mejorar su reflectividad.

Debido a que pocos artistas durante este período firmaron sus obras, los eruditos a veces los identifican por su pintura más impresionante. Aquí, este maestro anónimo es conocido por un retablo que creó para una iglesia en Panzano, Toscana, Italia.

Inscripción: [Transcripción] En el pergamino sostenido por el ángel: SPIRITVS. SCS. SVP[RA. VOS]; [Traducción] Que el Espíritu Santo esté por encima de vosotros; [Transcripción] En la cruz: I.N.R.I.

Procedencia: Colección Don Marcello Massarenti, Roma [fecha y modo de adquisición desconocidos] [catálogo de 1897: n.º 64, como Escuela de Siena, principios del siglo XV]; Henry Walters, Baltimore, 1902, por compra; Museo de Arte Walters, 1931, por legado.

Geografías: Italia, Siena (Lugar de origen)

Medidas: Alto: 19 7/8 x W: 19 1/2 x D: 3/4 pulg. (50,5 x 49,5 x 1,9 cm); Superficie pintada del panel central H: 19 7/8 x W: 9 3/4 pulg. (50,5 x 24,7 cm); Superficie pintada del ala izquierda H: 18 11/16 x W: 4 13/16 pulg. (47,5 x 12,3 cm); Superficie pintada del ala derecha H: 18 11/16 x W: 4 3/4 pulg. (47,5 x 12 cm)

Línea de crédito: Adquirida por Henry Walters con la Colección Massarenti, 1902

Número de acceso: 37.728

Información e imagen de la web del museo The Walters Art Museum

[phixxaz-dymmeng]

巴西传奇黑死\黑敲击乐队石棺Sarcófago全部专辑分享

巴西传奇黑死\黑敲击乐队石棺Sarcófago全部专辑分享 https://b23.tv/gHV9OrG

[metalcultbrigade]

Sarcófago - I.N.R.I 06/08/1987