#i was honestly hoping for a better response from tim scott

[lpsotd]

i'm honestly at a loss for words. i was expecting a straightforward "thank you for your email! i support israel and blahblahblah" not "thank you for supporting israel!" because i said no such thing ??? i sent a long detailed email expressing my disgust towards israel and saying i support palestine — the crazy part is that this response was sent twice, word for word

[ivory-sunflower]

Arty Art Things ✨

Hellooo!

I've decided to post some of the arty things I've done either recently or in the last few years, well the pieces I'm somewhat proud of at least. All my posts tend to be a lot more wordy than they need to be but hey it's what I do here!

Conchúr White

Anyone one who's been on this blog for a bit will have probably have seen me talk about this lovely Irish fella. The pencil drawing is actually a year old as of yesterday, I only know that because screenshots of me flipping out about Conchúr following me on twitter popped up in my memories yesterday. I think I'd sent it to him at about 3 in the morning (I was not in a good head space at that point in time), so probably not what he was expecting to see when he opened his phone in the morning aha

The biro version is much more recent: I got bored while sat at my desk and doing research about university courses, saw a biro, saw my old drawing of Conchúr, had an idea. I revisited my GCSE art techniques and here we are. Again, I put this up on Twitter and now (at the the time I'm writing this) when you google "Conchúr White" it's the third top image of him which is a bit mad really. I think I spent all of about 20 minutes on Conchúr but another 45 minutes on the words behind him. The words are the names of the songs on his EP 'Bikini Crops', he doesn't just really love the idea of Channing Tatum driving him around at night in a daisy print bikini... Well maybe he does but what he does in his spare time is none of my business...

TechDif

So I mentioned that the pencil drawing of Conchúr came from a rough patch in my mental health and this one is no different! In fact this one came from an even worse circumstance so we love to see it. I had a bad, bad time in July and this started as a way of distracting myself from what was going on in my head. Without it, I can't honestly say I'd still be here so even if the final product of this had been a terrible mess I would still love it for keeping me alive. However, it did not turn out to be a terrible mess!

Now that the origin of this is out the way, where do I start with TechDif? Unlike Conchúr, I haven't really talked about them on here (unless you count one brief post about Citation Needed) before so I guess I'll do it here. The Technical Difficulties are a wonderful group of 4 British fellas who have had their fair share of fun online and even before. They did a radio show at university together, which went on to become their Reverse Trivia Podcast, later moving on to a panel show called 'Citation Needed': and a game called 'Two of These People Are Lying'. All of which I would thoroughly reccomend, they're one of my go to things when I'm having a rough time. All 4 of them are excellent! Tom Scott (red top, blue jeans on the picture) has his own YouTube channel which does content aside from TechDif. If you're quite nerdy and like science, linguistics, computers, or any number of other things you may enjoy Tom's channel. He is probably best described as "The Moderator" of the group, much like a tired teacher he tries desperately to keep everyone on track with what they're meant to be doing, but usually it does not end well for him. Then we have Matt Gray (space top, holding an ice cream) who also has a channel away from TechDif stuff, he does techy electronic things and has a series called 'Will it Soft Serve?' where he puts all kinds of strange things through a soft serve machine. Matt brings a very specific energy to TechDif and I can't fully describe what that vibe is but I love it. Matt and Tom also share a YouTube channel where TOTPAL is posted and they had a series called 'The Park Bench'. Moving on to everybody's favourite Gary Brannan: Gary Brannan (SATIRE hoodie, glasses) and can I just say, what a fella he is! He's just excellent! He is the one that will argue and rip into Tom the most (not in a malicious way) and hilarity ensues. There are some episodes where he is absolutely on it, getting all the points and others where he very clearly has no idea and that's where some of his funniest quotes come from. Given how badly I was doing at the time I made this, his response to it on Twitter was so so lovely. I specifically remember one tweet where he said I'd made him happy and although it was probably a flippant comment, it just made feel alright for a bit. Yeah I might be feeling awful right now, but I've made someone else happy so that's a nice feeling. Then last but certainly not least, we have Chris Joel (buffalo check shirt, beard)! I would be lying if I said he isn’t my favourite... His sense of humor is the one I vibe with most, he can get rather dramatic in parts and can chat bollocks like a champion. He has absolutely no online presence away from TechDif and, like Rens from Temples, I fully believe he’s a cryptid and lives off in a tree somewhere. 

