#i've been saying this for nearly a decade

[merp-blerp]

TW: Discussion of sexual assault and suicidal ideation

I've been seeing some debate about Calypso and whether or not she sexually assaulted Odysseus and I want to throw in my two cents.

I'll say straight out of the gate that I don't currently like her much. I feel pretty icky about her personally.

Comparing Ody's behavior in Epic prior to "Love in Paradise" vs during the song feels so... clearly different. He seems very traumatized by whatever has been happening on that isle. It almost feels out of character for him to consider dying instead of fighting to get home alive like he had been, but putting myself in his shoes I can see how he came to that through what's textually known. He has been trapped on that isle for 7 years—that's nearly a decade, with no way to get out, everyone he knows and loves dead or far away with no way to know where he is or if he's alive. While I obviously would never think that's a good decision, I can see how he got to the point of wanting to end it. And if he's been sexually assaulted like he was in The Odyssey, I understand it more due to how that can warp a person's mental health.

I've seen some say, "Calypso is just a sweetie who doesn't know how to love properly" (paraphrasing of an actual comment I've seen). Even if she really just doesn't know how to care for a mortal, as many of the gods seemingly don't, I think she understands her power over mortals with her "Bow down now to the immortal Calypso" comment. She also understands that Odysseus doesn't want her, with the first part of her response to Ody's threats being "Oh handsome, you may try". She knows that he may try to escape by killing her (even though she can't die). Honestly, why would she feel the need to trap him if she didn't know good and well that he would want to escape her? She knew what she was doing was something that would make him want to run. Calypso being a goddess automatically gives their dynamic a power imbalance of course. Even though the assault is only implied, the fact that she's trapping Ody against his will, super infatuated by him, and still says "Soon, into bed we'll climb and spend our time", makes me feel like the indication is clear. What's stopping her from trying to have "sex" with him (sex isn't sex without consent)? She's already ignored all his declines. She seems to think that forcing her "love" onto him will make him love her. Yes, she uses lovey-dovey language so I doubt it would've appeared violent, but sexual assault doesn't have to look violent and the perpetrator doesn't have to appear aggressive. It's telling that I've seen some say, "Save that energy for Antinous" because Antinous is much more obviously bad, but this kind of thing isn't always obvious. That kind of assault is still extremely traumatizing whether it's sugarcoated as if it's love or not. It's dismaying that some reactions to Calypso bypass her potential assaulting or "She's weird, but she seems to care for him!" And since the sexual part of the assault is technically subtext (for now, who knows about later), I'll say that even if Calypso didn't sexually harm him, she still forces physical and verbal intimacy onto him and traps him so he can't leave. We see that. That's still assault. The only reason why I don't feel similarly about Epic's version of Circe is that her intent wasn't to have sex with Ody but to distract and throw him off with talk of sex so she could stab him as he's vulnerable; Circe never wanted to have sex with Ody in actuality. Calypso's intent was romantic intimacy and she didn't care if Odysseus said no, she completely bypassed it. Calypso saying "You're mine, all mine" feels as threatening as Circe's "I've got you" was meant to be.

Anything can change between now and the next two sagas. It could either be fully confirmed or denied that sexual assault took place. I actually don't expect either, as I don't think Jay would go too deep into such a traumatic concept in Epic, but then again I also didn't expect suicidal ideation to be brought up at all and it absolutely shocked me when it was, so I could be wrong. But whether it's confirmed or not, I don't blame any Epic fans who don't like Calypso or even hate her over what she did and what it's implied she did. It's icky watching some fans tell others they shouldn't hate Calypso because of this or that as if this isn't a sensitive and complex topic. It's creepy. I don't think we should tell people not to hate a character associated with sexual assault. The sexual assault might be subtext, but subtext is important and sometimes is implemented intentionally. Not every part of a story is going to be given to you at face value. Just because "Epic didn't say that" doesn't mean that the implication doesn't matter. People interact with stories in different ways, so you can disagree with others—no one can take that from you, but you don't get to tell someone they can't feel a certain way about a character. I don't like saying this because I really shouldn't have to put it in this perspective for it to be understood, but I can't help but feel like if Calypso and Ody's genders were swapped some people would treat this implication differently. Sexually or not she hurts him.

Normally I don't like taking lore from The Odyssey and automatically applying it to Epic, as Epic has changed a lot of rules from The Odyssey because Jay wants to tell this story his own story. For example, I personally choose not to assume Eury and Ody are brothers-in-law in Epic like they are in The Odyssey because that hasn't been stated in Epic so far. But to me, the implications of Ody's sexual assault are there enough for me personally to think that it might take place in both stories. Jay seems to want Epic to be accessible to many people, so it doesn't surprise me that this element of The Odyssey was brought up in a more subtextual/"hinted at" way.

Calypso is a very interesting character, maybe the most out of all the Epic antagonists so far for me, but we don't have to think of her as not doing anything wrong in order to enjoy that character, her songs, her cute physical character design, or Barbara Wangui's beautiful voice.

[The remainder of this post contains potential spoilers for the unreleased (to date) Vengeance Saga under the cut]

Another defense of Calypso I've seen is that in the snippets for "I'm Not Sorry for Loving You", Ody says he loves Calypso, but not in the way she wants him to. This could mean they're friends and therefore doubt about the sexual assault could be cast.

It's hard to assess this because the saga's not out yet, but it's worth remembering that abuse can come out of care, in a complicated way. You can care for someone so much you end up hurting them, usually out of wanting to control them. Calypso seems to fit that concept. And most Epic snippets don't give full context, naturally, so who knows why Ody says this at the moment. Maybe he means it, or maybe he's bluffing to guarantee he'll get what he wants (which is to be set free in this instance), like when meeting Athena, or to appease a god, like when "apologizing" to Poseidon in "Ruthlessness". And of course, victims don't have to hate their perpetrators if they choose not to. Odysseus can care about Calypso and she can still have hurt him really badly. Both of these things can be true.

The way I read it, Calypso doesn't love Odysseus like she thinks she does. She's infatuated by him and cares for him enough to not be obviously cold like all the other obstacles Ody faced initially are. She declares that she loves him as soon as he wakes up on her isle without knowing him at all. She didn't even know his name. The washed-up person on her isle could've been anyone and she likely would've "loved" them. Calypso only loves Ody because he stops her loneliness, not for who he is. When she begins to state that she loves him she doesn't even know him. Over the 7 years, she seems to have potentially gotten to know him a bit, saying "I know your life's been hard", but Odysseus himself asserts that she doesn't really know what he's been through. You can call someone (against their will, let me remind you) "my dear, my love for life" all you want, but that doesn't mean you love them. Ody's her first companion in years if not ever, of course she cares for him on a basic level. She won't kill him or let him jump off a cliff. But she doesn't love him or treat him like a human and obey his boundaries and wants. She treats him like an object or pet she owns and has to guard.

In "I'm Not Sorry For Loving You" Calypso says that Ody is all she's ever known because she was abandoned. It's understandable that she would latch onto a living creature after being alone for so long. But that's not necessarily love, at least not to me. If I love someone I wouldn't bypass their refusal to do something. And I wouldn't trap them with me and not let them go, even when they're about to jump off a cliff because they see no way out. I'm not sure if Calypso means to bring malice, she at least says she "bring(s) no pain", but she does regardless or if she intends to. Calypso hasn't had anyone in her company, let alone someone to love, for so long, maybe in her whole life. That's why she doesn't know what love is, so of course when she catches fickle feelings for Odysseus she assumes that's love and has no clue what to do with her "love", as she admits in "I'm Not Sorry For Loving You". Calypso's actions are understandable, but that doesn't mean they're excusable or not abusive. What she does to him is understandable, but selfish and only serves herself, which isn't what you do to someone you love. Note that the way I use understandable here does not equate to forgivable, it just means conceivable. And her apology to him really waters down the magnitude of her actions, saying she "pushed" him, "came on too strong", and that her love might've been "too much" for Ody.

I apologize for this being such a long rant, but I wanted to cover all the excuses for Calypso I'd seen and speak my mind on why I think they're misguided at best.

[lavafell]

Take my hand, and believe we can be together forever more.

Holy shit, it's been actual years since I've drawn my girl! To celebrate, time for a ramble that no one will read, lol.

Aerith has been my favorite character of all time for almost 2 decades now. Her death traumatized me and despite the fact that it took me actual years to get past the Jenova LIFE fight she never left my mind.

No, seriously, I had to watch her die again every time I got a game over, aqualung is the reason Aerith's death scene is PERMANENTLY burned into my memory!!

Anyway I eventually beat the game. But even before that, I remember trying on and off for years to put my love for Aerith down on paper by drawing her. I tried SO many times to draw her, but it never felt right and I eventually gave up on it. I thought something was wrong with me, that I just wasn't good enough at art or that I just wasn't a good enough Aerith fan.

Smash cut to 2021, and I play Remake! My love for Aerith is only made more intense, and with an outlet for my special interest, FFVII becomes my entire life again. I attempted to draw her more, but again, no luck.

I now realize that my inability to draw Aerith was the result of my mental health issues working together with feelings of being undeserving or too stupid to really call myself a fan. Early this year I cut out the people in my life that made me feel that way, and sometime later I was finally able to get a PS5 and Rebirth.

My relationship with minigame hell aside, I love the characterization. I love Aerith. I've been mowing through the game and plan to Platinum it.

All this to say, I just recently got to see the No Promises to Keep scene. At first the different voice was jarring, and I stubbornly refused to give the song a chance.

But today, I decided I wanted to try drawing my girl again. So I listened to an arrangement of the song in the OG game's style, then a music box cover, and then finally I gave the actual song a chance.

I need to inject it directly into my veins.

The music, the lyrics, the way Loren Allred's voice carries the emotions directly into your heart, they all scream so so much love for Aerith and FFVII as a story. I have my gripes with the Remake project's plot/writing, but I can never deny the team's love for the story and characters.

Listening to that music and looking at both Aerith's OG and Remake designs, I finally managed to draw her in a way that felt right. I nearly cried at having that way to show my love for her.

So thank you, Loren Allred. I know you're never gonna see this, but thank you. You helped me put my love for this character out into the world, and I think this was my first step toward being able to properly make progress in my fanfic.

I love you Aerith qwq

[technoarcanist]

WAR NEVER CHANGES. BUT,

WARFARE NEVER STOPS CHANGING

"I've seen countless reasons why most mech pilots don't make the cut, but one of the largest hurdles are the physical alterations. The implants and modifications done to the fleshware is so extreme that it's enough to push most would-be pilots away from day 1.

Back in the day, when mech tech was still in its wild west years, when the technology was still in its infancy, things were different. Levers, joysticks, switches, a chair, most of the first models were something between the cockpit of a construction vehicle and a fighter ship.

Pilots in those days still consisted largely of the usual suspects. Test pilots, army jocks, space force veterans looking for something new, the occasional crazy who lucked their way up the ranks. All you needed back then was to be fit enough to work complex machinery. 'Handler's wouldn't be a coined phrase for nearly a decade. I still remember being a kid and seeing repurposed older models in the mech fighting streams.

Everything changed with the Bidirectional Cerebellum Computer Interface. To say nothing of how it changed civilian life, it was a military marvel. The BiCCI saw the creation of Mechs as we understand them today. The first generation were just retrofits, older models with a pilot's chair, and even manual controls to use in an emergency, but even then we knew that was only temporary. Before long, sleek frames of sharp angles, railguns and plasma cannons were rolling off the factory floor.

Like many things, it began small, optimising first for cockpit space by removing the manual controls. Before long, my then-supervisors thought, "Why have this glass? Why not hook the pilot's eyesight right into the advanced multi-spectral camera system? Before long, cockpits were but soft harnesses made to house a living body, their very soul wired into the machinery. Obviously, for security reasons, I cannot tell you everything about how our latest cockpits work, but suffice to say we've been further blurring the line between pilot and frame ever since.

This drew a very different crowd. Out were the army jocks and powerlifters. The only ones who even dared to have the interface hardware installed into their brainstem and spinal cord were the dispossessed, the misanthropes, those who sought not to control their new body, but to be controlled by it. No AI can work a mech properly on its own, but our pilots are never really in full control either anymore. Those who do try to go against the symbiosis get a nosebleed at best, and vegetative seizures at worst.

And that was that. The only people left who pilots these things are those who had already been broken, those who sougt a permenant reprive from being anything resembling human. A lot of my department quit around this time. I've lost a few friends over it, I'm not shy to say. Did we knew we'd be bringing in the more vulnerable people? Of course we did. But, the wheels of progress must turn, as they say, and it wasn't like we were shy of volunteers.

In our latest models, we have refined an even more advanced frame. Again, security detail prevents me from divulging too much, but one breakthrough we've made is decreasing action latency by approximately 0.02s by amputating the limbs from our pilots and replacing them with neural interface pads.

Using the pads where the limbs once were, pilots are screwed directly into the cockpit, which itself can now be 30% smaller thanks to the saved space. And, of course, we provide basic humanoid cybernetics as part of their employment contract while they are with us. Not that most of them are ever voluntarily out of their cockpits long enough to make use of them. Even removing the tubes from their orifices for routine cleaning incurs a large level of resistence.

And, yes, some of them scream, some of them break, some become so catatonic that they might as well be a peripheral processor for their mech's AI. But not a single one, not even one pilot, in all the dolls i've ever trained, have ever accepted the holidays we offer, the retirement packages, the stipends.

As you say, there are those who like to call me a monster for my work. I can see why. After all, they don't see the way my pilots' crotches dribble when I tell them I'll be cutting away their limbs, or the little moans they try to hide when we first meet and I explain that they'd forever be on the same resource level as a machine hereafter.

Those who call me a monster don't realise that, even after going public with how we operate our pilots, even after ramping up mech frame production, we still have more than twice as many volunteers as frames.

Those who call me a monster cannot accept that my pilots are far happier as a piece of meat in a machine of death than as the shell of a human they once were.

Those who call me a monster never consider the world my pilots grew up in to make them suitable candidates in the first place."

-Dr Francine Heathwich EngD

Dept. Cybernetic Technologies @ Dynaframe Industries

[In response to human rights violations accusations levied by the Pilot Rehabilitation Foundation]

[exvangelical-christian-nerd]

Me: I don't want kids.

People: You'll change your mind

Me:

[hollowflight-propaganda]

I think it's time I change my bio to say it's been 11 years since I started to watch Ninjago.....

Gosh. Where's my senior discount on the lego sets, huh?

[death-nettle]

MERLIN FOLKS RISE UP WE MOVE

[drakaina-posts]

Today, nearly a decade after I first started reading the series... I have finally finished League of Dragons, and the Temeraire series as a whole.

[keeps-ache]

lemon is good on everything, lime is good on the things that are not everything, and so the world remains in balance

[ereborne]

Song of the Day: February 26

“Diamonds in the Mud” by Gerry Cinnamon

[mental-jhinstability]

JhinThresh server encourages my High Noon obsession, more at noon

Another ramble by a gay cowboy, about gay cowboys, for my gay (cowboys in spirit) friends.

Some NSFW, nothing directly explicit but there's some level of detail. OOC as always but I've been informed I'm based so... hopefully it's based this time, too?

This specifically is about them being drunk. To start, I headcanon Jhin as an emotional drunk (imagine him getting all emotional about his horse loving him too and practically crying in front of a probably sober Thresh who finds this adorable and jealousy-inducing, because Jhin should giving HIM all that attention) and Thresh as a more relaxed drunk--as in he gets a little more loose-lipped. This will also involve my bartender High Noon Jax, because why shouldn't it. We all know these idiots cannot do anything about their feelings without being beaten over the head with a lamp.

