#i'll tag all the abbreviations later. good god this took all day

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How do I get into Star Trek? I hear so many things about it that sound interesting, but there is just an intimidating amount of content. Do I have to start at the beginning?

i feel kind of bad about leaving this ask hanging, anon, but believe me that i’ve been considering it. i’ve been thinking deeply about a good answer to give you because i love star trek. if you follow me, you know i love star trek and if you don’t i have no idea why you asked me of all people but i need you to know that when someone asks me, hey, how can i get into star trek? i take that question very seriously. and i’m sorry if you wanted a simple order for which to watch properties but star trek’s kind of a hard franchise to get into compared to most. and you’ll find roadblocks that you probably won’t run into for other franchise. so i’m going to describe to you first, a brief overlay of the star trek franchise’s installments, in order of release, and then two (and a half) possible methods to watch them in. i hope this helps and that the length of this post doesn’t intimidate you.

a preface

i will add three initial clauses come with this guide to help you to orient yourself when unsure about what to do in the face of uncertainty.

1. it’s okay if you don’t want to watch something, whether that be an episode or even an entire show. i know there are people who have very strong completionist instincts but i’m going to have to stress here that star trek is a franchise spanning over fifty years. all kinds of production teams have come and gone and released episodes that really run the gamut of quality like you wouldn’t believe. you won’t just find bad episodes, sometimes you will find unbelievably racist or sexist episodes. you will find aesthetic or narrative decisions you heavily disagree with for other reasons, and sometimes if you don’t mesh with something you’re watching, it’s okay to leave it behind. normally you won’t need to be heavily well-versed in the franchise to keep going to the next installment (provided you’ve already somewhat immersed yourself in how the technology and protocol of starfleet) but for a long period of the franchise, the shows were heavily episodic. you’ll recognize the more serialized episodes and shows when you see them but if a specific episode feels outdated and too weird and clearly this one very specific spat about whether riker wants to take up ballet won’t matter later on, you can move on, and in fact you might feel better if you do it instead of punishing yourself by slogging through filler that really isn’t working for you. however, and i have said this before, for a long period of the franchise, the shows were heavily episodic. one of the joys of star trek comes a lot in how a character gets deepened through every silly episode. so while you should feel free to skip an episode if you’re not vibing with it, one way you can try and parse out whether a flimsy and bizarre episode might be worth sticking with is by identifying the characters you like the most and trying to see if this episode develops them in particular. you might be in for a treat!

2. don’t be ashamed to compliment your watch with wikis. that’s how i stopped being a little less intimidated of the breadth of the star trek franchise. i knew what episodes were coming and i could liberally skip those that focused on characters i didn’t really care about or even cut out shows i knew wouldn’t offer a lot to me. granted, my experience has been a little unorthodox but if you don’t understand something, don’t be afraid to google it! wikipedia has a very strong set of plot summaries for the shows of star trek up to 2004, the end of the berman era, but for a more fan-focused perspective you might want to rely on memory alpha, a fandom dot com fan wiki focused on the worldbuilding of the star trek universe where you can figure yourself out if you have any questions about what this specific species they just mentioned might mean or if it’s just a passing namedrop to make stuff sound more alien. (memory beta also exists but it’s dedicated to archiving stuff related to secondary canons ie not the shows or movies like videogames, tie-in novels, the now defunct sequel novelverse that was supposed to continue after voyager, etc.)

3. no star trek has been good from the start. it is a common truism among star trek fans (although i have to dispute it in some cases) that the first season of every star trek show is garbage. while it may seen ridiculous to us, who are familiar with streaming services canning shows at the drop of a hat, a lot of these star trek shows got away with entire early seasons of being meh or even terrible without getting cancelled. you might even want to have the plot summaries of the episode from the first two? seasons of a show handy just in case there’s a particularly bad stinker incoming that you might want to avoid at all cost. if you want to, i’ll answer an ask for particularly offensive episodes across the franchise that you might want to avoid, but this ask is going to be long enough with just basic info as to how to get into the franchise, so i’m not going to jump the gun just yet.

