#i was a 2016 grunge girlie though

[nathaniel-underwood-is-an-intj]

A very shy Kitty Jones cosplay

This fandom is absolutely starved of content as it is but it's absolutely barren when it comes to cosplay content so shy as I am imma put these here. I figure Tumblr is a safe space for healthy dose of cringe right? 😅

I know these are a little 90s / 2016 grungy for Kitty, but those are the vibes I got from her while reading the books.

Starting from the top are the sort of things I imagined her wearing in the early days of the resistance at about 13/14 - I always got soft punk and very tomboyish vibes from her.

(I always think of Krysten Ritter as Jessica Jones when I think of Kitty, and as she gets older Jane Margolis from Breaking Bad in terms of looks)

Going down- at about 15/16 after the resistance is disbanded I imagined her to be more into grunge clothes and a little more feminine.

And at the bottom at 18/19 when Kitty is working in the Pub as quite a bit more feminine and quite early 2000s Camden Market kinda girl. (I know her hair is short by this point in cannon but oh well)

In an ideal world these would be set against the backdrop of Camden or Brixton but alas I had to make do with a garden.

Maybe I'll redo these at a later point with slightly more 2000s girlie vibes but for now please enjoy (⁠ﾉ⁠◕⁠ヮ⁠◕⁠)⁠ﾉ⁠*⁠.⁠✧

Music to match the vibes:

Cherry Bomb by The Runaways for younger Kitty

And LDN by Lily Allen for older Kitty

[ribroses]

my fav is the soft grunge girl but like the more esoteric (don't want to sound pretentious but i dont know what other word to use lol) side and then like the very girly girl Calvin Harris Summer LA rich kid kind of vibe even though they're entirely opposite lol

For sure. I feel like tumblr hardcore grunge has a very specific vibe, but soft grunge is very open for interpretation and is different for every person you meet.

And the Calvin Harris summer😩😩truly embodies the 2014-2016 vibe. What I would give to be a trust fund baby, living in LA/Venice beach in the early-mid 2010s.

[offbeatmusicuk]

Albums Of 2019

Here we go again. Another pretty strong year. Full disclosure I haven’t had as much time to listen to these albums this year as usual so my mind may be changed (possibly immediately) but here’s my list as it stands at the mo.

Before that though... an honourable mention of an album which I decided wasn’t eligible for the list because technically it’s a soundtrack album, even though it sounds like a new album from the band, and a strong addition to their discography....

Biffy Clyro  “Balance, Not Symmetry”

And now the bonus 30 albums that didn’t quite make the top 50 but couldn’t go unmentioned.

Lindsay Schoolcraft / Sigrid / Talla 2XLC / Ladytron / The Anix / While She Sleeps / Calva Louise / HANA / Ivy Crown / Lacuna Coil / Hante. / Puppy / Stanton Warriors / Moonlight Haze / Perfect Son

Idiot Pilot / Port Noir / Above & Beyond / Eat Your Heart Out / Potty Mouth / Lupa J / Papa Roach / Starkill / IAMWARFACE / The Anix / MC Lars & Mega Ran / Snow Ghosts / J Majik / Estiva / GIRLI

And now the big five-oh

50.

Dinosaur Pile-Up  “Celebrity Mansions”

Dinosaur Pile-Up have been gaining praise for their 4th album, and it’s not hard to see why. Spikey, catchy rock and punk, about touring the USA, some sounding like Foo Fighters’ heavier moments. Fun stuff.

49. Foals  “Everything Not Saved Will Be Lost Part 1″

The experimental indie band released 2 albums in 2019, both parts of the same project, and though Part 2 certainly has merit, and a few cracking tracks, Part 1 is the more consistent, full of varied and surprising music.

48. Forever Still  “Breathe In Colours”

The Danish hard rockers fronted by Maja Shining, deliver their 2nd album of aggressive, melodic rock and alternative metal.

https://foreverstill.bandcamp.com/album/breathe-in-colours

47. Cold Kingdom  “Into The Black Sky”

Debut album from the Minneapolis hard rockers, their first release with new singer Elissa Pearson.

https://coldkingdom.bandcamp.com/album/into-the-black-sky

46. Hatchie  “Keepsake”

Aussie Hatchie brings us her debut album of shoegaze-y, shimmery, dreamy, electronic indie-pop. One to float away with.

https://hatchie.bandcamp.com/album/keepsake

45. UNKLE  “The Road Part II / Lost Highway”

A serious case of double album syndrome with this one. Disc 1, aside from a weak cover of a terrible song as its last track, is absolutely amazing, and if it was released like that it would be top 10 for sure. But the whole thing has to be considered and disc 2, though far from bad, is just a bit dull, especially comparatively.

44. Doll Skin  “Love Is Dead And We Killed Her”

The ladies from Phoenix are back with their new album, once again a great collection of catchy, upbeat, alternative rock and punk. 

