#i'm the most cautious person in this fandom when it comes to theories and stuff bc i honestly don't trust the writing of this show that muc

[elibean]

IT'S THE SAME FUCKING EYE

[trappedinmymind]

1, 5, 14, 18, 20 from this ask game

1. What is your favorite trope to write?

In theory? Found family.

In practice? Some secret gets revealed that completely upends any sense of normalcy and/or understanding that the characters have in their life, and it seems like it's gonna completely destroy (sometimes metaphorically, usually physically) the characters but in the end, while the story doesn't end with everything being "fine", the characters and their relationships end up stronger and with a sense of (cautious) hope

I don't know if there's a name for that, but I've written it... 4 or 5 times now, probably for reasons I don't want to touch with a 10 foot pole

5. The fic you're most proud of writing?

You're Like Me. It's probably the longest I've ever been able to stay with a fic, both in terms of chapters and word count. I'm also really proud of how I've woven the allegory in with the plot, although I could have probably planned out the plot a bit more. Oh well

14. First fandom you ever wrote fanfiction for?

MCYT, though it's unpublished for what should be obvious reasons to anyone who's ever been in the MCYT fandom for an extended period of time

18. Most words/chapters ever written for one fic or oneshot?

So far, only counting published chapters, I'm at 15 chapters and three words shy of 38,000 words for You're Like Me. The next closest is 6 chapters and 25,500 words.

20. Hardest character to write/get the characterization correct for?

For Nimona specifically, I struggle with Ballister, Ambrosius, and Rurosiv (an OC in You're Like Me), each for different reasons.

Ambrosius is difficult for me in terms of just plain characterization. I feel like I don't have enough data to pull from for him; he's clearly a complex and dynamic character in the movie, but pretty much every scene with him he's either doing knight stuff or being a loverboy, and there's only so much I can comfortably extrapolate from that.

Ballister is more complicated when it comes to the allegory in You're Like Me. Specifically, I'm trying to have Ballister be kind of a "peacekeeper ally" (idk the actual term for it); someone who is an ally to a community (in this case the trans community), and is very well informed on issues the community faces, but struggles to call out when someone around them is being actively harmful to the community they're an ally to, especially if they believe the other person will get upset at being called out. I sometimes struggle to reconcile this with his canon personality, and sometimes feel as though he comes across as too naive. He's not naive, he is used to letting people get away with things they probably shouldn't.

Rurosiv is hard for a kind of similar kind of different reason to Ballister. Rurosiv was developed specifically to represent the disability community, and from there a lot of her trauma (and by extension a lot of her mannerisms) revolve around being forcibly hidden away, whether that be just the parts people don't want to see or her whole person. There's a lot more to her than this, but it affects a lot of how I write her. Having been in fandom spaces for as long as I have, my biggest challenge with her is writing her in a way that avoids her 1) being infantilized, 2) being seen as a woe-is-me helpless character, or 3) being seen as an emotionless/buzzkill character. I think I’ve got her balanced now, but it is very important to me that I get her right, so I am constantly analyzing how she comes across when I write her

Sorry that turned into a bit of a rant at the end, but Thanks so much for the ask! These were really fun, and of course if anyone wants to ask about other numbers from the ask game, or about writing in general, I’d love to answer!

[ziracona]

Sorry if this has been asked before but, I'm really curious about how you would have written Max in the story if he were to be there? He's one of my personal favorite characters and finding redemption stories about him is kinda hard (You have no idea how happy I was when I read Claudette threw him a scarf to stay warm, like yes please; he's a feral child in a killer's body, but please stay warm)

I don’t think I have been, and no problem!

