#i'm so so excited for the story behind this !!

[httpknjoon]

wanna try out some freaky positions? | myg

plot | that time popstar!yn is on her tour's day two in paris, and fans are wondering if she's finally doing the most requested position of all time. the one that may require her bassist (and rumored boyfriend), yoongi.

w.c | 1980

pairing | bass guitarist!yoongi x popstar!reader

genre | fluff, humor, enemies to lovers, slow burn

note | i'm still calling it twitter

main masterlist | series masterlist

DAY 301: PARIS, FRANCE

It's everywhere. Predictions about your possible Juno position for your second performance night in Paris are all over social media before you even officially land in the said country. It didn’t help that you and your band members are active on social media, alluding that something is happening behind the scenes. There were also sightings of your close friend, another celebrity, who you knew was staying in France for his vacation. Your fans, who were already elated with the upcoming performance later tonight, flooded you with mentions on Twitter, which resulted in a short and unplanned Q and A.

You were in the middle of your rehearsal break when you finally got hold of your phone after posting that late IG story hours ago. Knowing how excited your fans are at the moment, you reinstalled your Twitter app just to have some interactions with them. It has been so long since you opened your account there, since you were avoiding seeing any tweets about your breakup from last year. You smiled as you typed in your tweet, along with a photo you prepared for today, swaying your feet as you sat at the edge of the stage.

While you have all of your focus on your phone, you didn't even notice Yoongi, who's sitting on one of the empty seats in the area where the VIP audience usually sits. He cannot help but smile while he sips his Americano, looking at you. He wondered what made you so giggly and smiley on your phone. Meanwhile, his phone kept on vibrating in his pocket, which made him reach for it. That’s when he got the answer to his curiosity. Notifications from your Twitter account popped up one after the other. He chuckled before clicking on the app to read more of your tweets.

You giggled at the friendly banter you had with one of your fans. Scrolling down the tag, you smiled even harder when you found an interesting question to reply to.

Yoongi had to laugh with that one. Hearing that, you turned your head up, finally seeing him sitting alone just a few feet down the stage. Your left eyebrow raised, wondering what made him laugh on his phone.

“Where are the others?” you asked all of a sudden, just to get his attention.

Your bassist looked up and met your gaze. “They went out for snacks. I got your coffee here.”

He points out the still-warm takeout coffee cup he has on the empty seat next to him. You smiled before reading yourself to jump from the stage rather than taking the stairs. Seeing that, Yoongi immediately stood up.

“Hey, what are you doing?”

“I’ll jump,” you replied, already inching yourself at the edge.

He clicked his tongue while shaking his head, “No, just take the stairs.”

You pouted. “This is easier. I hate the stairs.”

“You might get hurt. Art and Cal will both kill me if I let you do that,” he said while walking towards you. He then stood just a few feet lower than you.

From your point of view, he looked nonchalant, yet he opened both his arms.

You squinted, “Are you gonna catch me?”

“Nope, I just like opening my arms at random times like this,” he scoffed. 

You rolled your eyes. “And I like jumping from high places.”

He shook his head again before telling you sternly, “I don’t care. Just jump, diva.”

So you did. Even though you would have loved to continue the childish banter. And he did catch you, helping you carefully land your feet on the ground. Steadily and easily, he got you with one hand, holding you up against your back. Unconsciously, your face is almost buried in his neck, like you were magnets, they just connect instantly. Maybe it was because he still wore the familiar scent that makes butterflies stir in your stomach.

And maybe that’s why you didn’t pull away right away.

With how close you are, you can feel his heart beating almost at the same pace as yours. Fast and loud. Slowly pulling away, your eyes interlocked with each other. It was a heavy exchange of stares, anchored with something heart-fluttering that you two didn’t have to label anymore. A small smile tugged at your lips as you noticed his eyes moving down.

“Thank you,” you whispered before stepping back.

Yoongi followed behind you, trying not to put his heart over his beating chest. He sat in a seat apart next to you while you took a sip of the coffee. The much-needed caffeine helped you feel warmer and comfortable in your baby blue sweatshirt. 

“You liked it?” he asked even though he already knew the answer.

“Yep, I needed that. Thank you,” you replied, putting down the cup. You turned to him.  “Why are you here, by the way? You don’t want to explore the city in your free time? We’re only here for a few days.”

He shrugged, “I don’t know, I just had this gut feeling that you will do something reckless and I need to stick around.”

It was your turn to scoff, “Yoongi, just say you stayed behind for me. It’s okay.”

He looked at you, brows furrowed, “Don’t flatter yourself.”

And he didn’t even deny it, you thought to yourself.

As soon as everyone got back, the rehearsal resumed. This time, it was a dress rehearsal. So you had more time and room for errors and adjustments. While Art is talking with the band about something related to your time on stage, you take a quick scroll on your phone. You instantly took notice of a certain tweet getting a lot of attention. You laughed at it as it sparked something in your brain. You swiped up your finger on the app to see more tweets from your fans, but a notification from a verified account popped up. You turned around to see Yoongi raising his brows. You typed in your phone before giving it to your very pregnant assistant, Cal.

The fishbowl method.

That method is known to be Yoongi's greatest enemy. Whenever any staff member of your tour brings out that glass bowl that was filled with rolled papers, he just knows he will hear his name from that staff member’s tongue. And today is no different day.

It was during the second rehearsal break of the day when Cal came in holding the infamous transparent bowl.

“So, everyone, this is for the Juno performance. We need two people for tonight,” she said it like it’s gonna be something fun.

Although Yoongi literally had no idea why, everyone seemed to be excited upon hearing Cal’s instructions as they cheered, including you. Fred, who is happily married and permanently removed from choices for the Juno performance participants, sat along with you and your dancers. He was cheering too. For more variety, the fishbowl included the names of your band members and dancers.

“YN, will you do the honors of picking two names in our bowl of names?” Cal called you up. 

“Okay, here we go. Drumroll, please,” you quipped, but Fred followed, running to his drums and playing them.

Knowing his fate, Yoongi was not surprised anymore when he heard his name after Noah’s. He is not even disappointed or frustrated. He just accepted and expected that the fishbowl method loves him. But what he did not expect was the reason for today’s fishbowl method. While you explained your plan for tonight’s Juno performance pose, Yoongi just shook his head with a smile as he was already used to your straightforward poses. He just didn’t expect that you could be this creative for positions.

“So, do you want to be at the back or the front?” Noah asked, which can sound strange without context.

Yoongi blinked, “What?”

He was obviously dumbfounded, making the others laugh. You tried not to laugh while you bit off your inner cheek.

“He means for the Eiffel Tower,” you explained, which didn’t really clarify anything for him.

Noah cuts in to help, “We are basically the tower itself, while YN is the centerpiece. She will bend forward, and we-” he clasped his hands together, “Are gonna high-five over her.”

“That’s your Juno position for tonight?!” Yoongi looked at him, then to you.

You nodded enthusiastically, “Yeah, the Eiffel Tower!”

When it finally registered in his head, everyone can see Yoongi’s shoulders deflating as he shakes his head with a smile. Just smiling over how stupid yet creative this whole thing is. His defeated stance made Fred and the dancers laugh. 

