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adora-bd · 2 years ago

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Episode 1: Attention

The girls begin to come together as a group and try to bond ahead of debut.

You gotta earn the people's attention. You gotta give them something to look at and give all of their attention to. If you don't, they'll look over you and give their attention to someone else.

-MonJin, CEO of Bad Dream Entertainment

[ Bad Dreams Entertainment vocal room]

A girl is sitting on the wooden vocal room floor, reading over her lines over and over again. She is trying to find her pitch as she sings, biting her bottom lip as she messed up. "I'm a bit worried about my pitch on this part. I hope I can hit this note well for the group."

Chohee straightened up in her chair, fixing her hair as she tried to calm her nerves. When she was first told about the company hosting the Netflix Documentary on them, she was excited. Now that she was in front of the camera, she was full of nerves. She took a deep breath before introducing herself, hoping she didn't come across as too nervous.

" I was raised in Jeju with my father and older brother Heochan. My father owns a small restaurant that I used to help out at every day; I used to buss the tables and be a server." When asked if she thought it was stressful, she nodded. "It was so stressful as I did it every day. Then on weekends, I used to work at the little farmer's markets my area hosted and sell fish. I used to always hate weekends because I came home smelling like fish."

Chohee's father's restaurant was small and right next to the river with blue picnic tables outside, near the start of the alleyway that was used for the market. Above the restaurant was a small apartment where the family lived. Chohee smiled softly at the memory of her old room and her small cat named "Bonnie." "Bonnie used to be waiting for me when I came home from school. She would wag her small tail and kiss my face while I worked on homework or studied. I would just relax with her before going to work downstairs. It was the most relaxing part of my day."

When asked about her time being a trainee and how she came to be in Adora, she took out a picture of her sitting on a plane.

"I really liked NCT. I thought they were so cool and they had so many good songs. They didn't have very many concerts in Jeju, so my brother for my birthday took me to their Seoul concert so I could see them. They were so cool and it was exciting to see them live. While we were leaving, I was approached by this lady who said she was from some entertainment company and wanted to ask me to come to the next audition they had. I thought it was really strange back then: they just saw some random girl and thought she could really be an idol? I took her card and told her I'd think about it, but, I really went back to Jeju. I didn't have the money to fly back, but now the dream was stuck in my head. I used to dream about being able to be on the same stage as groups like NCT and perform like that." Chohee paused to wipe her eyes, not realizing that she was tearing up.

"Every night after studying, I would take out the card that lady had given me and I would stare at the stars and wish for another opportunity to try again. I hoped the stars would answer me with a chance, and they did. One night while I was cleaning the restaurant, I heard some song and the radio and started singing and rapping to it. I didn't think anything of it as I do it all the time, but I didn't realize who was there and watching me."

Yun Monji smiled as she bowed, her leg moving to cross over the other one. "As the CEO, it is important that I am always open to new talent. In order to find new talent, you have to be willing to travel anywhere and while traveling, I found Chohee."

"My first impression of her was that she was adorable and could rap well. Even though she was just cleaning the tables, she had such a great voice and flow that I knew with some proper training could be something so unique and cool. When I approached her about the idea of joining the company, she was so nervous and said 'oh I can't afford that, oh I can't.' While we were talking, her brother came over and said 'take her to live her dream. I'll cover for her while she's gone here."

At the mention of her brother, Chohee wipes her eyes as they filled up with tears once more. "My brother told me before I left with Monjin unnie that in return, I could buy him a house by the sea once I made it big. I felt so bad for leaving him all alone to help dad but this was the opportunity I had been wishing for; my second chance."

[ Bad Dreams Entertainment dance training room]

"Do you wanna run this dance again?" The trainer asks the girl, who nods. As Arianna Grande's "God is a Women" plays on the speakers, the girl dances, finishing with sitting by the mirror. She takes a few deep breaths before mentioning how hungry she was, making everyone laugh.

Jesun cracks a smile as she sits down, clasping her hands together. After introducing herself she smiles again, then asks if she is smiling too much. She wasn't as nervous as Chohee, but had an inkling of it.

"I was raised in Seoul by my mom and dad, but you could also say I raised myself in a way. " She paused, trying to keep her composure, not wanting to cry as the interview had just started. "My parents got divorced when I was around 10, then moved about an hour away from one another. I remember walking about an hour to see one parent, then an hour back to see the other because they refused to drive me to see them. They would say 'well, if you want to spend time with them, then you have to take yourself.'"

Jesun's old apartment was a small rooftop one, showing the beautiful view of her neighborhood. It was a small one-bedroom, one-bath studio.

"When I was in middle school, I used to work long hours to avoid being home. I made enough money to move out and live in a small studio on top of the convenience store I worked at. This happened at the same time I was entering High School, so it was stressful. I used to go to school, come straight to work, study and work at the store until around 1 or 2 am, then go to my apartment and sleep until I had to do it all over again the next day. I used to get bullied a lot because I didn't have very many friends and didn't go out a lot because I had to save money to pay rent and buy food. I was also bullied because my parents never came to any sort of event. I was called the an orphan."

"I used to sing a lot while I was doing homework. Lots of ballads. I used it as an outlet to sing out my feelings that I had at the time. My landlord said I was a great singer one day and told me about CUBE hosting an audition and that I should go for it. I thought 'wah, this old woman is crazy,' but I went anyways I surprisingly made it. Young me was so excited and was like 'I can be like 4minitue and make lots of money.' I was a trainee for a year, though. I made a YouTube channel to post my covers and other things because many other trainees had some too and I wanted to fit in with them. After a year at CUBE, I was kicked out and I was once again back to where I started. I began working two jobs and was thinking about withdrawing from school and just working from now on."

Choi Minho smiled as he sat down, introducing himself before taking a sip of water. "Our company can sometimes look for talent via social media sites like Instagram, Twitter, TikTok, and Youtube. One day while just scrolling, Jesun's channel came up as recommended. The video I saw had about 3 million views so I thought I'd give it a chance. After hearing her voice, I knew she was made for being a singer. I contacted her school because I have a niece who attends the same school as her and met with her during her lunch break to discuss coming to an audition."

"When I was brought into the room and saw Minho oppa, I remember being in shock. I had recognized him as I was a fan of some of his ballads, so seeing him in person was crazy. It also confused me as to why he wanted to speak with me as I was just a nobody in the school. He then mentioned how he saw my YouTube cover and how he wanted to personally invite me to an audition they were having later that day. "

"Jesun at first rejected the idea. She said she had work and that she wouldn't have time to find someone to cover for her, plus she couldn't afford to be a trainee as it was too much money and she barely had enough for herself. When I asked about her parents, she said they had cut contact with her when she became emancipated. I could see how deflated she got as she was explaining all the reasons she couldn't, which hurt my heart. I just wanted to help her and give her the opportunity to not worry about it and to at least try. I knew she had a talent and I was confident that she would make it big."

"Minho oppa leaned forward to fold his hands and said, 'well, what if I took care of it all for you? You don't have to worry about money at all while training. You can train and hone your skills and be a normal teen.' I was shocked and began to cry, which I never do. I of course accepted his offer and went to the audition later. I think it was very fitting that he was the one who told me I passed. I cried again and hugged him, thanking him for the opportunity. I don't think I've cried that much or as hard since."

[ Bad Dreams Entertainment photoshoot studio]

"Perfect. Now turn to your right and smile," the girl nods before doing as she was instructed, the room clapping as she continued to pose. ''You look so pretty."

"Hello, I'm Naeun," she smiled, waving to the camera before laughing, mentioning how awkward this felt for her, but that she was excited.

"I was born in Daegu with my mom. She was a really good painter and she was very caring. She, however, was very sick so I ended up living with my grandparents as she got sicker." She paused to wipe her eyes, sniffling softly as she remembered how sick her mom was. "She was sad to let me go, but, she had too and I am forever grateful."

"My grandmother was a famous opera singer. She used to perform in large beautiful auditoriums worldwide and in front of sold-out shows. I used to travel with her during school breaks and was very interested in singing and performing. After a show, I asked her about it and she then put me into programs to help me sing and become an opera singer. It was really hard but I loved it."

Her grandmother smiled, leaning back in her chair as she spoke. "Naeun was gifted in everything arts- piano, guitar, singing, she had it all. I do admit, I was hoping to pass down my opera career to her as I wished to pass it down to my daughter, then her children, and so on. But, that didn't happen."

"One day during freshman year, my best friend at the time wanted to audition for the company and wanted me to come with her. I at first refused but she was able to convince me." Naeun smiled, a slight sadness coming from her. "We performed Gfriend's me gustas tu and I thought we both did pretty well. She had mentioned to me before we went in that she hoped that we could debut together in a group or as a duo and be successful together. I hoped for it too."

"At the end of of the audition, I was called back to the room for a talk. When I tried to bring her with me, they stopped me and told me they only wanted me. I remember feeling guilty as I turned to face her, looking at her sad face before following the staff member. I told myself that they were going to reject me and only take her; I was, at the time, hoping for it so as to not lose her. I was notified during the talk that I was picked and not her. It made me sad, but I thought about how great this opportunity was and how I could go on to succeed for both of us. It may have seemed selfish at the time, but I signed up with the company that day. When I came out to tell her, she had already been told by a different staff member that she rejected and that I was accepted. I tried to talk to her but she left and stopped responding to my messages. That was the end of our friendship."

Naeun's grandma sighed before opening her fan dramatically, fanning her face. "When Naeun told me she was an idol trainee, I was shocked. Again, I had the intention to pass my career to her so for her to randomly join a company without talking to me did make me a bit angry. I and my husband didn't help her move into her trainee dorm and didn't send her money or funds while she was there. I said ' this dream or me'. She ended up picking wanting to be an idol so I was a bit upset, but, after she told me she was in Adora and was going to debut, I did come around. I knew she was going to succeed and to now hear the confirmation about it, I was more on board than ever."

Minho crossed his arms, shrugging as the interviewer asked why he helped Naeun like how he helped Jesun. "Just like Jesun, she needed help too. I wasn't going to let her struggle. She had the same fire that Jesun had, along with the talent, so I knew she'd make it."

[ Bad Dreams Entertainment meeting room]

"So we need you to come up with the group's introduction and we need to record it to send it to the CEO's" The girl nods at her instructions, thinking about an introduction as she remembers something. "Ah, I also have some lightstick designs, group merch, and logo stuff to send as well. I'll email those with this voice recording." The staff all nod, coming up with ideas as the girl either shoot them down or says them into the mic, laughing after her voice cracks. "I'll try it again"

A video from 2009 video comes onto the screen, showing a nine-year-old running around her mom as the commentators talk about how cute she is. "Ah, one of the cutest kids we've had on this show!" The girl smiles into the camera before kissing it, then running to jump into her mom's arms, laughing loudly.

Amber smiles as she laughed softly at the video, mentioning how cute she looked when she was young. "Hello, I am Amber, formally known as the cutest kid in Busan."

"My mom was an Olympic figure skater while my father was a hockey player. They met during filming for a variety show and now I'm here." she laughed. "On one of the variety shows she was on, was based in our home and showed our daily life. Until then, no one had seen my face as my mom didn't want me to be seen too early by the public. When I came on camera, everyone fell in love with me and I was later nicknamed the cutest kid in Busan. I'm not so cute anymore, but yeah."

Her parents smiled, holding a tablet that played a YoutYouTube video of young Amber (around the age of 13) and a boy reviewing toys. "She loved to be on the camera. She later made a YouTube channel with her best friend called "Busannies TV" and that was her way to get out there. She wasn't known as our daughter after the channel blew up; she was known as just Kim Bora."

At the mention of the YouTube channel, Amber lets out a sigh of embarrassment, covering her face. "I can't believe you guys found that. I did it until I was like 15 because I started to get bullied because of it." She tossed her head back, sighing once more. ''I thought after that was over that I would never be in front of the camera like that ever again, and yet, here I am. Hopefully, I won't regret this one as much."

"I was scouted while out with some friends by JYP. I was shocked an thought it was pretty cool. They didn't know about my background and only scouted me because I was pretty, which was a confidence booster, to say the least."

"When she told us about how she was invited to an audition by JYP, we were shocked. " Her father said, his wife nodding. "We didn't know she wanted to be an idol but, after we saw how excited she was, we chose to support her."

Amber tossed her head back as she let out a heavy breath before returning to sit up straight, a look of slight annoyance on her face. "I was a trainee for three years before I transferred here. It was like the company was holding the idea of debuting over my head and when I jumped up to catch it, they would move it away. I was close to debuting in three groups and I would either be removed or the group would fizzle out." She nodded. "It was tiring."

MonJin nodded, clasping her hands together as she thought about Amber. "I am always open to collecting trainees as they have worked so hard to debut, so, they should see the fruits of their labor. I'll sometimes have other companies contact me about taking their trainees. They'll send me a video of them from their most recent evaluation and I'll either have them transfer to my company or not. So, when JYP contacted me about taking a trainee of his that they knew had some star power, but didn't fit the JYP image, I watched her recent evaluation... and knew she was a star."

[Outside of Bad Dream Entertainment]

A girl is seen running back and forth to her camera, making sure that it was set before setting a timer, doing different poses before rushing to grab her phone, cursing softly in Chinese before laughing. "It's time for a team meeting," she says. "I usually gather the members" she led the camera crew around the building gathering her members.

April smiles, smoothing out her skirt. "Hi, I'm April; Adora's sunshine."

"I was raised in Wuhan, China with my mom and dad. My earliest memory with them is my dad recording me with a handheld camera while I entertained some random guests we had by singing some nursery rhyme, then charging them each 1 dollar." she laughed.

Her father showed the video to the staff, laughing as a small April showed her parents the money she earned. "She loved performing in front of people. Every time we had guests, they were always told to bring a dollar as she would always sing some random song for them, then charge money." Her father chuckled. "She was a bright ball of sunshine."

"I used to perform wherever I could, growing up. I used to perform during school shows and during the community shows we had. I used to beg for at least one of my parents to take off of work to come to record me." she laughed, remembering all of the videos her parents have of her singing. "I knew from a young age I wanted to be on stage performing, I just needed the opportunity."

Her mom wiped her tears, speaking about how hard she worked for her. "She watched Twice on TV one day and said 'mommy, I wanna do that.' So, I picked up a second job to afford all of her lessons. All of the funds going towards her dream." She sniffled. "I went with her to Korea so she could audition for the company. I was so happy when she made it. I knew she was finally going to live her dream."

April wiped her own tears, smiling through them. "CEO Minho talked about how brave I was at the audition, as I was the only Chinese person who traveled all the way to debut. I remember I cried at the end when he told me I made it, thanking him over and over again before I told my mom" she sniffled. "We just sat in the hallway holding one another and just cried. We cried because I was going to live my dream; that all of her suffering wasn't for nothing."

As the girls ran down the hall laughing, heading to the staff room, a voiceover of CEO Monjin started.

"The girls are all talented. They have worked hard to debut and are now going to. They deserve to experience the dreams they all worked towards. The company is backing them, but, they have to put in the work."

EPISODE 1: OVER

#aes!ocnet que #aes!ocnet #adora. writings #adora. <press start!>#adora . < lets start ! >#!! lets start !!#adora. [NETFLIX]#!! <3 #fake kpop girl group #fake kpop gg #fake kpop group #fake kpop idol #kpopidol

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bts-weverse-trans · 4 years ago

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210104 Weverse Magazine ‘Be’ Comeback Interview - Suga

SUGA “I'm grateful that there are still unvisited areas in the world of music” BTS BE comeback interview 2021.01.04

SUGA has this way of talking passionately with a deadpan look on his face. Full of passion about his life and music.

How is your shoulder? SUGA: Good. I think it’ll get even better once I take off this brace. Apparently, it takes several months for a full recovery, but I'm trying to get better as fast as possible.

How does it feel like to have resolved a problem that has distressed you for long? SUGA: First of all, I'm glad. The pain is one thing, but when my shoulders got worse, I couldn't even raise my arms. But when I heard that this might recur when getting the surgery at a young age, I waited for the right time and had decided to get it done early next year regardless of the COVID-19 situation. I had planned to get the surgery after the year-end stages, but I got it done this year (2020) because my doctors advised me to start preparing early for next year’s promotions and activities.

How does it feel like watching the other members doing promotions? SUGA: I can't say it feels great. I could see the emptiness because we've been together as a group of seven for so long. Not necessarily because I'm not there but because something that should be there is missing?

Is that what made you join the promotion as much as possible? You shot lots of video footage in advance and you even appeared in the Mnet “2020 MAMA” through VR. SUGA: Fake SUGA (Laughs). There’s this 3D studio where we shot it. I shot, scanned, and acted there, but couldn't see the actual result at the studio. I thought a sense of displacement was unavoidable, and that was exactly the case. (Laughs) I acted normal because it would have been aired anyway even if I hadn’t had the surgery, but it seems a lot because it’s aired after the surgery.

You must feel restricted not being able to go on stage. SUGA: The thing is, it's only been a month after I got surgery, but my absence on stage is so apparent. But my doctors keep telling me that I shouldn't be impatient and in fact, many athletes get a resurgery when they return to the field without proper rehabilitation. So I'm working on trying to care less. For the first two weeks after surgery, I felt so frustrated that I tried out new things. I even watched movies I didn't watch.

What movies did you watch? SUGA: I watched ‘Samjin Company English Class’ as it happened to be on IPTV, and now I have ‘Tenet’ on my list. ‘Parasite’ was the last movie I saw at a cinema. As the social distancing measures became stricter, I haven’t been going outside, except going to the hospital. I even eat at home. I'm also watching a lot of TV nowadays. Watching music shows like ‘Sing Again’, ‘Folk Us’, and ‘Show Me The Money 9’ made me think of what I should do in the upcoming days.

Could you elaborate on that? SUGA: A lot of candidates on ‘Sing Again’ are very talented but hadn't had the opportunity, and on ‘Folk Us’, I noticed that many took their own guitars on stage. I started playing the guitar lately and I'm having this urge to broaden my scope of music. And since my interest in the music industry in the U.S. grew, I'm getting prepared, studying English and all.

What fueled your interest? SUGA: In some ways it’s the most commercially developed market. You could lose the industry attention in a flash if it's not feasible. So in this system, you would try everything and that would be an efficient way. I want to do music for a long time, and to this end, I always want to learn more about the global music industry because I want to do music that’s loved not only in Korea, but also in the U.S., Japan and Europe.

Speaking of which, it seems BE was influenced from music of the past rather than today's trends. SUGA: I especially like impromptu music. I love the songs that were made in one take instead of being recorded several times. In this era of crossover genres, the desire to do better in music is growing inside me.

As the genres become more blended, the melody you use must be more important. Does starting to play the guitar affect your composing in any way? SUGA: I always liked using guitar sounds. And I have always liked the Eagles. If you play the guitar, it’s way easier to write songs because you can carry it along wherever you go, pluck on the strings to create melody lines. Keyboards are difficult to carry around. (Laughs) I usually work on my laptop but I had this thought that I definitely needed an instrument. It accelerates my work and improves my understanding of chords.

It makes me think you could intuitively make melodies. SUGA: It’s easier to write a song because you can intuitively make a progression and try many different things. During my work on ‘Eight’, IU had recorded and sent me a song from her phone. At the time I couldn’t play the guitar, so we tried to make sure we’re working on the same page when keeping track of each other's progress. That made me feel the need to learn an instrument.

