#i'm not sure what he did here

[technically-human]

Can you draw something with Doom Patrol!Edwin and Netflix!Edwin?

Maybe something about Dp!Edwin talking about his feelings for Charles with N!Edwin?

It's just something I've been thinking of, make it a little angsty?<3

Glad you asked

ko-fi

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[kazbiter]

very interested in how the storyline of ronan's sexuality is developed in the dream thieves as a battle between kavinsky and gansey while adam is almost never present in these scenes, which makes it even more interesting that we found out in CDTH that ronan was set on adam the moment he saw him. i think that ronan is attracted on some level to both gansey and kavinsky (you can draw the lines of how much romantic intention you think he hold towards either of the yourself, that's a rabbit hole I would need a whole other post to go down) but more so I think he was attracted to the IDEA of both of them and certain qualities that each possessed, and that the real question wasn't does ronan want gansey or kavinsky because we know he wants adam but rather who's qualities resonate more with who ronan is, or who he is choosing to be at this critical moment in his character development. kavinsky is a dangerous thrill and often comes wrapped in ronan's other favorite self destructive attempts to outrun himself, while gansey is ronan's history and proof of his deep capacities for loyalty and love. he tells kavinsky it was never going to be me and you and that it's not going to be ronan and gansey because that was never the question- maggie was obviously always planning on bluesy and pynch. the answer to who ronan WANTS in adam. the question of who ronan IS- that's what he's trying to decide here. his self hatred is such a heavy weight on him and theme in tdt, and the kavinsky/gansey dichotomy represents the the path he will choose to take to deal with it- keep try to drive faster than his demons or accept that he can still be loved even if he isn't the person he once was. the dream thieves my beloved ronan lynch my beloved

[batsplat]

Your post about sete/vale rivalry is literally so informative it's like a pivotal post to fully understand the way valentino's mind works. You're his friend just up to the point you are not (mainly after perceived crimes not backed up by any real proof apparently). Valentino literally turbodivorced every guy he was friendly with in the paddock (and the irony of two of those turbodivorces happening in the same place isn't lost on me)

I did do my best to keep marc out of that post and let the parallels speak for themselves but like. yes

what's interesting to me about this rivalry is that it's... kind of his first rodeo. I mean he'd obviously had rivals before and a feud and all that and him and biaggi were constantly *gestures* - but one of the most common complaints about valentino is that he switches up towards you when you actually become a serious threat. which!! I still fully believe to some extent is natural, this is sports, they're competing, and I take more seriously with some of valentino's victims than with others. (melandri is always the one where I'm a bit? valentino no offence but why would you bother, in 2005 there wasn't a title fight and in 2006 valentino actually got on really well with two of the four other main contenders and at the very least didn't actively have a problem with dani. so maybe just a melandri problem question mark.) but I do feel like sete was... maybe not the first, but the first that was this extreme. and, very much topic for another post, but he really does learn a lot from the sete rivalry. a lot of the tactics and performance art and all of that, how he uses all of it to demoralise his enemies - this rivalry was kinda the blueprint

but, at the same time, of course it was a different valentino that marc ended up fighting, and not just in terms of how fast and competitive valentino was at that stage of his career. this is something that's quite hard to get across sometimes, because the natural inclination is to just... look at all the past instances in which valentino was a dick and conclude that he has, in fact, always been a dick. but he wasn't just statically malevolent for a twenty plus year career, and it's important to... reinsert context to assess how he developed as a rider and as a character during that time. it's not twenty non-stop years of valentino feuding. and marc is facing a valentino who had inevitably changed as a result of years of injury and poor results on a poor bike. valentino was pretty open in 2012 that he was returning to yamaha after two years on a donkey of a bike to, y'know, see if he was still fast, if he still had it in him - because he genuinely did not know (stop me if this reminds you of anyone more recently). he was so frustrated in 2013 with constantly finishing in fourth place that he took the truly radical step of firing his crew chief jb. one more try, one more change up to see if he could still be fast