“I swear, we should change that fishbowl method,” he muttered, pushing his hair back.

“I think the fishbowl likes you a lot,” you teased him.

“I don’t think it was just the fishbowl,” he replied, making you pause while you three walk to the heart-shaped center stage.

Noah, who did not hear that last line since he walked faster, snapped his fingers, “Catch up, lovers. Let’s do this test run for the Eiffel Tower. I’m honestly starting to feel like the third wheel here.”

He said the name sarcastically, which resulted to you rolling your eyes and Yoongi scratching the back of his neck. You get into the position. You have your sparkly mic in your right hand, singing the last line before the pose. 

“Wanna try out some freaky position?” 

The guys stood on your front and back. Noah was on the front, while Yoongi was behind you.

“Have you ever tried… this one?” 

You bent forward as Yoongi and Noah high-fived over you, which instantly earned some whistling and cheers from your tour staff and dancers. You laughed, making you lose balance and accidentally grind against Yoongi. You only snapped out of it when he instinctively gripped your hips to steady you in place.

Noah, who saw this happen, gaped, “Oh my god, someone wash my eyes with holy water.”

Being the dramatic one, he threw up his hands and walked away in exaggerated disbelief. You and Yoongi, on the other hand, seemed to be in your own little world as you looked over your shoulder to look at him.

“Oops, sorry,” you said without really meaning it. 

He raised an eyebrow, “Really?”

You shrugged, standing back up, “Eh.”

Noah groaned from afar, leaning on one of the big speakers near their instruments, “Where is the HR for this tour?! I need to report something!”

The joke made everyone laugh. Akio, being the second most dramatic one in the band, dramatically consoled Noah. You stifled a laugh, turning around in their direction.

“Oh my god, you’re making me look like I’m a problem here.” you fed into their little bit that was going on.

Your best friend accusedly pointed out his finger, “You are the problem, and so is Tower B over there.”

Mr. Tower B, who stood next to you, remained casual as he muttered, “I don’t mind what’s going on. I kinda liked the view.”

The subtle smugness in his statement got a loud reaction from everyone. Fred laughed. The dancers howled. Akio and Noah groaned. The rehearsals are getting a little messier so Art had to step in.

“Okay, everyone. Let’s go rehearse the performance from the top again,” he signalled the dancers to stand up before turning to you and Yoongi. “And less thrusting, this time.”

You gasped even though you knew he was just teasing you, “There was no thrusting! I accidentally ground against him, that’s very much different!”

Art gave you a look that said, “Uh-huh, sure.”

Yoongi remained unbothered, “Yeah, thrusting is different. It requires intent.”

With that unexpected remark, the room erupted with laughter. All while your eyes widened, feeling the blood rushing to your cheeks.

“Yoongi!” you scolded him through an embarrassed gritted grin.

He looked at you, nonchalant as he blinked innocently,  “What? I was just explaining!”

SERIES TAGLIST

@busanbby-jjk @jimingirl95 @treacherqus @jajabro @marnz1990 @ktownshizzle @notarshia @m00njinnie @thelilbutifulthings @tarahardcore @livisdoingfine @jungshaking @eridanus-lynx @enthralled-bandit @goodnight-n-go-home @ronyiboniyy @jimeg629 @lveegsoi @madussthoughts @jalexad @ryryvna @kiki-zb @kam9404 @rtyuy1346

PERMANENT TAGLIST (CLOSED)

@dunixxd @cixrosie @jksjx @embrace-themagic @buttvi @starbtslove @missseoulite @vanntaesworld @kenqki @imajinthis @stopeatread @seolaquotes @greyrain23 @chimchimmarie @petalsofink @jayhope88 @moonchild1 @laylasbunbunny @nikkiordonez12 @misshale21 @marblemoonstones @butnotmontana @mar-lo-pap @ficluvr613 @senaqsstuff @stars4kooo

[deniigi]

Heyy I just wanted to say that your writing style and stories have always been a favourite of mine, they always read really well and make me laugh especially when the characters take everything with deadly seriousness in a weird as hell situation lmao.

you and a couple other authors have inspired me to write my first fic but I am having trouble with it kinda reading awkwardly or a bit clunky at times? I think it's partly because I'm so unused to reading my own writing but I was wondering if you have any tips on avoiding writing becoming stilted since most other things seem to be going well apart from that ;)

Thankyou for all the stories!!

Hello Anon!!

I am SO EXCITED that you’re doing the damn thing!!! Hell yes, welcome to the flock, welcome to our wonderful club, our most mortifying and delicious hobby.

To hopefully set your mind at ease: the writing is just going to be clunky sometimes, and oftentimes it literally has to be so that your reader understands what you’re trying to convey.

I don’t quite know what’s going on to make your writing feel clunky, but here are some general things which might hel:

1. Use characters’ names more often than the prose, purely from an artistic perspective, might appear to require.

I am extremely guilty of going:

He looked behind him, and there he was, dallying. Probably dreaming of shrimp.

And I come back to read it later with my reader in mind and I’m like. Who the fuck is ‘he?’ There are 3 pronouns in this sentence, and they could belong to anyone.

So I rewrite that as:

Anakin looked behind him and there Rex was, dallying. Probably dreaming of shrimp.

BEHOLD CLARITY. Alas, we lost the poetry of ‘he, him, dallying, probably dreaming,’ but I want people to associate Rex with dreaming and shrimp, not Anakin, so the sacrifice is justified.

2. Use transitions.

I know it sounds like a highschool/college (if you’re British) thing to be told to use things like ‘then,’ ‘however,’ ‘unfortunately,’ ‘meanwhile,’ and so on, but I find that writing that moves without those types of transitions between big ideas can feel a little clunky.

If you don’t want to use direct transitions, you can link your sentences together by sort of repeating ideas that happened in the one before it. That makes the writing feel cohesive and like it is building on itself.

Here is an example of what I would consider clunky writing without obvious transitions:

Matt broke all the bones in his fist that night. He went home. He took some pain meds at the top of the hour. Foggy soon smugly joined him on the couch; he told Peter that he and Matt recently rewrote Matt’s will to have his brain pickled in the name of science.

Here is an example that is a little smoother (bold are obvious transitions, italics are moments of repeating ideas):

Fortunately, earlier that day, Matt had broken all the bones in his fist. He’d spent the last several hours marveling at the efficacy of pain medication and contemplating how one might test its upper limits. Foggy, satisfied with his current place in the universe at the side of his lightly maimed, but resoundingly not-dead husband, told Peter that he was having Matt’s brain pickled after his death in the name of scientific advancement.

Peter thanked him on Science’s behalf for his future donation and redirected both lawyers’ attention to the restraining order in his hands.

(Just as a reminder, transitions don’t have to be only 1 word, they can be clauses, which is why there the last sentence has bold and italics in it)

3. Use literary devices.

Genuinely: alliteration, similes, metaphors, allegories, allusions, ALL OF THEM THINGS.

I personally feel like using things makes writing feel more lived in, and they can sort of dispel some of the clunkiness and frustration that comes with trying to express an emotion or simple action.

Ex.

‘He froze when the door opened. When he realized who it was, he sighed in relief.’ VERSUS ‘When the door opened, he became a dead mouse. When he realized who it was, he came back to life.’

