#i'm just so overwhelmed

[thundergrace]

[horsegirlhob]

idk man i just dont think i was built for this.

[jung-shook-iieee]

Just sharing today's memories. :)

@sweetwolfcupcake @sumzysworld @bri-mal @yellabella77 @taegularities @bonny-kookoo @afangirllikeme-blog

[soulmvtes]

sunday nights are for reflecting on your entire life and the fragile state of your present moment and what the future may look like

[souvenir116]

omg thats so sad but also sweet? 😭 poor baby...and interviewer asking him if hes okay... ☹️☹️

[taehyunghobi]

➺ HOBI COMEBACK WEEK COUNTDOWN: D-DAY! ☀️ ^♡^

[14dayswithyou]

💖 Day 3.5 is now available! 💖

For the last couple of months, only Server Boosters had access to the 3.5 update... Buuuuut now it's available for everyone to play in the 14DWY Discord — and soon itch.io once I'm happy with the QA and state of the game — so please don't feel pressured to join unless you want to!!

The full devlog + even more screenshots are under the cut ^^

What's been added to the 3.5 version?

📺 Streamer Mode!

I've been told that it's difficult to stream and monetise age-restricted videos on YouTube and Twitch, so I added an option to remove the sexual content and strong language used in the demo.

Now y'all can invite Ren into your bed for cuddles without putting your streamer career on the line /silly /lh

This won't affect the 18+ rating or dark themes/elements of the game, however! Although Streamer Mode will prevent you from seeing any "gruesome" CGs in the future, most of the core elements of the game will still be tied to the choices and decisions you make. So you won't miss out on the overall experience by using streamer mode!!

⚙️ Custom Pronouns!

It only took me one entire year to get around to it, but you can finally choose your own preferred pronouns (or use a set of pronouns instead)... At the cost of being able to change them mid-game ^^;

Since the original pronoun screen wouldn't update until a new scene was displayed, I temporarily disabled the feature. But once I find a workaround, I'll bring it back!

💗 Choose how others perceive you!

You can now choose how the cast and narration perceive you! Originally, the narration was kept strictly gender-neutral (outside of pronouns and genitalia picked by the player), but this will soon change in future updates.

For more clarity: you don't get to choose the words specifically, but you can choose between masculine, feminine, and androgynous terms!

📋 Separate top and bottom genitalia!

You can now choose your tatas and pps separately! >:3

Alongside that, you can also choose your preferred body type!

I removed the "both" genitalia option because a few players still assumed it was an obscure version of "intersex". That wasn't my intention and I don't want to mislead anyone, so I took it out for now ^^;

I also didn't want to include a screenshot of the new genitalia choices in action (because it's NSFW), so y'all get the same character menu screen for the nth time instead lmao

📱 Relationship Screen Overhaul!

You can now change your own status for more immersion, and long-term Server Boosters will eventually be able to submit and use their own icon within the game as well!

Stalking finding your friends has now become easier by using "Buddy Maps"; a new app that allows you to see the location of all the cast members!

I want to offer players more incentive to check the relationship screen since they tend to miss the status updates, so hopefully this might help ;v;

It also says it "updates every few hours" so folks don't go overboard and check every 5 seconds to see where Ren is gdsghf (also keep in mind that he's a hacker lol)

🖤 Additional Scenes Update!

Day 2 received a brand new CG!!!!! Originally, I planned on only adding a few CGs sporadically throughout the game, but it didn't feel right to leave Day 2 so... empty... so I added a brand new CG to (hopefully) make things feel more balanced and natural!

If you decline Teo's offer on Day 3, Leon will now call and try to convince you to reconsider. However, players are still allowed to decline, and if they do, they'll reach a dead end.

After listening to feedback on itch, I changed some of the dialogue during Days 1-3 to make it seem more consistent! They're only small changes though, so it's honestly not worth looking for sdgjssga

🎶 Updated BGM and SFX!

