#i want the essays to be as factual as possible so i'm just going to throw this into the tumblr ether

[thebroccolination]

So, I have a theory about GawinKrist and Gawin's vampire show with Joss that seemed to come out of nowhere.

THE GOLDEN BLOOD THEORY

Gawin's been around since 2018, but he didn't get a main role in a BL until Be My Favorite. Back in (presumably) 2017, he worked as an usher at a movie theater after graduating from high school in the States in 2016. His two biggest roles before BMF were arguably Mork in the Kiss series (2018-2019), and Dan in Not Me (2021).

He was also the best part of Enchanté (2022), but tragically not one of the main cast.

After Gawin stuck with GMMTV through the worst of the pandemic regulations that restricted filming and then thoroughly proved his range in Not Me, I have a feeling that GMMTV was finally planning to give him his first leading role in a BL series: a vampire series opposite Joss planned for 2023.

Then, unexpectedly, Mike left his leading role in Be My Favorite in maybe August or September, and this is presumably when GMMTV looked at their options for Krist's costar and decided Gawin was their best bet.

Here's my thinking: if Golden Blood was planned for 2023, then GMMTV would have announced it at their showcase for 2023 programming in November of 2022. But the Be My Favorite recasting of Mike for Gawin was announced in September of 2022, so GMMTV could have easily pulled Golden Blood from the lineup and pushed it back a year. Since Gawin has never had a partner and Joss has never been in BL before this, no one was expecting a series from them, so no one would have known to expect anything from Gawin at all. Based on conversations I've had with Gawin's fans, he'd been so inactive that they didn't think he'd have a series at all in 2023.

Meanwhile, GMMTV had already announced Be My Favorite at their 2021 showcase of 2022 programming, and the director Waa had requested more time to work on the script in 2022, so the air date was pushed to 2023. As of September of 2022, Be My Favorite was announced, anticipated, already pushed back a year, and most likely paid for, so it was probably considered a high-priority series. Not to mention it had one of the Holy Trinity and the director of The Gifted attached, and it was to be the first BL series produced by Parbdee Studios.

My mantra with GMMTV for the past several months has been this:

They're incompetent, not malicious.

The fact that Gawin Caskey, better known to most for singing rather than acting, had never performed onstage before this summer at MUSICON in Japan and had to go to Krist before the second show because he had no idea what to talk about between songs is bonkers to me. Like, I'm not at all a GMMTV anti. I praise them when they deserve it, but holy shit. You've had a talent like Gawin Caskey for five years and you only just put him onstage this year?

I think SOTUS being the shock hit that saved them from bankruptcy is a good summary of how GMMTV seems to operate, at least from what I've seen: they throw stuff at a wall and sometimes it works really well! They like money a lot, so if money happens immediately, they do more of that even if they have no idea how it happened or why it was appealing.

Speaking of which—

GAWINKRIST & BE MY FAVORITE PROMOTION

Over the course of filming and promotion, Krist and Gawin became very close. They've both called each other their safe zone, Gawin moved his TV into Krist's house to be a second gaming screen for a while because he was over there constantly, and Krist got Gawin three (3) separate, custom birthday cakes in August (one at a small surprise party, one at the BMF final episode screening, and one at Gawin's birthday event). Krist even integrated Gawin into his university friend group, which is so absolutely fucking wild I can't even. Krist is twenty-eight years old and he adores Gawin so much he wanted Gawin to be part of a friend group he's had for ten years.

Gawin adores Krist's favorite child, they went to an art gallery, and once they even tried to bring a guitar to a beach at night to play music to the stars or some shit (the beach was closed they're both ridiculous). So when Krist calls Gawin "my precious buddy" he doesn't do it as some fanservice thing. They are basically family at this point, regardless of what happens in their professional lives, and it was a beautiful dynamic to watch over the summer.

Part of what made their chemistry so natural in Be My Favorite probably had a lot to do with how much they opened up to each other. Back in May, Krist shared that because he and Gawin aren't especially fond of social media, they discussed how to do the necessary promotion for their series comfortably. Krist actually got Gawin Caskey on TikTok to do TikTok dances, so once again: very good friends.