IT JUST FEELS GOOD. I recently realized that literary devices are the tastiest snacks in all writing. I know I’ve been doing this for years, but like it literally did not dawn on me that someone might use them purposefully until I read Moby Dick by Herman Melville. I wanted so bad to write like him and so had to like, actually sit with the text and think about it to figure out how to do it.

And that brings me to the last point, since I’m sure I’ve nattered on long enough:

4. Emulate the styles of writers you like.

For me? Tonally, nothing can beat the way that Toni Morrison describes things in Beloved. I love how Herman Melville uses alliteration in Moby Dick. I fucking adore the floral propriety and didactism of Jane Austen’s Pride and Prejudice.

When I am writing, I’m trying to follow their lead and I’m thinking about how they string words together, and once I’m doing that, I find that I don’t feel like my writing is as disjointed or frustrating because I can see in my head what I am trying to emulate there.

WOW that was a lot. I hope something in there helped. Just so you know most people write like a billion drafts of smth before they hit on a way of telling the story that feels right. I wrote 6 versions of the last 2 chapters of my most recent Merlin fic. If nothing else, time will help.

[danganronpasurvivoraskblog]

THE HUNDRED LINE: LAST DEFENSE ACADEMY - Journal #5: Route 0 Days 57-66. [MASSIVE SPOILERS]

//As I mentioned before, due in part to me having more immediate obligations to get through, I ended up taking a break from this game. But when I did, I genuinely was so excited to get back to it that I started to go threw withdrawals.

//I'm not addicted YOU ARE!

//But in all seriousness, I wanted to try and cover as much ground as I possibly could. I was shooting to make go from Day 57, where I left off, to Day 70 at least.

//But man, this game is SO LONG. And these days in particular were jammed with SO MUCH STUFF.

//It's...hard to say how I feel about this arc of the story, but I can confidently say that it's probably the most emotionally damaging part.

//Which is actually ironic. One common theme of the Danganronpa games and their plots is they start of strong, tend to petter out during the middle, and then where it flops massively, it hits back with the most emotionally engaging, and typically the SADDEST part of the story.

//And even though Hundred Line is not split up by chapters, turns out it hit the same way. I complained a bunch about the previous stuff I experienced, but everything I found in this part was LEGENDARY.

//But I can't say any more than that, because again, spoilers.

DO NOT READ THE REST OF THIS POST IF YOU HAVE NOT PLAYED/SEEN THE HUNDRED LINE: LAST DEFENSE ACADEMY. I WILL BE TALKING ABOUT VERY SPECIFIC PLOT POINTS AND MAJOR SPOILERS FOR THE GAME.

//So let's get started:

DAY 57:

//One thing I will say out of the gate is that the actual plot progression over the course of these days is honestly kind of slow. It has a really slow, steady buildup, and then immediately, it all comes crashing down.

//The highlight of today's discussion, as I fully expected it would be, is Moko, as it's now been 8 days since she showed up at the school out of nowhere. Seeing as, by this point, she's the only one of the group not on the battlefield yet. I assumed that this arc would be centered around her, but there are other things to note as well.

//Specifically, the Invader Commander that we took prisoner after the last battle, is now in a cage in the courtyard, and Shouma is apparently taking care of her.

//Not gonna lie, Shouma's budding relationship with the enemy commander throughout this part, even if most of what we know is only given by word of mouth, is pretty engaging. Through this initial interaction, I started thinking that he might have had a crush on her.

//By the way, this Invader is CLEARLY an important character SOMEHOW, because she appears on the map and has her own icon, suggesting that she's someone we can talk to. As I said before, my current theory was that this Invader was going to end up being student number 16, since most of Kodaka's games have an evened out cast like that, and Hundred Line's lineup was only really one off.

//Ima and Kako show up a little later because they spent the night playing games and trying to ease into their new relationship dynamic. And credit where it is due, the way they interact now towards each other is MUCH better!

//I think the big issue is that the sister-complex nature of Ima, and the submissive sister nature of Kako made it really hard to relate and sympathize with them both. But now that Ima's worldview has changed and Kako is trying to be more independent, they now seem just like regular siblings, and I can definitely get behind that.

//I would KILL someone to have a Danganronpa/Danganronpa-style game that features siblings, and just HAVE THEM BE SIBLINGS. It's my firm belief, based on...very obvious past experience, that having siblings, especially if they're twins, in a killing game is just a really obvious plot point in the making, where one of them dies, they both die in the same trial, one impersonates the other, etc. There's so little you can do with that idea, which is why I'm never on board with it.

//This is definitely acceptable though. And as rushed as the story felt, I am happy that Ima is now treating Kako like a sister rather than his most cherished property.

//I spent Free Time as I often do; with trying to level up my social stats and physical stats, but during my break, I was given some advice on something.

//Someone told me that it was a really good idea to get everyone to learn Last Yell, and then try abusing that move as much as possible in the battles. Especially the one's that last for a while, i.e. more than one round.

//I haven't actually talked about it before, but to go into a bit more detail here, but up until now, I've mainly been using the voltage meter to use my super abilities and take out enemies in a large group. But on top of using the meter to use ultimate moves, you can also use them to give your character's a boost, like a boost in damage for instance, one of which is called Last Yell.

//The way Last Yell works is once it's activated, whenever an ally uses a skill while you're sitting at exactly 1 Action Point, there's a 50% chance that whoever has Last Yell active will trigger an effect called Support. Support enhances that skill, adding +2 damage and granting 2x Voltage instead of the usual amount.

//The really interesting, and frankly absurd part is that multiple instances of Last Yell can be triggered by a single skill, assuming that most of your characters around you have it activated. These effects stack additively. You can trigger up to 4 instances of Support, resulting in a potential +8 bonus damage and 5x Voltage gain from a single skill, assuming your luck holds.

//Which makes this ability not only INSANELY STRONG, but also VERY STACKABLE.

//The true hilarity begins when you strategically lower your AP to 1 and intentionally leave a few AP-boosting enemies alive. If you line things up right, a single skill can wipe out several of them at once, and each kill can independently trigger Last Yell, rapidly snowballing your Voltage. This Voltage can then be reinvested into activating MORE Last Yell Boosts, amplifying the effect even further.

//When it’s time to face the boss, you repeat the process: bring your AP back down to 1 and use the Voltage you’ve generated to trigger Act Again instead. With the right setup and a bit of RNG, this effectively converts 100 Voltage into multiple skill activations, each one hitting with +8 damage or more.

//And again, this lasts across the whole battle, so you don't need to reapply it to characters after each wave.

//Unfortunately, I didn't have much of a chance to actually TEST this power, because most of the fights I did in this part of the story only lasted around two rounds, and in the major boss one (spoilers) the first round only has you use two characters on the field, and the rest of your squad join in the second round. So there wasn't really any way I could use this in-game hack effectively. But it's definitely something to keep in mind for the future.

//So I grinded a bunch of BP, and got everyone in the squad to learn it.

//I DID consider maybe going on an exploration, because I want to upgrade my gear and potions and don't have enough levels or gear for it at the moment. However, I decided against it, because Nozomi is unavailable for the current period; being too focused on taking care of Moko, and can't come out with us.