More of another "things I wanna write but probably won't" than a headcanon ramble, but whatever. Jhin comes in to the bar, and Jax already has his first drink (of four) ready by the time he's even at the bar. And, of course, being the weirdo bartender; Jax is already asking him if he's asked out Thresh yet. Giving advice, teasing him. Jhin doesn't respond much, just finishes his drinks and gets out as quick as possible. But now there's an issue; he's a bit drunk and now he has Thresh on his mind. Given that I said he's a more emotional drunk earlier, this is a much bigger issue than he thinks it is. He just heads to the barn, because really what else is there to do when you're a drunk cowboy (aside from fucking and/or killing)?

Thresh is there. He watches as Jhin cries over his horse, talks to it. He's jealous for a few minutes. The horse is getting all this attention, and not him? And then Jhin asks his horse what he should do about his “weird feelings” for a certain man. He doesn't mention Thresh's name, but now Thresh is even MORE jealous. Who's this other guy stealing his victim slash weird crush? Unforgivable. I haven't really imagined much past this, and I'm no good with smut, but Thresh probably gets a little drunk himself, reveals himself to Jhin, who is now cagey and cold to Thresh due to not wanting to admit the guy he loves was him, and then Thresh fucks him because he's jealous. Maybe involving a riding crop. And Thresh's chain/rope/thing. And possible admission of feelings. Who knows.

And a second part… flirting. Their flirting is really weird, because they don’t. They just do a LOT of homoerotic touches and things for each other. Both of them realise this, but neither rationalise it correctly and think the other doesn’t think it’s homoerotic. They think they’re enemies/rivals/begrudging friends, despite both of them feeling attached to the other. I went over the physical homoerotic touch aspects in both of my previous rambles, but I guess I’ll go for other ways here.

Thresh tends to braid Jhin’s horse’s hair the same way he always does it. He doesn’t do a particularly good job and Jhin always scolds him and says “that’s not how you do it, you fool” etc etc until he’s giving Thresh a lecture on how to braid hair. This goes on until Jhin ends up just grabbing Thresh’s hands and “guiding him” (aka just doing the whole thing for him) through it. Thresh knows full well how to braid hair after the first time; but he continues to do it just so he has Jhin’s full attention. As I’ve mentioned he cannot rationalise this in a normal way (“This is torture because I’m taking his time and energy away from more important things, to make him easier to break”) and neither can Jhin. He likes teaching Thresh but he’s not sure why (it’s because he likes feeling in control, as well as the feeling of having Thresh as a captive audience) and instead chooses to think it’s just because he likes being correct. It’s flirting, just nonverbally.

On the same note, Jhin tends to make an effort to argue with Thresh over things. Anything, regardless of how monotonous or how pointless the argument is. He likes getting an anger reaction out of Thresh. He finds it hot (which he mistakes for just being an adrenaline addict; they’re not all buddy-buddy so he figures it’s only natural to get worked up by your enemy/rival getting angry at you). He gets genuinely upset when Thresh doesn’t react or argue back or even concede. He wants something other than constant teasing or silence, and when he doesn’t get that something, he gets a bit fussy and usually ends up touching Thresh in some way to rile him up. Sexually or non-sexually, it doesn’t matter. It gets a reaction and he gets to touch Thresh, so it’s a win-win.

If we combine the two, drunk flirting. Jhin gets emotional, so with enough provoking from Thresh usually you can get a flirty comment—albeit vague and a bit unorthodox—from him. He still tries to maintain a mask of indifference or hatred towards him when drunk but he falls on his face and ends up letting a few things, whether they be emotions or words, slip. Thresh, being loose-lipped, is usually the one to end up very explicitly flirting with Jhin when drunk. Compliments his body, calls him cute and pathetic, says he wants to hear him scream. He, of course, has some level of plausible deniability with these comments when sober, but when drunk he doesn’t tend to defend himself. He never admits it’s flirting, but he’ll not say no. Oh also they both get horny when drunk so if they’re later in to their homoerotic rivalry they probably fuck. Up to you.

Also… please read the tags of this post. There’s a few little related side tangents in there, if you’re interested.

[feluka]

certified jade curtiss song

[hairmetal666]

Wayne's used to worrying about Eddie. He should be; he's been doing it since the kid was twelve. First it was Eddie's silence, his permanent frown, the way the bones stood out too prominent on his small wrists. Then it was the kids at school, taunting him and calling him names, the fights and calls from the principal's office. Next came the late nights, the drinking, the dealing, failing his senior year twice. But all of those times, every single one, Wayne had known what to do. Maybe it wasn't perfect, maybe it took a little time, but he'd always figured out exactly what his boy needed.

And now--now Wayne doesn't know if he can help; knows it's not in his power to fix it. 

So, he sits for the second week in a row, watching his nephew--his whole heart--sitting in front of the window, looking out at the forest, nursing the same cup of coffee that he poured six hours ago, and wonders how in the world he can help.

They're cleaning up from dinner, Eddie quiet at his side, when he says, "Gonna need some help with the mugs tomorrow."

After moving to Oregon once Eddie graduated and he retired, he found an affinity for pottery. Never woulda thought it, but he loves it and tourists love his booth at the farmers market.

He can't think of a better way to get his nephew out of the house, but wonders if he doesn't know his boy as well as he thinks after a decade in Los Angeles, that Eddie'll refuse. He just nods, though, goes back to drying the plate in his hands.

And next morning, right at 6:45, Eddie is in the living room in black jeans that are so worn they're nearly grey in places, and the threadbare Metallica tee Wayne thrifted for him nearly a decade back. It's a win. Small, yes--Eddie doesn't even complain once about the country-western station Wayne plays in the truck--but still a step forward.

Wayne wastes no time parking and handing Eddie a box of carefully packed merchandise. He leads the way, trusts that Eddie is right on his heels until he hears Jim Hopper's voice say, "You better keep an eye on those mugs, son. Your uncle will tan your hide."

He turns to see Hopper balancing one end of Eddie's box, Eddie's cheeks flushed pink. "Sorry, I--uh, I've got it now." Hopper lets go and for the briefest instant Eddie's eyes dart to the side and the pink in his cheeks grows deeper.

Wayne tracks the path Eddie's eyes took and finds--he swallows back a chuckle--Steve Harrington just setting one of his Adirondack chairs into place, his t-shirt lifted to show of a stretch of stomach.

Well. Eddie did always like the pretty ones.

They setup the booth in companionable silence, and Hopper pops back over for a proper introduction. Before he departs again, he says to Eddie, "I got some kids who really love that dnd game and your show. They're going to be crazy to meet you. That okay?"

And Eddie, he's a good boy, he smiles and nods but as soon as Hopper is out of earshot, Wayne's saying, "Hop's kids and their friends are big fans and I know you're heartsore about the cancellation, but you better be polite."

Eddie glares. "What do you think, old man, that I'll be mean to children?"

"Well, with how you've been moping around the cabin these last few weeks, hard to know."

He scoffs. "Yeah, well. Netflix putting your hit show on indefinite hiatus without warning or explanation will do that to a guy."

Wayne knows there's nothing he can say to soften this hurt, so he gives Eddie's shoulder a tight squeeze. "I'm proud of you no matter what, son."

His nephew nods, eyes down, but Wayne doesn't miss the small, pleased, lift at the corner of his lips.

The morning passes smoothly and Wayne pretends he doesn't notice every time he finds Eddie's gaze straying to Steve's booth.

The kids come by around noon, Dustin Henderson breaking away from the pack to shriek, "You're Eddie Munson!"

Eddie smiles, stands. "That I am, young adventurer." He bows low, exaggerated and the kids giggle. "Pray tell, what are your names?"

The chatter is fast and easy, Eddie the happiest he's been in weeks, and Wayne relaxes back in his chair, lets out a long, slow breath of relief at the breaking storm. He stretches back in his chair, eyes catching on Steve Harrington across the way. Steve who is watching Eddie and the kids with an expression Wayne can only think of as fond.

Wayne isn't one to play matchmaker, but--he thinks, just maybe, just this once he could nudge.

It happens late in the afternoon, when business has well-slowed, Eddie asking, "Um--that guy over there, who is--what's his deal?"

Wayne thinks he manages to keep all traces of amusement from his face and voice as he answers, "Who? Ohh, Steve Harrington. He's the guidance counselor down at the middle school. Does a bit of carpentry in his free time. Best friends with the woman who owns that little bookstore."

He watches as Eddie processes, as his eyes widen, probably in remembrance of the pride flags and Protect Trans Kids shirts, how the woman in question wore a lesbian flag pin on her apron. "Guidance counselor?" He says eventually. "Kind of a drag."

"You would think, but the kids love him. The ones you met earlier today? He babysat them for years; imprinted on him, Jim and I say."

"Hmm," is the only response he gets, Eddie's attention back on the man in question.

---

The day after the market, Wayne walks into the living room to find Eddie's laptop tucked into the cushions of the window seat. He hasn't seen the thing since Eddie came home, never used to see him without it, and this--well.

He says, "need to run into town for a few things. You up for a trip? You might could stop at that bookstore."

Eddie nods, takes a sip of his coffee--he's actually drinking it-- says, "Yeah. Yeah, I think that'd be cool."

The store isn't busy when they arrive, and Wayne drifts towards the magazines to leave Eddie to his own devices.

Wayne loses himself to quiet browsing, wanting to give Eddie space, to maybe chat with Robin Buckley, strike up the beginnings of a friendship. Enough time passes, though, that Wayne is wondering where his boisterous, noticeable nephew could've disappeared to so silently.

He winds around a shelf and sees Eddie and Steve Harrington in deep conversation. He can't hear it, not really, but they're standing close, with pink in their cheeks. As he watches, Steve says something that makes Eddie laugh and pull a few strands of hair over his mouth.

They're almost inseparable after that. Eddie, Steve, Robin, and all those kids. They play dnd, have movie nights, spend hours at the diner. And Eddie, he's writing, sketching, gets down Wayne's acoustic guitar and plays around for a while.

When he asks how things are with "that Harrington boy," Eddie flushes red and says, "none of your business, old man" before giving Wayne a quick, affectionate squeeze. 

---

Two and a half months after Eddie came to stay, Wayne's walking back from the river, the sky the light navy of new dusk. His fishing rod is draped over one shoulder, tackle box held easily in his fist, the walk home pleasant, a perfect end to a good day.

The light from the front porch seeps through the trees, and he's thinking about a cold beer, a warm pizza, if Eddie's found his way home yet, when figures standing on the porch stop him in his tracks.

It takes a second, longer, for his eyes to adjust from the dark of the woods, and the glow of the bulb, but then he sees--

Eddie and Steve locked in a fierce embrace, desperate and very much private.

He turns right back towards the river, doesn't mind giving the boys some time.

He waits a good half hour, just enjoying the forest, before heading back. Steve's car is gone, the porch vacant, but the cabin is lit up, bright and warm and inviting.

Wayne steps inside, and his nephew is there, laptop open, but he isn't working, just smiling to himself, chin resting on his fist.

"Okay?" Wayne asks.

"Huh? Oh, yeah." Eddie's smile doesn't fall from his face.

He doesn't want to interfere, ask too much, not when he's sure things are still young. Instead, he asks, "What'd you say to ordering a pizza?"

And Eddie, heedless of Wayne's question, says,"you know. I've been thinking about maybe staying here for a little longer."

And Wayne, his smile grows, and he claps a hand on his nephew's shoulder. "You're welcome here for as long as you want. Already consider it your home anyway."

[coff33andb00ks]

Hazy Days - LN

summary: summer fling, don't mean a thing pairing: lando norris x divorced!reader word count: 3.6k warnings: non-explicit smut (mdni), older woman a.n.: fuck quadrant's summer scope vids song: summer nights from Grease

You're doing it again. It's been over a year now and you're still rubbing your ring finger with your thumb. You're not as quite as surprised when you don't feel the rings, and when you look down you're relieved to see that the pale patch of skin has disappeared. I've got to buy a ring, you think. Because, despite everything, you still feel weird without a ring on that finger.

You give your head a shake. The marriage is over. It was over before it officially began, but the divorce has been finalized for almost a month. The settlement is in your account – it's how you're paying for this spontaneous trip.

You're no longer a married woman. A terrifying thought, even now, when your entire identity for nearly 10 years was wife. And now…

Now you don't know what you are.

So you packed a bag, bought a plane ticket on a whim, and now you're at some seaside hotel in the south of France. You're looking out at the people on the beach, and further out at the yachts dotting the Mediterranean.

A place you've always wanted to visit and now you're frozen in the hotel room, scared to death that you won't enjoy it. Like a decadent dessert you've thought about all day that tastes like an old candy bar when you finally get a bite. Like the new Louboutin pumps you'd wanted for your birthday two years ago that had pinched your toes and you haven't worn since.

You've built this up in your head and now you're afraid it won't live up to your expectations.

Babes, enjoy it. This is gonna be so healing for you.

Your best friend's words ring in your mind and you reach for the phone to call her for more reassurance, then remember the time difference. She loves you, but she won't appreciate a phone call this early unless it's an emergency.

"God, get over it. You're not the only newly divorced woman in the world," you mutter to yourself, turning away from the window to finish dressing. You want to do some exploring, get plenty of photos to share, maybe find a few souvenirs.

Your thumb slides over your ring finger as you exit the hotel a little while later and you sigh, turning back to ask the concierge of a nice jewelry store. When you tell him you're interested in purchasing a ring, he knows the perfect place and soon you're on your way, strolling along the winding streets.

The afternoon sun is hot and you breathe a sigh of relief once you step into the shop. The interior or hushed and you're aware of the clerks' eyes all moving to you. A couple young men at the counter are chatting and laughing, not paying attention to you at all, and you venture further into the shop.

The men are looking at bracelets, and a smartly dressed clerk is more than happy to show you the rings, leading you to a low counter and inviting you to sit in the cushioned chair.

"Oh… No, not anything like a wedding or engagement ring," you say as a tray of sparkling diamond rings is brought out. "I… I recently got divorced and I need something to replace my rings. Something that looks nothing like a wedding ring?"

From behind you, you can hear the two men murmuring, their English accents oddly comforting after three days of hearing only French voices. You finally narrow the selection down to two and are trying to decide when movement out the corner of your eye snags your attention.

It's one of the men, peering at necklaces. You steal a glance at him – handsome, well dressed, a head of dark curls – and look back at the rings when he turns his head, embarrassed to be caught looking.

You're focusing on the rings, trying them on and testing out how they feel against your thumb, when he speaks.

"I think the other one looks better."

Jerking your head up, you find yourself looking into a pair of brilliant green eyes.

It's so fucking unfair that his lashes are so pretty.

"Do you?" you ask, looking back at the rings.

"Yeah – unless you want something flashy?"

He's moved close enough you can smell his cologne.

He even smells divine. So fucking unfair.

You switched rings and nodded. "Flashy isn't really me… I'll take this one," you tell the clerk.

The man smiles. "Getting used to a ring?"

"Ah… No," you chuckle. "Can't get used to not having one."

His smile dies and a look of panic flashes over his face. "Um… Sorry?"

You almost laugh. Giving your head a shake, you watch the clerk wrap the ring and wait for her to return. "Don't be."

"Oh," he murmured, smile returning and sliding into a grin. "Congratulations, then."

This time you do laugh. "Thanks."

He gives you a look as the clerk returns, and before you can reach for your wallet he's already handing over his card. You open your mouth to protest but he tips his head. "A congratulations gift," he insists.

His friend approaches, giving you a friendly nod. "What are we congratulating?"

You smile weakly. "The end of my marriage."

"Divorce?" he asks. When you nod, he smirks. "The best thing about marriage, honestly."

"Max."

"What am I supposed to say?" Max protests, holding up his hands.

The first man groans. "You're such a – cheers," he says when the clerk brings his card back. "Let's go before you embarrass me even more."

