#i wish I could just beam my thoughts directly at you anon because idk if I said this well I have to many thoughts to get it all out clean
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revvethasmythh · 2 years ago
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I've just read through your FCG meta/response from yesterday and I love it. With regards to the popularity of Sam's characters (and I agree with a lot of what you said on why), how much of that do you think is connected to how shippable his characters are from a fandom POV? In campaign 1, Pikelan is so much less popular than the other 2 canon ships. In campaign 2, anything other than Veth/Yeza (almost no fandom engagement) is treated as a crackship (fjeth) or most people insist it's familial (widobrave). Then obviously there is very little shipping for FCG in general. Is it because he's a funnyman? Is it what you were talking about with flawed characters and how they wouldn't consistently serve a fave enough to be shipped with them? Is it just that he tends not to create conventionally attractive characters? I'd say the gulf in ship popularity for the canon ships of campaign 1 followed the lines of conventional attractiveness a little strictly for me to write it off as coincidence, even if there were other extending circumstances like Pike being away a lot of the time. And the fact that one of Sam's most popularly shipped characters (Loquatius) happens to be one of the more conventionally attractive ones. Although it's pretty clear from watching calamity that those two would've been a very popular couple regardless.
That became a vent but the main question is do you think that one feeds the other? Are Sam's characters less popular because they're less shippable by fandom standards? Or are they less shipped because they're less popular? Or do those two things feed one another? I'm sorry that was a lot thrown at you but since your recent analysis was so good that I was curious to hear your thoughts on this.
Okay, there's enough to unpack here that I could probably write a few essays in response, but I'm going to try to keep this as concise as I can, so I'll answer the TL;DR as best I can keeping the rest in mind. I do think the two things feed each other to some extent, though I find myself leaning toward thinking his characters are less popular because they're less shippable, and less shippable because of their unconventionality. This might be the cynic in me, but I've been in fandom long enough to know that shipping tends to be a huge motivator for folks, though I'm also sure the fact that Sam's characters tend to have BIG personalities affects if people want to engage with them or not as well.
Like, I have caught myself on many occasions considering how balls to the walls popular Widobrave would have been if Nott wasn't a goblin and therefore very unconventionally attractive (lots of monsterfuckers in the fandom do be fakes, as it turns out), or considering how Veth gets overlooked as a shipping option or even just as a character who is attractive because, well. She's short, she's fat, she's brown, she's loud, and she takes up space. Like, we all know that's the reason even if we don't say it out loud very often. It's why it's easier for people to relegate her as a wife and a mother, heavy emphasis on mother, and not have to engage much deeper with her character and complexities than that, and certainly not her shipping viability (hence the "Veth is Caleb's mom" thing that will never ever go away)
And with FCG, I have seen with my own eyes people say that he's not shippable because he's a robot. Like, I don't think it's a secret that a fair few folk think that way. I find it interesting that when Sam said on 4sd, "Fresh Cut Grass is desperate to do things like be able to taste, be able to smell, be able to feel love, the things that you all can do that I can't" I saw people say in response: "but he CAN feel love. The love of his friends," but I've also not seen a single interpretation that this may be a desire to feel love in a romantic sense on his part. Now, I'm not saying that's what Sam meant--it could be much more general than that, as FCG is still struggling with understanding their personhood and what it even means to feel love at all, platonic or otherwise--but the absence of the interpretation is not, uh, lost on me.
So, I suppose the point to make here is that a huge amount of fandom prioritizes shipping over just about anything else. Sam's characters rarely take the spotlight in shipping situations (though he does do a huge amount of delicious, subtle pining. it's his speciality), with the exception of Quay, who is probably his most conventionally attractive character apart from Tary, who didn't actively get a big romantic plot in VM the way Quay did in Calamity (he got the Sam Riegel classic--quiet pining). So if Sam comes out swinging with these non-traditionally attractive characters, as he basically always does, who tend to make a lot of jokes, because he's Sam, fandom seems to write them off as jokes and/or unattractive and not viable for shipping, therefore less interesting or having less worth engaging with entirely.