This is actually before you started playing the guitar, but I found ‘Telepathy’ in BE very interesting. The varying melodic progressions between hooks for each member made me wonder if you wrote the melody intuitively for each part. SUGA: I tried writing a melody for the first time this year (2020), and as I started knowing the fun of music, it opened a lot of new doors for me. So it was kind of easy working on it. I just played a beat and wrote from the beginning until the end. Done. I wrote it in just 30 minutes. The song almost wrote itself. The trends of pop and hip-hop these days cross boundaries between vocals and rap. I like this trend.

When I listen to your singing, it feels like you’re hitting the beats rather than singing along the notes. So I thought perhaps you're singing as if you're rapping. SUGA: When you're rapping, you just think of the rhythm, so it’s like simply putting on a melody to a rhythm. To define which comes first, I think melody adds to it while writing the rap.

In ‘Life Goes On’, the lyrics ‘Thankfully between you and me, nothing’s changed’ are somewhere in between. It's not rap but it’d be mundane to say it's a mere melody. SUGA: There are obviously songs where the rap needs to be highlighted. For example, in ‘Dis-ease’ or ‘Ugh!’, you have to be good at rap. But in songs that should be easy to listen to, impressive raps are not always the way to go. Sometimes, you want smooth transitions without obstacles.

In that sense, the rap flow of ‘Blue & Grey’ was impressive. Rather than a dramatic effect that emphasizes each part, you extended the rap just as much as the slowing beat. SUGA: To be honest, this beat is difficult to rap to. The beginning of the song only has a guitar line, which made it even more difficult. I participated when we wrote lyrics for ‘Blue & Grey’ and I've always wanted to work on a song like this. It was because verse 1 talks about the theme of the song.

It seems you achieved almost everything that you wanted in BE. SUGA: I think it took less than a week to make my part in the album. After having written one or two melodies for ‘Life Goes On’, I wrote a version complete with rap, and liked it that I even worked on a separate arrangement and lyrics. Rather than pondering over the ways that might work, I choose to simply play the music and write.

Many creators are unsure even after they’ve produced good work. How do you get the conviction to release your work? SUGA: Many musicians are unsure whether they should release their music or not. It was the same for me, but the thing is, you’ll never release anything if you nitpick everything. For example, if we release 10 songs, we have a chance to unveil them in concerts or fan events. And sometimes, as we listen to the song, we think, ‘Why does this part that had bothered me no longer bother me?’ Some things might feel awkward at some point, but in time, it no longer feels awkward. Even I forget about it. So it's more efficient to fine tune, looking at the big picture, rather than thinking too much about the details. On top of that, during promotions, I don’t have the time to pick tracks that others have sent for 10 hours. It would be a success for all of us if each of us play and write a melody in their own time and collaborate with others on the details. So the way of songwriting has evolved in many aspects.

What motivated such evolution? SUGA: I think it evolved naturally. I've changed in personality this year (2020), as well as in terms of my interpretation and attitude toward life to the extent that I almost thought I've been rehearsing. How would it feel like if there were no stage to go to or anyone looking out for me? This thought made me realize the value of these things.

In ‘Dis-ease’, you sing ‘I don’t know if it’s the world that's sick’. Was it this lifestyle that changed your thoughts about your work? SUGA: Yes. When I was young, I had embraced the belief that ‘It must be my fault’, but as I got older, I realized that this is not always true. Most of what I had thought was my fault was in fact, not my fault. On the other hand, there are things that I did well and times I had been lucky.

‘I NEED U’ came out during a time when you were still thinking, “It must be me”. After the members put on a stage with ‘I NEED U’ in KBS' ‘Song Festival’, you wrote on Weverse, “It’s the same as five years ago.” How would you compare with back then? (This interview was held on December 19, 2020.) SUGA: We've matured quite a bit. And our stage performances have become more natural. I still like ‘I NEED U’. Just listening to the beat makes me sentimental, and above all, the song came out nicely. So as I was watching this and that when I stumbled across old videos. Watching them made me think that we haven’t changed much.

In what aspect haven't you changed much? SUGA: Before the social distancing measures got stricter, I talked with the photographer for BE, whom I had met four years ago. The photographer was surprised that we hadn’t changed much after all the success, even though he had assumed we’d be very different.

I'm amazed personally. I’ve had the chance to meet the members before your debut, but from your way of talking with members or others, it seems you haven't changed. SUGA: I think it's because we don’t give it a big deal about success. For example, it's incredible to be ranked first on the Billboards, but there’s also this sense of, “Okay, and?”

Even the Grammys? (Laughs) SUGA: When we got nominated for the Grammy Awards, we thought, ‘Is this real?’ (Laughs) Of course we were delighted, but it didn’t make us think, ‘We're singers nominated for the Grammy.’ If you're nominated, you're nominated, and if you get the award, you get the award. You don't get shaken by that. I know it's a great award and would be so grateful if we receive it, but we know that nothing is possible without the tremendous support of our fans. What’s more important is that the fans are more flattered than us when we receive a great award. So everyone's rejoicing, but it’s like, ‘Let's do what we have to do.’ We've been training ourselves to keep finding our places, so no one remains overexcited.

In ‘Fly To My Room’, there are lyrics that say, ‘This room is too small to contain my dream��, and ‘Sometimes this room becomes an emotional trash can, but it embraces me.’ I had this feeling that the room had been such a place and that you were accepting that you have changed. Then the essence must have remained the same. SUGA: It wasn’t easy to accept that we eventually change. But I think it's a good thing that we changed. What we did back then was possible only at that time, and we could change because of the things we had accomplished.

Then, what new things are you dreaming about? SUGA: I'm eager to continue doing music. Since all performances were canceled due to COVID-19, I had a chance to talk to so many musicians in Korea. I talked with legendary singers as well as people who are my contemporaries. Talking with them once again made me realize that I love music so much. Because music is my profession, I can’t imagine myself not doing it. I'm grateful that there are still unvisited areas in the world of music.

What kind of music do you think you’ll be engaged in in the future? SUGA: I was greatly motivated when I saw the concert of Na Hoon-a last Chuseok . I wondered how many musicians would actually be able perform and write music for so long like he has. At that moment, it occurred to be that ‘I want to be like him’. He has passion and desire, and most of all, he is a superstar. A few years ago, I took my parents to a Na Hoon-a concert, and when they watched the performance last Chuseok, they said it was way less impressive to see him perform through the TV. (Laughs)

That must explain your interest in a broader spectrum of music from instruments to composing and musical genres. Because you want to be doing this for a long time. SUGA: My goal is to continue doing music in any shape or form. In that sense, I have this great respect toward Cho Yong-pil. He takes the best sound there is and reinterprets it into his own. I think that’s something I want to emulate and keep changing and evolving so that I can continue doing music for decades to come.

The lyrics ‘Thankfully between you and me nothing’s changed’ must sound more meaningful for the fans because they will be listening to your music for a long time. SUGA: A month and a half in the current times must seem like a lifetime for the fans when we're far apart. I feel the same. But I think that's proof that we worked hard for the past seven years and that the fans have been passionately reaching out to us. I'm striving to get to them as fast as I can, and I'm eager to go on stage. I'm going through this because I want to be better on stage in a better condition, so don't be sad, and please hang in there a little longer.

Trans © Weverse

#bangtan #yoongi #weverse #weverse magazine #Be Album #comeback interview #210104 #2021

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supernovafics · 4 years ago

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𝐓𝐇𝐄 𝐇𝐎𝐋𝐈𝐃𝐀𝐘𝐒 𝐀𝐑𝐄 𝐀 𝐁𝐄𝐀𝐂𝐇

pairing: dylan o’brien x best friend fem!reader

summary: in which dylan has been your best friend for as long as you could remember. your busy lives and schedules may have pushed both of your lives in vastly different directions as you’d gotten older, but somehow you two would always be led back to your hometown, and each other, during the holidays. however, one moment causes all of that to change.

warnings: angst (what else is new), some fluffiness, mentions of past trauma (the maze runner incident), existential crises, explicit language

word count: 3.6k words

author’s note: idk why i decided to write something christmas related in the summer but it happened lmao (also i feel like it’s slightly important to mention that this takes place in 2016)

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.

The rocks being thrown at your window were not what woke you up. Instead, you had been lying awake for hours; getting little to no sleep was something that you had become used to at this point.

However, on this specific night— or morning, depending on how one looked at it— you were glad that your sleep had been restless once again because it made it easy for you to get out of bed and walk to your window when the rocks began hitting it.

There was really no need for you to push open the curtains and check who was doing the throwing because, of course, it was Dylan. Ever since he moved onto your street in Hermosa Beach in middle school and the two of you easily became friends, he was the only person that would ever wake you up in the middle of the night with the soft pings of rocks, especially on this specific day at this specific time.

You waved at him and gestured that you would be down in a moment. You slipped on a random pair of sweatpants along with a hoodie and then placed the Christmas gift that you bought for him in the pocket. The item was small enough to fit in the not too big pocket of your hoodie; however, it did awkwardly protrude a bit.

All of this was a sort of unspoken tradition that the pair of you had developed over the many years you’d known each other. Meeting at five in the morning on Christmas day, walking to the beach that was only a few blocks away from your respective childhood homes, and exchanging Christmas gifts with each other as you both watched the sunrise. It started when you were in ninth grade, and you hadn't missed a year since, not even when the ending of high school pushed your lives in vastly different directions, especially since Dylan graduated a year before you and was almost immediately thrust into his acting career.

But, it didn't matter that Dylan's career took off, and you eventually decided to go to college in Santa Barbara, because, no matter what, you both would always come back for the holidays.

When you opened your front door and saw Dylan lingering by the sidewalk no more than ten feet away, you were quick to go toward him and pull him in for a tight embrace. It actually hadn't been too long since you’d last seen him, maybe only five or six months, but for some reason, it still felt as if the last time he was in front of you was last December.

"Hey," Dylan breathed out in a short greeting, his arms wounding around your waist.

“Hey to you too," You responded, a small smile gracing your features when you both pulled away, and you looked up at him. "How have you been?"

It was quiet for a few moments as you waited for him to answer the question, but eventually, you were met with no verbal response, and instead, Dylan simply shrugged. The short action made your heart constrict in the most painful way, and it was then that you noticed the light remnants of a scar peeking out from behind his dark hair that covered the majority of his forehead. You were quick to peel your eyes away from the scar and instead cast them down at your Converse-covered feet, but that didn't stop the memories from quickly coming back.

The Maze Runner accident had happened back in March, but to you, and you knew to Dylan as well, it felt as if it was just yesterday, especially considering the fact that he was still dealing with the unavoidable repercussions from it.

"Wanna walk?" You asked, finally looking up at him once again.

Dylan nodded. "Yeah."

A silence that could only be deemed as comfortable lingered between them as the two of you took the five-minute walk to the beach and sat down side by side on one of the random empty benches.

"Merry Christmas, Y/N," Dylan said as he handed a present over to you. The present was messily wrapped, something that was not at all uncommon when receiving gifts from Dylan, and the sight of it made you smile.

Before you unwrapped the gift, you pulled out the one you had for him and handed it over. "Merry Christmas, Dyl."

The nostalgic sound of wrapping paper ripping could be heard as you tore into your gift. A simultaneous shocked and happy yelp emitted from your lips when you held up a Harry Potter t-shirt. But, it wasn't just any Harry Potter t-shirt; it was one with a version of the Goblet of Fire movie poster on it, which was your all-time favorite movie in the series.

"Holy shit."

"It's the original merch that was sold when the movie came out," Dylan told you. He hadn't opened his gift yet, and instead, he was playing with the green bow placed on top of it; he always liked to see your reaction first.

You looked at Dylan and then back down at the shirt as you processed his words. "Wow, double holy shit. I would put it on if it wasn't freezing right now."

Dylan laughed a bit. "Very understandable."

“Why haven't you opened yours yet? I'm dying to see what you think of it," You said. You were now holding the t-shirt to your chest, genuinely feeling like a little kid on Christmas morning again.

Dylan finally began unwrapping your gift to him, and when all of the paper was peeled off, there was a square box. "Aw, a plain white box. Thank you so much. This is what I've always wanted."

You rolled your eyes and playfully bumped him with your shoulder. "Ha ha. Please save all of these bad jokes for your stand-up act; I can't wait to boo you off the stage along with everyone else."

"So, what I'm hearing is you don't think that becoming a comedian is going to be the next best career move for me?" Dylan asked. He attempted to make the question sound as serious as possible, but there was a joking undertone to his words.

You bit back your laughter. "Please just open the box already so I don't have to hurt your feelings by truthfully answering that question."

"Okay, we'll circle back to that topic later," Dylan smiled and then finally opened the white box to reveal a slightly faded baseball. When he picked it up, he ran his thumb over the black signature written on it. "Now it's my turn to say holy shit."

You could feel yourself smiling at his awestruck reaction, and you wondered if that was what you looked like when you saw the Harry Potter shirt. The baseball was signed by one of the players of the New York Mets that had been Dylan's favorite player when he was younger, and he'd even caught a ball hit by him when he went to a game before he moved to California.

"I've had this idea for years, but I could never find a baseball signed by him," You began explaining, the excitement clear in your voice. "But, last month, someone named Paul Todd posted this on eBay and I immediately bought it. God bless that old man. It's completely authentic and everything."

Dylan was quiet for a few moments as he simply looked at the baseball in his hands, a small joyful smile on his face, and it made you happy to see him so genuinely elated with the present.

"This just made my gift look like shit," He finally said, a light laugh falling from his lips.

"I have always been the superior gift giver. I think that's my hidden talent," You responded with a playful smirk.

Dylan placed the baseball back in its box and then looked at you. "Next year you will receive the best gift ever from me. It will completely top everything that you have ever given me."

"You're saying that as if I should feel upset about receiving a trip to Italy as a Christmas gift."

"A trip to Italy?"

"In my strong opinion, that would be the best gift ever," You said with a smile and then looked down at the t-shirt, which was now in your lap. "But, anyway, I don't think this gift is shit. I'm in love with this shirt already."

Dylan let out a joking, overexaggerated sigh in relief. "Phew, okay, since you think this gift is great, that means I don't have to do the trip to Italy next year."

"What? Did I say I like this t-shirt? I hate it! Harry Potter actually su— Fuck, I can't say this with a straight face," You laughed, and Dylan was quick to join in with you.

The joking statements leading up to the laughter hadn't even been the funniest things ever, but it didn't matter because this was probably the hardest you had laughed in a while, and you were both glad and unsurprised that it was with one of your favorite people in the entire world.

You missed joking around and laughing with him. You missed simply being with him.

Eventually, the laughter died off, but there was still a smile planted firmly on your face. You looked ahead at the darkness in front of you and the ocean that looked completely black; it was still kind of early, so the sun hadn't begun to rise just yet. Your back pressed against the wooden bench, and you let out a small sigh, your head finding Dylan's shoulder as you leaned against him.

"How have you been?" You asked him, your words coming out both soft and slightly quiet, and before the mood became too serious with your question that was nothing but serious, you attempted to lighten it. "And please no shrugs as a response this time. I don't wanna get a headache due to my head bouncing off your shoulder."

Dylan let out a breath of a laugh at your final statements but refrained from answering the question for a few moments.

After what felt like forever, he sighed and ran a hand through his dark hair. "I honestly don't know. My mind has felt so fucked lately, thinking about everything. I swear I've been feeling every feeling known to man these past months."

"What are you feeling right now? In this moment?"

"I'm really happy with you. This is probably the only normal and familiar thing I've experienced in a while. But, of course, there's still that confused feeling in the back of my mind revolving around everything else." He paused for a brief moment before continuing, his next words came out quieter. "I don't even know if I want to go back to acting."

You lifted your head off his shoulder and looked at him as you pulled his hand into yours and gave it a light, reassuring squeeze.

"No matter what you decide. I'll be right there to support you," You told him and then added a "bro" at the end of her sentence along with a small smile. Whenever things became too deep in a conversation you two were having, one of you would always throw a "bro" or "dude" in there to bring some playfulness to the mood.

The corners of Dylan's perked up a bit. "So, you'll support me when I decide to become a comedian?"

You were unable to stifle your light laughter. "Yes, fine, fuck it. I'll be the loudest one laughing at all of your shows."

Dylan squeezed your hand back because he knew exactly how reluctantly true your words were. "Don't worry, I promise not to put you through that."

"Thank you."

"So, how have you been?"

"No."

"Oh, come on," Dylan said as he playfully poked your side. "I'm not gonna be the only one exposing my feelings."

You sighed and then hesitantly nodded. "Okay, okay."

The truth was you had been far from good lately. Your life was moving, but for some reason, you felt like you weren’t moving with it.

You felt stuck.

Stuck in a confusing mindset where you had absolutely no idea what you wanted to do with your life. You thought that identity crises usually happened in high school, but apparently, yours had come five years late. But, you knew that this delayed identity crisis had been your own doing because you had convinced herself that you would figure everything out once you were in college; and you were both lucky and smart enough to receive a full ride to UCSB.

And although you were finishing up your Master's degree in Creative Writing and had a TA job at the university with the department, which was the reason behind why you could even pay for the Master's program, something in your "should be great" life simply did not feel right.

However, you felt absolutely terrified to say any of that out loud because admitting it would only finally make that statement a wholehearted truth, instead of just a spiraling thought in your mind. And even though Dylan was your best friend and you knew you could tell him anything and not receive any sort of judgment, it still felt hard to let the words leave your lips.

You thought about the way to perfectly word everything, but nothing felt right. You pulled your hand away from Dylan's and covered your face as you let out an exasperated breath. "I can't figure how to say it all."

Dylan placed an arm around you and then mimicked the same question you had asked him not too long ago. "What are you feeling right now? In this moment?"

You would have both laughed and smiled at the fact that he was using your exact words if the current circumstances were different.

"Scared," You finally said, your voice barely above a whisper. "I don't know what the fuck I wanna do anymore, and actually, I don't think I really ever did. I only went to college because of the scholarship, and I convinced myself that I would figure my life out when I got there. And for a while, things felt right because I found creative writing and genuinely enjoyed it, but something doesn't feel right anymore. And I actually do like school. Because it's stable, and I am doing things, even if it's taking a dumbass test. But, it's about to be over soon, and I have no idea what I'm gonna do."

Your words were coming out like vomit, and nothing could stop it because finally, everything you had been feeling for so long was out of your head and put into the open.

"And don't get me wrong, I do love to write, but I don't know, I just can't see myself doing it for the rest of my life," You admitted and then let your next words come out quietly. "Honestly, I can't see myself doing anything. I'm so unhappy here."

You did not say it aloud, but you didn't think you were ever fully content there. Aside from Dylan and your parents, you never truly liked California. You had grown up there all your life, and although there were millions of people that adored the state, you felt the exact way someone from a state like Wyoming probably felt.

Dylan did not verbally respond to your long confession at first; instead, he simply pulled your confused and stressed self in for a hug, and you let out the simultaneous sigh and breath that you had been metaphorically holding in for years at this point.

"Maybe you should take a break," Dylan finally said; his arms were still around you, an action that made you feel completely comforted. "Right after high school, you went straight to college, and I don't think you've ever really taken a break to really think about what you actually want. Like, maybe, it's becoming a zookeeper."