The picture took me about 4 days to complete, well 4 nights because I did most of it between the hours of 12 a.m. and 7a.m. - I remember watching the sun come through my window each morning. It’s made up of lots of little pieces, all cut out and stuck on; even the sky and hills are made of separate pieces of paper. Nothing was actually drawn on the piece of paper it’s all stuck on, it’s not how I usually do things but if I messed up one little but I could just redraw it rather than ruining the whole thing. The most tedious parts to make were Chris’ shirt because I had to draw each square individually and then join the as well, and cutting out the ban-hammer in the bottom right was surprisingly hard. Every single detail of the picture is a reference to the podcast/shows, I still have the plan sketch and reference list knocking about somewhere. I listened to a lot of true crime videos while making it to the point that certain parts remind me of different cases: the brandy now reminds me of Peter Tobin, and the big spiral thing reminds me of Tim McLean (very harrowing case) - sorry that fact is a bit morbid but interesting nonetheless. 

I did post this for a little bit back in July, but I received some rather awful messages so I took it down. Generally, Tom Scott/TechDif fans are lovely but there’s been a few that have taken a disliking to me for some reason so I’m hoping they don’t resurface again. I’m in a better head space now though, so even if they do I’m more equipped to deal with it this time.

Hozier

This was a quick sketch I did in April, I was getting bored with lockdown and decided to summon the bog man himself. There’s not really much more backstory than that, no poor mental health story, no fun twitter story - he’s just here. He’s vibing. I will say I’m particularly proud of his nose, I just think it’s one of the best noses I’ve ever drawn. His hand is okay, but I think that the hands on my Conchúr drawings are better. So there is the Hozi-Boi...

The Corpse Bry

I’ve talked about Bry on here before as well, I love him, he’s excellent, top lad. He is a living Tim Burton character, he’s 6′6, very skinny, and his legs are longer than my will to live. I was watching��‘The Corpse Bride’ a few weeks ago and suddenly had an idea and so ‘The Corpse Bry’ came to be. I gave him a little panda friend because the panda has always been his animal - he used to wear a panda beanie all the time and his album had a panda on the cover. Again, there’s not really a fun story behind this one, I guess it’s somewhat fun because it’s the first art I made after finishing my psychology exams in October so it was nice to actually have the time to draw.

James Bagshaw

Ginger talking about Temples for the third post in a row? it’s more likely than you think! I did this one last week, I’d had a bit of a wobbly day and had group therapy on Teams in the evening and I just couldn’t concentrate on what was going on and I ended up doodling Mr James E. Bagshaw, the glitter crying fraggle man himself. It’s a bare-bones drawing that I could definitely work into more but I’m happy with it as it is to be honest. I’ll be damned if I’m going to sit and add the individual bits of fringe to his jacket, just thinking about doing that makes me tired. Maybe I’ll get around to drawing the whole band at some point...

Alice in “Wonderland”

This one is from about 5(?) years ago, it’s not my typical style and was a “study” based on another artists work (basically i just had to copy this fellas work). I’ll be honest, this one has a sketchy backstory that I won’t go in to because it’s not exactly a nice one, and because of that I also won’t say who the artist is that it’s based on. Despite this, I’m still really proud of this one and I’m so sad that I never got this piece back after I got taken out the class. I’ve considered trying this style again, I’ve even joked about doing another Conchúr drawing in this style as a nod to my progression through GCSE art, eventually leading to Conchúr drawn in ink on music manuscript and stained with neon paint and dyes - it would be quite the project!

