#i've said it before and i've said it before

[mrs-kmikaelson]

Your Five Truths

Pairing: Aaron Hotchner x reader Summary: You have five simple truths. But when your relationship and your life are put on the line, you start to question what you believe in anymore. Warnings: reader is a bau tech analyst, serious angst, aaron is being mean, big argument, mentions of haley's death, references to foyet arc, home invasion, graphic descriptions of violence Words: 3.5K

Masterlist

a/n: there will be a part 2.

1. Aaron doesn't yell at you. 

If all else was unsure, then this was one of the five things you knew for certain. You weren't sure if he yelled at all. Maybe at work with criminals, but never with you.

This was still true.

Right now, he wasn't yelling at you. He was speaking in an even tone, but you knew him well enough to notice the difference. His voice was as cold as his rigid stance, like ice ran through his veins. His arms were crossed, and so, even if you weren't a criminal—even if you knew you were his fiancé—you sure as hell felt like one.

Standing on the other side of the kitchen island, you were in opposition of each other in every sense of the word.

You took a deep breath before speaking. "Aaron—"

He cut you off before the words could even leave your mouth. "We've had this conversation before. I've already told you how I feel about it."

You repressed the urge to take another breath, knowing he was a profiler. Knowing he could profile the discomfort all over you, regardless. But you picked up a few profiling tricks, too.

You could see the way he was staring at you. Like you were an idiot.

Maybe you agreed on that.

Idiot, idiot, idiot, idiot, idiot, idiot— 

You took the breath, anyway. "Aaron, I said I'm sorry."

You tried to step closer to him, and he didn't move away. But he didn't usher you into his arms, either.

And despite the fact that Aaron doesn't yell at you, you could tell he really wanted to.

"And I'm saying you shouldn't have to say sorry. We shouldn't be having this conversation because you shouldn't have done it," he scolded.

You took another step closer, rounding the counter like your body was trying to get him to physically understand, to remind him that you were on the same side.

"What was I supposed to do?" Your voice was desparate now, almost like you actually wanted him to answer. "You were working. I had to work. You weren't picking up the phone—"

"That's right," he cut you off again. This time, he stepped closer to you. "I was working. You weren't."

2. You have an equal relationship.

The second truth was what had you tilting your head. You were already flushed from the heat of the argument, but now you could feel yourself getting a little angry.

"What do you mean I wasn't working?" you questioned. "Yes, I was. Garcia said you called everyone in; you said to get there stat."

He was quick. "I meant everyone that was necessary. You aren't."

You could feel the cut immediately, etched deep into your skin. It didn't matter how he said it, frivolous or not—the words were sharp enough to cut you effortlessly.

You aren't necessary.

The words echoed through your head. Words you'd heard before, but never from him. Never from the man who swore to be better than everyone else who ever hurt you.

Yet, no matter how much you'd been hurt in the past, it hurt a thousand times more to come from him.

You waited for him to say something else, waiting for any sign of regret to cross his face.

Nothing did.

There were many times when you wished you had Aaron's poker face, but right now, you didn't have to try. The sadness flooding your body remained internal; the only thing that showed on your face was rage.

Your eyes narrowed. "What the hell is that supposed to mean?"

Hotch doubled down, staring you right in the eye. "It means your job is an accessory. Garcia does the same job as you—you aren't needed."

That was a lie so blatant it made you scoff. You were a technical analyst for the BAU, and you'd proven yourself time and time again. Hotch was the one that hired you—he's the one that said he saw something in you.

Apparently not.

"I'm not needed," you echoed, sarcasm lacing your voice. "Right. So when an alert comes out that there is an active hostage situation and a potential terrorist threat, what do you expect me to do? Not come into work?" 

"Yes," he deadpanned. "Not when you're picking up my son."

You ran a hand through your hair, stuck in disbelief. "You can't be serious—"

"When you're picking up my son, what I expect is for you to take him home."

You spoke over him, countering, "I brought him to a place where I knew he'd be out of harm's way. You weren't picking up the phone. I did what I thought was best—"

"You brought him to Jessica—"

"I brought him to his aunt—"

For the first time since the conversation started, Aaron raised his voice just enough for it to stop you dead in your tracks. "You don't get to bring him to his aunt. You are not his mother!"

3. You are not Jack's mother.

You knew that. God, you knew that. You were there to see the carnage in the Hotchner household after Haley's death. The blood that splattered the walls. The boy who was too young to spell the word devastation but still felt it in his bones.

You knew you were not Jack's mother. You lived in a house with her pictures on the wall. Jack was a mirror image of her; he was her son, and you knew that. It was one of the truths you held the most conviction in.

It was the truth.

But you still recoiled, almost like Aaron had slapped you. A part of you thought maybe that would've hurt less.

All the fire you had was extinguished. You didn't have a rebuttal for that. What could you say? It didn't matter if you loved Jack like he was your own—that didn't change the fact that he wasn't.

You avoided Aaron's gaze, choosing to stare at the pattern of his tie instead and trying not to succumb to the sting in your eyes. You liked this tie; it was one of your favourites. You were close enough to him to see all its beautiful details.

But, at the same time, you'd never been further away from him.

Aaron still hadn't said anything, and out of fear that the dam would break if the silence continued, you spoke up. "I—" your voice cracked. "I know I'm not Jack's mother, and I'm not trying to be." You paused. "I was just doing what I thought was best."

You left it there, not knowing if the right words to say the right thing even existed. Saying the right thing was always Aaron's thing, not yours.

But whatever words he was going to say were cut off by the shrill pinging of a cellphone. Two cellphones.

Aaron picked up his first, sighing immediately. You didn't have to guess what it said. "We have another case." The heat in his voice was gone; he sounded like himself.

That didn't mean you felt any less burned.

"Okay, um—" you couldn't stop yourself from sniffling even if you tried. "I'll stay here and watch Jack. You go."

Another sigh left him. "Y/N—"

The sound of your name leaving his mouth almost made you cry, but you persisted, "No, you can go, it's fine." You chuckled if not just to make light of it for yourself. "I'm not needed there, anyway."

"Y/N."

"Aaron." You fingally looked up at him, and you saw it. Remorse swirling in his brown eyes. The same eyes that crinkled at the sides when you said you'd marry him. Somehow, that made it worse, knowing that it was the same person who said both of those things. Who built you up from scratch just to bring you right back to the bottom. 

You repeated yourself, "Go." The team needs you, you wanted to say. The only reason you didn't say it was because he'd already accused you of trying to be his past wife; you didn't need to prove him right.

You could practically hear the churning of his inner turmoil, torn between staying and leaving. It was pointless; you both knew what his decision would be.

When he reached for his go-bag, it was final. And in some ways, he was leaving more than just the house.

As if he could sense that, he turned around. "We'll finish this discussion when I'm back," he said. That was an anchor: telling you something about the present by talking about the future. When I'm back meant that he'd be back. Discussion meant you had something to talk about, a two-sided activity. We meant you were still one unit; you were still a we.

Maybe that's what he meant by it. If you scoured through his words and read between the lines, maybe you'd find the beginnings of an apology—in his own way, at least. But he wasn't sorry, not for what he said. If anything, he was only sorry that he said it.

You wouldn't profile him and ascribe meaning to words that didn't mean anything. We'll finish this discussion when I'm back meant you'd finish the discussion when he was back. 

When you replied, that was what you were replying to. "Okay."

You weren't okay.

This wasn't okay.

Aaron cast one last look at you before he crossed the threshold. You looked away.

And then he was out the door, leaving you in a house that no longer felt like your own.

—

"Y/N, my love, I thought I'd die without you!"

Penelope was on you as soon as you walked into the bat cave, shooting up from her chair and hugging you so tightly that you would've thought you'd been gone for ages. Really, you were only gone for a night.

You told Aaron that you wouldn't be coming in, and you were holding true to that, but you weren't gonna make Garcia work alone if she had to, even if she was perfectly capable of it.

You knew you weren't needed. Hotch was right: this ship could sail just fine without you. But you could help.

You'd just dropped Jack off at school, so now you were here, ready to work until you had to pick him up again.

You forced yourself to laugh at her words, causing her to hit your back. "No, I'm being serious! You're my oxygen—I can't live without you."

At that, you snorted. "Okay, Penelope."

She pulled back, resting her hands on your shoulders. "Seriously, though." She looked deep into your eyes, seeming to be looking for something. "Are... are you okay? I don't even think you've taken a sick day since... since forever."

You smiled at her exaggeration, even if it didn't really reach your eyes. "Yeah, I'm fine, P. I just have to leave early to go get Jack, and um... I'm gonna stay off camera today. And off the phones." You shifted your weight. "Not like it matters or anything, but I just don't really want Hotch knowing I'm here. I just want to stay in the background today, if that's okay?"

Her brows raised, but she quickly affirmed, "Yes, that's okay! Totally okay. We'll keep this 100% incognito."

It was in Garcia's nature to ask questions, so you knew she had them, but she didn't voice a single one.

You talked about work, and new bureau technology, and your next girls night, and everything but what you asked of her.

You'd never been more grateful.

—

It'd been two days since the team left, two days of bouncing back and forth between the office and back home with Jack. The son that wasn't really yours. The son that felt like yours, anyway.

If you were doing as good as you thought you were, then nobody knew you were even there. Garcia was telling the rest of them that you were sick. Your phone had been flooded with get well soon messages from everyone except the one person you really wanted one from.

Aaron hadn't spoken to you since he left. You wished it didn't hurt as badly as it did.

"Okay, Jackers! I think it's time we head to bed."

"What?" You held back a laugh at the incredulity in his voice, knowing that—for an 8 year old—this was a very serious matter. He looked at you with traces of shock, somehow looking everything and nothing like his father at the same time. "But it's only ten o'clock!"

"Ah, and yet it is still past your bed time. Mine, too."

Jack frowned—and there it was. There was that bit of Aaron you were looking for. "You say that, but you're just going to stay up after I go to sleep."

You couldn't suppress the smile on your face any longer. "No, Jack. I promise you I'm so tired, I'll be out as soon as my head hits the pillow." You ruffled his hair, your smile becoming a grin as he groaned. "Now go brush your teeth, little man."

Jack got up from the table, his little feet pitter-pattering across the floor as he made his way to the stairs. It didn't sound much like a pitter-patter anymore now that he was getting older, but he would always be the same little boy to you. So, "pitter-patter" it was.

Until suddenly, you heard a different noise.

Not pitter-patter.

The door.

Your eyes darted to Jack as he stopped in his tracks, then they darted to the door. The knob, turning lightly, gold glinting in the light. The sound of your own heart beating was just as loud as the turning. The person got impatient, the knob turning faster now, like someone was trying to pry it open.

Fuck. Fuck.

Your mind ran a mile a minute. That wasn't Hotch. You weren't expecting anyone, and whoever was at the door certainly wasn't asking for an invite in.

They were trying to force their way in.

Somebody was breaking in to the house.

With that realization, you were moving. "Jack." You caught his attention easily, spotting the fear on his face right away. More than fear. 

Familiarity.

He went through his before. Oh, your Jack. He'd been through this before, and he would know what to do. You did.

Conversations with Aaron flashed through your head, just-in-case scenarios, if then statements. Emergencies.

You knew what to do, too.

You just never thought you'd have to.

You grabbed onto Jack's shoulder, immediately feeling how his body was trembling. "Jack, I need you to listen to me." The knob got louder. You lowered your voice. "I need you to work the case, okay? Like with your dad. Do you understand me?"

His eyes went wide. "Wait, Y/N. What about you—"

"Jack. Do you understand me?" He went quiet, and then he nodded, making you sigh in relief. "Okay, take my phone. Call 911, but don't make a sound." You handed him the phone, and then you let go of him. "I love you." Your throat closed up. "Now go."

Jack ran up the stairs, and you were up automatically, trusting he'd do as you said.

It was like someone else was in your body, telling you what to do. You opened the pantry, looking where you'd never looked and typing numbers into a keypad you'd never touched.

Why do we need a safe in the kitchen? you had laughed at the time.

In case of an emergency, Aaron had said. You thanked his forward thinking.

The only way you knew that you were still there was by the violent shaking of your hands as the cool metal touched your skin. You'd only ever operated a gun once or twice. Did you even remember how to load it?

The door banged, making you jolt. You had to remember now. Come on, Y/N. Load the fucking gun. 

You thrusted the magazine into the well and then pulled back the slide. Another bang. You turned the safety off.

Hold the gun with both hands.

God, Hotch, when will I ever need to do this?

Well, I hope you never have to. But we can never be too safe.

Another bang hit the door, this time more forceful. We can never too safe. Tears flooded your eyes, and you promptly blinked them away.

Then. There was another bang, and this time, the door hit the wall.

You intook a sharp breath, hearing footsteps thump against the floor. You closed your eyes, focusing on the noise. One set of footsteps. 

Aaron's voice echoed throughout your head. Are you sure?

You screwed your eyes shut tighter, straining your ears. Yes. One person. Loud. Heavy. Male.

Okay, that's good. What else do you know?

You knew they spent a long time fiddling with the door knob before busting the door open. That could either mean they lacked physical strength or they were trying to taunt you. The second option. You knew this was a low-risk neighbourhood. You knew your car was out front. This wasn't about money. This was personal. Intentional.

You knew this was an FBI agent's house. You knew—

Wait. You strained your ears more, following the footsteps. They weren't heading for your direction. No. No, no, no, no.

Jack was upstairs.

You couldn't let this man go up there.

4. You love Jack Hotchner unconditionally.

Knowing number four makes you act fast with a determination you'd never felt before. The pantry door swung open as you left the enclosed space, instantly raising the gun in the air like it was weightless. 

You pointed it at your stairwell where a masked man stood, motionless. 

"You better stop right there, you son of a bitch," you threatened, cocking the gun like it was second nature to you.

The man raised his hands into the air slowly. He tilted his head at you as if he was trying to mock you.

And then he smiled.

Before you could even realize what was happening, he was running at you. Your eyes widened, pulling the trigger. You barely got to see if your shot made it before he was tackling you to the ground, knocking the gun out of your hands.

The back of your head hit the ground, making a sickening crack. You gasped for air, and then you were wheezing as the man's hands wrapped around your neck, squeezing tightly.

You looked up into his demented eyes, hearing not the sound of your own voice but Hotch's. Use what you see. Frantically, your eyes flew all over the unsub's body until you saw red staining black, right at his shoulder. 

Without thinking about it, you stuck your finger into the wound, hearing him scream. He was stunned enough that he loosened his grip, giving you the chance to kick him off of you.

You scrambled to your feet, searching for the gun and finding it in the middle of the living room floor. You dove for it right as he got back up, getting to you before you could try shooting again.

His hands wrapped around yours, trying to wrestle the gun from your hands. You held on like your life depended on it because it did. Your life depended on it— Jack's life depended on it. 

You fired a shot into the ground and then another into the wall as he fought you, knocking a picture frame off the mantle. You couldn't see where the gun was pointing anymore, but then, suddenly, pain radiated throughout your lower abdomen, and you knew it was pointed at you.

You gasped, looking down and seeing blood spreading through the white of your tank top.

You looked back up, seeing the asshole smile at you with his teeth. They were pearly white. So clean for a man so dirty.

You sought to make them red, too.

In a surge of energy, you twisted the gun out of his grasp and didn't think before pointing it at his head and firing.

You watched the bullet penetrate his skull before he fell to the ground. Like a domino, you followed, crumpling against the couch.

The gun slipped out of your hands and they immediately went to your wound, making you hiss in pain. You pressed down on it, feeling blood flow between your fingers like a river. 

Keep swimming. Keep your eyes open.

The fatigue hit you like a train. You blinked, trying to keep your eyes open, but they felt so heavy.

Jack. Jack was upstairs. He called the police.

He was okay.

You heard sirens in the distance. The police were coming.

You could sleep now.

And so, as you remembered your fifth truth, your eyes started to flutter closed.

5. You love Aaron Hotchner. And he loves you.

You let yourself fall into a dreamless sleep, hoping that somehow, on some plane of consciousness, he could hear you say I love you one last time.

You loved Aaron Hotchner. You knew that for certain.

You just hoped he still loved you.

[gurugirl]

Don't Judge a Book by Its Cover | shy dom!harry

*originally posted on Patreon but due to the use of the word daddy it had to be removed*

MAIN MASTERLIST

Summary: No one would ever know that your shy, quiet boyfriend likes to dominate you in bed every night.

A/N: This is an apology for not having mean king out this week! I've been stressed and busy and while I've got chapter 3 mostly ready I don't want to post til it's 100%. So enjoy this fun little taste of my shy dom!harry in the meantime! xoxo

Word Count: 2.8k

Warning: smut, sub/dom dynamics (Harry's degrading but also gives praise!), daddy kink, size kink (yes always size kink)

. .

When you first met Harry you never imagined the kind of person he was under the quiet shy-guy façade. You had brought your old laptop to him in hopes that he could fix it so you wouldn’t have to buy a new one. His small computer repair shop was highly recommended. And when you saw him, well, he was something out of a dream. Tall with tan skin and light green eyes, a soft smile, dark curls, and he appeared healthy and strong.