If Max had had a larger role in ILM, I am not 100% sure how I’d have written his perosnality, since I haven’t had to do it yet in-depth, but I know he’d be very angry and both defensive and aggressive towards everything, warry, skittish, hostile. Not bad necessarily, but humans will raise hackles and be ready to lash out and bite if they’ve all they’ve ever known is abuse the same way a mistreated cat or dog would, or like, most any living thing. I think he’s very lonely and unloved, and it’s hard for humans to survive without positive contact and affirmation and physical affection. I mean, if we’re left alone totally, we literally just die. But since his only experience with humans—and his parents/the people who should have loved him most no less—was nothing but danger and abuse and isolation and imprisonment, I think it’d be very hard for him to be approached. Not at all impossible, but man, it is really, really hard to convince someone who’s been through torrential rains of abuse that there’s something else to be given.

I do have ideas on how you could get through, but let me think about personality first. Well, aside from aggressive, defensive, skittish, warry, and hostile, like inborn traits to go along with learned, I think he is a very volatile person. He must be enduring and strong to survive what he did and live, and so determined and tenacious. —Oh! Hang on, big one before I forget. So, I am not a forefront authority in Disability as it relates to narrative, but I know quite a bit and was lucky enough to have a professor whose central areas were Disability, Horror, and Disability in Horror. I don’t know who exactly popularized the idea of Max as having basically a child’s mind in an adult’s killer body, though I think I’ve been told it was one person or story? Maybe it was just a big fandom take. But that’s one of the most prevailing and harmful disability stereotypes, especially for mental disabilities, and horror is a massive offender in general with both disabilities and disorders, and we need to do better & listen to the communities themselves more. I don’t mean this in a harsh way at all—I don’t even know if you meant ‘feral child in a killer’s body’ that way, or meant like, ‘this feral man in a killer’s body is my child TuT’—which is a totally different statement—and even with the former, I know people have had that idea of Max super popularized and are inundated with it, and most people I think just don’t know it’s a very harmful and prevalent stereotype period—I didn’t until I was in my 20s. But I think it’s important to bring attention to it when it’s brought up. Many of the bad things done to people with disabilities come from treating them as not fully actualized humans (I guess I should say ‘us’), and some of those ways are easy to spot, because they’re cruel, and some are harder, because they seem positive. The ‘child mind in an adult body’ is a huge one for disabilities that doesn’t seem awful at first glance, but actually is a huge problem. Unfortunately, human children also get treated by and large as not fully realized humans (as in autonomous & worthy of respect and self-determination—obvs there are some differences that are important, but a child is still an entire ass human & should be respected as such). The painting a physically and mentally disabled character as childlike or mentally trapped as a child is used to control and take autonomy and gravity from our opinions and lives. It’s also just like, not accurate. But the biggest thing is that it takes agency from individuals and paints them as less intelligent, less capable of wanting or pursing more ‘adult’ things [such as jobs or sex or protesting for their rights or having informed opinions on current events and doing something about it], and tries to paint that permanent, life-long dehumanization as a positive thing by making it cute or innofenssive at first glance. While still discounting disabled as kids, passing off autonomy and decisions to their caregivers, and ignoring our status as equal and actualized individuals. Stunted learning or growth or different ways of speaking, moving, and limitations understanding certain things don’t actually make disabled people like children. They’re just adults who sometimes have some very different ways of speaking or thinking or seeming or being. But it’s super important that we’re still adults and like, have the actualized self of adults, even if our speech patterns seem weird. There’s a huge and extremely important difference between an adult with social hangups around sensitive areas and social norms, and being a child. If you didn’t know any of that, don’t feel too bad, again like, people who aren’t disabled almost never talk about disability theory or issues, and I didn’t know this till I was in my 20s. But I feel really bad for Max and bad about how he is usually characterized, so it is important to bring this up.