They also shared videos of them just hanging out at Krist's house eating snacks and playing video games, or playing guitar and riffing, playing with harmonies so beautiful I mourn daily that they don't have an album together.

When the series started airing, Krist invited Gawin to his house to watch the episodes together and go over their acting choices. But GMMTV had also scheduled Krist for a slew of solo concerts throughout Asia, so he had to watch some of them alone on the road overseas. What would have been a fun weekly promotion opportunity was complicated by GMMTV's bizarrely timed scheduling. (Of course, Krist rarely has a day off in general, but you'd think they'd organize his schedule to prioritize his first BL series since 2017.)

Be My Favorite didn't get much promotion overall compared to other GMMTV series, and GawinKrist especially seemed to be treated sort of as an afterthought. They had a few podcast interviews, they went to see Elementals at the cinema (which ended up inspiring Krist's theme for his solo "Elements" concerts in Bangkok), they went to Japan together for MUSICON, Aye had them sing on her channel, and they had a live session for RISER. Those were all the major ones, I think. Not nothing, but there were a ton of missed opportunities for more.

And for a company whose CEO recently touted their actors as influencers and obsesses over Twitter hashtag trends and viewing numbers, the lack of opportunities they gave GK is a little unusual to me.

Unless GMMTV knew they had a vampire series starring Gawin and another actor that they'd postponed. And it'd be announced at their showcase for 2024 programming in October shortly after Be My Favorite ended in August.

It might also explain why, when pretty much every other series had a song performed at the showcase medley, Be My Favorite wasn't included. Even though Krist and Gawin are both known singers who had four songs in Be My Favorite between them.

In the immediate aftermath of the showcase, a lot of GawinKrist fans were unhappy with the news of Gawin's new series, myself included. I'm not a big vampire fan in general, and I'm not impressed with the teaser, the director, or the screenwriter, so I probably won't be watching it. (BounPrem's vampire series is starring BounPrem, so that's why that one's my exception.) I am, however, very happy for Gawin for getting more main character money and remaining in a lead role. He's an absolute sweetheart, and I hope he has more music in 2024 that I can support.

As days passed after the showcase, the more I thought about Golden Blood and where it came from. GMMTV is incompetent, sure, and GawinKrist didn't make the same waves as other pairs, but they definitely have a committed fanbase, and Be My Favorite got overwhelmingly positive reviews, particularly for GawinKrist's chemistry. They trended consistently whenever they did anything, and most intriguingly, Japanese fans really love them thanks to MUSICON and FanFest. Japanese magazines are still releasing interviews and photoshoots with GawinKrist to this day (with plans for more!).

The only thing that makes sense to me is that Golden Blood was meant to happen first, and GMMTV didn't want to waste resources pushing GawinKrist over the summer when they knew Gawin would have to start from scratch with Joss in October.

It's kind of wild to think about, but if Mike hadn't left Be My Favorite, it would have gone ahead as planned, and Golden Blood would have aired this year at some point. And that would mean there's a timeline out there where Gawin and Krist were never cast together, and this beautiful friendship they created never happened. They never got to experience that safe zone they found in each other, and they never would have known what they were missing.

I'm still sad that their professional time together was so short, but this theory makes me feel better about it because rather than being something we were robbed of, they were a gift we never expected.

And just like KristSingto before them, GawinKrist are still close, still friends, and can enjoy their time together without the added pressure of selling and promoting their closeness. They can be friends without scrutiny. They can count their series as a point of pride. This unexpected masterpiece that brought them together.

And maybe someday, when their schedules line up again, they can make the beautiful fucking album that I deserve. [fire emoji]

[myidlehand]

I've once again seen a post on my dash about how Joey had to "fight" for Jaskier being queer this season.

I didn't reblog it cause I don't want to target one post in particular but people who make those posts need to understand this is factually wrong and just keep the hate towards Lauren growing for no reason.