Except he was very shy. Quiet. You explained to him the issue with your laptop and he ran a cord up to the desk and plugged it in, typed something on your keyboard, bringing up a strange screen. You watched as he did whatever he was doing and wondered if this guy had ever been laid. You soon learned just how wrong that initial perception was.

“You spend a lot of time here?” You asked in hopes of striking up a conversation.

He scrunched his brows together and looked up at you. “Uh… yeah.” And then he looked back at your screen intently.

But you didn’t stop there. If there was one thing about you it was that you could be kind of relentless. You’d get something out of him one way or another.

And oh boy did you get it. After he told you what he thought he could do to repair your laptop and that he’d have to keep it for a few days you gave him your contact information so he could call you when it was ready. From there… it was kind of a whirlwind after you asked him to hang out a few times.

You knew you could be a bit bossy and direct and so it felt like a really good fit as you got to know him the few weeks after first meeting him. He didn’t seem to mind you making all the plans and telling him what to do and when you introduced him to a couple of friends you ran into at the park one day they also noticed how quiet he was too. He was polite, but he didn’t talk much so you commented to your friends that he was just shy right in front of him and that was the first time you noticed that look from Harry. A sharp glance that made the hairs prick up on your skin. You brushed it off but wondered if he maybe didn’t like you talking about him like that in front of him. Had he been embarrassed by that? You hadn’t said anything mean or untrue but there was something in the way he looked at you that gave you pause.

And that night was the first time you had sex with him. He followed you into your apartment when you expected him to just drop you off like all the other times you'd hung out with him before.

“Oh you’re coming inside?” You grinned at him and he remained quiet as he stalked behind you until you’d opened your door and Harry slammed it closed behind him.

The Harry you knew in public had suddenly been tucked deep down into some hidden pocket and this new brooding man stood before you with dark eyes and a smirk on his face. “Did you have fun bossing me around all day? Talking about me to your friends and laughing?”

You were stunned as he moved in toward you and both of his hands ran up the back of your neck and he titled your head back. “Well? Was that fun for you?”

Swallowing you let out a shocked laugh. “Uh… I mean… I didn’t like mean to hurt your feelings… I just thought…” Of course, you couldn’t find the exact feelings and words at that moment because this was a different man standing over you gripping the back of your neck.

“Can’t spit out your words, little brat? How unusual that you suddenly can’t yammer on. I’m gonna make this easy for you. Now, you do what I say and keep your mouth closed for once. I don’t want to hear you talking back to me anymore tonight.”

And even if you wanted to you wouldn’t have been able to. You were not only stunned into silence but half the time he had his cock down your throat making you gag around him as he praised you for being so quiet for him. You hadn’t expected any of it but you fucking loved it. When he made you pull his pants down and get on your knees the first sight you caught of his dick was something unbelievable. You hadn’t realized he was going to be so immense.

But he was and he taught you a lesson that night. And that was to not judge a book by its cover. Quiet and shy in public but once the doors were closed he was a caveman who liked to dominate and spank you, spit in your mouth, and fuck you until you were nothing but a puddle of mush and silence and serenity.

You were obsessed.

You still kept up your normal daytime appearances. You were the bossy, mouthy, and outgoing girlfriend to everyone who knew you and he was the compliant, quiet, and shy boyfriend. No one had a clue. They all thought you were the one wearing the pants in the relationship. And you did it in front of everyone. You told him what to do and often would order his meals for him and talk over him if he did speak.

But he was the one in charge the moment you two were alone.

And you knew you were in for it that day. You’d gone out with some friends again for lunch and you sat on his lap with your back to him and yapped loudly to your friends about whatever. You ate his sandwich and then laughed when you pretended to realize that he was still there. “Oh god! I almost forgot you were here, you’re so quiet, Harry! You’re like a piece of furniture!” Your girlfriends laughed with you.

You felt him pinch your thigh. And not a nice little teasing pinch. A bruising one that made you jump and you turned to look at him and there it was. That look. You bit your lip and turned back to your friends and continued being a bit of a brat. You knew he’d have something to say about you calling him a piece of furniture. You couldn’t wait to see what he might do.

And it should have come as no surprise to you that when you got to his house, he had you naked and gagged, on your hands and knees while he sat in his chair with his feet on your back like you were a fucking stool for his legs. Payback for the furniture comment.

Drool was falling from your mouth and pooling on his carpet as you tried to stay steady but the longer you stayed in your position the harder it became to not wobble, especially with the way he was shifting his legs around and crossing them over your back and shoulders.

“Pathetic,” he murmured when he saw the puddle of saliva on the floor. “But it sure is nice and quiet like this. Prefer it actually.”

He read in silence for what seemed like forever until you nearly fell over and he pulled you up and dragged you between his legs, keeping you on your knees. “Pull it out and suck.”

So you did. You looked up at him as you undid his pants and he pulled the damp handkerchief from your mouth.

The moment his length was freed from his boxers he had his hand on the back of your head and pushed you down until you were gargling and sputtering around him. You kept your hands over his thighs as he bucked up and sighed.

“Fuck… all this mouth is good for is sucking cock isn’t that right?”

You couldn’t answer. But you'd have said yes if you could've.

The zipper on his jeans was irritating your chin but you’d never complain. Your face was hot and you pulled breath in through your nostrils every time you were allowed to come up for air but he pushed you down over and over again until he was satisfied with how well you’d taken him and then brought you up to look at your face. “Look at what happens to you when Daddy’s cock gets stuffed in your mouth. Just a drooling baby with her eyes all crossed. Acts all tough and bossy all day with me but can barely make a peep when my dick is in her face.”

You moaned and reached for his dick, opening your lips but he wrapped a hand around your throat and pushed you back as he stood, pulling you up with him. “Open.”

You parted your mouth and stuck your tongue out with your head tilted back just before he spit into your mouth and you kept yourself still as he inspected. “Swallow.”

Gulping down his saliva you fluttered your eyes up at him before he pushed you over the arm of his chair with your ass up and began to spank you. You jolted at each strike to your bum but the smile on your face juxtaposed the sting his palm caused your backside.

“You know you can’t get away with being a brat. Daddy’s always gonna win in the end. But you love it don’t you? Love getting put in your place.”

Harry’s cock was still swollen and thick, hanging out of the front of his pants as he groped your plush bottom and spread your cheeks, spitting a glob of saliva over your ass hole and another over your pussy. You were angled just right for him. He loved it when you were draped over his chair like this. Could see your anus and your wet pussy and could do what he wanted with you.

You squirmed your hips gently and then felt the hot skin of his tip pressing into your cunt. The first dip in always stretching tight and achy around him. You let out a pitiful cry and heard him laughing behind you. “This is Daddy’s hole isn’t it?”

He drove into you, filling your insides with inches and inches of length and girth before backing and out plunging in again.

“It’s Daddy’s!” You moaned.

Another gob of spit was dripped over your anus and then you felt him push his thumb inside. “Yes, it is. And this one too, yeah?”

“Yesss…”

His chair creaked as he pounded into your guts and your moans were muffled into the fabric of the chair as he panted in pleasure.

You loved when he stuck a finger or two in your ass while he was fucking you. It kind of held you in place because he didn’t fuck your pussy gently. It helped ground you in a way.

“My bratty girl is so sweet and obedient right now. Just offers her little holes up to me and lets me have my way because she knows she’s been naughty all day. Laughing at me, pretending she didn’t know she was sitting in my lap, eating my food...”

He groaned when he ground in, swiveling his hips in circles and sliding his thumb in, and pulling it back slightly to put more pressure on your anus. Everything was wet. Soaked. And you could hear it with every thrust he made.

Suddenly he pulled his cock out and his fingers were gone and you whined when you felt him leave your body but he didn’t give you much reprieve when you felt his hands grasp your chin and lift your face up to look at him, standing over you with that dark smile.

He slapped his heavy, wet cock into your cheek and puffed out a laugh when he did it on the other side, your arousal getting smeared on your face. “Is this what you love? Daddy’s big cock in your face?”

You gulped. “Yes. Love your cock, Daddy.”

Keeping your eyes on him he smacked his length over your mouth, popping it past your lips before pressing his hands into your cheeks, his thumb on one side and fingers on the other. “Open.”

The moment your wet lips parted he dipped into your mouth, watching the way your jaw went slack and how your lips wrapped around him. He didn’t shove himself in too far, but just enough that it had your eyes watering as you struggled to keep looking up at him.

He cooed at you and as he rocked his hips in and used his free hand to land his palm down on your sore bottom again. Your ass was still up with your hips down over the arm of the chair and you blinked trying to clear your blurry eyes. “Taste that?” Another harsh smack to your bottom.

You moaned around his cock in response.

“That’s mine. Your pussy juice that makes a mess of my cock... Mine. This ass?” He slapped your bum making you jump. “Mine. This throat and this mouth? Mine.”

You gurgled when he pressed in, grazing just the beginning of your tonsils before slipping it back out to the tip. “Everything is mine. So keep that in mind next time you mouth off to me in front of your friends.”

He pulled his cock from your lips and you gasped a breath and watched him as he tilted your neck upward uncomfortably. “Now do you want to come?”

His fingers were still smushed into your cheeks as you let out a feeble yes.

“How bad do you want it?”

He loosened up his grip so you could respond. “Please. So bad, Daddy. So fucking much. I’ll do anything. Every bit of me is yours… You own me…”

He kept his expression unreadable as you continued. “I need you. I want you to make me come. Please, Daddy. You’re everything… I'm begging you, please… I worship the ground you walk on.”

You knew the drill. He expected to hear you grovel for your orgasm. Especially after the kind of display you put on earlier. He listened to you demean yourself and praise him, beg him…

When he released your face he grunted and you felt him behind you again, this time pressing his warm, sturdy chest into your back. “Good girl, Y/n…” He pressed his cock back inside of you, slicing your through to your tummy and spreading you open as he slowly thrust.

“You always learn your lesson don’t you, baby? Need Daddy and his big cock to make it better?”

You nodded and whimpered. The delicious feel of him opening you up and sliding in would never get old.

“I know you need me, baby. Daddy needs you too. Wants to make you happy and give you the whole world… Gonna let me have that orgasm now? Gonna show me what a good girl you’ve been for me?”

He shoved his hand under your hips and found your clit, making you cry out. He knew just what you needed.

Slow strokes of his long dick wetly opened you up, his balls pressing into your skin every time he bottomed out, his deep voice in your ear. “Come for Daddy. Give Daddy your orgasm like a big girl. Come on honey…”

His voice was tight and you knew he was beckoning you to come so he could come too.

“M’gonna come… thank you, Daddy!”

You unraveled around his cock, spasming and moaning, drooling into the seat of the chair as he rolled your clit between his fingers and fucked into you so deep you saw stars. But then you felt his cock pulse and throb and he pressed his lips to the skin behind your ear and he moaned deeply as he pumped into you, relief taking over both of you.

When he pulled out he kissed your shoulder blade and pulled his briefs up his strong legs and walked away from the chair as you watched him with a pounding heart. He put some music on and pulled a book from the shelf before returning to the chair and helped you up so you could sit in his lap and he could read to you.

Your shy, quiet boyfriend was the only one who got you. The only one who understood who you really were. Deep down you were just a soft and submissive girl who wanted someone to spank her, to tell her what to do and how to do it, and then to love her and read her books and tell her she was his best girl. No one else would ever have guessed.

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[cherry-lala]

The Devil waits where Wildflowers grow

Pairing:Female! Reader x Remmick 

Genre: Southern Gothic, Angst, Supernatural Thriller, Romance Word Count: 15.7k+ Summary: In a sweltering Mississippi town, a woman's nights are divided between a juke joint's soulful music and the intoxicating presence of a mysterious man named Remmick. As her heart wrestles with fear and desire, shadows lengthen, revealing truths darker than the forgotten woods. In the heart of the Deep South, whispers of love dance with danger, leaving a trail of secrets that curl like smoke in the night.

Content Warnings: Emotional and physical abuse, manipulation, supernatural themes, implied violence, betrayal, character death, transformation lore, body horror elements, graphic depictions of blood, intense psychological and emotional distress, brief sexual content, references to alcoholism and domestic conflict. Let me know if I missed any! A/N: My first story on here! Also I’m not from the 1930’s so don’t beat me up for not knowing too much about life in that time.I couldn’t stop thinking about this gorgeous man since I watched the movie. Wanted to jump through the screen to get to him anywayssss likes, reblogs and asks always appreciated. 

The heat clings to my skin like a second husband, just as unwanted as the first. Even with the sun long gone, the air hangs thick enough to drown in, pressing against my lungs as I ease the screen door open. The hinges whine—traitors announcing my escape attempt—and before I can slip out, his voice lashes at my back, mean as a belt strap. "I ain't done talkin' to you, girl." His fingers dig into my arm, yanking me back inside. The dim yellow light from our single lamp casts his face in a shadow, but I don’t need to see his expression. I've memorized every twist his mouth makes when he's like this—cruel at the corners, loose in the middle.

"You been done," I whisper, the words scraping my throat like gravel. My tears stay locked behind my eyes, prisoners I refuse to release. "Said all you needed to say half a bottle ago." Frank's breath hits my face, sour with corn liquor and hate. His pupils are wide, unfocused—black holes pulling at the edges of his irises. The hand not gripping my arm rises slow and wavering, a promise of pain that has become as routine as sunrise. But tonight, the whiskey’s got him too good. His arm drops mid-swing, its weight too much. For the first time in three years of marriage, I don't flinch. He notices. Even drunk, he notices. "The hell's gotten into you?" His words slur together, a muddy river of accusation. "Think you better'n me now? That it?" "Just tired, Frank." My voice stays steady as still water. "That's all." The truth is, I stopped being afraid a month ago. Fear requires hope—the desperate belief that things might change if you're just careful enough, quiet enough, good enough. I buried my hope the last time he put my head through the wall, right next to where the plaster still shows the shape of my skull. I look around our little house—a wedding gift from his daddy that's become my prison. Two rooms of misery, decorated in things Frank broke and I tried to fix. The table with three good legs and one made from an old fence post. The chair with stuffing coming out like dirty snow. The wallpaper peels in long strips, curling away from the walls like they're trying to escape too.

My reflection catches in the cracked mirror above the wash basin—a woman I barely recognize anymore. My eyes have gone flat, my cheekbones sharp beneath skin that used to glow. Twenty-five years old and fading like a dress left too long in the sun. Frank stumbles backward, catching himself on the edge of our bed. The springs screech under his weight. "Where you think you're goin' anyhow?" "Just for some air." I keep my voice gentle, like you'd talk to a spooked horse. "Be back before you know it." His eyes narrow, suspicion fighting through the drunken haze. "You meetin' somebody?" I shake my head, moving slowly around the room, gathering my shawl, and checking my hair. Every movement measured, nothing to trigger him. "Just need to breathe, Frank. That's all." "You breathe right here," he mutters, but his words are losing their fight, drowning in whiskey and fatigue. "Right here where I can see you." I don't answer. Instead, I watch him struggle against sleep, his body betraying him in small surrenders—head nodding, shoulders slumping, breath deepening. Five minutes pass, then ten. His chin drops to his chest. I slip my dancing shoes from their hiding place beneath a loose floorboard under our bed. Frank hates them—says they make me look loose, wanton. What he means is they make me look like someone who might leave him.

He's not wrong.

The shoes feel like rebellion in my hands. I've polished them in secret, mended the scuffs, kept them alive like hope. Can't put them on yet—the sound would wake him—but soon. Soon they'll carry me where I need to go. Frank snores suddenly, a thunderclap of noise that makes me freeze. But he doesn't stir, just slumps further onto the bed, one arm dangling toward the floor. I move toward the door again; shoes clutched to my chest like something precious. The night outside calls to me with cricket songs and possibilities. Through the dirty window, I can see the path that leads toward the woods, toward Smoke and Stack's place where the music will already be starting. Where for a few hours, I can remember what it feels like to be something other than Frank's wife, Frank's disappointment, Frank's punching bag. The screen door sighs as I ease it open. The night air touches my face like a blessing. Behind me, Frank sleeps the sleep of the wicked and the drunk. Ahead of me, there's music waiting. And tonight, just tonight, that music is stronger than my fear.

The juke joint grows from the Mississippi dirt like something half-remembered, half-dreamed. Even from the edge of the trees, I can feel its heartbeat—the thump of feet on wooden boards, the wail of Sammie's guitar cutting through the night air, voices rising and falling in waves of joy so thick you could swim in them. My shoes dangle from my fingers, still clean. No point in dirtying them on the path. What matters is what happens inside, where the real world stops at the door and something else begins. Light spills from the cracks between weathered boards, turning the surrounding pine trees into sentinels guarding this secret. I slip my shoes on, leaning on the passenger side of one of the few vehicles in-front of the juke-joint, already swaying to the rhythm bleeding through the walls. Smoke and Stack bought this place with money from God knows where coming back from Chicago. Made it sturdy enough to hold our dreams, hidden enough to keep them safe. White folks pretend not to know it exists, and we pretend to believe them. That mutual fiction buys us this—one place where we don't have to fold ourselves small. I push open the door and step into liquid heat. Bodies press and sway, dark skin gleaming with sweat under the glow of kerosene lamps hung from rough-hewn rafters. The floor bears witness to many nights of stomping feet, marked with scuffs that tell stories words never could. The air tastes like freedom—sharp with moonshine, sweet with perfume, salty with honest work washed away in honest pleasure. At the far end, Sammie hunches over his guitar, eyes closed, fingers dancing across strings worn smooth from years of playing. He doesn't need to see what he's doing; the music lives in his hands. Each note tears something loose inside anyone who hears it—something we keep chained up during daylight hours.