//Nozomi kind of carries me during lengthy explorations, so I didn't want to risk going out there without her.

DAY 58:

//Day 58 was pretty uneventful overall. The only major development is that Moko seems to have come down with a fever, and things aren’t looking good for her. Her condition just keeps getting worse, adding to the growing sense of hopelessness surrounding her situation, and Nozomi is running herself ragged trying to help her.

//What stood out to me most during the day was my curiosity about how the invader commander might eventually tie into the main plot.

//Once again, I’ve been speculating that she could be the mysterious 16th character, though based on what’s currently happening, I’m still not entirely sure how that would work. There’s just not enough narrative groundwork laid for that twist, at least not yet.

//Again, nothing much happened today, I just spent the Free Time like I normally would, but the day wraps up with another flashback to Karua.

//In the scene, Karua is nursing a sick dog back to health, and Takumi ends up taking care of her when she herself inevitably falls ill from looking after it. Again, all of these Karua scenes tie back to her subtle connection to Nozomi in some way, and Nozomi herself is being shown to be losing sleep and health because she's too serious about taking care of Moko, just as Karua was this dog.

//It also retroactively explains her actions during the prologue, where she ran off after the stray dog that turns out to be Sirei. She just has a strong instinct to protect lost or sick animals, even at her own expense.

//By the way, I should mention something I’ve noticed but haven’t brought up until now: almost all of Takumi’s flashbacks involving Karua have Clair de Lune playing softly in the background.

//For you Danganronpa fans out there who somehow don't recognize it, that's Kaede's song from V3 that plays at the end of Chapter 1 when Shuichi is in her lab by himself, after she's died. It's a song that's pretty synonymous with Kaede and V3 as a whole, and in the music credits of the game, she's even listed as the song's composer.

//While that track is often associated with Danganronpa, it’s interesting that it only shows up once or twice in those games. Apparently, it's used far more heavily in The Evil Within, which makes sense when you realize that Masafumi Takada, the composer for both Danganronpa and The Hundred Line, also did the music for that game.

//I haven't played The Evil Within, so I don't really understand the deeper meaning of that song being in it, but there's not really much reason for it to be tied to Karua in all the scenes we see of her. So rather than being a deliberate thematic reference, I get the sense that Takada just really, REALLY likes that song, lol.

DAY 59:

//Shouma is clearly forging a deeper connection with the enemy commander. Despite the language barrier between them, he's managed to prove that meaningful communication is possible between our species. Apparently, he spoke to her, and, surprisingly, she not only understood him but seemed to genuinely enjoy the exchange. It’s a small but powerful gesture that suggests a potential bridge between our two worlds.

//However, this development doesn't sit well with the rest of the unit, and it’s easy to understand why.

//The more Shouma learns about the commander, the harder it becomes to uphold the narrative that the Invaders are fundamentally alien or inhuman. They're intelligent, capable of understanding language, and able to form emotional connections, just as any regular human being could. Considering they also use hemoanima to fight and transform, really, the only difference between us and them at this point in terms of nature is that we speak different languages.

//In particular, the likes of Kyoshika and Kurara don't like it, because as far as they're concerned, the Invaders are murderous monsters who must be annihilated. Likening them to fellow humans when protecting humanity is the reason we're here in the first place doesn't bode well for them.

//So when Shouma starts treating the enemy with empathy or even curiosity, it feels like a betrayal of purpose. After all, we’re supposed to be here to protect humanity, not question whether the so-called monsters we're fighting might actually be people too. As those differences fade, so too does the moral clarity of our mission.

//On a different note, I’ve noticed a shift in the game’s pacing. Earlier on, I remember complaining that there wasn’t enough free time to explore or build relationships, but now, I seem to have more downtime than I know what to do with.

//Wanting to make use of it, I went to the school library in the afternoon to boost my social stats and ended up reading yet another heavily censored book. But this one had an interesting detail that stood out.

//It confirmed something I’d been suspecting, and that I talked about in my previous posts for this game. Not all media was simply lost after the Tokyo Residential Complex was established. Some of it was DELIBERATELY destroyed. Specifically, anything containing records of human history before the Complex existed.

//That revelation adds an unsettling layer to the worldbuilding. It makes you wonder what exactly are they trying so hard to erase? What truths have been buried under layers of propaganda and silence?

//We obviously know it's related to World Death, but even that suggests there's more behind World Death's origins and what it actually is than we're let in on.

//With the strange behavior of the Invaders, Shouma’s growing bond with the commander, and the increasingly obvious signs of a rewritten history, I’m starting to question the entire narrative we’ve been given. The real question is...are we REALLY the heroes of this story?

//Again, mostly standard day, but I do want to quickly make a note that there was this line in the breakfast scene that suggested that not even Shouma's dog loved him, and was actually trying to run away from him. Which is actually super depressing, because Shouma's dog was supposed to be the only thing in the world that cared about him, and is the very reason he's out here fighting.

DAY 60:

//We've offically been here for two months, and all dumbass Sirei could do was show up in a suit, apparently not having prepared anything.

//This is where the somewhat casual air of the story starts to take a bit of a turn, and we get more suggestions as to what's really going on here. It starts off with Moko not getting any better, so Nozomi prepares to go out and get ingredients so she can make some kind of medicine with the Gift-O'-Matic. Takumi doesn't want her going alone, so he heads out with her.

//This isn't my first rodeo doing this as part of the story. We basically have to move the characters around the board to three locations to progress. After touching down on the second one though, it suddenly starts raining.

//That rain becomes a thunderstorm after grabbing the third and final ingredient, and not wanting to be struck by lightning, Takumi and Nozomi duck into a nearby building to wait out the storm.

//This is a pretty crucial moment, because this is the first time that Takumi and Nozomi have been alone since they met. And not in a hostile way either.

//However, even though this is Takumi's chance to finally have a one-on-one conversation with her about her potential connection to his childhood friend, he reads the room, and decides not to bring it up directly.

//Nozomi is really out here acting like she's not the most integral member of the party, smh.

//Nozomi ends up talking a little about her routine back in the TRC, though not in much detail. But in the middle of this reflective moment, she accidentally drops a major revelation; one that completely shifts Takumi’s understanding of her place in the story.

//Without meaning to, she lets it slip that she WASN'T recruited into the war effort the same way the rest of us were. In fact, from what she says, it becomes clear that she was never meant to be at the Last Defense Academy at all.

//At least...that's what I'm getting.

//By this point, I had already started to suspect something was off about Nozomi compared to the rest of the group. Rather, I had expected as much since her debut in the trailer; purely from the fact that she had a different means of combat than everyone else.

//Everyone at the academy shares one critical trait: we all have a specific kind of special blood anomaly that enables us to wield Hemoanima...or at the very least, that's the feeling I'm getting from Shouma's flashbacks to the Kamukura hospital. It’s the cornerstone of our combat potential and the primary reason we were drafted into this war.

//But Nozomi stands out. She’s never demonstrated the same affinity for Hemoanima as the rest of us. Instead, she relies entirely on her custom artificial armor to fight. And now, with this accidental admission, the pieces begin to fall into place.