43.

Only Shadows  “Brothers”

Epic, catchy indie rock. They are very American sounding but they come from Nuneaton. Good stuff though.

42. Driftmoon  “Remember The Night”

Though it is a live recording of a DJ set, Driftmoon insists that this is his third artist album. Fair enough - it is all his music, though there are many collabs and his remix of John O’Callaghan & Audrey Gallagher’s classic “Big Sky”, but aside from an instrumental version of a track that featured on his last album “Invictus” it’s all previously unreleased. He wanted to switch it up and make the ‘live performance’ the first way these tracks were heard. And like many a DJ set, more often than an album, the biggest and best tracks are in the last third of the album, and there are some mammoth tunes here.

41.

The High Priest  “Dream American”

Formerly of excellent bands Diphonia, Global Police Force and Dark Science, The High Priest continues his solo journey with his new album. And it’s a good ‘un. His website describes it best - “Dark brooding sonic rock music and atmospheric soundscapes”. Class.

40. Feeder  “Tallulah”

Feeder’s tenth album continues their run of quality records. It’s no wild departure, but you’ll like it if you’re a fan. “Fear Of Flying” stands up against many of their classic tunes.

39. Furious Monkey House  “Love, Scum & Dust”

Spanish indie-rock young-uns Furious Monkey House release their 2nd album. And it’s an excellent collection of catchy upbeat tunes, mostly in English but with some native Spanish in there too. Great stuff.

38. Nemesea  “White Flag”

5th album from the Dutch band. They’ve moved through symphonic metal and gothic rock in their career, and this album includes a handful of the best songs they’ve ever done. 

https://nemesea.bandcamp.com/album/white-flag

37. Fever 333  “Strength In Numb333rs”

Agressive rap-metal, with massive riffs and huge melodic choruses. Touches of electronics and Trap are dotted throughout.  Sounds like the middle ground between Rage Against The Machine and early Linkin Park. 

36.

The Dark Element  “Songs The Night Sings”

Former Nightwish vocalist Anette Olzon and her Dark Element partner Jani Liimatainen deliver their second album, and it’s another quality, catchy collection of symphonic metal tunes.

35. New Years Day  “Unbreakable”

Huge, jittery riffage, paired with pop style songwriting and melodies, with powerful vocals. Reminiscent of “Blood” era In This Moment, but less sleazy.

34. Blood Red Shoes  “Get Tragic”

Blood Red Shoes bring a new sound with their 5th album. More electronic, almost synth-pop, but still with a rock band at the core. Some of their most original and catchy tunes yet are included here.

33. Maraton  “Meta”

The Bandcamp page describes this album perfectly - “MARATON pushes the boundaries between pop music and progressive rock, mixing machine like drums and roaring bass groundwork with shimmering guitars, ethereal keys and sacral vocal performance. The band has sought to create a style of music which combines the rhythmic heaviness from bands such as Mars Volta with the pop aesthetics of Muse.”  Check them out.

https://maratonofnorway.bandcamp.com/releases

32. Ankor  “White Dragon”

Accessible metal with a prog sensibility, the melodies are catchy, but musically it will keep you guessing throughout.

31.

Liquid  “Spacemonkey”

Old school hardcore rave stylings from scene legend Liquid on his 3rd artist album. A breakbeat bounty.

30. As December Falls  “As December Falls”

Straight to the point, catchy pop-punk from this Nottingham four-piece on their debut album. Fans of early Paramore, early Tonight Alive or We Are The In Crowd etc would do well to check this lot out.

29. Blink-182  “Nine”

2016′s “California”, the first album to feature Alkaline Trio’s Matt Skiba replacing original member Tom DeLonge, was a huge return to form for the band, and “Nine” continues the revitalised Blink with another massive collection of pop-punk tunes. They broaden their sound palette here too with sampled drum loops and heavier riffs in places.

28. Rebecca Lou  “Bleed”

There’s a shoegaze-esque vibe to the production on this collection of raw, catchy, rock ‘n’ roll tunes from Denmark, and it gives just the edge of uniqueness that makes this album special.

https://rebeccalou.bandcamp.com/album/bleed

27. Sleep Token  “Sundowning”

On paper Sleep Token, a mysterious, masked unit of unnamed musicians, who worship an ancient deity called “Sleep”, would make you think they made incredibly sinister black or doom metal. But that isn’t the case. There is a metal heaviness and some mountainous riffs, but only in parts - often kicking in as songs build to their climax. For the most part though they are bewitching soundscapes, often minimal, with huge melodic vocals, and electronic touches. Worship.

26. Within Temptation  “Resist”

Less orchestras, more electronic touches and more influence from other styles of modern music, but still unmistakably a Within Temptation album, “Resist” brings the band back from the brink after some serious writers’ block almost ended them. Bombastic and revitalised.