It was Lauren who approached him. Joey said so himself. He praised her in many interviews for going that road. He worked with her on making sure it was done right, his words again (he seems quite aware of LGBTQA+ culture and maybe his sensibilities are a bit more "up to date" than the average straight person. If Lauren and most of the writers are straight, it seems logical for them to struggle to make it not cliché and for Joey to help make it something the community would like more, but that is just my theory).

But he never said he had to fight for it as much as people say he did, on the contrary. He said in at least one interview that it was very collaborative. From what I understand in some of his interviews he possibly wanted more control over Jaskier's journey this season but he certainly didn't have to fight for it. People seem to have gotten that idea from Joey's "essay" but at no point did he say it was to fix what they did. He obviously had an idea of what he wanted to do and asked for re writes and cuts in the dialogue to add more music. Every interview where he mentions this he pretty much says he was helping and collaborating with the writers. This sounds pretty normal to me as every actor on this show (Henry in particular) seems to be allowed to participate with the writing of their own character.

I know most of the fandom loves to believe all the good parts come from the actors and all the bad ideas come from Lauren (she obviously hasn't always made good choices and I'm not excusing her for the mess season 2 was) but this is just deforming what Joey actually said and taking some of the credit away from other people.

I love that Jaskier is pan. It's one of my favourite parts of the season. But it was not just Joey's idea it was Lauren's as well. Credit where credit's due. She's not as bad as the fandom makes her to be and she's a big reason why season 3 is so good. I don't love the way she try to sell the show as something never seen before because it still is mostly adapted from the books but nobody can argue when it comes to Jaskier that she made him a lot better than Dandelion (who I love to death but he's a little shit and I think Jaskier is a much more interesting character).

[tekkawolf]

Living In a Problematic Shadow

An essay by an anonymous member of the Vurrsys

-

I've been meaning to talk about this in some public-facing capacity for a while, but never knew how to do so in a way to protect the safety of our system.

I am a problematic factive.

It's ironic, in a way, that abuser introjects are the most commonly talked about introject in the psych field yet even fictional introjects of "problematic" characters are contested in the greater plural community. Factual introjects in general, too, are derided. I am a mixture of the most controversial parts of both these types of headmate, and it is not easy trying to exist.

I will not go into detail about who I am introjected from, but my source was called out for possible abuse and cut off from the greater internet. Despite having done nothing they did, I must live with the guilt of being a copy of an abuser and the knowledge that everyone hates my existence. I cannot be open about who I am, both because it is seen as parasocial and because it would put the system in danger—and this is extremely isolating. My name, appearance, even personality traits must stay hidden as to prevent the worst case from happening.

And it sucks, a lot.

There's a special kind of pain that comes from being unable to be yourself, which I'm sure many understand. Not even just other introjects: the society we live in makes it so that you have to hide key aspects of yourself from parents, co-workers, and the general population. Even in plural spaces, even in spaces where factives are allowed, I am unwelcome and treated as a threat for existing. Even among loved ones I am scared that they secretly see me as just as evil as my source, or that it reflects the system as a whole. We didn't choose to introject me, I didn't choose to front as frequently as I do.

There probably is no solution here. Even if everything about how problematic factives are seen was fixed, it would still be parasocial to use my source's face as my own. However, I want everyone reading this to remember that those who have done harm (in this world or otherwise) are still worthy of redemption, of making themselves better, of not letting their past dictate their future. Restorative justice is a powerful ideology that more should pick up, because it can better our compassion and teach us to forgive ourselves, too. Even those who still have thoughts similar to their source, or cruel thoughts in general, are not worthy of scorn: thoughts are not indicative of morality, they do not define a person's existence. It is the things we do and the ways we act that matter. Keep those accountable for things they've done in the material world, but remember above all else that change is possible and being bad once doesn't mean you'll be bad forever.