//My guess is the real reason she can’t use Hemoanima is because she doesn’t have the blood type, and she was never compatible in the first place. Unlike the rest of us, she wasn’t chosen; she herself chose this path. She VOLUNTEERED to fight in a war she wasn’t meant to be a part of.

//Realizing she’s said too much, Nozomi goes quiet. But instead of shutting down completely or deflecting with a lie, she simply asks Takumi to drop the subject...for now.

//I like Nozomi's reaction to this. She doesn't freak out about it, she just makes a calm request. It shows that she trusts him, not just to keep her secret, but to respect her boundaries. And considering how rocky they started off, this is a good thing.

//She’s not ready to talk about it, and yet she’s vulnerable enough in his presence to admit that.

//However, the situation however only gets more confusing after that.

//Nozomi quietly reveals that her mother was a researcher; a detail that immediately draws ANOTHER parallel to Karua, whose mother is also known to be involved in scientific work. We found this out during Karua's introduction in the prologue.

//But as Nozomi continues, the similarities begin to blur into something more unsettling. She offhandedly mentions that her own birth was one of her mother’s many experiments, implying she may have been created or modified as part of a larger scientific agenda. It’s this almost chilling admission that casts her entire existence in a more ambiguous, possibly artificial light.

//Adding to that mystery, Nozomi's mother is supposedly dead, while Karua’s mother is still alive...

//...as far as WE presume, at least. The truth is, we have never MET Karua's mother. She only talks about how she's never home, so the possibility that Karua's mother could be gone is also non-zero.

//There's a chance that Karua's mother did pass away, and Karua never really talked about it to the Sumino family.

//And then there’s the matter of their fathers. Both Nozomi and Karua lost their fathers in car accidents during childhood. That parallel feels too specific to be coincidence, yet the emotional texture around each story is distinct enough to prevent an easy conclusion.

//I just want to give this game credit for doing a really good job at handling the Nozomi/Karua mystery. Because no mystery in this game has fucked with my brain more than this one.

//These two seem to share a mirrored origin, as if they’re reflections of one another rather than entirely separate people. On the surface, they appear fundamentally different in personality, outlook, and role in the story, but they are strikingly aligned in appearance, backstory, connections to scientific institutions, and a sense of being shaped by forces beyond their control.

//The game is walking a fine line, skillfully feeding just enough symmetry to make you suspicious, while also presenting enough divergence to keep you uncertain.

//There have been so many possibilities and explanations brought up so far. Are they sisters? Clones? Variants from different timelines?

//None of those feel right, and yet, there's no clearly obvious way to explain it either, other than Karua and Nozomi just ARE the same person. But again, even THAT doesn't feel right with all that we know so far!

DAY 61:

//By the time Takumi and Nozomi return to the academy the next morning, having weathered the storm overnight, they're greeted at the entrance by Eito, who’s waiting with unexpected news.

//Though their original reason for venturing out was to gather ingredients to make medicine for Moko, it turns out that Moko has already made a full recovery in their absence. And sure enough, when we return to the cafeteria, there she is, waiting for us.

//(GOD she is so absurdly big...!)

//Upon reuniting, Moko properly introduces herself for the first time, and her presence INSTANTLY shifts the atmosphere. What follows is a heartwarming reunion between her and Nozomi.

//As for Moko herself...Yeah, I REALLY like her!

//It becomes clear pretty quickly that all the good feats Nozomi spouted about Moko before are true. She's loud, goofy, and delightfully over-the-top, she barrels into the scene with an energy that’s impossible to ignore. Her personality is larger than life, and in just this brief introduction, she manages to bring levity and laughter.

//There’s something incredibly endearing about how unfiltered and open she is, even when she's saying some kind of violent bullshit. She has a kind of “big sister” presence, but not in a solemn or protective way, more in the sense that she’s the type to ruffle your hair, tease you relentlessly, and then throw you over her shoulder affectionately.

//Even in this short exchange, it’s hard not to smile when she’s on screen.

//Although, we do get a very brief hint that something's not quite right with her when everyone asks if she's fit and fighting ready to combat the Invaders. More on that in a bit though.

DAY 62:

//Takumi begins today dwelling on his discussions with Nozomi, and isn't really giving much attention to her accidental confession. Instead, he's focusing more in the experimental side of things.

//Assuming Nozomi IS Karua, he suspects that the experiments that Nozomi underwent is the reason why she doesn't remember him. Which...you know, I'm willing to give credence on this line of thinking. Even if I am left guessing, that's still a better avenue than nothing.

//But even with that, there's so much lore to unpack here.

//For reasons that I can't quite explain, I keep going to check up on the captured commander every morning before I head to the restaurant, thinking that she might do something or say anything to me. I kind of wanted to see if anything had changed behind the scenes.

//On the first day when I went to check on her she looked sad, but since then, her expression is more passive and she hasn't been saying anything. She's not been smiling or anything, but I keep going back to look.

//Entering the cafeteria, Moko is standing in the middle of the room and recounting a story that's making everyone laugh their asses off over it.

//Moko tells a lot of stories at breakfast over the course of these few days. The best part about them is I can't tell if they're tall tales or not, because knowing who's writing this game, these events are perfectly plausible.

//What made me laugh was that whenever all the characters are in a room together, I have a tendency to talk to all the characters I'm not supposed to talk to, then talk to the important character to progress the story; just so I don't miss out on all the optional dialogue. And this time when I did it, I talked to Ima, who was basically saying that he's worried that Kako would be inspired by Moko, and hopes that she doesn't start thinking she wants to be like her, followed immediately by Kako saying she wants to be just like her. That gave me a tickle.

//We actually cut to business quickly after the story, and as it turns out, Moko, suspiciously, doesn't remember anything when she got captured by the invaders, suggesting that her memory had been wiped. So we're unfortunately not getting much out of her on THAT front for the moment.

//Not that I expected we would. We don't tend to have a lot of luck with this kind of thing.

//It took me a while to click honestly. I thought that the game was suggesting that Shouma was going to have a romantic tension with the Invader we captured, but right now it seems more like he's treating her like a pet.

//RESPECTFULLY of course, but he's not quite seeing her as an equal human being. Or rather, maybe he is seeing her as an equal, but only because he himself thinks he's on a dog's level.

DAY 63:

//NOOOOTHING FUUUUCKING HAAAAPPEEEENED!

//Basically we just rinse and repeated what happened the previous day. Wake up, hear Moko chatting about shit in the cafeteria, something doesn't seem right, Free Time.

//I do have a couple small highlights. For one, you can talk to Yugamu in the hallway before you go to breakfast.

//Takumi and Yugamu haven't had a single wholesome interaction yet. Takumi just DOES NOT LIKE THIS MAN, haha.

//Similarly, Darumi clearly doesn't like Moko at all. But obviously, that's because happy situations where people are alive and merry are her kryptonite basically.

//And once again, Nozomi herself seems to be noticing more keenly that something is up with Moko.

DAY 64:

//That kind of culminates into today, and the following day too.

//The moment you walk into the cafeteria, you sense there's something off about Moko. Unlike the last two days, she’s not at her usual post telling the morning story, and instead looking distant and aloof in the corner, in a way that's kind of eerie.

//I actually kind of started getting chills at this point. I should have realized at that time that they must have meant something.