You're smiling at their banter as you thank the clerk for her assistance. When you stand to make your way out, he's waiting near the door.

"Buy you a drink?" he offers as he opens the door for you.

His name is Lando. Max – pain in my ass – is obviously his best friend and doesn't join you for drinks as he's got to get packed up to leave. When you suggested Lando spend time with him before he goes home, Lando waved it off.

"He lives in England but I see him all the time."

Lando, it turns out, does not live in England. He looks almost embarrassed when you ask where he lives, and when he finally mutters that he lives in Monaco your eyes widen. Surely he's too young to be that well off?

Trust fund, probably. Now you don't feel so bad for his paying for the ring.

"That must be… Interesting," you say, taking a sip of your drink. He's brought you to a chic bar at the beach, and you're sitting on the upper terrace, the slowly sinking sun casting a golden glow over the water.

"I don't really get much time there." He fiddles with the stirrer in his drink. "I'm gone a lot."

Interest piqued, you set your glass down. "Oh?" Maybe he's a model, even if he is a little on the short side. Not that he's that short – he's definitely taller than you. "What do you do?"

"I drive cars." He ducks his head briefly. "Racecars."

"Really? I'm not… I'm a dumb American, the only racing I really know is the Indy 500?"

He laughs, shaking his head. "That's IndyCar."

You listen, fascinated, as he tells you about formula one, which you have heard about but it's not in your orbit. He seems both relieved and amused at the fact you're not into sports, and you can feel him relax as he laughs when you tell him you only watch the Super Bowl every year so you can eat a ton of junk food.

A drink turns into a few, and he's so nice to listen to, so easy to talk to. When he suggests dinner, you hesitate. You don't want to be that woman, newly divorced and falling into bed with the first man that looks at you. Especially one so young—

"How old are you?" you blurt.

It obviously surprises him and, though he was halfway out of his seat he sank back down. "How old are you?"

You refuse to play coy, to fish for compliments like you're desperate. "I'm thirty."

His eyebrows lift. "Twenty-four."

So not that young. More like… younger.

Lando gives you a smile. "Does that cancel dinner?"

You look into his eyes for a long moment then glance out at the view. There's an obvious fork in the road in front of you. One leads to something with this handsome racecar driver, and you have a feeling it's going to be more than dinner. The other leads to the rest of your solo vacation, with the cloud of what could be lingering. Looking at him again, you slowly breathe in.

Expensive cologne. Salt air.

"I'd love dinner," you say, and his smile rivals the setting sun.

You'll never be able to describe the meal you ate. Lando makes it nearly impossible to focus on anything but him. Not in a demanding way. He's just… Magnetic. He tells you stories about his career, about embarrassing moments and highs and lows and talks about his other ventures. How does he have time to sleep? He talks glowingly about Max and has you giggling into your wine over a story of the two of them getting into trouble that left Lando locked out of his parents' home. When he apologizes for talking so much you almost beg him to not stop. But he asks about you, and you can't help thinking he seems genuinely interested.

"My life isn't half as interesting as yours," you say with a shake of your head.

"I don't know… You're divorced, halfway around the world, having dinner with a strange guy. Seems interesting to me," he murmurs.

"Oh, it's a tale as old as time. Girl meets boy, girl falls in love and gives up everything… Girl becomes a woman, boy becomes a toad."

Lando winced. "No kissing to turn him into a prince?"

"He'd have to want the kiss for that to happen."

"What a fucking idiot," Lando says.

You tilt your head to the side. "For being a toad?"

"For not wanting your kiss."

You set your glass down with a surprised gulp. About to call him out for feeding you a line, you pause, seeing the glimmer in his eyes. Without thinking you lick your lips and see his gaze dip down briefly. You don't know what to say or how to react so you sit there, unable to refrain from thinking about how a kiss from Lando would feel.

"His loss." Lando's voice was barely above a murmur. Then, shockingly, his cheeks darken and his tongue darts over his lips. He looks down at his plate and you can hear his sigh before he looks up, his expression serious. "You gave up everything?"

"A slight exaggeration, really." You shrug, picking at your food. "I had dreams that I put on hold to help him achieve his."

"I've never been married. But, like…" He sighs, setting his fork down. "That doesn't seem fair?"

"Life isn't—"

"I know, but marriage isn't life is it?" His face screws up at that but he forges ahead. "Isn't the whole point of it to support and help each other achieve their dreams?"

Smiling sadly, you nod. "I thought it was. He thought different."

"What dreams did you put on hold?" he asks after a moment.

"I wanted to get published." You look down at your half-eaten food. "When I was a kid, I loved reading and making up stories… I was studying for my degree in English – I planned to teach writing while working on my novels, because it's hard to make money doing it at first, and… Now it's too late."

"Why do you say that?"

"I'd have to go back to school and—"

"Yeah? Would you have to start over completely?"

"No." You can't remember how many credit hours you have left, but it would only take a phone call or an email to find out. "I wasn't too far from my degree."

"Then what's stopping you?" he challenged softly.

You don't have an answer. Nothing but the fear of failing, and you don't know him well enough to admit that.

"I don't read." He winces a bit at the admission. "Dyslexic, yeah? It's a miracle I finished school. But anyway. You write a novel and I promise to read it."

A smile pulls at your lips. "You'd do that for me? Someone you don't even know?"

"Of course." He grins. "I believe in supporting the arts."

He drives you back to the hotel in his sleek sportscar and for once you understand the allure of a purring engine and soft leather seats. There's no impending pressure when he offers to see you to your room, only the heat of his hand at the small of your back and the enticing scent of his cologne.

At your door, he hesitates. "Can I kiss you?"

Has anyone ever asked your consent for a kiss? You don't think so and the realization makes you sad, but you push that away because you've wanted him to kiss you since halfway through dinner.

His lips are a lighted match to kindling. The heat and desire are immediate and you're leaning into him, frightened by the strength of your want but craving more. It's been an embarrassingly long time since you've felt this way and you're aware that it may be even longer before you feel it again. So when the door finally clicks open you don't hesitate to step inside, pausing and reluctantly breaking the kiss to look up at him.

And wish you'd googled how to invite a man into your hotel room without sounding desperate.

But you don't have to ask.

"Okay to come in?" he whispers.

"God yes," you gasp.

His lips are on yours before the door closes behind him. Wrapping your arms around him, you sink into the kiss, snatching in breaths as his hands cradle your head. A soft whine is muffled against his tongue as you grip the front of his shirt, knees nearly forgotten as the tenderness of his touch wars the ferocity of his kiss.

"Fuck," he mumbles against your lips, his hands beginning to wander, molding you closer against him, his breath hitching as he clutches your hips. He pulls his head back slightly and you can feel his harsh breathing as he stares at you before crashing his lips to yours again.

The need grows stronger, almost primal, and you're backing towards the bed, gasping as his hands pull at your dress, nearly ripping it. Craving the feel of his skin, you do the same to his shirt, barely noticing the trail of clothing on the floor, too focused on his touch and his smell and the decadence of his kiss. He guides you down, swallowing your gasp as your bare skin touches the cool sheets.

Breaking the kiss with a harsh moan, he braces his hands on either side of you and lifts up slightly. He's panting, lips parted, and he gives a soft chuckle of surprise. "I didn't plan on this."

You lick your lips, still tasting him. And only craving more. "Neither did I."

He blinks, eyes almost wild as they dart from yours to your lips and back again. And all you can think—

Beautiful. Breathtakingly so. You know it'll never happen but the romantic inside you wishes you could wake up to his eyes every morning.

He leans down, and his kiss sends every coherent thought away. His skin is warm beneath your fingers, his hair softer than you thought it would be. His hands are rough but gentle at the same time, in your hair and trailing down your sides. Your name is a longing moan vibrating against your throat as you trace the muscles of his back.

"Lando," you gasp, arching beneath him.

"I know… I know." Hot breath at your ear, fingers digging into your thigh. Guiding your leg over his hip.

"Please." It's a soft moan.

"Fuck." His lips move to yours, his gasping whimper muffled.

The frantic need is still there but he's unhurried, as though he's trying to memorize every breath, every touch. When your hand flies out to grasp the sheet his hand follows, fingers threading between yours and gripping tightly. You're lost in the haze, sweat forming between you, sheets twisting. Ecstasy rises, peaks, and it's so sudden and delicious your cries ring out.

"Y/n." A desperate whine that only increases the bliss.

Rolling, twisting, arching. It's feverish and needy and so good so so good.

You both collapse, your hands in his sweat-damp hair. Panting, tingling, you wait for the awkwardness that never comes. His touch is tender, his lips gentle on yours before he's pulling away, murmuring that he'll get a towel. He's back before you can catch your breath, and by the time you can breathe he's kissing you again.

The sky outside is turning gray when you both breathlessly agree to get some sleep. You half expect him to leave, but he's there when you wake up, sleeping on his stomach next to you, his arm slung across your waist, his gentle snores telling you he's fast asleep.

And though you distinctly remember him saying he was going back to Monaco that day, he sticks around. Blushes and shrugs when you ask him about it over lunch, then suggests borrowing a friend's yacht for the night. The days bleed into the nights, a blurred span of time of sightseeing, swimming, and Lando.

When it's time for you to pack up to go home you feel a little bereft. But the vacation can't last forever. You've got to go back to real life, figure out how you'll live as a completely free woman. And he's got to get back to his life, jetting around the world and undoubtedly breaking hearts.

You exchange numbers and he promises to keep in touch, but you know you'll be forgotten before your plane takes off. You've been a pleasant distraction for his summer break, nothing more.

You're about to board when your phone buzzes with an incoming text. From Lando.

- You dropped your ring in my car.

As you stare at the words, you realize you haven't rubbed your ring finger in nearly a week. A picture appears on the screen, the ring – that he bought – resting in his palm.

- Hold onto it for me?

He won't. He'll give it away or sell it or take it back to the shop.

But, when you're back home and have exchanged texts with him and even a couple phone calls – yes I promise I contacted an advisor, I'm signing up for classes – and he lets you know his break is over and he's getting back to work, you cave and pull up footage of him in an interview.

He looks different on the screen of your laptop. Good, but different. And you can only focus on the necklace that's just visible under his (hideous really) orange shirt. When he leans, it shifts, and you see it.

Your ring.

"Are you still hung up on her?"

Lando's head snaps up at Max's question. "What?"

His friend gestures to the phone in Lando's hand. "That American?"

He feels his cheeks heat and realizes Max knows he's looking at your Instagram. "I'm not hung up."

Max just looks at him.

"I'm just checking on her," he mutters.

With a sigh, Max softens and sits next to him. "It's okay to like her, you know."

He huffs, his hand reaching to fiddle with the ring on his necklace. "She was just supposed to be a fling."

"But she wasn't," Max says after a moment.

Lando shakes his head. "I don't know," he whispers.

Silence lingers, stretches as his thumb hovers over your most recent post.

Then, softly. "Am I stupid?"

Max shoots him a look.

"For thinking it was special," he adds before his friend can insult him. "For thinking she thinks it was special."

"Was it special?"

He swallows hard, rolling the ring between his fingers as he looks at the post, a photo of a cup of coffee next to a laptop. Up past my bedtime parsing Austen. Liking it, he closes the app and locks his phone.

Was it special? Or was it just the great sex and no strings that had him thinking it was? At first, in those days immediately after you'd left, he'd only thought about the sex. How freeing it had been, knowing he wouldn't see you again and could let inhibitions go. But with each week that passed the sex wasn't the only thing he thought about.

Laughter and sunshine. Salty air and sweet conversation. Honeyed voice and understanding eyes.

He lifts his head, meeting Max's eyes. He doesn't have to say it. Max has known him for more than half his life. But he answers.

"Yes."

Taglist:

@maxlarens | @driverlando | @leodette | @forzalando | @captainreecejames | @d3kstar | @frenchyjuju | @irishmanwhore | @warrensluvr | @tpwkstiles | @mcmuppet | @eveninggstar | @noooway555 | @bookishnerd1132 | @skeleton-elly | @trisharee | @littlegrapejuice

[just-ornstein]

[JK]  My first job was as an Assistant Producer for a video game company called Interplay in Irvine, CA. I had recently graduated from Boston University's School of Fine Arts with an MFA in Directing (I started out as a theatre nerd), but also had some limited coding experience and a passion for computers. It didn't look like I'd be able to make a living directing plays, so I decided to combine entertainment and technology (before it was cool!) and pitched myself to Brian Fargo, Interplay's CEO. He gave me my first break. I packed up and moved out west, and I've been producing games ever since.

[JK] I loved my time at EA. I was there for almost a full decade, and learned a tremendous amount about game-making, and met the most talented and driven people, who I remain in touch with today. EA gave me many opportunities, and never stopped betting on me. I worked on The Sims for nearly 5 years, and then afterwards, I worked on console action games as part of the Visceral studio. I was the Creative Director for the 2007 game "The Simpsons", and was the Executive Producer and Creative Director for the 2009 game "Dante's Inferno".

[JK] I haven't played in a long while, but I do recall that after the game shipped, my wife and I played the retail version for some time -- we created ourselves, and experimented with having a baby ahead of the actual birth of our son (in 2007). Even though I'd been part of the development team, and understood deeply how the simulation worked, I was still continually surprised at how "real" our Sims felt, and how accurate their responses were to having a baby in the house. It really felt like "us"!

Now for some of the development and lore related questions:

[JK] So I ended up in the incredibly fortunate position of creating the shipping neighborhoods for The Sims 2, and recruiting a few teammates to help me as we went along. 

Around the same time, we started using the Buy/Build tools to make houses we could save, and also bring them into each new build of the game (correcting for any bugs and incompatibilities). With the import tool, we could load Sims into these houses. In time, this "vanguard QA" process turned into a creative endeavor to define the "saved state" of the neighborhoods we would actually end up shipping with the game.

On playtesting & the leftover sims data on various lots:

Basically, we were in the late stages of development, and the Save Game functionality wasn't quite working. In order to test the game properly, you really needed to have a lot of assets, and a lot of Sims with histories (as if you'd been playing them for weeks) to test out everything the game had to offer. So I started defining a set of characters in a spreadsheet, with all their tuning variables, and worked with engineering to create an importer, so that with each new build, I could essentially "load" a kind of massive saved game, and quickly start playing and testing. 

It was fairly organic, and as the game's functionality improved, so did our starter houses and families. 

The thought process behind the creation of the iconic three neighborhoods:

I would not say it was particularly planned out ahead of time. We knew we needed a few saved houses to ship with the game; Sims 1, after all, had the Goth house, and Bob Newbie's house. But there wasn't necessarily a clear direction for what the neighborhood would be for Sims 2. We needed the game to be far enough along, so that the neighborhood could be a proper showcase for all the features in the game. With each new feature that turned alpha, I had a new tool in my toolbox, and I could expand the houses and families I was working on. Once we had the multi-neighborhood functionality, I decided we would not just have 1 starter neighborhood, but 3. With the Aging feature, Memories, a few wacky objects, plus a huge catalog of architectural and decorative content, I felt we had enough material for 3 truly distinct neighborhoods. And we added a couple of people to what became the "Neighborhood Team" around that time.

Later, when we created Strangetown, and eventually Veronaville, I believe we went back and changed Pleasantville to Pleasantview... because I liked the alliteration of "Verona-Ville", and there was no sense in having two "villes". (To this day, by the way, I still don't know whether to capitalize the "V" -- this was hotly debated at the time!)

Pleasantview:

Anyway, to answer your question, we of course started with Pleasantview. As I recall, we were not quite committed to multiple neighborhoods at first, and I think it was called Pleasantville initially, which was kind of a nod to Simsville... but without calling it Simsville, which was a little too on the nose. (There had also been an ill-fated game in development at Maxis at the time, called SimsVille, which was cancelled.) It's been suggested that Pleasantville referred to the movie, but I don't think I ever saw that movie, and we just felt that Pleasantville kind of captured the feeling of the game, and the relaxing, simple, idyllic world of the Sims.

