#i'll still be making stuff. i don't think i'm capable of NOT making stuff

[starleska]

hey guys, listen. it means the world that you like my stuff and are eager to see more of it, but i literally posted a wip just two weeks ago and have so many people asking when it's going to be done. the answer is: i don't know. this month has been tremendously difficult for me, and i'm really, really exhausted.

i've been posting art, vids, text posts, writing articles, etc. all for the sake of fandom while trying to keep on top of the huge amount of asks and messages that have come my way. i was supporting a loved one in the hospital, my laptop is broken, and i experienced a really horrifying situation earlier this month that left me sick, that i'm still recovering from. please do remember that i'm not a content factory, and neither are any other fandom artists you like. i know some of you are just reaching out because you are excited, but a lot of the time it's coming across as a demand, and it's making me just want to log off and not work on anything at all. this isn't my job - i'm just a person who gets excited about stuff and likes to write/draw/talk about it, that's all. i recognise some of this response is just burnout from a really terrible month, and i probably wouldn't be reacting this way if i was less at the end of my tether, but this is something i've always been vocal about. as a prolific fandom creator i've had my fair share of 'WHEN'S THE NEXT CHAPTER???' comments on fics, and 'OMG YOU SHOULD DRAW THIS!!!' replies on art that's just been posted. zero acknowledgement of artistic merit, of what they liked about what was made...just an insatiable hunger for more. i don't know if it's because i'm in so many fandoms, or because i make such a wide variety of fan content and make a lot of posts that seem to draw strangers in. but none of my fanworks come with a release date. i make them because they make me happy, and i release them when they're ready, and if i want to. i shouldn't be logging onto Tumblr and feeling dread looking at my askbox, messages and replies because i know there'll be more demand. for real guys...my stuff isn't that good? it's just silly self-indulgent nonsense and autistic overthinking. this is the place where i go to release the fixation energy, not to come to another workplace 😓 my apologies if this seems ridiculous or overblown. it's a feeling i've been sitting on for a few months now, and it's one i've had following strong/frequent/demanding interactions in larger fandoms before. i don't think there's a fix for this, because people are always going to be crossing boundaries and treating fanworks creators this way. but i think i need to stay firm and say that i don't owe anyone a schedule of the art i make for fun. thanks for reading 💖

[irgendwiepoetisch]

why is there so little going on in my life that a simple crush on a person i barely know takes up so much space in my brain...why

[red-hemlock]

(Updated River's blog some more. I moved Headcanons to under the Tags link in the blog side-bar, and I've replaced it with a page called Key Info now. Just be warned, it's quite lengthy!

This page will go a little more in-depth about her suit and weapons load-out, and I also copy-pasted the headcanon I made earlier about her apothecary there too... Figured it'd be best to condense them into one page, instead of them getting lost in the Archive at some point!

The suit and weapons info might change with the release of Suicide Squad: Kill the Justice League... Not entirely sure how I feel about that game to be honest lol. 8'D;;; BUT NOW, ALLOW ME TO SCREAM IN THE TAGS.)

[ame-to-ame]

love being nd and have the tism wolf Inside me be so drastically uncomfortable with uncertainty that i physically cannot think about school and having to deal w the unknown of that whole situation without losing 5lbs in 2 days

[psychronia]

I've been rewatching Avatar: The Last Airbender because why not and I'm losing my mind at Zuko's proper introduction. I don't know if it's hindsight, shifting characterizations, or just me not watching this in a long time, but this was amazing.

We start off showing he's an impatient and very angry kid. Reasonable, and the sort of flaw we might expect to see in a villain. Kinda funny that he expects to go up against an adult and fully 4-Element realized Avatar, but the kid is desperate and Iroh clearly expects his nephew to get the banishment-denial kicked out of him.

What's important here, though, is Zuko's introduction to the Southern Water Tribe.

Here, we have a very intimidating entrance where his entire ship just sails through the ice right up to the village's front door. It's quite ominous and this is our first proper introduction to how the Fire Nation interacts with a foreign people.

Sokka charges, I'm assuming fully prepared to die, and Zuko casually knocks him out of the way. Okay, so clearly the Water Tribe are entirely outgunned.

He asks "Where are you hiding him?" and the people of the Water Tribe go silent. I assume they're either just too scared to talk or actually protecting Aang.

Whatever the case, it's important to note that the Southern Water Tribe know the terror the Fire Nation can inflict. We have a whole episode dedicated to tracking down a division of raiders. Sokka was able to not only identify the ash-mixed snow as signs of an incoming attack, but estimate how many ships the amount of ash measures to. These are a people who have experience being terrorized and are probably expecting something terrible to happen.

And then, after they don't answer, Zuko grabs Gran-Gran. There was a horror sting to it, and everything the tribe knows about the Fire Nation suggests that Zuko is about to threaten or straight up hurt her to get answers. Classic "terrorize the elderly" bad guy stuff.

And then...

He goes "He's (the Avatar) be about this age and is a master of all four elements!?" and lets her go.

And all of a sudden, the tension that was built up is shattered as Zuko went "I know, I'll give them a reference for the person I'm looking for because clearly they're confused and I wasn't specific enough."

This went from a show of villainy to a show of Zuko being totally socially awkward and misreading the situation entirely. Not helping is that when he does try to menace them a moment later, his fire is slow and angled quite safely.

It still worked on the Water Tribe because they're understandably scared, but all I could think of is that this was the equivalent of a playground bully trying to make someone flinch with that fake-out lunge thing.

Because the fact-and something we'll come to learn-is that Zuko is TERRIBLE at being a Fire Nation oppressor. He's capable of doing morally dubious things and is a competent fighter. But he's lousy at terrorizing people and cruelty-that's kind of the point of his banishment.

And while we can see the story paint this picture of Zuko's true character as the story goes on with hints of good and conflicting loyalties, here we get to see just how bad he is at being "the bad guys". He's still unambiguously being the villain of this scene, and it makes no real difference to the oppressed themselves, but there is a comical gap between where Zuko thinks he is, where he actually is, and somehow it still puts him on the same page as his victims just because of how terrible the Fire Nation's influence is on everyone involved.

[woso-dreamzzz]

Klumpig's Halloween:

Fridolina Rolfö x Teen!Reader

Summary: The fourth of my Halloween-centric fics

Frido sighs as Aitana approaches.

"Don't," She says.

"I haven't even said anything."

"And yet, I knew what you were going to say. So, please, don't."

It seems that everyone in Frido's life has decided to ignore her though because Aitana still speaks.

"She dressed up as you, huh? That's kind of funny."

"It's really not."

"I thought it was funny."

"That's because you've got the same sense of humour as her."

Frido takes a swig of her wine, looks at the glass for a moment before downing the rest like a shot, already reaching for the bottle to refill it again.

You're across the room from her with Vicky and Salma. They're gone the more traditional Halloween route, Salma as a vampire and Vicky as a werewolf.

You've decided against that even though you used to love it.

Frido's whole camera role is filled with pictures of you from your childhood in your cute little Halloween costumes. She can still remember dressing up like a ghost with you and helping you go around town trick-or-treating while your parents got the family Halloween party started.

Somewhere along the way, at some point during those years when Frido left the country and you got older, you'd decided against all the traditional Halloween stuff.

No more masks and cute costumes and insisting that you're 'a unicorn-princess-witch, Frido! Obviously!' in favour of more chilled out costumes that you didn't have to buy and could just scrounge up from your wardrobe.

Maybe you'd even throw on some gory makeup to really sell it but gone are the days of you in a little white sheet with eye holes cut out and fake, oversized teeth.