I wanted to try out a different style of music to see if it fits the vibe of 14DWY more! The BGM features more acoustics to suit the "beachy" theme of Corland Bay, though I made a conscious effort to include piano elements as well to stay true to the original!!

I figured it'd be better to give players a live example before I make a poll (to see if they prefer the change or not) and publish it to Itch.

Some new SFX have also been added, though it's very minimal and honestly not that noticeable.

How to download and play the update?

(warning: clicking on the following links will open Discord!!) To download the Day 3.5 update, simply join the 14DWY Discord server, verify your age, and visit the "14dwy-updates" channel!

Alternatively, you can also wait until the update is publicly released on Itch to play it as well!! (It normally gets released shortly after a round of QA testing/getting feedback from the server, though I may release it earlier if I feel like it hehe ^^)

Enjoy!!

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[shigaeru]

aci art dump

[nipuni]

Once again I bring you some Eriks 😊

[dogbarkingatyou]

i want to vent my frustration and sadness but this is tumblr so it has to be funny

[crabsnpersimmons]

"Slow down, Sunshine. You're not falling behind and you are loved for more than what you do for others."

[sketchy-tour]

HELLO HI HELLO I AM!!! RECOVERING CURRENTLY!!!!

So I haven't posted in a small moment and planned to get myself going again soon but right now I am recovering from an accident (I won't get into the nitty gritty) that has left me quite shaken. FIRST OFF I AM OKAY! Minor injuries so nothing alarming I am physically fine besides being sore for a bit and some scrapes and bruises that are still healing, including my arms which is making drawing a bit difficult. I'm slowly getting better but cant really draw for long periods and honestly I might not draw much for a bit till I feel better both physically and mentally. its the mentally part that might take some time. But I'm resting, rest assured!

ANYWAY this is more just an update cause I know i've been a lil absent. ESPECIALLY after this accident. I'm not abandoning the blog by any means, def still check on tumblr but couldn't seem to muster the energy to interact with much at the moment as my brain is a little rattled up.

I hope yall are all okay! I hope your days are bright and yall are taking care of yourselves!

I promise I'm doing what I can to take care of me!

[starryeyed-seer]

me: I'm not a bat

Mr pages: (stuffing novels under its robe): I must abscond

[emchant3d]

part 2 of the steddie fight steve whump - now with as-promised eddie whump 💕 part 1 here

Eddie isn’t a good man.

Steve thinks he is, Eddie knows. He says it all the time. Eddie thinks that good men don’t need to be announced as good men, that their goodness is obvious enough without anyone pointing it out, but he doesn’t want to argue about it with Steve. He hates when Eddie doesn’t see himself like Steve sees him, so he just does his best to be the person Steve thinks he is.

He did a spectacularly shitty job of that today.

He took it too far. Cut too deep. Knew it the second the words came out of his mouth, didn’t even need to see the color drain from Steve’s face as the blow landed, but he was treated to the sight anyway. He watched the angry flush fade into a sickly pale pallor as those long pretty lashes fluttered and that plush mouth parted in surprise, in shock, before Steve’s jaw had snapped shut so hard his teeth clacked.

And then it was gone. As quickly as the hurt had been written all over Steve’s face, it disappeared in the blink of an eye, and Eddie hates when he does that, when he hides how he feels and refuses to share his hurt and sadness with Eddie, but can he blame him for concealing it? Can he demand to be shown it when he’s the one who put that expression on Steve’s face in the first place?

And the worst of it is - he’d felt a sick kind of satisfaction at the sight. And he hates himself for it now, with hindsight and self-awareness, feels disgusting for the way he’d reveled in the sense of victory he’d felt. He’d won. He’d hurt Steve and he’d won the argument by doing so, at least that round of it, had stopped their back and forth with one sentence, and he’d seen him fold in on himself and go ice-cold in a way Steve hasn’t been with him in a long, long time, maybe ever, not since they started this whole thing between them.

