#i'm just obsessed w this scene

[hottiemailinglist]

wanting someone to look at you the way Flynn Ryder looks at Rapunzel is OUT

wanting someone to look at you the way Obi Wan looks at Dex is IN

[feedingicetothedog]

rewind the tape ep 2 question: Why do you think it's important for Louis to maintain the thread of his humanity, specifically by doing so through having a human meal he can't taste?

i had to answer this question bc i'm obsessed w it and what it reveals about louis narratively. i think it's important for louis to keep up the motions of humanity in a way that mimics connection. louis is desperate for authenticity but only if the gesture carries symbolism but the moment one imbues ritual into an action, the action is now a performance even if the audience is just the performer. i've talked about the usage of the golden spoon in this scene before but it adds an extra layer of performatism (in the post-postmodern sense) to the whole scene.

but on top of that performative aspect, i think it's interesting that the gesture of humanity louis chooses to preserve is eating food. this whole ep prominently features louis' struggles w hunting and how his vampiric hunger almost drove him to kill his nephew and further alienated him from his family, his human connections. the interview is also placed entirely in a dining room. daniel eats human food but these meals are more aesthetic than satiating w the presentation of an experimental fine dining establishment while louis drinks blood from a mysterious farm, eats a live fox, and then drinks from a human man all on the other side of the table. the way eating is presented in this ep feels almost hostile. daniel comments that louis "missed" several endangered species in what he chose to serve daniel, ultimately leading daniel to participate in predatory, unethical consumption alongside louis. and i think that's the point. serving daniel these meals attempts to force a reluctant empathy (one that daniel rejects and instead voices his disgust). and then he asks daniel this:

louis does. it's all he contemplates. what he eats and how he eats it symbolizes his separation from humanity. so in this mode of thinking, louis decides to make his tenuous tether to humanity by eating human food once a week. and the dish he chooses in this scene is taken from an emotionally significant moment from daniel's memoir, another act of proposed empathy between him and daniel. and while this moment is softer than the scene w the fox or damek, it still ends in this shot:

louis and daniel are sharing this meal and this moment but they're so far from each other. to me this demonstrates the futility of the gesture. they're physically performing the same action but their experience is so fundamentally different. louis is performing human actions but he is at this point so far removed from the concept

[hyohaehyuk]

loustatbaby: me and jacob in competition for who can romanticize dreamstat x louis scenes more and i hatee to admit im losing 🤒

video: TV Guide - Interview with the Vampire Stars Rewatch Season 2 Scenes | Jacob Anderson, Sam Reid, Delainey Hayles

I'll watch 25 seasons of them just talking on a bench idgaf give jacob wtvr he wants

[pixelatedraindrops]

Yuma Month: Day 31: Post Game

…for the sake of the world’s happiness.

[distortedmoondisc]

Do you ever think about the parallels between Rinne and Aira

Not only they have a shared interest in protecting Hiiro and ensuring his well-being/growth as a person, (and it's extra interesting given how Aira sort of dislikes Rinne for how he dealt with Hiiro in general—by leaving him alone at their hometown and disowning him in the summer of the MDM—, so even though they have the same interests and goals regarding Hiiro, they aren't exactly friends nor like each other — though this is mostly from Aira's part, because Rinne does like Aira and even acknowledges him as someone important to Hiiro that he must keep in his life), but Aira kinda is what Rinne used to be, before his dreams of becoming an idol we're crushed by the new rules of ES.

!! Main Story, Episode 171, "Revolution"

I've seen many people talk about how Rinne and Aira would get along because they're both idol otakus, but I believe that's a common misunderstanding of Rinne's character, because Rinne isn't an idol otaku (at least not anymore). He doesn't like the current idol system and the way Ensemble Square is running the industry. That's why he tried to change it by force in the !! Main Story by acting out. This is different from Aira, who loves the idols born from this system, and is a participant in the ES system that is going to hurt the industry in the long run (because ES is mass producing idols like a factory, stripping them from their own individuality and what makes idols especial in the first place — which is why Aira likes idols to begin with! Because they're different from ordinary people!)

!! Main Story, episode 220, "Despair"

Aira is aware that the idol industry isn't perfect, in episode 171 he even acknowledges that the mass production of idols similar to items of consumption made in a factory is wrong and it strips idols from their beauty and value, but he doesn't have the insight and first hand experience with heartbreak as Rinne had, so he doesn't have the motivation to protest or change the way ES is running the industry. They both love idols and dreamed of becoming one, but Rinne isn't an idol otaku, because he can't be a fan of idols mass produced by the current system.

What Rinne does instead, is support underground idols that would otherwise be trampled or forced to disappear by ES because they don't fit their sets of standards (and because ES has monopoly in the idol industry, they can easily do this without much repercussions or public outcry) and gives them his protection. This is explained throughout the course of the story of Night Club.