Pleasantview started as a place to capture the aging feature, which was all new to The Sims 2. We knew we had toddlers, teens, and elders to play with, so we started making families that reflected the various stages of family life: the single mom with 3 young kids, the parents with two teens, the old rich guy with two young gold-diggers, etc. We also had a much greater variety of ethnicity to play with than Sims 1, and we had all new variables like sexual orientation and memories. All these things made for rich fodder for a great diversity of families. Then, once we had family trees, and tombstones that carried the actual data for the dead Sims, the doors really blew open. We started asking ourselves, "What if Bella and Mortimer Goth could be characters in Sims 2, but aged 25 years? And what if Cassandra is grown up? And what if Bella is actually missing, and that could be a fun mystery hanging over the whole game?" And then finally the "Big Life Moments" went into the game -- like weddings and birthdays -- and we could sort of tee these up in the Save Game, so that they would happen within the first few minutes of playing the families. This served both as a tutorial for the features, but also a great story-telling device.

Anyway, it all just flowed from there, as we started creating connections between families, relationships, histories, family trees, and stories that we could weave into the game, using only the simulation features that were available to us. It was a really fun and creative time, and we wrote all of the lore of Sims 2 within a couple of months, and then just brought it to life in the game.

Strangetown:

Strangetown was kind of a no-brainer. We needed an alternate neighborhood for all the paranormal stuff the Sims was known for: alien abduction, male pregnancy, science experiments, ghosts, etc. We had the desert terrain, which created a nice contrast to the lush Pleasantville, and gave it an obvious Area 51 vibe.

The fact that Veronaville is the oldest file probably reflects the fact that it was finished first, not that it was started first. That's my guess anyway. It was the simplest neighborhood, in many ways, and didn't have as much complexity in terms of features like staged big life moments, getting the abduction timing right, the alien DNA thing (which I think was somewhat buggy up until the end), etc.  So it's possible that we simply had Veronaville "in the can", while we put the last polish on Pleasantville (which was the first and most important neighborhood, in terms of making a good impression) and Strangeville (which was tricky technically).

Veronaville:

But my personal favorite was Veronaville. We had this cool Tudor style collection in the Build mode catalog, and I wanted to ship some houses that showed off those assets. We also had the teen thing going on in the aging game, plus a lot of romance features, as well as enemies. I have always been a Shakespeare buff since graduate school, so putting all that together, I got the idea that our third neighborhood should be a modern-day telling of the Romeo and Juliet story. It was Montys and Capps (instead of Montagues and Capulets), and it just kind of wrote itself. We had fun creating the past family trees, where everyone had died young because they kept killing each other off in the ongoing vendetta.

[JK] You know, I have never seen The Lone Gunmen, and I don't remember making any kind of direct references with the Strangetown Sims, other than the general Area 51 theme, as you point out. Charles London helped out a lot with naming Sims, and I'm pretty sure we owe "Vidcund" and "Lazlo" to him ... though many team members pitched in creatively. He may have had something in mind, but for me, I largely went off of very generic and stereotypical ideas when crafting these neighborhoods. I kind of wanted them to be almost "groaners" ... they were meant to be tropes in every sense of the word. And then we snuck in some easter eggs. But largely, we were trying to create a completely original lore.

[JK] Well, I think we kind of pushed it with The Sims 2, to be honest, and I remember getting a little blow-back about Bunny Broke, for example. Bunny Broke was the original name for Brandi Broke. Not everyone found that funny, as I recall, and I can understand that. It must have been changed before we shipped.

We also almost shipped the first outwardly gay Sims in those neighborhoods, which was bold for EA back in 2004. My recollection was that we had set up the Dreamers to be gay (Dirk and Darren), but I'm looking back now and see that's not the case. So I'm either remembering incorrectly (probably) or something changed during development.

In general we just did things that we found funny and clever, and we just pulled from all the tropes of American life.

[JK] The alien abduction started in Sims 1, with a telescope object that was introduced in the "Livin' Large" expansion pack. That's when some of the wackier ideas got introduced into the Sims lore. That pack shipped just before I joined Maxis in 2001; when I got there, the team had shipped "House Party" and was underway on "Hot Date". So I couldn't tell you how the original idea came about, but The Sims had this 50's Americana vibe from the beginning, and UFOs kind of played right into that. So the alien abduction telescope was a no-brainer to bring back in Sims 2. The male pregnancy was a new twist on the Sims 1 telescope thing. It must have been that the new version (Sims 2) gave us the tech and flexibility to have male Sims become pregnant, so while this was turned "off" for the core game, we decided to take advantage of this and make a storyline out of it. I think this really grew out of the fact that we had aliens, and alien DNA, and so it was not complicated to pre-bake a baby that would come out as an alien when born. The idea of a bunch of guys living together, and then one gets abducted, impregnated, and then gives birth to an alien baby ... I mean, I think we just all thought that was hilarious, in a sit-com kind of way. Not sure there was much more to it than that. Everything usually came from the designers discovering ways to tweak and play with the tech, to get to funny outcomes.

[JK] Possibly we were just testing the functionality of the Wants/Fears and Memories systems throughout development, and some stuff got left over.

[JK] I can't remember, but that sounds like something we would have done! I'm pretty sure we laid the groundwork for more stories that we ended up delivering :) But The Sims 2 was a great foundation for a lot of continued lore that followed.

--

I once again want to thank Jonathan Knight for granting me this opportunity and taking the time from his busy schedule to answer my questions.

[mothandpidgeon]

Unrequited (bfd! pre-outbreak!/Jackson!Joel Miller x f!reader)

Moth's Masterlist // follow @mothandpidgeon-updates and turn on notifications to stay updated with my fics!

pairing: bfd! pre-outbreak!/Jackson!Joel Miller x f!reader

rating: E 18+MDNI

summary: You arrive in Jackson 22 years after the outbreak only to be reunited with your best friend’s dad, the man that stole your heart and broke it when you were fourteen– Joel Miller.

contents: best friend's dad, age gap, outbreak night (nothing that isnt in ep 1), big angst, abandonment issues, brief suicidal ideation, daddy issues, grief, Joel guilt, unprotected p in v sex, reader doesn't know where Jakarta is, reader is not described physically but Joel picks (adult) reader up, moth never uses y/n.

wc: 9k

a/n: This has been a bitch to finish but I'm quite proud of where it ended up. It's the longest os I've written which makes me nervous nobody will want to read it but I hope you do.

Thank you a million times to @ezrasbirdie for making me finish this and betaing. Also thank you @lowlights for listening to me ramble on this! Dividers by @saradika-graphics

Old man, take a look at your life. I’m a lot like you. Neil Young

You’re waiting for Sarah on the front steps when she gets home. School ended nearly two hours ago and you’ve been sitting here a ball of nerves. The whole world seems to be uneasy this afternoon. You notice sirens, a team of fighter jets scrambling above. It's like your anxiety has spilled out of your chest and it’s taken life all around you. 

You finger the corner of your notebook. On the inside are doodles— hearts and bubble letters. Juvenile daydreams put to paper. Your first name and after it his last, testing out the sound of who you would be if only you’d been born in a different decade. Mrs. Miller. 

Sarah doesn’t look very happy to see you. It’s been two weeks since you’ve talked to her and you’ve never felt more lonely. 

Her words still ring in your ears. 

“It’s like you’re in love with my dad.”

“No I'm not!” you said, your whole body tingling with the heat of embarrassment. You’d never felt so exposed in your life. 

“Sometimes I think that’s the only reason you’re even friends with me,” she said. 

You've been ruminating on that accusation ever since. You pine for Mr. Miller the way only a fourteen year old can. It’s the kind of infatuation that makes you understand how Romeo and Juliet ended in tragedy. All-consuming, unrequited, so in love it hurts.

So maybe Sarah’s right. Your heart flutters every time Mr Miller appears in the kitchen, wearing a dark t-shirt that hugs his biceps. You try not to stare at his aquiline nose when he drives you home from Sarah’s soccer games. Sleep overs at the Miller’s house mean more opportunities to be around him, learn the little details that make him him. And there were plenty of sleep overs because your parents are always so busy fighting, they never bother to keep track of you. 

But you’ve been in agony without your friend. It’s a pain sharper and more present than the yearning you’ve felt for Mr. Miller. You’ve talked to her every day since you moved to Austin in fourth grade and since this fight, there’s been an empty space in your heart. 

“Hi.” You stand up, hoisting your backpack awkwardly over your shoulder. 

“I’m supposed to go next door,” Sarah says. 

“Can I just talk to you for a minute?” you ask. 

She sighs but opens the front door with her key and lets you follow her into the living room. 

“I’m sorry,” you say before you lose your nerve. “You’re right. I like your dad.”

It’s probably the most embarrassing thing you’ve ever owned up to. You wish you could explain to her that you know how silly it is to be in love with a full grown man, your best friend’s dad. It’s not like he’ll ever see you as anything other than a kid. 

You can’t put into words how he makes you feel. It’s not just his broad shoulders or chocolate eyes, though it’s undeniable that he’s gorgeous. He asks about school and comes to see you in the musical. Joel is an adult that actually gives a crap about you. 

You want to tell Sarah that one of the reasons you love her father so much is because of her. Because he’s such a good dad, because he raised such a cool, funny, smart daughter. That Sarah makes him better. 

It’ll take years for you to find words for all of that. So you just do your best right now. 

“I can’t help it. I wish I could,” you say. 

That’s true. And not just because your crush has made you lose your only friend. It’s exhausting to feel such a powerful longing, to want something you know you’ll never have. It’s torture. 

“But you’re my best friend. And that’s not why. I promise,” you say. 

Sarah sighs heavily, her pretty hazel eyes full of remorse. 

“I’m sorry,” she says. “I shouldn’t have said that. I just get jealous sometimes.”

“I promise I won’t make you feel that way ever again. I could never like him more than you,” you tell her, sitting beside her on the couch and looking her in the eye so she knows you mean it. “He’s…old.”

You both laugh. 

“He’s so lame. This morning he said that Jakarta is in the Middle East,” she giggles. 

You don’t know where the hell Jakarta is but of course Sarah does. You throw your arms around her. You’ve missed her so damn much. The past two weeks have felt like two decades. 

“I’m sorry,” you tell her. 

“Me too.” She returns your embrace. “Do you have to go home? You can sleep over if you want. It’s my dad’s birthday but I don’t think he’s going to be home until late.”

Your heart twinges at the offer and not because it means you might see Mr. Miller at breakfast. You won’t even look at him again. Tonight is about your friend.

You end up watching some corny action movies and gorging yourselves on microwave popcorn. Everything feels right again. You don’t think about Mr. Miller. In fact, you’re grateful that his double has gone over into a late night so you don’t have to be in the same room. You’ve sworn to yourself that you’ll act normal around him but you’re not sure that sheer willpower can stop you from getting butterflies when he’s right there. 

At some point, you pass out in front of the tv, happier than you’ve been in a long time. 

Sarah nudges you awake sometime after midnight, concern all over her face. 

“Was I snoring?” you ask, groggy. 

She’s looking out the window. Helicopters fly so low overhead, the whole house rattles. It’s a wonder you slept through all of this noise— the choppers are joined by the wail of a car alarm, pops like fireworks. The TV is playing a high-pitched tone and when you peer at it, you see a test pattern on the screen. 

Dread settles in the pit of your stomach. 

“Something’s going on,” Sarah says almost to herself. 

A sudden thud against the back door makes you both jump. You swear, shaken out of your sleepy haze. 

“Mercy?” Sarah asks. 

You’ve spent enough time with Sarah to become acquainted with their neighbors The Adlers and their border collie Mercy. Mr Adler used to pay you each a dollar to walk him. Mercy’s frantically pawing at the glass. 

Sarah goes to the door and steps into the yard. You follow, unsure you want to leave the familiar safety of the house but unwilling to be alone with such an eerie feeling in the air. 

“What’re you doing out here, boy?” Sarah says, crouching down to pet the whimpering animal.  

“Where’s your dad?” you ask her. 

You hope the question doesn’t make Sarah think you’ve already forgotten your promise. Everything’s just so wrong. You’d feel a lot better with an adult around. 

“Don’t think he came home yet,” she says. You can hear the concern in her voice. “Let’s take Mercy back. The Alder’s will be home.” 

Mercy puts up a fight as Sarah pulls him across the lawn. It’s late and dark save the street lamp and a few porch lights that have been left on. You shiver despite the fact that it’s a warm southern night. 

The front door to the Adler’s house stands open and inside is black. No. Bad. You want to run back to the Miller’s house and lock the door behind you but the promise of Mr. And Mrs. Adler inside keeps you moving towards the darkened entrance. Maybe Mrs. Adler will give you some cookies while you wait for Mr. Miller. 

Sarah steps in first. The dog bucks and strains against her grip on his collar. Sarah fights to keep hold of him but Mercy’s thrashing makes him hard to pin down. He pulls free from Sarah’s grasp and darts away. 

You have half a mind to do the same but Sarah keeps going forward. She’s scared, too, her breaths shallow as she tip toes down the hall.  

“Mrs. Adler?” Sarah asks, her voice barely above a whisper. 

You reach for each other without even realizing it and you enter the kitchen holding hands. 

What you see there is beyond your wildest imaginings. There’s blood, a lot of it. Sarah’s shoe slides in the stuff and you grab her before she loses her balance. The room is cast in shadows but a street light streams through the window in the side door. Its beam falls over the form of Mr. Adler, limp on the floor. His back is against the door and a gush of dark blood sparkles in the sodium vapor. 

You’ve never seen so much blood, never seen anyone injured so brutally. It looks like he’s been attacked by some wild animal. Mercy was acting strange but the dog couldn’t do that.

“Help me,” he rasps. 

He’s speaking to you. You’re actually here. This is happening and you need to do something. 

But before you can form a coherent thought, your eyes travel deeper into the kitchen. Beside the island is more blood…and more bodies. 

As if seeing Sarah’s neighbor with his neck ripped open wasn’t enough of a horror, you’re now watching Nana hunched over Mrs. Adler’s corpse, her face buried in the younger woman’s neck. The scene before you makes no sense. Most of the time the old woman is barely conscious, hasn’t left her wheelchair in years and yet she’s on all fours before you looking feral. 

Sarah squeezes your hand so tight you’re afraid your knuckles will break. 

Nana slowly raises her face to you. Her eyes are pitch black and her mouth teems with twitching tendrils. You are staring at a living, breathing monster. 

When she leaps at you, you and Sarah bolt for the door. Your heart hammers against your ribs. Sarah makes it out first and races towards the sidewalk. 

Once you’ve gotten onto the front step, you slam the storm door shut behind you to trap whatever that thing is inside. SLAM. Nana collides with the door and it rattles violently. You hold it closed with every ounce of strength in you, listening to the creature behind it scratch and wail and willing yourself not to look through the glass to see its horrible face. Terror holds your muscles taught. You’re not sure how long you can stay like this, your sneakers skidding across the ground. 

With a roar, Uncle Tommy’s truck pulls up at that very moment and Mr. Miller hops out of the passenger seat before its even come to a full stop. He’s a fearsome sight, broad and rippling with untamed energy, his muscular arms outlined by the headlights of the car. You’ve never been more grateful for his presence. 

This nightmare is almost over. Joel’s come to save you. 

“Girls get in the car!” he bellows. His voice is raw and ragged. 

Just as you’re ready to make a run for it, The door flings out towards you, and you’re thrown aside as if you weigh nothing. You hit the driveway hard, your head connecting with concrete. 