Annie throws her head back in laughter, her full hips wrapped in a dress the color of plums. She grabs Pearline's slender wrist, pulling her into the heart of the dancing crowd. Pearline resists for only a second before surrendering, her graceful movements a perfect counterpoint to Annie's rare wild abandon. "Come on now," Annie shouts over the music. "Your husband ain't here to see you, and the Lord ain't lookin' tonight!" Pearline's lips curve into that secret smile she saves for these moments when she can set aside the proper church woman and become something truer. In the corner, Delta Slim nurses a bottle like it contains memories instead of liquor. His eyes, bloodshot but sharp, track everything without seeming to. His fingers tap against the bottleneck, keeping time with Sammie's playing. An old soul who's seen too much to be fooled by anything. "Slim!" Cornbread's deep voice booms as he passes, carrying drinks that overflow slightly with each step. "You gonna play tonight or just drink the profits?" "Might do both if you keep askin'," Slim drawls, but there's no heat in it. Just the familiar rhythm of old friends. I step fully into the room and something shifts. Not everyone notices—most keep dancing, talking, drinking—but enough heads turn my way that I feel it. A ripple through the crowd, making space. Recognition.

Smoke spots me from behind the rough-plank bar. His nod is almost imperceptible, but I catch it—permission, welcome, understanding. His forearms glisten with sweat as he pours another drink, muscles tensed like he's always ready for trouble. Because he is. Stack appears beside him, leaning in to say something in his twin's ear. Unlike Smoke, whose energy coils tight, Stack moves with a gambler's grace, all smooth edges, and calculated risks. His eyes find me in the crowd, lingering a beat too long, concern flashing before he masks it with a lazy smile. My feet carry me to the center of the floor without conscious thought. The wooden boards warm beneath my soles, greeting me like an old friend. I close my eyes, letting Sammie's guitar and voice pull me under, drowning in sound. My body remembers what my mind tries to forget—how to move without fear, how to speak without words. My hips sway, shoulders rolling in time with the stomps. Each stomp of my feet sends the day's hurt into the ground. Each twist of my wrist unravels another knot of rage. My dress—faded cotton sewn and resewn until it's more memory than fabric—clings to me as I spin, catching sweat and starlight.

"She needs this," Smoke mutters to Stack, thinking I can't hear over the music. He takes a long pull from his bottle, eyes never leaving me. "Let her be." But Stack keeps watching, the way he watched when we were kids, and I climbed too high in the cypress trees. Like he's waiting to catch me if I fall. I don't plan to fall. Not tonight. Tonight, I'm rising, lifting, breaking free from gravity itself. Mary appears beside me, her red dress a flame against the darkness. She moves with the confidence of youth and beauty, all long limbs and laughter. "Girl, you gonna burn a hole in the floor!" she shouts, spinning close enough that her breath warms my ear. I don't answer. Can't answer. Words belong to the day world, the world of men like Frank who use them as weapons. Here, my body speaks a better truth. The music climbs higher, faster. Sammie's fingers blur across the strings, coaxing sounds that shouldn't be possible from wood and wire. The crowd claps in rhythm, feet stomping, voices joining in wordless chorus. The walls of the juke joint seem to expand with our joy, swelling to contain what can't be contained. My head tilts back, eyes finding the rough ceiling without seeing it. My spirit has already soared through those boards, up past the pines, into a night sky scattered with stars that know my real name. Sweat tracks down my spine, between my breasts, and along my temples. My heartbeat syncs with the drums until I can't tell which is which. At this moment, Frank doesn't exist. The bruises hidden beneath my clothes don't exist. All that exists is movement, music, and the miraculous feeling of being fully, completely alive in a body that, for these few precious hours, belongs only.

The music fades behind me, each step into the woods stealing another note until all that's left is memory. My body still hums with the ghost of rhythm, but the air around me has changed—gone still in a way that doesn't feel right. Mississippi nights are never quiet, not really. There are always cicadas arguing with crickets, frogs calling from hidden places, leaves whispering to each other. But tonight, the woods swallow sound like they're holding their breath. Waiting for something. My fingers tighten around my shawl, pulling it closer though the heat hasn't broken. It's not cold I'm feeling. It's something else. Moonlight cuts through the canopy in silver blades, slicing the path into sections of light and dark. I step carefully, avoiding roots that curl up from the earth like arthritic fingers. The juke-joint has disappeared behind me; its warmth and noise sealed away by the wall of pines. Ahead lies home—Frank snoring in a drunken stupor, walls pressing in, air thick with resentment. Between here and there is only this stretch of woods, this moment of in-between. My dancing shoes pinch now, reminding me they weren't made for walking. But I don't take them off. They're the last piece of the night I'm clinging to, proof that for a few hours, I was someone else. Someone free.

A twig snaps.

I freeze every muscle tense as piano wire. That sound came from behind me, off to the left where the trees grow thicker. Not an animal—too deliberate, too singular. My heart drums against my ribs, no longer keeping Sammie's rhythm but a faster, frightened beat of its own. "Who's there?" My voice sounds thin in the unnatural quiet. For a moment, nothing. Then movement—not a crashing through underbrush, but a careful parting, like the darkness itself is opening up. He steps onto the path, and everything in me goes still. White man. Tall. Nothing unusual about that. But everything else about him rings false. His clothes seem to match the dust of the woods—dusty white shirt, suspenders that catch the moonlight like they're made of something finer than ordinary cloth. Dust clings to his shoes but sweat darkens his collar despite the heat. His skin is pale in a way that seems to glow faintly, untouched by the sun. But it's his eyes that stop my breath. They don't blink enough. And they're fixed on me with a hunger that has nothing to do with what men usually want.

"You move like you don't belong to this world," he says, voice smooth as molasses but cold like stones at the bottom of a well. There's a drawl to his words. He sounds like nowhere and everywhere. "I've watched you dance. On nights like this. It's… spellwork, what you do." My spine straightens of its own accord. I should run. Every instinct screams it. But something else—pride, maybe, or foolishness—keeps me rooted. "I ain't got nothin' for you," I say, keeping my voice steady. My hand tightens on my shawl, though it's poor protection against whatever this man is. "And white men seekin’ me out here alone usually bring trouble." His lips curve upward, but the smile doesn't touch those unblinking eyes. They remain fixed, assessing, and patient in a way that makes my skin prickle. "You think I came to bring you trouble?" The question hangs between us, delicate as spiderweb. I don't trust it. Don't trust him. "I think you should go," I say, taking half a step backward. He matches with a step forward but maintains the distance between us—precise, controlled.

"I'm called Remmick."

"I didn't ask." My voice sharpens with fear disguised as attitude.

"No," he says, nodding thoughtfully. "But something in you will remember."

The certainty in his voice raises the hair on my arms. I study him more carefully—the unnatural stillness with which he holds himself. Something is wrong with this man, something beyond the obvious danger of a man approaching a woman alone in the woods at night. The trees around him seem to bend away slightly, as if reluctant to touch him. Even the persistent mosquitoes that plague these woods avoid the air around him. The night itself recoils from his presence, creating a bubble of emptiness with him at the center. I take another step back, putting more distance between us. My heel catches on a root, but I recover without falling. His eyes track the movement with unsettling precision.

"You can go on now," I say, my voice harder now. "Ain't nobody invited you."

Something changes in his expression at that—a flicker of satisfaction, like I've confirmed something he suspected. His head tilts slightly, almost pleased. "That's true," he murmurs, the words barely disturbing the air. "Not yet."

The way he says it—like a promise, like a threat—makes my breath catch. The moonlight catches his profile as he turns slightly. For a moment, just a moment, I think I see something move beneath that worn shirt—not muscle or bone, but something else, something that shifts like shadow-given substance. Then it's gone, and he's just a man again. A strange, terrifying man standing too still in the woods who wants nothing to do with him. I don't say goodbye. Don't acknowledge him further. Just back away, keeping my eyes on him until I can turn safely until the path curves and trees separate us. Even then, I feel his gaze on my back like a physical weight, pressing against my spine, leaving an imprint that won't wash off.

I don't run—running attracts predators—but I walk faster, my dancing shoes striking the dirt in a rhythm that sounds like warning, warning, warning with each step. The trees seem to whisper now, breaking their unnatural silence to murmur secrets to each other. Behind me, the woods remain still. I don't hear him following. Somehow, that's worse. As if he doesn't need to follow to find me again. As I near the edge of the tree line, the familiar sounds of night gradually return—cicadas start up their sawing, and an owl calls from somewhere deep in the darkness. The world exhales, releasing the breath it had been holding. But something has changed. The night that once offered escape now feels like another kind of trap. And somewhere in the darkness behind me waits a man named Remmick, with eyes that don't blink enough and a voice that speaks of "not yet" like it's already written.

Two day passed but The rooster still don’t holler like he used to. He creaks out a noise ‘round mid-morning now, long after the sun’s already sitting heavy on the tin roof. Maybe the heat got to him. Maybe he’s just tired of callin’ out a world that don’t change. I know the feel. But night comes again, faster than mornin’ these days. Probably cause’ I’m expectin’ more from the night. Frank’s out cold on the mattress, one leg hanging off like it gave up trying. His breath comes in grunts, open-mouthed and ugly. A fly dances lazy across his upper lip, lands, takes off again. I step over his boots; past the broken chair he swore he’d fix last fall. Ain’t nothin’ changed but the dust. Kitchen smells like rusted iron and whatever crawled up into the walls to die. I fill the kettle slow, careful with the water pump handle so it don’t squeal. Ain’t trying to wake a bear before it’s time. My fingers press against the wallpaper, where it peeled back like bark. The spot stays warm. Heat trapped from yesterday. I don’t talk to myself. Don’t say a word. But my thoughts speak his name without asking.

Remmick.

It don’t belong in this house. It don’t belong in my mouth, either. But there it is, curling behind my teeth. I never told a soul about him. Not ‘cause I was scared. Not yet. Just didn’t know how to explain a man who don’t blink enough. Who moves like the ground ain’t quite got a grip on him. Who steps out of the woods like he heard you call, even when you didn’t. A man who hangs ‘round a place with no intention of going in.

I tug the hem of my dress higher to look at the bruise. Purple, with a ring of green creeping in around the edges. I press two fingers to it, just to feel it. A reminder. Frank don’t always hit where people can see. But he don’t always miss, either. I wrap it in cloth, tug the fabric of my dress just right, and move on. I don’t plan to dance tonight. But I’ll sit. Maybe smile. Maybe drink something that don’t taste like survival. Maybe Stack’ll run his mouth and pull a laugh out of me without trying. And maybe, when it’s time to go, I’ll take the long way home. Not because I’m expectin’ anything. But because I want to. The juke joint buzzes before I even see it. The trees carry the sound first—the thump of feet, the thrum of piano spilling through the wood like sap. By the time I reach the clearing, it’s already breathing, already alive. Cornbread’s at the door, arms folded. When I pass, he gives me that look like he sees more than I want him to. “You look lighter tonight,” he says. I give a half-smile. “Probably just ain’t carryin’ any expectations.” He lets out a low laugh, the kind that rolls up from his gut and sits heavy in the room. “Or maybe ‘cause you left somethin’ behind last night.” That makes me pause, just for a beat. But I don’t show it. Just raise my brow like he’s talkin’ nonsense and keep walkin’.

He don’t mean nothin’ by it. But it sticks to me anyway.

Delta Slim’s at the keys, tapping them like they owe him money. The notes bounce off the walls, dusty and full of teeth. No Sammie tonight—Stack said he’s somewhere wrasslin’ a busted guitar into obedience. Pearline’s off in the corner, close to Sammie’s usual seat. She’s leaned in real low to a man I seen from time to time here, voice like honey drippin’ too slow to trust. Her laugh breaks in soft bursts, careful not to wake whatever she’s tryin’ to keep asleep. Stack’s behind the bar, sleeves rolled up, but he ain’t workin.’ Not really. He’s leanin’ on the wood, jaw flexing as he smirks at some girl with freckles down her arms like spilled salt. I find a seat near the back, close enough to the fan to catch a breath of cool, far enough to keep my bruise out of the light.

Inside, the joint don’t just sing—it exhales. Walls groan with sweat and joy, floorboards shimmy under stompin’ feet. The air’s thick with heat, perfume, and fried something that’s long since stopped smellin’ like food. There’s a rhythm to the place—one that don’t care what your name is, just how you move. Smoke’s behind the bar too, back bent over a bottle, jaw set tight like always. But when he sees me, his mouth softens. Not a smile—he don’t give those away easy. Just a nod. Like he sees me, really sees me. “Frank dead yet?” he mutters without looking up. “Not that lucky,” I say, voice dry as dust. He pours without askin.’ Corn punch. Still too sweet. But it sits right on the tongue after a long day of silence.

“You limpin’?” he asks, low, like maybe it’s just for me.

I shake my head. “Just don’t feel like shakin’.” He grunts understanding. “You don’t gotta explain, Y/N. Just glad you showed.” A warmth rolls behind my ribs. I don’t show it. But I feel it.

I don’t dance, but I play. Cards smack against the wood table like drumbeats—sharp, mean, familiar. The men at the table glance up, but none complain when I sit. I win too often for them to pretend they ain’t interested. Stack leans over my shoulder after the second hand. I smell rum and tobacco before he speaks. “You cheat,” he says, eyes twinkling. “You slow,” I fire back, slapping a queen on the pile. He whistles. “You always talk this much when you feelin’ good?” “Don’t flatter yourself.” “Oh, I ain’t. Just sayin,’ looks Like you been kissed by somethin’ holy—or dangerous.” “I’ll let you decide which.” He laughs, pulls up a chair without askin’. His knee brushes mine. He don’t apologize. I don’t move.

I leave before Slim plays his last note. The night wraps itself around me the moment I step out, damp and sweet, the kind of air that clings to your skin like memory. One more laugh from inside rings out sharp before the door shuts and the trees hush it. My feet take the path without me thinking. I don’t look for shadows. Don’t linger. Just want the stillness. The cool hush after heat. The part of night that feels like confession. But halfway down the clearing, I see him again. Not leaning. Not hiding. Just there. Standing like the woods parted just to place him in my way. White shirt. Sleeves rolled. Suspenders loose against dusty pants. Hat in hand like he means to be respectful, like he was taught his mama’s manners. I stop. “You followin’ me?” I ask, but it don’t come out sharp.

His mouth twitches. Not quite a smile. “Didn’t know a man needed a permit to take a walk under the stars.” “You keep walkin’ where I already am.”

He looks down the path, then back at me. “Maybe that means you and I got the same sense of direction.” “Or maybe you been steppin’ where you know I’ll be.” He doesn’t deny it. Just shrugs, eyes steady. I don’t move closer. Don’t move back either.

“You always turn up like this?” I ask. “Like a page I forgot to read?” He chuckles. “No. Just figured you were the kind of story worth rereadin’.” The silence after that ain’t heavy. Just… close. The kind that makes your ears ring with what you ain’t said. “You always this smooth?” I say, voice low. “I been known to stumble,” he replies. “Just not when it counts.” I shift. Let my eyes roam past him, toward the tree line. “Small talk doesn’t suit you.” “I don’t do small.” His eyes meet mine again. “Especially not with you.” It’s too much. It should be too much. But my hands don’t tremble. My breath don’t catch.

Not yet.

“You always walk the same road as a woman leavin’ the juke joint alone?” “I didn’t follow you,” he repeats. “I just happen to be where you are.” He steps forward, slow. I don’t retreat. “You expect me to believe that?” I ask. “No,” he says softly. “But I think you want to.” That lands between us like something too honest. He runs a hand through his hair before putting his hat on. A simple gesture. A human one. Like he’s just another man with nowhere to be and too much time to spend not being there. He watches me, real still—like a man waitin’ to see if I’ll spook or bite. “Figured I might’ve come off wrong last time,” he says finally, voice soft, but it don’t bend easy. “Didn’t mean to.” “You did,” I say, but my arms stay loose at my sides. A flick of something passes over his face. Not shame, not pride—just a small, ghosted look, like he’s used to bein’ misunderstood. “Well,” he says, thumb brushing the brim of his hat, “thought maybe I’d try again. Slower this time.” That pulls at somethin’ behind my ribs, makes the air stretch thinner between us. “You act like this some kinda game.” He shakes his head once. “Not a game. Just…timing. Some things got to take the long way ‘round.” I narrow my eyes at him, trying to make out where he’s hidin’ the trick in all this.

“The way you talk is like running in circles.” He laughs—low and rough at the edges, like it ain’t used to bein’ let out. “I won’t waste time running in circles around a darlin’ like you.” I cross my arms, squinting at the space between his words. “That supposed to charm me?” He shrugs, one shoulder easy like he don’t expect much. “Wouldn’t dream of it,” he says. “Just thought I’d give you something truer than a lie.” His voice ain’t sweet—it’s too honest for that. But it moves like water that knows where it’s goin’. I shift my weight, let the breeze slide between us.

