#i went for a more minimal and br*tal style than last website mockup to highlight the art and message instead

[kithtaehyung]

⬛️ WEBSITE MOCKUPS : RKIVE.ORG ⬛️

“When we went abroad, we stayed in our hotel rooms except when we were working. The only places I could go then were museums. The art galleries full of Monets or Van Goghs were always crowded, but when I visited one weekday morning and had them mostly to myself, I had a eureka moment—an artist who’d passed away 100 years ago was communicating directly with a boy from Korea. I was so envious. From then on, I began seeking out and learning about Korean painters.” — HAPPY NAMJOON DAY! ; 940912 ; CLICK FOR HQ. twt | ig 

Note: rkive and gallery walk gifs may take a bit to load, and look best on desktop. Note 2: To learn more about all of the artwork and artists showcased, click below. 

When The Year 2000 Comes (2019), by YANG HAEGUE, the avant-garde of Korean art.  “She is an accomplished and international artist. She notably represented Korea at the Venice Biennale in 2009 and participated to the prestigious dOCUMENTA (13) in Kassel in 2012. In her works, which flirt with conceptual art, she explores myths and stories, that touch on the universal. She appropriates them through sculptures, installations, performances, and video.”  

From Point (1976), by LEE UFAN, Korean Zen Art. “He is a Korean artist known worldwide for his paintings depicting the mark of a brush whose color fades… Yet his practice goes far beyond that! He creates performances, sculptures and installations, which always question a certain “state of being.” He is influenced by Zen and Asian philosophy, but has also drawn heavily on Western thought. Among his favorite subjects: observing the intimate, conflicting or poetic relationship between natural and artificial elements.” 

Brushstrokes-Diagram (2015), by SONG HYUN-SOOK, Korean and Western art.  “With her, each brushstroke tells a story, a journey. She weaves links between Korean art and Western art. On the one hand, it expresses that almost meditative state of concentration that exists in the art of calligraphy. On the other hand, she uses tempera, a typically European oil painting technique, to create patterns that immerse the viewer in reality and the present moment.” 

Drawing, Charcoal on paper, 65 x 50 cm (2014) and Issu de feu Charcoal on canvas, 100 x 81 cm, (2000), by LEE BAE, the Soulages of Korean Art. “A Korean abstract artist. Like Soulages, for whom black is a color, he explores the almost infinite possibilities of black. He sinks into the abyss of darkness. Until recently, he mainly used charred materials to paint his canvases. In doing so, he offered a powerful metaphor for the cycle of life.” 

Écriture No.160523 (2016), by PARK SEO-BO, Korean abstraction. “One of the best known Korean artists. He is emblematic of the monochrome Dansaekhwa movement. A current that synthesizes the traditional Korean spirit and Western abstraction. In a way, he is very close to minimalist artists, choosing neutral tones to highlight components and fabrics.” 

Mat 61 × 81 #19-17 (2019), by SUKI SEOKYEONG KANG, contemporary art.  “Born in 1977, this Korean artist is one of the biggest names of the art market. Her work is mostly inspired by her own philosophical research and reflection on space and our place in it. She uses sculpture, installation, and performance to explore these ideas. Her works were presented, among others, in the Venice and Shanghai Biennales.” 

Untitled (1966), by CHOI WOOK-KYUNG, the outcast.  “Wook-kyung Choi (1940-1985) is an outcast in the history of contemporary Korean art. She is an abstract painter. But most Korean abstract painters shine in Dansaekhwa: the Korean monochrome. She, on the contrary, is mainly influenced by expressionism. Brutally, instinctively, aggressively, she throws the colors on the canvas. She seeks to immerse herself in the moment, and to create true, pure, expressive forms. Thus, it plays a capital role for the diversity of Korean abstract art.”

Thank you for your interest in these artists and this passion project! All of the website information (other than the artist bio on the Artist Spotlight page) is fictional. Happy Joonie Day 2022, and let’s continue to support him and all the fantastic Korean artists out there. 

SRC: one, two, three