He’d taken the win while he had it, heard Steve say something about the guest room and rolled his eyes, Steve can be so dramatic when they fight. He’d turned tail and done the worst thing he could have fucking done, can’t even claim hindsight for this one because he’d known even as he was doing it that leaving then, when he’d been asked what he’d been asked and answered like he’d answered - he’d known it was cruel. Known it was salt in the wound, and he’d ground it in with a perverse satisfaction, slammed the door behind him and everything.

He took a couple walks around the block, chain-smoked half a pack of cigarettes, debated going to Gareth’s to rant and ramble and try to get somebody on his side even though he knows Gareth likes Steve more than he likes Eddie some days - his boy is too charismatic for his own good, won over all of Eddie’s friends with the slightest bit of effort.

He sat on the fucking curb and lost track of time quick, watched the darkening sky deepen until it was black and the streets were barren and his hands were frozen, until he’d thought himself into and out of every scenario possible, until all that was left to do was admit to himself how badly he fucked up.

Anger kept the guilt from setting in immediately, because he’d been so angry, so furious with Steve for - for–

He can’t even pick out what in particular pissed him off so much, and isn’t that rich? Because deep down, he wasn’t angry. Not really.

He was terrified.

Eddie’s been distant lately, he knows. He’s been taking more gigs and staying out later after them, he’s been working more shifts, he’s been hanging out with the band and saying he has ‘practice’ when really they’re just sitting around getting high and wasting time. Sometimes he doesn’t even give an excuse, just turns up late and acts like he can’t see the mix of worry-anger-hurt painted all over Steve’s face, he just wraps him up in his arms and covers his face with kisses and acts like they’re fine, like there’s not a tightness squeezing his heart so hard he’s afraid it’ll stop beating altogether.

He’s been pushing it too much. Disappearing too often. But he just doesn’t know how to explain it - the fear that settles bone-deep in him when he thinks about how happy he is for too long. If there’s one thing Eddie’s life has taught him, it’s that happiness and safety - all that shit is temporary. He’ll lose it eventually. It’ll get damaged somehow, he’ll piss someone off or do something wrong, he’ll break the delicate balance that’s afforded him a safety net and that net will disappear, and he’ll be left in a free-fall and forced to pick up his own shattered pieces when he lands, alone and hurt and starting all over yet again.

He’s so, so tired of starting over. 

So he’s been trying to…delay the inevitable, maybe. If he’s not around, Steve can’t be tired of him, right? And that’s not fair to Steve either, but Eddie’s selfish at the best and worst of times and he’s been prioritizing getting himself through this, has switched to survival mode so thoroughly that he’s not been able to recognize the only threat he’s trying to protect himself from is him.

Self-sabotage is a habit that’s deeply ingrained in Eddie. It’s the only thing he knows sometimes, the defense mechanism that feels like coming home, but when you grew up in a home like he did, sometimes familiarity isn’t safe, not like it should be.

It blinds him to everything and everyone, makes it so he doesn’t recognize he’s even doing it until it’s too late. Until he’s pushing everyone away and hurting the people he loves, until the person he loves most in the world is standing in front of him and yelling in their living room asking if Eddie wants to be here with him.

And that’s another thing, isn’t it? Of course Eddie wants to be with Steve. Of course he wants the comfort that comes with loving someone and being loved, but he can’t deny that that’s terrifying in its own right - that the idea of being tethered to something freaks him the fuck out. And he knows, he knows that’s part of the whole avoidance thing too - his heart searching for freedom where it can find it, loving Steve but being terrified of Steve at the same time, of what he means, of that string that keeps them together always, no matter what.

Usually the thought of that is wonderful and welcome and fantastic. Sometimes it’s something he absolutely cannot think about. And that leads him right back here, not fucking thinking and leaving Steve alone and acting like he’s done nothing wrong when he knows damn well he’s the fucking problem here.

Steve was yelling because Eddie hadn’t considered him. Eddie hadn’t thought of Steve, or his life with Steve, and Steve was angry about it. And he had every right to be. But all Eddie could see, could feel, had been a noose around his neck, a tie to something - to someone that felt like it was taking control.