PART I: THE STAR TREK UNIVERSE

so let’s start with the order of the films and shows of the star trek universe as they were released. the release order is important because every show is heavily touched by the historical context in which the properties were made in, in both good and bad ways, and the context informs decisions that were taken in them very obviously. (i will also add a small three-letter abbreviation of the title of each show because it’s a common way for fans to get across what specific incarnation they’re talking about without typing the whole thing out.)

star trek (1966-1969) [tos]. this was the original star trek show, now more commonly referred to as “the original series”, hence tos. created by gene rodenberry, it pictures a future in which earth has joined an alliance of planets named the united federation of planets that seems to expand their scientific horizons through their discovery service. it made great strides in its time for advocating for a more sexually liberated society and a more inclusive society for black people and women, even portraying one of the first interracial kisses broadcast in america. however, do note that it’s still a show of its time and it will be apparent in both casual asides from the dialogue and the plot of some of its episodes. but you still might enjoy it due to its extremely 60s campy tone and hey, it didn’t start one of the longest-lived slash pairings in history for nothing (and in fact, invented the term “slash”). just be aware of the underpinnings that a show released in the 1960s might have.

star trek: the animated show (1973-1974) [tas]. after the original star trek show was cancelled, there was an effort to continue the adventures of the main cast introduced in tos in the animated form. tas doesn’t do much that tos doesn’t already do, except that it’s animated during the dark age of animation, and so…you get a really, really goofy sequel series to a show that was already super goofy with mediocre animation and just as mediocre writing. however, a lot of people will swear by it and it has its own silly charms that you can hold on to. most people won’t judge you for skipping it because it’s more than anything, an addendum to tos.

then after around a decade after the cancellation of tas, a series of films were released after much effort to get something off the ground to revive star trek. these are also centered on the characters we met in the original series: star trek: the motion picture (1979), star trek ii: the wrath of khan (1982), star trek iii: the search for spock (1984), star trek iv: the voyager home (1986), star trek v: the final frontier (1989), and star trek vi: the undiscovered country (1991). these take place about a decade or so after the original series and we meet the original crew in higher, more cinematic stakes than in tos. just as well, these movies are not produced in the 60s on a TV budget so you could argue that the original cast really get a chance to shine in these and if you liked the cast but not the production of tos, you might really treasure them. ii to iv are continuing the same plot so you probably can’t skip anything in between if you’re touching that string of movies, but otherwise they are mostly self-contained movies. (god knows no one would fault you for skipping the final frontier).

thankfully, the success of these movies was enough to get a new era of star trek on TV off the ground. the following shows (and accompanying movies) are what we now call the “berman era” of trek, named after the main shared showrunner of the shows that more or less had the baton passed to him after gene rodenberry developed alzheimer’s and then eventually died. (do note even through progress was made between the 60s and the 80s in terms of writing women and people of color, there were still some gaping flaws that a mostly white and male writing and production team couldn’t fully cover from, and as a result if you were hoping for shows far ahead of their time in terms of representation, you might be a little disappointed with the result.)

star trek: the next generation (1987-1994) [tng]. this series takes place almost a century after the adventures of tos, and introduces an entirely new cast on a new flagship continuing the discovery work of the federation. thanks to the time skip between this show and its previous installments you don’t need to have seen much from the tos era to understand what’s going on, but if you’re here from those shows then you’ll have full knowledge of how the federation operates already, with some new technology thrown in that didn’t exist in the tos era. it also establishes a lot of long-running elements of the universe that will be crucial to the understanding of the shows after it, so if you’re not enjoying this one you might want to at least pass over some important episodes or at least read their wikipedia pages or memory alpha plot summaries.

star trek: deep space nine (1993-1999) [ds9]. this series takes place around a year before the end of tng, so you can see that if you want to start this one you might want to at least know what happened on tng. this one takes place on a space station as opposed to a ship, and is much more concerned with morally gray topics about politics and interspecies relations than its predecessors. that’s not to say it doesn’t indulge in occasional lighthearted and out-there scifi episodes but it takes it on itself to ask questions about the seemingly utopian federation and its interactions with other alien societies that don’t share its views. it’s probably both the most interesting and the most watchable for a modern audience because of its observations, but it certainly doesn’t work as well for the audiences that are looking towards star trek for more zany scifi comfort food.