it was only in 2014, where, okay he was losing to marc, but he could feel that he was competitive again, he could semi-regularly beat jorge and dani at the very least... then comes misano and he beats marc in a direct fight, draws an error out of him, gets him to crash, and marc shows up at his ranch and manages to strongly signal that he does actually really want to beat valentino. and that, in a way, shows that he was beginning to take valentino seriously as a competitor again (which I would suggest he wasn't doing at the end of 2013). that's something that's easy to miss about the ranch episode: yes, it's notable how much they were treating each other like hardened rivals, but it was also notable they were doing so in 2014, given the kind of season marc was having. maybe it truly was the worst possible timing. maybe it truly was the race in misano that made both of them go. hey. this really could be happening

but it's still a humbled version of valentino, it's still a version of valentino who has already kind of had to make his peace with the fact his time might very much be over. to me, in a way it's more dramatically satisfying if he did make peace with it, if he was more or less all right with marc making the sport his own. okay, there's always going to be a little bit of bitterness, a little bit of envy... because he wished he could still do what marc was doing, of course he did. but by the end of 2013, he knew it was more likely than not he would never be involved in another title fight. he thought his career might be ending after the 2014 season. he told the world if he wasn't competitive in the early races in 2014 then that would be that, and I think he meant it

there was no guarantee he'd have a season like 2015 - sure, he was working harder than ever and making radical personnel choices, all in the hope he still had something more to give... but he didn't know it would happen. it was really really unlikely!! there's a giddiness to him in early 2015, almost like he couldn't quite believe himself he'd get that chance. and then, yes, he does withdraw from marc, he does go back into title fight mode... but relatively speaking, this is still a more agreeable version of valentino. this is still a version of valentino who is determined to not start shit with jorge - it's odd to watch, but in those 2015 pressers valentino is constantly engaging him in conversation, at a time in which the marc chatter was already dropping off pretty sharpish

(incidentally, I think vale was proper pissed off at how jorge reacted to the whole sepang thing and how jorge was angry with valentino, which is very funny to me. like at catalunya 2016 vale's going!! I actually made an effort with this bitch!! I was nice to him for three years, does that count for nothing??)

valentino also doesn't blow shit up over assen, even though by his standards marc should be giving him plenty of reason to. he's definitely cooled off towards marc, but he's still giving him the benefit of the doubt where he wouldn't have done so with past rivals - which, yes, I do think partly reflects how he felt about marc, but also reflects how he was approaching that year and that phase of his career as a whole. he didn't really want drama; he wasn't really looking for any distractions from the actual title fight. which doesn't mean that he wasn't already changing his behaviour towards his competitors in response to the demands of the season - it's just a question of the extent. here from a write-up of assen 2015 (I don't entirely agree on the point of the effectiveness of valentino's mind games, though I do agree - like valentino himself does - with the general idea that most of the work needs to be done on-track):

in the end, he cracked. I guess that's what generally happens when you put someone under that kind of pressure - you make them revert to type. valentino wasn't arrogant or entitled or over-confident in that season, he was desperate. he'd been given this unexpected chance and he was throwing everything he had into making it work. body, mind, soul, all of it, wringing himself out in pursuit of this dream. he could feel it slipping away at several points that season... that four race jorge win streak where he led every single lap and it was kind of like? okay, you just can't do anything about that. valentino can't match that, not at this stage of his career. or brno, after which they were level on points and jorge led on countback and it just felt like valentino so obviously had a consistent pace deficit that surely this could only go one way. all these moments where it felt like it might actually be over, in the least dramatic way imaginable. in many ways, this wasn't really a title fight that should ever have been so close - and it's to valentino's credit as a rider, his versatility and willpower, that he was even able to push things as far as he did. but he did know he was hanging on by a thread, and he ended up playing the last hand he felt he had available

obviously, it wasn't really rational calculation that made him do what he did in sepang - though there probably was an element of, y'know, might as well. but he believed he detected a pattern of behaviour in marc - not entirely incorrectly, because it did feel like marc approached his battles with valentino differently - and fashioned himself a conspiracy on the basis of it. he hoped it could change the momentum one last time; he decided to make one final roll of the dice. and then, of course, marc reacted in a way that has ensured valentino will never stop believing in his conspiracy theory. because of course marc did, because of course he never would have taken it lying down. because valentino knew from the moment marc engaged him in that battle at sepang that it was almost certainly all over, because he lost his temper - which usually helps him, except when it doesn't. because they both lost their tempers and ended up just wanting to hurt each other, to prove a point. because that's who they both are