25. Solarstone  “...--”

The final part of Solarstone’s “One” album trilogy is once again an epic journey through his ‘pure trance’ sound.

24. We Are The Catalyst  “Ephemeral”

Third album from the alternative-metal Swedes, full of huge choruses. Fans of accessible metal with melodic female vocals should check this out.

https://watcofficial.bandcamp.com/album/ephemeral

23. Lamb  “The Secret Of Letting Go”

Five years on from their last, Lamb unleash their 7th album. Ethereal, magical, and special, as they do so well.

22. Polynation  “Igneous”

A cinematic, sweeping, atmospheric album, blending many facets of dance music, ambient, techno, IDM. A wordless, groove laden, goosebump inducing journey.

21. Grum  “Deep State”

Grum’s much delayed second album finally lands on Anjunabeats. It’s a kinetic mix of sounds incorporating trance, progressive and deep house elements, and creates some huge anthems. In particular the incredible “Stay”.

20. False Advertising  “Brainfreeze”

Mancunian grunge / noise-pop trio deliver a fizzing album of 90s influenced rock. Cracking, energetic tunes throughout.

https://falseadvertising.bandcamp.com/album/brainfreeze

19. Cold Blue  “Winter”

Slowly but surely building his status and honing his craft over the last decade or so, and in recent years gaining a reputation as one of the best producers in the trance scene, German Tobias Schuh finally unleashes his debut album. It is an epic, progressive journey through uplifting trance, slowly building and revealing its treasures, avoiding being too formulaic and predictable. One to get lost in.

18. R+  “The Last Summer”

Rollo returns, with a little help from his sister Dido, and long time production partner and Faithless teammate Sister Bliss, giving us a blissful, Balearic sounding album. The whole thing sounds like a love letter to Ibiza. Lovely. 

17. Pumarosa  “Devastation”

Pumarosa deliver their moody second album. A bit more electronic (with elements of trip-hop and drum & bass seeping in), a bit darker, still brilliantly adventurous. A very exciting band.

16. Luttrell  “Into Clouds”

I’ve been following Eric Luttrell’s superb, progressive blend of deep house and melodic techno for a couple of years, and now he unleashes his debut album. It doesn’t disappoint. Widescreen, beautiful, upbeat, catchy and excellently produced.

15. The Beautiful Monument  “I’m The Reaper”

The Aussie quartet deliver their second impressive long player. Huge riffs, huge drums, huge melodies, in their blend of post-hardcore, pop-punk and metal.

https://tbmofficial.bandcamp.com/album/im-the-reaper

14. The Thrillseekers present Hydra  “Altered State”

Despite releasing his first music in 1999, and releasing a steady stream of singles since, Steve Helstrip only delivered his debut album as The Thrillseekers in 2016. For this, his 2nd opus, he's decided to release under his Hydra alias. And what a beauty it is. Mostly instrumental, apart from a new reworking of The Thrillseekers classic "The Last Time" with vocals from Fisher, it is a masterclass in sublime, chilled, Balearic trance. Reminiscent of the first couple of Chicane albums, and makes you feel like you are blissed out on a beautiful, sunny beach.

https://thethrillseekers.bandcamp.com/album/altered-state

13. Jimmy Eat World  “Surviving”

"Surviving" is Jimmy Eat World's 10th album. There are little touches of an expansion to their sound, but if you are familiar with their brand of American rock, then you'll know pretty much what to expect. This is undoubtedly a Jimmy Eat World album. It is, however, a very, very good one. One of the strongest they've ever done in my opinion, probably only with "Bleed American" as any kind of competition.

12. Age Of Rampage  “Empire City”

Age Of Rampage deliver a plethora of breakbeat stompers on their debut album. Their love for acts like The Prodigy would be evident even without the first track sampling a Keith Flint interview, but the old school is delivered with relish here. If you love 90s breakbeat acts such as The Prodigy, The Chemical Brothers, The Crystal Method, Freestylers etc, this is a very worthy listen. Such a shame Russian breakbeat label Criminal Tribe don't do physical releases.

https://criminaltribeltd.bandcamp.com/album/age-of-rampage-empire-city-ctr035-18032019

11. Hands Off Gretel  “I Want The World”

Hands Off Gretel are an effervescent blend of punk and grunge, led by the fierce Lauren Tate. A love of 90s rock is evident. "I Want The World", their 2nd album, is packed full of killer tunes.

10. Dido  “Still On My Mind”

I’ve loved Dido’s voice since the early days of Faithless, so when she started releasing her own music I’ve always liked it to varying degrees (loved some of it, some of it a bit meh). This is her best album since “No Angel” in my opinion. It’s chilled, ethereal, and rather beautiful, and has been one of my most listened to albums in 2019. The title track is absolutely one of my favourite tracks of the year. I’m surprised it is top 10, but it had to be.