[atthebell]

it's really interesting that you say that vodwatching is harder for you to summarize/liveblog cause i find it so much easier :o at least when i've been working through phil's blogs for the wiki. i think it's cause i already know where the story is headed that I have a clearer idea of what I'm looking out for (well and also, qphil isn't steeped in quite as much federation/enigma/etc, so i do think you've got much more complex things going on than me)

that being said ur killing it on the cellbit wiki stuff :] really glad you're in on this project too!

i wrote like a few paragraphs of cellbit's wiki page yesterday and it took me. five hours? that's with irl stuff getting in the way and i am VERY particular about how i cite and how to summarize so things aren't super crowded (since that can go in the day-by-day history instead) but like i have to reference SO many vods to talk about stuff and because of how long he streams, all the stuff he's involved in, every investigation he does, and especially just how busy his early days were (and the sprint really didn't stop until the eggs disappeared) it means there is SO much content to cover so i end up hopping across so many different vods to grab details, and i'm also trying to vodwatch as like. a fun activity for myself, so i don't want to burn myself out.

i also take very quick notes and can note down timestamps far easier live than when i'm rewatching a vod and trying to find a specific moment, because then i'm having to scrub through and try to figure out what moments are important and what are just him fucking around in a google doc. like i cannot stress enough cellbit used to stream qsmp for at least 4 hours 5 days a week that's SO much streams to trawl through (best wishes to bbh wiki folks, although at least he's not doing a ton of detailed investigation). and it's a lot of catching up, because i didn't use to keep detailed notes and so now i have to find things that i only half-remember (picture me sprawled over my desk with my head in my hands, that's me considering whether it's worth it to search twitter for an update tweet to cross reference for a timestamp)

cellbit has so much content honestly a huge part of the work is the condensing it element, wherein deciding what is important enough to go on the regular history vs. what is too detailed takes quite a while. i have two separate google docs for his lore, one that's personal and one that's specifically for the wiki, and i spend ages just going through and making sure things aren't me going on and on about something that isn't necessary for a brief summary. and i want things to be easy to understand and possibly catch up on for folks who missed a lot of his earlier stuff, which means explaining it well but not with like. essays and essays about his character progression, and keeping it as factual as possible-- once again, meaning a lot of vod citations.

also i think a lot of folks don't realize how much cellbit's investigations tie in with larger server lore-- he's debunked a bunch of theories about the federation and found out SO much info about them and the eggs and things like that, and a lot of that info gets lost over time. so documenting everything he's found means documenting quite a bit of overall server lore with sources. i'm like very lucky that i have a pretty good memory, especially for mysteries, so i know that i do need to find that stuff, even if i don't remember exactly when it was.

anyway back to your original point yeah i just find it leagues easier when i'm not having to go back and find a specific moment in a 9 hour vod and instead i can just have a google doc open jotting down everything important, and then later on all that info is just there for me to pull from. it makes the writing element easier along with everything else

[firstumcschenectady]

“We Hope for What We Do Not See” based on Jonah 2 and Romans 8:18-25

Despite my enjoyment of the “Who Did” song1, I haven't preached about Jonah often. I may even have groaned when I looked at the texts for this week – even though I was the one to pick the essay from “We Cry Justice” and the accompanying recommended scriptures. I fear, though, that my avoidance of this text is unjustified.

Because, the issues I have are really quite silly. Here we go:

Whales don't eat people. Nor do large fish.

Stomachs have acid, but not a lot of air, making them uninhabitable

You know, stuff like that.

But it turns out that taking a story literally and objecting to the pragmatic details is a really great way to miss powerful symbolism and deeper meaning within a story. So dismissing this story has only had the impact of keeping me from attending to the wisdom it has.

Which I noticed when I actually read the 2nd chapter of the book of Jonah, which is rather surprising. You may recall that in the first chapter Jonah was asked to to to Nineveh and tries to run away instead, gets on a ship going in the other direction, a storm comes up, Jonah suggests that the storm is God's way of saying he isn't listening, he suggests he be thrown into the sea, the sailors try not to do so, but finally they throw him in hoping the rest of them will live, and the storm quiets and the sailors are converted.... and then the whale did swallow Jonah. Down. ;)

So, given that chapter 2 is a prayer of Jonah from inside the whale, I think there would be just cause to assume that the prayer is either a lament that God put him in this horrid situation OR a plea for help, a request for forgiveness that results in Jonah being released from said whale? Right?