Your laugh was slightly muffled by the fact that your face was pressed into the warmth of Dylan's chest. "Zookeeper?"

"I don't know," He laughed too. "You said you would support me in whatever the fuck I decide to do, and I'll do the exact same for you."

Somehow a smile found its way on your face. "A zookeeper and a comedian. What a fucking dream team."

Another laugh fell from Dylan's lips. "The best fucking dream team."

"But, honestly, I wish I could've known sooner that this is how you've been feeling. I would've been telling you to slow down so long ago, but you seemed content with everything," Dylan told you and gave you another light squeeze. "Please take a break and don't stress yourself out over the future when your next semester is over. Just relax for the first time. You can even come stay with me in LA for a little bit if that's where you wanna take your break. I'll be here for you, Y/N. Always."

Something about his words hit you hard. The wholehearted honesty and sincerity behind his statement shouldn't have surprised you, but it did. And the worry he had for you resembled the same concern you had for him when the accident happened. You two were best friends, so it should not have been a shock that you would worry about each other, but still, in that moment and for you, it was shocking because it felt like so much more than just that.

"Me too," You whispered, finally responding to his previous statement.

The long embrace came to an end with you being the one to pull away; however, you did not pull away far enough for you both to become completely detached from one another. Dylan's arms were still around your waist, and yours were still around the nape of his neck, and your faces were dangerously close. Your hand somehow took on a mind of its own as it reached around and cupped Dylan's cheek. The miniscule confusion and tickle of panic that began to prick at the back of your mind because of the action were not enough to make you pull away.

The slight way that Dylan leaned into your soft touch was the catalyst for you to take the leap and lean in the tiniest bit to close the small distance between the two of you, your lips almost too easily finding his. The inward sigh of contentment you emitted when Dylan almost immediately kissed you back made you realize that kissing him was the one thing currently happening in your life that actually felt right.

Later, when thinking back to that specific moment, you would wonder if that "rightness" had always been there between you both.

However, that right feeling, which was both comfortable and familiar, was quickly replaced with dread and angst, at least on your part. Your mind was beginning to fully catch up with your actions, and it immediately told you that the current action was both bad and stupid, and there were many, many reasons that proved that.

Maybe there were moments where a younger, and even present-day, you did want more to happen between you and Dylan, but you would always push that thought away because you knew that your and Dylan's friendship was so much more valuable.

And then it was the fact that your lives were nothing alike. Even though you were immensely confused about where your life was going, you could say for certain that it wasn't going in the same direction as Dylan's; an acting career that he genuinely loved and enjoyed too much to truly give up. Something deep down told you that, and you could feel the truthfulness behind the thought. The holidays were the only time your lives would truly intersect.

You abruptly pulled away, not just from the kiss but from Dylan's body entirely, moving to the edge of the bench you were on. Your hands covered your face in nothing but pure embarrassment and regret, and you wished that you could take back the last minute and a half of your life. And you also absolutely hated that you couldn't help but notice how much colder your body felt now that it was away from Dylan's.

"Oh my God. I'm sorry. Fuck. That kiss— it was a mistake. I'm really sorry." Your words came out rushed and fumbled, and it probably did not make much sense, but you just hoped that there was at least a little bit of coherency with them.

As much as you wanted to look at Dylan, you refused to do so because you knew that you would only see the regret you were feeling written clear across his face.

"Hey, it's okay, Y/N. Everything's fine. Don't worry," You heard him say but could hear the uncertainty in his voice as if he really didn't know if everything truly was fine. And you knew that it wasn’t. It really wasn’t.

The holidays were the only time your lives would truly intersect, and you had just completely ruined that.

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・✫・゜・。.

let me know your thoughts <3

((((already potentially thinking about doing a part 2 to this….. but idk…))))

#dylan o’brien #dylan o’brien x reader #dylan o'brien imagine #dylan o'brien fanfic #dylan o'brien x y/n #dylan o'brien x fem!reader #dylan o'brien gifs

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teddy06writes · 4 years ago

Note

sorry to request yet another one, but you are such an amazing writer. Could I possibly have a romeo and juliet type story where reader is sleepybois sibling and is in love with either poly dream team (dream,George,sapnap) or just george xx

dream x george x sapnap x reader + sleepy boys x sibling!reader

trigger warnings: swearing, yelling, character death, Wilbur being a dumbass

premise: you are one of Philza’s children, and have fought for L’manburg’s independence, we follow your secret romance with the enemy, of course, this tragedy knows no happy ending

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You carefully dropped down over the side of the L’manburg wall, ducking into a roll before standing up and dusting yourself off, starting to sneak away.

A hand clamps around your forearm, pulling you around the side of a tree.

You hold back a yelp, instead turning with a smile, whispering, “Mr. Sapnap we simply must stop meeting like this.”

“And what? You’d have us march through your gates announcing ourselves to your brothers, I think not.” Nick chuckled.

“Well, I suppose that would put a damper on things.” You grinned, pressing a kiss to his lips.

He fit your hand into his, pulling you along as you started for where the others would be waiting, “Especially when they are so against our dear Dream.”

“To be fair, he was against us.” You argued.

“But no more.” The man himself pointed out, stepping out of the shadows, rising his mask enough to press a kiss to your knuckles.

“Because we continued to fight? or Because you wanted an excuse to talk to me without it being over a declaration of war?”

“I believe it was because Tommy gave up his disks,” George offered, leaning in to place a kiss on your cheek, “Hello dearest.”

You sighed, “Phil gave him those disks. They were one of the only things to survive the blast.”

Behind the mask you could tell Dream’s face fell, and he started to turn away, “I- we did what we thought was right.”

“Blowing up my country was what you thought was right?” You challenged, crossing your arms, “You even had the audacity to cheer as my head was separated from my body by the sheer force.”

“Here we go again.” George muttered.

“We didn’t know you then! Things have changed! You and your people are free now!”

“That does not change our history.” You said indigently.

“What about when Sapnap burned the forests? That’s part of your history too yet we don’t see you yelling at him!” Dream exclaimed.

You sighed, “The forests were replanted with his help, and he has shown remorse, and regret over his actions.”

Surprisingly Dream wrapped his arms around you, pulling you flush against his chest, “If that is what I takes to gain your trust, then I am sorry. I hope my past mistakes do not haunt you any longer.”

Reluctantly you wrapped your arms around him, smiling as the other boys joined the embrace.

After a few moment Dream pulled away, “c’mon, we may even have time for a proper date.”

“An election?” You questioned, “But your already the president.”

Wilbur grinned, “But I put myself in that position, if we do it this way everything is fair!”

You glanced down at the papers littering his desk, “Wil I don’t see how this makes things fair, I mean,” You picked up the note book where he’d been witting makeshift ballots, “Closing the ballots early? The people will only have one option! How is that fair?”

“Actually, I’m running as well.”

You turned to see Quackity entering the office, “You? You’ve gotta be kidding me.”

The man frowned, “Well, I figure if Wilbur here gets a chance to do it fair why shouldn’t I?”

“We’ll be able to beat him easily.” Your brother quietly assured you.

“You alright love? You seem stressed.” Nick said quietly.

You sighed looking up at the sky, “Wilbur plans to hold an election. He believes we can over take Quackity and Swag 2020, but now Fundy and Niki have made there own party as well.”

George turned, propping himself up on his elbow, “That doesn’t sound good. If he’s already in charge why does he need to be re elected?”

“We put him on the throne, Tommy, Tubbo, Niki, Fundy and I. He wishes to be there fairly with the support of the people.”

Dream hummed, “Do you think he could win?”

“It’s possible,” You sighed, leaning back against Nick, “But campaigns have been tricky, Tommy managed to dig up Jshlatt. They though he could help, but now he’s trying to make a claim to having a spot on the ballot.”

“I thought he was dead.” George said.

You laced your fingers through his, “Well now he’s just a drunk who’s running for president. God I hope it was just a joke.” You muttered the last part.

The boy shared glances, Nick hazarding, “What happens if someone else wins?”

“Well, I suppose it wouldn’t change much for me, technically I hold no office other than managing my brothers and the campaign, it’d shift me further out of public eye, but, I think Wilbur wouldn’t handle it well.”

Dream began to trace shapes into your open palm, “Well, with you in charge of the campaign I doubt your brother will fail.”

You smiled, “Let’s hope so.”

A few hours later, as the sun began to disappear beyond the hills of L’manburg you stood up from the picnic, bidding your lovers farewell, “Wilbur’s meeting starts soon, and I’ll be missed.”

After a few traded kisses you started back through the woods toward L’manburg, sneaking back in through a gap that had never been fixed in the wall, pausing at your house to change back into your L’manburg uniform before hurrying off to the white house.

“Your late!” Tommy called sharply as you entered Wilbur’s office.

“I lost track of time working on the last of the posters.” You pulled the rolled up tubes of paper from the bag you’d grabbed at the house as well.

Wilbur took the tubes as Tommy looked at you skeptically, “Yeah, doing that and what else?”

“Well I was talking to Phil today telling him about the election,” You sat down next to Tubbo, “But not much else.”

Wilbur sighed, dropping a flyer on the table, “We have more important notion to discuss, it would seem that Shlatt is serious about this.”

You grabbed the flyer, looking over the bolded, ‘Shlatt 2020′ and then back at Wilbur, “This can’t be real. I thought you closed the ballot.”

“The people favor him enough to allow him a spot on the ballot.” Tubbo sighed.

“We still stand a chance though,” Tommy said quickly turning to Wilbur, “Right Wil?”

Your older brother hesitated, wavering for a moment, before nodding, “Yes. Yes of course.”

“(y/n) I must ask you some thing.” Wilbur said as the meeting ended and Tommy and Tubbo headed out.

“Yeah?”

“Why do you sneak out?” Your breathing hitched but he continued, “Who are you meeting? What are you hiding? Who do you talk too from- from the SMP lands?” His voice turned to acid at the last words.

“I don’t go anywhere, outside L’manburg. Other than for walks in the forest on occasion.” You lied.

Wilbur examined your face, as if searching for something, “Fine then. Don’t tell me, I will find out sooner or later.”

He strode out of the room, leaving you to pull out your com tablet, privately messaging Dream, ‘it might be a bit before I can see you guys again’

‘:(’

You rolled your eyes quickly typing, ‘Wils getting suspicious, I’m just trying to keep you safe’

‘george also says :(’ Was all you received in reply, so you quickly put the tablet away, heading out of the office and out to the street.

You took a deep breath, looking back at the podium, ballots would be collected tomorrow, and then everything could change.

“Last night, before the last of the ballots were collected, Mr. Quackity of the SWAG 2020 party made an agreement with Mr. Jshlatt of the SHLATT 2020 campaign, that if neither party won the popular vote, they would combine there votes, creating a collation.” WIlbur announced.

From your place to the side of the stage you froze, fear coursing through your veins.

“And so, the combined percentages of SWAG 2020 and SHLATT 2020, bring the coalition to 46% of the popular vote.”

Your heart pounded in your ears, feeling Tommy freeze beside you.

“Which means, the coalition government of SWAG and SHLATT 2020, have won the L’manburg election, by 1%.”

The world seemed to slow as parts of the crowd erupted into cheers, Quackity jumped around on the stage yelling as Wilbur slowly moved away from the podium, out of the corner of your eye, near the back of the stands you see your boyfriends all looking down, but you paid them no mind, instead looking Shlatt dead in the eye as he grinned maliciously at you, before turning to address the crowd.

Wilbur tugged you and Tommy away from the stage, “We’re citizens tonight.”

Shlatt leaned over the podium as you took seats near the front of the crowd, “Well that, was pretty easy.”

You felt your brothers grip your hands, as you stared up at Shlatt.

“You know what I said when I announced this campaign? I said ‘things are gonna change’ I looked every citizen of L’manburg in the eye and I said ‘you listen to me... this place will be a lot different tomorrow.”

He smirked down at you, “So let’s start making that happen. My first decree as president of L’manburg- as EMPEROR! Of this great country!”

Your breathing hitched, “Is to revoke citizenship-! Of TommyInnit, Wilbur Soot, and (Y/n)! Get them out of here!”

Suddenly it seemed as though every weapon in the city was trained on you as Tommy dragged you up out of your seat.

Wilbur was yelling at you to run, but you remained frozen on the spot, turning to look at the podium one last time before following your brothers, only a few steps behind, most of the crowd beginning to disperse

Some one practically screamed your name, and you turned in time for an onslaught of arrows to bury themselves in your body.

The last thing you saw before crumpling to the ground was Dream, Nick and George rushing toward you.

Shlatt strode off the stage, trying to move closer to your body only to be blocked by Dream’s outstretched sword.

He peered around where George had flung himself over you, “I want them out of here as soon as they respawn.”

You woke to someone pressing a damp cloth to your forehead, and excruciating pain spreading throughout your body.

Your eyes flicked open, looking around at the cave you found yourself in, in confusion. When you tried to sit up a gentle hand pushed you back down, “Don’t, you only respawned fully a day ago, you're too weak for that.”

“What’re you doing here?” You groaned.

Technoblade chuckled, “I heard someone say rebellion.”

You looked at him confused for a moment before he elaborated, “This is Pogtopia, cause apparently Wilbur can’t go more than a few months without establishing a new country. Tommy found the cavern after they were ran out of L’manburg. Tubbo is working with Shlatt to hunt you guys down, and Wilbur is trying to start a plan to get the country back.”

“How’d I get here? my bed is all the way in L’manburg.”

Techno grabbed one of the baked potatoes he’d brought up to your room, offering it to you, “That’s the thing I was meanin to ask ya, is there a reasonable explanation as to why it was the Dream Team who brought your body back here? All dramatic and not wantin to leave?”

You face flushed and you turned your head away from him, “It’s a long story.”

“I’ve got time.” You brother said, moving to lean back against the wall.

You giggled nervously, “I guess it technically started when L’manburg was still fighting for independence...”

You told him of the strange glances during war councils, the way Nick had stopped in his tracks when he saw the way you looked forlorn at the burning wood, the way George found ways to sneak you trinkets signed ‘from someones special’, and the way you were never in any real danger during many battles.

You recalled your first real meeting with Dream after you had gained independence, the way he’d seemed so different then than at the signing of the peace treaty, the way that You’d received help replanting the forests, and the quiet still moments shared by the channel George almost unaware of your being there.

It was the first time you had really spoken about your lovers to anyone, and though it took a weight off your shoulders it added another as Techno subconsciously pulled out his axe and began to sharpen it.

“They wouldn’t hurt me, and the conflict that we shared was between the SMP Lands and L’manburg, not us.” You finished quietly.

Techno looked at you quizzically, “Your telling me Dream, the Dream, Mister Manhunts and smp and god among men Dream, would willingly put away his conflicts, his gains, his leverage, just for you?”

“For all of us.” You said firmly.

“That why he kept Tommy’s disks?”

“Tommy willingly gave up those disks for the country.” You muttered.

Your older brother ignored you, “That why he openly endorsed Shlatt as soon as your back was turned?”

You froze, pushing yourself to sit up, even as it made your head spin, “What the fuck are you talking about?”

“Shlatt’s key endorsement, you know, the endorsement given to the guy who was suppose to endorse Wil?” He watched as your face fell, before quietly starting out of the room, “I won’t tell either of them, but if Dream loses a life cause you find out it was true, don’t look my way.”

You fished your com tablet out of the pack that was lying next to your cot, ‘we need to talk.’

“(y/n)! Thank god your okay!” Nick exclaimed, throwing his arms around you.

You hugged him back before turning to face Dream, “Why did you endorse Shlatt?”

He opened his mouth to say something but you cut him off, “And I don’t want a denial or an excuse, or- or any of that. I just want to know why you did it. Why you didn’t tell me?”

Shakily Dream pulled off his mask, looking you in the eye, “I didn’t mean to do anything that would hurt you. Technically I never publicly endorsed him, he took a piece of advice and ran with it to the people. If I had known he was going to do that I would’ve never talked to him in the first place. If I had known he was going to exile you, if he was going to take one of your lives I would have killed him where he stood with no hesitation.”

The mask shook his hand, and George gently took it from him, lacing there fingers together encouragingly.

“I know I fucked up talking to him but if he goes near you, or tries to get you exiled further, or anything like that, he’ll be dead. I- I will do what it takes to help you get L’manburg back.”

You bit your lip, still partially holding on to Nick, “Why did you tell me?”

“I didn’t want to add to the stress.”

“Also, you said Wilbur was getting suspicious, and you stopped talking to us for two days.” George pointed out.

You nodded, quietly rubbing at your eyes, “Uh, yeah, uh, so Techno knows.”

Nick stiffened, “What?”

“Technoblade knows about this- uh- us.”

“T- Technoblade, your brother, as in, The Technoblade, Mister violence, and blood god and technoblade never dies, knows about us?” George gulped.

“He only threatened Dream, so don’t worry?” You said sheepishly.

Nick chuckled, “Wonderful, that means we get out with our heads and Dream gets to fight to the death.”

“I don’t see how that’s fair.” Dream pouted.

“Maybe I just thought it better to threaten you cause I know if I tried to take the other ones you’d come for me anyway.” Techno said, striding into the clearing.

The boys sat there looking at him for a moment before he sighed, turning to you, “You better get back inside ‘fore Wil goes insane. An’ you guys better clear out before Tommy sees you and goes berserk.”

Reluctantly your boyfriends nodded, quickly muttering goodbyes and leaving, only slightly in fear of Techno, and you turned to your brother with a sigh, “He can’t keep me locked up forever.”

“He’s worried. Paranoid even, thinks Shlatts gonna send someone to kill you again,” Techno explained, guiding you back towards one of the entrances of the cavern, “The stress is getting to him.”

The days spent in Pogtopia began to blend together, the only memorable ones being the ones that were spent sneaking out and seeing your lovers, though you never excepted to see one of them within the cavern itself.

You had come down one of the narrow walkways of your new home, and when Tommy had grabbed your wrist, hissing “Dream is here! And he’s going to help Wilbur blow up L’manburg!” you were not nearly prepared to see him handing Wilbur a rather large bag.

Wilbur grinned wickedly, “This is perfect.”

“Wilbur,” Your little brothers voice was shaking, “Give me that tnt.”

Dream drew his sword, holding it up almost lazily in Tommy’s direction, “I’m going to have to step in on this one Tommy.”

You could see him smirking under the mask as you pushed Tommy behind you, “Wilbur what are you doing?”

“What needs to be done.” He said coldly, “If I can’t have Manburg no one can have Manburg!”

“And you think blowing up our home is the right move?” You said cautiously.

There was something different in Wilbur’s eyes, “No survivors.”

Techno watched this from his spot on the wall, “Wilbur I think we need to have a discussion, things like this take time to plan. (Y/n) why don’t you escort our guest out.”

You nodded sharply, starting towards the back of the cavern, “This way green boy.”

As soon as you got outside the cave you grabbed his wrist, shoving him against the rock wall, “What the fuck are you thinking?”

The now lopsided mask reviled his cocky smirk, “Shouldn’t this be the other way around?”

“Shut the fuck up! What are you thinking?” You hissed.

“I’m helping you get back your L’manburg!” He sounded all too happy about it.

“By siding with him? He’s gone manic Clay! He’s fucking insane!”

Dream winced at the words, “He’s your brother. You have to side with him.”