And here's the thing--it's not just Sam this is affecting right now, either! Look at Chetney. Chetney is the fucking spiritual successor of Veth Brenatto, like all croaky and horny and hilarious and A LOT. He's also old, which immediately took him out of the shipping pool for a lot of people, and it feeds into the way people think of him as just a joke. like "lmao look there's an OLD guy in the party this time, what a racket." Which is ridiculous, but definitely an opinion you're going to find floating around, both said and unsaid. And I think all you need to do is look at the stark absence of Chetney on AO3, the fact that there are all of 22 Fearne/Chetney fics (a ship that gets seriously played up in canon, just like Pikelan did during VM), and the absence of serious discussion about him to see a correlation between a character being traditionally shippable and one that the fandom deems worthwhile to talk about.
I mean, here's the thing--this is a limited discussion that I'm able to do right now. This could be an entire dissertation and there are complexities I'm not hitting on, I'm absolutely sure of it. But I would generally agree that the more unconventional a character is, particularly one who is unconventionally attractive, the less shippable fandom will view them and then they would be less popular in general, and I think that's something Sam runs aground of often, yeah. Like I said, I'm sure there are complexities I'm not hitting right now, but I do think, generally speaking, this is often true. Even though I think it's really unfortunate that fandom bends so heavily toward prioritizing shipping like that. But, like, they do
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spacedikut · 4 years ago
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hi different anon here! but what if spencer had to take a mandatory arts class of some kind for his degree (i don’t know how caltech or phd courses work but we’re going to ignore that) and he’s getting super frustrated because he’s so good at all of his other academic classes but he just! can’t! figure! out! the arts!!! but then reader is in the same class as him and notices that he’s struggling so they offer to help him out?
it’s kind of a role reversal of the usual spencer-tutors-reader in college (because he’s a genius so it’s an obvious [and very good!] dynamic)
and bonus points if it’s a pottery class and they have a “ghost” moment 🙈🙈 (reader is obv patrick swayze 🤤) but make it any medium you want! or even a music class!! up to you my dear <3
ok for some reason i immedaitely thought of finger painting but. have decided against that
idk how art classes work either but if it’s anything like art was in school then you’re kind of left to you own devices? so let’s go with that. it’s fiction babey!
this was meant to be headcanons/random concepts but turned in a messy blurb so it’s under read more
he loves art and isn’t so bummed out that he has to take the class because - again - he likes it But the issue is he likes Looking at it, Not creating it. he’s got jiggly hands that squirm and twitch without his consent constantly and that doesn’t bode well for drawing fine details and intricate patterns, so he’s hoping because it’s an introductory course it’ll be. maybe more theory than anything else? or at least just basic tools and mediums so he can struggle through with a grimace from the professor
he ends up with /oil/ paints though and he’s looking from the bowl of fruit to his easel to thr OIL PAINTS and derek is there, in spirit, going hahahaha good luck pretty boy! and spencer Could ask to change the type of paint he’s using but he’s awkward and so. grits his teeth and goes. alrighty this is it this is life im using oil paints, something notoriously difficult for a beginner, which is what i am, a beginner, and i am now putting these expensive paints to this expensive easel with my inexperienced hands-
and you’ve been watching him since he stepped in, because he’s pretty, and now you’re grimacing cause Oh Boy he does not know what he’s doing and he’s. he’s breaking the paintbrushes. you can hear the bristles cracking from across the room.
spencer would’ve noticed you if he wasn’t so Humiliated (he, too, easily notices pretty people) so when you creep up behind him and say, “oil paints are difficult, aren’t they?” in this understanding voice that he follows with his head, his first thought is- oh, so to top it all off a piece of art has come to life? this is where we are now?
he does that thing where he forces out a little breath along with a small smile and goes, “ah, yeah. i didn’t want to ask for something else, so,” and weakly lifts the palette in his hand as if to say, it is what it is.