But it isn't. The prayer of chapter 2 is a prayer of THANKSGIVING, whereby Jonah seems to have already concluded that the whale is a means of salvation, and is thanking God for God's gracious actions. And that's a place where I noticed that there is something useful in this story, because … well, I'm not sure I'd have gotten there.

I think that if I had a sense of God asking me to do something I vehemently didn't want to do, that resulted in my very near drowning, and then gasping for air inside an enormous beast I couldn't talk to or control, I'd have missed the memo that said enormous beast was a gift from God. Really. I mean, maybe, 3 days in, hungry, thirsty, and still wet but shockingly alive I might have figured it out, but that's even kind of doubtful.

But Jonah's prayer starts with “I called to the Lord in my distress and [God] answered me.”(NRSV 2a) So, it seems like he got it immediately. (We're working with symbolism here people, let go of any assumption of factuality and let a good story be a good story.) And, the prayer is even specific, “The waters closed over me; the deep surrounded me; weeds were wrapped around my head...yet you brought up my life from the Pit, O LORD my God.” (5,6d)

Wow. Jonah is sinking to the bottom of the sea, hopeless, and helpless, and then experiences God as lifting him up from the place of death, of bringing LIFE out of DEATH. And, I'm kinda familiar with THAT metaphor, right? But this is a different angle on it.

For me, the incongruities of life in the belly of the whale finally recede to make space for the questions of life and faith. When have we been floating down to the bottom of the sea, out of air, and out of hope? There are a lot of possible answers to that, right? And our lives are different, so our answers are different. Grief can feel like sinking to the bottom of the sea– anticipatory grief and the utter horror of waking up and realizing someone you love isn't there Depression can feel like sinking to the bottom of the sea. Job loss and financial hardship can feel like sinking to the bottom of the sea. Loss of relationship. Abuse. Illness. Injury. Car accidents. Becoming unhoused. Failing. Flailing. A lot can feel like sinking to the bottom of the sea.

And what was the thing that picked you and kept you alive when you could no longer do so for yourself? Who or what was the whale? Was a phone call from a friend who cared? The arrival of flowers? The long, hard, careful work of a therapist? An unexpected welcome? An offer you couldn't have anticipated? The life restoring work of first responded and medical professionals? Someone showing you the ropes you couldn't figure out on your own? A good Samaritan?

How long did it take you to realize that you weren't at the bottom of the sea anymore, and you could breath (if only a little bit), and there might be a hope for dry land again someday? Was it immediate? Did it take 3 days, 3 weeks, 3 years?

I wonder, if sometimes the darkness at the bottom of the sea is so scary that we block out the memory of it, but with it we then block the memory of being scooped up. Especially because being eaten by a whale does NOT immediately seem like rescue. Right!?! At the bottom of the sea, one condolence card can't really make a difference – except sometimes it can. Sometimes knowing that someone else grieves with you, or sees you, or can share a memory that gives you a new story about a person you loved – sometimes that can be the whale.

Several years ago during a stewardship campaign, I was gifted the task of asking participants in some of our ministries what our ministries meant to them. As previously mentioned, I have a problematic tendency to be overly pragmatic, and while I delight in our breakfast program, I'm aware that it offers 1 meal out of an wished for 21 for a week. However, our guests assured me that the 1 meal matters.

Similarly, at that time we had Sustain Ministry, where we gave out soap and toilet paper, feminine hygiene products, and diapers to those who needed them. (Note: other organizations now do this work – thank God – and the need we were responding to then has changed.) I asked those waiting if they'd be willing to be interviewed, and I asked them why what we did mattered. One woman said that the resources we offered made the difference for her between being able to take care of her kids on her own and being financially forced back into an abusive relationship.

I loved Sustain ministry, but I thought it just made things a little easier for people whose lives were really hard. I didn't know it was whale picking someone out of the bottom of the sea.