//More directly, the news for today is that through his interactions, Shouma has somehow taught the Invader to speak like a human. Or at the very least, he managed to teach her how to say the word "Beautiful" in their language.

//I honestly do feel a little bit bad for Shouma in this part of the story, because he clearly cares about the Invader we captured. But everyone else is treating her like a feral animal with rabies, and honestly, that might be the safer bet. But still, she doesn’t seem violent. I just hope Shouma’s attachment doesn’t end up getting someone hurt, or cause a rift in the group.

//Later that evening, Nozomi shows up at Takumi’s door, and invites him to a quiet classroom to talk privately. She says she suspects Moko is hiding something, which...yeah, no kidding. Moko’s whole vibe has been really off lately, despite having a really corny introduction.

//After a short conversation, Nozomi agrees to confront her. It's risky, but we need answers before this situation spirals any further out of control.

DAY 65:

//This is where things go from "Oh God" to "OH SHIT!"

//Remember how I mentioned that this part of the story is the most emotional trainwreck we've seen so far? Well, here's why.

//Moko tells another story in the morning, and I swear, these tales get more outlandish as things go along.

//But more importantly, Takumi suspects that Nozomi called Moko to the same room she called him the previous day, and worrying for her, he goes to eavesdrop.

//Things...don't go well.

//Kudos to Nozomi, she at least goes out of her way to explain thoroughly to Moko what she noticed, and why she was concerned, on top of giving her very good reasoning for it. But Moko's response is to blow up on her, and she even accuses her of being a fake friend, getting close for no reason other than wanting whatever information she forgot about the Invaders.

//And it becomes very clear very quickly why Moko is suddenly acting so untowards...and it's NOT pretty.

//Takumi goes to check up on Nozomi afterwards to see if she's okay, and ends up coming clean about eavesdropping.

//Side note, Nozomi's room is actually super cute and cozy looking. Not-Not really much of a big deal, kinda just wanted to mention it because I like it.

//Anyway, a conversation ensues, and Takumi comforts Nozomi, sympathizing with her, and Nozomi resolves to apologize to Moko in the morning.

//Things seem like they're really tense after Moko and Nozomi's argument, but then somehow, things get even worse.

//And by the way...get used to hearing me say that. Because for these last few days to cover here, we just get bad news after bad news after bad news, and we keep getting the shit beaten out of us by the narrative.

//The boy wreathed in the Undying Flames appears again in Takumi’s room that night, and as we are already aware of by now, every time he shows up, disaster follows. First, it was Sirei’s death, then Hiruko vanished, etcetera.

//Takumi doesn’t waste a second. He bolts after the boy, convinced the ghost is headed toward the Defense Room (Not sure why because if the ghost was looming in the school he'd have multiple chances to get to the Defense Room, but...okay)

//But instead of catching up to him, he runs straight into Moko in the hallway. And this is where everything gets surreal.

//Moko's dialogue starts glitching with random capital letters in it. Her sprite begins to warp as well, and as Takumi follows her, her features become twisted and grotesque.

//When Takumi finally reaches the Defense Room, it’s not the boy waiting there, but Moko. And what he sees is nothing short of a nightmare. Moko is standing far too close to the barrier of Undying Flames. Takumi tries to pull her back, to stop her from breaching whatever lies behind the fire, but then she turns...

//OH FUCK MY ASS!!!??

//Yeah, not gonna lie, even with the buildup, this CG scared the SHIT out of me! It was WAY more horrifying than I thought it would end up being, and it's enough to make someone pull a Tsubasa and throw the hell up.

//When I first saw what was going on, I had the sickening thought that what happened is the Invaders turned Moko into one of them when they captured her. I haven't talked about it explicitly, but I had this theory before that the Invaders weren’t born, but were actually humans twisted into something else. If they captured Moko, maybe that’s what happened to her. And maybe all of her weird mannerisms the previous few days were just the result of her humanity slipping away.

//Just as things spiral completely out of control, not only does Nozomi appear, but the Undying Flames react, almost like they recognize her presence. They lash out at "Moko," hurling her out of the room and out of the school entirely.

//Takumi and Nozomi go to get her, but before that, Takumi insists they suit up. So with it being just the two of them, and with no alarms sounding, they jump into the battlefield.

//Before we fight, we get a few more cutscenes of Nozomi trying to get through to Moko. I get where she's coming from, like, she really wants to believe there’s still a piece of her friend left in that thing, but man, she’s really slow to accept that Moko is long gone.

//It’s rough to watch honestly. The story is putting Nozomi through the emotional wringer, and she barely gets a breath before it throws her into another devastating scene.

//The first round of the fight kicks off with just Nozomi and Takumi squaring off against the thing wearing Moko’s face, and a swarm of smaller, shadow-like creatures she summons.

//I'm gonna be completely honest, I wasn’t expecting her to hit that hard (despite, you know, the fact that Moko is a wrestler), so Takumi actually got taken out in the first round. Luckily, he did enough damage, and Nozomi finished Moko off pretty quickly.

/.Visually, this whole display is horrifically stunning. Not only is the enemy design grotesque, but the dialogue cuts deep. The horror elements are firing on all cylinders, and I think this is the closest I've ever been to finding one of Kodaka's games genuinely scary.

//Thankfully, backup arrives just in time. The rest of the gang shows up finally, where Yugamu puts his bizarre and encyclopedic knowledge of the human body to use, and explains the full scope of the situation.

//As it turns out, Moko wasn’t possessed, and she didn’t turn into anything. What we’ve been fighting isn’t Moko at all. It’s an Invader Commander wearing her skin, and it's been im impersonating her from the start.

//Looking back, this explains A LOT. It explains how and why Moko was able to get through the wall of fire without any hemoanima-based fire hydrant, and ALSO why when she showed up, the school alarm sounded. It's kinda freaky looking back and noticing all the oddities.

//Then Fake Moko turns up the nightmare factor, as she starts creating twisted shadow versions of the team; one for each of us. It’s a full-blown shadow clone battle, and honestly, it’s a fun mechanic.

//Darumi throws out a meta-comment pre-fight, "Clones make things easier for the devs," which cracks me up even as I’m clenching through the chaos.

//Honestly, this battle, at least for the first half, is TOUGH! More than I expected. The shadow clones have all our moves and abilities, and the only saving grace is that they don't have much health, meaning one good super move is taking them out easily. It's best to make sure you use the characters who can hit in a wide area with their attacks, like Gaku or Ima.

//But I make a point to let Nozomi land the final blow. She’s earned it.

//When the Invader finally collapses, it drops the mask. I'm impressed because this wasn't just mimicry. This thing had access to all of Moko’s memories, her voice, her habits, everything. It was a near-perfect copy. The only reason we even noticed something was wrong was because of the subtle breaks.

//Then comes the gut punch: the commander confirms it. The real Moko is dead. There’s no saving her. She’s gone. And with that, any hope of her returning to the team dies too.

//On top of that, the commander's initial plan was to go in under the guise of Moko being sick, and get to the Defense Room without anyone noticing. But because Nozomi never left its side, that was impossible. They tried to do it on the day Nozomi left with Takumi, which is why Moko conviniently woke up.

//So we're probably not even gonna be able to see what Moko can do until we do another playthrough, where we might get a chance to save her before she gets captured.