You were a teenager now and after last year's fiasco of you just dressed as a 'first dead girl' from a horror movie, Frido's done arguing - though she does make sure to take your picture in front of the wall to add to her Halloween collection.

This time though, you've really outdone yourself, deciding to forgo your wardrobe entirely in favour of Frido's.

You're in her Barcelona kit, her shorts, her shirt and her socks. You've taken her favourite pair of football boots and even her shin guards. It was cold when you left the house so you grabbed her Sweden warm up jacket even though your own was perfectly capable of being worn.

"Oh," Ingrid says over the top of her own glass of wine," Here we go."

She glances meaningfully back over at you as Alexia walks over.

"The point of a Halloween party," Alexia says," Is to dress up, Frido. If you don't dress up then the younger players won't dress up."

"I am dressed up."

"You're wearing your football kit. You're hardly dressed up."

"But I am!"

"You're not."

You turn around, relishing in the brief look of surprise that crosses your captain's face. It always takes people a few seconds to realise which Rolfö they're talking to.

"But I am!" You say triumphantly," I'm Frido! I should have brought a wine glass with me but I didn't want to push it."

From across the room, Frido sighs.

"I don't always have a wine glass on me!" She yells.

You look pointedly at her hand and she hastily puts it down.

"You should tell her off, capi," You say to Alexia with a cheeky grin," A glass of wine after every big match to unwind. Isn't that so bad? I mean, you don't even drink during the season. Surely, Frido should follow your lead, right? I mean, you don't want me thinking that what Frido's doing is acceptable?"

"Stop trying to set Alexia on me!" Frido yells back," If I want a glass of wine for putting up with your craziness then I'll have a glass of wine."

You ignore her in favour of laying it on thick with your captain.

"Alexia, are you listening to her? First she's drinking and now she's calling me crazy! You should really bench her!"

"Funny," Alexia says dryly," You must be really getting into character because she asked me to bench you a few weeks ago as well."

You grin. "Well, at least she can't ask you to do that now, seeing as...you know..."

You gesture to your bandaged leg. Most of it is hidden under Frido's shorts and socks but a bit of it peaks out.

Frido sighs, clicking her fingers and pointing in front of her.

On any other day, you'd probably argue a bit about it but you're with the team right now and you know they can only take so much Rolfö cousin bickering.

You hobble over on crutches to stop in front of her.

Frido stands fluidly, placing her glass down on the side table.

"You know I don't like it when you poke fun at your injury," She says, cupping your cheek in one of her hands," It's serious."

"I know," You huff," But it was just a joke. Just trying to keep it light."

"I know but-"

"It is Halloween after all."

Frido rolls her eyes fondly. "You don't think dressing up as me is joke enough?"

She recognises the cheeky grin on your face the moment it curls upwards at the corner of your mouth.

"Oh man," You pretend to groan," But I haven't even gotten to the best part."

"And what exactly is the best part?"

"The part when I do my impression of you when you found out that Brick was coming to stay."

"No! Don't you-"

"She screamed so loud," You tell the group assembled near Frido's seat," And stomped her feet like a little girl. She said something like- Hey! Put me down! Frido!"

Frido easily lifts you over her shoulder.

"I think we're going to call a cab and go home. It's past this one's bedtime."

"I don't have a bedtime! Stop telling people I have a bedtime!"

[the-cinnamon-snail]

I've decided that I'm the problem as I'm a constant, one of the people always there when my parents fight. Like the second my siblings left, everything got so much worse, and when I left for a week, it was better I think, my parents got so much done. And then when I was back in that car with my parents they only went an hour without arguing. Me mixed with my parents is the problem.

[srslylini]

season 2 has a structure problem and that makes act 1 flow naturally enough and it sets up the next acts perfectly well, but they wanted to do so much more than what they were

1. setting up

2. capable of doing in 9 episodes

had they just cut a few plot lines everything would've moved far easier. For example

1. cut the Smeech thing entirely. Sevika and Jinx don't need this to find themselves together and start a found family. That scene In Silcos office was so moving and everything I always loved about Arcane, stuff like this is what's needed. In fact move the prison break to act 1 and have them handle that together, Jinx can still make Sevika her arm, and everything could've still moved the same. It would've fit so much better and there also would've been so much more time to develop anything else with the magic system and act 2 wouldn't feel like it was overflowing with anything and everything. Isha is a character that as of in the show can be cut so easily and that's so sad because she'd be so interesting. Everything about her would've worked and SHOULD HAVE worked but she also just felt like Plot and a thing to make Jinx sad over again. Either don't do that or make Isha not a character like this???? I liked her scenes with Jinx so much and the scene with Jinx freaking out after finding out that Isha was taken to prison was genuinely so good, I'm still holding on to the hope that they didn't actually kill her

2. either cut that shit with the tree because let's be so honest that basically only happened so that Heimerdinger, Ekko and Jayce could meet, since we do NOT even really talk about the tree in act 2? that was so weird. Like either actually make it a thing or find different ways to let characters meet naturally. I dont know, the show was so good with that in season 1. And if they truly wanted the tree scene at least make it make sense and don't randomly drop it Idk.

3. I LOVE Mel she is like my favorite character but the plot with the black rose takes so much necessary time away from what we actually need to focus on. I heard they want to make different shows so they are setting this up but it just doesn't work. Mel could've so easily been integrated into the main plot line and it would've also made so much more sense at that. Though I'll just wait on act 3 before I judge too hard. (if they actually DARE to make her pregnant Istg)

4. Making Jinx that hero character for only like, what, a few seconds was so strange. I hope act 3 gets that better but that, first of all, happened mostly out of no where and a few touches to her shoulder after the prison scene was also not??? helping??? either set that up from the very start or don't do it at all. She isn't a hero, she is a tragedy and someone who needs help and room to breathe. The scenes where they tried to make that funny, in my opinion didn't land at all. She doesn't need a hero complex she needs calmness and stable relationships. Let Isha live I swear to GOD.

in fact that leads me into the next point

5. Have Vi realize she doesn't want to be an enforcerer sooner? I actually do like how rushed that part felt don't get me wrong, but if they wanted a reunion between Jinx and Vi don't randomly put it into act 2 with barely any build up. Let Jinx and Vi realize it during the fight, they kinda did do that but??? just didn't move that anywhere. it's so strange. If they had cut the Smeech stuff they could've easily used the third episode to make Jinx and Vi slowly reconcile. Which also means I think Vi would've been such a better "symbol" than Jinx. Vi and Jinx, for me, show what Zaun is made of, and Jinx is quite literally the valid pain, distrust and anger of Zaun, and she as well as Zaun desperately need healing. Like that would've been SO COOL. that's just my opinion though, so there is that.

6. If they had made Vi the symbol the conflict between Caitlyn and Vi would've felt a lot more natural as well. Like??? Also Caitlyn should've had so much more time if they wanted that switch up in the end to work. Cut the black rose stuff and that would've worked perfectly fine.

7. Now do NOT get me wrong, Ambessa's character is so interesting and I feel like exploring her is so cool but she and her plot just doesn't fit into the Piltover/Zaun thing. It makes it too big for what the show is. In fact I (and now this is just my opinion, anyone can have their own just saying lmao) would've either cut out Ambessa's character/plotline or subtly continued Ambessas drama with Mel, which would give Mel, who didn't get taken by the black rose in my version, a lot more to do and way more interesting stuff too. Again this is very much my opinion and doesn't mean anyone needs to share it, but I feel like they could've easily made Heimerdinger be the one who gets Caitlyn to where she was/is with Ambessa. It would've expanded Heimerdingers character and it would've stayed in the setting they already perfectly build up, Piltover and Zaun. Also, Heimerdinger wouldn't just feel like a random joke character anymore.