the main point I'm trying to make here is kind of.... it's just how I personally read the sete stuff - yes, these are the same patterns of behaviour, yes, a lot of parallels do obviously present themselves. I've long felt that sete is the single most significant valentino feud to understanding what happened with marc. he's the only other one who valentino was friends with, the only other one valentino felt hurt by on a personal level, the only other one who valentino changed his behaviour towards from one day to the next. and I think under the right circumstances, if you give valentino enough of an excuse and enough of a prize to aim for and have planted enough seeds of suspicion in advance... you can get this situation where the competitive paranoia takes control and he buys into this whole betrayal narrative and he decides he needs to go nuclear. and it also gave him a script to follow - one he knew could work because it had. except of course it could have gone very wrong in 2004 too. what happens if he's so desperately determined to ruin sete that he bins it in phillip island and finds himself only barely ahead in the points going into the title decider? compare that race to phillip island 2009 - obviously, there's a sizeable difference between the level of opposition (especially at that circuit) and the '09 race probably wasn't winnable, but he still ends up eventually deciding to settle for second behind casey because he doesn't want to risk losing the championship to jorge. he's not casey's biggest fan either, but he never came close to losing his head fighting him. it's different. he might do some of his finest riding when he's angry, but where there's anger there's also volatility. and, on occasion, there's also some really bad choices

if 2004 is the moment where he's properly learning to play these games, then 2015 is him falling back on these tools when he really had basically discarded them. it'd been five years since he'd engaged in mind games in earnest (I know him and casey were constantly at it in 2011-12, but whatever the hell that was about, whatever part of their psyches they were appeasing there, it obviously had fuck all to do with on-track competition). that's a long time! there's a 2014 interview where he's asked about his work on the 'mental side' against his rivals:

the first thing he immediately stresses is that there's zero point in doing any of this if you're not fast enough on-track to back it up. if you are fast, sure, you can do some off-track 'work', especially if you know it makes your rivals suffer :) but it won't have the same effect without the on-track performance. so even if we want to say valentino hadn't mellowed post-2012, even if he hadn't grown one jot humbler in his heart of hearts, even if he wasn't swayed by any genuine fondness for marc, he still knew the maths just didn't work out in his favour with his current opponents. he couldn't deploy his favourite tactics against jorge because jorge insisted on spending the entire season either two spots ahead or three spots behind valentino, and the off-track stuff just can't work if you're never sharing space on-track. it could and did work against marc, but he wasn't trying to score psychological victories against marc! certainly not by the time they reached assen and marc was basically out of that title fight. so there wouldn't have been any point in trying to fuck with either of them in that way off-track and, well, it could easily backfire. which is something valentino understood perfectly well until they were 88.9% of the way through the season, and then he changed his mind at what was almost the very last possible moment. which I think speaks to how desperate valentino was to make a mistake like he did at sepang: he felt it was all he had left to try

the other way in which marc comes into this whole thing is that.... I mean, he knew about all this stuff! this is the thing right, maybe he wasn't watching the sepang 2004 press conference as an eleven year old and later going 'huh' but broadly speaking, he will obviously have been aware of how this went down, qatar controversy and all of it. he's sitting right there in that jerez 2015 presser when valentino is asked about sete and in response valentino says sete played 'dirty games'. he's obviously aware of the whole jerez 2005 situation, not least because he copied valentino's overtake in his third ever premier class race. which in turn sete was watching unfold, and is still having thoughts about in 2023:

so it's kind of... y'know, you've got marc, you've got someone who's still very much the heir apparent despite all the drama between him and valentino. if you're sete, do you look at marc and see somebody who valentino hurt in similar ways to what he did to you, or do you look at marc and see another version of valentino? do you see both? it's again that thing of, if you have a problem with some of valentino's more aggressive riding then you will definitely have a problem with marc. because of course marc is the escalation, because valentino generally picked his moments a bit more and adjusted his levels of aggression more to the situation, whereas marc is mostly just Like That. so sure, if you're sete gibernau you can look at marc and see another one of valentino's victims, but at the end of the day you're also going to see his legacy

and this from 2017:

not an original thing to say obviously, half of motogp has said it at one point or another. but. still. meaningful to me!