So this has been quite a lengthy post so apologies about that but life goes on. Similar to the vinyl post, I’ll probably add to this as and when I make more art. Even if no one is reading these posts, I’m enjoying making them so that’s the main thing. It’s just nice to document things and the feelings that go with them. 💕

~ Love Ginger xx 

29/11/2020

[bigskydreaming]

Hey, any comic recs to ensure that I get Dick Grayson character right? Other batfam included, if you're willing. I'm trying to make sure I don't write a character completely ooc, because that drives me up the WALL when I read that. However, since I dubbed you the #1 Dick Grayson person, I thought I'd ask you to make sure I do him justice rather than a smear campaign or something lol! Thanks! ALSO TELL ME YOUR THOUGHTS ABOUT THE TITANS SHOW! That's all xD

LOL thanks I appreciate it, but while I’m good for the rants, for actual comics recs I would go to the likes of @northoftheroad, @hood-ex, and @nightwingmyboi because they’re a lot better than I am at knowing where to find specific stuff and comprehensive reading lists! I tend to jump all over the place in terms of my go-to comics for Dick.....I’m always on about Robin: Year One but I’m like eh Nightwing: Year One is pretty trash tbh. I prefer pre-Flashpoint continuity overall but I did enjoy some of the early Nightwing Rebirth stuff and before that the pre-Forever Evil New 52 stuff had some good beats. But for the most part, my favorite Dick Grayson tends to be him as a member of teams like the Titans....he shines most in ensembles, I think, because his strengths ultimately are that like...he gets people, he knows how people work, and he knows how to get the most out of the people he’s with, how to make people gel and get in sync and become more than just the sum of their parts.

(Speaking of nightwingmyboi, haven’t seen them posting in awhile, anyone know what they’re up to? Hope everything’s okay!)

Which brings me to the problems with the Titans show. There’s a lot I like about it - Anna Diop and Ryan Potter in particular - and a lot I was never gonna like about it - I’m heavy on the Ugh why must Dick Grayson be a cop ever why is that a thing make it stop. And so while I don’t think Brenton Thwaites does like, a bad job with the role or anything, there was always kinda a ceiling on how attached to or invested in his take on the character I was ever gonna reach.

But Season 2. Oof. Let’s talk about Season 2, and how so many of the problems with it are identical to the problems that surround Dick in the comics, but also aren’t limited to just his character or DC and just as equally show up in all kinds of media. Like, I could have (and probably did) offer an identical rant about the role of Scott McCall in TW’s S5.

The problem is one I’ve kinda taken to calling in my head “The Ensemble Lone Wolf Effect.”

This is when writers have a character they nominally want to be part of an ensemble....but that they repeatedly go back to the well of “this character should however spend most of their time on their own, or are more natural on their own, or just wants to be on their own, or also sometimes they just deserve to be on their own cuz they suck for Reasons we decline to specify.”

But its that thing of wanting it both ways....believing a character honestly NEEDS to be a loner or off on their own for the sake of their story, but also still wanting to utilize them as part of an ensemble, not willing to actually MAKE them a solo character, and so it kinda creates this never-ending feedback loop wherein they pay lip service to the character being part of an ensemble, but that’s never really on display, which creates a lot of unnecessary conflict among characters that’s to NONE of their benefits.

(And honestly in the comics, you could apply this to pretty much all the Batfam at times...not just Dick. They do it with Bruce ALL the time, they’re doing it with Damian right now, did it with Tim with Red Robin, Jason most of the time he’s not with the Outlaws and Cass most of the time she’s not with Babs or Steph or the Outsiders. As well as Babs herself at times).

Basically what I’m talking about here is like....so much of the drama in S2....and specifically the parts that most every fan I saw had issues with....came about not organically, because it made sense for the characters to behave that way, but solely in order to launch a specific plot, that the writers clearly wanted for S2:

And that was Dick Grayson off on his own, at his lowest, facing his demons on a solo journey of self-discovery the writers clearly deemed necessary before he could find himself as Nightwing and rise to his most heroic self.

