#i'm going to try so hard to make it

[ducktracy]

sharing a very sage bit of advice from The Simpsons' own John Swartzwelder that i've been trying to hamper down in my writing and drawing alike. let your inner crappy little elf do his worst

[poorly-drawn-mdzs]

Don't worry, they're into that.

(Want to know if this ancient sea god of destruction gets more belly paps? Or perhaps...a kiss? Find out in Tiger Tiger!)

[lil-lemon-snails]

sometimes you just need to hear it v some stills below the cut v

[toktopus-art]

happy halloween 👻 it's haunted house time again

[l4tchk3y]

I love Espio so much. I wish chameleons were real.

[a-compass-without-a-needle]

This is what happened after 3.1 isn't it?

[loveletterworm]

Every time I've drawn or posted or thought about the Mikes at all it's felt like this

[keydekyie]

Go you funky little SecUnit! Go!

(One of my favorite scenes from the newest Murderbot novel: System Collapse)

[ghost-proofbaby]

can y'all please come into my humble abode and imagine something with me i don't yet have the wits to write a full fledged fic out of (yet)?

so, everyone knows how when you get a tattoo, part of the healing process is the itchy phase, right? and for obvious reasons, you can't scratch it. favored method, in my experience and fellow tatted friends, is to just give it a good old slap.

perfect. so now, with this in mind, can you imagine having gotten a large hip/ass piece, and how mortifying it would be to smack your own ass to soothe that itch? and it's just plain painful. you want your new ink to heal properly - it's gorgeous and you put a lot of time, pain, and money into that damn thing - but it just sucks.

enter best friend eddie.

he loves your new ink. thinks it's fucking sick. nearly creamed his damn pants when he found out you were doing a hip/ass tatt (because how can he ask to see it without being weird? how can he react to that without being weird when he's spent the last several years with the world's most pathetic crush on you?) at first, it's fine. you show him the tattoo in a totally friendly, totally platonic way. he hypes you up, he calls you 'the most metal person he knows'. flourishes you with all the compliments and looks at you with starry eyes out of sheer awe at the way he's managed to snag a person into his life who is just so. damn. cool.

but the days pass by, that new ink begins to heal, and it fucking itches.

when you first proposition him, you're even more embarrassed than he is. stumbling over all your words, the request coming out contorted every wrong way. you don't want to make things weird, but is it really that weird for a friend to help a friend? it is really that weird to ask your best friend to smack your tattoo to help with that itch you can't even really properly reach?

it's just friends helping friends.

and that's the mantra you both repeat to yourselves - as you request the embarrassing favor of him, as he agrees almost too eagerly, as you find yourself face-planted in your bed wondering how deeply you can bury down your shame as he tries to make jokes to make it all a bit less awkward.

it's just friends helping friends, until eddie's hand lands down on your ass with a resounding smack, and that first little whimper escapes your lips.

[wardingshout]

oldies

[drfrogphd]

Still working on my shadowvanilla animatic! Here's some of my fav scenes so far! [wip]

[basket-of-radiants]

[swift-shift]

i love my dr family so much #myfamily

[somnimagus]

My page for @destinytriofanzine! I drew something about kids always dreaming of far off places

[id in alt!]

[mulders-too-large-shirt]

thinking about how mulder loves to get scully a gift, usually terribly heartfelt, even if disguised as something flippant:

the superbowl vhs tape he brings her when she wakes up from her coma in one breath (and her deadpan "i knew there was a reason to live")

tickets for a football game to watch together in irresistible

bringing her flowers to the hospital in memento mori (he lies, saying he stole them from a guy with broken legs to make her laugh)

the birthday keychain in tempus fugit (and when she finds a meaning to it, he claims "i just thought it was a pretty cool keychain")

that is a man who is always thinking about her.

[ruby-red-inky-blue]

So, uh, to recap on the ladies of Andor, the pinnacle of progressive writing according to internet consensus:

Bix: After her character consisting only of "good at mechanics", formerly crafty (in the first Ferrix arc) and "traumatised", Bix gains a new character trait this arc - helpless rage and ✨✨✨drug addiction✨✨✨! Goodie. I'm so mad at this arc for her. We never see this woman happy independent of her trauma. We see her make happy for men - the shopkeep, Cassian occasionally, Brasso and co. in the first arc - but the only time we get an unobserved smile is when she gets her big Girlboss Yay Feminism revenge. And the featurette has everyone going "oh this is her moment", "this scene is about her" - IT'S NOT!! It's about Gorst! It's more trauma porn! Her happiness and functionality once again are dependent on men! She couldn't save herself from her trauma - she needed Cassian to help her get the drop on Gorst (and let's ignore how fucking improbable all that is for a moment, how does he even know where Gorst is???), and her happiness is fully dependent on Gorst living or dying. Her character does not EXIST without him this season. Why do we only ever see her take charge of her life to kill her abusers? The only other positive thing she's done for her life this whole season is to clean up the apartment, and she was doing that to *checks notes* hide her drug habit from her overprotective boyfriend. Feminism!! Please don't read this as an indictment of people struggling to cope with trauma, or substance abuse - I'm just so tired of everyone acting like this is such an uplifting, empowering narrative for this character, because I really, really, really don't see it.