that tension between 'fellow valentino rival' and 'valentino's successor' is imo inherent to the jerez pass situation, because (along with laguna seca) it's an example of marc actively inserting himself into valentino's legacy. and the thing is, right, these aren't just neutral fun passes that everyone remembers because they looked cool: they're the biggest flashpoints of their respective feuds. marc did to jorge what valentino did to sete - and then he did the most valentino thing imaginable and went to jorge when he must have known jorge would still be furious, making him publicly reject his handshake and starting up a whole lot of discourse™ that would take forever to die down. marc knew immediately how controversial what he did would be and was completely at home in the chaos. it's not just the pass that does valentino proud, it's the shamelessness

while that race might not have had the same repercussions as '05, at the end of the day you do have to remember that those passes have a lot of baggage and controversy attached that marc is also making himself a part of. in the case of laguna, it's valentino addressing livio suppo in the presser because of all the grief suppo and casey had given valentino over the '08 overtake. in the case of the jerez pass, it's sete talking about how alienated he is by this whole approach to riding that marc so completely embodies. and the whole thing has come up quite a few times since 2013, because everyone loves bringing up last corner passes at least once a year when they show up again at jerez

so for instance we have this clip from 2016 (fourth race of the season, vibes still in hell), where the riders are asked whether they'd prefer to be in first, second or third position heading into that final corner. not all too much to say about this one, really. jorge, who it seems has at long last learned his lesson about what to do when you've got a lunatic sitting on your rear wheel headed into the final corner of a race, stresses that he'd protect the inside line - not least because these two fuckers would dive on the inside through the grass if you give them half a chance. also, decent gag from marc! good on him. not always easy for those who have decided they hate him so much so that they refuse to laugh at anything he says

then we have this from 2017 - where sete is in the room - asking four riders who they'd want to arrive at jerez's final corner with. three guys give pretty boring answers, though you'll note in 2017 valentino does actually mention his battle with sete (*gestures with his head in sete's direction*) in the same breath as the one between "marc and jorge". those three boring answers are followed by a great response courtesy of jorge. the question doesn't actually specify, but obviously jorge immediately zeroes in on valentino and marc since they are. you know. the two guys with a history of doing last corner jerez crimes. and they're also two confirmed lunatics, though jorge believes that valentino at least might be a little less reckless now that he's a little older. hey, maybe even marc has become 3% more sensible at the advanced age of 24 (funnily enough, vale when making that overtake in '05 was two years older than marc is in this clip). it's a sweet moment - but, without wanting to belabour the obvious, it's also another way of showing how irrevocably linked both the passes and the blokes executing them are. both valentino and marc are 'hard brakers', to put it lightly. two peas in a pod, from a man who would know

we do also of course get sete reacting to valentino's answer. idk what this facial expression is but I sure am compelled by it (thank u to dani pedrosa for working with sete in 2017 so that we'd get live sete reaction shots. I am very grateful)

okay so those two I included because. well it's just kind of neat and fun that this is a parallel they won't ever escape. linked legacies and all that. but I am actually building up to a point here, and it's to do with how even post-2015, it's not like marc is always overflowing with sympathy and compassion for valentino's other victims. he knows his lore! he will know at least the general details of the sete relationship and how it deteriorated and what valentino did to him afterwards! so let's bring in austria 2017, a time at which the vibes between the two of them aren't actually. catastrophic. exhibit a:

so in this presser, valentino is asked if his overtake on jorge at catalunya '09 is the favourite of his career, and he says it was special because it was the last corner - he can't remember any other examples of him making a last corner overtake in the premier class. at which point marc taps valentino to point out sete:

the expression marc makes in the thumbnail - that's how he looks when he's eagerly waiting for valentino to put two and two together. the thing is, right, this whole feuding business, the way valentino treated his rivals, how he was pretty awful to them... all of it will have been stuff that marc actively enjoyed as a fan. and even post-2015, when marc has experienced some of the very worst valentino has to offer, marc still finds the whole jerez thing pretty funny, not just the overtake but what it meant for the relationship between valentino and sete. he makes valentino aware of sete in the room, because of course he would never forget valentino's greatest hits. like, remember why this exchange is funny: everybody knows this overtake was a super controversial thing and a big source of tension between the two of them and valentino's forgotten about it. and marc's laughing at this!! in 2017!! "after we have a bit problems" and marc thinks it's hilarious!! buddy