8. The Pit fight stuff could have been SO interesting and I feel had we not stayed with Viktor Christ so much which was also so weird at times, we could've gotten so much necessary insight on Vi. If we follow my idea it could've been Vi forced to be a symbol because of the person she is. The embodiment of Zauns loyalty, strength and resilience. And then the fights that will come out of that forcing Vi to face so much stuff she shouldn't etc etc (I haven't fleshed that one out yet don't come for me) and that could've ended in her pit fighting era, which should've taken at LEAST an episode and not a random montage that just gets forgotten??? for no reason at all. Really hope act 3 talks about that cause??? I feel with Vi as the leader the healing of Zaun would make so much sense, because Jinx realistically can't do that. The idea of Jinx being in that position IS interesting I just feel it wasn't established/developed enough.

9. I really really liked how from the very beginning Viktor's safe haven did not in fact feel safe. There was always a very uneasy feeling and that's what I love about the show. I was always waiting for the shoe to drop and it happened, that was amazing. Though I would've either established a lot of this way earlier on in the show or made it not so, and now walk with me here Ik its magic, unrealistic. That does sound strange but having Viktor suddenly float in space with white silver flowing hair and his dead assistent next to him was... very very out of no where. It was like a lazy show trying to get away with "yeah well it's magic so of course this works" and I hate that because even magic needs explanation and build up. So yeah. Either cut that shit out or have it established sooner. And while seeing the one person who helped Jayce as a kid did kind of help, it still wasn't enough for THIS, though again MY OPINION. Also we spent way too much time there, it was getting ridiculous. So much time could've easily been lent to stuff that actually needed it. I actually laughed out loud when Viktor started the healing process with Vander because come ON now, and I do not think they wanted me to laugh.

10. The stuff with Vander, Silco and Felicia (while cute) was unnecessary and weird. What I liked the most about Vander taking in Vi and Powder was the feeling that he didn't do it because he necessarily knew them very well but because he knew their mom was dead (that did show he and their mother did kind of know each other but so do like all the people in the lanes that is kind of established) and wanted to PROTECT. This new context sadly makes it feel like "well of course he stopped everything and took them with them and cared for them he knew them since birth, duh" when I always wanted to feel "well Vander is in his heart a good man who saw what terrible stuff this war and fighting did and then took in orphaned children because of course he would do that" if that makes sense? I feel this new thing took away so much from Vander, but again that's maybe just me.

11. So many jokes and scenes didn't land with me. The scene with Jinx trying to show Sevika her middle finger was SO GOOD and so Arcane that seeing the scene were they try to make it funny with Jinx's trousers and that enforcerer felt so out of place? Like what. That scene could have EASILY been cut and nothing would have changed at all. And that's what is the worst because there isn't one scene in season 1 that I feel could've been cut and there are so many of them in season 2.

12. Introducing Maddie in act 1 made me believe she'd be a bigger, even more of a threat to Zaun, character than she was and that's so sad. What I loved about season 1 is that every single character mattered. Even those we saw maybe once. This time around I hardly cared at all for any new character because they didn't feel like a Person anymore, they just felt like Plot. In season 1 episode 1 there is this scene, the first scene Vander gets to speak in. The only reason Huck meets the woman and the man to trait was basically so we get to know how the undercity works and establish Vander as basically its leader and protecter; The one people are loyal to etc. But it doesn't feel that way. It's something that naturally happens and every character in that scene, even the man and the woman we never see again, mattered and felt real.

yeah so those were really just my thoughts. I could very much go on but I also don't want to.

[psi-hate]

alright, this really, really sucks but i have an unfortunate update that occurred regarding my recent living situation.

not to get into too much detail for the sake of my friend's privacy, but she and her fiance offered to take me in after i was suddenly on the verge of homelessness this february. i accepted their offer and moved in thanks to everyone's support, and for the last few months, i felt comfortable and capable in getting myself together for the first time in years.

however, despite what i assumed were all positive developments, things started getting a lot more complicated. i become exposed to the treatment and stress my friend has been suffering from her fiance over many years, from being spied on via tracking apps, in-house cameras, a ridiculous jealousy complex and all sorts of other personal issues.

her friends and i have been supporting her over the years, but i didn't realize how bad it was until i started to be subjected to it as well.

my friend decided to break up with her fiance last week, finally standing up for herself but still wanting to remain friends and live as normally as they could, they still had the house and their cats and such. her now ex-fiance hasn't taken kindly to this and has been pretty passively hostile towards us, and has started to take it out on me.

she started stalking my tumblr to find things to get mad at, and checking the cameras when i leave my room. i've not felt comfortable to leave my room in well over a week other than to get some food or use the bathroom in the middle of the night, the tension has been a nightmare.

my friend and i decided we needed to move out, especially me since i'm technically not a tenant and we suspect she's going to call the police on me to get me out of here. my friend will be going to her parents at a later point, but i unfortunately need to leave within a couple weeks as i've already been "indirectly" threatened.

this is sort of a nightmare, and i feel so horrible things turned out this way for my friend. i tried my best, but this feels out of my control. trying to keep the peace has only made things worse, and we think it's best for me to book it before i get blind-sighted.

i suspect if her ex-fiance sees this, she'll retaliate, but at this point i've already made my peace with that.

unfortunately, i won't be able to bring much of my stuff with me, i only have enough money for a ticket to move in with another close friend as an emergency.

i don't have enough to buy any checked bags for most my belongings, especially my desktop pc, so once i move i'm very likely going to not be able to do my art or anything until i can afford a laptop eventually. i'm really sorry to those waiting on any commissions, i'll try my best to get them done before i move. i feel so horrible about this.

if anyone is able to help, i'd really appreciate it. even just a reblog is more than i can really ask. i hesitate to make this request because i feel like i just asked for it only for it to all be wasted once this exploded in my face. but i've been encouraged to reach out, and i apologize if this is too much. my ko-fi:

thank you so much for supporting me so far. i don't want to disappoint anyone anymore. i am so scared but i still want to keep trying.

[krypticcafe]

Reader/ Y/n coming back to base covered in blood and tortured while 141 + Alejandro had no idea where reader was since they left in the morning.

Reader is "the little sibling/adopted child that we must protect all cause" to the boys

Love your writing so much ❤️

As Long as I'm Here

rating: mature

pairing(s): platonic gn!reader x 141 + alejandro

warning(s): canon-typical violence, language, drugs and drugging, torture, blood, military inaccuracies, no use of y/n, no beta read

a/n: Hope you don't mind that I decided to put this all in one long fic, kinda struggled with the writing direction with this since I had to rewrite it multiple times and I had to cut it short so I'll probably make a part two?

synopsis: it's going to take a lot more than simple torture to keep you from going back to the 141.

Part Two is now up!

"I'll be back before they know it."

Those were the last words you thought to yourself before you hopped off the helicopter. You and a team of other capable members of SpecGru and the Los Vaqueros had left before the crack of dawn for a joint operation and anticipated coming back by the afternoon if things went smoothly. And of course, they didn't.

No, you couldn't be afforded such a luxury as seen by how you were overwhelmed in battle. You wish you could've said you did your best, but god dammit you should've checked before entering that building, thinking you could lure the enemy away from the rest of your team. Compared to the hours you spent strapped to a chair with nothing but fluorescent light and a buzzing in your ears to compliment the throbbing pain in your head, you started to prefer the option of joining the rest of your teammates becoming target practice instead.