For a moment, you can’t hear anything but the gush of blood pumping in your ears. You’re dizzy. Suffocating. There’s a warm trickle at your temple. Sarah calls your name. Your vision is blurred but you can make out the ghoulish form of the creature barreling towards her. 

“What’re we doing, Joel?” you hear Tommy ask.

There’s a thud and then quiet. 

You gasp again and again but your lungs won’t fill. 

Are you dying? Help. You need help. The monster lays lifeless at Joel’s feet and you pray that he’ll scoop you up and take you away from this. Your eyes finally come into focus to see Mr. Miller comforting Sarah, holding her face in his big palms, so fixated on her that he doesn’t notice that Mr. Adler has appeared in the doorway. 

Mr. Adler is still covered in so much blood and his gait has become twitchy as if his legs are on backwards. He moves towards them and you want to call out a warning but you’re still choking for air. Luckily he hasn’t noticed you but he soon stands between you and the Millers. 

“We’ve got to move,” Tommy says. 

“Get in the car,” Mr. Miller says to Sarah, throwing a protective arm in front of her. 

“But she’s hurt!”

She steps towards you. You’d cry her name but you’ve still got the wind knocked out of you and you’re too terrified to make a noise. Mr. Adler makes an inhuman sound as he advances, a croaking, growling gurgle. 

Mr. Miller pushes Sarah towards the truck. 

“Leave her!” he barks. “Get in the car!”

You sputter and choke as you watch Sarah, Joel, and Tommy drive away. 

You wait for a long time. 

As the truck pulls off of the curb, Mr. Adler is joined by his wife in the street, making chase. You’re finally able to draw breath and rouse your body off of the ground. You scramble back across the lawn to the Miller’s house and lock yourself inside. There’s enough adrenaline coursing through you that you’re able to push the sofa to barricade the front door. You draw all of the curtains and grab the biggest knife you can find in the kitchen. It’s ridiculous, something you’ve seen in scary movies, but you’re living in one right now. 

You hide yourself away. Sarah’s bedroom seems like the obvious place to do it. Familiar and safe. You curl yourself into a ball in the corner, clutching your knife and staring at the closed door with wild eyes. 

Sirens go through the night. Gunshots. At one point even the roar of a jet engine. 

For hours your body quivers as you try to make sense of what you’ve just witnessed. Flesh-eating mutants. Gore. Death. You keep waiting to wake up from a bad dream but you don’t. They left you. They abandoned you in a nightmare. 

No. That’s impossible. You can accept that a comatose elderly woman made supper out of her son in law but you refuse to believe that Joel would desert you. 

He’ll come back for you. Sarah will convince him. There’s always been room for you in their family. 

But as the sun begins to peek through the blinds and the noises outside fade away, you begin to lose hope. 

The muscles in your body go slack, exhausted from hours of uncontrollable shaking. Your instinct for survival and your need for sleep war with each other. Exhaustion is winning. 

You cautiously open the door to Sarah’s room. The house is still, more quiet than you’ve ever experienced. You creep into the room at the end of the hall. The olive green sheets on Joel’s bed are still messy from when he woke up here the day before. A normal morning. His birthday. 

You rest the knife on the night stand amongst the things he emptied from his pockets— coins, receipts, a stray nail. You slip into the bed and wrap yourself up. It smells like him— spicy deodorant and sweat, fresh cut lumber like the hardware store. The scent reminds you of all those times he was close, when your heart leapt. 

They’ll come back. Mr. Miller wouldn’t leave you. 

He left you to die but you just go on living.  

It takes some time before you’re brave enough to leave the Miller’s house and see what’s left of the world. Your parents are nowhere to be found. It’s safe to assume they were infected that first night. 

You’re on your own. 

A QZ is set up outside of San Antonio. They assign you to housing for separated minors. An orphanage. You never make friends, not really. Trust is too fickle.

At night you lay in your bunk and wonder what life would be like if anybody gave a shit about you. Maybe you would have been with your parents when it all went down. You’d be a snarling monster but at least you wouldn’t be alone. 

On the worst nights, when you like yourself the least, Mr. Miller’s words echo around your skull. “Leave her.” She's not worth it. Forget her. 

You don’t imagine yourself in his arms anymore. Instead you picture him and Sarah and Uncle Tommy, all happy and safe hiding out somewhere idyllic. A sweet little cabin with a stream nearby, surrounded by peaceful woods. You’ve heard some people live like that.

Some days you wish you were with them. Others you wish they were all dead. 

When you turn 18, you age out of your living situation. It couldn’t come soon enough. Things are changing and it seems like all the kids that stay in FEDRA school are being groomed to go straight into uniform. You dodged that bullet but life’s not easy. Now you’re well and truly alone, scraping by to keep food in your mouth and a roof over your head. 

It only lasts a few years, though. By the time you’re 21, there’s an emergency evacuation. Outbreaks are happening within the walls and with so many people living on top of each other, it’s only a matter of time before shit hits the fan. They send swaths of people to Dallas but word is, there’s no room for such numbers and they consider everyone from San Antonio an infection risk. 

You’ve heard enough stories to know what that means. There won’t be a warm welcome when you reach the next QZ. So you ditch the convoy and head north. 

You bounce around for years, sometimes with others, a lot of time solo. Doing what you have to. It’s not a life, just survival. 

By the time you reach the wilds of Wyoming, you’ve had enough. You break off from the group you’re traveling with. You leave them this time, just decide to walk into the forest and let the earth swallow you up. You’re exhausted, sick of hanging on by a thread. Too much of a coward to kill yourself, you wander around waiting for the cold or your hunger or a bear to do it for you. 

They find you. Some scouts that look mean and tough take pity on you and offer you a place with them in a commune where things are half normal. 

It’s the first time being alone has worked to your advantage.  

Jackson is a strange place. It has walls like the QZ but it’s quaint. There’s laughter and evergreen wreaths, happy children that build snowmen in the center of town. Some of these kids have no idea how fucked up the world has become. All they know is this charming little haven. 

You spend the first few days in the infirmary, getting patched up, regaining your strength. You feel like an animal compared to the people in your new community. It’s hard to accept that they’re willing to help you, no strings attached. 

Eventually you’re well enough to have your own place. They set you up with a little apartment over one of the stores in town. You’re invited to take your meals in the dining hall. 

It takes you back to those first days at your new middle school after you came to Austin. Unfortunately, this time Sarah’s not there to offer you a seat at her lunch table. 

You keep to yourself, overwhelmed by all of the strange new faces. Head down, you eat your breakfast. It’s the best food you’ve had in years. As your belly fills, you start to relax and try to get used to the idea of this being home. 

Then you hear a familiar voice say your name. You wonder if you’re hallucinating when you see him standing in front of you. 

He’s gained a few decades but he looks good. His hair is nearly shoulder length and there’s a mustache on his upper lip but that’s him alright. 

“Uncle Tommy?” you manage. 

“That really you?” he asks. 

Tommy puts a gentle hand on your shoulder. His smile wrinkles the corners of his eyes. You nod and you’re smiling too.  

You expect to be upset. Tommy was there when you were abandoned after all. But you’re flooded with relief and a small flame of hope. 

“Shit. What’re the chances?” he asks, studying your face. “C’mere.”

He pulls you through the lines of tables. Your head spins with questions. How did he end up in Wyoming of all places? How long has he been here? Did you actually die out there only to be sent to this strange afterlife? 

“You remember this old son of a bitch?” Tommy asks with a chuckle when he stops at the table in a far corner. 

And suddenly you’re face to face with Mr. Miller. 

He’s old. Grey hairs run through his stubble and curl from his temple. There are deep lines in his face. He’s still good looking despite how weathered his features have become, still broad, still with that wonderful silhouette.

It’s funny. In your mind’s eye, you’ve never imagined Joel aging. He stayed the same while you grew up. 

He looks at you for a long moment and then his thick bottom lip falls agape. His eyes glitter and his dimple appears as he recognizes the woman that you’ve become. 

“Kiddo,” he whispers as he stands up. 

He pulls you into a hug and his wide palm smooths down your back. He still smells just how you remember and without warning you’re sobbing into the front of his flannel. 

You spent hours upon hours imagining what you might say if you ever saw him again. Sometimes it was a speech biting with venom, others a confession, a question. Now, though, your mind is blank, overwhelmed that fate has brought you back together. A testament to your survival. 

“It’s alright, babygirl. You’re okay,” he says into your hair. Words you needed to hear all those years ago. 

You stay like this for a long time, surrounded by him. He holds you the way you wished he had as you cried into his pillow in that empty house. Eventually you pull yourself together with a shaking breath. 

“Where’s Sarah?” you ask, casting your eyes around the crowd in the mess hall. 

There’s a girl sitting beside Joel, her curly hair pulled back into a ponytail, watching this scene unfold. Everyone else is polite enough to pretend you’re not bawling in the middle of lunch. Can’t be the first time it’s happened. 

At your question, Tommy goes stone faced. The muscle in Joel’s jaw ticks. 

You shake your head in disbelief. “Infected?” you squeak out. 

“It wasn’t like that,” Joel chokes. 

“She didn’t make it through that first night,” Tommy says. 

It’s a punch in the gut, the air’s knocked out of your chest all over again. While it had crushed you to be abandoned, part of you understood. Joel had to choose and he picked his daughter. Even if he’d been in love with you the way you used to dream about, he always would have chosen Sarah. You couldn’t hold that against him, no matter how much it hurt. There just wasn’t anyone in the world that would have saved you. 

But knowing that he failed her, that he failed you both, makes you sick. All those years of bitterness come flooding back to you and your tears turn hot and furious. 

“You let her die?” you demand. “You told her to leave me behind and you didn’t even save her?” You push Joel, your hands against the wet spots you left on his shirt. It’s ineffectual. He barely moves against your pathetic shove but his face crumples. You know he hates himself as much as you do in that moment but that’s not enough. You hit him as hard as you can and he does nothing to defend himself. 

“Hey, hey,” Tommy says, trying a hand on your shoulder. 

“You should’ve saved her,” you bark. 

Heads have turned now as Tommy holds you back. 

“I hoped you were dead every day since you left me,” you say. 

You can see on his face that Joel’s definitely wished the same thing. 

You go on berating him, your tears mixing with spit as you snarl and shout, until Tommy’s able to wrestle you out of the dining hall. 

The summer comes. After a long, cold winter, everyone in Jackson welcomes the change of seasons with open arms. Everyone but Joel. 

Ellie was a salve for the deep wounds on his heart. They’ll never fully heal but at least they stopped overwhelming him for some time. Since your dramatic reunion, though, those scars have been torn open once more. Especially today. 

It’s warm and there’s barely a cloud in the sky. The July weather is mild compared to summers in Texas. Fresh air blows in through the open windows of the house, beckoning Joel outside but he has no desire to be in the sunshine. 

“You okay?” Ellie asks. 

She’s just come down the stairs. It’s early and Joel’s already at the kitchen table. Didn’t sleep much. 

He and Ellie have been together long enough that she understands the wordless shifts in his moods. They’ve gotten worse since you arrived in Jackson. He does his work and patrols, sometimes he nurses a whiskey alone at the bar. The rest of the time he keeps to himself. He’s sliding back towards the man she met back in Boston. Joel’s rebuilt the walls that surrounded him, brick by brick since that afternoon in the dining hall. 

“I was going to meet Dina at the mess. Want to come? Or I could stick around?” she offers. 

It’s going to be one of those dark days, the kind that makes him question why he’s been hanging on for so long, and Ellie knows it. She’s giving him a lifeline, offering to be with him so he doesn’t have to ask. He should accept it, but he doesn’t want to waste his energy putting on a brave face for her when he feels so broken. 

“That’s alright, Ellie. Go on,” he says. 

She doesn’t push him. She never does. She just gives a sympathetic smile before she slips out. 

Once seems gone, his heart begins to ache. 

Sometime later, there’s a knock at the door. The last person he expects to see on the porch is you. You look a little nervous, like if he’d taken longer to come to the door you might’ve bolted. 

He hasn’t spoken to you since that day that you came back into his life but the words you said play relentlessly on loop in his mind. He should have made amends by now. You were his daughter’s best friend and of all the places at the end of the world, you’ve ended up in the same town. He passes by the old pharmacy you live above just about every day, thinks about seeing if you’re in so you can have a conversation. He even knows what he’d say, but he can’t work up the courage. There aren’t any words that can make right what he did to you. 

The guilt metastasized deep in his gut. His failure compounded. 

So he doesn’t blame you for keeping your distance, avoiding him when your paths cross. He lets you be angry with him, as he deserves. 

“Want some company?” you ask. 

He recognizes the look on your face and it dawns on him that he might not be the only person struggling today. He steps aside to let you in. 

Joel sets a cup of tea down in front of you. It’s not the real thing. Dried herbs from the garden Maria keeps. You’ve taken a seat across from him at the table, glancing around the kitchen so you don’t have to look at him. 

“Surprised you remember,” he says. 

“My best friend’s birthday?”

He shrugs as he pulls up a chair across from you. “Was a long time ago.”

“I think you underestimate the power of female friendships.” 

You wear a soft smile that makes Joel’s heart ache a little harder. He takes a good look at you, seeing you up close for the first time. There are hints of the girl he knew back in Austin but she’s buried under years of hard living. 

You’re the same age Sarah would have been today. The same age he was when he lost everything. 

You sigh and scratch awkwardly at your neck. 

“Listen, I’m sorry about…all that shit I said. It’s…” you trail off and he’s sure you’re still mad at him, deep down. 

“I reckon I’m the one that owes an apology. I shouldn’t’ve left you back there. Sarah begged me not to,” he admits. “I was trying to keep her safe. But I fucked that up, too.” 

“That’s not true. I was just angry,” you tell him. 

“I was always so pissed at your parents for not caring enough about you. Turns out I was just as bad,” he says. 

He hadn’t given any thought to the choice he made all those years ago. His priority was his family and he had no room for the rest of humanity. Joel didn’t realize until he saw your face again just how selfish that had made him. The past months he’s been haunted by the thought of it, a young thing all alone in the chaos. If Sarah’s watching over him, which sometimes he hopes she is, she’d be ashamed. 

“I’ve had a lot of time to think since I got here and…I don’t blame you. I’m not your kid. It just—“ You laugh without humor. “God, it’s so stupid but I had a huge crush on you.”

Joel’s eyebrows shoot up. You fiddle with the chipped handle on your mug.

“I know. I was just a kid but I was head over heels for you,” you say.

Joel can feel himself blushing. It’s a sweet thought. He’s honored in a strange way. He remembers the gravity of Sarah’s crushes– Leonardo DiCaprio, Usher, some guy with a lip ring from one of those punk bands she listened to.

“So when you left me…I was a little heart broken.”

“Shit,” Joel says. 

“I didn’t say that to make you feel bad. I just wanted you to know why I was so hurt,” you tell him, leaning forward in your seat. “You didn’t know any of that. And it’s not fair to hang that over your head. It wasn’t your job to rescue me.”

“Course it was,” Joel responds. “You were just a kid. I let you down.”

You look at him gratefully and a tear slips down your cheek. It takes a minute for you to fully take that in and it seems like something you’ve needed to hear. 

“Joel. I forgive you,” you tell him. 

A thick knot forms in his throat. 

There’s a litany of names in his mind, so many people he’s failed. Henry and Sam. Tess. Sarah. He’s never expected to be absolved of any of his sins, he doesn't deserve to be forgiven. But those three words make him feel lighter, like he can stop beating himself up. At least for a moment. 

He tucks his chin into his chest trying to keep his own tears from spilling over. Your hand slips over his, a gentle, reassuring touch. 