“My brother is gone. I side with that man because I am loyal to my family, so long as Techno and Tommy are with him I am. If there was ever a time for you two to ever get along it would not be this.” You backed away from him.

“(y/n), I’m just trying to help.”

“I know,” You said softly, turning back to the cave entrance, “I’ll see you soon.”

“Wars tomorrow.” George said quietly.

You nodded, carding your hand through his hair, “That it is.”

The month had passed quickly, and after the incident at the festival, and then Quackity’s meeting with Shlatt you seemed to have blinked and the eve of war was upon you.

You had snuck out, now spending your last night before the world changes again with your boys, huddled up together in one of the castles parapets. (It had been quite a shock to you when Dream dethroned Eret)

“We will be on different sides, how will this even play out?” Nick asked.

“Only time will tell.”

Dream, mask long since forgotten to the side, bit his lip, “(y/n), George, I want you to stay out of the fighting.”

“We can handle ourselves.” You argued.

“It’s George’s job to stay neutral, and you’re on your last life. None of us want to lose you.” He said softly, looking over Nick’s head at you.

“I will fight for my country. No one will stop me.”

“Even if Phil came back and told you not too?” Nick asked with a chuckle.

“Well-” You laughed, “I suppose it would depend.”

A while later, you began to head back to Pogtopia, your boys insisting on walking you back.

Upon reaching the cave you kissed each of them, “Until we see what tomorrow brings.”

They gave similar goodbyes, and you darted back into the cavern.

Coming around the corner someone grabbed your wrist, tugging it hard, and you came face to face with Wilbur, “Where the fuck were you?”

“uh- o- out.” You stuttered.

“Out with your boyfriends?” He taughtened, dragging you down through the cavern, past the new rooms that had been carved out recently, “When were you planning on telling us of this little fling?”

“What are you talking about?” Tears sprung to your eyes.

“Oh I know all about you and Dream and Sapnap and George! You and your fucking betrayal! Why the fuck would you try to betray me? I’m your brother!” He exclaimed, practically throwing you into a newly constructed cage.

You dug your nails into your palms, “Wilbur, please.”

“I know it was them who disconnected the TNT, who you keep sneaking out to meet, who you were conspiring against me with!” He locked the cage and you caught a glimpse of Techno, leaning against a wall looking down.

“Wil I never conspired against you!”

“We’ll see about that.” He hissed, “You’ll stay here until this is over. I may fail at regaining my L’manburg but I will not fail to kill those men.”

As he strode away you looked to Techno, “Techno what’s going on?”

“I’m sorry.” Was all he managed before hurrying away.

Tears began to stream down your cheeks as you looked around the abandoned alcove of the cavern, there was no getting out of this.

Quietly you pulled your com tablet from your sleeve, sending a messege to Phil, ‘dad I need help, Wil’s gone insane’

You leaned against the bars of the cell, Pogtopia’s few members had long since left for the battle, and you were still here, trapped where Wilbur had left you, none of your boyfriends were responding to your pings, feeling utterly hopeless.

“(y/n)?” A yell echoed through the cavern.

“Phil!” You called desperately, “I’m in here!”

A few moments later your adoptive father appeared in the doorway, shocked upon seeing the locked cage and your tear stained cheeks, “(y/n).”

You nodded as he quickly began to work at the lock, pulling you into an embrace as soon as the cage opened.

“Dad,” You hiccupped, fighting back a new wave of tears, “He’s insane! He’s gonna try to blow up Manburg again! And he’s gonna try to kill them!”

“Who is?” He asked gently.

“Wilbur! He’s gone mad!”

Phil pulled away from you to look you in the eyes, “Are you sure?”

You nodded, sniffling.

Phil took a deep breath, looking around, “Okay, you get down to where they’re fighting, you try to keep Wilbur distracted once it’s over, I’ll try to think of something to stop the tnt.”

You nodded, quickly forcing yourself up, running out of the cavern.

You hurried through the woods, pushing yourself to go faster, making it to the crest of the hill as people flooded out of the van, cheering, people of Pogtopia, L’manburg and the SMP lands alike.

You charged down the hill, not seeing Wilbur standing to the side.

“Dream! Sapnap! George!” You yelled.

They turned to see you running at them, relived to see you okay, still not understanding the cryptic things Wilbur had been saying.

“(Y/n)-” Dream was cut off a yet another arrow planted its self in your back.

“Love?” You whispered, before crumpling to the ground.

They rushed forward, but it was too late, you were gone, and George early screamed, burring his face in an expressionless Nick’s shoulder.

Dream looked up at Wilbur, whos cross bow was still raised, utterly broken, “What the fuck have you done?”

#mcyt x reader #mcyt imagines #dreamwastaken x reader #georgenotfound x reader #sapnap x reader #dream x george x sapnap x reader #dream team x reader #teddy06 writes

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the-scarlet-witch-22 · 4 years ago

Text

Chaconne: Part 9 (Agatha Harkness x Fem!Reader)

Summary: With the first concert of the season approaching, you continue working as the personal assistant of Maestra Agatha Harkness, while attempting to juggle your relationship and future in the process.

Word Count: 5K Words

Link: https://www.youtube.com/watch?v=QCfDtxcFoyM

A/N: Hello everyone! Welcome to Part 9 of Chaconne. One quick thing...I have decided to extend this story by just a few parts, I really don’t want to rush through the ending and there are a few more things I want to write haha. Anyways, I included a link to the first movement of Dvorak Symphony No. 9, and it’s briefly mentioned throughout the story so if you feel inclined feel free to listen. I really hope all of you are still enjoying the story, and that you enjoy Part 9! As always, please feel free to leave a comment and my asks/messages are open if you have any questions :)

Tag List: @annie-mit-ie @celasteria @danvers97 @imthedoctorlove @mcfriggingonagall @meowsaidmissy @notsosecretlyalesbian @sarahp-stan @scarletwxtxh @scarletmeltstheice @shinkomiii @sxfwap @thestrangeundoing @teenwonder @upsidedowndanvers @venticalooks @vintagegoddess12 @everythingmarvelsherlockspn @thoroughly--confused

You weren’t sure how long you were frozen on stage, completely lost in your thoughts before the sound of Agatha’s heels came clicking from backstage. Just as you managed to clear your head of Wanda’s offer, the alluring scent of lavender invaded your senses. Even from a few feet away you could hear the conductor mumbling to herself about god knows what. As soon as she spotted you, however, the ramblings immediately stopped.

“Ah, there you are,” Agatha said, offering you a rare but genuine smile as she set her belongings down on the podium. “I see you set the stage.”

Nodding you motioned across the hall. “It didn’t take too long but I gave the winds extra room like you requested.”

The conductor nodded before curiously eyeing you. “Are you alright, dear? You seem distracted.”

Well you could tell her that her least favorite concert pianist had just suggested you move to Vienna. Or how Wanda was apparently aware that there was something going on between the two of you. A part of you did think it would be important to inform Agatha of that, but you also didn’t want to make the situation any worse than it already was.

You quickly nodded and gave her a reassuring smile. “I’m fine. Just a bit tired.”

Agatha’s eyes searched yours for a moment before nodding and turning her attention to her Dvorak score. A few minutes later, various MSO musicians arrived and began unpacking on and off stage. You eventually headed out to sit in one of the front rows, and you realized you never told Monica that she would be getting a new stand partner.

Luckily it didn’t take long for the violinist to enter the hall, followed closely by Jimmy and Darcy. Her face lit up when she saw you, and went to set her violin down in the row you were sitting in.

“Hey Y/N,” Monica greeted you brightly, before frowning when she noticed something was amiss. “Where’s your violin?”

“I...I’m not playing with the MSO anymore,” you explained quietly, watching Agatha berate the second chair oboist on stage for the way she tuned. “Hayward had blind auditions to fill the chair and I didn’t get it.”

“That’s whack,” Darcy immediately replied, causing Jimmy and Monica to glare at her. “What? It is.”

“I’m sorry, Y/N,” Monica said sincerely. “You’re really talented, I hope you know that.”

“Yeah and it’s only one audition,” Jimmy pointed out. “Hayward’s always been a bit hard headed when it comes to filling seats, especially if it’s someone he picked.”

“It’s okay,” you insisted. “And Monica you’ll be getting a new stand partner so I’m sure he’ll be really good.”

“Which one is he?” Darcy asked curiously as she scanned the hall.

You discreetly glanced around the room before you found him. He was already heading on stage, violin in hand. You hadn’t really paid him much mind before the audition, but now you seemed to notice every detail about him. The sure way he presented himself as he practically strutted up the stage. His rigid posture as he sat in his seat, as if that was a comfortable way to sit.

You motioned your head to the stage and Darcy let out a quiet snort. “Oh good. John Walker.”

Monica rolled her eyes at her friend. “You know this guy?”

“Of course I do,” Darcy replied. “I know everyone.”

“What’s his deal?” Jimmy asked curiously. “He seems a bit...”

“Like he has a stick up his ass?” Darcy guessed, and Jimmy laughed.

“I was going to say uptight, but sure.”

“Walker fancies himself to be a bit of a prodigy,” Darcy explained and shook her head. “He’s good, don’t get me wrong, but he’s not amazing. I played a few gigs with him last summer in the Hamptons and I dreaded every moment spent in his company.”

“I’m sure he’s not that bad,” Monica argued before giving you a sympathetic glance. “Sorry, Y/N.”

“You don’t have to apologize, I agree with you,” you reassured the violinist. “I’m going to go see if Ag- Maestra needs anything before rehearsal so I’ll see you guys later?”

Agatha was leaning against the podium, drinking her water when she saw you approach her. The conductor appeared exhausted again, and you made a mental note to make sure she went straight home after rehearsal.

“Is there anything you need me to do?”

Agatha handed you her spare Dvorak score. “I’ll need you to tell me how the sound projects through the hall. We’ll be running the first movement today and I need to make sure the opening cello theme is clear enough.”

“Right, and if something isn’t clear what do you want me to do?”

“Well you could always throw something at Dottie,” Agatha suggested. “That would certainly get my attention.”

“Very funny,” you deadpanned. “I’m being serious.”

“As was I, dear. Dottie needs to look up from her music more. Perhaps that would encourage her to do so,” Agatha replied nonchalantly before sighing at the look you gave her. “Fine. I’ll ask you at the end of the movement what your notes are.”

“You mean my notes on sound projection, right?”

Agatha shrugged. “Or any suggestions you have on how to improve different sections. I...” the conductor paused and glanced around the hall to make sure no one else was listening in. “I do value your opinion.”

Your felt your heart sing at those words, and it took everything in you to not grab the older woman and kiss her senseless. Instead you gave her a bright smile. “Well I suppose I can try really hard to come up with a few meaningful suggestions.”

Rolling her eyes at your words, Agatha shook her head. “Try not to make me regret my decision, dear. Take a seat a few rows back, I’ll be starting rehearsal soon.”

Sure enough, just as you took your seat Agatha had the orchestra tuning before instructing them to start at the beginning of the first movement of the Dvorak. You loved every movement of Dvorak Symphony No. 9, and while you adored the fourth movement, there was something quite special about the first. There was this beautiful building intensity that started in the strings before slowly rising to include the entire ensemble. It was passionate, colorful, and left you eager for more.

As much as you loved performing, and you did more than anything, you found yourself enjoying getting to observe the rehearsal from your seat in the audience. It allowed you to focus on so much more than when you would be sitting in the first violin section. Before you never saw how Jimmy appears to have his entire part memorized since he usually has his eyes locked on Agatha the entire time. Or how talented Darcy was. You knew she had to be a good percussionist to be subbing for the MSO, but she performed with so much energy you found it hard to tear your eyes away from her.

Then there was Agatha. The conductor appeared lost in the music as she mindlessly conducted, but you swore you never saw anything more beautiful. Every single time you had the privilege of watching her conduct you swore she kept finding new ways to draw you in. How someone could make the simple movements with a baton and her hand so enticing. She had so much energy in her while conducting, and the love she had for the music was so clear in her eyes. What was even more fascinating to you was how easily the rest of the orchestra seemed to follow her. All of her cues were perfect, and she never missed a downbeat. She was by far the best conductor you had ever seen and you would never tire of getting to see this side of her.

The movement progressed and you turned your attention to the first violin section. Monica was was entirely in her element, and you immediately felt a slight pang at not being next to her on stage. You had a few stand partners who had been lovely over the years but Monica was better than all of them combined. She was so precise in her playing, and her technique was absolutely flawless. But what made Monica so unique was how genuinely kind she was. A lot of violinists were so focused on their craft it didn’t matter who they stepped on to get their way, but it was clear Monica didn’t play by those rules.

As you felt your eyes wander, they landed on the new violinist. John Walker. He was...good. The egomaniac violinist inside of you wanted to argue that you were better, but you shoved those comments away. For one thing he used far too much bow on his tremolos, and you were worried he was going to send his bow flying across the stage with the way he was holding it. Then there was his posture, he sat so rigid in his seat. After a few moments, you realized you were sounding more and more like Agatha.

Tearing your eyes away from the first violin section, you wrote down a few notes on sound quality throughout the movement and forced yourself to stay focused. The movement progressed and you couldn’t help but note how good the orchestra was sounding. Granted Agatha ran them hard, but it was clearly paying off. They were good before, but they were finally playing with more of a purpose. Unfortunately, you didn’t think Agatha felt the same was. As soon as the final chord rang out, the conductor whipped her baton on her stand, and you could tell she was angry.

“I don’t know where to begin,” Agatha spat out as she flipped through her score. “That was the saddest attempt of Dvorak I have ever heard in all my years of conducting. I’ve worked with youth symphonies who sounded better than all of you combined.”

Personally you felt Agatha was exaggerating a tad, but you watched her continue to rant.

“Woo, your projection is eons better than before but I still need more,” Agatha called out to the winds section, and you saw Jimmy shoot up in his seat as the conductor called his name. From the percussion section, Darcy also appeared to notice Jimmy’s change in posture and she glanced over and shook her head at you.

“If the rest of you could play as well as Woo I doubt we would be having this conversation but alas,” Agatha sighed, before tapping her baton on the stand. “Flutes, I’m starting to wonder if all of you are deaf or just enjoy the sound of my voice berating you, because what the hell was that? Jones, all of your solos are splitting my brain open. Either work on your intonation and have it fixed by tomorrow morning or I’ll be moving you to second chair.”

Dottie slouched in her seat and you bit your lip. Agatha had lost her temper before during rehearsal but this was slowly starting to get worse.

“I don’t have to time to rerun all of this because we have the idi-Miss Maximoff joining us shortly, but please turn your attention to measure seventy-five,” Agatha instructed the ensemble, before turning her attention to the first violins. “First violins, I need this melody to be sweet and light as we begin, don’t give me too much too soon.”

Out of the corner of your eye, you saw the new violinist raise his bow to ask a question. Oh good. That would definitely end well...Agatha continued rambling on about vibrato and tone, seemingly unaware of the violinist and a part of you hoped perhaps he would simply move on and ask the question later. But it appeared he was the persistent type as he cleared his throat to get the conductor’s attention. Although you were positive Agatha heard him, you were a few rows back and the sound was clear as day, she continued her rant, ignoring him completely. At this point the rest of the orchestra seemed aware of what was going on and everyone seemed to be waiting for Agatha to acknowledge him.

“Maestra? I had a question,” The violinist’s voice boomed through the hall, and you internally winced as you watched Agatha whip her head to look at him.

“Ah yes, our new addition,” Agatha said briefly, as she eyed the violinist. “John Walker, is it?”

He nodded. “I hate to interrupt Maestra-“

Agatha cut him off, appearing to grow more uninterested with every word that came out of his mouth. “Yet you still proceed to act like a privileged toddler to get my attention, so please, Walker, what is it?”

“I merely wanted to suggest a different approach to measure seventy-five,” John explained and he had far too much cockiness for your liking. “I know you feel it’s best to take a softer approach, I was always told to start with a bigger sound then slowly decrescendo. It’s just a suggestion.”

There was another pause as Agatha stared at the violinist with a calculating and cold stare. A part of you wondered if this would be the day she finally snapped and whipped her baton at someone. You had heard rumors of a betting pool the interns had on when Agatha would inevitably strangle someone for making her too angry. You had thought they were being a bit drastic at the time, but seeing the way she was looking at Walker was making you reconsider that.

“Thank you for sharing your very generous suggestions with us, Mr. Walker,” Agatha replied, and there was emphasis on the word suggestions. “I’m not sure if you are aware of where you are, but this is my orchestra.”

John frowned at that, and once again unwisely opened his mouth. “Maestra, I wasn’t attempting to overstep. I just thought I would offer my opinion on how to make the section stronger.”

“Ah yes, my mistake. I must have forgot when I asked for your opinion,” Agatha retorted. her temper appearing to grow more and more heated. “Would you like to offer any other suggestions, Walker? I’m positive the entire orchestra is simply dying to hear your words of wisdom.”

This time John remained silent, but you saw how darker his appearance grew at being called out in front of the entire orchestra. Agatha appeared satisfied by that and she tapped her baton against the stand again. “Lovely to see the newbie catching on. Measure seventy-five.”

The rehearsal of Dvorak continued to drag, and you marked a few notes for suggestions like Agatha had asked you to. You would occasionally check the clock, wondering when Wanda would be arriving since the orchestra was set to rehearse Rachmaninoff at 8:30 sharp. Eventually the doors to the hall opened, but instead of Wanda entering the room it was one of the interns Agatha hadn’t managed to scare away during her early reign of terror. The intern appeared nervous about something, who knows what, and they quickly sought you out.

“Y/N, you have to tell Maestra Harkness that Miss Maximoff won’t be attending rehearsal this evening,” the intern told you, and it looked like they were going to pass out from the fear of having to tell Agatha.

“Wanda’s not coming to rehearsal?” You asked curiously.

The intern quickly nodded. “She’s sick.”

Sick? You had just seen the pianist a couple hours ago and she appeared fine, but maybe she just came down with something. Giving the intern a small smile, you stood up. “I’ll tell Maestra, don’t worry.”

“Thank you,” the intern said sincerely. “I’m pretty sure if I tell her she’ll find a way to fire me.”

The intern hurried back out of the hall and you slowly made your way to the front of the stage, hoping Agatha would call for the orchestra to take a break so you could make your move. With there only being a few rehearsals left until opening night you knew the absence of a soloist would send the conductor over the edge. But hopefully her strong dislike of Wanda would lighten the blow. As if the two of you were telepathically connected, Agatha turned around as you approached the stage and signaled for the orchestra to stop.

“Let’s take ten,” Agatha instructed them. “Have Rachmaninoff ready by the time we come back.”

The musicians all but hurried off the stage, and said hello to the few you had gotten to know over the past few weeks. Darcy caught your eye as she walked down the stairs and motioned her head to where John Walker was standing by his case, rolling her eyes in the process. You swallowed the laughter that threatened to escape as you went to join Agatha on stage. It didn’t take the older woman long to realize something was wrong.

“If you’re going to say I was being too hard on Walker, don’t,” Agatha quietly warned you, and it was apparent she was still fuming.

“I need you to promise me that you’re not going to throw a temper tantrum after I tell you this,” you said, and your tone was light, but Agatha gave you a look.

“I do not throw temper tantrums,” the conductor hissed as you motioned for her to follow you backstage.