star trek: voyager (1995-2002) [voy]. this one starts midway through ds9, and is probably as condensed as you get in the lore as you get in berman era trek. you kind of need to know a lot about what happens in both tng and ds9 to understand the setup for voy, which is hilarious considering its setup is that the eponymous ship gets yeeted by an extremely powerful alien entity halfway across the galaxy into depths of the mostly uncharted by the federation delta quadrant, so you won’t get that many returning plot elements across its run. it can be heavily divisive based on the quality of its episodes and its intent but it definitely sets itself up in counterpoint to the most cerebral and grave ds9 by returning to the days of purely exploration for the main cast (even if there’s a greater element of danger than in the tos days due to being so far from home). this is the last show in the tng-ds9-voy series, and the century these three shows take place in is commonly referred to as the “tng era”.

throughout the release of ds9 and voy, star trek also released a series of movies that continued the adventures of the cast of tng. these are star trek: generations (1994), star trek: first contact (1996), star trek: insurrection (1998) and star trek: nemesis (2002). these are all standalone movies and if you’ve become a fan of the crew of tng, have at it! i will warn you ahead of time that by the point of first contact there had started to be franchise fatigue. the quality of all these movies except first contact is constantly argued and for good reason, and some jokingly say that star trek: nemesis singlehandedly killed the star trek franchise. but there’s still one more show left from the berman era of trek.

star trek: enterprise (2001-2004) [ent]. this is a prequel series set before the tos days before the birth of the united federation of planets. it’s a complicated show to appreciate due to the serious franchise fatigue that was setting in by the beginning of the 21st century, its aspirations to return to its more utopian days in the franchise and then its efforts to backtrack on that completely when shows like 24 began to make a killing in the market which led to its production team to tackle, incorrectly i might add, the sensitive topics going around by the days of the war on terror. but if you’re already immersed in the universe and if you fall in love with the cast, you might appreciate the worldbuilding it offers in spite of it having all the worst excesses of the berman era section of the franchise. suffice to say that the finale of this series was the most reviled of the franchise and probably to this day.

the franchise then didn’t see any more installments until the reboot movies that brought back star trek to the mainstream. star trek (2009), star trek into darkness (2013) and star trek beyond (2016) center around an alternate universe and an alternate version of the cast of tos. these are way more in line with the modern traditional hollywood blockbuster than any of the previous installments and were famously produced by j.j. abrams, who vocally admitted that he took on the responsibility because this might be the closest he might ever get to making a star wars movie. … anyway, while these movies might rub the wrong way to fans of the old movies (if you came to these movies having seen the franchise that came before you probably won’t enjoy them as much), they’re not technically bad movies though, and star trek beyond is by far the best of them. we’ll come back to them when i talk later about possible ways to get into the franchise.

once again, the success of these new movies revived attention in the star trek universe, and we have now entered the latest chapter of the star trek franchise that is still ongoing to this day. commonly referred to as new trek, the franchise has taken on a somewhat grittier, more action-based tone than what came before and the steps it took to solidify itself have been very hotly contested. that being said, as someone who’s been through the wringer of [gestures upwards vaguely] all of that, i’m going to use my trekkie street cred and still endorse new trek. there have been both reasonable and completely unreasonable criticism to the entries of new trek, but star trek has always been flawed in some way or other but even in new trek i can see the shine that all of us star trek fans see when squinting our eyes through a questionable 60s or 90s episode of a better world. i will say, though, with one exception, i think new trek is probably the worst way to get into star trek just because of how heavy it is with the previously set up worldbuilding. i’ll go into further detail when i describe the possible roads you could get into the franchise but all of these shows are piggybacking off of at least one other show or era and aren’t really made for people who are completely unfamiliar with the universe. but if you’ve made it this far, here’s the rundown for new trek.