one more presser moment, from 2019. just a bit of context here - earlier in the presser they were asked about dani getting a corner named after him at jerez and valentino went 'yeah good for him but I wouldn't want a corner named after me !!' and marc talked about how he'd gotten a corner at aragon named after him the year before. so now, the riders are asked what their favourite bit of the jerez circuit is. the joke here goes a) marc says 'last corner' the way he does because everyone knows he did a terrorism there, b) jack miller says 'you mean jorge lorenzo corner' because everyone knows it's funny marc did a terrorism on jorge there like a day after jorge got the corner named after him, and c) marc says 'it's valentino corner' because everyone knows his move was copying the move valentino did on sete. and... 'valentino corner'... first of all why would you do this to your literal teammate jorge lorenzo... but again the whole reason this exchange is funny is because the premise is that they did the same thing, valentino to sete and marc to jorge. implicitly, it's making the link between the pair of them and how they terrorised their rivals in the same way. still. in 2019

speaking of legacies, there's a moment in the 2016 catalunya presser where valentino is asked how that duel compares to his past duels in 2007 and 2009 at that circuit (notice the blatant and unchallenged sete erasure - 2004 and 2005 were really great but okay). and valentino says he counts it on the same level as the jorge fight - "was three great battles with three great opponents". which, y'know, I really love 2016, I think it's fantastic, but marc makes a mistake on the penultimate lap and denies us the most dramatic of finales. like I think it's completely reasonable and nice for valentino to count it in that same camp as the 2009 duel, but I also think it wouldn't have been crazy or disrespectful or anything if he'd gone 'yeah that was great but not quite the same thing'. this definitely might be reading too much into it (surely not) but given how valentino has since occasionally left marc out of the rivalries list, said he wasn't his toughest rival etc etc, I do think it's kinda notable that during that moment of 'reconciliation', valentino allowed marc to be part of his legacy - even if it's just in a small way. 'great valentino catalunya battles' is a pretty cool group of races to be a part of, y'know? the infamous overtakes, the duels, these are the things people remember. these are the things marc remembered, as valentino's fan - inevitably, it'll mean something to him. it's a legacy he wants to be a part of, by fighting valentino, by emulating valentino, and sometimes valentino lets him and sometimes he'd rather leave marc out in the cold. you'll note that in 2019 he doesn't really engage with the "valentino corner" gag from marc and instead goes with the far more neutral turn 5 as his own pick

in the very very immediate aftermath of sepang (aka december 2015), marc did openly make the comparison between himself and valentino's other rivals:

and it's informed his whole approach since then - it's a big part of why he's tried to be quiet about the drama with valentino over the years. he knows how valentino behaves towards his rivals, he always has. he knows he can't beat valentino off-track... but (beyond his undeniable mental resilience) he's just fortunate enough that with his talent and the way their career windows have overlapped, more often than not he's been able to out-perform valentino on the track. and y'know, it's an interesting element to the whole thing I feel... marc was a fan of valentino's for a lot of reasons - he was very much a fan of the complete package, if you will. including what valentino did to his enemies! it's not like that aspect of vale was some kind of closely guarded secret; it was like a top three valentino rossi talking point for years and years. (part of the subtext of assen 2015 is marc not really enjoying being on the receiving end of one of those classic valentino scam wins, when marc had been intending to do that to valentino.) again, those overtakes of valentino's weren't just famous because they were cool, they were famous because they helped valentino fuck with his rivals. it's not just about emulating his on-track aggression, it's about emulating how valentino did his best to get in his rivals' heads. when we talk about marc 'being a fan' of valentino, then it shouldn't be ignored that this involved marc being a fan of what an absolute and utter asshole valentino was. and like with all things relating to valentino, I'd wager marc has pretty complicated feelings about this. at the end of the day that's also part of his make up as a rider... but it also really burnt him personally...