“Of course not, Maestra. Your outbursts are completely normal for a woman of your-“ you quickly paused as Agatha arched an eyebrow at you, clearly unamused.

“My what, darling?” Agatha questioned, giving you an unconvincing glare as you laughed.

“Your stature,” you corrected yourself.

“You’re on thin ice,” the conductor warned you. “I’m not sure I like how easily you tease me.”

“Coming from the woman who’s done nothing but tease me since we met I think it’s only fair,” you offered, and Agatha smirked. “But really, please don’t freak out.”

“If you don’t tell me what’s wrong I’ll have no choice but to tie you up and force the words out of you myself,” Agatha mused, causing you to blush, which made her smirk grow wider. “Ah, do you like the sound of that, darling?”

“The rest of the orchestra is only a few feet away,” you warned her as she took a step closer to you. “If our relationship is supposed to stay private wouldn’t it be a bit unwise to...”

“Oh no, dear, don’t stop using your words now,” Agatha practically purred, she closed the distance between you, lightly shoving you against the wall. “We’re just getting started.”

“Agatha, I really think maybe we should do this somewhere-“ you began to say, and you truly had every intention of trying to be the rational one here, but any remaining brain function you had left was erased as Agatha’s lips began trailing up your neck, occasionally stoping to nip at skin. “Agatha...”

“Now, what was it you wanted to tell me?” Agatha whispered against your ear, the warm air of her breath sending tingles down your spine. “Or do I need to encourage you a bit more?”

“I don’t know how you doing this is supposed to encourage me to talk,” you argued, and bit back a moan as the conductor bit down on your earlobe.

“I’m just trying to help, darling,” Agatha insisted, pulling you impossibly closer to her as you were pressed against the wall. “I can help even more if you would like.”

“Wanda’s not coming to rehearsal,” you finally managed to let out with a gasp, and Agatha paused her movements at that.

“Darling, I know I’m a bit distracted but I believe you just said the Sokovian dingbat won’t be at rehearsal,” Agatha said slowly, as if she was trying to wrap her brain around what you just said.

Unwrapping yourself from the conductor, you nodded, trying to gauge her reaction. “She’s sick so she won’t be in attendance today.”

Agatha scoffed, shaking her head at your words. “Wanda Maximoff doesn’t get sick and miss rehearsal. I was-I worked with her long enough to know that.”

“Well that’s what personnel told me, so I’m not sure what to tell you,” you said, and you found yourself stuck on what Agatha had almost said. What wasn’t she telling you?

The conductor took a moment to pull her phone out of her pocket and her frown deepened even more. “Oh for the love of...” Agatha trailed off before whipping her phone against the wall, shattering it in the process.

You jumped at the sound, but Agatha barely seemed to notice you as she was entirely too lost in her thoughts. “Agatha, what’s wrong?”

“Cancel the rest of rehearsal,” Agatha said dismissively as she straightened her sweater. “Those idiots are infuriating me far too much and without Wanda we won’t make any progress on the Rachmaninoff.”

Gaping at her, you took a moment to process what she said. “You’ve never cancelled rehearsal before. Are you sure that’s a good idea?”

“Now, Y/N. I have something I need to do,” Agatha said before storming out of the room, leaving you alone.

To say the MSO musicians were relieved Agatha had cancelled the remaining two hours of rehearsal would have been a vast understatement. You swore you never saw half of them move so quickly when you gave them the okay to leave. Since Agatha had apparently left for the day, you took the liberty of grabbing her belongings and dropped them off in her office on your way out. It wasn’t out of character for Agatha to lose her temper, you had grown used to her yelling and ranting. But her outburst backstage was unlike anything you had ever seen before. There was something the conductor wasn’t telling you, and while you had no idea what it was there was a sinking feeling in your chest that it had something to do with Wanda. Regardless of how curious, and anxious, you were over Agatha’s abrupt exit, you knew there was no good in worrying. She would tell you what was wrong...right?

It had been two days since you heard from Agatha. You received a call from management personnel early Saturday morning informing you that the conductor had cancelled all weekend rehearsals due to a stomach bug, which made you immediately go to call her until you remembered she left her shattered phone backstage. It wasn’t unusual for you to go a day without hearing from Agatha, the conductor valued her privacy and you respected her enough to give her what she needed. But after the practical smothering you had received from the older woman since the blind audition, it left you with a gut feeling that you had done something wrong.

What were the odds that Agatha was sick mere hours after storming out of rehearsal? They were slim, and it didn’t take a genius to tell you that. You had told Sam and Bucky what happened, and while they thought it was suspicious they also agreed that giving Agatha space would be the smartest move. Rationally speaking you knew that everything was fine, it just would have been nice to have received confirmation from the woman you were worrying so much about.

It had been a long time since you last had a Saturday off, so you spent your weekend watching Disney movies and napping while trying your best to keep your mind off Agatha. In fact you had been so distracted with the radio silence from the conductor that you almost forgot about Natasha Romanov and Vienna. The keyword being almost. You knew you needed to make a decision on if you were going to meet with the violinist, and you needed to make one soon. There was no guarantee Natasha would even choose you for her group, but still you found yourself imagining a world where you were performing in Vienna and finally getting to live your dreams. Only those dreams seemed somewhat bittersweet at the prospect of having them without Agatha. It was cliche being this attached this soon, but you couldn’t help it. You had never felt this strongly for anyone you dated before, there was something so different about Agatha that kept drawing you in.

Would it be fair to her if you moved to another continent when you were just starting your relationship? You knew she was concerned you would leave the Symphony after not getting the chair placement. While she had never directly told you, it was what made the most sense when considering her recent behavior. You didn’t want to leave her, you really didn’t. Agatha had given you so much while asking for nothing in return.

But the voice in your head asked if it was fair for you to stay somewhere you wouldn’t be happy. Would you grow to resent your job, or Agatha by association by remaining on as her assistant? Sam had been right when he said there were other jobs in New York City, but you knew nothing here would compare to the Manhattan Symphony Orchestra. While quitting would allow the two of you to date publicly, maybe, it would also ruin any chance you still had of hoping to join the MSO. Was that something you were willing to sacrifice? You had a lot you needed to consider, you just wished Agatha was there to help you.

Monday morning came far too quickly for your liking. You were anxious to see Agatha, to make sure she was okay, but you also had to make up your mind on whether to meet with Natasha Romanov. Wanda had sent you a polite, but short, email late Sunday night asking if you made a decision or not. You were still just as torn as you had been all weekend, and sadly this was a decision only you could make for yourself. As you exited the coffee shop, you were slightly surprised to see Agatha’s car waiting for you. The rear window was rolled down and Agatha had her gaze fixated on yours. Giving her a small smile, you approached the car while balancing both coffees.

“Good morning Maestra. Fancy seeing you here.”

Agatha rolled her eyes before helping open the door. “Yes yes, good morning dear. Please hurry up and get in before I have Hank leave without you.”

“You’re in a mood today,” you said lightly after making yourself comfortable in the vehicle. “Rough weekend?”

Agatha grimaced at your choice of words before shrugging. “Oh it was fine. A lot better since I didn’t have to hear those morons butcher Dvorak on Saturday.”

You gave her a look as you motioned to your coffee. “Oh right, your stomach bug? Maybe this won’t sit well then, should I give it to Hank?”

The conductor all but snatched the coffee out of your hands, glaring at you. “Funny, as always darling. I’m feeling much better now.”

So she was sticking with the sick story. As much as you wanted to press and find out why she stormed out of rehearsal so suddenly, you thought it best to not start a possible argument this early in the morning. Besides, Agatha wouldn’t lie to you, right?

You decided to take the safe approach. “Well I should probably keep my distance in case you’re still contagious. Wouldn’t want to catch anything.”

“If that’s what you think best, dear,” Agatha replied. “I would hate to get you sick.”

That’s how things remained the rest of the day. Agatha was clearly not over whatever upset her on Friday, and it appeared she wasn’t willing to share her troubles with you. So you did what you did best, and ignored the persistent voice begging you to talk to her. You busied yourself with various tasks both in and out of the conductor’s office. Opening night was in two weeks and there was much to do still. Even though Agatha had promised to be nicer to the interns, it appeared her generosity had run out as you began counting the number of crying individuals sent running from her office since lunch. Her mood was only growing more and more unstable as the hours passed, and even you found being in her company to be slightly unbearable. Agatha was clearly stressed, and you understood she was under a lot of pressure, you just wish she thought of healthier outlets to relieve it.

Towards the end of the day you received yet another polite, yet persistent email from Wanda and you knew the time had come. On one hand you wanted to ask Agatha’s opinion on the potential job, for you valued her opinion over anyone else’s. But the fear of a fight, especially over something involving Wanda, was enough to make you realize now was not the right time to bring up a potential move to Vienna. Plus you were only meeting with Natasha, it wasn’t like she was going to offer you a job on sight. There would be little to no harm in setting up a meeting. Then you could talk to Agatha.

Satisfied with your decision, you sent a quick reply to Wanda stating you would be interested in meeting with Natasha before heading back to Agatha’s office. Hopefully the conductor had enough time to cool down to consider leaving work within the next few hours. However, when you opened the door you were surprised to find her hunched over her desk, eyes locked on her laptop. She didn’t appear to hear you enter, and a part of you wondered if you should leave and come back later. Ultimately deciding that you would stay, you lightly knocked on the door to attempt to draw her attention away from the screen. It worked, only when she finally looked at you, you saw something unfamiliar in her eyes. Fear.

“Y/N...” Agatha trailed off, and you could practically see the frown lines become embedded in her skin.

“Agatha?” You barely recognized the sound of your own voice as you approached the conductor. “What’s wrong?”

Before the conductor could reply, your phone began to repeatedly ding. Pulling it out of your pocket you felt your heart sink at the notification. You had several texts from Sam, Bucky, Monica, even Darcy, but what caught your eye was an article from The New York Times.

‘Agatha All Along? An Inside Scoop to the Alleged Affair Between MSO Conductor Agatha Harkness and Concert Pianist Wanda Maximoff’

#agatha harkness x reader #agatha harkness imagine #agatha harkness #agatha wandavision #agatha harkness x you #wandavision #wandavision au

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shihalyfie · 3 years ago

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About the Adventure: reboot, the likely reason why it exists, the question of target demographic, and whether I would recommend it or not

I think this reboot has been kind of a strange outlier in terms of Digimon anime in general, in terms of...well, just about everything. I also feel like everything surrounding it has kind of been giving us mixed signals as to what the intent and purpose behind the anime is -- well, besides “cashing in on the Adventure brand”, but looking at it more closely, that might be a bit of an oversimplification.

I’m writing this post because, having seen the entire series to the end for myself and thinking very hard about it and what it was trying to do, I decided to put down my thoughts. This is not meant to be a review of what I think was good and bad, but rather, something that I hope will be helpful to those who might be on the fence about whether they want to watch it or not, or those who don’t want to watch/finish it but are curious about what happened, or those who are curious as to why this reboot even exists in the first place, or even maybe just those who did watch it but are interested in others’ thoughts about it. I'm personally convinced that -- especially in an ever-changing franchise like Digimon -- how much you like a given work is dependent on what your personal tastes are to the very end, and thus it’s helpful to understand what kind of expectations you should go in with if you want to watch something.

With all of this said and done, if you want to go in and best enjoy this series, I think it is best to consider this anime as a distinct Digimon series of its own. The relationship to Adventure is only surface-level, and by that I mean it’s very obvious it’s doing things its own thing deliberately without worrying too much about what prior series did. Of course, I think everyone will have varying feelings about using the Adventure branding for something that really isn't Adventure at all, but we are really talking about an in-name-only affair, and something that’s unabashedly doing whatever it wants. So in other words, if you’re going in expecting Adventure, or anything that really resembles Adventure, you’re setting yourself up for disappointment. But if you’re able to approach it like yet another distinct Digimon series, and the other aspects of it fit your fancy, you’ll probably be able to enjoy it much better. And, conversely, I think it’s also important to remember that this series seems to have a writing philosophy with a fundamentally different goal from most Digimon series, and since it’s understandable for most long-time Digimon fans to have their tastes built on those prior series, it’s fine and completely understandable that this reboot may not be your cup of tea, for reasons that probably don’t actually have much to do with whether it’s an Adventure reboot or not.

There are no spoilers in the following post. (Although I use some emphatic language for the duration for it, these are mostly just my personal thoughts and how I see the series and the overall situation.)

On what exact relationship to Adventure this series has, and why it’s an “Adventure reboot”

If you ask why they did an Adventure reboot, the easiest answer to come up with is “Adventure milking, because it’s profitable”, but that’s kind of an oversimplification of what the issue is. This is especially when you take into account a key fact that official has been very well aware of since as early as 2006: most kids are too young to have seen Adventure, and therefore have no reason to care about it.

That’s the thing: Adventure milking only works so well on today’s children, and Toei and Bandai know this. This is also the reason that the franchise started going through a bit of a “split” starting in around 2012 (after Xros Wars finished airing), when the video game branch started making more active attempts to appeal to the adults’ fanbase with Re:Digitize and Adventure PSP. (Although they were technically still “kids’ games”, they were very obviously aimed at the adults’ audience as a primary “target”.) The generation that grew up with Adventure and other classic Digimon anime was getting older and older, and targeting that audience would require tailoring products more specifically to them -- ultimately culminating in 2015 and the solidification of “very obviously primarily for adults” media in the form of both games (Cyber Sleuth and Next Order) and anime (tri.). Note that Appmon ended up getting its own 3DS game, but since it was targeted at kids, it seems to have been developed by a completely different pipeline/branch from the aforementioned adults’ games, so even that had a split.

So if we want to talk about full-on nostalgia pandering, that’s already being done in the adults’ branch. In fact, Appmon development specifically said that they felt free to not really care about the adults’ audience because that was tri.’s job. Of course, the hardcore Digimon adults’ fanbase is still keeping an eye on the kids’ shows, and it’s good to not upset them -- and, besides, even if we’re all suffering under the hell of capitalism, people who work in kids’ shows still tend to be very passionate about the content and messages they’re showing the kids, so they still put an effort into making good content that adults can enjoy too. But, nevertheless, adults are still the “periphery demographic”, and a kids’ show is not a success if the kids (who have not seen and do not care about Adventure) are not watching it or buying the toys. Appmon ended up being extremely well-received by the adults’ fanbase, but that all meant nothing since the kids didn’t get into it.

Most kids are not super incredibly discerning about so-called writing quality (it’s not like they don’t at least unconsciously know when something is good, but they’re much less likely to be bothered by little things adults are often bothered by), so there’s a certain degree you have to get their attention if you want things to catch on with them. Critical reception does matter a lot more when we talk about the adults’ audience, but for the kids, the more important part is how much you’ve managed to engage them and how much fun they’re having (especially in regards to the toyline). Moreover, there’s the problem of “momentum”; Digimon’s sister shows of PreCure, Kamen Rider, and Super Sentai have sometimes had really poorly performing shows (critically or financially), but have managed to recover it in successive years to avoid getting cancelled. Digimon never managed to get to that point, with sales nearly dropping to half with Tamers and again with Frontier. So in essence, Savers, Xros Wars, and Appmon were all attempts at figuring out what was needed to just get that “kickstart” again -- but things just never lined up for it to work.

So if kids don’t really care about Adventure, why would they do Adventure nostalgia pandering? The answer is one that official has actually openly stated multiple times: they want to have parents watch it together with their children. Both Seki and Kinoshita said this in regards to watching the reaction to Kizuna, and it was also stated outright as a goal for the reboot, but, believe it or not, there’s reports of this having been stated back as early as Savers (followed by an admission that maybe 2006 was a little too early for people who grew up with Adventure to be old enough to have their own kids). So the little nostalgia references in Savers, Xros Wars, and Appmon aren't really meant to magically turn the series into Adventure as much as they’re supposed to be flags waved at the parents to get them to pay attention, so that they can introduce their kids to Digimon and watch it together with them, until the kids eventually take an interest on their own and they don’t need to rely on that kind of standby as much. (I say “as much” because of course PreCure, Rider, and Sentai all are still very indulgent in their anniversary references, but they’re not nearly as reliant on it to the point of life-and-death.)

This is also why Kizuna’s existence and release date two months prior to the reboot is a huge factor in this. The reason tri. wouldn’t have done it is that it never actually reached a properly “mainstream” audience. It’s a huge reason I keep emphasizing the fact that tri. and Kizuna are two separate things with completely different production and release formats, because tri. being a limited OVA screening released in six parts over three years means that, although it was a moderate financial success that did better than the franchise’s other niche products, in the end, it didn’t actually reach the “extremely casual” audience very well. We, as the “hardcore Internet fanbase”, all know people who watched all six parts, and the difference between tri. and Kizuna’s release formats doesn’t hit us as hard because of international distribution circumstances, but even on our end, if you talk to your casual friends who barely remember anything about Digimon except what they saw on TV twenty years ago, you will almost never find anyone who got past Part 1, maybe 2 at most. (That’s before we even get into the part where a good chunk of them got turned off at the character design stage for being too different.) Sticking with a full six-part series over three years is a commitment, and if you’re not someone with a certain level of loyalty to the franchise, you aren’t as likely to put aside the time for it!

Kizuna, on the other hand, was a full-on theatrical movie with full marketing campaign that was aimed at that extremely casual mainstream audience, including a lot of people who hadn’t even heard of tri. (due to it being too niche) or hadn’t bothered to commit to watching something so long, and thus managed to “hype up” a lot of adults and get them in a Digimon mood. (Critical reception issues aside, this is also presumably a huge reason Kizuna isn’t all that reliant on tri.’s plot; Adventure and 02 both averaged at around 11% of the country watching it when it first aired, but the number of people who even saw tri. much less know what happened in it is significantly lower, so while you can appeal to a lot of people if you’re just targeting the 11%, you'll lock them out if you’re overly reliant on stuff a lot of them will have never seen in the first place.) We’re talking the kind of super-casual who sees a poster for Kizuna, goes “oh I remember Digimon!”, casually buys a ticket for the movie, likes it because it has characters they remember and the story is feelsy, and then two months later an anime that looks like the Digimon they recognize is on Fuji TV, resulting in them convincing their kid to watch it together with them because they’re in a Digimon mood now, even though the actual contents of the anime are substantially different from the original.

So, looking back at the reboot:

There’s a huge, huge, huge implication that the choice to use Adventure branding was at least partially to get Fuji TV to let them have their old timeslot back. Neither Xros Wars nor Appmon were able to be on that old timeslot, presumably because Fuji TV had serious doubts about their profitability (perhaps after seeing Savers not do very well). This isn’t something that hits as hard for us outside Japan who don’t have to feel the impact of this anyway, but it’s kind of a problem if kids don’t even get the opportunity to watch the show in the first place. While there’s been a general trend of moving to video-on-demand to the point TV ratings don’t really have as much impact as they used to, I mean...it sure beats 6:30 in the morning, goodness. (Note that a big reason PreCure, Rider, and Sentai are able to enjoy the comfortable positions they’re in is that they have a very luxurious 8:30-10 AM Sunday block on TV Asahi dedicated to them.)