Eddie had panicked, and he did what he does best - he ran.

Scorched earth, feet to the ground, bolted away from the issue the best he knew how, let himself sit in that self-appointed righteousness of finding an escape except he’d run from the one thing, the one person, he’d promised never to run from.

This is the downside of loving someone you know inside and out. This is the result of baring his soul to Steve and having Steve bare his back - he’s seen the delicate, vulnerable bits of that man and knows exactly where to strike.

Regret eats at him. How could he say that to Steve? How could he do this to Steve? Eddie knows his temper is mercurial at the best of times, knows his moods can change with the weather, but there’s no excuse for allowing them and his fear to take over like they had. It’s something he has to work on, he’s known it for a while, but this is the final nail in the coffin.

He’d thought he was past the worst of this, of his anxiety eating him alive and taking things from him, thought interdimensional monsters and almost dying and falling in love in the aftermath of it all meant that the mundane normal life shit would be easy, but the universe does so love to prove Eddie Munson wrong.

There’s nothing in the world worth losing Steve over. And sure, Eddie can be a coward, has cowardice in his goddamn blood some days, but if there’s anything worth being brave over, it’s the man waiting for him at home right now.

This is fixable, he tells himself. He’ll apologize. He’ll grovel and make it up to Steve and he’ll be glued to his goddamn side for the rest of their fucking lives if that’s what it takes. Anything to show him that Eddie didn’t mean it.

He wanders his way home with his metaphorical tail between his legs, hoping that he’s right - because Steve would be well within his rights to be tired of his shit by now. Steve would be more than justified in calling it quits over this - because it isn’t just one fight. This one fight was a culmination of issues and he sealed the deal with a fucking calculated attack and he has no idea what he’s about to come home to, not really, he’s just hoping that home still feels like home when he walks in the door, and he only needs Steve for that.

He doesn’t know what time it is when he makes it in. Just knows that the apartment is dark and shadowy and the only light in the place is in the hall, so he doesn’t call out to Steve. 

For a moment he’s terrified that maybe Steve isn’t here, maybe he left, but he knows that’s his modus operandi, not Steve’s, and besides, the guest room door is closed. He remembers what Steve had said, stone-faced and monotone, ‘I’m staying in the guest room tonight,’ and Eddie hates that Steve isn’t in their bed, but at least he’s here. Hopefully he’s asleep - and he feels like a piece of shit for hoping for it because he knows he just wants to avoid this conversation, even if Steve getting some rest would be a good thing. His baby doesn’t sleep too well. Neither of them do.

He shrugs off his jacket and hangs it up by the door, forgets to take his shoes off like always and desperately, desperately hopes that Steve will still be willing to bitch at him for it in the morning.

His heart is a stone that’s sunk down to his stomach. He doesn’t have words, had tried to craft something pretty to say on the walk home, but his theatrics won’t help him now and his sincerity is drowning in his guilt and he doesn’t know how to fix this. How does he apologize for this? Not just the fight today, but all of it? He’s got nothing but he knows he can’t let this sit like this, can’t stand it, can’t leave the two of them in this limbo and abandon Steve to whatever awful thoughts are swimming around in that pretty head.

He knows Steve. He knows his fears, his insecurities. He knows he hit them all like a fucking bullseye with a single sentence and the rest of his actions would have taken him down the rest of the way.

He left. He’s spent so long promising Steve that’s the one thing he would never do, that he’s a runner but never from Steve, and yet he’s slinking his way through their apartment after doing exactly that, hesitant and quiet as he can be but he’s terrible at being quiet, and he winces at the volume of the thunk that sounds when he pauses in front of the guest room and leans on the closed door.

He can’t hear Steve through it, but that doesn’t mean much - he could be lying awake, hoping Eddie just continues his path down the hall, hoping to be left alone and spared the groveling that Eddie knows he has to do. Could be that Steve doesn’t want to see him, doesn’t want to deal with him, just wants some peace after all the shouting they’d done earlier. Eddie wouldn’t begrudge him that.