The two of you stay like that for a little while, crying together, then becoming reacquainted. You talk for a long time. There’s a lot of catching up to do but the conversation keeps coming back to Sarah. It’s a gift to share memories of her, to hear stories that he’s never heard. You knew Sarah better than anyone in the world— her favorite store in the mall, what she wanted for her birthday. Her hopes, her dreams, her fears. No fourteen year old goes to her daddy with her problems. You were there for her, though. Right up until the end. 

“I, um, you should have this,” you say. “Well, it’s yours.”

You and Joel have migrated to the couch in the living room as the afternoon has crept on. You reach into your back pocket, a little reluctant, and pull something out. 

It’s a photograph, dog eared and creased from years of being carried with you. Joel recognizes the picture— you and him and Sarah, all three of you donning life jackets, smiling as you float on a calm river. He and Tommy took Sarah kayaking and she asked if you could tag along. It was a wonderful day. Blue, cloudless sky. 

The last time he saw the photo it was hanging under a magnet on the refrigerator in the kitchen. 

“How’d…”

“I stayed in your house for a while. After. Just kind of hoping you might come back. I took that when I left. And I ate all your food,” you say with a little chuckle. You wipe some snot from your nose. “I guess…well, you probably don’t have a lot of pictures of her.”

You’re right. There was an outdated school photograph in his wallet when they left that night and it had been too painful to look at for years. It still stings a little but it feels easier to share with someone, someone that knew her so well. 

“You sure?” he asks. 

You nod. “I know where to find it.”

He props the picture up on the coffee table so you can both look at it and meditate on that day when everything felt so perfect. 

“Remember we made you play “Crazy in Love” on on repeat the whole way there?” you ask. 

“I still get that goddamn song stuck in my head,” he complains. 

You laugh and rest your head on his shoulder. The familiar gesture cracks something open inside of him. He’s taken back to his favorite nights when he’d watch a movie with Sarah and she’d cuddle against him. Somehow the memory doesn’t hurt as much as he anticipates. 

You sit like that, looking at the picture, both quiet, your smiles fading as you remember what’s happened since. 

“Sometimes I think I see her,” he chokes. 

He’s never told anyone that. But it seems like you might understand, He trusts you won’t meet his admission with a pitying smile. 

“How’s she look?” you ask. 

He can’t help but chuckle. He nods. 

You don’t say anything, you just burrow your head a little deeper into him. Joel puts a gentle kiss in your hair. 

You’re a fixture in the Miller house once again, part of the family. You babysit for Maria and tell her embarrassing stories about Tommy. You and Ellie tease Joel relentlessly. You sit with him in the evenings, sometimes singing along when he pulls out his guitar, other nights neither of you speak at all.

Slowly, you find yourself falling in love with him all over again. It’s not the same infatuation you harbored when you were young. You’re both different people. And you hardly knew him back then. Not really. What did a fourteen year old know about grown men?

The two of you fall into an easy rhythm. After being alone for such a long time, it’s magical to have a companion. Joel seems grateful for the company, too. He’s there whenever you turn around, like a promise. He’s not leaving you behind even if you’re just going from the stables to the library. 

Neither of you acknowledge it, this easy rapport. A light squeeze on your shoulder, holding your hand when you get misty eyed. He probably doesn’t mean anything by it but you’re pretty sure you can’t live without it. You bask in the sweetness of these exchanges, trying not to think too hard about the fact that you used to spend Saturday nights giggling on his daughter’s bedroom floor. 

He’s still Mr. Miller, after all. 

Autumn comes and you’re inseparable. You realize just how much when you convince him to attend the children’s choir performance in town. You expect him to demure. Watching kids being kids must be painful. But he’s by your side in the dining hall as the little ones sing “Clementine” and “Oh Susanna”. 

He puts his arm around your shoulder so you can lean into him. It might just be a paternal gesture, maybe you’re still a little girl in his eyes. That’s ok with you if he keeps absentmindedly massaging your upper arm. You can’t remember the last time you felt so safe, so loved. 

Afterwards, he walks you home and you’re in such a good mood, you start singing to yourself.

“Johnny Cash,” he says approvingly. 

You laugh to yourself. “You know, I started listening to him ‘cause of you. You had his CD in your truck,” you admit.  

You wanted to like all of the things Joel liked. He would think you were so interesting and grown up because you knew all the words to “Riders in the Sky.”

“Least I was a good influence,” Joel says, shaking his head, his cheeks turning pink. 

He’s so handsome when he blushes, you feel a little giddy when you come to stop in front of the old pharmacy. 

“G’night, darlin’,” he says, giving your hand one last squeeze. 

He waits. He’ll stand here and watch you get inside like he always does. He doesn’t need to— it’s not like people even lock their doors in Jackson— but he’s insisted on it so fervently that you stopped arguing. 

You shouldn’t do it. It’s so silly. But there’s a softness in his eyes and his gentle touch still tingles on your arm. His salt and pepper hair is caught in the string lights that line the empty street. You can’t help yourself.  

You kiss him, smoothing your palms up the front of his flannel until you sink your fingers into the curls at the base of his neck. The tip of his nose is cold from the chill in the evening air but his lips are warm and sweet. 

You haven’t had a whole lot of experience kissing. You’d just started doing it when the outbreak happened and things haven’t been very romantic since. This is one of the better ones. Relatively chaste but unbearably tender. Certainly better than you could have imagined all those years ago. 

It lasts longer than you expect. Joel kisses you back. He rests his hand on your waist and the way it covers so much of your back makes you swoon. Soon, though, he’s pulling away, cradling your cheek. 

“We shouldn’t do that,” he says.

“I know,” you sigh. You’re reluctant to break away, savoring the brush of his nose against yours. 

It’s all wrong but you’re not ashamed for trying it. 

“Just once. I’ve always wanted to,” you say. 

He presses his lips into your forehead. It feels bittersweet. A kiss you longed for for twenty years came and went. 

You wave to him from the door before you go in for the night. 

That kiss confirms Joel’s fears.

He’s spent months convincing himself that this is completely platonic. He would never have feelings for his daughter’s best friend. Even if he always wants to be around you.   

He’s looking after you, comforting you, protecting you. He’s making up for those years that he made you suffer through. You forgave him but he’ll never stop atoning. 

And then you kissed him. 

Suddenly, he’s buried in an avalanche of thoughts he’s been disavowing. 

You’re pretty and soft. You're strong and you ease the pain of his memories. You make him feel a little less alone. 

The warmth of your lips, your body pressed to his. He was ready to lose himself in you. 

That’s when he heard it. 

It was Sarah’s voice chiding him with all the reasons why this is wrong. 

She’s been in his head, his inner critic since the day she died, pointing out every failure and weakness in him. He could picture her looking down on him with disgust. She’s the same age as your daughter. She was just a kid when you met her. She deserves better than you. 

He’s making the same mistake as before, letting his instinct get the better of him. The responsible part of him takes control. He can’t give you any more reasons to try and kiss him again. 

If Joel is good at one thing it’s denying himself. 

He backs off and you can sense it, he knows you do. Sometimes he catches you looking at him and there’s a longing in your eye. It fucking kills him but it’s just another reason why he’s no good for you. 

Despite whatever it does to you, you haven’t got anybody else in Jackson so you stick around. He can only imagine how much it hurts you. 

“Why did I go north?” you complain when Joel opens the front door. You’re holding a scarf tight around your neck, shivering against the cold. The sky is a dismal shade of gray, snowfall on the horizon. 

Joel gets you in the house with a chuckle. He starts a fire, a luxury you little apartment doesn’t afford. You shiver in front of the hearth. 

“Traded for this,” you say, pulling a thick book out of your coat and tossing it onto the coffee table. 

“Oh good. I was looking for some light reading material,” Ellie quips from her spot on the couch.  

“It’s a dictionary,” you explain, “so you’ll quit cheating at Boggle.”

“You're in trouble now,” Joel laughs. 

“I don’t cheat. I just know more words than you guys,” she says. 

“Dentment is not a word,” you reply. 

“Neither is thoard,” Joel says. 

“Sure it is. I’m about to thoard the two of you in this game,” she says.

This should be enough. A winter day by the fire. The simple joy of a board game. Laughter. This is practically a normal life. 

But each time Joel’s eyes fall on you, there’s a pang in his chest. You’re just close enough that he could reach out and touch you but he won’t. He can’t.  

When the sun sets, Ellie retreats to her room. Eventually, you fall asleep on the couch, wrapped up in a quilt as the fire dies down. You look even younger, curled up serenely. There’s no worry on your brow. Usually your face is in a perpetual frown even when you’re not in a mood.   

The snow is already knee deep with no signs of slowing. There’s no sense in sending you back out there. 

Joel scoops you up as gently as he can. He feels his age, back straining, but he doesn’t mind. He enjoys how you nestle your face into his chest as he mounts the stairs, warm and snug in his arms. A smile pulls at his lips. 

He sets you down carefully on his bed and you whimper groggily at the loss of his touch. Your eyes crack open. 

“Snowing pretty bad. Sleep here. I’ll be on the couch,” he whispers. 

“Stay,” you murmur. 

He hesitates. Carrying you to bed was already crossing a line. He’s not worried about keeping his hands to himself. He’s been able to control himself for this long. If he lays down next to you, feeling you warming his sheets, smelling the peppermint soap on your skin, he’ll be so far gone for you, there’ll be no coming back. 

But denying you this simple request feels cruel. He imagines you waking up here all alone. You’re half asleep but what if you remember asking him to remain only to be abandoned again?  

He gets into bed, still fully clothed and careful to stay on his side. His jaw is clenched so tightly his teeth hurt. You give a satisfied hum and sink back into sleep, your body melting into the mattress. 

Joel watches you for a moment, fights the urge to put a kiss on your forehead. He crosses his arms and stares at the ceiling, beginning to tangle with the web of emotions that accompany you. Once it gets too confusing, he drifts off as well. 

When you reach out for him in your sleep, he can’t deny you. Joel tries his hardest to pretend it doesn’t feel good, that this isn’t something he’s wanted to do. So he imagines the nightmares that come to you. Reminds himself that you wouldn’t have seen any of that shit if he hadn’t left you for dead. Now that you're in his arms, he’ll make sure nothing touches you ever again. The least he can do is hold you and make sure it goes no further. 

You both find reasons that you should stay the night. Neither of you acknowledge it. Joel just hands you one of his t-shirts and busies himself as you slip out of your clothes and get under the covers. It’s all rather innocent, Joel does more than rub your back even though you sometimes feel his morning wood through his sweatpants. If he wants you, he doesn’t let himself have you. And he could. 

It’s fine with you if cuddling is all this is. You don’t try to do anything more than that, unwilling to upset the unspoken agreement between you. You can be satisfied with a broad, firm chest to rest your back against. Sleep is better beside him, his heart beats guiding your own. The weight of his arm draped across you makes your body feel deliciously heavy.  

After a while, though, it happens. 

Joel’s having a nightmare. His murmurs and restless movements wake you. His mouth twitches and his brow is creased. You smooth circles into his shoulder until his eyes open. Even in the darkness you can see the despair in them. 

He blinks, coming back to reality, remembering he’s not wherever his dreams took him. You brush your fingers through his hair, gazing at one another as his breaths even out. Normally, his age is obvious– the lines in his forehead, the sun spots on his cheek– yet right now he looks young. Like a boy that needs to sleep with a night light. 

You’re not sure who initiates but you find each other in the dark. At first he’s not kissing you at all, his lips are just brushing your cheek or your nose. It’s sweet and gentle. You try to hold in a moan, worried that any noise might shatter this moment. 

The kisses are timid as if you’re both waiting for someone to stop this. Joel lets out a shuddering breath against you. This is a bad idea, you’re both thinking it. After you kissed him the last time, he held you at arms length. When this blows up, you’ll lose him entirely. But you need to be closer to him. 

You open your mouth to him, tangle your legs between his. His hand slides under your shirt, roaming your bare skin. You thought that snuggling under the blanket was enough but now you realize just how hungry you’ve been to be touched. Really touched. He needs it too. Joel leans into your hand on his jaw with a whimper. 

You don’t open your eyes. You might be the one dreaming and you don’t want to wake up. 

It’s quiet, just the sound of hot breaths and desperate kisses, the swish of the sheets as you shift your hips to meet his. You keep yourself from rocking against him, try to enjoy the feeling of him without crossing yet another line, but you’re aching. His shirt has ridden up so you feel the softness of his middle, the light hairs on his chest. Your fingers intertwine with his as his mouth trails down the column of your neck and. Joel buries his face there. 

“I’m sorry,” he breathes. 

You’re not sure what he’s apologizing for. This? Then? The years in between? None of it matters because you want to live in this moment forever. 

You shush him, pull him back to your mouth. You’re ready to lose yourself, to forget, to ignore the storm of thoughts constantly plaguing your mind. This is all you want. 

You peel off your clothing, helping him slide out of his sweatpants until there’s nothing between you. Joel’s skin is warm and soft against you and you realize you’ve never been this close to another soul. 

When Joel settles over you and you feel him throbbing between his legs, you shiver with nervous anticipation. You expect him to say something, to warn you that this is a bad idea, to promise this won’t change anything. But his brown eyes look as confused with need as you feel. There’s no room for thinking or it will crush this fragile moment like glass. 

You tilt your hips to allow him in, already slick from being so close to him. 

Slowly, he enters you, kissing you all the while. He makes a choked sound, wincing as his body stills. The noise makes you clench around him. 

Together you take a moment to get your bearings and you adjust to the fullness of him. Joel’s eyes are pressed shut, his teeth digging into his bottom lip. 

Before he begins to move, his thumb finds your clit, grazing it lightly. After years of solitude and now months being just out of reach of him, the sensation makes you gasp sharply. 

You’ve had sex a handful of times. They had been more about fulfilling a self destructive urge than a desire for pleasure. It’s never been like this. 

You start to lose sense of everything but the feelings of your body. Your core tenses and your breaths go short and you start to forget that it’s Joel whose hips are stuttering into you. It’s as if this euphoria can erase some of those awful memories. 

Soon you’re shattering beneath him, a crescendo that has you tugging on his hair and gasping for air. Joel grunts into your ear. He follows after you, hissing as he pulls out of you. He pulses into his hand, his release dripping from his fist onto your sweat damp skin. Then he collapses onto you. You run your fingers through his long curls and he kisses your forehead. There might be tears in your eyes– maybe his too. It’s too dark to be sure– but when his breath evens out, it still sounds ragged against you.

Eventually he gets out of bed and leaves the room and, in that moment, you can feel everything hanging over your head again– what you’ve just done, the horrors of the world. Perhaps even more intense than before. 

But Joel returns quickly. He flicks on the light on his bed side table and cleans you with a damp rag. His touch is gentle, reverent, and his dark eyes travel over your naked skin to yours. There’s a question in them, guilt, but you have no regrets. You smooth your hand out on the sheets beside you and he lays back on his pillow. He surrounds you with his massive arms and you fall asleep grateful that you don’t feel abandoned anymore.

You worry that it was just a one time thing, try to accept that it might never happen again. But the next time you share Joel’s bed, he’s pulling you into him, pressing kisses into your shoulder, nuzzling at the spot behind your ear. His hard length prods at the small of your back. 

It starts like that every time. Intimate, sensual, quiet. It’s never tearing his clothes off or pushing you up against a wall. You just stay close, breath each other in, trail fingertips across skin. Neither of you ever speak above a whisper.  

Joel barely talks at all except to ask, “That too much?” and “Feel good?” 

You live for the moments when his hand skates over your hip, his dark eyes soft. 

“Pretty,” he says almost to himself. 

He’s such a beautiful man. Your fingers trace the smooth plane of his chest, dusted lightly with hair and a few stray freckles. Age has only improved him. The greys in his stubble catch the glow from the lamp on the nightstand. You study him with the same attention to detail you used in your youth. The cleft in his bottom lip, the dimples on his lower back, the scar on his temple. You’ve memorized it all. 