//This affects everyone pretty badly, because they'd all grown to really like Moko, only now finding out she was never the real deal. Just a copy that was out to get them all. The scene ends with Eito killing it when it went silent.

//Out of rage, detest, and spite against the Invaders for what they did to Moko, the others are ready to take it out on the Invader we’ve been keeping locked up, the one Shouma’s been trying to reach. Ultimately though, they’re simply heartbroken, betrayed, and just looking for somewhere to put that pain.

//But before it explodes into another tragedy, Eito steps in. Then Takumi. And, in what might be the most heartbreaking part of all, even Nozomi asks everyone to stop. Despite being ridden with Despair over finding out her best friend was killed by the enemy and impersonated, she rightfully points out that now's not really a good time. They should come to a conclusion in the morning.

DAY 66:

//No, far from it. Day 65 was an emotional beating in and of itself, but waking up literally the next morning, and things somehow go from ABSOLUTELY AWFUL to EVEN WORSE!

//We honestly shouldn't have even brought up the possibility of killing the Invader we captured, because lo and behold, that bitch ESCAPED from the cage!

//The timing is way too convenient. The lock on her holding cell has been clearly broken, not picked or bypassed, and considering she didn't have the means of getting out on her own because her abilities were deactivated, someone let her out. That much is obvious.

//Naturally, all eyes turn to Shouma. He had the motive and he had the access, since he was assigned to watch her. It adds up on the surface, but even the characters themselves point out that it still doesn’t sit right. Shouma doesn't have the emotional will to betray everyone, as much as he cared for the Invader and as much as he tried to defend her. Plus, he had the key to her cage, so why would he break the lock.

//Personally, I suspect Eito again. He's still my prime suspect for killing Sirei and making Hiruko vanish, as well as burning our food. So this could be the next phase of his plan.

//The problem is I really don't understand his angle this time, assuming that he IS the traitor.

//Then again, I never understand what his angle is. He’s clearly trying to weaken us from within for whatever reason, but this seems like a really unprompted tactic. Why release someone we were planning to execute anyway?

//Takumi, on the other hand, doubles down on blaming the Undying Flames Boy. He’s convinced the ghost is orchestrating all of this from the shadows.

//But Nozomi, ever the voice of reason despite everything, finally pushes back, finally pointing out that without the boy’s sudden appearance, Takumi never would have found Fake Moko in time. If anything, the boy SAVED us.

//I don't really get why Takumi is so insistent the Undying Flames boy is evil when he hasn't really done anything untowards yet. Takumi might just be that stupid, or at the very least, he's not spending much time thinking about it.

//And just as we’re all knee-deep in suspicion and tension, the situation gets even worse. Turns out, the escaped Invader didn’t leave alone.

//One thing that everyone noticed early that morning is that the Tsukumo Twins didn't show up to breakfast. We assumed they were late again, because they both slept in after the last big battle we did, but the situation is...far worse than we thought.

//Takumi goes to the Entrance Hall, and as he does, Kako suddenly comes back in, dressed in her Class Armor, and no sign of Ima. She passes out, and after she recovers, we find out that the Invader left the academy and took him hostage.

//Ima. The newest member of our team. The one who just started opening up, started fitting in. And now he’s gone.

//But...haha...SAY IT WITH ME EVERYONE! "IT! GETS! WORSE!"

//The fire extinguishers in the entrance hall and the emergency ones on the bus are BOTH BROKEN. So not only can we not get outside the Wall of Flames to chase after Ima and save him but we’re essentially TRAPPED IN THE SCHOOL! Surrounded by the Undying Flames, with no clear way out.

//This is bad for multiple reasons. The main one is that we obviously can't rescue Ima from whatever fate he's currently suffering, but also we get most of our resources from random shit we happen to scavange in the wild. Now we can't even do that.

// might be misremembering here, but I'm pretty sure Takumi blames the Undying Flames boy again.

I still don’t understand Takumi’s obsession with him. Every time he’s shown up, something helpful has happened, if not directly, then indirectly. He’s never spoken a word, never raised a hand against us. If anything, he seems like the only one trying to guide us. And yet, Takumi can’t let it go.

//The loss of Ima hits hard. We were just beginning to get to know him, to fold him into the rhythm of the group. And now, just like Hiruko, and just like Moko, he’s gone. Probably permanently. At this point, I’m scared to hope for anything different.

Conclusion:

//After my disappointments from the previous arc of the story, this one brought some amazing plot points, mysteries, and generally awesome times all around. Here's my takeaways:

The mystery of how Nozomi is connected to Karua, or whether they are the same person or not, is starting to become more and more layered, and as such, I gradually grow more and more interested in it.

I feel really bad for Nozomi in this part. She got emotionally damaged by what happened and I don't know how she's going to cope with it going forward.

Shouma's unexpected fondness and budding relationship with the Invader Commander, though it only lasted a few days, was unexpected, but not unwelcome. I enjoyed it.

The whole situation with Moko turning out to be an enemy commander in disguise was so sad, so TERRIFYING, and so BRILLIANT. Day 65 genuinely had my heart racing the whole time.

My hopes for Ima's survival after this are not high. Now that the Invaders have him, I think it's light's out for him. He's in my prayers though.

I am honestly a little disappointed that both Ima and Moko are gone. I only got to use Ima in two battles, and I didn't get to use Moko in ANY. I'm really hoping my theory about the timeline reset is right so I can use them both for real.

//Man, you don't know how good it feels to finally be back to playing this game again. Like I said, I was starting to go into withdrawals during my break. I'm enjoying it THAT much, even with all the despair and pain it's giving me.

//Can't wait to see what happens next~

-Mod

[keferon]

Getting lost (part 2/?)!!

-----------------------------------------

The humans were really weird today, they had treated him to a meal in addition to the frozen fish he got every day, and he had done nothing! His pool was closed to the public, which only happened when he had a medical appointment and he hated them. The feeling of apprehension clouded his thoughts, it steamed in his belly, resonated in his heart before intruding into his flesh and bones, filling his being with a tugging, a curious desire to search, to understand. With this thick cloud blocking his little world of thoughts and the many staff members circling around his waters, he only wanted one thing: answers.

He would have asked, he COULD have asked, but humans didn't like that. He often tried to talk to them, but the more words came out of his mouth, when his language went beyond simple things like "eat" and "hello", their gaze withered, in the same way that an overwatered flower would have done. The truth brushed the veil of their thoughts before being quickly rejected for coos of joy and excitement at the new words that the orca had learned. And they couldn't really hear him anyway, people he recognized as veterinarians thanks to their green outfits were standing behind the glass of his indoor aquarium and not on the platform they normally used above the water. It felt more like a check-up than a real intervention and he thanked all the deities he knew for that! But no verbal interaction for him.

That still didn't explain why his part of the aquarium was closed. The keepers liked to do their check-ups in public, and honestly it, reassured him not to be alone during them. Being alone made him feel empty, there was nothing to do, nothing to say....just him and himself. He loathed when his body became numb from inactivity, when even his emotions mixed in the melancholy of his thoughts to become nothing but noise without purpose or words. He knew that the more the days passed, the more the little world he tried to keep in a corner of his head crumbled and that one day it would end up collapsing. That day, he will have gotten lost deep enough to never get out again, and there are days when he wonders if he would do better to swim faster to the bottom, to stop the internal bomb that was sleeping inside him, to let the ticking of the clock stop for good and to finally be at peace.