Now the thing is....this isn’t inherently a bad plot or a problem. The problem lies in how they went about it.

Because rather than looking at the overall story and saying okay, that’s what we want to do with Dick Grayson, that’s what we want for HIS story, now how do we get that and where do we take it from there, rather than looking at that as just a STARTING point, and engineering a plot that grows OUT of that.....

The writers just started out by viewing that as an ENDPOINT, and reverse engineered a way to get Dick TO that point first and foremost....at the expense of so many characters who then basically turned on him and held him solely responsible for the things many of them also had a hand in....purely to get him off on his own and isolated.

But that was never necessary!

Because Dick’s character contains multitudes when it comes to guilt and self-blame, everyone knows that. He never needed anyone else to blame him for what happened to Joey because he blamed himself. So the second they conceived of the plot “Slade wants revenge for something Dick at least blames himself for”.....they had all the ingredients needed for Dick to decide proactively that the best way to protect everyone was to put distance between him and them, that he should try and hunt down Slade on his own, solve this between just the two of them.

And that should have been the STARTING point, for that narrative journey of self-exploration, not that journey resulting as an ENDPOINT in and of itself from Dick being FORCED into a kind of isolation by the others all blaming him.

Because now see what ripple effects result:

Now, the other characters are just as able to focus on their own individual storylines as they were in the show, with the additional concern of wanting to ACTUALLY find Dick and figure out what’s going on with him or tell him they still want to help....without this in any way needing to distract them from their own storylines, practically speaking, or cut into Dick’s narrative alone-time, because as part of the equation you ALSO have Slade, who has his own wants and agendas, not to mention tactics. And Slade’s perfectly capable of and willing to work with others, or utilize the long game, or engage in a game of cat and mouse as a distraction...there are numerous ways that you could engineer a plot FROM these motivations that allows him to keep the rest of the Titans distracted and even targeted individually, without allowing them to group back up with Dick or Dick to even know that they’re in danger and that his attempts to avoid that backfired.

You want the characters isolated and divided? The PLOT can do that for you. You don’t need the characters to do that to themselves.

IMO, most if not all stories are meant to advance characters, first and foremost. Take Characters A-Z and leave them different from how you found them. Move them to a different position in their lives as much as anything else, from where they began. The goal is character DEVELOPMENT.

What this means, in my book, is that the plot should serve the characters, NOT the other way around. The plot should grow FROM the characters and what they would or would not do....the characters should never have to be forced to FIT INTO a plot.

That’s backwards.

There shouldn’t be any need to reverse engineer a certain starting point, characterwise.

Just like....start the plot, plotwise....and from the moment you first introduce a single plot element, prioritize how would the characters react and BUILD from there.

The only engineering you should need to do is how to get to an eventual END point....which is still all about the forward momentum, not backing your way into anything.

Its one thing to have an endgoal for your plot, a point in character or narrative development that you want characters to reach. But its all about perspective. About keeping that what you’re working towards rather than something that you like, have to reach before you can even really BEGIN.

Which is what Titans S2 did. The real GOAL of the season in terms of Dick’s storyline, was his solo journey of self-discovery. But there’s a million different ways they could have LAUNCHED that journey, without it having to be the forced and contrived outcome of events and character decisions that literally only existed to initiate a journey that never required a forced initiation.

And so all this narrative energy gets utterly wasted and expended on stuff that it just flat out doesn’t need to be spent on in the first place....instead of just putting that same energy to use building forward-facing storylines for ALL the characters, that don’t require contrived spats of disharmony when the goal of such moments isn’t even the disharmony but rather just that they’re kept apart, the end RESULT of the disharmony.