It didn't help either that the people who caught you were sick bastards. You could deal with the punches, a kick to the crotch, the hair pulling, cigar smoke, the blades, and having your body slammed around the place. It was nothing compared to practice with the 141 and prior missions you had with them. But when the metal cart of syringes came out, you knew you were beyond fucked, even when you had a swollen eye, a busted lip, broken ribs, open cuts, and burns. They took it a step further and injected experimental drugs you were supposed to investigate, homemade concoctions as they lovingly called them.

By pure shitty luck, you only escaped because one of them was stupid enough to clean up after offering you a glass of water when you woke up after passing out, dropping and shattering it in front of you, and not bothering to clean up. When your guard left to go take a piss break, you threw yourself to the floor and tried to squirm your way to the glass, using a shard to cut through your ropes. Once your guard came back, you pretended to still be bounded to your seat, coaxing him to come closer as if you wanted to confess something, and slit his throat. From there, it was easy now that you had a gun.

Or at least it was supposed to be. Maybe it was the heat of the moment or the adrenaline of finally being able to move, but the drugs hadn't fully kicked in until now. Your whole world seemed to sway, or maybe it was just you. You couldn't tell, all that mattered was that you could fight. Based on the layout of the building you were in, you were still in the same area as you were before. It took more bullets than you would've liked to admit to take down the guards that were in your way, but how was it your fault when the only two thoughts in your head were 'Where the fuck is my stuff' and 'God I'm gonna puke'.

Whoever kidnapped you really didn't think things through. Security was tight on the second floor but the bottom floor just had a single guy in the kitchen messing with a bag of crackers. You aimed your gun at him and click!

Click!

Clickclickclick!

Shit.

Well that caught his attention. You ducked down right when he reached for his gun, tossing your empty one to the side now that you'd be doing this the hard way. Waiting with bated breath, you took your window of opportunity, lunging when he had to reload. You took him by such surprise that he fumbled to put in another magazine and that allowed you to knock the weapon from his hands and tackle him to the ground. The both of you struggled on the hardwood floors for what felt like hours, but it was only a minute at most. Even in your feverish, dizzy, survival-instincts-only state, you overpowered him and stabbed him with his own knife.

Towering over the body, you gasped for breath, feeling your lungs struggling to expand and contract if you didn't force yourself to focus on the task. Great, now you're sweaty, weak, bloody, and out of breath. Based on how your hands started trembling, your symptoms were getting worse. Pacing around the area, you found your bag on a couch and fished around for the radio, yelling out your callsign before the rest of them would discover why their friends were suddenly so silent over comms.

"Sending coordinates, get a chopper over to exfil ASAP. And a damn medic."

The 141 were back from their own mission when they had heard the news of your distress call. Ghost was on the verge of strangling one of men that was on the team with you if they didn't add the fact that you made a reckless move for the sake of the team. Ghost could agree that it was something that only you would do despite his constant arguing with you and his protectiveness over you. He'd keep an eye out for you from the shadows both on base and in the field, be the one to challenge you to push your limits during your sparring matches, make sure you were well-trained so you could protect yourself. And yet you would instead protect the 141's asses countless times.

Ghost was brooding in the helicopter, well, more like sulking after a mission with you and Soap. During the crossfire, he wasn't able to keep an eye out for his flank and see the grenade flying for him. In a desperate move, you shoved him out of the blast range with all your strength, landing you with a couple burns and injuries, but nothing fatal. You knew he was going to get moody afterwards, giving a knowing glance to Soap before turning back to Ghost and nudging his leg with your boot.

"Hey, L.T, you were in the British S.A.S, right?"

"..."

"Just answer the question! C'mon Ghost, for me? Pleaaaase?"

"Affirmative."

"So back then, if you were to get bathroom duty, would they call you a Loo-tenant?"

"... negative. Was promoted after joining the 141." He turned his head away, and despite his blunt, by-the-book response, you knew he was smirking under that mask of his, especially with how Johnny and you were both snickering your asses off.

"Ghost?"

Simon snapped out of his thoughts and looked back at Soap, visibly concerned for the masked man but reading him all at the same time. Years of working together helped Soap get over the boundary of Ghost's silence and stoicism, and Ghost wasn't the only one looking out for you after all.

"You alright, L.T?"

"Solid, just need a talk with Price."

"I know what you're thinkin', and as much as I'd love to shove it to the bastards, they're going to need us when they come back. Price will come up with something, we just hafta wait 'til then." For once, Soap was the voice of reason and Ghost couldn't argue with his point.

"He's right, you know." Price stood a few feet away from the two in the hall, "Kid's capable of themselves but they're going to need a shoulder to lean on when they get here. Maybe a couple stitches, too."

Price hoped it was only going to be a few stitches. Though he knew it probably wasn't the case. Alongside Roach and Gaz, he had trained you for these situations, ensuring it would never happen and it never did thanks to his mentorship. He saw you as one of his own and ensured that you'd be able to fight tooth and nail so that it would never end up like this. But now that it has, he could only wonder what could've been done to you for you to get captured.

He didn't want to wonder.

"Bloody hell, what did they do to you?" Gaz muttered, watching as you stepped down the ramp with a soldier aiding at your side. There was an attempt to bandage you up on the way, though it only seemed to be temporary since your bandages were already stained with blood and some of it oozed out. Even the bandages around your head didn't stop the crimson liquid from spilling down the side of your face. The soldier passed you to Gaz, immediately urging that your injuries be tended to.

"Something's wrong, look." Roach helped support your other side to allow Gaz to examine you.

With a closer look, Gaz found that your pupils were disturbingly dilated, eyes glazed over in a way that made you almost look dead. You were muttering and mumbling nonsense under your breath, something about the mission and wanting to go home.

Gaz swallowed an anxious breath and nodded, "We'll get you home soon, buddy. Roach, help me take off their gear."

As soon as the other man began unclipping your vest from your body, it seemed something had pulled a trigger in you.

"No... no you're not- don't fucking touch me-!" You slurred, weakly tearing yourself from the hands of your friends. It surprised Gaz that you had the energy to punch his chest with that much force, but it broke his heart all at the same time. Roach guessed that you were so out of it that you could barely comprehend your surroundings, hell, you probably thought you were still in captivity. It hurt to imagine your perspective, and how vulnerable you felt, thinking they were your enemies.

"What's going on here?" Price's voice rose over all the noise as people tried to calm you down, Soap and Ghost following behind him along with Alejandro, who joined them with no hesitance after hearing what happened.

Roach approached them, "I don't know, the Sergent just came back like this, like they're in some kind of haze."

"They're drugged, at least, I think. I took a look at them and they don't even look like they recognize us," Gaz struggled to keep you from falling but you were insistent on getting away from him, from everyone. Thankfully, Ghost had come up from behind you without being noticed and locked you in a hold. You tried to flail even more, but with your weakened state and Ghost's strength, all you could do was yell with sloppy words for him to let go of you. It hurt them all to hear you yowl and yelp like an animal in pain, but they knew that you'd only hurt yourself more if Ghost didn't keep you like this. He forced himself to ignore your cries and clenched his jaw, focusing on keeping his temper and how he was going to let it out when given a chance.

"Steamin' Jesus, Price, I thought this was a cartel recon mission?" Soap seethed at the thought of what might've happened. Torture was one thing, but it was this whole new level of "fucked-up" that had him wanting to snap and tear at the throats of your tormentors.