Joel breaks open for you. He lets you see him vulnerable. He’ll fuck you with thrusts that shake loose deep emotions. Just as quickly, he’ll hold you together when it feels like you’re falling apart. 

You lay with him after, sticky with the shared heat of your bodies but reluctant to roll away and break the connection. 

Whatever this is, you don’t speak its name. There are too many questions and conflicts that it might not withstand. It exists only for you and him. A safe haven in the chaos, a bit of respite at the end of long years. 

In his arms, you’re not his dead daughter’s best friend. He’s not the man that left you when you needed him most. You’re just two people that need to not be alone. Each time, it’s the same. The overwhelming bliss of Joel making love to you is second only to the understanding that he’s finally come back for you. 

Thanks for reading! I'd love to hear from you. Comments and reblogs always appreciated.

[javiscigarette]

Silent Night

Joel Miller x f!reader

Summary: You’re home for the holidays and Joel isn't gonna let a drinking contest or a house full of people stop him.

Warnings: PWP ofc, established relationship, mentions of drinking/alcohol, having to keep quiet?, oral (f&m receiving), thigh grinding, creampie, breeding kink, come play, getting caught, I think that's all lmk if I missed anything

w/c: 6.6k

a/n: hiii everyone! I am in fact alive! I'm finally on break from school and this is just a lil something I wrote real quick bc I've been in the holiday spirit since before October even ended hehehe :) Anyway, thank u to the actual loml @undrthelights for beta reading and finding the perfect pics!! It's nice to be back! Please leave a comment letting me know if you liked it, support is what keeps writers going!! Love u all!!

my masterlist

Your hips grind a little harder against his thigh, a soft sight falling from your lips as he licks and sucks at the spot under your ear that drives you absolutely wild. “I don't think I can be quiet” you whisper, gasping softly when his tongue swipes over your pulse.  "You can" he mumbles against the side of your neck, the vibrations of his voice and his warm breath against your skin sending burning hot sparks down your spine. “You can do whatever I ask, can’t you baby?”

You can hear them downstairs, muffled sounds of Joel and several other of your family members talking and laughing while they sip on the fancy whiskey that your dad was saving for the occasion. You opted out of it, quickly taking up the offer of the first hour or two of alone time you’ve had since you arrived at your parents house two days ago instead. You figured Joel could use the time too, talking with your dad and uncles and cousins about whatever men talk about when they’re doing whiskey tasting in the mancave of a basement. 

You managed to avoid getting roped into watching a shitty Hallmark Christmas movie with the rest of your family or helping them prep for the big dinner tomorrow. After successfully sneaking away to your old childhood bedroom that’s now redecorated as a simple guest room, you're left with nothing to do besides relax. First up was a long shower with the water so hot you nearly scalded your skin, and now you’re cozied up in bed, nose buried deep in the middle of your book while the rest of the house buzzed with muted background noise. 

Time passes without you noticing, too engrossed in your book to keep track, but eventually the bedroom door creaks open, pulling you back to reality. You’re about to tell off whoever is at the door for interrupting you, but you immediately soften when Joel slips inside, quietly closing the door behind him. 

He looks so sweet, wrapped up in a thick dark brown sweater, his curls flopping over his forehead, a light dusting of pink on his cheeks and the bridge of his nose with a lopsided smile. His eyes are soft, warm, and a bit glassy as he looks at you like you’re the best thing he ever did see.

"Think your dad is trying to kill me" he says, his words slurring just a bit as he crosses the room over to the bed.

You giggle, watching him plop down on the bed on his back, his head rolling over to look at you, "Are you surprised? He does this to you every year."

It's true, every holiday at your parents house, your dad insists on the whiskey "tasting", which is really just him pouring heavy handed shots and glasses and seeing who's going to be the last one to tap out. Usually it's just him and his brothers in the end, hashing out some decades old sibling rivalry in the form of a drinking contest. And ever since the first time you brought Joel home for the holiday five years ago, your father has insisted on dragging him down there and challenging him too.

The first year was the worst with Joel not heeding any of your warnings about how much liquor your dad would actually push on him. Joel was so sick by the end of the night that he made best friends with the toilet and passed out on the couch, then spent most of the next morning with a massive hangover, apologizing profusely to your dad about it who just laughed and said that he can try again next year.

Thankfully, Joel knows his limits now and has made peace with the fact that he'll never beat your dad at his own game. It doesn't mean that the challenge doesn't still stand.

"No" he mumbles, a dopey smile spreading across his face, "Guess I jus' never expect him to pour shots big enough to knock out a horse"

"How many did you have this time?" You ask, bookmarking your place in the book before setting it aside, sitting up a little straighter and adjusting the pillows behind your back.

"Jus' three."

"Oh, so you are  just a lightweight then?"

"I'm not a fuckin' lightweight" he grumbles with a dramatic pout. 

You laugh as you turn to lay on your side, propping yourself up on your elbow. Your hand instinctively falls to his hair, a small content sigh falling from his lips as your fingertips skate across his hairline and glide through his soft curls.  scooting closer to him and reaching down to run your fingers through his hair, "Okay, baby" you hum, smiling when his eyes fall shut as your nails gently scratch his scalp, "If you say so."

Joel melts under your touch, like a cat basking in the sun, a lazy little grin on his face and a dreamy, far off look in his eyes. His face is still flushed, the tips of his ears and the tops of his cheeks a rosy shade of pink, his lips slightly parted, a few more stray curls falling across his forehead. He looks absolutely gorgeous, and the soft, tender look in his eyes when he finally looks back up at you melts you from the inside out.

You cup the side of his face in your hand and ;ean in to press a lingering kiss to his forehead. "You're so cute when you're drunk" you murmur, moving kissing his cheek.

"M'not drunk"

You pull back to look him in the eye, smiling, "Sure you're not"

"I'm not" he whines, "M'just a lil' tipsy."

"Alright" you hum, pressing a quick kiss to his pouty lips.

Joel follows your mouth with the softest whine when you start to pull back, his large hand cupping the back of your head, holding you still while he kisses you, needy, but still so sweet. The taste of whiskey is heavy on his tongue as it slides against yours, a soft, satisfied noise rumbling in his chest when you part your lips further, kissing him deeper. 

When he finally lets you break the kiss, you're left just a little breathless and dazed, a giddy feeling swirling low in your belly. His pupils are blown when he looks up at you, his lips spit slick and plump, a lopsided smile on his face. He turns a little more on his side facing you, his fingers fiddling with the hem of your t-shirt until his hand slips easily underneath like it was meant to be there. The warmth of his palm smoothing up and down the curve of your spine is soothing, his fingers gently tracing over your ribs and the dip of your waist, the slight scratch of his calluses over your skin sending a shiver down your spine.

His eyes are half-lidded as he stares at your lips, licking his own. Realistically, you knew exactly what was going to happen as soon as he entered the bedroom. You know how he gets when he's like this, soft, sweet, and incredibly needy. With all the amount of times he tugged you into a bar bathroom after he's had a few, or when Tommy drops him off after a night out and he's already halfway to undressing you before the front door even shuts. You know he's trouble like this, but you can never deny him when he's looking at you like that, like you're the only thing he needs, the only thing he's ever needed.

He leans in to kiss you again, slow and sweet, his fingers splaying on your lower back and keeping you close. His mouth moves languidly against yours, the tip of his tongue tracing your bottle lip and his teeth sinking in the slightest bit to nip and tug, pulling a desperate little sound out from the back of your throat. 

He sighs at the small sound and starts to lean into you more, using his weight to roll you over until you're flat on your back with him hovering above you, his forearms on either side of your head with his knees bracketing your hips. The kisses grow hungrier, wetter, more insistent, his mouth moving against yours like he's trying to breathe the very air from your lungs. 

He shifts a bit and you moan softly into his mouth when his thigh slots between yours, the firm muscle of his thigh pushing right up against the apex of your thighs, the perfect amount of pressure to make heat spark and smolder in your belly. He does it again, rocking his thigh up against you just a little harder, swallowing the needy whimper that you let out, the heat and friction making you ache. 

You can’t help but grind against his thigh, the seam of your sweatpants pressing against the damp spot that’s already forming on your panties and digging into your clit just right. You’re chasing the growing pleasure, the firmness of his thigh and the intoxicating taste of whiskey on his soft lips mixed with the faint trace of his peppermint toothpaste. You’d give anything to have him, for him to take you, but the sounds of laughter and chatter coming from downstairs is a rude reminder of reality. 

"Joel" you warn with absolutely no heat in your voice, his lips grazing the sensitive spot under your ear, "We can't.”

He ignores you for a beat, crashing his lips back on yours and kissing you until he needs to come up for air. 

"We can" he says, his voice gravelly and thick with want, the deep rumble vibrating in his chest. "We're bein' real quiet"

His lips trail across the line of your jaw and up your cheek before landing on your mouth again. The slow, lazy drag of his tongue against yours makes you throb, another soft when escaping you and the muscles in your legs and stomach tightening as you make no effort to stop moving against his thigh. 

“Everyone will hear us” you try feebly, knowing it’s futile. 

Joel smirks against your lips, the bastard. “Nah. I’ll be quiet.” 

You know he's a damn liar and a bad one at that. In what world could you be quiet with his hands and mouth on you, with his thick cock buried deep inside you, stretching you out and filling you up so good that your toes curl? And in what world could he be quiet, not running his mouth about how good you feel, how pretty you look stuffed full of him, how well you take him. You know exactly how it'll go, if the numerous failed previous attempts are anything to go by.

But then his lips are on the side of your neck, and you're forgetting why it matters. You let your eyes fall shut as his lips press gentle, wet kisses up and down the column of your throat, the stubble on his cheeks and chin scratching and tickling in the best way. You're quickly forgetting why this was a bad idea to begin with.

Your hips grind a little harder against his thigh, a soft sight falling from your lips as he licks and sucks at the spot under your ear that drives you absolutely wild. “I don't think I can,” you whisper, gasping softly when his tongue swipes over your pulse point. 

"You can" he mumbles against the side of your neck, the vibrations of his voice and his warm breath against your skin sending burning hot sparks down your spine. “You can do whatever I ask, can’t you baby?” 

“I don’t- oh…” 

The rest of your sentence dies on the tip of your tongue as he pushes his thigh against you, grinding it up against your core in a way that has your head spinning and toes curling, the pleasure sharp and delicious as it melts into your veins. 

“That’s right” he murmurs, pressing a chaste kiss to the corner of your mouth. “You’ll do whatever I say, huh?” 

There’s a pause and when you open your eyes, his are dark, his pupils blown wide, the deep brown nearly swallowed whole. His hair is tousled and curlier than ever, a few loose strands hanging in his face. His lips are slightly parted, swollen, red, and sick and shiny from your kisses. He’s an absolute sight and you can’t help but nod, eager to do whatever he wants, whatever he asks, because god it’s always worth it. 

His eyes crinkle a bit at the corners and the lopsided smirk on his face widens. He’s the fucking devil. 

Just the thought of him taking you with the rest of the house full of your extended family is making your veins buzz, excitement bubbling low in your belly. But you're well aware of just how thin the walls are and how nosy some members of your family are and you can't fathom how awkward it would be to come down for breakfast the next morning after the whole house heard you getting absolutely railed.

"It’ll be okay" he assures, reading your thoughts, his hands slipping under your shirt again. The fabric bunches up over his wrists as he slides his palms up your torso to cup your breasts, his thumbs brushing over your nipples. "M’not gonna let anyone else hear you. Just me."

Fuck.

His simple words are enough to convince you, not that you needed much convincing in the first place. He had you wrapped around his finger and him around yours, and there was no way you were going to say no to what you know will come next. A jolt of electricity shoots down your spine and settles hot and heavy in the pit of your stomach. Your resolve breaks, your legs falling open further, letting him get even closer, and Joel lets out a soft, happy noise against your mouth.

"Atta girl" he hums, his voice rough and deep, "So good for me, aren't ya baby?"

"Always" you manage to reply, the word more of a sigh as you arch your back, his thumb teasing your nipple until it's pebbled and hard.

He gives into you easily, tugging your shirt up and over your head. His mouth lands on your chest as soon as it’s exposed, immediately licking and kissing across your collarbones and the swell of your breast. He noses along the valley between them, the coarse hair of his beard tickling your skin and making you giggle. You can feel him grinning against your skin before he nips and sucks at the supple flesh until a red mark rises to the surface. 

You squirm beneath him, his leg still nestled perfectly between yours and pressing against you every time he shifts. The pressure is building in your gut, your clit aching and throbbing. The feeling is almost too much with his hot wet mouth now wrapped around your nipple, his tongue swirling around the stiff peak making it harder and harder for you to keep quiet. 

“Joel,” you hiss, the word half warning and half plea. 

“Hush, baby” he mumbles against your skin. His fingers replace his mouth, pinching and teasing your swollen, spit-slick nipple as he kisses across your chest to lavish your other nipple with the same attention. 

“Gotta be quiet, remember?” he says when he pulls back, releasing your nipple with a wet pop. “Unless you want everyone hearin’ ya” 

You open your mouth to say something in protest, to tell him that he’s making things a lot harder right now, but then he starts moving, sliding down the bed and the words die in your throat. The look he gives you as he settles on his stomach between your thighs is sinful, his eyes dark and mischievous, his lips pulled up into a smirk. 

He hooks his fingers in the waistband of your sweats, slowly pulling them along with your panties down your legs, leaving you completely bare. Your stomach swoops at the sight of his eyes trained to your center and your thighs twitch, wanting to snap shut and hide. But his hands on both of your thighs keep you spread open for him. You swallow thickly, your breath catching in your throat, the anticipation building in the pit of your belly as your slick starts to drip down the cleft of your ass. 

Joel’s mouth falls open slightly, a shaky breath escaping him. “Fuck, baby” he sighs, tongue darting out to lick his cherry red lips, his eyes glazing over. A small, content smile tugs at the corners of your mouth, a swell of pride blossoming in your chest. He looks wrecked, like a starving man eyeing his first meal, and the way he's looking at you so intently, like you're the best thing he's ever seen, the thing that's kept him alive all these years, is making your heart pound almost painfully in your chest. 

“Fucking gorgeous,” he praises, his hand running along the inside of your thigh. “And all mine.” 

Like he can’t wait another second, he’s leaning in and licking a long, wet stripe up your center, dragging his tongue through your folds from your leaking hole to your swollen, needy clit. The feeling of his tongue on you pulls a soft, broken sound from you. You clap your hand over your mouth as your head spins, a rush of pleasure washing over you making the muscles in your thighs and stomach twitch and flex. 

He does it again and again, and every time his tongue flicks over the swollen bud, you let out a soft whine that sounds far too loud in the otherwise quiet room.

He groans against you, his mouth already wet and messy as he laps at your pussy like he's starving for it, like he would die without tasting you. His eyes are locked on yours, the look in them so dark and primal that it makes your walls clench, more slick freely leaking out of you and onto his tongue. He laps it up happily, his fingers digging into your hips, holding you steady as his mouth works your clit.

He lets out a quiet, breathy moan when you slide your hand through his hair once again, your fingers tangling in and pulling on the soft brown strands. His eyes flutter shut, a shuddery exhale falling from his parted lips, and the feeling of his warm breath fanning over your wet, sensitive center has you stifling another high pitched whimper.

You roll your hips up against his face, desperate for more, and he gets the hint, the flat of his tongue swiping up through your folds a few more times before he dips it into your entrance, pushing in and out while his nose nudges at your clit. You're writhing beneath him, tugging at his hair, trying so hard to be quiet but failing miserably, soft, desperate little noises pouring out of your mouth. You know he's loving it too, making no effort to keep your noises at bay, not giving a single fuck about who might hear.