Okay! That all said, I think personality wise, Max would be really fun to write. Because you have two levels—you have the taught things—fear, aggression, etc, and his inborn perosnality. There is very little canon about Max, but we know he never left home after freeing himself, he steals clothes from scarecrows or whatever he can find, and he’s probably in his early 20s or maybe to his mid 20s now. Since he never left home, I’d think he’s probably a little more cautious and anctious by nature, even with all that rage. I think he’d be sentimental if he ever was given something to love. He must have attachment to things pretty easily, and would I think have liked people a lot because of that, if life had been different. Would have been a shy but friendly and hopeful farm boy. Now, he’s kind of a broken mess, sadly. He’s had it super pounded in by family he is worthless and horrific and disgusting and a monster and an abomination, so I think he expects all humans to take one look and violently feel the same towards him. Taught humans are cruel, and he isn’t safe with them, and the only thing that will stop them and protect himself is unchecked aggression.

So, when it comes to like, getting close enough to him to redeem him, it’s rough, because again, he’d be very very aggressive. I mean, even after killing his parents, he mutilated the animals on the farm in rage, and continued to viciously hurt and then kill anything living he could find on the farm, so he’s got a lot of danger, and he really leaned into violence to protect himself. It’s what he knows now. I think he’s still lonely — like, so lonely he’s sick with it — but unlike Anna and Michael, he’s never known love, so I don’t think he’s even aware of that, and it’s on a pretty subconscious level. Plus, he has even less understanding of human communication and rules and gestures than the other feral killers, so it’d be really hard to get through to him. I think about the only plausible way is really, really, really fuckin slowly, through repeated gifts and kindnesses for no reason (like Claude with the scarf but every day for three years)—the same way you’d try to get through to a feral cat, since like other living things, humans also are wary and mistrustful when hurt, but can be socialized into new situations and do have a pretty set list of gifts and actions we appreciate. I mean, if I was feral, I would start to soften if repeatedly left chocolates and big warm coats and picture books to look at, pretty rocks. I have a crow heart.... >.> Or, the much more likely option, you’d have to catch him or find him captured and helpless, and then be kind instead of doing anything bad at all, and help him for a somewhat extended period of time, nurse him back to health or such, so he’d be forced to actually realize this person isn’t trying to hurt him—they’re trying to help.

I think Max would get less hostile slowly and cautiously because like, if you’ve ever been horribly abused you know you’re afraid to be hurt again. But also, if you’re alone, there’s a battle between wanting some kind of constact and love, and the fear of trying to trust someone only to be brutally torn up again and cast aside. It’s a painful place to be. But I think once he made it over that initial trust hurdle, and could bring himself to stop shuddering at a touch and to believe the person helping him was just trying to give him food, not poison or something to choke on, he’d be absolutely overcome, becuase if you’ve never been shown kindness and then are, overwhelmingly, it’s really hard to process. There’s a lot of psychology stuff about how we form our understandings and processing of each other and the world that I’m not gonna go into much bc convoluted, but it’d be like the opposite weirdly of a Just World break. The realization some things are less awful than your cemented life understanding structure. It would feel wrong and be hard to process (and rewireing a brain takes some time), but he’s been so alone for so long, I think the longing for people would get through, and he would cautiously start to trust and be just bowled over and kind of intimidated by the strength of like, the love and affection and gratitude and belonging he’d start to feel. I think he’d be afraid, becuase it’s not how life is meant to go, and jumpy, but he’d also just be lost to the happiness of actually having some kind of positive human connection, and become fiercely protective of whoever (or whichever people) was/were helping him. Got something he doesn’t want to lose now.

He’s young, so he’s going to still be figuring stuff out, and he had an awful upbringing, so lots of confusion and anger and un-learning too, but I’m really glad you liked that scene!! 😭 and that you like Max too, because he needs more love. I like him a lot too, that’s why he ends up with an undetermined fate instead of, like, dead in ILM. I’d like to give him a fully story role sometime, when there’s more space for it. He’s such a complex and unfortunate guy, he deserves a chance to grow more right and find people who are different and have a better future. TuT. It ain’t fair how his life was.

[hollenius]

I'm so so sorry but I have to: Werner for the character meme (and/or Chuck McGill, if you can't think of anything!)