But a bigger part of him, a worried part of him, knows that it’s unlikely.

No, the bigger part of him, the bit of him that’s tied to Steve Harrington’s heart, knows with almost certainty that Steve is lying on that unfamiliar bed wide awake. He knows he’s hurting, knows he’s upset, knows he wishes that Eddie would just come in and fix things. 

He presses his forehead to the door like he can transfer his thoughts through osmosis - he thinks it’s osmosis, he isn’t sure, science was the least strong of his not-strong suits, okay - and have Steve just know everything he wants to tell him, and then he shuffles the rest of the way down the hall to buy himself some time.

He changes into pajamas as he goes over everything he wants to say, trying to work it into something coherent and level-headed, but at this point he’s debating just falling to his knees and begging Steve to not leave him, which, well - he’s had worse ideas.

He doesn’t want to lose Steve. But he knows he might. Has to accept that as a possibility. Has to face that and resist the urge to deny it, to own that he’s royally fucked up and might lose the most important person in the world to him, even if the very idea makes him want to rip his heart out of his goddamn chest.

Call him dramatic. It doesn’t make it less true.

He pads his way back down the hall, the familiar orange glow from the dimmed light less a comfort and more like he’s walking down to a fucking gate to hell, and comes to a stop outside the guest room. He takes a breath, braces himself, and then raises a hand, knocking gently.

“Baby? You in there Stevie?” he asks, and he doesn’t get an answer, but when he quietly opens the door he catches the motion of Steve ducking his head down. He’s awake, then. Pretending not to be, but that’s okay - Eddie can work around that. 

He can’t make out anything but the rough shape of Steve in the bed - his own body in the doorway is blocking most of the light trying to illuminate the dark room. He knows the shape of that lump on a mattress, and he walks closer, almost reaching out - but he wouldn’t be able to stand it if he touched Steve and he flinched, or if he pulled away from his reach. So he pulls his hand back, and sinks down onto the edge of the mattress, and takes a deep breath, letting the silence sit between them.

And Eddie’s a goddamn coward, can’t even look at his baby, keeps his back to him in the dimness of the room so he doesn’t have to see the anger and the hurt as he tries to apologize for a hurt that he never should have caused. And he can’t see him, but he can hear him - he can hear the little hitches in his breath, the stutters of it, the soft trembles that Steve is trying to keep steady, and each one is like a stab to the fucking heart, and he really cannot fucking take this anymore, so–

“I know you’re awake,” he says, and Steve goes silent behind him. Eddie squeezes his eyes shut. “Let’s just hash this out, huh? Get it over with.” He wishes Steve would yell. He wishes his baby would get all his anger and his frustration out and they could move on, he wishes Steve would get so fucking mad and lash out because Eddie deserves it– and he tries to stop that train of thought before it gets too off track because that’s mean, Steve isn’t like that to him and it’s not fair to expect it from him. Even if it would make things easier if he could just hope for an easy way out.

He takes a breath, and starts where he thinks is best, the only starting point he can really think of.

“I’m sorry.”

“Don’t,” Steve says, sharp voice a little rough, but it’s strong and it’s steady and something in Eddie relaxes a bit. Steve’s still mad. Eddie can work with mad.

“So you are awake,” he tries to joke, and it lands about as well as he thought it would.

“Yeah,” is what he gets back, and he lifts his head, tries to pick out the vague pattern of the popcorn ceiling above them in the dark. He can feel eyes on him, knows Steve’s staring him down.

“I’m sorry,” he says again, and Steve makes a soft, gutted sound from behind him. “What I said - what I did–” he shakes his head. “It wasn’t right. I should have never–”

“If you’re going to break up with me will you just get it over with?” Steve interrupts, snappy and frosty but his voice cracks something fierce, and hold on, what.

“Hold on, what?” he says aloud, like a dumbass, but sue him, he doesn’t know how else to express the utter confusion taking him over right now.