Since we’re talking about “the casual mainstream”, this means that this kind of ploy only works with something where a casual person passing by can see names and faces and take an interest. This is why it has to be Adventure, not 02 or Tamers or whatnot; 02 may have had roughly similar TV ratings to Adventure and fairly close sales figures back in 2000, but the actual pop culture notability disparity in this day and age is humongous (think about the difference in pop culture awareness between Butter-Fly and Target). 02, Tamers, and all can do enough to carry “adults’ fandom” products and merch sales at DigiFes, and the adults’ branch of the franchise in general, but appealing to the average adult buying toys for the kids is a huge difference, and a big reason that, even if they’re clearly starting to acknowledge more of the non-Adventure series these days, it’s still hard to believe they’re going to go as far as rebooting anything past Adventure -- or, more accurately, hard to believe they’ll be able to get the same impact using names and faces alone.

This advertising with the Adventure brand goes beyond just the anime -- we’re talking about the toyline that has the involved character faces plastered on them, plus all of the ventures surrounding them that Bandai pretty obviously carefully timed to coincide with this. One particularly big factor is the card game, which is doing really, really well right now, to the point it’s even started gaining an audience among people who weren’t originally Digimon fans. Part of it is because the game’s design is actually very good and newcomer-friendly, but also...nearly every set since the beginning came with reboot-themed Tamer Cards, which means that, yes, those cards with the Adventure names and faces were helping lure people into taking an interest in the game. Right now, the game is doing so well and has gained such a good reputation that it probably doesn’t need that crutch anymore to keep going as long as the game remains well-maintained, but I have no doubt the initial “Adventure” branding was what helped it take off, and its success is most likely a huge pillar sustaining the franchise at the current moment.

Speaking of merch and toys, if you look closely, you might notice that Bandai decided to go much, much more aggressively into the toy market with this venture than they ever did with Savers, Xros Wars, or Appmon (Appmon was probably the most aggressive attempt out of said three). They put out a lot more merch and did a lot more collaborative events to engage the parents and children, and, presumably, the reason they were able to do this was because they were able to push into those outlets with the confidence the Adventure brand would let them be accepted (much like with Fuji TV). Like with the card game, the important part was getting their “foot in the door” so that even if it stopped being Adventure after a fashion, they’d still have all of those merchandising outlets -- after all, one of the first hints we ever got of Ghost Game’s existence was a July product listing for its products replacing the reboot’s in a gachapon set, so we actually have evidence of certain product pipelines being opened by the reboot’s precedent. (The word 後番組 literally means “the TV program that comes after”, so it’s pretty obvious this was intended for Ghost Game; in other words, the reboot’s existence helped ensure there be a “reservation” for this kind of product to be made.)

I think one important thing to keep in mind is that Toei and Bandai have as much of a stake in avoiding rehashing for their kids’ franchises as we do. Even if you look at this from a purely capitalistic perspective, because of how fast the “turnover” is for the kids’ audience, sustaining a franchise for a long time off rehashing the same thing over and over is hard, and even moreso when it involves a twenty-year-old anime that said kids don’t even know or remember. Ask around about popular long-running Japanese kids’ franchises and you’ll notice they practically rely on being able to comfortably change things up every so often, like PreCure/Rider/Sentai shuffling every year, or Yu-Gi-Oh! having a rotation of different series and concepts, or the struggles that franchises that don’t do this have to deal with. And, after all, for all people are cynical about Toei continuing to milk Adventure or any of the other older series at every opportunity, as far as the kids’ branch of the franchise goes, this is only capable of lasting to a certain extent; if they tried keeping this up too long, even the adults and kids would get bored, and there is some point it’ll be easier to try and make products directly targeted at the kids’ audience instead of having to rely on the parents to ease them into it.

So it’s completely understandable that the moment they secured a proper audience with the reboot and finished up their first series with this, they decided to take the risk with Ghost Game right after. And considering all that’s happened, this is still a risk -- they’re changing up a lot (even if not as much as Appmon), and there’s a chance that the audience they’ve gathered is going to shoot down again because they’ve changed so much and they no longer have the Adventure branding as a “crutch” to use -- but they’re taking it anyway instead of going for something at least slightly more conventional.

Which means that, yes, there’s a possibility this will all explode in their face, because the Adventure branding is that huge of a card they’re about to lose. But at the very, very least, Ghost Game is coming in with the “momentum” and advantage that Savers, Xros Wars, and Appmon all didn’t have: a brand currently in the stage of recovery, all of the merchandising and collaborative pipelines the reboot and Kizuna opened up, a fairly good timeslot, and a premise somewhat more conventional than Xros Wars and Appmon (I’m saying this as someone who likes both: their marketing definitely did not do them many favors). There are still a lot of risks it’s playing here, and it’s possible it won’t be the end of more Adventure or reboot brand usage to try to keep that momentum up even as we go into Ghost Game, but it’s the first time in a long while we’ve had something to stand on.

Okay, so that’s out of the way. But the end result is that we now have 67 episodes of an Adventure “reboot” that actually doesn’t even resemble Adventure that much at all, which seems to have achieved its goal of flagging down attention so it can finally going back to trying new things. This series exists, we can’t do anything about the fact it exists, the period where its own financial performance actually mattered is coming to an end anyway, and we, as a fanbase of adults hanging out on the Internet keeping up with the franchise as a whole, have to figure out how each of us feels about this. So what of it?

About the contents of the reboot itself

One thing I feel hasn’t been brought up as a potential topic very much (or, at least, not as much as I feel like it probably should be) is that the reboot seems to be actively aimed at a younger target audience than the original Adventure. It hasn’t been stated outright, but we actually have quite a bit of evidence pointing towards this.

Let’s take a moment and discuss what it even means to have a different target audience. When you’re a kid, even one or two years’ difference is a big deal, and while things vary from kid to kid, generally speaking, it helps to have an idea of what your “overall goal” is when targeting a certain age group, since at some point you have to approximate the interests of some thousands of children. Traditionally, Digimon has been aimed at preteens (10-11 year olds); of course, many will testify to having seen the series at a younger age than that, but the "main” intended target demographic was in this arena. (Also, keep in mind that this is an average; a show aimed at 10-11 year olds could be said to be more broadly aimed at 7-13 year olds, whereas one aimed at 7-8 year olds would be more broadly aimed at something like 5-10 year olds.) Let’s talk a bit about what distinguishes children’s shows (especially Japanese kids’ shows) between this “preteen demographic” and things aimed at a much younger audience (which I’ll call “young child demographic”, something like the 7-8 year old arena):

With children who are sufficiently young, it’s much, much more difficult to ensure that a child of that age will be able to consistently watch TV at the same hour every week instead of being subject to more variable schedules, often set by their parents, meaning that it becomes much more difficult to have a series that relies on you having seen almost every episode to know what’s going on. For somewhat older kids, they’re more likely to be able to pick and pursue their own preferences (the usual “got up early every week for this show”). This means that shows targeted at a young child demographic will be more likely to be episodic, or at least not have a complex dramatic narrative that requires following the full story, whereas shows targeted at a preteen audience are more willing to have a dramatic narrative with higher complexity. This does not mean by any shake of the imagination that a narrative is incapable of having any kind of depth or nuance -- the reboot’s timeslot predecessor GeGeGe no Kitaro got glowing reviews all over the board for being an episodic story with tons of depth -- nor that characters can’t slowly develop over the course of the show. But it does raise the bar significantly, especially because it prevents you from making episodes that require you to know what happened in previous ones.

The thing is, the original Adventure and the older Digimon series in general didn’t have to worry about this, and, beyond the fact that their narratives very obviously were not episodic, we actually have concrete evidence of the disparity: Digimon has often been said to be a franchise for “the kids who graduated from (outgrew) a certain other monster series”. Obviously, they’re referring to Pokémon -- which does have the much younger target demographic. That’s why its anime is significantly more episodic and less overall plot-oriented, and Digimon wasn’t entirely meant to be a direct competitor to it; rather, it was hoping to pick up the preteens who’d enjoyed Pokémon at a younger age but were now looking for something more catered to them. This is also why, when Yo-kai Watch came into the game in 2014, that was considered such a huge direct competitor to Pokémon, because it was aiming for that exact same demographic, complete with episodic anime. When Yo-kai Watch moved to its Shadowside branch in 2017, it was specifically because they had concerns about losing audience and wanted to appeal to the kids who had been watching the original series, but since they were preteens now, they adopted a more dramatic and emotionally complex narrative that would appeal to that audience instead. So you can actually see the shift in attempted target demographic in real time.

Adventure through Frontier were aimed at 10-11 year olds, and here’s the interesting part: those series had the protagonists hover around the age of said target audience. We actually have it on record that Frontier had a direct attempt to keep most of the kids as fifth-graders for the sake of appealing to the audience, and so that it would be relatable to them. You can also see this policy of “matching the target audience’s age” in other series at the time; Digimon’s sister series Ojamajo Doremi (also produced by Seki) centered around eight-year-olds. Nor was Seki the only one to do this; stepping outside Toei for a bit, Medabots/Medarot had its protagonist Ikki be ten years old, much like Digimon protagonists, and the narrative was similarly dramatic. The thing is, that’s not how it usually works, and that’s especially not really been how it’s worked for the majority of kids’ series since the mid-2000s. In general, and especially now, it’s usually common to have the protagonists of children’s media be slightly older than the target age group. This has a lot of reasons behind it -- partially because kids are looking to have slightly older characters as a model for what to follow in their immediate future, and partially because “the things you want to teach the kids” are often more realistically reflected if the kids on screen have the right level of independence and capacity for emotional contemplation. Case in point: while everyone agrees the Adventure through Frontier characters are quite relatable, it’s a common criticism that the level of emotional insight sometimes pushes the boundary of what’s actually believable for 10-11 year olds...

...which is presumably why, with the exception of this reboot, every Digimon TV series since, as of this writing, started shifting to middle school students. That doesn’t mean they’re aiming the series at middle school kids now, especially because real-life 13-15 year olds are usually at the stage where they pretend they’ve outgrown kids’ shows (after all, that’s why there’s a whole term for “middle school second year syndrome”), but more that the narrative that they want to tell is best reflected by kids of that age, especially when we’re talking characters meant to represent children from the real world and not near-immortal youkai like Kitaro. In fact, the Appmon staff outright said that Haru was placed in middle school because the story needed that level of independence and emotional sensitivity, which is interesting to consider in light of the fact that Appmon’s emotional drama is basically on par with that of Adventure through Frontier’s. So in other words, the kind of high-level drama endemic to Adventure through Frontier is would actually normally be more on par with what you’d expect for kids of Haru’s age.

But at this point, the franchise is at a point of desperation, and you can see that, as I said earlier, Appmon was blatantly trying to be one of those “have its cake and eat it too” series by having possibly one of the franchise’s most dramatic storylines while also having some of the most unsubtle catchphrases and bright colors it has to offer. Moreover, one thing you might notice if you look closely at Appmon: most of its episodes are self-contained. Only a very small handful of episodes are actively dependent on understanding what happened in prior episodes to understand the conflict going on in the current one -- it’s just very cleverly structured in a way you don’t really notice this as easily. So as you can see, the more desperate the franchise has gotten to get its kids’ audience back, the more it has to be able to grab the younger demographic and not lock them out as much as possible -- which means that it has to do things that the original series didn’t have to worry about at all.

Having seen the reboot myself, I can say that it checks off a lot of what you might expect if you tried to repurpose something based on Adventure (and only vaguely based on it, really) into a more episodic story that doesn’t require you to follow the whole thing, and that it has to break down its story into easy-to-follow bits. In fact, there were times where I actually felt like it gave me the vibes of an educational show that would usually be expected for this demographic, such as repeated use of slogans or fun catchphrases for young kids to join in on. That alone means that even if the “base premise” is similar to the original Adventure, this already necessitates a lot of things that have to be very different, because Adventure really cannot be called episodic no matter how you slice it.

Not only that, even though the target audience consideration has yet to be outright stated, we also have interviews on hand that made it very clear, from the very beginning, what their goals with the reboot were: they wanted the kids to be able to enjoy a story of otherworldly exploration during the pandemic, they wanted cool action sequences, and they wanted to get the adults curious about what might be different from the original. Note that last part: they actively wanted this series to be different from the original, because the differences would engage parents in spotting the differences, and the third episode practically even goes out of its way to lay that message down by taking the kids to a familiar summer camp, only to have it pass without incident and go “ha, you thought, but nope!” Moreover -- this is the key part -- “surprising” people who were coming from the original series was a deliberate goal they had from the very beginning. They’ve stated this outright -- they knew older fans were watching this! They were not remotely shy about stating that they wanted to surprise returning viewers with unexpected things! They even implied that they wanted it to be a fun experience for older watchers to see what was different and what wasn’t -- basically, it’s a new show for their kids who never saw the original Adventure, while the parents are entertained by a very different take on something that seems ostensibly familiar.

On top of that, the head writer directly cited V-Tamer as an influence -- and if you know anything about V-Tamer, it’s really not that much of a character narrative compared to what we usually know of Digimon anime, and is mostly known for its battle tactics and action sequences (but in manga form). In other words, we have a Digimon anime series that, from day one, was deliberately made to have a writing philosophy and goal that was absolutely not intended to be like Adventure -- or any Digimon TV anime up to this point -- in any way. And that’s a huge shock for us as veterans, who have developed our tastes and expectations based on up to seven series of Digimon that were absolutely not like this at all. But for all it's worth, the circumstances surrounding its production and intent don't seem to quite line up with what the most common accusations against it are:

That it’s a rehash of Adventure: It really isn’t. It’s also blatantly apparent it has no intention of being so. The points that are in common: the character names and rough character designs, some very minimal profile details for said characters, Devimon having any particular foil position to Angemon, the use of Crests to represent personal growth, the premise of being in the Digital World and...that’s it! Once those points are aside, it’s really hard to say that the series resembles Adventure any more than Frontier or Xros Wars resembles Adventure (which are also “trapped in another world” narratives) -- actually, there are times the series resembles those two more than the original Adventure, which many have been quick to point out. The majority of things you can make any kind of comparison to basically drop off by the end of the first quarter or so, and trying to force a correlation is basically just that: you’d have to try forcing the comparison. The plot, writing style, and even the lineup of enemies shown just go in a completely different direction after that. So in the end, the base similarities can be said to be a marketing thing; if I want to criticize this series, I don’t think “lack of creativity” would actually be something I would criticize it for. (Of course, you’re still welcome to not be a huge fan of how they’re still guilty of using Adventure’s name value to market something that is not actually Adventure. We’re all gonna have mixed feelings on that one.)

That they don’t understand or remember Adventure’s appeal: Unlikely. All of the main staff has worked on character-based narratives before, which have been very well-praised while we’re at it. The producer, Sakurada Hiroyuki, was an assistant producer on the original series, and I would like to believe he probably remembers at least a thing or two about what they were doing with the original series...but, also, he’s the producer of Xros Wars, which definitely had its own individuality and style, and, moreover, was more of a character narrative that people generally tend to expect from Digimon anime. (Still a bit unconventional, and it has its own questions of personal taste, but a lot of people have also pointed out that this reboot has a lot in common with Xros Wars in terms of its writing tone and its emphasis on developing Digital World resident Digimon moreso than the human characters.) All signs point to the idea they could make a character narrative like Adventure if they really wanted to. It’s just, they don’t want to do that with this reboot, so they didn’t.

That they misinterpreted or misremembered the Adventure characters: There’s been accusations of said characters being written in a way that implies misinterpretation or lack of understanding of the original characters, but the thing is, while I definitely agree they have nowhere near the depth of the original ones, there are points that seem to be deliberate changes. (At some points, they’re actually opposites of the original, and certain things that operate as some very obscure references -- for instance, Sora complaining about having to sit in seiza -- seem to also be deliberate statements of going in a different direction.) The lack of human character depth or backstory doesn’t seem to be out of negligence, but rather that this story doesn’t want to be a character narrative to begin with -- after all, we’re used to seven series of Digimon that are, but there are many, many kids’ anime, or even stories in general, where the story is more about plot or action than it is completely unpacking all of its characters’ heads. In this case, this reboot does seem to have characters that are taking cues from or are “inspired by” the original, but, after all, it’s an alternate universe and has no obligation to adhere to the original characters’ backgrounds, so it stands to reason that it’d take liberties whenever it wanted. (Again, the head writer outright stated that he based the reboot’s Taichi more on V-Tamer Taichi than the original Adventure anime Taichi. He knows there’s a difference!) Even more intriguingly, the series actually avoids certain things that are common misconceptions or pigeonholes that would normally be done by the mainstream -- for instance, the Crest of Light (infamously one of the more abstract ones in the narrative) is fully consistent with Adventure’s definition of it as “the power of life”, and, if I dare say so myself, Koushirou’s characterization (emphasizing his relationship with “knowledge” and his natural shyness) arguably resembles the original far more than most common fan reductions of his character that overemphasize his computer skills over his personal aptitude. In other words, I think the staff does know what happened in the original Adventure -- they just actively don’t want to do what Adventure did, even if it’s ostensibly a reboot.

That it’s soulless or that there’s no passion in its creation: Well, this is subjective, and in the end I’m not a member of the staff to tell you anything for sure, but there are definitely a lot of things in this anime that don’t seem like they’d be the byproduct of uninspired creation or lack of passion. It’s just that those things are all not the kinds of things that we, as Digimon veterans, have come to develop a taste for and appreciate in Digimon anime. That is to say, there is an incredible amount of thought and detail put into representing Digimon null canon (i.e. representing special attacks and mechanics), the action sequences are shockingly well-animated in ways that put most prior Digimon anime to shame, and the series has practically been making an obvious attempt to show off as many Digimon (creatures) that haven’t traditionally gotten good franchise representation as they can. Or sometimes really obscure “meta fanservice” references that only make sense to the really, really, really, really hardcore longtime Digimon fan (for instance, having an episode centered around Takeru and Opossummon, because Takeru’s voice actress Han Megumi voiced Airu in Xros Wars). If you follow any of the animators on Twitter, they seem to be really actively proud of their work on it, and franchise creators Volcano Ota and Watanabe Kenji seem to be enjoying themselves every week...so basically, we definitely have creators passionate about having fun with this, it’s just that all of it is being channeled here, not the character writing.

So in the end, you can basically see that this series is basically the epitome of desperately pulling out all of the stops to make sure this series lands with the actual target demographic of children, dammit, and gets them into appreciating how cool these fighting monsters are and how cool it would be if they stuck with them even into a series that’s not Adventure. The Adventure branding and names to lure in the parents, the straightforward and easy-to-understand action-oriented narrative so that kids will think everything is awesome and that they’ll like it even when the story changes, and the merchandise and collab events booked everywhere so that they can all be reused for the next series too...because, remember, they failed with that during Savers, Xros Wars, and Appmon (I mean, goodness, you kind of have to admire their persistence, because a ton of other kids’ franchises failing this many times would have given up by now), so it’s a bit unsurprising that they went all the way to get the kids’ attention at the expense of a lot of things that would attract veterans, especially since the veterans already have a well-developed adults’ pipeline to cater to them. This does also mean that this series is more likely to come off as a 67-episode toy commercial than any previous Digimon series, but it’s not even really the toys as much as they’re trying to sell the entire franchise and the actual monsters in the hopes that they’ll stick with it even when the narrative changes.