it's almost like an identification thing, isn't it. if you're marc and you're thinking about valentino's past rivalries, whose shoes are you placing yourself in? in many ways it should be valentino's rivals, because of course some of their experiences mirror marc's. and there's a rare moment in the winter of 2015, when he's still in the process of trying to make sense of everything that's happened, where he does make the connection. but apart from that, he's shied away from it - even when he's criticising valentino, he's generally not framing what valentino did to marc as indicative of some broader character flaw. it's casey and jorge who explicitly make that link, not marc. he's still kind of... idk, separating that out. obviously, marc would far rather be valentino's successor than another one of valentino's victims, even if he hasn't really been given a choice in the matter and has ended up being both. I don't really have any evidence to back this up, but my guess is that deep down he feels like what valentino did to him was different from what he did to those other guys. and in some ways he's right and in some ways he's wrong

unfortunate, isn't it. you're a fan of somebody with a reputation for fucking with his enemies, which is fun and neat and you kinda want to copy how he does it - maybe put your own spin on the whole thing but you're still into the general vibe. you enter the sport at a time when you can still fight your hero, but he's kinda washed and he's too old to be starting new feuds (*bzzzzt!!* incorrect! you are never too old to start feuds) so there's no real danger. and you share a bond you think on some level is different from whatever those other guys had going on, even sete gibernau, whoever tf that is. and then you become real rivals and realise how extremely not enjoyable it is to be losing to him yourself and you really want to show him and maybe you do push it a little far along the way. but it'll be okay. it's all fine... until he decides it's time to destroy you. and on one level you do obviously see the parallels because you're not an idiot... but on the other hand, none of that stuff, none of what he did to those other guys - it wasn't ever going to stop you from being a fan of his. it's the bits he did to you that are the problem. and at the end of the day, you'll never quite be able to let go of the twelve year old boy inside of you who found jerez 2005 really, really cool

anyway

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[youchangedmedestiel]

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[screwpinecaprice]

Stranded at work today so I decided to sneak a draw on the workplace's computer.

[vaguely-concerned]

I've been picking mostly only the essential flirt options with lucanis in the romance so far (I've personally found the dynamic much more natural and mutual when you do that, more like forming a solid friendship slowly and inevitably becoming something else and less like you keep pushing on him and getting little back b/c he seemingly just gets overwhelmed and goes into freeze instead), and I think rye is a pretty hard person to read at the best of times even though he's been Down Real Bad from pretty early on and their chemistry as people is naturally really good. so the way the almost-kiss plays out in this playthrough feels a lot like it has the added layer of lucanis realizing that no but for sure rook is flirting and not just being kind or a good friend* it IS actually happening it's not just wishful/fearful thinking!!! and then uh. maybe going a bit too hard a bit too fast in all the excitement at that revelation haha

*in lucanis' defense he has seemingly literally never had a friend who wasn't his cousin-brother before, under those circumstances I suppose some confusion is extremely natural if not outright expected lmao

[ingravinoveritas]

The only thing that would've made this better is if Michael had somehow emerged from the Scottish wilderness and they shared that glass of whisky together in the firelight...

[mourn-and-watch]

so if solas sees himself in the inquisitor because of how they were made a leader, a prophet and a symbol by people who followed them, just as fen'harel had been made a leader and a saviour for by the freed elven slaves, will he see himself in rook because they're left alone against the threat they can't possibly defeat without singlehandedly making decisions that will impact the world in unknown ways, just as fen'harel had been left alone against evanuris with no other option but to create the veil

[rking200]

Why don't you find something to do while I finish my breakfast?

Some of these gifs I made in different sizes. You can find them on the Markus page of my Gif Archive.

[elvisqueso]

"Alright...let's go talk to your father."

Pocahontas (1995)

[philosophiums]

truly i have been eating all of the theories/ideas lately about itfs cursing each other in some way shape or form at the end of the manga. i love twisted love stories i love a bittersweet ending i love living through the tragedy by enacting violence upon yourself and your loved ones OUGH it's so good

megumi whose main goals this entire series have been centered around yuuji. yuuji who is possibly already acting under the (beginning?) effects of a curse that megumi put on him ("start by saving me" - could also argue that "you've got it from here" isn't helping either kjsdbvjkdfb). megumi who watched yuuji die once and who refuses to see it happen again. yuuji who has witnessed up close everyone dear to him die and cannot lose megumi too....

just... the fighting and clawing and tearing at themselves and each other - desperate to stay together no matter what, even if it leaves them scarred and broken on the other side. because wounds can heal and they can fight to realign themselves with each other and the world, but none of it means anything if they're not alive and together

[spoopdeedoop]

starlight strings au; on one hand its so funny if they were all named numbers, on the other hand it would be So Incredibly Funny if they were ALL named John Smith, legally. Including thirteen. we've got at least 6 John Smiths at this residence.

maybe thats why they go by numbers. they are counting the john smiths that live there.

this is the funniest fucking thing ever

[moongothic]

You know. If Crocodad Real. How would Luffy even react if he found out. Like really, how the fuck would he feel about it.