Bringing up Maarva and Kerri as people Cassian failed to protect and nothing else is so telling. That's not even what happened! He was abducted as a child, he didn't abandon his sister, and what was he going to save Maarva from? Old age?? But that's their whole narrative purpose to the writers I guess...

Mothma: Well, I know the constant political downward trajectory is her whole thing, but we really spend the whole arc seeing her do nothing but failing to convince other politicians (mostly men) of anything and being made to look like a fool for even bothering. So far all we've given her this season is being too soft and emotional (which, by the way, is why it's a little odd to me they're pinning the same thing on Cassian - why do we need this narrative redundancy here?). And her one "big moment" (read: over thirty seconds of uninterrupted talking) she gets to have this arc is either a front for Kleya's and Luthen's business or a pointless and reckless lashing out at Krennic's overt imperialism and propaganda.

Dedra: Yeah, she's holding all the strings, but in a weird way, her whole narrative is dependent on Syril now, and I have a bad feeling this is all leading up to him being butthurt about being used. It's a great spy storyline, but just like Mothma's part, great as it is, in combo with the deeply uncool treatment of Bix, it starts to feel like an unfortunate pattern.

Cinta: I actually liked her scenes a lot! Especially the scene in the café - it had an interesting ambiguity, for a moment there I was wondering if Cinta was running Vel, getting back with her to keep her on track on someone's orders. I think I may be giving the script too much credit here, given how weirdly stilted the other two romances were handled this arc it might have rather been a case of "the writer really thinks lovers talk that way". But even if it was an accident, I think that would be an interesting feature in the show, because they're the one couple who genuinely seem to be compatible and on the same page about what they want! And I get that they were making a point to get her killed so uselessly, by friendly fire, on accident. But man, this show refuses to give a woman happiness, even for the span of a timeskip. Whenever any of the ladies seems happy or get something she wants for herself, you can already be sure she's about to die or have something incredibly heinous happen to her immediately after. And the execution of that scene pissed me off, because if that scuffle had even just been relocated to the tunnel entrance, I would have bought it. But no, they're in a really wide, mostly empty alleyway, the blaster was mostly pointed at a wall and trapped between the two men wrestling for it, and you don't even see anyone being close behind them, and yet Cinta not only manages to get hit but instantly killed - what are the fucking chances? And yes, it's a metaphor, but again, with the overall bad aftertaste, it feels targeted and cruel at this point. With how little we got to see of Cinta, it really made her death seem like an afterthought. Like Brasso, this could have packed a punch, but we knew so little about her and had seen her even less, so it just fell flat.

My only positives(ish):

Vel: Her character is really growing on me! She has such a nice, well-executed, subtle development compared to most other characters on this show. She's clearly learned from Aldhani, and she's learning from Mothma and Luthen, too, and her resentment at the life she's leading is so beautifully expressed by her last scene: The greatest punishment she can imagine is recruitment to her cause. Because that's what she's doing to this guy. Recruitment. This is on you forever, this is all your life is now, you owe me and everyone whatever you have to make up for this. That's so heartbreaking, and so real. Am I pissed that Vel is constantly and pointedly denied happiness at absolutely every turn? Yeah! But at least for her, it feels like there is a little more agency, because she chose this life, even though she clearly has options. For her, it feels a little more tragic and narratively weighty, and less like a pointless onslaught of misery.

Kleya: I love her so much. And I could (and should) point out that it feels a little shallow to have her be completely reduced to "being the only competent person among men who are losing their shit at all times". We know nothing else about her, other than that she is Girlboss(TM). But, unlike with Bix, we actually see her be outstandingly competent completely on her own merit all the time, and even though the script neglects her, too, there is an implication that she has actively and deliberately sacrificed the rest of herself to be this spymaster - instead of the writers simply forgetting to give her anything more. And I just think Elizabeth Dulau is KILLING IT. In a weird way, Kleya is giving me the power fantasy that most Star Wars gave to little boys. It's not exactly a win for feminism - it's yet another flavour of "women can either be competent and powerful OR express their emotions and be vulnerable with people" - but I do have a soft spot for her, and her moment at the exhibition was the tensest shit I've seen this whole season. Nothing more gripping so far than watching this woman attempt to turn a screw.