Steve scoffs at him, and there’s a shuffle behind him but Eddie’s moving too, finally turning and - oh.

Oh, no. Steve pushes himself to sit up and Eddie takes him in, his reddened puffy eyes and the tense set of his jaw, clenched so it doesn’t shake.

“I don’t need you to apologize for breaking up with me,” Steve says, crossing his arms over his chest, defensive, shoulders up to his ears, weight shifted back like he’s two seconds from lurching away from Eddie to wedge himself in the corner like that’ll keep him safe. And it’s so odd - it’s so wrong - to see Steve, the fighter, the one who punches first, so defensive, but he supposes it makes sense when the enemy is Eddie, and god, doesn’t that just feel like a kick in the fucking teeth. “If you don’t wanna fucking be with me anymore I get it, okay, I don’t need the spiel, I don’t need the whole it’s not you it’s me thing, just - just do it and get it over with and I can - I can move out, I’ll get out of the way and I’ll leave you alone and–”

“Shut up,” Eddie says sharply, and then cringes at himself because come on Munson, a little gentleness would be good right now, but he’s off-kilter in a way he didn’t expect. Steve flinches a little, but he stands his ground, eyes wide as he keeps them on Eddie. “Shut up, I am not - you thought I was breaking up with you?” 

Steve flails his arms a little, tossing them up. “Well - you - I mean–” he stutters, “why the fuck else are you here!”

“To apologize!” Steve freezes and stares at him like he didn’t know that option was even on the table. “Baby,” Eddie says, achingly soft, and he doesn’t stop himself from reaching this time, catching hold of Steve’s arm and pulling him close as he closes the distance between them both.

They’re on their knees on the mattress, crowded into each other’s space, and Steve won’t look him in the eye. “Steve,” he tries, but he just gets a minute shake of his head for his efforts. Steve isn’t touching him, fingers curling into tight fists in the space between them like he’s trying to keep himself from reaching out, but he isn’t pulling away from Eddie’s touch either so he keeps going. He skates his fingertips in a soft touch down Steve’s bicep, over his elbow, brushing along his forearm and feeling goosebumps pop up. 

He takes hold of Steve’s hand, rubs the back of it with his thumb, watches Steve’s gaze dart to where they’re touching as Eddie maps out the familiar pattern of Steve’s moles. Freckled even here, on these warm hands Eddie loves so much, these hands that are shaking faintly in Eddie’s gentle grip.

“You don’t gotta look at me,” he says softly, and he squeezes Steve’s hand tighter, “but please - please, angel, just listen to me, okay?” Steve’s breath hitches again, but he nods, and Eddie will take what he can get as he clasps Steve’s trembling hand between both of his own.

“Steve, I’m sorry,” he says, watching what he can see of Steve’s face, orange light slicing over his features from the doorway. Those eyes he loves are fixed on their hands and he can’t tell if he’s watching in fear or hope or both. “What I said…I didn’t mean it, okay?” And it sounds hollow to his own ears, so he tries again. “I just - I wanted to hurt you, and…” 

Steve gives a bitchy little eye roll and Eddie’s heart skips a beat, staring at his pretty, tear-stained face and clinging to that small glimpse of normalcy. “Well mission accomplished, I guess,” Steve says, bitter and sad, and Eddie groans softly.

“I know. I know, I’m sorry. Baby, I’m so fucking sorry. I can’t…I tried the whole time I was out to think of the right words to say but I just - I dunno how to explain it,” he says, frustrated with himself, and he feels the smallest little squeeze to his hand.

“Try,” Steve says, quiet, “...please,” and his voice cracks again and it feels like a fucking knife in Eddie’s stomach.

“I was scared,” he blurts out, and finally, finally Steve looks at him.

“...What?” His brows furrow, his mouth turns down, “scared of what?” “Of you,” he says, and that’s not quite right, and Steve’s face falls even more, looking nauseous.