In the fall of 2021, after about a year and a half of ministry during a pandemic, while adjusting to being a new parent, and with a few other significant stressors in my work life, I was a hairsbreadth away from leaving ministry. Truthfully, I had been, on and off, for 2 years by that point. More so, I didn't really know it. I knew I was really tired. I knew I felt like my ministry didn't matter. I knew every day of work was a fight, and I didn't want to fight anymore. But I actually didn't know I was near the bottom of the sea in my work, until our District Superintendent looked at me and said, “what you've dealt with isn't normal, you need a break. How long do you want? I'll find coverage and money to pay for it.” She was the whale, or maybe the 8 weeks I took off were. Maybe both? Let's go with both.

Sometimes I still meet people who know that I took that break – the announcement of it was shockingly popular on YouTube- and I watch them carefully dance around asking me if I'm still a pastor, or still a pastor here, or really what I do in the world now. They're often shocked to learn I'm still in ministry and grateful for it. (That's fair, a whole lot of people have exited ministry since then.) I continue to think I have a lot to learn to be in ministry in life-giving and sustainable ways, but the way I knew I still wanted to be a pastor and YOUR pastor was that once the day-to-day pressures were relieved, I found myself dreaming of what we could do together, and missing you. I'm been in those weeds at the bottom of the sea, pastorally, but I just needed some gulps of fresh air to be able to find the dry land. I'm really thankful there was a whale. And, yet, I didn't know how important the whale was when it arrived.

Romans 8 speaks of hope particularly directly, reconsidering the struggles of people and the world as labor pains of the kindom of God being born. While I don't want to sanctify the pains or struggles of the world, it would be really great if they were productive like that. If they mattered, and made new things possible. The essay from “We Cry Justice” today talks about the pain of ecological destruction, and the power of the people to stop horrible decisions, EVEN when money is on the other side. That people, together, have power. Which is a good example of the ways that the pain of the earth can become motivation for healing the earth. It is a way that pains can be labor pains.

Romans 8 also speaks famously about hope. “Now hope that is seen is not hope. For who hopes for what is seen? But if we hope for what we do not see, we wait for it with patience.” None of us can see the whale coming when we're at the bottom of the sea. Nor, even, could we know it is a saving whale if we did. But hope involves knowing that God is with us, and God is creative, and there ARE whales sometimes, and we can BE whales sometimes, and no matter what happens, we know a God who brings life - again and again.

Dear ones, sometimes God sends whales when we are at the bottom of the sea. Thank God. Amen

1For the uninformed: https://www.lyrics.com/lyric/10499923/100+Singalong+Songs+for+Kids/Who+Did+%28Swallow+Jonah%29%3F

February 25, 2024

Rev. Sara E. Baron  First United Methodist Church of Schenectady  603 State St. Schenectady, NY 12305  Pronouns: she/her/hers  http://fumcschenectady.org/  https://www.facebook.com/FUMCSchenectady

[w21009869-mi6011]

Final thoughts.

Overall it came out as i wanted it to be. Even though i have my doubts because i wasn't able to perfect the transitions, nor fix little glitches that appear randomly and i don't know why. But nevertheless, It looked pretty cool. It was slow pacing and took a lot of design work, which made up a good amount of my time. The making of the animation was very technical and each asset and animation is it's own clip that was bought in because the parallaxes needed depth and the more separate assets put together on the screen achieved that. I think the most technical was Case Study 3 just because there was a lot of assets into that one, and to perfect the parallax was slightly difficult, as each try didn't cut it for me, plus both TV screens had two clips to put on both.

I tried to make the animation combined with an art style that i have always wanted to try and so i learnt it and made it the way i hoped it would turn out. And try and combine the elements of the case studies and factual information with the style of games, to which came out somewhat successful. It was slow pacing because of the style i was doing it and that meant that some animations were jolty in areas, but that okay because those individuals are supposed t have a slow frame rate. The only things that didn't have a low frame rate were the animation of the parallax, to which i think if was a lower frame rate would not give the same effect because then it would definitely seem like an animatic rather than an animation. Plus normal Pixel 8 bit games don't have that in their parallaxes.