Imagine what S2 could have built if instead of wasting time, characterization and energy on getting to a point they could have simply started from if they’d simply looked at it that way and chosen to just....start. If they’d applied all that to building across the board, everyone’s story in service to their own character first and foremost, no tangled feedback loops making characters regress or cycle through the same behavior or narrative positionings over and over again in order to not get in each other’s way or cross paths at a time when the show didn’t want them to cross paths....because rather than make all these characters work at cross purposes, they’re all on the same page, they still want the same things....you’re simply engineering from their own natural characterizations and organic decisions and reactions, ways the PLOT can be utilized as a TOOL, to keep them moving forward in their own respective chapters, WITHOUT their characters having to be bent out of their natural shapes or forced into niches that don’t really suit them, just to keep them, PREVENT them, from more naturally or organically making a choice or action that would ‘get in the way’ of the plot.

Bottom line......the plot is supposed to be there to advance the characters, because the characters are what we come to stories for. The characters are who we invest in, relate to, ROOT for.

The characters aren’t there to advance the plot. We’re not here to yell yeah, I really hope the writers do whatever it takes with characters, no matter how backwards or unnatural it seems, just to get that sweet sweet and oh so specific ending we want that is in no way dependent on how invested or not we ACTUALLY are in the characters by the time it arrives, in order for it to actually be effective or not!

Lol. Y’know?

So yeah, that’s my biggest gripe with Titans so far. I’m still eager to see what happens between Kory and her sister, and although I’m not thrilled it seems to be becoming Batfam Straight Outta Gotham rather than like, Titans: The Show, I admit I am curious about what take they’ll go with for Babs. As I still pretty vividly recall that weird as hell Birds of Prey show the CW or UPN or WB or whatever it was at the time did for one season, where Babs was honestly not terribly adapted despite the show otherwise bearing like, zero in common with any existing DC property or character (do not even get me STARTED on their takes on Dinah and Helena, no, blehrrible, those were bad, those were like super bad)....anyway, I’m kinda curious even if it wouldn’t have been my choice for what direction the show should take. Not that I have a specific one in mind, just, yeah. And I also kinda would not hate if we got a new Roy Harper now, to replace the not!Roy of Arrow, because I don’t know him, no seriously, who is that, its not Roy Harper.

[renaramblesaboutcomics]

Wednesday Roundup 4.10.2017

This week ended up being a relatively light reading week for yours truly, but that doesn’t lessen the quality of my enjoyment whatsoever. In fact, I had enough love to share that I wanted to go over all of the available Marvel Legacy Primers for this week as well, even if they’re just short blurbs!

So without further ado let’s jump into it.

Marvel’s America, Marvel’s Black Panther, Marvel’s Incredible Hulk, Marvel’s Invincible Iron Man, Marvel’s Jean Grey, Marvel’s Monsters Unleashed, Dark Horse’s Usagi Yojimbo, Lion Forge’s Voltron Legendary Defender, Viz’s Yona of the Dawn

Marvel’s America - Marvel Legacy Primer Pages (2017-present) Robbie Thompson, David Lopez

As interested as I am in America, I haven’t had the opportunity to really follow her outside of the Young Avengers run she is in. So I think, oddly enough, for me this is one of the most necessary “Primers” of any of the ones I’ve read so far, and the information was very good to have. It really helped to frame her history, her relationship with her mothers, and her confidence in herself in a new light that is really appreciated. And the art from David Lopez is as beautiful as any of his issues on All-New Wolverine.

Marvel’s Black Panther - Marvel Legacy Primer Pages (2016-present)  Robbie Thompson, Wilfredo Torres

There’s honestly not going to be that much more to say on most of these Primer pages. They’re fun, quick run throughs of relevant histories of the characters and teams that they showcase and depending on your interest and engagement may influence whether or not you want to hop in on the next storyline that they’re promoting. 

I do like the sense of unity and legacy that is built into the Black Panther title already, having it be a responsibility tied to kingship that T’Challa knows and the all-important bond it has between him and the memory of his father. 

It really puts a spin on the importance of Legacy that this event seems intent on hammering home.