star trek discovery (2017-ongoing) [dsc or dis, but more often than not ends up just being abbreviated to disco]. this was the starter of this new era of star trek. it starts a few years before tos and its main characters are heavily ingrained in the stories of the cast of tos, even if they are not original tos cast members themselves. the first two seasons are extremely rocky but ultimately the show makes great efforts to get the shine out of its potential in its latest two seasons. if you feel that it starts off way too tryhard and edgy in an attempt to capture a more mature audience in a franchise that’s never needed to do that, you are not alone, but they eventually recognize this tendency and begin to course correct for mature stories that aren’t trying to shock to get all its worth out of its mature rating.

star trek picard (2019-ongoing) [pic]. this show is set a few decades after the end of voy and is also target of a lot of discourse because it’s also trying to be dark and mature whether or not it’s appropriate for the franchise or for the development of these characters. decisions are made with the characters of this era that a lot of people don’t approve of (myself included). however, if you’re really invested in getting closure out of the cast of tng and you’ve been warned ahead as to the more controversial developments that they take, you might find this show worth a shot. not to show my own colors but i personally steered clear of this one

star trek lower decks (2020-ongoing) [lds or lwd]. this is the first purely comedic star trek show and the first animated entry since tas. it centers on a cast of lowly ranked characters on a ship from a low rung class of ships dedicated to the unstylish duty of second contact. this is the first entry of new trek that warmed up pretty quickly to the fans, and i have to say that this one is probably the most inhospitable to newcomers because it’s all built on the understanding that you know the star trek universe top to bottom. the animation style is contentious, due to it resembling a lot of low-quality adult animated shows, but if you get past it you will be very well entertained, because this show is comfort food for the trekkie, and it has a lot of heart as well, even if the battles aren’t exactly monumental.

star trek prodigy (2021-ongoing) [pro]. this is the first star trek show made to include children new to star trek in the audience, though it’s still highly enjoyable as an adult trekkie as well. the protagonists are refugees from the delta quadrant seeking to find solace in the federation, so you get an outsider’s perspective to the federation while they’re doing so. i’ll talk about this show later on in my potential entries to the franchise but off the bat i’m going to show my colors and say that this is the show with the best original content of the franchise since the start of new trek and a lot of people aren’t giving it its due because of its intended age range, so that’s a massive shame and i hope you don’t pass it over, anon.

star trek: strange new worlds (2022-ongoing) [snw]. thanks to the success of disco, an entire show was greenlit for the continuation of the story of one specific character, captain christopher pike. he’s actually a character introduced in tos, and so this show follows the events under his command previous to tos. it has multiple members from the tos cast like spock, uhura, nurse chapel and m’benga, but it also has new characters and new ideas to complement its tos roots. it has some questionable decisions in its writing that make me averse to it but from what i can tell it’s pretty popular due to the fact that it’s not afraid to get a little weird with it, like a lot of previous star trek shows, and i hope that they continue that tradition for as long as they’re on the air.

PART II: HOW TO GET INTO THE STAR TREK UNIVERSE

now, with all that information on the table, surely that’s the most logical way to get into the franchise? following the order of the release of the shows and movies that make part of the franchise? well, yes, and i’ll elaborate a little later on about that path, but that’s not the only way you can get through it. i have loved ones who couldn’t get into star trek through tos because the 60s production style bounced right off them. i have friends who couldn’t get into properties that don’t have the tos cast because in tng is when the lore starts to compress and become heavier and more important and they just wanted something more casual. so taking into account different sensibilities for eras of TV, the quality of the works involved, and the importance of the lore from its components, i devised two and a half ways to get into star trek that i recommend, and one experiment if you’re brave enough to undertake it. let’s get to it.

the basic tos era block: starting with the original series, then the tos movies, and then following the franchise by order of production. this would be a pretty logical way to go around it, as previously said. the world gets elaborated in the way it was written. i can’t imagine what a shock it would be to try and handle the franchise chronologically in-universe because a show produced in 2017 is a prequel to a show produced in the 1960s and the clashing aesthetics and writing would be very intense. this way, instead, you see the production value increase and the sensibilities change more towards what we have in the present day without being pulled between eras of TV. it also helps that even if you kind of don’t love the original series itself, if you like the cast of characters but not the fact that their stories have to be told in the 1960s, the sequel movies do the characters a lot of justice (up to a point, i mean final frontier exists) so you won’t be frustrated the same way other fans have to be that the limitations of the time the show was produced in completely defined the stories told with the characters. you can even just stay in your tos bubble if you like, you’re still a star trek fan if you just feel attached to the one crew, and it’s fine. but if you started here you are in an optimal position to continue with the rest of the franchise, preferably in the order of production of the shows.