Nigh Club, Epilogue 2

Aira tries to impersonate an ideal idol persona, as the ones he watched when he was younger. He wants to embody a model idol and inspire others as idols inspired him in the past. Rinne used to be similar, but ES arbitrarily destroyed his solo career making him lose that dream, and that's why he embodies the wild and rebellious persona he portrays on stage, which is a complete opposite to how a traditional idol should act (and this is a constant point of conflict between him and other idols, such as Himeru; Himeru tends to scold Rinne for being so wild and doing whatever he wants because it goes against what is expected of an idol, but in Night Club he comes to understand that this is Rinne's soft way to protest against ES, despite having lost to them in the first part of the !! Main Story).

(Sometimes, I wonder if Rinne is happy being the wild and playful self he is with Crazy:B, or if he would prefer to be on stage as an ideal idol like he used to do years ago....)

However, despite their differences and the dislike/intimidation Aira might feel towards Rinne, he admits he understands his feelings and where he comes from, and that he can't help but to relate to him due to the fact that they both love idols. Aira scolds Rinne in episode 220 "Despair" to make him stop his pity party, but later in episode 224 "Flutter" he comforts and encourages him instead—telling him that he should not give up being an idol, because he recognizes that Rinne loves idols as much as he does, and that he still has a reason to live because he has fans of himself and of Crazy:B waiting for him among the crowd, meaning that he is still loved and accepted by someone, despite all the wreckage he had caused.

(And if I'm allowed to get personal for a moment, I just need to make emphasis in how important Aira is to the development of the Amagi brothers in the last arc of the !! main story, and this scene is a perfect example of that. Aira is the one who encourages Rinne to join the others on stage and sing, and after that it is Hiiro that pushes Rinne to give that step which finally leads them to perform on stage together 🥹)

So as we can see, Rinne and Aira have a lot of similarities, but they act in completely different ways due to their circumstances. They have similar backgrounds as idol lovers but they have different views and feelings about the industry and the profession, (however, they seem to share the same ideals as to what an idol should be, and love the same type of ideal idol inside their hearts). Adding to that their shared most beloved person, Hiiro, and how the two of them want what's best for him but they have a point of contention due to Rinne's bad actions in the !! Main Story, and their relationship becomes x10 more interesting, and I wish we talked about it more!

And we know Happyele hasn't forgotten about them, because Aira appeared in Rinne's recent relationship chart, just below Hiiro.

(also, a little unrelated, bu i think it's funny that despite having a heart to heart at the ending of the main story, their relationship is still "want to tease him" and "he's a little scary" ahdks Aira, who scolded Rinne in front of hundreds of people in the MDM, regressed to feeling intimidated and troubled by him. A couple of friends commented that it was probably because Aira had a burst of courage in the MDM because of the severity of the situation, so he had the determination to call out Rinne, a senior that he particularly feels intimidated by, publicly without second thought. It is canon that after the fact, Aira admitted that looking back on the MDM he felt embarrassed for doing such a bold thing. Idk, it's just something i find very interesting and fun about their dynamic www)

So this leads me to believe that they haven't forgotten about the history these two had in the main story, and all I can do is just wait for them to expand on their relationship and dynamic more eventually in some future event.

[storybookstr4nge]

tsats spoilers!!!

I am like the ten thousandth person to say this but I cannot stand the tsats complaint of Nico being 'out of character' because it literally! ignores! the! whole! point! of! his! and! will's! development! when it comes to Nico's personality!

this exchange from the ending of the book says it perfectly!

"I don't want a version of you that I've made up in my head, and I don't want to treat you like you are a /literal/ ball of darkness or anything, either. And I think sometimes I have."

"But I also fed into that," said Nico. "My problem is that I never let anyone believe that I was anything /but/ a ball of darkness. Even though deep down I wanted to have friends and be cared for. But I couldn't let go of all the hurt and pain I was in."

like........ IT IS SO SPELLED OUT RIGHT THERE! in shoving Nico into this box of emo personality and not allowing him to be a silly cringey teenage boy who wants hugs and kisses and friends and fun, its just playing into the exact kind of behaviour Will is apologizing for, and Nico is admitting to! let these boys communicate and have this impeccably healthy relationship, and let Nico be a kid!!!! let him be happy! it is not out of character for somebody to heal!

[harmonicabisexuals]

purposefully not trying to think of that quote from "role model" where cameron is not-so-subtly comparing house to god and house says the only reason people pray is so god doesn't crush them like bugs and then tells her "i'm not going to crush you." and then he did. but also no he didn't.

because in the last moments of cameron's goodbye scene in s6 where he starts to run after her (whether to beg her to come back, to yell at her, insult her, or some combination of the three) he stops. and lets her go in a final moment of kindness

[bisexualfagdyke]

Neil & Jean brothers. Neil & Jean sibling dynamic. Does anyone hear me.