Marvel’s Captain Marvel - Marvel Legacy Primer Pages (2016-present)  Robbie Thompson, Brent Schoonover

Carol Danvers is one of those characters I desperately want to lie on every feasible surface level, but whose books have never quite got me on board and whose guest appearances always leave me a bit more confused about her than I had been before her said appearance. And yet there was still not a whole lot added here. I appreciate it, and young Carol is adorable, but there was nothing here that didn’t make me feel like... well, like she’s Hal Jordan. And ‘m not a fan of Hal Jordan.

Marvel’s Incredible Hulk - Marvel Legacy Primer Pages (2017-present) Robbie Thompson, Joe Bennett

Everything I have read so far with Amadeus Cho, both in Totally Awesome Hulk and in his guest appearances or team-ups in Moon Girl and Devil Dinosaur to Champions has  really connected to me on a level that Bruce Banner hadn’t exactly managed over the years. So it was nice to see a little blurb that went over their mutual histories and explored what was there.

It almost makes people forget that Marvel unnecessarily killed Bruce Banner for... no reason. Almost. Not quite. Though he might be alive by now. I am obviously not current.

Marvel’s Invincible Iron Man - Marvel Legacy Primer Pages (2016-present) Robbie Thompson, Valerio Schiti

Gah, reading this overview of Tony and Riri’s history really reminded me how much I really loved reading Invincible Iron Man when it first came out and just how much I positively adored Riri’s character and her banter with Tony. You know. Before they completely undid the relationship within the first storyline and then Bendis went all Bendis on us and it became obvious that Tony was coming back sooner than later and then Secret Empire destroyed the world... somewhat literally. 

I’d love to read a Riri-centric book in better circumstances. Or at least once the next trade is out. We’ll see.

Marvel’s Jean Grey - Marvel Legacy Primer Pages (2017-present) Robbie Thompson, Mark Bagley

I was actually just recently talking to my good friend @shobogan about how much more interested I would be in Young Jean Grey if only Marvel had the guts to either give us a romantic relationship with her and Laura (or her, Laura, and Scott OT3 hullo) or have Older Jean Grey return to mentor her younger self and others at the school since she’s the only X-Man kept dead for this long who was considered a Top Tier X-Man. And since we’re finally getting the latter, it seems, now I have to look at what we know of Young Jean and consider my feelings all over again. And this primer gave me the opportunity to do just that!

While I’m not following Jean’s book at the moment, I’m obviously a pretty big X-fan so I have a general sense of where all the moving pieces are at the moment. And I have to say, with Older Jean returning it’s going to be a pretty awesome time for comparing and contrasting their characters and relationships. After all, this younger Jean is far, far less experienced than her counterpart, but has a peripheral knowledge of her own fate, and as much as she tries to not be defined by it, it’s been defining her in the opposite direction in a sense. And more than that, she’s a Jean who sees the Phoenix Force not as an asset or a tool, but sees it as an honest to god enemy, which I’m not sure how that will work. And I’m even more interested in Jean’s return now because of the possibilities of their interactions with the Force together. 

Guess we’ll wait and see!

Marvel’s Monsters Unleashed - Marvel Legacy Primer Pages (2017-present)  Robbie Thompson, David Baldeón

I have actually been planning for a little while now to pick up the trade of Monsters Unleashed because I had fun with the miniseries earlier this year and I have been craving more Elsa Bloodstone (as well as the entirety of the Nextwave crew) and this seems like one of the more interesting powers to come from the Inhuman collision.

.... Actually it’s completely stolen from the Teenage Mutant Ninja Turtles comic and later adapted TV episode dedicated to Jack Kirby who had the power of creativity to draw and create anything he drew and also had a a penchant for creating monsters and different worlds and so on. So I mean. There’s that unavoidable fact. But Kei’s cute so I’d be willing to overlook it for the sake of seeing what Marvel plans on doing with this very wild and unruly power. 