“i could help, if you’d like?”
and he agrees cause he’s eager to learn! and you, a masterful artistic genius, blow him away with not only your knowledge (you’re into the theory kind of stuff too and at one point he jolts himself, realises he was staring at you with his mouth open, and deeeeep down wishes someone would think of him the way he thinks of you when you ramble) but your actual skills too! and you’re a great teacher! patient, understanding, and did he say patient? because he has painted a damn sky at least 15 times and every time he Somehow makes clouds look phallic and you just go hehe :) and he’s like I love u (internally)
several weeks in, when you and spencer have become arty friends, the subject turns to drawing people rather than objects - you tell him getting people /right/ is something you struggle with yet you love doodling your friends and family in your sketchbook. the first body spencer draws (that isn’t a stick man) is done in crayons, which he’s found is the medium that works best for him (only when the crayon is properly wrapped. because the waxy feel of them Freaks him out)
you help him learn about drawing anatomy while he tells you /about/ anatomy, he attempts to sketch a hand and it’s so odd looking he laughs so hard he CRIES and you finally convince him to try charcoal, your personal favourite
it’s messy and gets everywhere (spencer opens his mouth to complain about his expensive grey cardigan but then- the little mark is a physical representation of this memory between you and him, huddled close together as you both draw aimlessly in your sketchbook, and the mark feels more like a blessing) but spencer ends up agreeing that charcoal sketches look the best.
then he sees something he shouldn’t have.
you’re talking about how you sketch your family all the time - there’s several of your roommates and your pets and a sheep u saw this one time - then there’s...someone oddly familiar? that he catches a glimpse of? and before he can think he goes “wait-“ opens that page and it’s him. him, standing too close to an easel with his tongue slightly poking out in concentration and it’s a charcoal sketch of him from last week.
you’re embarrassed. “that’s weird, im sorry-“
“you make me look good” he tells you, smiling sweetly, and you’re convinced it’s just to comfort you but you’re too glad he isn’t filing a restraining order you let it slide
i mean. have you seen his face? how can anyone look at that and not want to start chiselling marble?
then he gets secretive, weird, a little odd and definitely is avoiding you. he paints and draws with his back to you, still talks to you but over his shoulder and can never really look you in the eyes. you think this is it and that the sweetheart you’ve come to see as more than a friend is Done with you, because you’re a CREEP, and then after a weekend of silence on his end this happens:
while you’re getting your stuff ready, he walks up silently and slides a small sketchbook in front of you. you stare at it, wondering what it’s for, and he nods at it and tells you to open it. when you go to, he stops you-
“a-actually, let me give you a page to start on-“
when he manhandles the book his hands brush yours, his already bright red cheeks get redder, and you bite your tongue so you don’t sigh dreamily.
he’s drawn you.
it’s not perfect and kind of not pretty - a lot of harsh edges and weird shading - but you can tell its you. it’s you, drawn by him, probably from memory, and he’s drawn little hearts around your head because he’s the cutest? evidently?
“it’s really bad, but i thought-“ you look directly at him, making him freeze. he’s got a little charcoal just under his eye. unabashedly, you reach up and wipe it away, hand remaining at the side of his face when you’re done. “i thought you deserve to feel how i felt when you drew me.”
“and how did you feel?”
he gulps. “loved.”
all you can do in the Classroom you’re in is beam sickeningly sweet at one another, lost in your own world while there’s a wordless exchange. the rest of the sketchbook is full of half attempts at sketching you - in different positions, with different expressions, some with a full head while others are half a face. some of them are hilarious, but they’re all made with the purest intentions. “i love it.”
and when you share a look then, you don’t need to verbally say what comes next just yet.
(and. yes. the second you see a pottery class is available you drag him and Make him sit between your legs and he’s never blushed so much in his life the teacher asks if he needs air. at one point you think it’d be funny to peck his neck and the shiver it sends through him is so shocking your mould on the wheel is squished between his hands)
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