“You ain’t said why you’re here. Not really.” He watches me a long moment, like he’s weighing how much I’ll let in. “Maybe I’m drawn to your energy,” he says finally. I scoff. “My energy? I don’t move too much to emit energy.” That gets him smilin’. Slow. Not too sure of itself, but not shy either. “You don’t have to move,” he says, “to be seen.” The words hit like a drop of cold water between the shoulder blades—sharp, sudden, and too real. I take a step forward just to ground myself, heel pressing into the dirt like I mean it. “You a preacher?” I ask, voice sharper than before. He chuckles, deep and close-lipped. “Ain’t nothin’ holy about me.” “Then don’t talk to me like you got a sermon stitched in your throat.” He bows his head just a hair, hands still at his sides. “Fair enough.”

A pause stretches long enough for the night sounds to creep back in—cicadas winding up, wind sifting through the trees. “I’m Remmick,” he says, like it matters more now. “I know.” “And you?” “You don’t need my name.” His mouth quirks like he wants to press, but he don’t. “You sure about that?” “Yes.” The silence that follows feels cleaner. Like everything’s been set on the table and neither one of us reaching for it. He nods, slow. “Alright. Just thought I’d say hello this time without makin’ the trees nervous.” I don’t smile. Don’t give him more than I want to. But I don’t turn away either. And when he steps back—slow, like he respects the space between us—I let him. This time, I watch him go. Down the path, ‘til the woods decide they’ve had enough of him.

I don’t look back once my hand’s on the porch rail. The key trembles once in the lock before it catches. Inside, it’s the same. Frank dead to the world, laid out like sin forgiven. I pass him without a glance, like I’m the ghost and not him. At the washbasin, I scrub my face until the cold water stings. Peel off the dress slow, like unwrapping something tender. The bruises bloom up my side, but I don’t touch ‘em. I slide into a cotton nightgown soft enough not to fight me. Climb into bed without expecting sleep. Just lie there, staring at the ceiling like maybe tonight it might speak.

But it don’t.

It just creaks. Settles.

And leaves me with that name again. Remmick.

I whisper it once, barely enough sound to stir the dark. Three days pass. The sun’s just fallen, but the air still clings like breath held too long. I’m on the back stoop with my foot sunk in a basin of cool water, ankle puffed up mean from Frank’s latest mood. Shawl drawn close, dress hem hiked above the bruising. The house behind me creaks like it’s thinking about falling apart. Crickets chirp with something to prove. A whip-poor-will calls once, then hushes like it said too much. And then—

“Evenin’.”

My hand jerks, sloshing water up my calf. I don’t scream, but I don’t hide the startle either. He’s by the fence post. Just leanin’. Arms folded over the top like he been there long enough to take root. Hat low, sleeves rolled, collar open at the throat. Shirt clings faint in the heat, pants dusted up from honest walking—or the kind that don’t leave footprints. I say nothing. He tips his head like he’s waiting for permission that won’t come. “Didn’t mean to scare you.” “You always arrive like breath behind a neck.” “I try not to,” he says, quiet. “Don’t always manage it.” That smile he wears—it don’t shine. It settles. Soft. A little sorry. “I wasn’t sure you’d want to see me again,” he says.

“I don’t.”

He nods like he expected that too. I don’t blink. Don’t drop my gaze. “Why you keep comin’ here, Remmick?”

His name tastes different now. Sharper. He blinks once, slow and deliberate. “Didn’t think you remembered it.” “I remember what sticks wrong.” He watches me a beat longer than comfort allows. Then—calm, measured—he says, “Just figured you might not mind the company.” “That ain’t company,” I snap. “That’s trespassin’.” My voice cuts colder than I meant it to, but it don’t feel like a lie. “You know where I live. You know when I’m out here. That ain’t coincidence. That’s intent.” He don’t flinch. “I asked.”

That stops me. “Asked who?”

He lifts his hand, palm out like he ain’t holdin’ anything worth hiding. “Lady outside the feed store. Said you were the one with the porch full of peeled paint and a garden that used to be tended. Said you got a husband who drinks too early and hits too late.” My mouth goes dry.

“You spyin’ on me?” “No,” he says. “I don’t need to spy to see what’s plain.” “And what’s plain to you, exactly?” My tone is flint now. Sparked. “You don’t know a damn thing about me.” He leans in, just enough. “You think that bruise on your ankle don’t show ‘cause your dress covers it? You think folks ain’t noticed how you don’t laugh no more unless you hidin’ it behind a stiff smile?” Silence folds in between us. Thick. Unwelcoming. He doesn’t press. Just keeps looking, like he’s listening for something I ain’t said yet.

“I don’t need savin’,” I murmur. “I didn’t come to save you,” he says, and his voice is different now low, but not slick. Heavy, like a weight he’s carried too far. “I just came to see if you’d talk back. That’s all.” I pull my foot from the water, slow. Wrap it in a rag. Keep my gaze steady. “You show up again unasked,” I say, “I’ll have Frank walk you home.” He chuckles. Real soft. Like he don’t think I’d do it, but he don’t plan to test me either. “I’d deserve it,” he says. Then he tips his hat after putting it back on and steps back into the night. Doesn’t rush. Doesn’t look back. But even after he’s gone, I can feel the place he left behind—like a fingerprint on glass. ——— Inside, Frank’s already mutterin’ in his sleep. The sound of a man who ain’t never done enough to earn rest, but claims it like birthright. I move around him like I ain’t there. Later, in bed, the ceiling don’t offer peace. Just shadows that shift like breath. I lay quiet, hands folded over my stomach, heart beatin’ steady where it shouldn’t. I don’t say his name. But I think it. And it stays.

Mornings don’t change much. Not in this house. Frank’s boots hit the floor before I even open my eyes. He don’t speak—just shuffles around, clearing his throat like it’s my fault it ain’t clear yet. He spits into the sink, loud and wet, then starts lookin’ for somethin’ to curse. Today it’s the biscuits. Yesterday, it was the fact I bought the wrong tobacco. Tomorrow? Could be the way I breathe. I don’t talk back. Just pack his lunch quiet, hands moving like they’ve learned how to vanish. When the door finally slams shut behind him, the silence feels less like peace and more like a pause in the storm. The floor don’t sigh. I do.

He’ll be back by sundown. Drunk by nine. Dead asleep by ten.

And I’ll be somewhere else—at least for a little while. The juke joint’s sweating by the time I get there. Delta Slim’s on keys again, playing like his fingers been dipped in honey and sorrow. Voices ride the walls, thick and rising, the kind that ain’t tryin’ to be pretty—just loud enough to out-sing the pain. Pearline’s got Sammie backed in a corner again, her laugh syrupy and slow. She always did know how to linger in a man’s space like perfume. Cornbread’s hollering near the door, trading jokes for coin. And Annie’s on a stool, head tilted like she’s heard too much and not enough. I don’t dance tonight. Still too tender. So, I post up at the end of the bar with something sharp in my glass. Smoke sees me, gives that chin lift he reserves for bad days and bruised ribs. Stack sidles up before the ice even melts. “Quiet day today,” he asks, cracking a peanut with his teeth. I don’t look at him. Just stir my drink slow. “Talkin’ ain’t always safe.” His brows go up. He glances around like he’s checking for shadows, then leans in a bit. “Frank still being Frank?” I lift one shoulder. Stack don’t push. Just keeps on with his drink, knuckles tapping the bar like a slow metronome.

Then, quiet: “You got somethin’ heavy to let go of.” That stops me. Just a second. But he catches it. “Huh?” He shrugs, doesn’t look at me this time. “You ever seen a rabbit freeze in tall grass? That’s the look. Ears up. Heart runnin’. But it ain’t moved yet.” I run a fingertip down the side of my glass, watching the sweat bead up. “There’s been a man.” Now Stack looks. “He don’t say much. Just… shows up. Walks the same road I’m on, like we both happened there. Then he started talkin’. Knew things he shouldn’t. Last time, he was near my house. Didn’t come in. Just… lingered.” “White?” I nod.

Stack’s whole posture changes—draws tight at the shoulders, jaw working. “You want me to handle it?” I shake my head. “No.” “Y/N—” “No,” I say again, firmer. “I don’t want more fire when the house is already half burnt. He ain’t done nothin.’ Not really.” Yet. He lets it settle. Don’t agree. But he don’t argue either. Behind us, Annie’s refilling her glass. She don’t speak, but her eyes cut over to Mary. Mary catches it. Lips press together. She looks at me the way you look at something you’ve seen before but can’t stop from happening again. And then, like it’s all normal, Mary chirps out, “You hear Pearline bet Sammie he couldn’t outdrink Cornbread?” Annie scoffs. “She just tryin’ to sit on his lap before midnight.” Stack grins but don’t fully let go of his watchful look. The mood shifts easy, like it rehearsed for this. Like they all know how to laugh loud enough to cover a crack in the wall.

But I ain’t laughing.

I nurse my drink, fingers cold and wet around the glass. My eyes flick toward the door, then away. Remmick. That name’s been clingin’ to my mind like smoke in closed curtains. Thick. Quiet. Still there long after the fire’s gone out. I think about how he looked at me—not like a man looks at a woman, but like he’s listening to something inside her. I think about the way his voice wrapped around the air, soft but steady, like it belonged even when it didn’t. I think about how I told Stack I didn’t want to see him again.

And I wonder why I lied.

Frank’s truck wheezes up the road like it’s draggin’ its bones. Brakes cry once. Gravel shifts like it don’t want to hold him. Inside, the pot’s still warm on the stove. Not hot. He hates hot. Says it means I was tryin’ too hard, or not tryin’ enough. With Frank, it don’t matter which—he’ll find the fault either way. The screen door creaks and slams. That sound still startles me, even now. Boots hit wood, heavy and careless. His scent rolls in before he speaks—sweat, sun, grease, and the liquor I know he popped open three miles back. I don’t turn. Just keep spoonin’ grits into the bowl, hand steady. “You hear they cut my hours?” he says. His voice’s wound tight, all string and no tune. “No,” I say. He drops his lunch pail hard on the table. The tin rattles. A sound I hate.

“They kept Carter,” he mutters. “You know why?” I stay quiet. He answers himself anyway. “’Cause Carter got a wife who stays in her place. Don’t get folks talkin’. Don’t strut around like she’s single.” The grit spoon taps the bowl once. Then again. I let it. “You callin’ me loud?” “I’m sayin’ you don’t make it easy. Every damn week, somebody got somethin’ to say. ‘Saw her smilin’. Heard her laughin’. Like you forgot what house you live in.” I press my palm flat to the counter, slow. “Maybe if you kept your hands to yourself, folks’d have less to talk about.” It slips out too fast. But I don’t take it back. The room goes still.

Chair legs scrape. He rises like a storm cloud built slow. “You forget who you’re speakin’ to?” I feel him move before he does. Feel the air shift. “I remember,” I say. My voice don’t rise. Just settles. He comes close—closer than he needs to be. His breath touches the back of my neck before his hand does. The shove ain’t hard. But it’s meant to echo.

“You think I won’t?” I breathe once, deep. “I think you already have.” He stands there, hand still half-raised like he’s weighing what it’d cost him. Like maybe the thrill’s dulled over time. His breath’s ragged. But he backs off. Steps away. Chair squeals across the floor as he drops into it, muttering something I don’t catch. I move quiet to the sink, rinse the spoon. My back still to him. Eyes locked on the faucet. Somewhere behind me, the bowl clinks against the table. He eats in silence. And all I can think about the man who ain’t never set foot in my house but got me leavin’ the porch light on for him. —— Two weeks slip past like smoke through floorboards. Maybe more. I stopped countin’. Time don’t move the same without him in it. The nights stretch longer, duller. No shape to ‘em. Just quiet. At first, that quiet feels like mercy. Like I snuffed out something that could’ve swallowed me whole. I sleep harder. Wake lighter. For a little while. But mercy don’t last. Not when it’s pretending to be peace. Because soon, the quiet stops feeling like rest. And starts feeling like a missing tooth You keep tonguing the space, even when it hurts. At the juke joint, I start to dance again. Not wild, not free—just enough to remember how my body used to move when it wasn’t afraid of being seen. Slim plays slower that night, coaxing soft fire from the keys. The kind of song that settles deep, don’t need to shout to be felt. Pearline leans in, breath warm on my cheek. “You got your hips back,” she says, low and slick. “Don’t call it a comeback,” I grin, though it don’t sit right in my mouth.

Mary laughs when I sit back down, breath hitchin’ from the floor. “Somebody’s been puttin’ sugar in your coffee.” “Maybe I just stirred it myself,” I say. But even as I say it, my eyes go to the door. To the dark. Stack catches the look. He always does. Doesn’t press. Just watches me longer than usual, mouth tight like he wants to say somethin’ and knows he won’t.

Frank’s been… duller. Still drinks. Still stinks. Still mean in that slow, creepin’ way that feels more like rot than fire. But the heat’s gone out of it. Like he’s noticed I ain’t afraid no more and don’t know how to fight a ghost. He don’t yell as loud now. Doesn’t hit as hard. But it ain’t softness. It’s confusion. He don’t like not bein’ feared.

And maybe worse—I don’t like that he don’t try. Some nights, I sit on the back step long after the world’s gone to bed. Shawl loose around my shoulders, feet bare against the grain. The well water in the basin’s gone warm by then. Even the wind feels tired. Crickets rasp. A cicada drones. I listen like I used to—for the shift in the dark. The weight of a gaze. The way the air used to still when he was near. But there’s nothin’. Just me. Just the quiet. I catch myself one night—talkin’ out loud to the trees. “You was real brave when I didn’t want you here,” I say, voice rough from disuse. “Now I’m sittin’ like a fool hopin’ the dark says somethin’ back.”

It don’t.

The leaves stay still. No footfall. No voice. Not even a breeze. Just me. And that ache I can’t name. But he’s there. Further back than before. At the edge of the trees, where the moonlight don’t reach. Where the shadows thicken like syrup.

He doesn’t blink. Doesn’t speak. Doesn’t move. Just waits. Because Remmick ain’t the kind to come knockin’. He waits ‘til the door opens itself. And I don’t know it yet, but mine already has.

The road to town don’t carry much breath after sundown. Shutters drawn, porch lights dimmed, the kind of quiet that feels agreed upon. Most folks long gone to sleep or drunk enough to mistake the stars for halos. The storefronts sit heavy with silence, save for McFadden’s—one crooked bulb humming above the porch, casting shadows that don’t move unless they got to. A dog barks once, far off. Then nothing. I keep my pace even, bag pressed close to my side, shawl wrapped too tight for the heat. Sweat pools along my spine, but I don’t loosen it. A woman wrapped in fabric is less of a story than one without. Frank went to bed with a dry tongue and a bitter mouth. Said he’d wake mean if the bottle stayed empty. Called it my duty—said the word slow, like it should weigh more than me.

So I go.

Buying quiet the only way I know how. The bell above McFadden’s door rings tired when I slip inside. The air smells like dust and vinegar and old rubber soles. The clerk doesn’t look up. Just mutters a greeting and scribbles into a pad like the world don’t exist past his pencil tip. I move quick to the back, fingers brushing the necks of bottles lined up like soldiers who already lost. I grab the one that looks the least like mercy and pay without fuss. His change is greasy. I don’t count it. The bottle’s cold against my hip through the bag, sweat bleeding through cheap paper. I step out onto the porch and down the wooden steps, gravel crunching soft beneath my heels. The lamps flicker every few feet, moths stumbling in circles like they’ve forgotten what drew them here in the first place. The dark folds in tight once I leave the storefront behind. I don’t rush. Not ‘cause I feel safe. Just learned it looks worse when you do. Then—

“You keep odd hours.” His voice don’t cut—it folds. Like it belonged to the dark and just decided to speak. I stop. Not startled. Not calm either. He’s leaned just inside the alley by the post office, one boot pressed to brick, arms loose at his sides. Shirt sleeves rolled to the elbow, suspenders hanging slack. His collar’s open, skin pale in the low light, like he don’t sweat the same as the rest of us. He looks like he fits here. That’s what makes it strange. Ain’t no reason a man like that should belong. But he does. Like he was built from the dirt and just stood up one day. I keep one foot planted on the sidewalk.

“You don’t give up, do you,” I say. He shifts just enough for the light to catch his mouth. Not a smile. Not quite. “You make it hard.” “You looked like you didn’t wanna be spoken to in that store,” he says, voice low and even. “So I waited out here.” The streetlamp hums above us. My grip on the bottle shifts, tighter now. “You could’ve kept walkin’.” “I was hopin’ you might,” he says.

Not hopin’ I’d stop. Not hopin’ I’d talk. Hopin’ I might.