What the hell, I'm gonna do Werner AND Chuck

Werner

Fav thingabout him: He is so sweet; if I had a German uncle or grandpa or something, I'dwant him to be mine. He obviously takes his work very seriously too. He(initially) seems like a very cautious, careful sort of guy...unfortunatelythis attitude does not extend to all aspects of his life.

Least favthing: He's too sweet, dammit. His naivete and trusting nature made megenuinely angry, because I couldn't believe anyone could be so stupid aboutanything when he seemed fairly smart about everything else. I don't think youhave to be "street-smart" to understand that breaking out of an enclosedcompound without permission isn't the sort of thing you'd be allowed to getaway with. I was annoyed at how he felt like a plot device at the endthere--that he just existed to force Mike to have to kill him. It's a fault ofthe writing more than the character. Everyone could see the end coming from amile away, which is (as far as I can remember) unprecedented in the series.Even things that were heavily telegraphed and seemed obvious usually carriedsome sort of unforeseen twist, i.e. everyone thinking the lantern was going tobe involved in Chuck's death, but not knowing it was going to be a suicide. Thesecond they showed Mike building up a relationship with Werner, everyone knewexactly where it was headed. Also, this is a weird pet peeve, but I hate how healways called Mike "Michael". Bro, you've been working with him formonths, you are the only one who calls him that.

Fav line:(agh, unfortunately I can't recall any because I don't have any way ofrewatching season 4 at the moment. I love that he was courteous enough totranslate into English that he felt like he was going to throw up in the bumpyvan ride.)

brOTP: Him& Mike as cute old man drinking buddies.

OTP: Werner& his unseen wife, I guess. (That phone call before his death was so sad. I hope nothing happens to her, but this is the Breaking Bad Cinematic Universe, so bad things often happen to innocent people.)

nOTP: idk,Werner/Kai? I haven't really seen him shipped with anybody so I can't say Ihave any strong opinions on the matter.

randomheadcanon: (again, I need to rewatch all of season 4, because I remember thestory arcs, but not enough of the little details in dialogue and stuff.)

unpopularopinion: I have to admit, I don't know enough of what the popular opinions onWerner are to know what an unpopular opinion would be. I liked him, I just wishhis character arc felt less contrived and that he was treated like less of adevice. I also have seen some people in some places comparing him to Walt,which doesn't really make sense to me, because personality-wise they're justtoo far removed from each other. (Then again, people were even comparing dopeyPryce to Walter White, which was also a stretch!)

song Iassociate w/ him: I...I have no idea! Sorry. (So long, farewell, aufwiedersehen, goodbye?)

fav picture: the cute little drawings @callmcgills did of him! (Also, ugh, the shot where he is, uh, shot...is beautiful. Depressing, but cinematically beautiful. I’m not posting that here though.)

 Chuck

Fav thingabout him: Honestly, as a fellow cowardly, anxiety-ridden, socially maladroit, perfectionistolder child, aspects of him are extremely relatable, frightening as that may beto admit. (My younger brother is of the slacker/moocher variety, rather thanthe con man variety, though.) I don't agree with everything he does, but I understandwhy he does it. (This is actually pretty similar to my attitude towardsSkyler's actions in Breaking Bad--I don't necessarily agree with her decisions,but I mostly understand why she acts the way she does.)

Least favthing: I think he should've been willing to at least put Jimmy on some sort ofprobationary path to HHM after he landed Sandpiper. HHM was under no obligationto hire Jimmy after he passed the bar (a lot of fandom seems to feel otherwise,which makes no sense! I don't think any other firm would've wanted to hireJimmy either!) Jimmy probably would've still managed to screw something up, butat least then if Chuck wanted to officially bar him from working for HHM forgood, Jimmy would know why, and what it was that he had done to cause that. Itdoes no good to punish someone if he doesn't even understand he's beingpunished, which is what the whole issue is in the first place with Chuck goingbehind Jimmy's back and using Howard as the perpetual bearer of bad news.