'Cause like how I went over in this post (briefly at the end), we don't even know how Luffy feels about Crocodile as he is right now, so can you imagine how that bombshell would impact things

Like my running theory is that Luffy still hates Crocodile but maybe not quite as much as pre-Impel Down since he kiiinda owes him etc

And Luffy does not seem to give a shit about blood connections, at least not that much. Like don't get me wrong, Luffy's family are the people who were there for him when he was a child, those are the people he cares about and his bio-parents don't really matter. But also, honestly, I think the reason Luffy doesn't give a shit about who his parents are is because he doesn't know them. Luffy cares about people who he knows and likes, and while he doesn't give a shit about Dragon right now, it's arguably because he simply just doesn't know him. If the two actually get to meet and know each other, like if Luffy takes a liking Dragon, he'll probably accept Dragon as his dad and as his family. But on his own terms. It's up to Luffy to decide

And that's why like. How would Luffy react to finding out he has another dad and that one is fucking Crocodile. Because he already hates the man. It would not be happy news for him I'm sure

The other thing is that normally Luffy does not give a flying fuck about people's sad backstories. He didn't care to hear what happened to Nami and her village for example, because what really mattered was that there was a person he cared about who was deeply hurt and in danger and he wanted to help said person. And that's where I'm so torn. Because on one hand, it would be perfectly on-brand for Luffy to not give a shit of Crocodile had a sob story to tell. But also, I could imagine Luffy being so fucking confused over the news that he'd want to hear the truth of like, who what where how why, in detail. So that, you know, he could make his own decision and figure out if he wants to considder Crocodile is other dad or disown him.

Like, both feel like things Luffy would do

So really, would the real deciding factor might be just... the circumstances where Luffy finds out???

God knows, I can not imagine Crocodile himself telling Luffy anything ever. The kid already hates him, he knows it, so he'd probably think it'd be for the best if Luffy never found out

So how else could Luffy find out then?

As far as we know, the only other person who could confirm it would be Dragon himself, and considdering how he probably feels about his ex (see: Alabasta Coup Attempt), I can't imagine him wanting to talk about Crocodile to Luffy in lenght or in a positive light. Like I can't imagine Dragon wanting to tell Luffy at all is the point, not unless he wanted to like apologize to Luffy because it is arguably his fault Luffy and Crocodile fought in Alabasta to near-death to begin with. (Sidenote since we don't know how the break-up happened to begin with, it's totally possible Crocodile could've asked Dragon to never let their kid find out what happened to his "mom")

And now, this is where I'm gonna go completely off the rails, but. As I was wondering if there was any other way Luffy could find out...

S-Croc is made with Crocodile's DNA.

(And actually before I even go into S-Croc, super quick sidenote: If Kuma can extract memories out of people and allow other people to literally see them... Like I can't tell if Kuma's memories got absorbed by Bonney when she looked into them or if Kuma's Memory Bubble is still on Egghead, but if viewing the memories isn't the same as having them inserted into a vessel permanently... Like if Kuma isn't turbo-dead, could there be a scenario where we have Kuma (or S-Bear) yeet out Croc's memories and have Luffy just look into them? Because god knows Crocodile might just refuse to speak about it and that could be the only way to get The Whole Truth if Dragon doesn't want to talk about it either?) (Of course, Crocodile would understand just How Persistent Luffy is so if Luffy just kept on annoying him about it, Crocodile could maybe give up eventually because he knows he can't get Luffy to piss off until he spills the beans)

So currently the Strawhat's plan is for them to go and escort the Vegapunks to Elbaf (if nothing goes funny after the flashback is over, which remains to be seen)

2. There is the mystery of what sex S-Croc is going to be, because there is a possibility that if Crocodile is trans then his Seraphim could be pre-T (though this entirely depends on whether or not Ivankov's HRT changes even the DNA of person. Since it's MAGIC HRT I would prefer it to, not gonna lie, and I would not appreciate any "you may look different but your DNA will tell the truth!" rhetoric in the story but I may be asking too much from Oda)

3. And there's also the mystery of what Devil Fruit ability S-Croc might have, since all the Seraphim have been given Fruit powers, and we know Vegapunk can't replicate Crocodile's Sand Logia.