There’s a difference. And I feel it. I glance down at the bottle. The glass slick with sweat. “Frank drinks this when he’s feelin’ good. That’s the only reason I’m out this late.” He doesn’t move. Doesn’t press. “Is that what you want?” he asks after a beat. “Frank in a good mood?” I don’t answer. I just start walking. But his voice follows, smooth as shadow. “I was married once.” I pause. Not outta interest. More like the way a dog pauses before crossing a fence line—aware. “She was kind,” he says. “Too kind. Tried to fix things that weren’t broke. Just wrong.” He says it like it’s already been said a thousand times. Like the taste of it’s worn out. I look back. He hasn’t taken a single step closer. Just stands there, hands tucked in his pockets, jaw set loose like he’s tired of carryin’ that story. “How do you always end up in my path?” I ask. Not curious. Just tired of not sayin’ it. He lifts a shoulder, lazy. “Some people chase fate. Some just stand where it’s bound to pass.”

I snort, soft. “Sounds like somethin’ you read in a cheap novel.”

“Maybe,” he says, eyes flicking toward mine, “but some lies got a little truth buried in ‘em.” The quiet after settles deep. Not awkward. Not empty. Just close. “You shouldn’t be waitin’ on me,” I say, voice rougher now. “Ain’t nothin’ here worth the trouble.” He studies me. Not like a man tryin’ to see a woman. More like he’s lookin’ through fog, tryin’ to remember a place he used to live in. “I’ve had worse things,” he murmurs. “Worse things that never made me feel half as alive.” For a breath, the light catches his eyes. Not wrong. Not glowing. Just sharp. Like flint about to spark. Then he tips his head. “Goodnight, Y/N.” Soft. Like a promise. And just like always, he disappears without hurry. Without sound. Back into the dark like it opened for him. And maybe, just maybe, I hate how much I already expect it to do the same tomorrow.

The next day dawns heavy, the sun a reluctant guest peeking through gray clouds. I find myself trapped in that same tired rhythm, the kind of day that stretches before me like an old road—the kind you know too well to feel any excitement for. Frank’s got work today, though I can’t say I’m sure what he’ll be cursing by sundown.

As I move around the kitchen, pouring coffee and buttering bread, the silence feels thicker than usual. It clings to me, wraps around my thoughts like a vine, and I can’t shake the feeling that something's shifted. Maybe it’s just the weight of waiting for Remmick to show again, or maybe it’s that quiet ache gnawing at my insides—the kind that reminds you what hope felt like even if you’re scared to name it.

Frank shuffles in with those heavy boots of his, barely brushing past me as he grabs a mug without looking my way. He doesn’t say a word about the food or even acknowledge me standing there. Just pours himself another cup with a grimace. “How long’ve you been up?” he mutters, not really asking.

“Early enough,” I reply, holding back the urge to ask if he slept well.

He slams his mug down on the table hard enough for a ripple of coffee to splash over the edge. “What’s wrong with the damn biscuits?” He doesn’t wait for an answer, just shoves one aside before storming out, leaving behind his bitterness hanging in the air like smoke.

I breathe deeply through my nose and keep packing his lunch—tuna salad this time; at least that’s something he won’t moan about too much. Still, every sound feels exaggerated, each scrape against porcelain echoing louder than it ought to.

Outside, I stand at the porch railing for a moment longer than necessary, feeling the sunlight warm my skin but unable to let its brightness seep into my heart. Birds are flitting from one tree branch to another—free from this heavy house—or so it seems.

I want to run after them. Escape to where everything isn’t tainted by liquor and regrets. But instead, I stay rooted in place until Frank’s truck roars down the road like some angry beast.

Once he's gone, I let out a breath I didn’t realize I was holding and pull on my shoes. A decent day to grab some much-needed groceries.

The heat wraps around me as I stroll through town—a gentle reminder that summer still holds sway despite all else changing. I walk through town, grabbing groceries on the way as I enjoy the weather. I run by grace’s store to grab some buttered pickles frank likes. The bell jingled above me as I entered the store, and grace comes from the back carrying an empty glass jar. She paused when she looked at me before smiling. “Hey gurl, haven’t seen ya in here for a while. Frank noticed he ate up all them buttered pickles? That damn animal.” I chuckled at her words as she set the glass jar down on the front counter. Grace moves behind the counter with that same easy rhythm she always has—like her bones already know where everything sits. The store smells like dust and sun-warmed glass, sweet tobacco, and something faintly metallic. Familiar.

“He Still workin’ over at the field?” she asks, pulling a new jar from beneath the counter. “Heard the boss cut hours again. Seems like everyone’s gettin’ squeezed ‘cept the ones doin’ the squeezin’.” “Yeah,” I mutter, glancing toward the shelf lined with dusty cans and glass jars. “He’s been stewin’ about it all week. Like it’s my fault time’s movin’ forward.” Grace snorts, capping the pickle jar and sliding it across the counter. “Girl, if Frank had his way, we’d all be wearin’ aprons and smilin’ through broken teeth.” I pick up the jar, running my fingers absently along the cold glass. “Some days it’s easier to pretend I’m deaf than fight him.” Grace leans forward, voice dropping low like she don’t want the pickles to hear. “You need somewhere to run, you come knock on my back door. Don’t matter what time.” That almost cracks me. Not enough to cry, but enough to blink slow and hold the jar tighter. “I appreciate it,” I say. She doesn’t press, just gives me a knowing nod and starts wrapping the jar in brown paper. “Also grabbed you a couple of those lemon drops you like,” she says with a wink. “Tell Frank the sugar’s for his sour ass.” That gets a real laugh outta me. Just a little one, but it lives in my chest longer than it should. Outside, the air’s heavy again. Thunder maybe, or just the kind of heat that makes everything feel like it’s about to break open. I tuck the paper bag under my arm and make my way down the street slow, dragging my fingers along the iron railings where ivy used to grow. Everything’s changing. And I don’t know if I’m running from it, or toward it. But I walk a little slower past the edge of town. Past the grove of trees that hum low when the wind slips through them. And I wonder—not for the first time—if he’ll be waiting there. And if he ain’t, why I keep hoping he will.

——

I don't light a lamp when I slip out the back door.

The house creaks behind me, drunk with silence and sour breath. Frank's dead asleep like always, belly full of cheap whiskey and whatever anger he couldn't throw at me before sleep took him.

The air outside ain't much cooler, but it's cleaner. Clear. Smells like pine and soil and something just beginning to bloom.

I walk slow. Like I'm just stretching my legs.

Like I'm not wearing the dress with the small blue flowers I ain't touched in over a year.

Like I'm not heading down the narrow path through the tall grass, the one that don't lead nowhere useful unless you're hoping to see someone who don't belong anywhere at all.

The night hums soft. Cicadas. Distant frogs. The kind of stillness that makes you feel like you've stepped into a dream—or out of one.

I settle on the old stump by the split rail, hands folded, back straight, pretending I ain't waiting.

He doesn't keep me waiting long.

"Always sittin’ this straight when relaxin'?"

His voice folds in gentle behind me. Amused. Unbothered.

I don't turn right away. Just glance sideways like I hadn't noticed him there.

"Wasn't expectin' company," I say.

He steps into view, lazy as twilight, hands in his pockets, shirt sleeves rolled and collar loose. Looks like the evening shaped itself just to dress him in it.

"No," he says. "But you brought that perfume out again. Figured that was the invitation."

I shift on the stump, eyes narrowed. "You pay a lotta attention for someone who don't plan on talkin'."

"Only to the things that matter."

He stays a little ways off, respectful of the space I haven't offered but he knows he owns just the same.

"You just out here wanderin' again?" I ask, trying not to sound like I care.

"Nah," he says, grinning a little. "I came out to see if that tree finally bloomed. The one you like to lean on when you think no one's watchin'."

I feel heat crawl up my neck. I smooth my skirt like that'll hide it.

"You always this nosy?"

He shrugs. "Just got good aim."

I shake my head, but I don't tell him to leave. Don't even ask why he's here.

'Cause I know.

And he knows I know.

He moves slow toward me and sits—not close enough to touch, but close enough I can feel it if I lean a little.

We sit in it a while. That hush. That weightless kind of silence that feels full instead of empty.

Then, out of nowhere, he says, "You laugh different at the juke joint than you do anywhere else."

I blink. "What?"

He doesn't look at me. Just watches the dark ahead, like he's reading the night for meaning.

"It's looser," he says. "Like your ribs don't hurt when you do it."

I don't answer. Can't. I ignored the question rising in my head about how he knows what’s goes on in the juke joint when I’ve never seen him in there or heard his name on peoples' lips there.

But somehow, he's right, and I hate that he knows that. Hate more that I like that he noticed.

"You got a way of sayin' too much without sayin' a damn thing," I mutter.

He huffs a laugh. "I'll take that as a compliment."

We go quiet again. But it ain't tense. It's like we're settlin' into something neither one of us has had in too long.

Eventually, I say, "Frank don' like it when I'm gon’ too long."

"You wan’ me to walk you back?" he asks, like it's the easiest offer in the world.

"No," I say, but it comes out too soft. "Not yet."

He nods once. Doesn't press. Just leans back on one elbow, eyes half-lidded like the night's pullin' him under same as me or so I thought.

"You got stories?" I ask.

He raises a brow. "You askin' me to talk?"

"Don't make a big thing outta it."

He grins slow. "Alright then."

And he does. Tells me some nonsense about stealing peaches off a preacher's tree when he was too young to know better, how he and his cousin swore the preacher had the Devil chained under his porch to guard it. His voice wraps around the words easy, like molasses and wind. Whether it was true or not, I don’t seem to care at the moment.

I don't laugh out loud, but my smile finds its way out anyway.

When he glances at me, I see it in his eyes—that same look from the last time. Not hunger. Not charm.

Something gentler. Something like… understanding.

And for the first time, I let it happen.

Let myself enjoy him.

Not as a ghost. Not as a threat.

Just as a man sitting in the dark with me.

——

I've been lookin' forward to the night often these days, not because of him, of course… The night breathes warm against my skin. I'm on the porch, knees drawn up, pickin' absently at blades of grass growin' between the cracked boards like they're trespassin' and don't know it. I pluck them one by one, not really thinkin', not really waitin'—but not exactly doin' anything else either. I'm wearing the baby blue dress, The one with the lace at the collar, mended too many times to count but still hangin' right. I don't light the porch lamp. The dark feels easier to sit in. And then I hear him. Not footsteps. Not a branch snapping. Just… the way quiet shifts when something enters it. He steps from the tree line, slow like he don't want to spook the night. This time, he's carryin' something. A small bundle of wildflowers—purple ironweed, white clover, queen anne's lace—loosely knotted with a bit of twine. He stops at the porch steps and looks at me. Then, without a word, he sets the flowers down between us and lowers himself to sit at the edge of the stoop. Close. Not too close.

"I didn't bring 'em for a reason," he says after a while. "Just passed 'em and thought of you." My fingers drift toward the flowers, not quite touchin' them, but close enough to feel the velvet edge of a petal against my skin. The warmth of his nearness makes my breath catch somewhere between my throat and chest. "They're weeds," I murmur, though the word comes out gentle, almost like a caress. "They're what grows without bein' asked," he replies, and the corner of his mouth lifts in that way that makes my stomach drop like I'm fallin'. That quiet comes back. But it's a different kind now. Softer. Like the world's hushin' itself to hear what we might say next. I look at him then. Really look. Not at his mouth or his clothes ,that easy lean of his shoulders or those pouty eyebrows —but his hands. They're calloused, dirt beneath the nails. Not soft like the rest of him sometimes pretends to be. My fingers twitch with the sudden, foolish urge to trace those rough lines, to learn their map.

"You work?" I ask, the question slippin' out before I can catch it, betrayin' a curiosity I wasn't ready to admit. "I do what needs doin'." The words rumble low in his chest. "That's not an answer." I tilt my head, and the night air kisses the exposed curve of my neck. He turns his head, slow. "That's 'cause you ain't ready for the truth." The words wash over me like Mississippi heat—dangerous, thrillin'. My lips part, but no sound comes out. I go back to pickin' the grass, my fingertips brushin' wildflower stems now instead of weeds. Each touch feels deliberate in a way that makes my pulse flutter at my wrist, at my throat. He doesn't push. Doesn't move. Just sits with me 'til the moon's hangin' heavy over the trees, his presence beside me more intoxicatin' than any whiskey from Smoke's bar. The space between us hums with possibilities—with all the things we ain't sayin'. When he leaves, I don't stop him but my body leans forward like it's got its own will, wantin' to follow the trail of his shadow into the dark. But I take the flowers inside. Put 'em in the jelly jar Frank left on the windowsill.

——

The wildflowers sit in that jelly jar like they belong there—like they’ve always belonged. Their colors are faded but stubborn, standing tall in the quiet corner of the kitchen, drinking in the slant of light that filters through the window. I find myself glancing at them too often, like they might tell me something I don’t already know. I tell myself not to read into it, not to hope. But hope’s a quiet thing, and it’s been whispering to me since I first set foot in this place. By dusk, I’m already outside, wrapped in the blanket I keep tucked in the closet, knees drawn up tight. The dusty brown dress I wear is softer with wear, almost like a second skin. I clutch the two tin cups—corn liquor, waiting in the dark, like a held breath. It’s a ritual I don’t question anymore. He comes out the trees just after the steam from the day’s heat begins to fade, silent as always. No rustle of leaves, no announcement. Just that subtle shift in the hush, like the woods are holding their breath. I see him leaning on the porch post, eyes flickering to the cup beside me, like it’s calling him home. “Always know when to show up,” I say, voice low but steady, trying to sound like I don’t care if he’s late or not. Like I’m used to waiting. He tosses back, smooth as dusk, “Always pour for two?” I can’t help the smile that sneaks up—soft and slow. “Only for good company.” He steps closer, slower tonight, like he’s weighing each movement. Sits beside me, leaving just enough space between us for the night air to stretch its arms. I hold out the second cup, the one I poured just for him.

He wraps his fingers around it but doesn’t lift it. Doesn’t bring it to his lips. “Don’t drink?” I ask, voice gentle but curious, like I might catch a lie if I ask too loud. His thumb taps the rim, slow and deliberate. “Used to,” he says, voice quiet but firm. “Too much, maybe. Doesn’t sit right with me these days.” I nod, like that makes sense. Maybe it does. Maybe I don’t want to look too close at the parts that don’t fit. The parts that hurt, that choke down the hope I’m trying to keep buried. Instead, I take a sip, letting the liquor burn a warm trail down my throat. It’s a small comfort, a fleeting warmth. I watch the dark swallow the road that disappears into nothingness, and I say, “Used to think I’d leave this place. Run off somewhere—Memphis, maybe. Open a little store. Serve pies and good coffee. Wear shoes that click when I walk.”

He hums, low and distant, like a train far away. “What stopped you?” My gaze drops to my hand, to the dull gold band that’s thin and worn. I trace the edge with my thumb, feeling the cold metal. “This,” I say. “And maybe I didn’t think I deserved more.” He doesn’t say sorry. Doesn’t say I do. Just looks at me like he’s already seen the ending, like he’s read the last page and ain’t gonna spoil it.

“I worked an orchard once,” he says softly, voice almost lost in the night. “Peaches big as your fist. Skin like velvet. The kind of place that smells like August even in February.” “Sounds made up,” I murmur, feeling the weight of the quiet between us. He leans in closer, eyes steady. “So do dreams. Don’t mean they ain’t real.” A laugh escapes me—sharp and surprised, like I’ve been caught off guard. I slap at his arm before I can think better of it. “You talk like a man who’s read too many books.” “I talk like a man who listens,” he says, quiet but sure. That hush falls again, but it’s different this time—full, like the moment just before a kiss that never quite happens. I feel it—the space between us thickening, heavy with unspoken words and things I can’t say out loud.

— Days passed, he shows up again, bringing blackberries wrapped in a white cloth, stained deep purple-blue. The scent hits me before I see them—sweet, wild, tempting. “Bribery?” I ask, raising an eyebrow, trying to hide the way my heart quickens. “A peace offering,” he replies, with that quiet smile. “In case the last story bored you.” I reach in without asking, pop a berry into my mouth. Juicy and sharp, bursting with sweetness that makes me forget everything else—forgot the weight of my ring, forgot the man inside my house, forgot the world outside this moment. He watches me, a softness behind his eyes I don’t trust but can’t look away from. I hand him the other cup again. He takes it, polite as always, but doesn’t sip. We settle into stories—nothing big, just small things. The town’s latest gossip, a cow wandering into the churchyard last Sunday, the way summer makes the woods smell like wild mint if you walk far enough in. I tell him things I didn’t know I remembered—about my mama’s hands, about the time I got stung trying to kiss a bumblebee, about the blue ribbon pie I made for the fair when I was fifteen, thinking winning meant freedom. He listens like it matters, like these stories are something he’s been waiting to hear. And for the first time in a long while, I laugh with my whole mouth, not caring who hears or what they think. The sound spills out, unfiltered and free, filling the night with something real. I forget the ring on my finger. Forget the man inside the house. Forget everything but this—the night, the berries, and him. The man who doesn’t drink but still knows how to make me feel full.

——

The jelly jar’s gone cloudy from dust and sunlight, but the wildflowers still stand like they’re stubborn enough to outlast the world. A few petals have fallen on the sill, curled and dry, and I haven’t moved them. Let ’em stay. They feel like proof—proof that life’s still fighting, even when everything else is fading. A week’s passed. Seven nights of quiet—hushed conversations I kept to myself, shoulders pressed close under a sky that don’t judge, don’t say a word. Seven nights where my bruises softened in bloom and bloom again, where Frank came home drunk and left early, angry—always angry. Not once did I go to the juke joint—not because I wasn’t welcome, but because I didn’t want to miss a single echo from the woods, a single step that might carry me out.