reboot movies as a gateway to the tos era: starting with the reboot movies (star trek, star trek into darkness, and star trek beyond), then watching the original series, the tos movies, then following the franchise by order of production. at the risk of alienating my star trek mutuals, i’m going to say that i think not everyone will just acclimate to the production values of the 1960s so easily. i certainly couldn’t, and if i had been introduced to star trek through tos i don’t think i would have continued through the franchise. i came to the franchise through the reboot movies because it was 2013 and i thought anton yelchin was super cute. be warned if you take this path as a way to familiarize yourself with the tos cast before jumping ship to tos: these movies really are more in line with the sensibilities of a marvel movie than your regular star trek show. i only suggest this shortcut so that you fall in love with the characters and wonder what kinds of other stories they can be in aside from j.j. abrams’ questionable mystery box approach. if you do fall in love with the characters, you could make it to tos and brave through tos or even just part of tos (there’s nothing wrong with skipping episodes if you’re not feeling them!) as it is, the tos cast really get their time to shine in the sequel movies. you will benefit from having seen at least some of the tos episodes before jumping to the movies though. and as i said before, if this is where you want to end your star trek journey, no judgment! i have friends who stopped here and i’m happy for them. but again, if you’ve made it this far maybe you’re wondering where the universe can go from here, even without the tos cast. if you really can’t attach yourself to any of the new characters, however, you might be ready to tackle something like disco or snw which heavily feature or even are led by members of the tos crew, especially since you came here having started through the abrams movies and a little action and questionable modern day blockbuster quality clearly didn’t throw you off.

the basic tng era block: starting with the new generation, then continuing with deep space nine, voyager, and the tng movies, before watching new trek. another perfectly logical starting point is tng because it was meant as a starting point for newcomers of the franchise and doesn’t continue the stories of anyone featured in the franchise before. furthermore, if you want to do the same thing previously mentioned where you just want to focus on the adventures of the tng cast, that might be for you! just note that the tng cast movies have a more mixed reception, to say nothing of picard. if you want a continuation to the stories of the cast of ds9, voy, or even ent you’re fresh outta luck; none of the other shows really focus on the developments in the lives of the cast of these shows. but i will say that the world is far better fleshed out in this part of the franchise than in the rest of it, and new trek is a continuation of what was established here mostly, even if the show is set in the days of tos or thereabout.

however, i need to interrupt this suggestion with one very dire warning: tng s1 is some of the worst star trek ever to be made, and probably some of the worst TV overall. holy shit i cannot stress this enough. it is so bad that even i haven’t seen it, and you will have to ask someone who’s actually seen it ahead of time to tell you what episodes might be worth watching because the hell that is tng s1, hell even some of s2, is no joke and i can’t imagine seeing this as your first star trek ever. abuse the plot summaries heavily in early tng. you will need it to not give up hope on the franchise.

finally i’m going to suggest an experiment to you, but i don’t know whether it will work or not. start with star trek prodigy, then watch tng, ds9 and voy. this is kind of an insane route to take because none of these shows are prequel shows to prodigy (except arguably voyager) but i swear to god that prodigy is modern star trek at its very best and maybe, if prodigy gets to you, you’ll give a shot to the other shows set around its time that established the lore the same way that the reboot movies are a good gateway to the tos era of the franchise (except prodigy is actually good as opposed to the reboot movies).

once you complete either one of these blocks—either basic tos era trek or basic tng era trek—i feel like you’re ready to watch whatever show in whatever order as long as you understand the rough timeline of ent era ➝ tos era ➝ tng era. i honestly made it sound way more complicated than what it’s actually like but i hope this was in any way helpful to you. happy holidays and live long and prosper 🖖