9. Wislov  “Madness From Paradise”

Kniteforce Records and their sister labels have been a driving force in the old-school hardcore (or ‘rave’ as many early 90s compilations would call it) revival. Most of their releases are new music, just done in the old style, with fresh touches. Wislov is one of, if not the, greatest talent in this scene, and after a bunch of EPs and a slew of great tunes, this debut album is unleashed. And it’s a cracker. If you love that old-school sound you will find much to love here.

8. HÆLOS  “Any Random Kindness”

Mesmerising, utterly beautiful, electronic tunes, with lush vocals. Picking up where their 2016 debut album “Full Circle” left off, but stepping up a notch. There is a heavy rave influence, but this is definitely made for the post-party, the comedown, the chill out time, the blissed out euphoria after the full on euphoria. Every time I hear this album I discover something new, and love it more. Wonderful.

7. Yonaka  “Don’t Wait ‘Til Tomorrow”

Yonaka may veer to the poppier end of alternative-rock, but they know how to write a hell of a tune. Many of them in fact. 11 feature here on their debut album, released after a string of quality EPs and singles got them some exposure over the last couple of years. Hooks aplenty, huge choruses, riffs and electronics.

6. Anavae  “45″

Fans of Anavae have been waiting a long time for this. The debut album many thought may never come. 8 years on from their debut single and 7 years after their debut EP “Into The Aether”, and following a bunch of EPs and singles in the interim, it is finally here. And I’m sure very few will be left disappointed. Rebecca Need-Menear and Jamie Finch deliver a typically varied alternative-rock album, veering at times into poppier territory, and others into moody trip-hop-esque tracks. Other times they stick to simple, yet epic, rock tunes like on the massive “High”. If you don’t know this band, check them out.

5. Dream State  “Primrose Path”

Dream State progress in sound and technical ability with each release. From 2015′s debut EP “Consequences”, through last year’s excellent “Recovery” EP to this, their debut album. And it’s a pretty epic affair. Chunky riffs, pounding drumming, powerful vocals (both in aggressive and melodic turns from CJ Gilpin) with a massive, widescreen feel to the production. The Welsh 4-piece are often classed as post-hardcore, but that is far too limiting a description for a band with such obvious ambition. Class.

4. Machineheart  “People Change”

Lush, shimmery, ethereal alt pop from this L.A. quartet fronted by the fabulous vocals of Stevie Scott. A cracking album from start to finish but a particular mention goes to upbeat (almost breakbeat styled) track "Overgrown" which is one of the best tracks I've heard all year. If you like bands like London Grammar or HÆLOS, give this album a spin.

3. Black Futures  “Never Not Nothing”

Black Futures are a genre meshing riot. They've been called "Anarchic Electro Psych Punk Noise", "industrial noise-punk" and label themselves as "Future Punk". They have the sensibilities of a punk band and a dance band simultaneously. There's Bobby Gillespie from Primal Scream guesting, as is rapper P.O.S. More than once have they been described as a mix of Death From Above 1979 & The Chemical Brothers. It's a future party, a post-apocalyptic riot. Give it a listen.

2. Dallas Kalevala  “Dallas Kalevala”

Dallas Kalevala hail from Finland and have been called fierce subarctic pop music. Whether they called themselves this I'm not sure. What it sounds like to me is a brilliant, varied pop album, slightly camp, with fantastic electronic production and some full on pounding dance beats. 9 brilliantly written tracks, that all sound different, but somehow sound like they come from the same band and belong together. There is a feeling Dallas Kalevala would be somewhat polarising.  There's no way they'll be everyone's cup of tea (which suggests they are doing something right), but those that get them will love them a whole lot.

1. The Chemical Brothers  “No Geography”

To make their 9th album The Chemical Brothers returned to the equipment they used to make their first two albums. And though "No Geography" doesn't sound like "Exit Planet Dust" or "Dig Your Own Hole", it feels like them. Consequently it is arguably their best album since them, but it is definitely their best since 2002's "Come With Us". It feels a bit old school, but also fresh and new. Tracks flow into each other seamlessly making the album feel like a complete body of work rather than a collection of tracks, and it is utterly brilliant throughout. Joyous.

Well there you go. I’ll leave you with the following, for your listening pleasure:

Spotify playlist - a countdown of the top 50 (50-1), minus a couple of things that aren’t on Spotify.

https://open.spotify.com/playlist/05F3PPwKO7NkwpD4eTJBiP?si=O8bO2JYDSqa3Kz-SzQ8D4Q

And a YouTube playlist counting down 50-1, but a completely different tracklist to the Spotify playlist (and different vids for the top 5 than are embedded here).

https://www.youtube.com/playlist?list=PLSWMYBJKcPo0tJGbPDFw8QAdZlb1BWj3H