Little taps on the surface brought him out of thoughts he didn't want to have, that he tried as best he could to hide. It was his signal, maybe everything wasn't completely different today? Without hesitation he gave a simple tail swipe that propelled him without any real force towards the air. It was much too hot for his taste, one of the big disadvantages of summer, which made him think that they hadn't provided him with any enrichment with ice recently, maybe they didn't have enough for the whole park? His gaze fell on his regular keeper, Brice, who gave him a gentle pat on the top of his head between his ears.

"Hi buddy"

He cooed before throwing him a fish from a basin placed next to him. Jazz caught it on the fly, creating waves under his weight that soaked the keeper from head to toe, making him laugh. He liked to make people laugh, he was good at it, and he knew that the more he did it, the more humans would come and the less alone he would be. While eating his meal (they were really generous today), he saw Brice talking to the veterinarians who had been behind the window a few moments earlier but also to other people he didn't recognize, inspectors perhaps? In any case, their conversation was clear, even if the humans, as usual, didn't suspect that he was listening.

"Are we sure that the procedure is possible?

- One hundred percent, Jazz is completely docile and has no wounds that could be infected by a mystery disease from the other.

- The new mer is clearly not docile, he has been trying to escape since he woke up. I recommend a gentle approach, a quick first contact so that they assimilate each other."

The orca's ears perked up and his food froze in his throat. A new mer? Here?? He seemed to pause in his rapid descent into the heart of his mind, a pause in the chaos as the numbers of the bomb stopped decreasing, all to listen, to confirm the growing feeling in his chest. Hope? Fear? Stress or just pure denial that something like this could happen? In his head, a new melody began to write itself.

-----------------------------------------

-🦇🐧

Part 2 is less poetic, I didn't have the strenght for it🥲 hope you still like it!

OOOOOOOOOAAAHHHHH I LOVE IT I LOVE IT I LOVE IT SO MUCH DKLDNFKELNDHFKF

[odoraful]

details in snowy serenity | zayne ❄️

[igotsnothing]

Over the past couple of days, I’ve been coming across posts from folks cheering and encouraging people to create and share without worrying about notes or reblogs—to post because it brings joy. Those posts are well-intentioned; they can be good reminders and motivators. But if you’re new here or feeling discouraged, I want to offer something a little different. Not a pep talk, but a bit of perspective.

First: yes, putting effort into something and getting no response can sting. That feeling is valid. It’s human to want to be seen. You’re not wrong for caring. But caring doesn’t guarantee attention—and attention doesn’t necessarily reflect the quality of your work.

I’ve seen incredible creators go mostly unnoticed. I’ve seen casual shitposts take off (no shade—those are fun too). There’s no clear formula. Timing, interests, luck, the folks in your orbit—those things all play a role. And if you start chasing visibility like it’s a sign of your worth, you’re going to burn out fast.

We’ve all seen it: creators who write long, apologetic posts explaining how this place is affecting their well-being, messing with their heads, or folks who rage-quit, wondering what else they could have done to win people’s admiration.

The truth is, no one owes you anything here. You're not entitled to likes and reblogs, or people's time and adulation merely for creating. That’s not meant to sound harsh—it’s just reality. But there’s a kind of freedom in that too. Because if no one owes you attention, you’re also free to stop tying your value to whether or not you get it. Your worth isn’t measured in likes or reblogs, and the moment you start believing it is, this space will start to feel like punishment. You’ll start wondering if you did something wrong when that post doesn’t get as much engagement. You’ll begin sacrificing what you enjoy making in favor of what you think others will like. You'll resent mutuals who might not be interacting as much or as frequently. And in doing that, you risk losing the spark that made you want to create in the first place.

So if you find yourself refreshing for notes—if you catch yourself chasing attention—it might be worth asking: Do I want to share this, or am I hoping it’ll make me feel something I’m missing? Either answer is okay. Just… be honest with yourself.

That’s not a judgment—it’s just a checkpoint. A pause. Because the more honest you are with yourself about your intentions, the more peace you’ll find in creating.

An alternative to chasing crowds is to create because not creating feels worse. Because it keeps you thinking, moving, and engaged with your own voice.

You’re not creating for nothing. You’re creating to keep the habit, the practice, the part of you that makes things—even without applause.

That’s enough. And if it’s not? Go do something else. You don’t need this place to prove anything.

[sainz100]

some Max moments from the 2024 Qatar GP

[insomnova]

god i wish they hadn't retconned maul's death. i get wanting to explore more of his character because he was, objectively, one of the coolest star wars characters to ever hit the big screen and didn't get much screentime prior to his death, but also his role was fulfilled perfectly within those constraints so i wasn't too upset by it.

but by retconning it and making it so he never died it's like. okay. what now? the whole point (well, to me, ymmv of course) of the theed generator fight was that it was the first ever fight between the jedi and the sith in thousands of years, and that in the end even though the jedi (obi-wan) won the fight, a jedi (qui-gon) and a sith (maul) still died. a master and an apprentice dying together to herald the start of a new age/the return of the sith. perfectly paralleling the way in rotj a master (palps) and an apprentice (anakin/vader) died together to herald the return of the jedi. in both instances, a father figure (qui-gon/vader) dies in the arms of their son (obi-wan/luke) as a sith (palps/maul) is cast down into the abyss to their deaths. (palps being alive in the ST and retconning his death in rotj is also annoying for this reason)

i mean i like maul. don't get me wrong. he's an incredibly compelling character and i enjoy seeing more of him... but there's always the thought hovering in my mind like "he should be dead though. he should 100% be dead. this wouldn't be happening if he was dead, but i honestly would rather it not if it meant that maul was dead."

like the tpm fight just doesn't hit the same knowing that canonically he's just. going to become a robot octopus at some point. (shoutout to palps becoming sith glados in the ST) it cheapens the moment for me. it was supposed to be a moment of triumph marred by the deep and soul-crushing loss of a loved one and it's just... not, anymore. or at least not to the same extent. AUGH i'm just. frustrated. wish star wars as a whole wasn't constantly reframing/retconning what's been established. just puts a bad taste in my mouth.

[fictionadventurer]

...Is Persuasion home-front fiction?

Obviously there's not a war happening just then, but you still get a story taking place in a vast world with all sorts of exciting things happening, but we focus on the people living small domestic lives far away from all that.

[uncanny-tranny]

I don't need to count stitches; I operate on a vibes-based system, and counting kills my vibes 🦐🦐

[bowtiesarecool11]

I finally made some progress on my fan fic this evening!

[reginrokkr]

slides in Tfw you have a big brain moment and come to the conclusion that Kremnos might be inspired in Sparta just as Okhema might in Athens—

[fidgetspringer]

- Marten & Nohren -

[agendratum]

watched 4.6 trailer with arlecchino and suddenly i need to speedrun the whole genshin story for no particular reason

[monsterboyfriend]

Does anyone know of any slash fanfiction about those two mice from Disney's Cinderella?