Nevertheless, here we are. The series is over. Ghost Game -- which, as of this writing, is looking to be much more of a conventional Digimon narrative, complete with older cast, obviously more dramatic atmosphere, and pretty much everything surrounding its PR -- is on its way, presumably thanks to the success of this endeavor. It’s hard to gauge it; we have it on record that they also intend it to be episodic, but remember that this doesn’t necessarily prevent it from having an overall dramatic plot or nuanced drama (especially since the abovementioned Appmon and Kitaro were perfectly capable of pulling off this balance). Nevertheless, it seems to be a lot more of the conventional kind of Digimon narrative we usually expect, so, as for us, adult long-time fans of the Digimon franchise (many of whom don’t have kids anyway), what exactly should we make of this? Well, as far as “supporting the franchise” goes, you’ll get much more progress supporting Ghost Game than the reboot; I highly doubt view counts and merch sales relative to an already-finished series will do nearly as much for the franchise’s health as much as the currently airing series, and, besides, it’d probably do us all a favor to support the endeavor that’s actually new and fresh. So when it comes to a “past” series like this, it’s all just going to come down to a question of personal preference and taste: is this a series you, personally, want to watch, and would you find it entertaining?

For some of you, it’s possible that it just won’t be your cup of tea at all -- and since, like I said, the majority of us here have based our expectations and preferences on up to seven series of Digimon that were not like this, that’s also perfectly fine, and in that case I don’t actually recommend you watch this. Of course, I’ve never thought that it was ever fair to expect a Digimon fan to have seen all of the series released to date; the more series we get, the more inhumane of a demand that’ll become, and I think this franchise becoming successful enough to have so many series that most people won’t have seen it all is a good thing. (It’s actually kind of alarming that the percentage of people who have seen it all is so high, because it means the franchise has failed to get much of an audience beyond comparatively hardcore people who committed to it all the way.) But I think, especially in this case, with a series for which adult fans like us were probably lowest on the priority list due to the sheer amount of desperation going on here, it’s fine to skip it, and if you’re someone who lives by a need for character depth or emotionally riveting narrative, the fact this series is (very unabashedly and unashamedly) mostly comprised of episodic stories and action sequences means you won’t have missed much and probably won’t feel too left out of any conversations going forward. That’s before we even get into the part where it’s still completely understandable to potentially have mixed feelings or resentment about the overuse of the Adventure brand for something like this, especially if Adventure is a particularly important series to you.

But for some of you out there, it might still be something you can enjoy on its own merits. I’ve seen people who were disappointed by the limited degree of Digimon action sequences in the past or the fact that the series has gotten overly fixated on humans, and had an absolute ball with the reboot because it finally got to represent parts of the franchise they felt hadn’t been shown off as well. “Fun” is a perfectly valid reason to enjoy something. It’s also perfectly possible to be someone who can enjoy character narratives like the prior Digimon series but also enjoy something that’s more for being outlandish and fun and has cool Digital World concepts and visuals -- and, like I said, it does not let up on that latter aspect at all, so there’s actually potential for a huge feast in that regard. I think as long as you don’t expect it to be a character narrative like Adventure -- which will only set you up for disappointment, because it’s not (and made very clear since even the earliest episodes and interviews that it had no intention of being one) -- it’s very possible to enjoy it for what it is, and for what it does uniquely.

#digimon #digimon adventure:#digimon adventure reboot #digimon adventure 2020 #digimon adventure psi #shihameta

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thepriceofbeingaroseisloneliness · 4 years ago

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Toshiya’s Creativity Vol 7: Looking back at Life This time, as Toshiya’s birthday is getting closer, we asked him to look back on his life. From his childhood to boyhood in Nagano and moving to Tokyo after his awakening to music. And the present. Memories, present and future…. Blessed with good weather, we did this interview in a localisation where you could feel the arrival of spring. “For me, music is the most stimulating thing. It was a way to escape from reality” “I think it’s a miracle I met these 4 people.” “When you are standing on stage in front of the audience, you should be a special person that nobody can’t replace”

Notes before reading: This is from ‘Toshiya’s creativity’, the serialization done by Ster Edge Magazine and later compiled into a book with the same name. This is Vol 07 (Ster Edge 006) , which was published in March 2018. Originally, I planned to post this for Toshiya’s birthday but....life. Feel free to correct me if you spot any mistake or any confusing parts. Links or credits to this post when the content is reposted or captured in other SNS is appreciated :)

------ 2017 marked the 20th anniversary of the formation of DIR EN GREY. Toshiya also had the opportunity to look back on the history of the band at various locations. This time, we asked him to look back on his ‘life’ just before his birthday on March 31st. How did he feel at that time? What did he realize at that moment and what does he think now? It was an interview that gave us a glimpse of his enigmatic way of thinking and a part his feelings. Toshiya is from Nagano prefecture. He says the environment in which he grew up was "a normal countryside one” in “a normal family”. In our previous talk with Hide TANAKA, a flower designer who is a childhood friend of Toshiya, which was published in "Toshiya's Creativity Vol6", he talked about his childhood, but we will explore this further, in a bit more personal way. When he was asked about his oldest memory, he folded his arms, thought for a moment, and then opened his mouth. “This memory comes quickly to my mind. There was something like an agricultural cooperative bazaar/rummage sale being held near my grandparent's house, and I think they took me to it. I was very impressed by a child of the same age as me at that time who was lost and crying alone. So, I remember holding my grandpa and grandma's hands tightly and saying, ‘Don’t lose me!’ (laughs).” His grandparents' home and his home were close, so he often went out with his grandparents from an early age. “I was close to my grandfather and my grandmother. I remember I was the type of child loved by the elderly. I’m still quite in contact with my family and relatives, we have a good relationship. But it wasn't something special, it was normal for me at the time. My hometown is a normal countryside town, where nothing is like this city, it feels like there are only mountains and rice fields. I also liked drawing at home and playing outside. I was playing like a normal country child would do.” Young Toshiya seems to have grown up in the nature of Nagano. It seems his parents also respected the things he wanted to do. “I was in a sports boys' team, a baseball team, and I practised kendo. I feel like I certainly did what I wanted. I liked physical activities. I wasn’t strong or weak at sports, after all I was normal (laughs). My parents taught me soroban (Japanese abacus), and in junior high school I attended a cram school. I think I got a textbook to study English through radio lessons. I just pretended to play the abacus, and I wasn't good at it at all (laughs). " Toshiya was a boy who was devoted to sports. He talked to Hide about playing the guitar when he was young, but was he interested in music and instruments at that time? “No, no at all. My mother's brother used to play the guitar and I was just using that guitar as a toy instead. More than playing, I was killing time. It felt like that. At that time, I had no dreams for the future. When I was told to write about my dream for the future, I just wrote ‘be a salary man, like my father’. I think that was the safest choice (laughs). The children of my class said ‘I want to be a police officer’ or ‘I want to be a pilot’, but I wasn't interested in what I wanted to do in the future at all.” He said ‘normal’ many times while talking about himself in the past but while listening to his talk, he didn't feel like that for some reason, he had a mysterious aura since he was a boy. He said the thing that young Toshiya was more interested in was ‘wild ideas/fantasies’. “I think it was like that in the past. Didn’t you have any ‘wild idea’ /fantasy on your way to school or coming back from it? I liked that kind of thing. As I liked Gundam, I thought ‘I want to ride one’. Sometimes I went home with my friends, but more often I went home alone. It was about a 30-minute walk from my house to school, so it was days of spending all that time doing that (laughs).” Perhaps he was a boy who had his own world and the strength to be alone. “No, no, I didn't think deeply about that. I never felt scared to be alone…. the reason I went home alone was it was easier for me to go home alone (laughs). I'm older than my siblings, so I grow up as an only child for a while. That’s why it was normal for me to be alone. Most of the boys and girls I played with were older kids who lived near my house” Toshiya, an elementary school boy who often played with older boys and girls who lived in the neighbourhood, gradually got more chances to listen to popular songs at his senpais' homes. Boøwy was the catalyst for him to have an instrument. “Boøwy was a cool band that older seniors listened to. When I got into middle school, there were about one or two people in the class who liked Western music. When I became friends with those guys, I was told ‘You are still listening to Japanese music?’ (laughs). From that moment, I started to dig deeper into Western music.” Then, that Toshiya in middle school becomes more and more absorbed in music. It was around this time that he started to have in his mind that he wanted to play an instrument. “Besides Boøwy and X…..From overseas… I listened to Van Halen. Then, bands like Europe, Guns N'Roses,Bon jovi….. as it was the golden age of LA metal (glam metal), I liked that kind of stuff. I listened to the X’s single ‘Kurenai’ at home. That song starts with a ballad-like part, and then it gets fierce at once, but when I was playing it at first, I could hardly hear any sound. I still remember that suddenly it made a loud noise when I turned up the volume, I was surprised and desperately turned down the volume (laughs). " As Toshiya told us this funny incident, for sure there are many people who had a similar experience. What elements of these bands inspired Toshiya in middle school? "The music was exciting, but the fashion and performance were shocking ... Every band was very unrealistic. It seems that I was taken to a different world at that time. The feelings were very strong. Since TV was the only way to collect information, I think the influence from TV on me was huge.” He has been absorbed in band activities since high school. The first thing he got in his hands was a guitar, not a bass. He doesn't have get the chance to play the guitar on stage right now, but he uses the guitar to make songs. "After all, I started playing the guitar because I admired some guitarists, but I thought 'It's difficult to play with 6 strings. It's a little easier with 4 strings.' After all, I thought it would be easier if there aren’t many chords to hold down. Also, I thought the bass was in a position that didn’t stand out much compared to other instruments, so I thought it would be interesting because that means there were many interesting possibilities about playing” Toshiya, who liked drawing since childhood, went to an art school while being in a band, after graduating from high school. Although he is good at drawing, he eventually chose the musical path. “I didn't want to get a job after graduating from high school, but I didn’t want to study something either. However, I liked drawing, so I asked my parents to attend an art school. At school, the places where the people who graduated there got a job are displayed at the corridor, isn’t it? I was looking at that and I thought ‘Ah? I don't think many people can get a job in the world of drawing’. I don’t think there are many jobs available when it comes to drawing. I thought ‘I like drawing but as this is more a hobby than a job, there is no point in spending money to study it. I’m going to spend my time doing what I like’. After all, I left the art school in about a year. After all, you only live once, and I may regret not doing what I want to do…..That's why I decided to go on the path of music for real. Music is the most stimulating thing for me. Making music was fun and I think it was a bit an escape from reality. I could be a different person than the one I was in my daily life….I wonder if these ‘extraordinary things’ became an stimulus for me.” Immediately after that, Toshiya goes to Tokyo to be fully into band activities as a band man. An era in which the Internet is hardly widespread it was important to move to make his own path. He took action and met various people. “When I went to Tokyo, I met and talked with several people. I was told often that ‘those who move out their hometowns had already won’. I thought there was no chance if I stayed in the countryside and I started doing band activities quietly. There may be various risks and scary feelings, but if you really want a chance, you have to go to the place where there is information. Of course, I think that taking no action is also one of the options. There may be a way to improve your skills locally, or you can go out to the city to seize opportunities, and I think it's up to you to decide which one to choose. I met the members (of DIR EN GREY) in Tokyo, so I think I wouldn't have been in this band if I hadn't come to Tokyo. " "I think it was a miracle that I could meet the other 4 members” Toshiya, who met Kyo,Kaoru, Die, and Shinya, moved to Kansai and started band activities there . In 1997, DIR EN GREY was formed. They made their national debut in 1998, and made his major debut in 1999 with the release of the singles "Akuro no Oka", "ZAN-" and "Yurameki". He thought ‘Because I only have one life, I may regret not doing what I want to do’, and took action. About three years later, Toshiya's life changed. "I think most people in the music world are like that…..At that time, I didn't know what I was doing, but I was confident. I think it's a little scary when I think about my confident at that time. I had such a simple idea that in a way or another, we were going to make it. That's why I didn't think anything strange, the biggest thing was that I didn't have any strange fear. As I grew up, I started to think about things I hadn't thought of before. I was getting more and more involved with people, but I didn’t have that kind of thing when I was young. I think that was the biggest driving force. When I look back on it now, I feel envious of that feeling that nothing was going to stop me.” It was a brilliant and sensational success. It was probably the tremendous power of these five people that attracted that success, which the appropriate world to describe it would be “comet”. A comet that seen from a distance was very beautiful but, how did DIR EN GREY feel about it, being the comet themselves? “We didn’t fully understand the situation we were in. There was a strong feeling we were getting into a world we didn’t know. We were an active part of that, but it felt like we were outsiders. At that time, music had a stimulating sense of unreality but also the fear that it became real started to spring up. At that time, it felt like that many times. DIR EN GREY was called the “last boom” of the scene we were in and I think we were lucky. There was also a part of us that tried to not be absorbed by that boom” DIR EN GREY’s activities have been very creative since then. From this formation until their debut, the band didn’t lose their spirits and kept their aggressive stance. Continuing to present things with a strong emphasis in musicality and fashion making a distinction in the middle of that ‘boom’, they built a unshakeable fortress called DIR EN GREY. “At that time, various media such as TV and magazines talked to us, but we tried not to go in that direction. I was influenced by TV in terms of knowing music, but when it comes to my own work, I didn’t think about becoming the kind of musician that appears on TV. Of course, I thought it would be the best if we got TV exposure but…..at some point, there were things that cold me off. ‘This boom won’t last forever’, it’s easy to get on that boom, but once the boom is over, it’s gone. At that time, I might not have thought so much about it, but I instinctively felt that it was dangerous to get into that boom” It’s not just Toshiya, all DIR EN GREY members agreed. “Sometimes thanks to the boom and the media, they (the listeners) get to know about you. I think it’s the best way to get people know about you but, I also think it’s really dangerous. I think there were some people who succumbed to that kind of excitement. We were cautious because we were the only ones who could protect ourselves, no one else would protect us.” Because DIR EN GREY decided that it was dangerous to get drawn by that boom, they were able to pursue the music and expressions they wanted to do in a deeper way. A different strength from that boom. “That’s right…. We didn’t really understand what happened, we couldn’t say ‘ we did this so this happened after’, there were moments we relied on ourselves, but there were also moments that we relied on others. I guess that balance was good. However, we tried to not get into that wave of popularity as much as possible” DIR EN GREY continued to run ahead of the boom without appearing in the mainstream media, toured Asia in 2002, achieving the first overseas expansion. Due to changes in music aspects, the attention they got from overseas increased and in 2005, they performed in Berlin, marking their first solo concert in Europe. From there, they started to held live performances around the world. Their music spread to the world in proportion to the rise of the Internet. Their journey was so innovative in the music scene that many artists used them as their role model. Should it be called ‘a miracle’ caused by a natural sense of balance? “I think this (the overseas expansion) was something rare for us. ‘Something like this is what we want’, ‘It would be good if you could show this or that’……we were told these kind of things so maybe it (a miracle) happened. First of all, I think it’s a miracle I met these 4 people.” Toshiya said this a little shy smile. There aren't many bands that have been so active for 20 years without changing members or stopping their activities. It's a miracle. “Because it’s an aspect that you can’t control…the things you do and the people you meet. I think it’s a miracle in that sense as well.” After 20 years, there were changes as an individual person, and there were changes in the way they interact with music. He says it's not just about music, ‘No matter what you do, if you make a mistake, you're done’, he adds. “Everyone calls me an 'artist', but I don't feel like one. The easiest thing to say would be ‘free person’ (laughs). As I don’t have the experience of a normal working life, waking up at the same time on weekdays mornings, getting on the same train every day, rather than an artist, I would say I’m a free person. However, if there is a misunderstanding, I come to think of myself as ‘someone special’ who can’t live a normal life. It’s dangerous and scary. But humans are creatures that make mistakes (laughs).” Is it his way of saying that there was a “misunderstanding” in the past? “Well, there is. I made mistakes. That's why I'm scared. At the time of the debut, the number of adults I didn’t know increased around me. No matter what you do, many people was moving. That became something common. But that many people come, means that many people also leave…. Shortly after my debut, a friend from Nagano told me two things. One was ‘it’s good you can do what you like’, and the other was ‘Did you start a band to be admired/ to be pampered?’ Those words were quite a big deal for me. I thought I couldn't stay that way, so I had to change my way of thinking a little more. The words this person told me made me feel sad but then I said ‘Isn’t it good? Why you don’t try to do your best too?’ (laughs).” Toshiya laughs and says ‘I want to be a person with an ordinary consciousness’. His way of talking and manners are soft, giving an impression that he is a person who has nothing to do with the word ‘rude’. “In my teens, my senpais were unconventional and I admired a lot their messy behaviour but unfortunately, times are very different now. When we were children, we thought about what to buy and how to use the money we received for New Year's but nowadays children seem to save money. It might be good to do something unconventional and have a dream in such a conservative era, but I'm not that age anymore. Now, if I do something like that, I’d be in a difficult position (laughs). That’s why being a person with an ordinary consciousness would be the ideal”. “When you stand on stage in front of the audience, you should be a special person that nobody can’t replace” When you ask him about music activity, the talk extends to other topics that are not limited to music. The concept of the brand 'DIRT 100% Natural Dirty' produced by him is 'unisex real clothes that can be worn in a wide range of occasions from casual to formal’, the design not only affects the clothes but also the spaces that surround your daily life. Toshiya proposes and produce unique and original clothes for daily life. The fact that the words ‘life’ and ‘everyday’ are included means that for Toshiya, as music, his brand production and life are something that flows together, not something that can be separate from each other. “There isn’t really a distinction. But both, music and brand production, I can’t call them ‘work’. Of course I can’t remove the business part of it but I don’t think it’s work. This interview is also part of my job, that’s why I’m definitely switched on my ‘business mode’. If you like something in a pure way, you shouldn’t make a business of it. Of course, I make music and produce clothes because I like it, but the truth is that you can’t just do something because you like it. That’s why I think I have to do it. For example, of course I would say ‘I want to do this’ to the company but saying NO to everything that the company suggests, like ‘I want you to do this, I think it’s just selfish. If I’m allowed to do what I want to do, then I have to do also what the company wants me to do, otherwise, it won’t work. If you just want to do whatever you want, it would be like ‘why don't you do it by yourself? I think I'm doing it with several people because I can't do it alone.” It might be because of this that the band DIR EN GREY continue to be active with the same members. It’s only because they have their own opinions but also they have the capacity to listen and absorb other people’s opinions. “I have a firm ideal within myself. However, there are times you will realize things listening to other people’s opinions and absorbing them. When you have a talk with several people that are experts in something, new opinions that I didn’t know before are born. I often think that it’s like the scales fall from my eyes, and it leads to new discoveries. There might be a reason why we don’t aim to “do things by ourselves’. It's not that music and brands can't be done alone…. I feel that if I go alone, I might make a mistake. Going back to I said before, if you think of yourself as 'special', I think it's not going to go in the right direction….But it's an exception when you stand on stage in front of the audience. , you should be a special person that nobody can’t replace” No matter how good a person is, they may stop at some point. Toshiya was no exception. However, he says with confident ‘I still have many things that I want to do’. “I've often thought ‘this is my limit’. I have thought many times ‘I don't have any ideas, I don't like it, it's hard’..... But then, I’ve always come up with ideas and images such as "I want to do something like that" or "Let's do something like this". I've been doing something like that all the time….I think my desire for expression will never run out. I don't think things can be made from scratch. Everything is imitation of something, an arrangement of something….I think that’s the trigger for the ramification of creation. In your daily life, you can see various things and various things will happen, so I hope to reflect in my work what is happening at that moment.” Will Toshiya reach a turning point in his life soon? In the last talk, he wondered if he would become an adult when he is 50 or 60 years old. He also said he wanted to be 50 or 60 years old soon. He set his mind on the idea of ‘You only have one life, if you don’t do the things that you want, you’ll regret it’. Until now, he has devoted his life to the band so is he satisfied with that or is there any regrets? “It’s half satisfaction, half regrets (laughs). I think I have more regrets, though. When I was in elementary school I thought that at my age I would be living in my hometown, I’d be married and would have kids…’I wish I had done that at that time’….’I didn’t do that’….things like that, if I start mentioning them, there would be no end. But you can’t do anything about the things you didn’t do, I think the perception will change if you look at it with regrets or as a reflection. Sayingt that ‘I could become an adult once I’m 50 or 60 years old” means I entrusted to my future self, things I can’t do now. It’s a way of escapism, though(laughs). I feel like the things I can’t do now will be easier in the future and the range of the things I’ll be able to do will be wider. I will pursue forever the person I aspired to become when I was a child. I think it’s a human thing to do that.” Toshiya’s voice “I requested this photoshoot to take place somewhere near the sea. Since my birthday was closer, I did an interview looking back on my life. If anything, it felt like the interview was important. As we went to Odaiba, the travel time was longer. The talk about the Olimpics in the car was exciting.