“I’m sorry,” Steve croaks, and he tries to pull his hand away but Eddie just grips it tighter, “I’m sorry, Eddie, I shouldn’t have yelled like that or gotten mad and - and I would never hurt you, Eds–”

“Nonono, baby,” Eddie scrambles to interrupt, shaking his head so hard his hair flies around a little, “no, that’s not - I wasn’t scared of you like that.” He raises a hand, grabbing hold of Steve’s face, keeping their eyes on one another while he has the chance, “I meant - I was–” he makes a little frustrated sound, “...I was scared that I’d lose you,” he says, and God, fuck, thank God Steve is who he is and he knows Eddie how he knows him, because understanding starts to bloom in those bloodshot eyes.

“...And so you lashed out,” he whispers, and Eddie nods again.

“And so I lashed out.” Guilt paints his words. “And I’ve been avoiding you. Avoiding home. Staying away because - because if I’m not around then you can’t get annoyed, or tired of me, right? And that’s so fucking stupid, okay, I know it is, I’m a fucking idiot, really, biggest moron in the world, and a goddamn coward–”

“Hey,” Steve says sharply, and Eddie’s words die with a little whine in his throat. “You are not a coward. You’re the bravest person I know.”

“Dustin would like a word,” he shoots back, and Steve huffs, narrowing his eyes at him. Eddie gives him a small, self-deprecating smile.

“I just mean,” he soldiers on, “I’ve been doing wrong by you.” Steve looks away again. “And I’m sorry. I know I’ve been hurting you and I want to do better, Stevie, I do.” He squeezes Steve’s hand.

He watches as Steve rolls his lips in, biting them hard, his brows tight and his shoulders going tense again. Eddie wants to fill the space with his own chatter, pour out even more apologies, but he lets the silence sit - he lets Steve have the space to collect his thoughts, to think of what he wants to say.

Finally, he speaks. “It felt like you didn’t love me anymore,” Steve says, and Eddie can’t help the heartbroken little sound he makes.

“No,” he says fiercely, and he crowds into Steve’s personal space, takes his face in his hands and cradles his cheeks in his palms. “Absolutely fucking not, baby,” he insists, and Steve reaches up, covering Eddie’s hands with his like he’s trying to pull all the warmth from Eddie and into himself.

“What else was I supposed to think?” Steve asks, “you were just - you were gone all the time, and you never wanted to talk about it, and you were always busy with stuff that didn’t involve me and it was like you didn’t want to be around me anymore. And when we fought tonight I thought - I.” He cuts himself off, squeezes his eyes closed tight. “...I really thought that you might not come back,” he confesses, and Eddie pulls him even closer.

“You listen to me,” he says, soft but fierce, “and I know my word probably means shit to you right now, because I’ve been the biggest dumbass in the world and broken it, but I need you to hear me when I say this.” Steve opens his eyes, and Eddie stares into them. “I will always come home to you. Even if I’m being a fucking idiot. Even if I’m pulling a runner, if I lose my mind and bolt out of here again, I will come home.” Steve’s eyes go all watery, and Eddie gently catches the tears with his thumbs, brushing them from Steve’s cheeks.

“Swear,” Steve says, and there’s a desperation in his tone that Eddie wishes he could smooth away, but he knows that will take time. That will take dedication and patience and perseverance and goddammit, Eddie will use every ounce of all that he possesses if that’s what it takes. But for now he holds Steve’s gaze and he nods slowly, their faces just inches apart.

“I swear,” he tells him. “I swear to you, Steve Harrington, I will come home. And I will always, always fucking love you.” 

Steve gives a little sob. “I’m sorry,” he says, and Eddie shushes him.

“No, angel,” he tells him, shaking his head. “You got nothing you need to apologize for, okay?” Steve looks like he’s going to protest, but Eddie just shifts, pressing his lips to Steve’s forehead and lingering there as his baby works to catch his breath.

“Can we go to bed?” Steve asks, and he sounds exhausted down to his bones. Eddie nods.