All things considdered, I think the actual, most likely known ability S-Croc might end up with would be like, Mr 3's wax powers (hilariously), mainly because I could imagine it being flexible enough to work in Crocodile's fighting style, so it'd be the easiest for S-Croc to adapt to (like if you can make anything from wax, then why not sharp blades to fling at people) (Also we know Vegapunk would have access to this power since Mr 3 was in Impel Down, when they also got Daz' powers)

But also I had joked before how it'd be funny if S-Croc was a Crocodile Zoan for no reason. Like it'd be fitting since Crocodile was already the Only Logia of the OG Shichibukai, so making his Seraphim the Only Zoan would be funny as hell (if it's even possible, which we can't say if it will/won't be). Additionally, making him a Crocodile Zoan would be hysterically on-the-nose.

(Sidenote: If there was a crocodile Zoan Fruit, what sub-category do you think it'd fall into? Like would it be Ryu Ryu like all the dinosaur-themed Zoans are, or maybe even a different model of Uo Uo (same as Kaidou)? Since "wani" could be considdered a different type of serpent-dragon, and if Vegapunk was researching how to recreate Kaidou's fruit, it's plausible he might've accidentally recreated some other related-fruit in the process or afterwards?? (Also since Kaidou's Uo Uo is a specific model (Seiryu) it would make sense if there was another Uo Uo model Fruit, and this could be an excelent opportunity to use it))

The thing about Zoans though is that, as it's been brought up once or twice before, Zoan fruits can kind of have a "mind of their own" and influence the user in unexpected ways.

And as all we Crocodad Truthers know.

Crocodiles are protective of their babies.

ALSO: The Seraphim do have enough personal will-power that they may (slightly) disobey orders they've been given. Case-and-point, S-Snake undoing the Petrification on the Strawhats after Luffy asked her to, since S-Snake is fond of Luffy just like Hancock is

Sidenote, it was kind of made a point how Vegapunk considdered his artificial replica of Kaidou's dragon fruit a compete failure simply because instead of a blue dragon, the user would turn into a pink one instead. So if Vegapunk tried to make a Seraphim of Crocodile, knowing full-well he couldn't even give the Seraphim the same ability as the OG, and then the Seraphim turns out the wrong sex for no reason?? I could see him being confused as hell and considder S-Croc "a failed Seraphim"

So really, all we'd really need to happen would be for the Strawhats to somehow encounter the remaining three Seraphim while escorting the Vegapunks to Elbaf. Mind you, IDK how that could even happen since as far as we know they've been deployed the Emptee Bluffs

And then just have S-Croc either disobey orders to hunt Luffy or even even have him be protective of Luffy (following that Zoan Instinct, one even he can't explain, it's just Instinct). Have Sanji be like "hey why the fuck is this one a girl, isn't it supposed to be Crocodile", followed by Vegapunk explaining this Seraphim was a failure for reasons even he can't understand

Then have Jinbei remember the conversation Crocodile and Ivankov had at Impel Down (suspicious considdering Ivankov's abilities and this "failed Seraphim"), and maybe if Crocodile had any involvement with the Revolutionaries and Robin was suspicious of him she could even bring that up

Along with any other minor details that may be bothering the crew about the whole deal

And so if the Strawhats and Vegapunk just put all their braincells together and rubbed them real hard, they could maybe come to a hypothesis as to why S-Croc is a "failure" and protective of Luffy, and maybe even a potential explanation as to why The Real Crocodile was protective of Luffy in Marineford for no fucking reason

And maybe, just maybe, Vegapunk could confirm that suspicion with a DNA test. All he needs to do is check Luffy's and compare it to Crocodile's.

Not sure Luffy would want to do the DNA test, like knowing Luffy he might prefer to just ask Crocodile in person if they ever ran to each other again

But boy, if he somehow did agree to a DNA test, and there was a match... oh boy

But again. This entire scenario is BEYOND off-the-rails. Technically plausible! But honestly if Luffy is ever gonna find out (assuming Crocodad Real) then it's gonna be from Dragon

I just wanted to get the theoretical scenario out of my system okay, I had to get the brainworms out of my brain