[angelsdean]

I SEE YOU 😭 they were everything to me when i first watched this show in 2007 and they are still everything to me

[ruinakete]

♡ ・ LETTERS TO THOSE WE MOTHER ━━━ an introspective, drabble series dedicated to zephia & eremiya

. a few days after apping zephia, i reread the script of NMotE and fell in love with eremiya's character. the potential, the archetype, and most of all, the backstory she was given. though i disliked how it was thrown messily into the script, i had no doubt that she could be a character i'd enjoy writing. which, then, led me to wonder how similar and different she and zephia were. and i must admit that i grew obsessed with the idea of them interacting with one another ( though, at first, the thought definitely stemmed from a flickering, romantic piece i wrote for them. pardon my insanity it was a voice test for eremiya,, ).

thus, i created this! letters to those we mother, is a drabble series where i hope to do an in-depth exploration of their characters, both in who they are, what they are, and the potential was created for them. though this is self-indulgent, i hope to entertain whoever reads along, whether in succession or standalone.

thank you, TOA, for letting me have the opportunity to explore writing styles within this setting, as these two would never tolerate one another otherwise.

further information ( synopsis, table of contents, disclaimers, schedule, set-up; all to be updated with each drabble posted to the dashboard ) beneath the readmore!

. SYNOPSIS. what happens when fodlan shatters the mirror separating an archetype? what should unfold when these two sides, cut from the same lengths of glass, find their hands touching, skin-upon-skin, without the safety of a reflection?

zephia dahut kurosawa, a mage dragon faithful at the feet of her lord, and eremiya n. ahava, a bishop condemned to obey the voice of her lord, have crossed into each other's territory and, thus, will embark on the reluctant path that mothers must retrace once their children have grown into young adults. a lifestyle they would have walked, separately, lest their corruptions never been birthed.

neither of these beasts have savored the taste of motherhood the way fate planned them to. so, what now? will their faith create permanent cracks in the mirror? will a dragon's realism and a bishop's pessimism meld together into the flawed glimpse of another; optimism?

this, only time would reveal.

. TABLE OF CONTENTS. as of planned, currently.

i. origins.

ii. cradles & fires.

iii. tbd.

iv. tbd.

v. tbd.

vi. tbd.

. DISCLAIMERS. neither zephia or eremiya are characters that will be redeemed in this series. instead, i hope to explain their conditions and explore the consequences to which they must be condemned. with this in mind, understand that these two muses are bad people and will not change automatically in the first drabble. the journey of self-introspection is a long one.

. SCHEDULE. estimated to be 6:00 pm on the 23rd day of every two months. ( ex. if the first drabble is posted on february 23rd, at 6:00 pm, then the next drabble would be posted on april 23rd, at 6:00 pm, and so on ) a brief prologue that contains a recap, teaser, and important information such as content warnings and writer notes will be posted at 9:00 pm on the 18th day of every two months.

. SET-UP. likewise, the order of drabble posting will switch between muses. this is with the hope that zephia and eremiya will have equal related posts to archive properly. the first drabble, origins, will be posted on zephia's blog, while the second, cradles & fires, will be posted on eremiya's blog. in that order ( zephia, eremiya, zephia, eremiya, etc ) the drabble series will be completed. none of these drabbles will be reblogged by either blog, simply linked. however, this post will be shared between blogs, just for easier access.

. final words from the mun. again, whether you read one or two or all drabbles in this series, i hope you enjoy it! if i missed any content warnings and need to tag any themes or spoilers, let me know and i'll correct the mistake. otherwise, that's all from me. see you on the 18th / 23rd, concerning the series, and may the day treat you kindly, reader! ( and ps. yes, i did choose the 23rd because the number is my birthday number MKSEWKMSDJN )

[xitty]

Eichi, your gay is showing.

[thekidsare-not-alright]

it's funny when people are trying to put pete down by insulting his bass skills or whatever and they're like "he didn't even write fob's most iconic bassline!!!" (which I'm assuming is dance dance ig idk) and it's like. buddy, pal, friendofmine. sibling dearest. I'll do you one better: I can't name a bassline he has written.

great news! it doesn't matter. I'm not suggesting he's a good bassist either, because I've never really seen anything that really supports that idea. but he's not in the band to be the world's best bass player. it's a means to an end. he's a fantastic lyricist, he's a good frontman, and the three other members of fob wouldn't want to be in the band without him. I think that's all you could ever truly ask of him. nice try though

[shoechoe]

the fact that a large portion of Vento Aureo fans mostly just like la squadra is kinda weird to me. it's like we're looking at the same picture but we enjoy completely different things about it

[deanpinterester]

mcu stans losing their minds on twitter over florence pugh's quote of "i actually like marvel's strict schedule because that means they're not wishy washy and it works for me :)" and they're going SEE MARVEL'S TIGHT SCHEDULE IS NOT A BAD THING and meanwhile the vfx workers are still suffering from supreme crunch Because of the strict schedule but yeah i'm sure the actors' opinions are the only ones that matter 🥴

[furoruisa]

I'm going to write the fanfic of Ben and Devi putting on her sari/saree, but my gf and i can't decide

(I'm a big fan of 1 because that is what I do for her)

[divorcemotif]

FINALLY A HAMLET 2000 TRUTHER

VERY NICE TO MEET YOU I AM OBSESSED WITH HAMLET 2000. my friend and I put it on on a 3 am whim intending to make fun of it but the further in we got the more we were turning to each other like "wait is this good? is this actually good though?? holy shit?? why does this go off?"