“Of course, baby,” he says, and he pulls Steve from the guest bed - fucking terrible thing that it is, taking Steve from their room, from their space, the safe little corner of the universe that they’ve carved out together between their sheets. He guides Steve down the hall, tired and stumbling a little, his pretty hair in disarray - his baby didn’t even change first, seems like he just curled right up after Eddie left, he’s still in his jeans and everything. 

Eddie watches as Steve changes, stripping his clothes off with slow, lethargic movements, and for once they land in a heap on the floor - on top of his sneakers, and that makes Eddie’s heart do a funny little flip as he catches Steve’s hand to keep him from tripping over the damn things. A fond smile is teasing at Steve’s lips, and Eddie returns it.

They curl up together, close as they can get, unsure where one starts and another begins. Relief washes through Eddie as he gets Steve settled into the right bed this time. He buries his hand in Steve’s hair and Steve noses at Eddie’s throat, turns his head side to side in a slow rhythm that drags his lips over the same little sensitive spot on the underside of Eddie’s jaw. It’s not a kiss, not quite - just a touch. A reminder that Eddie’s still here. He’ll allow Steve to take as many reminders as he needs for as long as he wants.

“I’m sorry I yelled,” Steve whispers, and Eddie wants to tell him once again that he doesn’t have to apologize, but he knows this is important to Steve. So he just nods a little, careful not to dislodge him from the warm space he’s settled into at the curve of Eddie’s neck. 

“I forgive you,” he tells him, and a bit of tension leaves Steve’s shoulders. “I’m sorry I left,” he whispers, and he feels Steve’s lips part– “don’t say you forgive me yet,” he says before Steve can speak. “I got a lot more groveling to do, babylove, don’t you dare let me off the hook that easily. I was a fucking jackass. And I’m gonna make it right, and that’s gonna take time, and I know that, and that’s okay, because I’m in this for the long haul, alright?” 

Steve is silent for a few moments, weighing Eddie’s words. Eddie can feel the brush of eyelashes against his skin as his baby blinks slowly a few times. Then, gradually, the last of the tightness in Steve’s frame melts away.

“Actually I was gonna say I’m going to get one of those toddler leashes,” he says. “That way if you try to bolt I can just yank you back.” Eddie snorts out an ugly laugh, and Steve’s chuckle echoes his own, and he rolls them both until he’s got Steve under him. He just stares at him in the darkness for a few moments, watching his smile fade into something small and private.

“I love you so much,” Eddie says, and Steve’s hands come up, slipping beneath Eddie’s shirt to rest on the bare skin of his back, fingertips tracing up and down the dip of his spine. “There’s nowhere in the world I wanna be than right here with you.” Steve hums softly and closes his eyes, and Eddie knows it’s going to take more than just a few pretty words to prove this to Steve. That’s okay. Eddie’s stubborn. He can stick with it as long as it takes.

“I love you too,” Steve says back, and Eddie leans down, nudging his nose gently into his baby’s. Steve’s scrunches up, and Eddie presses a quick kiss to it just to hear him laugh, then shifts, brushing his lips against Steve’s. 

Steve sighs soft and warm into it, lips parting, and Eddie kisses him slow, devotion pouring out of him and into Steve. And he takes it all - gasps and moans quietly against Eddie’s mouth, lax beneath him, letting Eddie nip and bite and suck and soothe at his lips, his tongue, hand slipping to Steve’s side - not to start anything. Just to touch. Just to feel. To prove to himself that he’s still able to touch this beautiful man, that he’s still allowed this wonderful, dizzying love that he’s stumbled into.

They fade like that, both tired, Eddie’s weight slowly sinking down until he’s resting atop Steve. Steve’s arms come around him fully until he’s hugging him around the waist, and their mouths slip from each other’s to land in the spaces of their shoulders and throats instead, nosing into the warmth and familiarity of the person they love.

And things aren’t fixed - they aren’t perfect. But they’re working on it, and that’s enough.

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.