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racefortheironthrone · 5 years ago

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Thoughts on House of X #4

Over the halfway mark!

Look At What They’ve Done Infographic:

Suprisingly for an issue that, in retrospect is the climax of the standard superheroics part of House of X, this issue starts with an infographic, which turns out to be one of the more controversial in HoX/PoX.

Foreshadowing what’s going to come at the end of the issue, the tone is already different from the pseudo-academic objectivity of earlier infographics, although the term “mutant erasure” evokes the activist-inspired, post-cultural turn work of critical race/gender/sexuality studies, which is something of a stepping-stone.

By contrast, describing Wanda Maximoff as both “the pretender” (does this mean “not-really-a-mutant” or “not-really-Magneto’s-daughter” or both?) and as associated with the Avengers is incredibly politically pointed, which speak to a particular kind of mutant nationalist identity that bears a good deal of grievance towards even benevolent human institutions.

Similarly, the term “human-on-mutant violence” is way too evocative of real world debates over racism and police violence to be accidental on the author’s point. It’s a depressing thought, but the 616 probably sees a lot of “what about mutant-on-mutant violence?” derailings, maybe as many as creep up in threads about HoX/Pox here...

So let’s get at the controversy: can Bolivar Trask be blamed for the Genoshan genocide? Contrary to a few voices in the fandom, I would argue strongly for the affirmative. As we see from his initial appearance, Trask created the Sentinels entirely out of racial paranoia/hatred; moreover, Sentinels have no purpose other than A. destroying all mutants and B. subjugating the human race along the way. Cassandra Nova’s actions on Genosha absolutely followed the Trask playbook of both father and son, and indeed relied on Larry Trask’s assistance to carry it out, making it a Trask affair from beginning to end.

On a final meta note, this infographic really speaks to the outsized impact that Morrison’s New X-Men and Bendis’ House of M had on the X-line for the last 15-20 years.

Observation-Analysis-Invocation-Connection:

But before we get to the punching, we get one burst of Hickman’s fascination with singularities and transhumanism, where for the first time we really get an example of how the Krakoan biological approach is going to work, showing us a surprisingly complicated biomachine:

Trinity (who runs the Secondary/External Systems part of Krakoa) uses her technopathy to gather intelligence from human mechanical systems: the Aracibo Arecibo Observatory in Puerto Rico, “re-tasked SETI radio telescopes," both of which are real things, and the “Dyson solar observatory,” which isn’t.

Beast (who runs the Overwatch/Data Analysis part of Krakoa) uses Krakoan biocomputers and his own scientific genius to “extrapolate that data into an actionable forecast,” to deal with the delay caused by the immense distances between Krakoa and Sol’s Forge.

Professor X and Cerebro handle the direct Connection between Krakoa and the away team, while the Cuckoos link Trinity, Beast, Storm into a psychic link with Xavier, which means all of the parts of the system work seamlessly even as Storm handles the Invocation of visually representing Jean Grey’s thoughts.

If you step back and think about it, this is an astonishing technological feat: with minimal reliance on machine technology, Krakoa has established a NASA “KASA Mission Control” that can send data across half a solar system almost(?) instantly.

That’s before we even get to the whole secondary purpose of the system, which is to allow Professor X and the Five to resurrect an up-to-date version of anyone who dies on the mission, which is one hell of a life-rope.

Thematically, we see a really sharp distinction between biological and mechanical transhumanism/singularity: “KASA Mission Control” is described in biological terms, “function[ing] as a singular organism,” and also in religious terms, with “eight of us acting as one” explicitly labelled as “Communion.” And yet...the eight people involved retain their separate personalities and identities and no separate, artificial intelligence is created.

Should We Fear the Worst?

And across five hundred million miles, all Krakoa gets is bad news. Archangel and Husk, the redshirt’s redshirts on this mission, are dead before they do anything; Nightcrawler has some level of “internal injury,” and Wolverine almost had his arm blown off.

Incidentally, page 7 is where something of a problem crops up with Jean Grey’s characterization. As people have noted, Jean Grey starts off in the passive communications role (indeed, she’s even reliant on Monet to do that job) and doesn’t really improve from there. With the added context of her wearing her Silver Age miniskirt costume, it’s all a bit sus, especially if you’ve been reading a much more self-possessed, confident, and all-around more powerful version of Jean Grey in X-Men: Red. For a while, many of us were thinking that Jean is a younger backup, but that seems to have been Jossed by the resurrection ceremony in House of X #5.

Better characterization abounds for the men: following their conversation from the previous issue, Cyclops and Wolverine have different perspectives about the question of whether to continue on with the mission (another key element of the special ops/espionage thriller genre). Cyclops emphasizes pushing on to make Warren and Paige’s sacrifice meaningful, Logan agrees but rather because of the existential stakes of the mission. There’s an interesting parallel there between Xavier and Magneto and means vs. ends.

Following the catastrophe, Nightcrawler successfully inserts the struje team, while “Jean and Monet will stay to maintain our connection with Krakoa;”we know know that part was crucial in more than one way, but it is a continuation of some troubling gender dynamics.