Fav line:"Because if there's one thing kids love, it's local printjournalism."

brOTP: lmao Chuck is bros with nobody except his space blanket, and his ol'sipping-scotch-and-chortling companion Howard, before that relationship gotdestroyed...

OTP: ...althoughI must also confess a SHAMEFUL desire to ship Chuck/Howard, because it's gotsuch a messed up power dynamic, because they've known each other for at least18 years, because Howard's clearly still so much in awe of Chuck (which Chuckprobably enjoys), and because neither of them seems to have any other friendsor close relationships. (Are we ever going to learn what's up with Howard'swedding ring? Even my mom thinks Howard is gay at this point! And what's upwith papa Hamlin? Did he die? Retire?) Canon-wise, I'm actually really curiousabout Chuck & Rebecca's relationship, because I have to wonder what it washe did that caused her to divorce him, but not bear any particular grudge oranimus towards him afterwards. He was clearly really upset about the divorce,but doesn't bear any ill-will towards her either. She doesn't appear to enteredinto any new relationship after the divorce either. It's all very mysterious.

nOTP: I can'ttell if this person was serious or not, but I swear I remember seeing someonepropose some theory that Kim had fucked Chuck at some point, and that's gonnaget a BIG NO from me.

randomheadcanon: oh god I've got like five hundred of them at this point. Themassive infodump that was Chuck's obituary in the season 4 premiere contributedto a lot of them, I think. I imagine Chuck's freshman year of college, at age14, was absolute hell for him. He was so proud to get accepted to an Ivy Leagueschool, but had been upset it wasn't a more prestigious one, like Harvard,Yale, or Princeton. (He had applied to them and had a few interviews, but unbeknownstto him, he had been heavily penalized in their byzantine admissions proceduresbecause, despite his sterling academic record, they didn’t find him outgoing or athleticenough.) His parents put him on the train to Philadelphia by himself, with afew suitcases, a map, and $50. He had no problems getting to the university,but was pretty overwhelmed right off the bat by the fact that everyone else wasolder and wealthier than him; he had dealt with this to some extent in high school, butnot to this degree (I headcanon his fictional alma mater, Francis Xavier HighSchool, as a typical Jesuit all-boys preparatory school that draws heavily fromupper-middle-class suburban families). Here he was, a literal child, thrustinto the adult world, and the world of the elites, at that. He probably feltself-conscious about things he hadn't even realized he could feelself-conscious about before, and spent at least a couple nights sobbing intohis pillow, and praying that his roommate couldn't hear him. He made a coupledesperate attempts to fit in, with a relatively low level of success (e.g. goingto a party and trying to impress people there by playing piano, only to get abeer spilled on him instead), before deciding it wasn't worth it and he wouldthrow himself singlemindedly into his classes and extracurriculars. He had hisfirst-ever panic attack sometime during his first semester, and wound up at thecampus doctor's office because he had convinced himself he was having a heart attack.On being told he was physically fine, he was indignant, but all the same, henever told his family about the incident, or anyone else either. Somewherearound this time, he also gets a letter from his parents, telling him he'sgoing to be a big brother in a few months, and won't this be exciting for him?(He wants to tell them his life is too exciting for him as it is, but saysnothing, instead writing back that he is sure having a younger sibling to helplook after will be the greatest experience of his life. He almost convinceshimself that he means it.)

unpopularopinion: I DON'T HATE CHUCK. (The most unpopular opinion of all!) He's myfavorite character on the show, with the obvious disclaimer that saying acharacter is my favorite doesn't mean I approve of all the character's actions,etc. Also, I know he's just a fictional character, but I'm still pissed offabout people celebrating that he killed himself & saying they hope it waspainful & stuff like that. Like, how much of an asshole do you have to be?What a horrible thing to say.

song Iassociate w/ him: Burning Down The House j/k, probably Faure's Sicilienne,because I too, cannot play it on piano without screwing up

fav picture: Not a picture, but I can’t resist.