He moans against your cunt, the vibrations making you jolt, your hips rolling up to meet him. You're panting, the hand that isn't buried in his hair gripping the sheets tight enough that your knuckles turn white, and your back arches when his tongue fucks in and out of you faster, rougher.

"Joel, fuck" you gasp, "I- I'm-

He growls, the sound muffled by your pussy, the vibrations and the feeling of his stubble dragging along your inner thighs making your toes curl, the familiar coil in your belly tightening, your thighs trembling.

He doubles down, bringing a hand between your legs to replace his tongue with two thick fingers sinking into you and curling up against that spot inside you that has you seeing stars, his tongue circling your clit while his fingers pump in and out of you, his mouth and hand working in tandem to pull you apart.

"Fuck, I'm close" you whimper, his fingers crooking against that spot inside of you, sending white hot fire coursing through your veins as your slick leaks down his fingers and into his palm like hot honey. 

He hums, sucking your clit between his lips, and your legs clamp around his head, your hand tightening in his hair as your orgasm crashes over you, your back arching off the mattress, a muffled, broken moan spilling out from behind your hand. He fucks you through it, his tongue flattening out against your clit while the tips of his fingers rub against that sweet spot inside of you, sending more sparks of pleasure tingling up and down your spine.

When it's too much, when the sensitivity makes tears prick in the corners of your eyes, you make a feeble attempt to push him away. He pulls back, sitting up on his knees, his chin and cheeks wet with your slick, his pupils blown so wide that the brown is almost completely swallowed up by black. He stares at you, his gaze so heavy and intense that it makes another shiver run down your spine.

"You're not being very quiet" he smirks as he moves off the bed to stand up.

You roll your eyes, still coming down from the aftershocks, your thighs quivering, "Yeah, no shit" you mutter, propping yourself up on your elbows.

He chuckles as he pulls off his sweater and the t-shirt underneath it before he starts unbuckling his belt and working on his jeans. You sit up, shuffling closer to the edge of the bed, reaching out and batting his hands away, taking over and quickly unfastening the button and pulling the zipper down.

He doesn't protest, letting you push his jeans and boxers down his legs until he kicks them all the way off. Your mouth waters at the sight of his thick, hard cock hanging heavy between his legs, flushed a deep red with slippery precum beading at the tip. You reach out, wrapping your hand around the base and taking a moment or two to revel in the familiar weight and warmth of him in your hand.

He shudders, a low moan rumbling in his chest, his eyes slipping shut as his hand moves to cup the back of your head. He watches you intently as you take your time, lazily stroking him, rubbing the pad of your thumb over the leaking tip and tracing the throbbing veins that run along the sides. His breathing grows heavy, his jaw clenching and his stomach muscles twitching as he tries so hard not to buck his hips up into the loose circle of your fist.

"C'mon, sweetheart" he pleads, the words leaving his mouth as a low, breathless groan, "Get me all nice and wet for you."

He doesn't have to ask twice. You lean forward and you dart your tongue out to lap up the bead of precum, humming at the salty, bitter taste of it, swirling the flat of your tongue over the head of his cock, your hand pumping the rest of his shaft. His breath catches in his throat, a stuttered curse falling from his lips when you dip your tongue into the slit, teasing more precum out.

He groans, his grip on the back of your head tightening, urging you to take him into the warm, wet heat of your mouth. You sink down, flattening your tongue and taking him all the way until he hits the back of your throat, the tip of his cock brushing against the roof of your mouth. You breathe through your nose, hollowing your cheeks, swallowing around him, and the deep, guttural groan that he lets out has you squirming, slick leaking out of your cunt and onto the sheets below.

"There ya go" he pants, his head lolling back, "Oh, baby, that's it. S'fuckin' perfect."

You pull off, a string of spit and precum connecting his cock to your bottom lip, and you look up at him through your lashes.

"Need to be quiet" you remind him, "Or else I'll stop"

He lets out a shaky breath and nods, swallowing hard, his Adam's apple bobbing in his throat. He's not used to keeping quiet, not used to not telling you how good you feel, not used to not begging you to let him cum in that low, raspy tone that never fails to make you weak.

"I'll be good," he whispers, breathless and needy. "Promise."

Your stomach swoops at his words, arousal burning bright in your belly. Unable to stay away for much longer, you lean forward, pressing a soft kiss to the head of his cock. His hips jerk, another drop of precum leaking out. You lick it up, swirling your tongue around the sensitive, swollen tip before sinking down again. You take him into the wet heat of your mouth, hollowing your cheeks and swallowing around him, bobbing your head slowly and steadily.

He bites his lip hard enough to draw blood trying with all his might to keep his noises in as you drool all over his cock. He can't take his eyes off you, watching the way he disappears into the slick heat of your mouth. You look so pretty with your lips wrapped around him, spit dripping down his cock and leaking out the corners of your mouth while your eyes water as you take him as far as you can.

You take him deeper, and you swallow, your throat convulsing around him, and the way his whole body shudders makes you smile, proud of the effect you have on him. He's so big and thick, and you both know you can't fit him all the way down your throat, but seeing you try your best is enough to make his thighs start to shake. 

His cock hits the back of your throat again and again, the tip dipping into the soft, warm, tight space, and Joel's breathing is getting heavier and faster, his jaw clenched and his eyebrows knitted together.

"Shit" he grits out under his breath, "That's it, sweetheart. That's fuckin' it."

The praise goes straight between your legs, a fresh wave of slick leaking out of you and it's too tempting to resist, so you slip your hand between your thighs and rub circles around your clit, moaning softly around his cock.

He hisses, his eyes snapping down, watching your hand disappear between your legs.

"Are you touchin' yourself?" he asks, the words coming out rough and choked, his eyebrows raised.

You nod, sliding a finger into yourself, and you pull off his cock, panting, a thin strand of spit connecting the head to your bottom lip.

"Can't help it" you whine pathetically, your voice already raspy from how far his cock had been down your throat.

Joel groans, his dick twitching, and he's had enough. He takes a step back, and you let go, a little confused and worried that you've done something wrong. But he just takes hold of your arms and yanks you off the bed, his strong hands easily manhandling you, and then he's pushing you, turning you around and bending you over the side of the mattress.

"Oh" you breathe out, bracing yourself on your forearms, arching your back, sticking your ass up in the air.

You don't have to wait long for him to move. His hand is smoothing over your ass, the other one guiding his cock towards your sopping cunt. He teases the tip between your folds, spreading your slick and dragging his head over your swollen clit a few times before lining himself up and sinking in.

You bite down on the inside of your cheek to keep quiet, letting out a stuttering breath, the familiar, delicious burn of his thick cock stretching you out making your eyes roll back into your head. You've made peace with the face that you'll never be used to his size. It'll always be too much, the feeling of him pushing into, forcing your walls to make room for him will always make you clench and shiver.

He's got his hands on your hips, holding you steady as he bottoms out, his hips flush with the curve of your ass with the tip of his cock pressed against your cervix. He holds himself there for a moment, both of you adjusting to the feeling, and you're trying so hard not to moan, to keep your noises muffled by the mattress, and you know Joel's struggling too, his jaw clenched tight and his brow furrowed.

"Good girl" he whispers, his fingers digging into the soft flesh of your hips, "Taking my cock so well, aren't ya?"

You nod, whimpering, your fingers twisting in the sheets.

He pulls back and thrusts back in, setting a steady, slow rhythm, the wet slide of his cock making the most obscene sounds. And it's driving you crazy, the need to let out loud, your chest burning with the effort of keeping your noises in. He keeps his pace slow, not wanting to make more noise with his hips snapping against your ass. It’s nearly tortuous though, the drag of his cock in and out of you so slow that you can feel every ridge as he takes his sweet time. You can only handle it for a few moments before the tingling hints of pain from the stretch subside and the burning need for him to fuck you senseless takes over.

"Joel" you whine, "Faster, please."

He leans over you, his front pressed against your back, his lips grazing the shell of your ear. "You're not gonna stay quiet if I do," he says, his voice deep and gravelly, "Just take what I give you, sweetheart."

You're so worked up, the slow pace makes you even more desperate for him, and you can't help it, you need more, and you reach a hand back and grab his hip, urging him to speed up.

"I-I'll try" you promise, "Please, just- Just fuck me, Joel, please"

He hesitates, but the way you're squirming beneath him is so tempting, and the way his cock is throbbing and dripping inside of you is telling him that he needs more too.

Before you can say anything else, he's pulling back, the thick, heavy weight of him sliding out of you. You whimper at sudden empty feeling but you don't have time to complain before he's flipping you over onto your back and scooting you up the bed before climbing on top of you. You can’t help but notice how big he is, the muscles flexing smoothly in his strong arms that box you in as he hovers above you, nearly encompassing your entire body underneath his. His mouth is on yours before you can even blink, his tongue slipping past your lips and kissing you like his life depends on it.

He settles between your legs, his hips nestled in the cradle of your thighs, his cock dragging along your clit again warm and heavy, and you gasp, the sound swallowed by his mouth. You're squirming again, desperate to feel him stretch you out more and he takes mercy on you, reaching between your bodies and grabbing the base of his cock, guiding the thick head towards your entrance.

"Gotta be quiet, baby" he warns, his eyes boring into yours as he looks down at you. "Those pretty noises are just for me, yeah? Can't have anyone hearin' 'em."

You nod frantically and the next second he's pushing in, the fat head of his cock forcing its way into you and bottoming out in one smooth motion. You let out a gasp that's definitely too loud but Joel is quick to remedy it, his hand coming up to cover your mouth, his fingers splaying across your cheek.

"Shh" he shushes you, his hips rolling, the slow, lazy drag of his cock against your walls making you clench around him. Your eyes roll back, your back arching as his hand stops all the whiny little sounds you can't help but make. He continues to fuck you slow and deep, his cock sliding in and out of your soaking wet cunt, the filthy sounds of skin slapping against skin echoing softly in the room.

You can't take your eyes off him, watching his eyes squeeze shut, the muscles in his arms and shoulders flexing as he fucks you, his brows knitted together and his teeth sunk into his bottom lip. He looks beautiful like this, sweat glistening on his skin, his jaw tight, and his eyes shut tight, his mouth hanging open with his breaths coming out in soft, barely audible pants.

"Mmm" he hums, his hips picking up speed, his cock pushing impossibly deeper. "You feel so fuckin' good, baby. Fuck."

You reflexively clench around him and a shudder runs through his whole body.

"Gettin' real tight" he pants, "Tryna milk the cum right outta me, huh? Tryna make me fill up that pretty pussy?"

You whimper into his palm, your pussy fluttering, a fresh wave of slick coating his cock, and he groans, his hips picking up speed.

"S'what you want?" he asks in a hushed tone, his hand still pressed firmly over your mouth. "You want me to fill you up? Make a mess of that pretty pussy? Breed you until you're fuckin' stuffed, baby girl?"

Your back arches off the bed, the coil in your belly so tight that you think you might pass out. He's rambling, his thrusts losing rhythm, his breathing getting ragged and choppy, his chest heaving and his thighs shaking.

"That's it" he coaxes when you tighten around him even more, "Can feel it, can feel how close you are. Go on, baby, cum on my cock. Wanna feel that tight, wet cunt cum all over my cock, please, baby."

His hips snap forward, his cock pushing deep into you, the tip rubbing against the spongy spot deep inside you that makes the coil in your belly finally snap. Your eyes roll back, a muffled, broken moan falling from your lips as your entire body convulses, your orgasm washing over you and making your toes curl as your walls flutter around his cock buried to the hilt inside of you.

Joel lets out a deep, low groan, his hips stuttering as he fucks you through your orgasm. His hand slips away from your mouth so he can grip your hips with both hands, his fingers digging into the soft flesh, holding you in place so he can chase after his own release. His chest is tight as he holds in his grunts and groans, but it’s barely any use with the lewd noises that fill the room as your pussy gushes around him, your slick leaking past the tight seal of your walls around him and dripping down to his balls. 

"Oh, shit, baby. Christ,” he chokes out, his stomach muscles clenching as his hips slam into yours, his cock pushing impossibly deeper and harder. “Keep makin’ a mess, keep lettin’ me feel it. That’s it. Fuckin’ hell.” 

You can feel his cock starting to throb inside of you and you know he’s close. And you can’t stop the words from leaving your mouth, the need to let him know just how good he’s making you feel is destroying any bit of common sense. 

“Want you to fill me up,” you whine. “Please, Joel, wanna feel it.” 

That’s all it takes. His jaw clenches, his nose scrunching as his eyes squeeze shut. His cock twitches and pulses as he buries himself as deep as he can get before spilling into, filling you with thick, hot ropes of his cum. His hips jerking and stuttering d you clench around him, squeezing and milking him for everything he has while he buries his face in the crook of your neck, muffling his broken, ragged moans against your skin.

"So good,” he whimpers. “Fuckin’ perfect.” 

The praise goes straight between your legs and you wrap your arm around his shoulders, trying to pull him closer. He lifts his head, his palm resting on your cheek as he lifts his head and presses his lips against yours, kissing you languidly. His hips rock back and forth lazily, pushing his cum in as deep as he can get it. You melt into the bed underneath him, the only things keeping you tethered to the earth being your fingers combing through his hair and your legs tightening around his waist.

When he finally pulls away, he rests his forehead against yours, and you're both left panting, trying to catch your breath. You listen to the muffled sounds of people downstairs, the movie playing and their drunken voices filtering in through the door, and Joel must be thinking the same thing because he chuckles.

"Well" he says, his thumb rubbing back and forth over your cheekbone, "I don't think anyone heard us."

"You better hope they didn't" you retort, a grin on your face. Joel rolls his eyes. "That's a weird way to say thank you" he teases. You start to laugh, but the sound dies in your throat, morphing to a whimper instead when he starts pulling out his softening cock.

"Joel" you whine, but he doesn't stop. "Joel, please. It's-"

He's not listening, he's too focused on the way his cock looks when he pulls out. The tip slips out of you, and the rest follows, and his eyes widen as he watches a string of thick, sticky cum stretch from the tip of his cock to your cunt. It breaks, falling to your thigh, and he licks his lips. He can't tear his eyes away, watching the way your cunt flutters, and his cum starts to drip out, running down your slit, the obscene sight making Joel's spent cock twitch. 

"Shit" he mutters under his breath, "Ain't that a pretty picture."

He reaches down, dragging a finger through the mess of cum and slick and gathering it on his finger before pushing it back into your cunt. You clench around the digit before he sighs and pulls it back out.

"Gonna be leaking all day tomorrow" he murmurs, almost to himself.

You whimper, the thought of having him dripping out of you all day like that has renewed arousal already seeping into your veins. 

“It’s okay” he assures you, leaning down to press a kiss to your forehead. “I’ll take care ya. Clean you up and put my cock back in right where it belongs, how’s that sound, hm?” 

You sigh, nodding, a wave of fatigue washing over you. “Sounds perfect,” you agree. 

You watch as he climbs off of you and starts to move, but a sudden, sharp sound of knuckles knocking on the other side of the bedroom door makes you both freeze. 

“You two are fucking disgusting!” the voice of your cousin calls out, accompanied by the sound of a couple other people giggling and laughing. “Put some goddamn clothes on and get down here!” 

You and Joel exchange glances, his eyes wide and apologetic, his cheeks burning bright red as you give him a look that says I told you so. 

“Alright, alright, we’re coming” he yells back. 

“We’re coming! Oh, yeah we’re coming!” another voice teases, the sound of everyone bursting out laughing quickly follows. 

“We’re never doing that again” Joel mutters and you can’t help but chuckle. 

“Yeah right. Keep telling yourself that”

Thank you for reading!!! Plsss let me know if you enjoyed hehehe