Dark Horse’s Usagi Yojimbo (1984-present) #162 Stan Sakai, Tom Luth

The conclusion of Usagi and Inspector Ishida’s investigation about the doctors’ murders has come and the hilarity of Kitsune and Kiyoko bumbling along with them and incidentally becoming crucial to the entire investigation does not lose its edge either.

Story: The conclusion of this particular caper is interesting mostly in how the framing by coincidence is not ultimately a linchpin to the story, having been solved almost immediately in the story’s first issue. The inventiveness of Sakai’s work, overall, is simple subterfuge which continues to make each new adventure feel unique and uncertain. In this instance, it would be in the assistance that Kitsune and Kiyoko end up providing by revealing the true murderer almost by accident. 

That being said, as simple as individual stories are for Usagi Yojimbo, the complexity really rests in the margins for long time fans, and that shows most clearly in the way a quiet buildup of several arcs seem to flow together for coming to a head. Perhaps the most famous and arguably best all around example of this would be in “Grasscutter” and how years of storytelling and slow vignettes linking together culminated in one of the greatest comic storylines of all time. We seem to be getting something similar in the backgrounds of more recent adventures with this guild of assassins which Usagi has unknowingly crossed the path of and caused ire to several times at this point. 

I’m excited to see where that story is taking us, and likewise interested in how little details, like Kiyoko successfully pickpocketing Inspector Ishida, will pay off down the road. 

Lion Forge’s Voltron Legendary Defender Vol. 2 (2017) #1 Tim Hendrick, Mitch Iverson, Jung Gwan Yoo, Ji-in Choi

Egghhhhh. Are you ever really rooting for something against your own common sense and get bit in the butt regardless? I feel like that happens to me on an inconceivably high average and almost all of it can be blamed on the fact that for some reason I am still expecting comics to play fairly with me. If anything my standards should be lower by now. But, well, let’s see if I’m being a bit too harsh on Lion Forge’s second effort in making a Voltron comic. 

Story: I would argue that one of the reasons that I had unreasonably high expectations for this comic is in part because the first comic produced by Lion Forge had actuallymanaged to not only be a fairly solid effort as a comic but managed to capture the spirit of the current Dreamworks Netflix series in a wa that was welcoming to fans new and old, and importantly of all ages. So I was hoping for more of the same with this comic project.

In more or less words... I did not exactly receive that. Where there was a solid read of the characterizations in the last comic, this issue showed a severely flattened to the point of parody version of the paladins, especially poor Hunk here who had the already obnoxious and unnecessary fat jokes and food jokes from the series amped up to the point of being his only characteristic in this comic. To the point that at one point he doesn’t even form a full sentence, just grabs a pie successfully from a training maze and says “Hunk win”. Which... I guess is somewhat better faring than the other paladins who didn’t even have dialogue that really fit them. Save for Pidge who was likewise flattened to “the smart one.” 

The storyline itself of a new planet where Voltron is needed but the species they end up helping... they actually fail initially, I won’t lie, is a pretty solid premise for Voltron overall, and would be something I’d love to see the show tackle similarly, but the fairly generic wolf-furry aliens didn’t receive a whole lot of depth in this first issue. 

Depth trended on being the biggest problem for this issue overall. There wasn’t an examination of the characters and their interactions, how they treated each other and how they tackled problems differently. The sort of things you’d want from an ensemble cast like Voltron. Which is surprising since again the first series by Lion Forge managed all that and was written on a much younger reading level at the same time. Each issue tackled exactly those very things -- individual characters, how they functioned in the group, and how they tackled obstacles differently to find a solution together. I would expect the same here but it didn’t seem to be on the menu. 

Hopefully all of this will be addressed and fixed as the comic progresses, but as for now I’m apprehensively putting this series on my three issue trial run. 

Art: The art was not a great improvement on the previous comic but it also wasn’t bad in the least. In fact I think the art popped very well, adjusting colors and textures about as well as you’d expect from a television show adaptation for kids. I do wish that the face models for the paladins would keep more consistent and overall there was a rushed feeling to the comic that seemed fairly unnecessary considering it’s the first issue. 