Remmick never knocks. Never calls out. He just appears—like something old and patient, shaped out of shadow and moonlight, settling beside me without question. Sometimes he brings nothing, and I wonder if he’s even real. Other nights, it’s blackberries, or a story, or just silence, and I let it fill the space between us. And I do. God, I do. I tell him things I never even told Frank. About how I used to pretend the porch was a stage, singin’ blues into a wooden spoon. How my mama braided my hair so tight it made my scalp sting, said pain was the price of lookin’ kept. How I almost ran—bags packed, bus ticket clenched tight—then sat on the curb ‘til dawn, too scared to move, then crawled back inside like a coward. He never judges. Never interrupts. Just watches me, like I’m music he’s heard a thousand times, trying to memorize the lyrics. Tonight, I don’t wait on the porch.

I’m already walkin’. The night’s thick and heavy, like the land’s holdin’ its breath. I slip through the back gate, shawl loose around my shoulders, dress flutterin’ just above my knees. The clearing’s ahead—the path I’ve grown used to walking. He’s already there. Leaning against a tree, like he belongs to it. His white shirt glows faint under the moon, suspenders hanging loose, like he forgot to do up the buttons. There’s a crease between his brows that smooths when he sees me—like he’s been waitin’ for me to come, even if he don’t say it. “You’re early,” he says, low. “I couldn’t sit still,” I whisper back, voice soft but steady. His eyes trace me—like he’s drawing a map he’s known a thousand times but still finds new roads. I step toward him slow, the grass cool beneath my feet, and when I’m close enough to feel the pull of him, I stop. “I been thinkin’,” I say, real quiet. “Dangerous thing,” he murmurs, lips twitching just enough to make my heart kick.

“I ain’t been to the joint all week,” I continue, voice thick as summer air. “Ain’t danced. Ain’t played. Ain’t needed to.” He waits—patient, silent. Like always. “I’d rather be here,” I whisper, and something inside me cracks open. “With you.” The silence that follows ain’t cold. It’s heavy—warm, even. Like a breath held tight in the chest before a storm breaks loose, like the whole earth hums with what’s coming. “I know,” he says. Just that. Two words that make me feel seen and bare and weightless all at once. I don’t think. I just move. Step into him, hands pressed to the buttons of his shirt. My eyes stay fixed on his mouth, not lookin’ anywhere else. And when he doesn’t pull back—when he leans just enough to meet me—I kiss him. It starts soft. Lips barely grazin’, testing, waiting for something to happen. But then he exhales—like he’s been holdin’ somethin’ in for a century—and the second kiss isn’t soft anymore. It’s heat. It’s need. My fingers clutch his shirt like I’m drownin’, and he’s oxygen. His hands find my waist, firm but gentle, like he’s afraid of breakin’ me even as he pulls me closer. I swear the whole forest leans in to watch, silent and still.

He don’t push. Don’t take more than I give. But what I give? It’s everything.

He don’t say nothin’ when I pull back. Just watches me, tongue slow across his bottom lip, like he’s already tasted me in a dream. “C’mere,” he says low, voice rough as gravel soaked in honey. “You smell sweet as sin.” I step into him again without thinkin’, heart rattlin’ around like it’s tryin’ to climb outta my chest. His palm presses to the back of my neck, warm and heavy, pulling me into a kiss that don’t feel like a kiss. It’s a deal, made in shadows, older than us all—something that’s been waitin’ to happen. The second our mouths meet, he moans deep in his chest—like he’s relieved, like he’s been holdin’ back for years. Then he spins me—fast—hands already under my dress. “Ain’t no point bein’ shy now, baby. Not after all them nights sittin’ close, like you wasn’t drippin’ for me.” My knees almost buckle. He bends me over a log, and I don’t resist. I can’t. My hands grip the bark tight, dress shoved up, panties dragged down with a yank that’s impatient and sure. I hear him spit into his palm. Hear the slick sound of him strokin’ himself once, twice. Then he sinks into me—slow, too slow—like he’s memorizing every inch, every breath I take. My mouth opens, no words, just a gasp that’s all I can manage. “Goddamn,” he mutters behind me. “Look at you takin’ me. Tight like you was built for it.” He starts movin’, deep and filthy, grindin’ into me with purpose. I arch back into it, already lost in the feel of him. And then I see it. His face—just behind my shoulder. His jaw clenched tight. His pupils blown wide—no, glowing. A flicker of red embers in each eye, like fire trapped inside. I blink, and it’s gone. I tell myself it’s the moonlight, the heat, how mushy my brain is from what he’s doin’, like he owns me. He don’t give me a second to think. “Feel that?” he growls. “Feel how your pussy’s huggin’ my cock like she knows me?” I whimper—pathetic, high-pitched—but I can’t stop it. “Remmick—fuck—” He yanks my hair, just enough, til I tilt my head back. “You was waitin’ for this,” he says, voice low and rough. “I seen it. Seen the way you look at me like I’m the last bad thing you’ll ever let hurt you.” Leaning into my neck, lips brushing skin, breath cold now—too cold. “But I ain’t gone hurt you, darlin.’ I’m gone ruin you.” He bites—just a little, not sharp—enough to make me gasp, my whole body tensing on him. He laughs—soft, wicked. “Oh yeah,” he says, rutting harder. “You gone come for me like this. Face in the moss, legs shakin’. All these pretty little sounds spillin’ out your mouth like you need it.” I can barely keep up. Dizziness hits hard, slick runnin’ down my thighs, his cock hittin’ that spot over and over. “Say you’re mine,” he growls, hips slammin’ in so deep I cry out. “I’m yours—fuck—I’m yours, Remmick—” His voice drops—dark, velvet, dirtied—like he’s talkin’ from a place even he don’t fully understand. “Good girl,” he mutters. “Ain’t nobody gone fuck you like me. Ain’t nobody got the hunger I do.” And I feel his hand—big and rough—wrap around my throat from behind, just enough to remind me he’s still in control. Then he starts pumpin’ into me—fast, mean, nasty. My back arches. My moans break into sobs. “You gone give it to me?” he pants, barely human anymore. “Come all over this cock?” I want to answer. I try. But I can’t—my body’s already gone, trembling on the edge of something wild and white and all-consuming. And the second I come—everything breaks loose. He buries himself deep and roars—low and wrong, not a man’s sound at all. I feel him twitch, feel the flood of heat spill inside me, and his face presses into my neck, mouth open like he’s fightin’ the urge to bite down.

But he doesn’t. He just stays there. Still. Breathin’ like he ain’t breathed in years. ——

The morning creeps in slow, afraid to wake me, like it knows I’ve crossed a line I can’t come back from. I roll over, the sheet sticky against my skin, last night’s heat still clingin’. For a second—just a second—I forget where I am. Forget the weight of the house, the stale scent of bourbon and sweat baked into the walls. All I feel is the ghost of him—Remmick—still there in the ache between my thighs, in the buzz that lingers low in my belly. Remembered the way remmick carried me back to my porch and kissed me goodnight before walking away becoming one with the night. My fingers drift without thought, pressing just above my hip where a dull throb pulses. I wince, then pull the blanket back. And there it is. A dark, new bruise—shaped like a handprint—only it ain’t right. Too long. The fingers are too slim, curved strange, like something trying too hard to be human. My breath catches. I press again—harder this time—hoping pain might wash the shape away, or that pressure might flatten whatever’s twisted inside me.

But it doesn’t.

So I pull the blanket up, wrap it tight around me, and lie still, staring at the ceiling—waiting for some sign, some answer, some permission to feel what I shouldn’t. Because the truth is—I should be scared. I should be askin’ questions. Should be second-guessin’ everything last night meant.

But I’m not.

Instead, I replay how he looked at me—how his hands, too warm, too sure, moved like they’d known my body in another life. How he said my name like it was already his. I press my legs together under the sheet, close my eyes, and breathe deep. A girl gets used to silence. Gets used to fear. But nobody warns you how dangerous it is to be wanted that way. Touched like you’re somethin’ rare. Somethin’ sacred. Somethin’ wanted.

And I—I liked it. More than that—I craved it now. Even with the bruises. Even with the shadows twisting in my gut. Even with the memory of those eyes—burnin’ too bright in the dark. Don’t know if it’s love. But it sure as hell felt like it.

——

I move slow through the kitchen that morning, feet bare against cool linoleum. The coffee’s already gone bitter in the pot. Frank’s still in bed, his snores rasping through the cracked door like dull saw blades. I lean against the sink, sip from a chipped mug, and glance out the window. The jelly jar’s still there. Wildflowers wiltin’ now, but proud in their dying. I touch the bruise again through my dress. And I smile. Just a little. Because maybe something ain’t quite right. But for the first time in a long while—I’m happy, or well I thought…

——

The nights kept rollin’ like they belonged to us. Me and Remmick, sittin’ under stars that blinked like they was tryin’ to stay quiet. Sometimes we talked a lot. Sometimes we didn’t too much. But even the silence with him had weight, like it was filled with words we weren’t ready to say yet.

I’d tell him stories from before Frank, when my laughter hadn’t yet learned to flinch. He’d listen with that look he had—chin dipped low, eyes tilted up, mouth soft like he was drinkin’ me in, slow. He never interrupted. Never tried to solve anything. Just sat with it all. That kind of listenin’ can make a woman feel holy.

And I guess I got used to that rhythm. I got too used to it.

Because on the twelfth night, maybe the thirteenth—don’t really matter—he said something that pulled the thread straight from the hem. We were sittin’ close again. My shawl slippin’ off one shoulder, the moonlight makin’ silver out of the bruises on my thigh. He had that look on him again, like he wanted to ask somethin’ he’d already decided to regret. “You know Sammie?” he asked, real casual. Like it was just another name. I blinked. The name hit strange. “Sammie who?” He shrugged like he didn’t know the last name. “That boy. Plays that guitar like it talks back. You said he played with Pearline sometimes.” I sat up straighter.

I never said that.

I’d never mentioned Sammie at all. I swallowed. My smile faded before I could think to save it. “I don’t remember bringin’ up Sammie.” The pause that followed was heavy. And not in the good way. Remmick shifted beside me, slow. His jaw ticked once. “You sure?” I nodded, eyes never leaving him. “I’d remember talkin’ ‘bout Sammie.” He looked out at the trees, the edge of his mouth tight. “Huh.” And just like that, the air changed. It got thinner. Like breath didn’t want to come easy no more. I pulled the shawl closer. Suddenly real aware of the fact that I didn’t know where he slept. Didn’t know if he ever blinked when I wasn’t lookin’. “You alright?” he asked, too quick. “You askin’ me that, or yourself?” He turned to me then—real sharp. Real focused. “Why you gettin’ quiet?”

I didn’t answer. Not right away.

“Just surprised, is all,” I finally said, trying to smooth it over like I hadn’t just tripped on somethin’ sharp in his words. “Didn’t think you knew anybody round here.” “I don’t,” he said, fast. “You’re the only one I talk to.” “Then how you know Sammie plays guitar? I’ve never seen you at the juke joint nor heard word about you from anyone there.” His stare was too still now. Too fixed. Like a dog watchin’ a rabbit it ain’t sure it’s allowed to chase. “Maybe I heard it through the wind,” he said, not responding to the other part. But there was no smile behind it. Just the shadow of a man used to bein’ questioned. A man who didn’t like the feel of it. I stood, brushing grass off my legs. “I should head in.” He stood too, slower. Taller than I remembered. Or maybe the night just made him bigger.

“You mad at me?” he asked, quiet now. “No,” I said. “Just thinkin’. That alright with you?” He nodded. But it didn’t look like agreement. It looked like calculation. I didn’t turn my back on him till I hit the porch. And even then, I felt his eyes stick to my spine like syrup. Inside, I sat by the window, hands still wrapped around the cup I didn’t finish. The wildflowers were dry now. Curlin’ in on themselves. And I thought to myself—real quiet, so it wouldn’t wake the rest of me: How the hell did he know Sammie and what business he wan’ with him?

——— The days slipped back into that gray stretch of sameness after I started avoidin’ him. I filled my hours with chores, with silence, with tryin’ to forget the way Remmick used to sit so still beside me you’d think the night made room for him. But the nights weren’t mine anymore. I stopped goin’ to the porch. Stopped lingerin’ in the dark. The quiet didn’t soothe me—it stalked me. I felt it behind me on the walk home. At the edge of the trees. In the walls. I knew he was there.

Watchin’. Waitin’.

But I didn’t let him in again. Not even with my thoughts. That night, the juke joint buzzed with life. Hot bodies pressed close, laughter thick with drink, music ridin’ high on the air. I hadn’t been back in weeks, but I needed noise. Needed people. Needed not to feel alone. I sipped liquor like it might drown the nerves rattlin’ under my ribs. Played cards with a few men, some women. Slammed down a queen and grinned as I scooped the pot. That’s when Annie approached me.

“Y/N,” she whispered, voice tight. I looked up. “Frank’s here.” The name hit like a slap. I blinked. “What?” “He’s outside. Ask’n for you.” Annie’s face was pale, serious. Not the usual mischief in her eyes—just worry. I rose slow. “He’s never come here before.” Annie just nodded. We moved together, my heart poundin’. Smoke, Stack, and Cornbread were already standin’ at the open door, muscles tense, words clipped and low. When Frank saw me, he smiled. That wide, too-big smile I’d never seen on him. Not even on our wedding day. “Hey baby,” he drawled, too casual. “Wonderin’ when you’d come out here and let me in. These folks actin’ like I done somethin’ wrong.”

My stomach dropped. He never called me baby.

“Frank, why’re you here?” My voice was calm, but confusion lined every word. He laughed—soft, amused. “Can’t a man come see his wife? Thought maybe I’d finally check out what keeps you out so late.” Something was off. Everything was off. “You hate loud music,” I said, heart poundin’. “You said this place was full of nothin’ but whores and heathens.” He looked… wrong. Eyes too glassy. Skin too pale under the porch light. “Can’t we all change?” he said, teeth flashin’. “Now can I come in and enjoy my night like you folks?”

I looked at Smoke. He gave me that look—the one that said “you don’t gotta say yes.” But I opened my mouth anyway. Paused. Frank’s smile dropped just a little. “Y/N,” he said, his voice darker now. Familiar in its danger. “Can I come in or not?” My hand flew up before Stack could step forward. I swallowed hard.

“Come in, Frank.”

The words fell like stones. And just like that, the door to hell opened. The moment he crossed that threshold, the temperature dropped. I swear it did.

He didn’t speak. Didn’t drink. Just sat at the bar, stiff and still, like a wolf wearin’ man’s skin. Annie leaned into Smoke’s shoulder. “Somethin’ ain’t right,” she muttered. Mary nodded, arms folded. “He looks hollow.” Thirty minutes passed. Then Frank stood. Didn’t say a word. Just turned and walked into the crowd like a man on a mission. Headin’ straight for the stage.

Straight for Sammie.

Smoke pushed off the wall, followin’ fast. But before anyone could act, Frank lunged—grabbed a man near the front and tackled him to the floor. Screamin’ erupted as Frank sank his teeth into the man’s neck. Bit down. Tore. Blood sprayed across the floorboards, across people’s shoes. The scream that left my throat didn’t sound like mine. Smoke pulled his pistol and fired. The sound cracked through the joint like lightning. The man jerked, then stilled. Frank’s body fell limp over him, gore soakin’ his shirt. Then suddenly Frank stood back up like he wasn’t just shot in the head, the man he bitten standing up besides him the same eerie smile on both their blood stained mouths.

I stood frozen in place.

People screamed, chairs overturned, glass shattered. Stack wrestled another body that started lurchin’ with glowing -white eyes. Mary grabbed Pearline, draggin’ her through the back exit. Annie grabbed me. “Y/N—we gotta GO!” We burst through the back, runnin’. I took the lead, feet slammin’ down the path I used to walk like a lullaby. Not now. Not anymore. Now it felt like runnin’ through a grave. Behind me, I heard chaos—growls, screams, more gunshots. I looked back once. Bodies jumpin’ on each other, teeth sinkin’ into flesh. All Their eyes— White. Glowing like candle flames in a dead house. Annie was right behind me.

Then she wasn’t.

I turned. They were all gone. Sammie. Pearline. Mary. Annie. Gone.

I kept runnin’. The clearing opened up like a mouth, and I stumbled into it, chest heaving. And that’s when I saw him. Same silhouette. Same calm. But he wasn’t the man I knew. Remmick stood just beyond the tree line, Same shirt. Same pants. But now soaked through with blood. But his face— That smile wasn’t his smile. Those eyes weren’t human. Red. Glowing like coals. Just like I thought I saw that night I gave him everything. I froze. My legs locked. My throat closed up. Remmick tilted his head, playful. Mocking.