"It was," Alejandro spoke up, "There was talk of a new drug on the market, released even though it was 'incomplete'. Nobody know that it was more dangerous than it was supposed to be, nobody outside of them." The words left a sour taste in his mouth. Cartels being reckless was nothing new to him, it was something he had seen time and time again. But it was the lack of awareness, the blatant disregard for safety and society, and how they betrayed their own people that made him livid. As a leader, he emphasized his loyalty and dedication to his soldiers, which was why he considered those who worked for and with him to be friends or even family, like you. So to him, if someone had messed with you, they were messing with him and his army as well.

Price glanced in the direction of you and Ghost for a moment, watching you finally begin to calm down from tiring yourself out. His gaze softened after you finally went limp, but still breathing, and he felt a pang of disappointment in himself for the briefest of moments. Maybe if he had known you'd leave so early in the day, he could've better prepared you. Maybe he should've assigned one of the others to join you so you wouldn't be in this predicament. But he didn't know. He didn't expect things would go this far south. None of them did.

"We'll finish the job first and then," Price took one last look as you were taken away on a stretcher, unconscious but writhing with a pained expression.

"We give them hell."

[thechekhov]

Hey Chekhov! How do you start converting an AU idea from character sheets and mini comics into a plot outline for a full, continuous comic? Especially if the series you're basing it on isn't complete?

I've been following your white diamond Steven comics for years, and frankly, I love how it builds and continues the scaffolding canon laid to be something that is thematically still the same but also very unique. And I never thought I'll ever say this, but now I'm working on a canon-divergent AU with someone that's I think aiming to do something similar(continue the themes of canon but different). So I'll just like some advice, I suppose!

You might've answered something like this before, honestly, but I tried to dig a little and couldn't really find it.

Thanks, if you do answer this! I just want take the opportunity as well to say also that your comic and blog accompanied me through parts of my late teens, and I'm very grateful for you being a stabilizing influence during that time.

Thank you! I really appreciate you saying that, and I appreciate you respecting me enough to ask for advice.

As for your question...

Well, to be frank, I don't START with character sheets and mini-comics. In fact, for WD!AU, I didn't have any character sheets until I started season 2.

Think of your story as an aquarium. Your characters are fish.

Yes, they're important, but having a whole bunch of fish without any substrate, tanks, feed and WATER..... will not really make for a memorable aquarium experience.

The reality is that all stories should start with an end.

That's my personal approach, anyway.

What I mean is - you need to know the general idea for your story before you begin to write or plan it.

Let's try this:

1.Tell me about your story in THREE sentences!

Just three. Not long ones, just regular ones.

For my AU, @ask-whitepearl-and-steven, it would be:

"A young orphan runs away from home with a mysterious lady who seems more cryptid than human. He realizes that he's not human either - he used to be the ruler of an alien planet! He and the other aliens he meets decide to (REDACTED) (REDACTED) (REDACTED) and he (REDACTED) (REDACTED) (READACTED) (READ ANDCTED) (READ AND FIND OUT)."

YOU should know how YOUR story ends too! Even vaguely.

It helps if you know at what point you plan to lay down the pencil. Because if you DO know, you are always going to know which direction to walk in, even if the end is so far away it's beyond your line of sight.

It's true that when I began WDAU, I didn't have much information about White Diamond and white Pearl, because they had literally ONLY been introduced. I had to guess a lot of the details (like WP being Pink's originally) and what White would be capable of. And thankfully, my original intent for the story's end fit pretty well with what was later revealed!

But don't forget - you could also just fuck around with stuff! It's your story, after all.

And don't forget... to also look back!

2.Tell me WHY the story is happening in the first place.

There's a reason that the beginning of your story happens when it does. If there is no reason to start somewhere, then find a different place to start.

You should be able to tell me "We're picking up the story here because something significant has happened... and that significant thing happened BECAUSE...."

That 'because' is your main background information that should be revealed slowly throughout the story. In WDAU's case, we only have a few pieces of the puzzle. We know Greg's side. He know Earl's side. But there are still little bits and pieces missing! And they're all important for finding out WHY Steven ended up an orphan and WHY he is being followed by White Pearl (Earl) at the very start of the comic!

3.Tell me what the coolest and most interesting things to happen would be....and then write them!

I think this may be something that's rarely said out loud, but I will speak on the behalf of the people...

We should write the scenes we want to read. If you don't want to read the scene you're writing, then DON'T write it!

If you feel like you "have to" do a page and a half of 'lore' because you think it's traditional to have that 'explanation' about the location of your story, or the history of the species or whatever, you're simply wrong. There are other ways to reveal information aside from just forced paragraphs upon paragraphs of information that would make an SAT Reading Section sweat.

Instead, I recommend that you find the most exciting or hilarious way for the characters to discover the most important bits of info. Find a dramatic twist. Shove it into the narrative. Then, figure out what needs to happen to get there.

Ultimately, though, remember this: When you're taking advice from me or from others, don't forget to take advice from yourself, too! It's your story, after all. You know it best, and only YOU can figure out how to get it written.

I hope that helps at least a little bit! Writing it never easy, but it should still be enjoyable!

[mt-oe]

I love ur workkkk 🥺🥺 … my heart melted

Can I request a mizu x reader in which reader was upset with mizu , and mizu trying to make reader feel happy with her ( I know I worded it poorly 😭😔. English is not my first language 😔). this can be sfw or nsfw. u write the spiciest nsfw stuff 😉

✧⋄⋆���⋆⋄✧⋄⋆⋅⋆⋄✧

Hey dear!

Thank you so much for requesting! I'm so sorry if this was WAY overdue. I'll try to make up for it by writing as best as I can <3

Also, please don't think too much about how you worded it. Trying to communicate your ideas, regardless of how you worded it, is already enough.

On an unrelated note, I am temporarily closing my inbox so I can catch up on requests. I wouldn't want to rush since that might compromise the quality of the fics. I deeply appreciate the messages and comments and would really like to answer them but I'm still too shy ;; I promise I'm really trying. Please don't get mad or disappointed in me. Thank you for understanding!

Anyways, I hope you enjoy! Mwa mwa :*

warning/s: not proofread, she/her for mizu, implied afab reader

Mizu has done a lot of things before. Her sword has known the blood of many, cut through numerous organs, and had seen death like it was the next door neighbor. The fights she had fought were more ferocious than what most warriors could stomach. With a will of steel and the mind of a tactician, a capable swordsman she truly was. But...

How the hell was she going to get through this one?

Cerulean orbs narrowed as she watched you, or more precisely, your back. Her gaze roaming from the tips of your hair to the way your back slumped. Your huffs and whispered grumbles were the only sound that could be heard from the room.

She could feel her palms sweating and her fingers running cold. Not a single coherent thought formed in her brain from how unnerving the situation was. For the first time in her life, she was faced with an opponent she did not know how to defeat.

And this opponent was strong. Not even the swing of her sword or the strength of her hands could quell the wrath and sheer rage of this enemy. Mizu knew she had to plan her next move well or this could cost her everything.

And this opponent...was her wife's anger.

Yes, the ronin who quite literally bit someone's nose, survived a fall from several stories high, burned down Edo, was utterly helpless under her lover's wrath.

"I said I was sorry. What else do I have to do?" she asked, placing a hand on your shoulder, trying to pull you to face her. A groan of frustration boiled at her throat as you shrugged her hand off harshly. "I said I was sorry. What else do I have to do?" you mocked her, imitating her low voice before sticking your tongue. "Go figure it out yourself! Hmph!"

This was so stupid, she thought. But despite the words in her head, she was utterly lost.

All this drama just because she missed a kabuki show that you wanted to watch?