#dir en grey #toshiya #translation #toshiyatranslations

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entertainment · 5 years ago

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Entertainment Spotlight: Mattea Conforti, NOS4A2

Millie is the daughter of vampire Charlie Manx—can you tell us a bit about her? What made the role fun to play?

Millie Manx is a very interesting character to play. She is definitely strong and unafraid of a lot of things. She can be mean and even deadly, and she takes a lot of cues from her father, Charlie Manx. She is very devoted to her father, and she will do anything to please him. However, there is also a side of Millie, and it especially emerges this season, where she begins to question all that she knows. She starts to develop real fears of losing her father, and she also starts to emerge as a true leader. This role is both really fun and challenging to play. Playing a demon child is like nothing I’ve ever done before, and getting into all the special effects makeup, my demon wig and fang-like teeth is really fun. In Season 2, I am able to develop Millie’s character far beyond her scary, gory presence in Season 1. Millie is much more than a scary horror character. She is loving, thoughtful, scared, brave, independent and vulnerable, all at the same time. I really enjoy the challenge of showing this unexpected side of Millie Manx.

You began your career on the stage, how do you find the work differs between stage and screen, and do you prefer one over the other?

Working on the stage is completely different than working on a tv or movie set. In theatre, you get one chance each night to connect with your audience, to make bold acting choices, to express your character the way that you want. But, with TV and movies, you are given multiple opportunities to explore your character’s range. You can take a note from a director and then a few minutes later apply it to the scene you are shooting again. In theatre, everything is big – your movements, your expressions, your vocals; because you need to reach the people in the back and the people in the balcony. But, on the screen, I’ve learned to make my acting more subtle, because the camera is usually right there with you, and you don’t need to exaggerate your actions. I don’t really have a preference between stage and screen, I’m just so grateful to have had the opportunity to work in both. Both are unique in their own way, and I would welcome the opportunity to work in either genre in the future.

Do you have any fun facts about the making of the show that fans would be surprised to find out?

Well, I have found it interesting that in making this type of horror/fantasy show, it is not scary at all to do my job. Actually, this show has so much gore and scary scenes that when we are filming, we have a lot of fun joking around and being silly, in between takes, amongst all the gore and special effects. There are some really cool and scary scenes coming up in Season 2 that I got to be a part of, and I would like the fans to know just how much fun it was to shoot them!

Do you think you’d make a good vampire? What would that look like?

I’m not sure that I would make a good vampire. I’m kind of afraid of the dark, so I probably wouldn’t be very good at it. Also, I really do like people, and I’m not a big fan of playing deadly games like, “Scissors for The Drifter.”

Without giving anything away, what’s your favorite line of dialogue from the show (yours or someone else’s)?

My favorite line from the show is definitely with Zachary says in Episode 202, “Who wants to go to Christmasland?!?” when we are in the wraith. This line makes me smile because we shot that scene so many times, and each time Zachary said that line a different way. I loved it because I never really knew how he was going to deliver it, and I challenged myself to match his energy with my response every single time.

If NOS4A2 were a musical, what would Millie’s big number be?

Great question! Millie’s big number would have to be, “Who Wants To Go To Christmasland?” and it would come right before intermission, to hook the audience. I think the first act of the musical would build to Charlie and Millie Manx’s first arrival in Christmasland. They would fly through the theatre in the wraith, and the song would end with them stepping out of the wraith and seeing Christmasland for the very first time.

Which, if any, fandoms are you in?

I’m actually not in any fandoms. I have so many varying interests in the entertainment industry that I prefer to support as many different genres as I can.

You’ve worked on two iterations in the Frozen universe, playing both young Elsa and young Anna in different projects. Which of the sisters do you prefer to bring to life?

I still can’t believe that I’ve played both princesses! My experience bringing Young Anna to life for Frozen the Broadway Musical, and my experience playing Young Elsa in Frozen II were so unique, and as different as the two sisters really are. I started originating the role of Young Anna for Broadway when I was 9, so I could very much relate to the younger princess at the time. I was definitely a spunky, carefree, and funny, just like Young Anna! I started recording for Frozen II as Young Elsa when I was around 12, so I was a bit older, and I think more mature and cautious, like Elsa. I could never pick which sister/experience I prefer because they were both such incredible opportunities that I will never forget.

If you could play any character, historical or fictional, who would it be, and why?

That’s a really tough question to answer, and I don’t think I could pick just one character. I think the most important thing in selecting a role is to make sure that I am being challenged to tell a very important story. I love characters with a lot of depth to them, where I can show my acting range and make bold choices.

What does your ideal day off look like?

My ideal day off is definitely a summer day. I would spend my day on the beach with my family and friends, swim in the ocean, and go for long walks to find shells and sea glass. It would also include some really good food and of course, ice cream for dessert!

Thanks for taking the time, Mattea! Catch NOS4A2 Sundays on AMC.

Headshot: Emily Assiran

#entertainment spotlight #mattea conforti

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twstarchives · 4 years ago

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Hello! There used to be a list about which characters have mentioned to have siblings/be only childs but I can't find it anymore ;; do you still have it or was I imagining it? If so, do you know what is there so far about each student's family life?

Riddle

Parents

Riddle lives with his mom, the status of his father is unknown. He has implied that his parents don’t get along.¹ Both parents are magic doctors, but his mother seems to be more well-known. To Riddle, she is extremely overbearing and planned out nearly every second of his life: controlled his education, his schedule, his diet, his clothing, the supplies he used, and which friends he could have. She put a heavy emphasis on studying and always being the best.²

1. Riddle Ghost Marriage voice lines 2. Main Story 1-19

Ace

Parents

Older brother

Grandmother

His brother is 7 years older than him and a Heartslabyul alumni.¹ He seems to have often messed around with Ace & make him angry on purpose, but it was all in good nature; they are very close. Apparently his brother was even more excited than their parents when they found out Ace got into NRC.² Ace has also mentioned his grandma a few times; she taught him about the Ghost Camera³ and warned him about magic blotting.⁴

1. Ace School Uniform PS 2. Ace Ceremony Robes voice lines 3. Main Story 0-19 4. Main Story 2-4

Deuce

Mother

Grandmother

He is an only child¹ and loves his mom very much. The entire reason he’s trying so hard to be an honors student is so that he can become a son she can be proud of. He once cried when she called him to tell him just that.²

The only time his grandma was mentioned was when he told a story of his mom crying to her on the phone, thinking she’d failed as a parent (during Deuce’s delinquent days).³

1. Jack Dorm Uniform PS 2. Wish Upon A Star 12 3. Main Story 1-13

Trey

Parents

Younger brother

Younger sister

His family runs a bakery. As the oldest child, he often had to take care of his little siblings (ie. ensuring they all brushed their teeth at night)¹. They all would pester him to bake them desserts,² but he cared for them a lot—one time his little brother really wanted to go to a live magift game so Trey spent his whole allowance to get him a ticket.³

1. Trey School Uniform PS 2. Ace School Uniform PS 3. Trey Wish Upon A Star voice lines

Cater

Parents

Two older sisters

Because of his dad’s work as a banker, their family had to move about once every two years, all over the world.¹ Cater hadn’t had any long-lasting friends because of this.

He has described his sisters as “unreasonable,” his dislikes in his profile are listed as “having to suck up to his sisters,” and when everyone was going home for winter holiday, he said he’d rather stay with Trey’s family.² In his voice lines, he mentioned that he can’t relate to Yuu feeling homesick because his sisters would just be waiting for him at home. His sisters rated everything by how cute it was, and if something “wasn’t cute” to them then Cater would have to redo it.³

They would get more excited about his birthday than he would, and buy him all kinds of presents he didn’t particularly like (such as stuffed animals, dolls, perfumes, soaps, etc). But they weren’t trying to be intentionally mean, and recently have started paying attention to what he really wants.⁴

When he was about 10 years old, his mom and sisters were always baking sweets. Cater was excited about this at first because it meant he could get lots of treats, but his sisters would make him eat everything. If he refused, they’d look so disheartened, and Cater couldn’t say no to that, so he kept forcing himself to eat. Because of this, he now hates sweets.⁴

1. Cater Scary Dress PS 2. Main Story 4-3 3. Cater Lab Coat PS 4. Cater Birthday PS

Leona

Falena (older brother)

Cheka (nephew)

Sister-in-law

Leona is a member of Afterglow Savannah’s royal family. His brother and his sister-in-law are the current rulers, and Cheka is next in line to the throne. Leona has constantly felt inferior and bitter that he and Falena are treated so differently based off nothing but birth order.¹ But he greatly respects his sister-in-law; she’s one of the only people he would never talk back to.² Cheka is very affectionate and clingy towards him.

1. Main Story 2-27 2. Ruggie’s Chat w/ Jack

Jack

Parents

Younger brother

Younger sister

Grandparents

Jack is the oldest in his family with an 11yo brother and a 7yo sister. He and his siblings are all very athletic; they used to play tag with each other for 6 hours on end.¹ Jack has said that wolf beastmen pick one soulmate to spend their whole life with, and his parents + grandparents are always at each others’ side, when they wake up, go on walks, eat, and go to sleep.²

1. Jack Happy Beans Day PS 2. Ace Ghost Marriage PS

Ruggie

Mother (deceased)

Father (unknown)

Grandmother

Ruggie's mother "became a star up in the sky" shortly after giving birth to him. His father went away for work and never came back, and to this day Ruggie doesn't know what happened to him.¹

He lives with his grandma in the slums of Afterglow Savannah. They were poor and struggled to find food to eat, but his grandma could make delicious food out of any ingredients they could find. Ruggie learned to cook from her.² He described her as very kind but also tough.

Ruggie seemed to have taken care of the other kids in the neighborhood too-- when everyone went home over winter break, he brought home leftovers from the cafeteria to feed his grandma and the kids.³

1. Ruggie Birthday PS 2. Ruggie School Uniform PS 3. Main Story 4-3

Azul

Mother

Stepfather

Grandmother

His mom fell in love with her divorce lawyer while separating from Azul’s biological father. She’s also the owner of the Ashengrottoes’ famous ristorante in the Coral Sea.¹ Because of their business, Azul grew up a foodie and was exposed to a lot of different foods from a young age.²

His stepfather is kind and honest, and very clever when it comes to his work. Azul respects him and they seem to have a good relationship. He taught him about law and contracts.¹

Everyone in the Ashengrotto family is a mage, but Azul’s grandmother is said to be especially powerful. She was known for helping those in need, and very “merciful,” just like Azul.¹

1. Azul Birthday PS 2. Azul Dorm Uniform PS

Jade & Floyd

Parents

Their parents started teaching them self-defense since they were little.¹ We don’t know many details of their childhood, but there was an interesting exchange between them—Jade once said “he made the right choice choosing Floyd as his partner,” and Floyd replied that “he’s glad Jade is the one that survived with him, too.”²

In Floyd’s Wish story, he brought up how their father told him to buy a nice pair of shoes when he went on land because “men who don’t pay attention to the small details get patronized” so your appearance is very important. Hearing this gave Idia and Ortho an uneasy feeling about Mr. Leech.

1. Jade PE Uniform voice lines 2. Floyd Dorm Uniform PS

Kalim

Parents

30-40 younger siblings

Kalim’s father comes from a long line of merchants and is supposedly the greatest one in the family. But despite how busy he is, he’s always wearing a smile. Kalim’s mother is the only one in the family who can use magic. She’s described as very kind, is always praising Kalim, and almost never gets angry.¹

Kalim doesn’t know the exact number of siblings he has, but he can put names to faces for all of them, and he often plays hide and seek with them in their house. He doesn’t come from a royal family (they’re just extremely rich), but some of his distant relatives are actual royalty.² One of his distant cousins apparently owns a tiger.³ His family has about 100 servants along with specialists like a personal doctor⁴ and a beast tamer.

1. Kalim Birthday PS 2. Main Story 4-8 3. Silver Lab Coat PS 4. Main Story 4-17

Jamil

Parents

Najma (younger sister)

His family has served the Asims for generations. His parents knew Jamil was a very bright child, but they insisted that he must always let Kalim be better than him, and would reprimand him for talking too casually to his young master.¹ Jamil seems to share a typical sibling relationship with his sister Najma. They often bicker with each other, but they’re on good terms. Najma used to bake him cookies for his birthday² and they would also get into fights because she’d tell him his cooking looked too plain.³ Jamil gave his VDC plus-one ticket to her during Episode 5.

Najma made her first in-game appearance during the Aleab Naria event. Their father had sent her to deliver a message in-person to Jamil, since he isn’t versed in technology likes PCs and phones and didn’t trust that a text would suffice.⁴

Najma claims that she and Jamil look nothing alike, but they tend to make near-identical expressions. She was relieved to see that he has a few friends at NRC because he never talks about them whenever he comes home.⁴ In one scene, Jamil reminds her to wipe her hands before eating and gives her a wet wipe, and she huffs at him to not treat her like a child. Trey notes how well Jamil looks after her, but Cater thinks he is a little bit overprotective.

1. Main Story 4-36 2. Jamil Birthday PS 3. Jamil Dorm Uniform PS 4. Aleab Naria 3-4, 3-5, 3-7

Vil

Eric (father)

Vil’s father is an extremely famous actor and goes by the stage name Eric Venue. Even the Leeches’ father is a fan of some of his movies.¹ Vil has mentioned that his dad would come home dressed in special effects makeup & costumes every Halloween,² and also used to read him stories about the Beautiful Queen.³

1. Vil Scary Dress PS 2. Vil Scary Dress voice lines 3. Scary Monsters 3-2

Epel

Parents

Grandparents

Aunt & Uncle (uncle is biological)

Male Cousin

Epel’s family lives on an apple farm that’s been around for generations. They all live in the same house. His village is also made up of farmers, and they often help each other out during the busy season and have big barbecues together. It feels like they’re one big family.¹

His relatives often send him apples from home since they have such an abundance of them. They seem to have some business struggles; Epel taught himself how to beautifully carve apples when he was young because many were blemished and wouldn’t otherwise sell.² He has also mentioned wanting to make a potion that strengthens weak apple trees to make his grandpa happy.³

Besides Epel, his grandma and great-grandma are the only ones in the family who can use magic.⁴ They ride brooms to pick apples that are too high to reach on foot. Epel wanted to help them when he was little so everyday he would get on a broom and try hopping up and down, and then one day it worked! Ever since then he’s helped with that task as well.

1. Epel Birthday PS 2. Epel School Uniform PS 3. Epel Lab Coat voice lines 4. Epel Ceremony Robes voice lines / Birthday PS

Idia & Ortho

???

The Shrouds are a noble family and famous for some reason, but Idia has said that being from a noble family isn’t all that great.¹ When he was worrying about being seen at the entrance ceremony, he expected people might gossip about how he’s from “the cursed Shroud family,” and that he’ll “spread misfortune to them.”² At another time, he mentioned that the audience would be apprehensive about what kind of “weird research” he did if he had to present his research on stage.³

1. Idia PE Uniform PS 2. Idia Ceremony Robes PS 3. Main Story 5-3

Lilia, Malleus, Silver

Malleus’ grandmother

Lilia was one of the Queen of the Valley of Thorns’ most trusted soldiers when he used to fight for the royal family.¹ In Cater’s Lab Coat story, they created mandrakes that reflected parts of themselves, and Lilia’s was said to “carry the cry of a tragic hero.”

He has watched over Malleus “ever since he had an eggshell over his head.” An infant Malleus once singed Lilia’s bangs by breathing fire and Lilia was so proud that he raised a glass of tomato juice to him.²

Malleus is the heir to the Valley of Thorns, a descendant of the king “who rules over all creatures of the night,” and his only living relative is his grandmother, the current Queen of the Valley. He spent much of his childhood alone in the castle. He used this time to learn how to play all kinds of stringed instruments. His grandmother is so busy that she shouldn’t even have spare time to write him letters, but every year on his birthday, she sends him one without fail, along with rose seeds from the garden by their castle.³

Long after Malleus had grown up, both he and Lilia took in baby Silver for an unknown reason. Silver thought he was his biological dad when he was little, and continues to refer to him as “Father.” They lived deep in the forest in the Valley of Thorns before coming to NRC. Apparently Silver was very easy to take care of; he would fall right to sleep after eating Lilia’s homemade food.⁴

At one point, Sebek also became one of Lilia’s pupils. He and Silver are the only two from their generation living in the Valley.⁵ When they were little, Lilia would have them undergo training like soldiers, but then he realized he should raise them more like kids, and started making their training more fun. He had them play tag in forests crawling with beasts, hide and seek in vast deserts, and “the floor is lava” in the mountains of needles.⁶

1. Silver Ceremony Robes 2. Lilia PE Uniform PS 3. Malleus Birthday PS 4. Lilia Lab Coat voice lines 5. Sebek School Uniform voice lines 6. Lilia Birthday PS

Sebek

Parents

Older brother

Older sister

Grandfather

Sebek’s mother is a nocturnal faerie and his father is a human who works as a dentist. They met when his mother had an appointment at his clinic. She was immediately charmed and courted him despite her surroundings being against her marrying a human. Now, she works at the clinic as his assistant.¹

Sebek greatly respects his mother and raves about how she’s extremely gifted with magic and has a strong sense of justice. His opinion of his dad, on the other hand, is much different—his dad seems very loving and often showers his children in praises, sweets, and gifts, but it drives Sebek crazy. He doesn’t understand how his mother saw any appeal in him.¹

Since his parents were often busy with their clinic, Sebek spent his childhood running off to visit his grandpa, or fishing and playing in the water with his siblings. Based on the fact that Sebek and Silver were said to be the only ones in their generation living in the Valley,² his siblings are most likely considerably older than him.

All we know about his grandpa is that Malleus also knew him, and mentioned that Sebek shares his hot-blooded temper.³

1. Sebek Birthday PS 2. Sebek School Uniform voice lines 3. Scary Monsters event story

No current info: Rook

Last updated: July 27, 2021

#twst notes #misc lists

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