“Oh darlin’,” he cooed, stepping forward, arms out like a man offerin’ salvation. “Where you think you runnin’ off to? You’re gonna miss the party.” I stumbled back, tears burnin’ in my eyes. “What are you?” He stepped forward, arms open like he meant to cradle me, like he hadn’t just let blood dry on his chest. “Don’t look at me like that,” he said, like it was me betrayin’ him. “You knew. Somewhere in that smart little head of yours, you knew. The eyes, the voice, the way I don’t come out durin’ daytime—”

“You lied,” I whispered. “Only when I needed too,” he said. I shook my head. “I thought you loved me.” Remmick stopped, cocking his head. Everything soft in him was gone. Only sharp edges now. “You thought it was love?” he asked, teeth glintin’ between blood. “You thought I wanted you?” I flinched.

“All I needed was a way in. You—” he stepped closer, “—were just a door. But you kept it shut. Had to break you open. Took longer than I liked.” “I trusted you,” I said, voice crumblin’. “And you broke so pretty,” he said. “I almost didn’t wanna finish the job. But then you ran. Made it… inconvenient.” He hissed softly, a grin curling up like a scar.

“I didn’t want you, Y/N. I wanted Sammie. That boy’s voice carries somethin’ old in it. Ancient. And that joint?” He gestured back toward the chaos. “It’s sacred ground.” “You used me,” I whispered, tears burnin’ now. “I let you in. I trusted you.”

“You believed me,” he corrected. “And that’s all I ever needed.” My breath caught somewhere between my ribs and spine, all my blood screamin’ for me to run. But I couldn’t move—just stared at Remmick, my chest heavy with grief, with betrayal, with rage. He tilted his head again, eyes burning like iron pulled from a forge. “I didn’t want you,” he said again, voice soft as a lullaby. “I wanted the key. And girl, you were it.”

My throat worked around a sob. My legs, finally rememberin’ they was mine, shifted. I turned to bolt— And stopped.

There they stood.

A wall of them.

Faces I knew too well. Cornbread. Mary. Stack. Even Annie—lips pulled in a wide, wrong smile. Their skin was pale, waxy. Their eyes—oh God, their eyes—glowin’ white like candles lit from the inside. They didn’t speak at first. Just smiled. Stared.

And then—slow and soft—they started to hum. That same song Sammie used to play on slow nights. The one that never had words, just a melody made of aching and memory. But now it had words. And they all sang ‘em. “Sleep, little darlin’, the dark’s gone sweet, The blood runs warm, the circle’s complete, its freedom you seek…”

I backed away, breath shiverin’ in and out of my lungs. The chorus kept swellin’. Their voices overlappin’, mouths stretchin’ too wide, white eyes never blinkin’. Like they weren’t people anymore. Just shells. Just echoes.

I turned back to Remmick— And he was right in front of me. So close I could see the dried blood on his collar, the gleam of teeth too long to belong in any man’s mouth. He lifted his hand—calm, steady. Like he was invitin’ me to dance. “Come on, Y/N,” he whispered, smile almost tender now. “Ain’t you tired of runnin’?” I didn’t know if I was breathin’. Didn’t know if I wanted to be. Everything hurt. Everything I’d carried—love, hope, grief, rage—it all sat in my mouth like copper.

I looked at his hand again. And maybe, for just a moment, I thought about takin’ it. But maybe I didn’t. Maybe I turned and ran straight into the woods. Maybe I screamed. Maybe I smiled. Maybe I never left that clearin’. Maybe I did. Maybe the darkness that took over me, was just my eyes closed wishing to wake from this nightmare.

[tired-salty-vampire]

Adding my own entertaining things surgeons have said mid-surgery:

1. *Said with thick Indian accent* "I'm so fucking tired of patients calling me to ask stupid questions, and I mean truly stupid questions. I'm going to change my voicemail to say, 'You have reached Dr. (insert name). I will not be returning your call. Do not try to contact me, I am dead.' "

2. Ortho surgeon, 2 seconds after patient with broken wrist goes to sleep: "I hate the sound of bones."

3. (About to drape for a very simple GYN case)

Experienced Doctor: Have you done many of these cases before?

Me: Yeah, I've done a good number of them.

Doctor: Well, that's great! Because I haven't.

Me: *Legitimately can't tell if he's joking or not.*

4. (Getting ready to drape the patient for a bilateral foot amputation)

Me: Do you have any music requests?

Doctor: How about Footloose?

ranking the best things I have heard surgeons say mid-surgery:

1. "Five second rule!" while scrubbed, after dropping a sterile scalpel on the floor (no they did NOT pick it up again but I swear everyone's buttholes puckered)

2. (spoken during the closing of a particularly long and difficult case) "Nurse - my tunes." :heavy metal starts blasting:

3. Gently to a fretful patient, pre-anaesthesia: "It's going to be okay. I promise, I've dealt with worse." As soon as the patient is unconscious: "This is literally the worst thing I've ever seen."

4. [okay this one was a med student] "Wowwww, that's so gross!!" Reg: "Please remember that [patient] is awake for this procedure." Student to patient: "Oh my god. I am so sorry, that was really unprofessional - " Patient, cheerfully, also engrossed with what's happening inside them on the screen: "Nah - it's, like, super gross, right?"

5. [another procedure where the patient couldn't be put under GA] Patient: *starts singing country roads midway through the procedure* Surgeon: *shrugs and joins in with surprisingly good harmony*

[marvelseries19]

RETURN TO YOU

Chapter Four - Castaway

Pairings: Natasha Romanoff x female agent reader

Genre: Angst

Summary: You’re finally found. After years lost and alone, a faint signal is enough to bring someone to your island. You're brought home, weak, scared, and unsure if it’s real.

A/N: Finally, the moment you've been waiting for. I'm not entirely sure if this should be the end. I kinda have more ideas to tell, but maybe I'll post those as like one-shots or something. I wanted to thank you guys for letting me know that you liked it. I don't think I've ever had this much engagement on my fics. I really appreciate the love this one has had.

On another note, in the last chapter, I asked if you read this, and by this, I meant these messages, I leave here, not the chapter. So, once more, do you guys read these messages?? Also, as always, any questions, requests, ideas, and feedback are all welcome. Enjoy :)

Warnings: +18, descriptions of injuries and such.

Word count: 4.4k+

[You do not have permission to repost or translate any of my stories or claim them as yours.]

The low hum of the SHIELD operations room barely registered as Maria Hill leaned over the dim console. The soft, rhythmic blinking on the screen in front of her was steady, consistent — unmistakable. A signal. Faint, primitive, but deliberate. Her fingers flew across the keys as she opened a secure channel.

"Get me Director Fury," she said, her voice low but urgent.

The line crackled before his voice came through, rough and clipped. "What have you got?"

Maria didn’t look away from the screen. "A signal. Old-school. Someone stripped a Quinjet transponder and spliced it into basic field tech. It’s broadcasting on an early SHIELD frequency — nothing sophisticated, but it’s clean. Repeating."

"That’s a long shot," Fury replied.

"Not if it’s her," Maria said, and there was something unshakable in her tone. "And I believe it is."

There was a pause. She could almost hear him weighing it in silence. Her eyes stayed on the blinking pattern, steady as a heartbeat.

"It’s the captain."

Fury’s silence stretched again — longer this time, heavier.

"You always did trust her instincts more than anyone else," he said eventually.

"She earned that trust," Maria murmured. And she remembered — the smoke, the fire, the chaos.

Kandahar.

—

The sky was dust-streaked and orange, gunfire painting the air in bursts. Agents scattered, wounded, shouting. No one had orders. The comms were fried. And then you appeared — ash-streaked, limping, blood on her sleeve, and calm in her eyes.

“We lost comms!” someone had yelled. “Do we pull back?! Where’s the fallback point?!”

Maria remembered how you didn’t hesitate. She remembered the way you moved — forward, always forward — as if gravity bent toward your conviction.

"With me," you said. That was all.

Two words.

And twenty agents followed you without looking back.

Maria hadn’t said it aloud that day — but someone else had. A younger recruit, clutching his rifle and running to keep up: “Captain’s got us.”

The name stuck.

—

Maria exhaled softly, her eyes never leaving the console. "She pulled twenty agents out that night. Half of them wouldn’t be here without her," she said quietly.

"Is she still alive, Hill?" Fury asked.

"She sent that signal," Maria replied. "I know it's her, and that’s all I need to know."

"Take a team," Fury ordered. "Get her back."

Maria was already on her feet. "Already working on it."

She shut the console off, leaving the weak, blinking signal behind — but only for a moment.

She would follow it. All the way to the end.

—

The quinjet dipped below the clouds like a shadow cutting through the sky, its engines whisper-quiet over the dense canopy below. The sun was just beginning to rise, casting streaks of gold and fire across the endless stretch of green.

Maria stood near the loading ramp, arms crossed, eyes scanning the horizon as if she could will the trees to part and reveal a miracle.

She’d barely slept on the flight over, fingers tight around the datapad that showed the narrowing coordinates. Each pass of the satellite brought them closer. Each sweep of the low-band signal narrowed the window.

Still, it felt like a dream.

Three years. Three years with no trace. Three years of dead ends, quiet funerals, and trying to help Natasha through a grief Maria shared but didn’t dare speak aloud.

And now this.

A single echo. A half-broken signal from a beacon no one was supposed to remember how to use.

She hadn’t told Natasha. Couldn't. Not yet.

Hope, Maria had learned, was dangerous when it burned too bright. And she wouldn’t be the one to light it unless she was sure. She had seen firsthand what it did to her friend , how it tore her apart each time a lead turned out to be false. Maria needed more than a faint signal to give Natasha false hope.

The quinjet hovered over the narrowed location, nestled between cliffs and jungle, and the team fast-roped down in practiced silence. Maria followed, landing with a solid thud against the uneven earth.

It was still. Too still. But the readings didn’t lie. Someone was here.

She signaled for the group to split. “Fan out. Sweep the perimeter. Eyes sharp. Weapons down unless you see a threat.”

A chorus of affirmatives crackled through comms.

They moved.

Not far away, tucked in the hollow between two rocks and overgrowth, you stirred.

The sound had been faint — a low thrum, like distant thunder.

It came again, closer this time.

You sat up slowly, your body protesting every movement. Your limbs ached. Your head spun. Your skin had taken on the leathery feel of too much sun and too little water. The weakened body you lived in now barely resembled the one that once trained at SHIELD’s academy. The one that flew the quinjet with quiet confidence. The one that could disappear without leaving a trace.

You had survived. But barely.

You blinked hard, pressing your fingers to your ears.

Voices.

Were those voices?

You crouched low, instinct taking over even as your knees buckled beneath you. The sound of boots brushing leaves. A sharp rustle of brush being moved aside. You bit the inside of your cheek.

It’s nothing. You’ve imagined things before. You’d seen shadows become people. Branches become outstretched hands.

But the voices were growing louder now. Clearer.

“Check the cliffside—Hill’s got east.” “There’s a trail here—looks like something’s been walking through.” “Signal strength increasing. It’s close.”

No. No, that was real. That wasn’t just your mind trying to comfort you again. That was real.

Still, your body didn’t move. Not yet.

You sat frozen, heart pounding, as footsteps closed in.

And then—

“Hey!” a voice called. Not a hallucination. Sharp. Solid. Commanding. “I’ve got something—!”

Then another voice. Lower. Familiar. Too familiar.

“Stand down, it’s her—God—” The foliage parted, and there she was.

Maria.

Your mind couldn’t process it all at once. She was wearing tactical black, hair pulled back, eyes scanning like she didn’t dare believe what she was seeing.

You opened your mouth to say something, anything—but nothing came out.

Maria dropped to her knees, her voice thick and trembling. “Hey, hey—it's okay. It's me. I’ve got you.”

You blinked again, too weak to flinch as her hands gently framed your face.

Her breath caught. “Jesus… you’re really here.”

You tried to speak, lips cracked, throat dry. Only a rasp escaped.

Maria shook her head, a soft curse under her breath. She slipped an arm around your shoulders, guiding a canteen to your lips. “Don’t talk. Just drink.”

The water stung going down, but you drank like you hadn’t in days.

Because you hadn't. Rainwater could only last for so long.

Maria kept holding you, one hand steadying the canteen, the other pressed lightly against your back as if reassuring herself that you were solid. Real. Not another ghost.

And then she whispered, almost like she didn’t want anyone else to hear, "I'm so sorry it took this long.”

Tears pricked at your eyes. You didn’t want to cry. Not yet. Not when it felt like the moment could vanish if you blinked.

But Maria didn’t rush. She stayed there with you in the dirt, surrounded by jungle, brushing a hand gently through your tangled hair.

“You’re safe now,” she said softly. “We’re taking you home. I’m gonna make sure of that. And I’ll tell her—I’ll tell Natasha.”

You didn’t know if it was the relief or her voice, but that’s when the sob broke free.

And Maria, strong as ever, just held you tighter.

The team moved quickly once they found her.

You were conscious, your body trembling with exhaustion and adrenaline as they guided you through the undergrowth. The sight of the quinjet waiting on the shore hit you harder than expected.

Your steps faltered.

The air caught in your throat.

It looked almost exactly like yours—the one that went down in flames, the one that left you stranded and alone. Your chest tightened, breath hitching, muscles locking up as memories flashed behind your eyes. Fire. Smoke. The sound of metal tearing. The impact.

You stopped walking.

“Hey,” Maria’s voice was calm and soft. She stepped in front of you, eyes steady, hand gentle on your shoulder. “It’s okay. You’re safe now. We’re taking you home.”

You shook your head weakly, barely audible when you said, “I can’t… I can’t get on that thing. I know it’s stupid, but—”

“It’s not stupid,” Maria cut in, her voice rough with emotion. “After what you’ve been through, it makes perfect sense.”

Your eyes were glassy, full of apology and fear you couldn’t quite name. “I want to go. I just… I can’t.”

Maria glanced at the medic nearby, nodding once.

“We’ll help you sleep through the ride, okay?” she said, already crouching down with her. “No pain. No panic. You’ll wake up at the medical facility. Safe. I promise.”

You gave her the faintest nod, your fingers still gripping Maria’s sleeve like an anchor.

Maria stayed close as the medic prepped the injection, gently brushing damp hair back from your forehead. “You did so good, alright? You held on. We’ve got you now.”

The sedative took hold quickly, easing your breathing as your eyes fluttered shut. Maria caught you carefully as she slumped forward, guiding her into the medic’s arms and onto the stretcher.

And as the engines spun up and the quinjet lifted into the sky, Maria sat beside you, phone already in her hand, staring down at Natasha’s name on the screen.

It was time.

The quinjet hummed around her, steady and familiar. Maria sat strapped in beside the stretcher, her eyes drifting to you every few seconds — as if making sure she was still there, still breathing, still real.

You looked so small.

So fragile.

And it shook Maria more than she wanted to admit. This woman, who once sparred with her until both of them limped off the mat laughing… This woman who had stood beside her through firefights and missions no one else could have survived… Now she lies wrapped in blankets, sedated, ribs visible under her skin, lips cracked from dehydration.

Maria swallowed hard. She stared at the screen for a long second before finally pressing the contact.

The call connected after two rings.

“Maria?” Natasha’s voice came out sharp, tight. Tired. Like she’d been running or not sleeping again. “Is something wrong?”

Maria’s breath caught. “Natasha…”

Something in her tone made Natasha go completely still on the other end.

“We found her,” Maria said softly.

Silence.

“I need you to meet me at the SHIELD medical facility in New York. We’re bringing her in now. She's alive, Nat. She's—she's not in good shape, but she’s alive.”

Natasha didn’t answer at first. Just a breath — hitched, broken — and then, “Are you sure?”

“I’m sure. I’ve got her right here with me.” Maria looked over again, lowering her voice instinctively. “She held on. Three years, and she never gave up.”

There was a long pause. When Natasha spoke again, her voice cracked.

“I’ll be there.”

—

The city blurred past the tinted windows of the SUV, but Natasha barely saw any of it.

Her fingers gripped the edge of the seat so tightly her knuckles had gone white. Every red light felt like a personal attack. Every second that passed without her at that facility made her heart pound harder in her chest.

You were alive.

Alive.

It didn’t feel real.

She had imagined this moment too many times — always in dreams, in cruel fantasies her mind would conjure when sleep finally took her. But this wasn’t a dream. Maria had called her. Maria had sounded shaken. That never happened.

Alive.

Natasha’s breath caught again, her throat tight with something she couldn’t name — hope, disbelief, fear. She didn’t even realize tears had started to run down her cheeks until they hit her jaw. She didn’t wipe them away.

Three years.

Three years of not knowing. Of waking up and reaching for someone who wasn’t there. Of closing her eyes and hearing your laugh, only for silence to greet her. Of rage. Of grief so heavy it felt like a second skin.

And now… you were back.

But at what cost?

She kept replaying Maria’s voice in her head. Not in good shape. Those four words sliced deeper than anything else. Natasha had seen the aftermath of war. She had seen what being stranded did to a person, physically and mentally.

What if you didn’t remember her? What if the pain of those years had buried the part of you that knew her name? What if the reunion she’d dreamed of — clung to — was nothing like the reality waiting for her?

The driver turned sharply, and Natasha gritted her teeth, leaning forward.

“How much longer?”

“Five minutes, ma’am.”

Not fast enough.

She closed her eyes. Forced herself to breathe. One hand unconsciously reached for the ring still looped through the chain around her neck — your ring — warm now from her skin.