Viz’s Yona of the Dawn (2009-present) Vol. 8 Mizuho Kusanagi

You know, I keep hearing over and over again from friends and trusted sources that Yona of the Dawn is a series that will continuously subvert my every expectation and make me continue guessing and yet every volume I really do manage to be caught off guard by something which the story chooses to do which is shockingly poignant and new even to its fairy tale epic adventure structure. 

Story: So the Yellow Dragon joining the group was hilariously and purposefully anti-climactic but what we got as a result of that choice is the new direction for the series that ties directly into Yona’s own self-realization. She doesn’t simply want to rule and she doesn’t simply want to conquer. What she wants is to know her people and to save them from the crises that were overlooked by her father before her and by Su-Won now. She wants to take up arms to protect the entire country not just with the power of the loyal followers she has gained but with her own hands. She is something that neither of the kings -- her father or her cousin -- could have ever dreamed of being.

And then my expectations were really taken for a loop by us then in turn following Su-Won as he travels to the Earth Tribe and earns the respect and allegiance of the chieftan general there through a series of manipulations, tactical conceits, and ultimately quiet and subtle intimidation mostly by the fleeting moments in which he dropped his ditzy and well-meaning act to show his true intentions. But as fascinating as it was and as surprising as it was, for me at least, that this complete shift of POV for a few chapters actually managed to keep me on board when I’m not one to often fully appreciate the “villain’s side of things”, probably the most interesting part of any and all of this is actually how much tension is underlying Su-Won’s leadership. HIs appeal to the Fire and Earth Tribes is less in the leadership that he promotes and more in this current of possible warmongering that appeases the more warlike fractions of Kohka. 

It’s all fascinating and offers a sense of danger in Yona’s new quest to help the people of fher country feel a new sense of danger, knowing that our group is ultimately pretty unprepared for helping parts of the country which would not be as receptive to their quest or the offer of Yona’s leadership.

That being said... the final chapter driving home Yona’s relationship with Hak and everyone’s strange obsession with protecting Yona but rejecting her attempts to grow her own strength and independence. Lik eI guess we’re just all going to overlook the way she killed the slave trader mob boss in teh previous volume. But beyond all of that, my real concern is just... I cannot stand the way Hak’s character is portrayed in his “over protectiveness” of Yona. It’s far from romantic to me to continuously have a character obsess over someone to the point of “jokingly” considering locking them away for the world to see. 

It’s not the best issue of the series by far, but it has some great moments, especially for Yona.

Art: I actually do think that the further we’ve come in this comic, the more consistent and confident the at has gotten. There are still lots of soft tones and all the markings of a usual shoujo, but the real stand out this time around is that we’re beginning to see more and more the variation in ethnicities in the people of the country, which is honestly relieving even if for now the Earth Tribe, which drives that point home, consists mostly of Su-Won’s supporters and may carry with them some more unfortunate stereotypes being fed that I might not be aware of as a non-native to Japan.

So far as single issues this week are concerned there’s really no competition for Usagi Yojimbo in a regular week but especially not in a fairly light week. Yona is still a fantastic book and if there were other trades to compare it to I’d probably lavish on it more, but since we’re on singles I have to give this one to the unending quality that is Stan Sakai’s anthromorphic feudal epic.

And, once more, I am in a bit of a financial crunch for a multitude of reasons, not the least of which being the medical bills I’m paying for my dog, Eve, who experienced a catastrophic dog fight and underwent surgery recently. On top of that, I have exactly a month and a half to pack up everything I own and move halfway across the country again which is not helping those financial crunches I mentioned before either.

As such, I really would appreciate if you enjoy my content or are interested in helping me out, please check out either my Patreon or PayPal. Every bit helps and I couldn’t thank you enough for enjoying and supporting my content.

You could also support me by going to my main blog, @renaroo, where I’ll soon be listing prices and more for art and writing commissions.

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