Meanwhile, despite being “technically...just an observer” (and doesn’t that ring of all kinds of Cold War proxy wars), Omega Sentinel takes action to prompt Dr. Gregor into retaliation, similarly playing to the nationalistic theme of “if you don’t, he will have died for nothing.”

Orchis’ retaliation doesn’t go so well, as we see Wolverine carving his way through an AIM securtiy team and Nightcrawler bloodlessly tying up two scientists (note the further emphasis on differing personalities and values; whoever these X-Men might be, they’re not mindless followers) towards popping two of the four constraint collars.

Unfortunately, this is followed up by a couple pages of more Jean Grey being awfully Damselly: yes, she’s holding open the connection, but she’s coded as way more helpless and indecisive than Monet (who gets to go out like a badass defending the shuttle), and the line “I dunno what to say, Marvel Girl. Try harder” really sums it all up. So far, this is reading a lot more like Stan Lee’s Jean Grey (but not Jack Kirby’s) than Chris Claremont’s.

With the tension ratcheting ever-higher, we see Cyclops succeeding at his mission, while Mystique...doesn’t and then gets promptly blown out an airlock. The “habitat” connection and the odd business with her getting “turned around” despite having the plans for the base in her head like everyone else is highly suspicious (it might suggest the use of a Krakoa flower, but no one’s ever suggested what her motivation would be for doing so), but it’ll have to go on the list of plot threads that weren’t resolved in House of X.

In a development that really ought to be troubling to more people, Dr. Gregor throws away whatever moral compunctions she has about waking up a potentially violently insane A.I because “I don’t let them stop us. No matter what,” a potentially existential downside to Omega’s strategy.

Do Whatever It Takes:

Having reached the “darkest moment” in the story diagram, Professor X orders his students to “do whatever it takes” to prevent Mother Mold from coming on line. This prompts Cyclops to give the order to Nightcrawler and Wolverine to jump out into unprotected space to sever the last constraint collar. All in all, we’re following the traditional beats of the special ops/espionage genre pretty closely, down to the team leader’s moral anguish moment.

Appropriately, we then get a quiet moment where Kurt and Logan contemplate whether or what will be “waiting for us on the other side.” Even knowing what we know now about the resurrection system, there’s still a good deal of weight to this moment, because in a way this Kurt and this Logan are going to die and whether they’re the same Kurt and Logan who will be reborn is a matter I’ll take up in Powers of X #5 along with the difficult topic of the philosophy of identity. (I’m going to leave aside the question of them having gone to literal Heaven and Hell in the past, because my Doylist position is that those story threads were probably a bad idea and my Watsonian No Prize is that you can’t remember the afterlife once returned to earth.)

Surprisingly, things get only more metaphysically weird when the two teleport outside and Wolverine starts chopping his way through the last arm. Mother Mold wakes up and immdiately starts talking about Greek mythology. Mother Mold’s interpretation of the Titanomachy is a little choppy (as we might expect from an insane A.I): on the one hand, if humanity are the Olympian gods as the creator of the Sentinels and the mutants are the Titans because of “their spoiled lineage” (this doesn’t quite work, because the Titans preceded the Olympians), then the Sentinels being “Man” makes sense. And as someone who’s written his share of college papers about omniscience/predestination/free will in Greek myth and drama, there’s a plausible anti-theist position whereby human beings might “judge and find you both wanting.” (Although that language is too Book of Daniel for the Greeks.) On the other hand, if the Sentinels are man, them having “stolen your fire” doesn’t work either - humanity was given fire by the Titan Prometheus - unless the argument is that Wolverine is Prometheus because he yeets Mother Mold into the sun?

Regardless, it’s a very ominous note for Mother Mold to go out on, because the consistent anti-human/Olympian tone suggests this insane A.I might hate humans way more than it hates mutants.

With the day seemingly saved, we transition into the Rogue One scenario where Cyclops is murdered by a vengeful Dr. Gregor and Jean is torn apart by Sentinel drones.

As gruesome as all of this is, I think it does play a very important role in explaining a good deal of Charles Xavier’s change of mind with regard to human-mutant harmony and assimilation. While this incident didn’t prompt any of the decisions that he’s made along the way - this mission is happening post-Xavier’s announcement and a day before the U.N vote, making it quite late in the X^1 timeline - I think it does a good job of showing us the kind of thought patterns that have led Xavier to this conclusion. In addition to everything he’s seen from Moira’s past nine lives, which only lend a greater sense of urgency and the fear of inevitability, Xavier himself has experienced the deaths of “our children” over and over again as the founder of the X-Men, and clearly both the direct trauma (keep in mind, he’s hooked into the minds of all of his X-Men as they die) and the pain he feels at humanity’s apathy/atrocity fatigue, goes a long way to explaining why he’ll make the decision that integration and assimilation are no longer viable options.

For all the crap that people sometime sling at Hickman over his use of charts, I will say that the way that “NO MORE” weaponizes them by extra-textually demonstrating the breakdown of the facade of calm objectivity is incredibly effective.

#xmen #xmen meta #house of x #hoxpox

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