Sure, you had told her ahead of time. Sure, you already planned it out. Sure, you were already at the venue. But it was just a goddamn stage play, what were you so upset about? There would be another show next week with the same story anyway, and if you were so excited to watch, you could have watched it without her.

So what was the big deal about it?

She rolled her eyes before standing up, looking at you in resignation. "Fine, sulk," she grumbled in response, to which you stuck your tongue out. She rolled her eyes once again before strapping her sword to her waist. "Talk when you're no longer acting like a brat." And with those words, she left, slamming the door and causing it to bounce open slightly.

Upon hearing her footsteps fading, you immediately let out a loud sigh. You turned to look at the spot where your lover had previously sat on with a sense of hurt. "But I wanted to go on a date..." you whispered to yourself, throat tightening.

This was one of those moments where you really just had to say, 'it is what it is', and pretend to not get hurt.

You knew Mizu wasn't the most romantic person on the planet. Hell, it was even a surprise that she asked you out. However, there were times when you wished you could open her head and shove some cheesy romance novels, because how the fuck did she not get that you were asking her out on a date?

Urgh.

"What am I even expecting?" you asked yourself out loud, bringing the tickets you had bought for both of you. Tickets that were wasted just because she thought training and buying supplies were more important than spending 4 hours watching a play in a theater with her wife. "Maybe next time I'll just watch her train."

You love her. Of course you did. And you knew she loves you too, but sometimes her inability to understand or express romance made you question it.

Slowly and painfully, you tore up the tickets and fed it to the candle flame, watching as it turned to ashes. Welp. There goes your idea of a romantic evening. "And I planned it for so long too," you sighed as you brought your knees to your chest.

Unbeknown to you, your wife had secretly sneaked back, sitting beside the small door crack she had intentionally made earlier. A small frown on her face as she realized how much she fucked up.

You were right.

You did plan it for a long time. She could see your eyes widen every time the two of you passed by the theatre whenever you went out for supplies, filled with excitement that she couldn't understand then. And you already told her early, so it wasn't like it was out of the schedule or out of the way. Most of all, you were already at the venue.

You were waiting for this for such a long time.

You were waiting for her for such a long time.

And she wasted your efforts. She somehow thought that what you were so eager for was something she could trade for a few hours of extra training.

Guilt welled up in her as she continued to listen to your sighs, peeking inside the room every now and then to make sure you were okay. Her heart clenched in an odd, unfamiliar, yet extremely uncomfortable way at the sight of your frown.

Damnit. Mizu knew she messed up big time. However, even if she felt absolutely terrible, she also knew she couldn't just come back in and reveal that she had just watched you go through five stages of grief in less than an hour or else you'd feel like you forced her to apologize. But how could she make up for this?

As she was deep in thought, thinking of ways on how she could apologize, she suddenly heard the soft padding sound of your feet on the tatami mat as you stood up. "I guess I'll take a nap. Maybe I'll feel better when I wake up," she heard you sigh for the umpteenth time.

Her eyes watched you stretch before pulling the futon out of the closet and set it up. Your hands carefully undid the pins stuck to your hair before laying down, pulling the covers over you, the frown you wore never dissipating.

She could feel her conscience weighing down on her, telling her what a dense idiot she was. The feeling hitting her like a ton of bricks as she watched you slowly fall asleep with a heavy heart.

No, she wasn't going to let your day go on like this. If she fucked up, she's fixing it up.

Slowly and carefully, she got up and sneaked away, leaving the inn and going to the market. No matter how unexperienced or how unknowledgeable she was with how to comfort a person, Mizu was going to try her best.

-

Hours passed and the short nap you had planned turned into one of the longest one you've had yet. It wasn't a pleasant one, but it wasn't the worst either. Your eyes slowly fluttered open before squinting at the faint glow of the candle. The world felt slightly heavy and tilted as your head spu—wait? The candle?

"Oh shit," you whispered, shooting up and looking around in panic, head still spinning from grogginess. Oh no, you forgot to blow out the candle before your nap and accidentally kept it burning. Mizu was going to pissed at you, especially since it was the last one.

But wait—

Shouldn't it have burnt out already?

You brought the back of your hand to your eyes, rubbing away the sleep and grogginess to have a better look around. However, upon looking up, surprise took over your senses.

The room was...decorated?

Or at least there was an attempt.

At a distance from the foot of your futon sat your lover with a wooden crate in front of her. A bit of relief washed over your body as you realized that she had taken care of the candle for you, but still, you were heavily confused. "Mizu...what's going on?" you asked, yawning a bit.

She looked at you with the same emotionless stare she had before sighing. Her hands slowly turned the crate around so the opening was facing you. It was decorated too, and even if it was poorly recreated, you could recognize the setting. It was very similar to the kabuki theater you wanted to go to.

From her back, she brought out two dolls. One wearing a kimono in a color similar to what you were wearing, and one male doll that looked like a samurai. A heavy exhale could be heard coming from her as the embarrassment started kicking in. Was she really going to do this? Yes, yes she was.

Clearing her throat, she moved the dolls to the makeshift stage as she began her narration. "Once upon a time, in a small village, stayed a ronin and her wife." She glances momentarily at you before looking down again, a faint dust of blush on her cheeks. "Her very beautiful wife," she clarified.

Your eyes widened with a mix of delight and surprise. The grogginess from your sleep wore off at the sweetness of your lover's effort. You couldn't believe it. It was a stage play. A stage play about the two of you.

Her hands moved the dolls on stage, making them hold hands as she narrated the events in the story. "But one day, the ronin, being very foolish, decided to go up in the mountains and train instead of accompanying her wife," she said, dolls moving to match her words.

"And her wife..." she continued, moving your doll to look like it was sulking, "...got very upset." Blue eyes looked at you once again to check if you were still watching. You could tell that she was being very sincere about this.

"Not knowing what to do, the ronin went out to think and realized that she was indeed wrong and had been inconsiderate, that her wife was really just trying to bond and spend time in merriment."

She slowly set the dolls down and readjusted, sitting up straight before bowing her head slightly. "And so, the ronin apologized," she said with all seriousness. "I'm sorry, love. I knew you wanted to go out for so long. I should have appreciated your efforts more. I have no excuses."

Silence embraced the room after, completely amplifying the pounding of her heart as she awaited your response. Jitters ran through her body from nervousness. Mizu didn't dare look up, not until you gave her a response.

Seconds felt like minutes as she waited. An unexplainable kind of anxiety holding over her. What if you didn't like the little show she put? What if she just made your anger worse? Her thoughts were scattering by the millisecond. She wanted nothing more than for you to forgive her.

Her heart stopped as she saw your hands reach for the dolls, looking over them before making your doll face her doll.

"And the wife accepted the apology," you giggled, bending your dolls head slightly so it would kiss the representing her. Before she could speak, she felt your lips on her cheek. The sweet sound of your laughter soon followed, making her blush.

You lifted the dolls up to eye level and looked at them fondly. "You really went out and beyond, didn't you?" you laughed, wiggling them around in some form of cuteness aggression. She lifted her head and smiled softly. "I didn't know what to do," she admitted, finding your fondness for the dolls adorable. "And I really wanted to go back to my wife."

"You could have just said sorry, dummy. But.." your voice trailed off, eyes looking back at your wife's, leaning closer to her. "This made me unbelievably happy," you admitted. "Thank you, love."

Your wife's smile widened as you leaned in and kissed her softly. Her hands instinctively pulling you closer. Love and affection radiated from her as both of you pulled away, gazing lovingly into each other's eyes. Her breath hitched as you opened your mouth, anticipation building up regarding what you were going to say.