She didn’t know what she’d find when she walked into that facility.

But for the first time in three years… she had something to walk toward.

You.

—

The quinjet touched down with a soft thud on the rooftop pad of the SHIELD medical facility.

Before the engines had fully powered down, the med team was already waiting — gurney prepped, portable monitors ready, gloved hands reaching for the ramp before it even dropped.

Maria stood to the side, out of the way but not detached. Her jaw was clenched, arms crossed tightly over her chest, as if holding herself together. She hadn’t said much since the sedation. Only that she’d call Natasha again once they landed. But she didn’t need to. The call had already been made. Natasha would be here soon. She knew it.

The second the hatch opened, the team surged forward.

You were still unconscious — sedated, peaceful in the worst way. Your skin looked pale under the harsh facility lights, your body far too light as they transferred you to the gurney. The bruises, the cuts, the ribs pressing too close to the surface — it was all too visible now.

Monitors were clipped to your finger, an oxygen mask gently pressed to your face, and soft commands echoing between the medics: “Get her on fluids, stat.” “We need a CBC and a full metabolic panel.” “Chest X-ray, abdominal ultrasound.” “She’s dehydrated; start with normal saline, keep it slow.”

The medics disappeared down the hall with you, swift and practiced, the sound of their shoes a controlled blur of movement.

Natasha had just stepped into the hallway when she saw them roll the gurney past.

She stopped mid-step.

Time halted.

You.

There. Real.

But not awake. Not smiling. Not whole.

Her hand went to the wall to steady herself. Her breath left her in a sharp, silent exhale. She couldn’t move.

Maria stepped in beside her, watching the hallway where the doors had just swung closed behind the gurney. “She’s stable. Vitals are holding. They’ll take care of her.”

Natasha didn’t speak. Her eyes hadn’t moved from that door.

A nurse came around the corner holding something small and delicate in a gloved hand. She looked between them before gently addressing Natasha.

“She was wearing this,” she said softly, offering the chain.

Natasha reached out slowly, her hand trembling as she took it.

Your ring. Still looped through the chain she gave you three years ago.

She held it tightly in her fist, pressing it to her lips like a prayer.

Maria watched her quietly. “She survived,” she whispered, more to herself than to Natasha. “She actually survived.”

Natasha’s voice cracked when she finally spoke, low and hoarse. “She wasn’t supposed to.”

Down the hallway, machines beeped. Doors swung. A medical team did everything they could to stabilize you — rehydrate, monitor, and evaluate. You didn’t stir, but you were alive.

That was all that mattered.

For now.

It felt like hours.

The sterile hallway never changed, but Natasha hadn't moved from that same spot. She leaned forward in the plastic chair, elbows on her knees, fingers still curled around the chain holding your ring. The weight of it was nothing — and everything.

Maria had stayed close, pacing occasionally, making a few quiet calls, but mostly giving Natasha space. There were no words left to say.

Finally, a doctor emerged from behind the double doors. He looked tired but calm.

“She’s stable. Fluids are working, and her bloodwork came back cleaner than we expected. Malnourished, yes. Exhausted, definitely. But no infection, no internal injuries beyond the obvious bruising, and a few injuries that didn't heal properly, but nothing to worry about. We sedated her gently. She might wake up soon.”

Natasha stood the moment the doctor nodded toward the room. “Can I see her?”

“Yes. Just for a few minutes, and keep it quiet. She’s been through a lot.”

Natasha didn’t answer. She was already moving.

—

The room was dim and quiet, the steady beep of the heart monitor the only sound. You were there, lying so still under the soft white sheets, a faint oxygen tube at your nose, IVs at your side.

Natasha stopped at the foot of the bed. She wasn’t ready. She’d pictured this moment a hundred different ways over the past three years. None of them came close.

You looked like you and not like you — thinner, paler, yet tanned, your hair longer and tangled in places, and skin marked with sun and wear. But it was you.

Carefully, Natasha stepped closer, lowering herself into the chair beside your bed. She didn’t speak. She just watched. Studied your face. Every part of her wanted to reach out — but she couldn’t bring herself to disturb the fragile stillness.

She opened her hand. The ring glinted dully in the light.

“I never stopped wearing it,” she whispered, her voice barely audible. “Never took it off. Not once.”

Her fingers curled gently around your hand, the one not bound by tape and tubing. You were warm. Not cold. Not gone.

“I should’ve been with you,” she whispered. “I should’ve—”

But she couldn’t finish.

Her breath caught, and for the first time in years, Natasha Romanoff let her shoulders fall and her head bow beside the woman she never stopped loving.

She stayed like that. Until the rhythm of your heart monitor seemed to slow into something steadier. Familiar.

Until maybe — just maybe — she felt your fingers twitch beneath her own.

Natasha’s eyes remained fixed on you, but her mind had drifted. She wasn’t sure how long she had been sitting there, nor how many times she had muttered those quiet, broken words — promises, apologies, confessions — to the room, to the air, to you.

The weight of everything she hadn’t said was finally crashing down on her, more than she could have prepared for. The years without you, the months of pretending she could go on without even knowing where you were, the guilt that had gnawed at her every waking moment, the hopelessness she buried deeper each day. It had always felt like she was waiting for something — waiting for the call, the news, anything that would bring you back into her world. She couldn’t breathe without the thought of you, couldn’t focus on anything with your absence hanging like a shadow.

But here you were, lying in front of her, fragile and yet still alive.

Alive.

Her fingers trembled slightly as she held the ring, the very symbol of everything she’d almost lost forever. The years had worn away at its luster, but it still gleamed, faintly — a promise. She had thought she’d never see you again. She thought she’d have to carry this unfulfilled promise forever.

And yet, here you were.

Her eyes filled with tears that she refused to let fall. She wasn’t going to cry. She couldn’t. Not here, not now, when you needed her more than ever.

"I promised you I’d come for you," she whispered, her voice rough. "I promised."

She held the ring in her hand as if it could reach you — as if it could bridge the gap between her pain and your absence. She was scared, more than she cared to admit. Scared of how you might feel when you woke up. Scared of what you might remember. Scared of how fragile this moment was — of how fragile you were.

Her hand moved slowly to the side of your bed. She didn’t want to disturb you, but she couldn’t stop herself. The need to be close to you was overwhelming. The need to feel that connection — that spark of life that had once been so familiar, so undeniable between you.

“I couldn’t live without you,” Natasha whispered, her voice barely above a breath. “I won’t let you go again.”

For a moment, she simply sat there, eyes closed, listening to the steady rhythm of your breath. The world outside the room seemed distant and cold — nothing mattered except the space between her and you, the fragile space that had once been filled with shared laughter, quiet mornings, and stolen moments.

The steady beep of the heart monitor seemed to echo in her mind, a reminder that you were here, that you were real, that you were alive. But what was left for the two of you now? Could things be the same after all that had happened? Natasha didn’t know. All she knew was that she couldn't—wouldn't— let you slip away again.

The door creaked softly, and Maria stepped in, her expression quiet but understanding. Natasha didn’t look up. She didn’t want anyone else in this moment, but Maria’s presence was a grounding force — a reminder that Natasha hadn’t been completely alone through all of this.

“She’s going to be okay,” Maria said, her voice gentle but firm. “She’s a fighter, Nat.”

Natasha didn’t respond, her eyes never leaving you. She wasn’t ready for anyone’s reassurance. Not yet.

Maria waited for a moment, then sighed softly. “I’ll give you some time. Just… don’t do this alone. Not again.”

But Natasha didn’t answer. She couldn’t. She didn’t know how to explain the ache in her chest, the heaviness that had been there for years. There was no way to put it into words.

She only nodded silently, her gaze never wavering from your sleeping form. And in that silence, Natasha finally let herself hope again. Not just for your safety, but for something more. Something she had almost forgotten how to believe in.

She wasn’t alone anymore. Neither of them was.

—

The first thing you felt was the weight of your own body. The heaviness of skin and bone sinking into the sterile softness of hospital sheets. The dull ache beneath the surface of everything. But more than that, it was the quiet hum of machines, the faint beeping of a heart monitor, and the sterile scent of antiseptic that confirmed it — you weren’t on the island anymore.

You were safe.

That realization alone felt unreal.

Your eyelids fluttered, the light above muted through lashes you struggled to lift. The world came back to you in pieces — sound, then shape, then color. The sharp clarity of a cold IV line in your hand. The warmth of a blanket pulled up to your chest. The dull echo of a familiar voice.

It was the last one that made your heart stutter.

Natasha.

She was sitting beside you. Tired. Still. Her posture held together by force alone, like she hadn’t moved in hours — maybe longer. Her hands were folded in her lap, but her entire body leaned ever so slightly toward you, as if afraid you’d vanish if she didn’t stay close.

You blinked slowly, and her eyes found yours in an instant.

The breath she let out was shaky. You saw it — the moment she shattered just a little more but also held herself together just enough to stay strong for you.

“…hey,” she whispered. Her voice was raw, barely a sound at all. But her eyes were full — of grief, of relief, of everything she hadn’t dared let herself feel until now. “You’re here.”

You opened your mouth to speak, but nothing came out at first. You tried again — your voice rasped and cracked, dry and weak.

“…Hi,” you whispered.

Tears welled up in her eyes immediately. Natasha leaned forward, slowly, cautiously, her hand brushing your arm like she needed to touch you to believe this was real. She looked like she hadn’t slept in days. Weeks. Maybe years.

“I didn’t think…” you started, the words struggling to form.

“I know,” she said, voice tight. “Me neither.”

Your eyes darted around, and that’s when you saw it — sitting on the table beside a vase of white flowers, looking oddly solemn in the sterile light — was Red. Your Red. The coconut you once talked to when you were losing hope, when your voice was the only one on that island. Someone had even propped it up with a little folded towel beneath it like a throne.

You stared at it, blinking again, and then let out a breath that was half a laugh, half a sob.

“Red made it?”

“Maria made sure of it,” Natasha said with a hint of a smile, though her voice was still breaking. “Said she’d have murdered her entire team if they left him behind. Apparently you muttered its name after they sedated you.”

Your throat burned. Everything hurt. But Natasha’s presence eased something inside of you that had been coiled tight for years. She looked at you like she was scared you’d disappear if she blinked. And you looked at her like she was the first warmth you’d felt in forever.

You reached for her hand, slowly, shakily. She took it before your fingers even fully stretched toward her.

“You waited,” you said softly.

“I would’ve waited forever,” Natasha whispered back.

Silence stretched between you, but it wasn’t heavy anymore. It was full — of all the words you didn’t need to say, of the pain that was finally beginning to thaw, of the bond between you that had never broken, even after everything.

Even after all this time.

You closed your eyes again, not to sleep — just to rest. Just to breathe. Just to be.

With her hand in yours and Red by your side, for the first time in a long time… you believed everything might be okay.

----

TAGLIST: @womenarehotsstuff @seventeen-x @ctrlaltedits @ciaoooooo111 @unexpected-character @redroomgraduate @natsaffection @cheekysnake @viosblog112 @riyaexee @lilyeyama @idontliketoread2127 @ima-gi--na-tion @sunny-poe @artemisarroxvolkov @hotcocoandonuts @scarletsstarlets @splatashaswife

[nathaniacolver]

arcane ships be like

i love a show that teaches equality (😭😭😭)

[yasmiralotta]

Holy shit, I've said it so many times before but, I thought it was only me. Like, it really is my add doing this! Like, why do I have so many bookmarks! You're never going to check it out unless you hyperfixate on checking out unused bookmarks! 🤦‍♀️

[jeanjauthor]

I've said it before & I'll say it again:

Real Life will always Outweird™ Fiction.

[starcurtain]

Comparing Aventurine's "Keeping Up With Star Rail" to Mydei's is so funny because

Ratio: 🥺👉👈 D-Does he like me?

Meanwhile...

Phainon: I would like to confirm, for the public record, that Mydei and I fuck.

[beachsideufo]

a strange internet phenomenon 2

[loveridden1999]

people who are complaining about chappell setting boundaries and asking for privacy with "she's not ready to be a pop girlie yet" make me so mad. why does she have to tolerate harrasment and stalking to be a pop girlie? why is your definition for a pop girlie of someone whose private life is all out in open for you to dissect? why should you have access to her family? why should she be someone who has to nod, smile and say yes to whatever you want fuck off maybe

[ravenkings]

[aislinregin]

I don't like getting political anymore. I have too much to protect, too much that leaves me and people I love profoundly vulnerable in the current climate. But I feel like I have to say this, so I'm going to do something that makes me sick to my stomach: I'm going to censor myself.

I have always told myself, my partners, my friends, my children that when you're getting the measure of someone, you should definitely trust your gut. Or your pet, whichever gets there first. Animals have a keen sense for danger, and your gut is just the part of you that doesn't realize you're supposed to be a civilized human. But also, possibly even more importantly, people always tell you who they are eventually. It might take a while, they might put on a good show for years. But sooner or later, people always tell you who they are and what they want to do. That can look different in different people. Let me give you an example.

When I was seventeen I started dating a guy I worked with. He was 19, so only a little older, but where I lived he was a legal adult so there was definitely a power dynamic at play that I was not equipped to navigate safely. This guy said all the right things, made all the right moves, for months. And the whole time my gut was whispering "this isn't right, something is wrong." But I could prove it, not even to myself, so I told myself I was imagining it. I was not imagining it. One day I was riding in the backseat of a car with this guy and he wanted to go to a friend's party. But it had been a long day for me and I was tired and I knew his friends were the type who would want to drink a lot of beer and act foolish and I was just not in the mood. So I said that was fine but he could go by himself because I wanted to go home and read a book. He said "no, we're going to the party." And I said "No, you can go if you want but I'm going home."

And then he slapped me across the face.

He did it once. I think it surprised him how little I reacted (it wasn't the first time I'd been slapped, it wasn't even the hundredth). I looked him in the eye and I remember very clearly that my gut was suddenly louder than a bullhorn: "YOU KNEW THIS WAS WRONG, AND NOW HE'S SHOWN YOU HOW."

So I smiled, all coy and sweet, and unbuckled my seatbelt to scoot over like I was going to cuddle up to him and "apologize." Then I unbuckled his seatbelt, reached across him, opened the door of the car, and shoved him out of the car. It was moving, slowly through a neighborhood, and the driver was so shocked he slammed on the brakes while I closed the door and locked it. The now ex boyfriend was screaming like he'd been shot (he was fine, was barely bruised). I told the driver that if he didn't drive me home right then I was calling the cops.

All that to say that people will always tell you who they are and what they want eventually. If they're being honest, what they say won't change much over time, just as they grow and evolve. You can track those changes, be part of them. But if they're lying or putting on a mask, sooner or later they'll slip up and then you'll know. What you do next will tell them a lot: it will tell them if you're going to let them be who they really are, if they can continue to use and abuse you. Trump has never been anything but brutally honest about who he is. He has been telling us from the start who he is and what he wants. And the whole damn country or even world has been scrambling to assure us that it's fine, he can't do those things, we have all these things that protect us (Congress, police, the military, the Constitution). But I have been listening to Trump and his people. I've heard everything they've said. They've told us who they are. And when people tell you who they are, the trick is to take them at their word. Believe them. So you know what? I believe him. But I can't shove him out of a moving car. I can get out of the car though. It's happened before. It's happened before here. We have a secret history no one wants to talk about, one with mass graves under residential schools less than two hours from where I sit right now, chemically castrated queers, non consensual lobotomies on autistics and other neurodivergents, internment camps and forced migrations and outright fucking massacres. What Trump and his puppeteers want is not out of line with this country's soul. This is not new. This is what this country has always been. It's time to believe it. It's time to get out of the fucking car.

Let's connect some dots here

The Trump administration kidnaps and sends hundreds of people to a prison camp in El Salvador with no due process (meaning they never have to prove these people committed whatever offence the Admin claims)

The Administration sets the precedent that anyone, up to green card holder and naturalized citizens, will be subject to this for practicing free speech in a way the Administration doesn't like

The Administration puts out two Executive Orders, one which says they believe trans people and parents of trans children are all sexual offenders and another that anyone who criticizes Israel is a terrorist

The President puts out a statement, in public, saying he wants to find ways to send US citizens to those foreign prison camps

The Administration directly defies 2 different SCOTUS decisions that say anyone who is deported must get due process and (this one a unanimous decision) they must return a wrongfully deported man

The US President now tells the President of El Salvador, again in public, that they will need to expand their facilities because he wants to start sending "homegrown criminals" to El Salvador very soon

We aren't even in boiling the frog territory any more, we're in a flash frier.

Like I hate sounding like a fucking tinfoil hat nutjob, but it's clear as day, right? He's saying exactly what he wants to do. And no one is doing anything about it. They're just saying "hey that's illegal!" and then letting it happen anyway.

[catnippackets]

a lot of people think that men and women can't be friends because they must be dating which is very annoying but then over time I've been watching the "men and women CAN be friends actually" crowd turn into "men and women can't be friends because they are actually siblings" so congrats on reinventing the idea that men and women can't just have a normal platonic relationship without somebody shipping them or saying they have sibling energy when they don't

[knightofleo]

Angela Orosco Silent Hill 2

[themostfuniveverhad]

dan and phil react to the amazing tour is not on fire!