"But next time you do that, you're sleeping without a futon."

"Yes ma'am"

[couldeatthatgirlforlunch]

YAY I can bother you again! \:D/ /jk

Anyways I consider asking my favorite writers stuff as my therapy, so here I go. (Sorry if this is sudden or traumatizing)

--------------

I feel so bad for saying this but I'm most attracted to any batfam member (adult obvi) when they are at their worst, Bruce and his pathetic angsty ass literally all the time? Let's make a Robin.

Angry Dick with a cheerful facade trying to just be Bruce's equal? Bra is unclipped.

Post pit Jason so angry and mercilless feeling betrayed (any iteration but mostly Arkahm knight) and vengful? Baby I'm yours.

Fanon Tim who is sleep deprived and stalkerish? I'll strip in front of any security camara in Gotham.

Stephanie feeling she needs to prove herself? Please let me top you.

Insecure about his powers Duke? Sudenly I'm a physical meta expert, please show me those abs.

Cassandra thinking she is only capable of damaging? Honey put your hands on me, I assure you it will be anything but unpleasant.

Damian after "accidentally" killing Dick? Hello my name is beloved!

Don't feel bad about it!! I'm just the same and there's nothing wrong with us!!!!!!!!!!

I mean, pathetic wet cats who would just curl in my lap and rant or cry while I indulge them and they become dependent on me and only me??

Battinson is my favorite Batman from the movies bc hello???? I mean I get it why people liked Bale but like???? A guy who's been traumatized for 20 years and got to the point of making an armour to fight against criminals unrelated to the ones that took his parents bc he got so sad that he reflected enough that he came to the conclusion that no one should ever feel like he did, and he would use his entire life to stop crime because people deserved better, even the worst criminals shouldn't die bc they can change or other people might be miserable if they miss him?? And he's ready to die for that!! He doesn't care!! And then he becomes a parent but he sucks at parenting bc he loves them but he never learned how to love?? BABY I CAN TEACH YOU

Jason at under the red hood or as Arkham Knight??? YOU CAN KEEP KILLING PEOPLE IF THAT'LL MAKE YOU FEEL BETTER BABE, especially if you keep me around bc we dated before you died/got tortured for months/years, kidnap me, love me, make me yours, I don't think killing your pops is gonna help you feel better, but no nagging will come from me I SWEAR

Fanom Tim being so neglected by his parents that he doesn't think his physical and psychological suffering is important, the fact that he obsessed over his childhood heroes, putting himself in danger, practically deciding that he was going to help them, not bc "I wanna be a hero and I can so I should be" but bc "I don't have much to lose, we all need you, and I want to help you, bc you're all I have!!!" and caring so much that he tries to clone his bff when he dies, and almost dies just to bring his dad and hero back, bc he cares about others more than he cares about himself??? Baby I'm right here!!!!

ANY Damian angst, Damian sad over Dick, over Bruce, over Talia, all while pretending he's just angry, I love him!! Damian that just wants to make them proud!! Damian that wants to be good!! To be on their level!! To be powerful!! To be good enough!! I love love love him!!! I'm with you no matter if you're a hero, a villain, or an antihero!! Damian Wayne, you will always be famous.

Dick swallowing his traumas, his emotions, breaking down at any opportunity, feeling responsible for everyone and destroying himself bc of it!! His relationship with Bruce never being quite the same after he became Nightwing, but they still know, deep inside, that they would come running if the other asked for help, but they never do. And Dick sometimes doesn't even know if Bruce sees him as his son!! And he's sad bc of it, but he can't show it bc how do you tell someone that?!?!?!

Steph thinking she's never gonna be enough, that she needs to prove herself, when this feeling never goes away, bc it's more about you than others? YES YES YES

Cassie!! Don't feel guilty about your past babygirl!!! It wasn't your fault!! You're just a victim!! They even took your voice from you!! Come spoon me and you'll feel better!!!

You're perfect Duke!! You're amazing and cool and handsome and there's nothing wrong with you!! You have the most awsesome powers ever!! Now come here let me look into those brown eyes and lets make out.

Seeing characters that are just so unreal but we can relato to, watch them suffer, feel joy in it!! I'm just like you and you're just like me! Be mine!!

This is about DC, but I'm an invincible, the boys and Marvel fan too. I'm drooling seeing Invincible and Rex Splode at their most toxic or weak moments! I love seeing homelander, soldier boy and the deep being so pathetic that they HAVE TO make it everyone's problem!! On my Winter Soldier brain rot I was constantly going over and over again on the same scenes watching this man be sad and miserable and covered in blood and not having autonomy of his own body and being alone!! Of course I got sad, but we can be sad together!!

Anyway, I love receiving fun and easy asks like that (I'm unreasonably happy that you called me one of your favs), I closed the asks bc I was just feeling I little overwhelmed with anxiety, college, future and the amount of requests I was receiving even if I knew I didn't have to write every fanfic idea people sent me and can just write what inspires me in the moment, be it something people asked, or some inspiration that came for me from another place

[mellowwillowy]

𝐓𝐡𝐞 𝐏𝐥𝐞𝐚𝐬𝐮𝐫𝐞 𝐨𝐟 𝐇𝐨𝐫𝐫𝐨𝐫

Yan! Eldritch Horrors (or Monsterfuck for short) × GN! Reader

"I want you to gut me baby~"

""Say less""

Warning: NSFW, Inhumane Size, threesome, mention of wanting Reader to be a 'Mother', gruesome talk

So that's how you ended up in this mating press position, your guts rearranged by his inhumane size, your face dumbstruck by pleasure and pain at the same time.

"Ssshhh, you said you want to be gutted by us no? Take it, take it all~" his pace does not falter, it remains the same and steady, his veins hitting the spot you are dying for.

Of course, there's still another one present on the bed.

"Just wrap this cock with that pretty mouth, 'kay? Be good for us and we will reward you."

Your mouth is already sore from having his inhumane size still in you, drool pooling down on the mattress you three were on.

"So good~ so good for us aren't you, doll?"

His hand caresses the strands of hair from your face, sweats making it stick to your skin. You look down at your stomach and see something bulging out. It disappears then reappears again, pushing your guts upward, or so you think.

The other pulls out his member from your mouth and you immediately feel your sore jaw before he brings your hand to your stomach.

"Why don't you feel the thing that has been piercing you?"

"Oh-ho! Great idea! See? This is the proof of my love, gutting the fuck out of you," he increases his pace, his thrust getting deeper and harder, "feeling you in a way mortals shouldn't, oh how much I want you to be the 'Mother' of my offsprings~"

"Don't." He shoots the man above you a glare.

"What? I'm sure you want to see them bear us children too no~? Imagine seeing them round with our offspring in them."

"I'd rather not have the child eat and rip her alive."

Talking about those gruesome stuff while they are fucking you up? You love that. Truth to be said, the idea of being able to carry a child excites you, especially one that is inhumane and is capable of eating you alive to survive!

"What? Aha, are you sick? I can feel you clenching me!"

"Maybe our doll needs a bit of repair soon," he frowns as he peppers you with kisses, "I can't and won't let you ever bear any pain because of us..."

You kiss him back, tongue clashing with his. Not wanting to lose, he kisses you back, not letting you go until he figures you've run out of breath. He doesn't want you to faint just because of a kiss after all.

"Haa... khk- hey, what would you do if I wasn't joking?"

"... I'd fucking kill you"

"Wha-?"

This time the man above kisses you, unlike the passionate kiss you shared with the other one, his is more greedy and needy, teeth clashing against yours and tongue occasionally bitten.

"So close, soooo close... hey... I love ya'"

That was his warning before you felt something warm filling you up to the brim, hell the bulge is still there, all he has to do is pull out push your stomach down and his dead offspring will flow out of you like a tap water.

Just as he pulls himself out, he is immediately shoved to the side, "What a bad habit you got right here, not giving them a proper finish..."

"Eh? No... I, I came earlier so- ahk!"

He starts to stimulate you back, his fingers working their way around you, "Nonsense, you deserve more," his fingers insert themselves into your gaping hole, hitting all the spots that make you see the cosmic. His tongue licks your jaw, nibbling it before moving to your neck, giving you a hickey.

You come shortly after that, body twitching and mind dazes off into the unknown until he places his member on top of your face.

"Remember, I still haven't had my share, doll."

Oh that thing is surely going to fucking pierce and gut you up and you love that ♡

"Yeeeeeeshhh....."

---

Afternotes: I actually have the pairings in my head but I'll just let you guys decide.

[drdemonprince]

Re: autistic advice; i keep seeing people making fun of stuff like "are you in a place to hear bad news" or scripts like that. I grew up in an environment where it was common practice to just drop heavy subjects on people out of the blue, & I still find that intensely uncomfortable. But I've now had multiple people tell me that it makes them feel shitty when I ask, for example, "are you up for a dark subject?" & I don't really know how to square it away. I want to make sure that I'm not stepping on anyone's toes or making them feel ambushed or trapped, but apparently it makes some people feel like they're not allowed to have their feelings. I end up feeling pretty shitty about it, because like... it feels like either I have to be Rude (because it DOES feel rude to just drop a dark topic on someone) &/or risk having something shitty I can't deal with dropped in my lap, or else really upset people. I guess... is there a way to navigate this?

I would recommend being more specific.

People find phrases like "Are you in a place to hear something that might hurt you?" and "Are you up for a dark subject?" to be a bit presumptuous about what their emotional reactions will be or what they are capable of handling. It also can make what would have otherwise been a very unremarkable exchange become tinged with anticipatory anxiety.

When someone asks me a question like "are you up to hear something dark?" I might feel coddled and condescended to, rather than emotionally respected. Or if they ask me "are you prepared to hear something that might hurt you?" / "are you up for a serious conversation?" I think they're about to drop some serious emotional bomb on me, like that they're friend-dumping me for something horrible that I didn't realize I did. Then when it ends up being a meme they want to share or a question about a celebrity lawsuit or something i'm kind of pissed at the false alarm and the coddling that, rather than protecting me, made me feel worse.

In either case, rather than giving me time to emotionally prepare or interact when I am ready, these vague questions have introduced some kind signal of social or emotional threat. If anything, it increases the felt urgency to just have the damn conversation already and see what kind of monster is lurking behind the person's words. It makes me *less* likely to exercise control over when the conversation happens or when I see the upsetting thing.

So be specific. "Do you wanna see a disgusting meme?" "I want your opinion on something, but the question touches on sexual assault. Is that okay to talk about?" "I want to talk to you about a conflict I'm having with my other partner." "Can I ask you your opinion on this transphobia discourse?" Etc.

The more specific you can be about the subject and why you are asking about it, the more power you are giving the other person to actually decide what they want to engage with. When someone asks me if I am willing to discuss something dark, I really have no idea what to say. They're imposing their judgement of what is a dark or upsetting topic onto me, when really they have no idea what I might find triggering and what I might really enjoy getting to talk about.

Rather than trying to protect me from something I haven't even encountered yet, you gotta let me encounter it, and actually trust that I will take care of myself. If I don't want to talk about sexual assault I won't, if I don't want to look at gross imagery I'll say no, if hearing one more bad thing about your other partner is going to make my jealousy fume, I am responsible for handling that. You're not responsible for my emotions.

It's good to notice which subjects your friends are especially sensitive to and what big triggers they have so that you can be considerate. My friends know I cant look at lots of blood flowing out of someone for instance and dont send me visuals/fics that feature, say, wrists being slit or blood being drawn. But if they forgot, I'd understand and just look away and squeal oh no i cant look at that get it away. And that would be fine. They are not responsible for my reactions to things.

[rad-roche]

Pulp Covers And How To Paint Them

With the rise of cheap printing in the early twentieth century, mass-marked paperbacks swept the world, each offering lurid thrills for obscenely low prices. Sex, sadism, and incredible violence for as little as ten cents. An easy purchase to slot in between fifty cigarettes a day and enough bourbon slugs to kill a small garden.

Pulp fiction is where some of the greats of American literature cut their teeth, including the big three, Raymond Chandler, Ross MacDonald and Dashiell Hammett. The contents of these stories, both the dizzyingly good and astoundingly terrible, have been absorbed and digested and remixed and regurgitated in nearly every permutation imaginable, fuelling pop culture some one hundred years on. This isn't an essay on that. Nobody likes to open a tutorial and be greeted with a wall of text. The history is for another time.

But it is about how to paint it.

Don't let the pre-amble intimidate you, it's not as hard as it sounds. You will need:

Painting software with some image editing capabilities. You don't need all the bells and whistles of Photoshop, but I wouldn't recommend something like MSPaint, at least not to start with. I'm using Clip Studio Paint.

A really beat-up paper texture. The grungier, the better.

A lightly-textured brush. Here are the specific brushes I use, 99% of which is the well-named rough brush. Try and avoid anything with any impasto elements.

Go to your colour-picking tool and use the 'select from layer' option. Doing all the painting on a single layer is going to make your life easier.

A complete willingness to make mistakes and, instead of erasing, painting over them. It generates much more colour variation and interest! Keep your finger off the E key.

Good reference! That painting is a master copy of Mitchel Hooks' art for Day of the Ram. Find a style you really love and want to learn? Have no clue where to begin? Do direct studies!

Let's not worry about whatever is happening in the background. It's probably fine. Let's get started! Pulp magazine art is a lot more varied than you might first think, so don't agonize over having a style that 'fits' or not. I'm also specifically aiming for something you'd see on the cover after printing, not the initial painting they would use for printing. The stuff I'll show here is a pretty narrow band of it, but here are some general commonalities. This is a painting by Tom Lovell.

Let's dig into this.

The colours are very bright and saturated, but the actual values, the relative lightness and darkness of them, are actually grouped very simply! You can check this by filling a layer full of black, putting it on top and setting its mode to colour. If the value of a painting looks good, you actually get a lot of leeway with colour. But here's what I think is the most important thing to keep in mind.

The darks aren't that dark, and the lights aren't all that light! Covers are paintings reproduced on cheap paper. Anything you wouldn't want to happen in the printing process, you lean into. Value wash-outs, lower contrast, colours getting a weird wash to them, really gritty texturing. So let's get painting! Here's my typical setup.

That bottom folder is the painting itself. The screen layer is the grungy paper texture. To get the effect you want, put it down, invert its colour, then set it to screen. That washes out your painting far, far too much, so to compensate, I put a contrast layer up on top. Fiddle around with the settings, but this is where mine ended up sitting.

Note I'm saying this before even starting the painting: you want to do this as early as possible. This is where the 'select from layer' colour picker comes in handy. You can paint without worrying about the screen or contrast layer. Something not looking right? Enable your value check layer and keep painting. When you turn it off, it'll still be in colour. Here's a timelapse so you can see what that looks like.

And when you check the values...

They're pretty simple! This isn't a be all and end all, but I hope it serves as a decent primer. I want thirty dames on my desk by Monday!