What i would take from this project is definitely the art style. It was so fun learning it, and gave me an accuse to learn it seeing as i have always wanted to do it and incorporate a possible career path into games in there too. I incorporated it into this because i thought it would make an unusual take on audio case studies or ted talks or essays, you know? and to learn something new is definitely a way to go about it. So i'm happy that i did and will definitely continue with this art style :)

[2percentsugar]

@dougielombax Sure! Sorry this got long -- it ended up being the conclusion as I wish it existed in the video.

So like, throughout the essay, hbomberguy regularly says that he feels bad for the fans of the plagiarists he's covering. And the ultimate fault certainly lies first with the plagiarists themselves, but...

As he says, it's not impossible to notice that this stuff is plagiarized. Somerton's stuff may have been harder to catch, sure, but it's blatantly obvious that illuminaughti's stuff is content mill drivel.

A better conclusion to Plagiarism and You(Tube) would have exhorted the viewers to start paying attention to certain warning signs for plagiarism, like:

Not citing sources

Stilted language

Impossibly fast video releases

A lack of knowledge about the subject, or alternately, covering so many topics it's impossible that the creator knows much about any of them

He even makes (most) of these points individually! But the conclusion is just, like, telling people to go watch certain creators, which is great, but does nothing to address the fundamental issue. That is, our current media ecosystem incentivizes plagiarism through a series of endless scrolling and low-effort engagement bait.

I think hbomberguy falls short of making this point because it would imply that, on some level, plagiarism is the fault of the audience. But, like -- isn't it?

By the time hbomberguy called out Somerton with this video, he was making thousands of dollars a month from people who didn't factcheck some pretty basic claims, like "what else on the subject have you read" or "I'm the only gay youtuber making media analysis."

If someone is making a long video about something, they read other peoples' work to do it! And yet the fact that he rarely or never quoted other people didn't seem weird to the many, many people giving him money. They didn't evaluate his work with their own brains before donating, they just believed what they were being told.

It's not nice to say, but the only way to make sure you don't get scammed is to learn the trademarks of scams. And plagiarism is certainly a scam -- and worse, one that tends to pollute the entire rest of the media ecosystem with mis/disinformation. (This is also pointed out several times in the video.)

(I say "scam" because, even if everyone was perfectly media literate, these things would still happen. That's why the ultimate blame lies with the plagiarist themself, who uses social engineering to get away with it. But still. It could happen a lot less.)

The algorithm does not exist ex nihilo. It's built around human behavior, and wants to incentivize you to do certain things, like watching as much YouTube as possible, never going offsite even to Google simple factual claims. The longer you're entranced, the more profit.

So, like -- for your own sake and for the sake of the media ecosystem, you should change how you interact with content. Don't treat it as infinite slop, because it comes from somewhere. Where does it come from? What is it trying to tell you?

These are not idle questions, and in many cases, the answers are upsetting. If you want to avoid being the Patreon fan of the next James Somerton, you can't do that by simply cleaving to the recommendations of whoever is doing The Correctest Think. That's just another form of media illiteracy.

when i first watched the hbomberguy plagarism video i was like, so certain he was building to a conclusion abt how uncritical consumption of online content can lead to supporting plagiarists and scammers, and so we as individuals should try to vet new creators we come across and. No that wasnt his point at all. BUT IT REALLY SHOULD HAVE BEEN?

[join-the-joywrite]

and I don't want to (but I love you)

@jatp-week Day 6: favourite trope

Not me doing a self-indulgent and stupidly long enemies to lovers au :>

Julie Molina didn't have enemies in her life. She had competitors, sure. Everyone did. But Sunset Curve took the whole cake. She didn't have enemies but Luke Patterson came dangerously close.

Luke Patterson, on the other hand, fully considered Julie Molina his number one enemy. He had zero qualms about saying that to her face and behind her back. He knew his band was the best but Julie had a real knack for knocking his ego down a bit and he hated her for it. Maybe he wouldn't get so riled up if she was nice about it or if not nice, she was less nasty and more stern. Honestly, it seemed like she took pleasure in criticizing Sunset Curve.

The rivalry between them extended to their bands and friend circles. Well, for the most part, anyway. Julie and Luke let Willie and Alex get away with their little forbidden lovers thing because they both thought the pair was cute together. It was pretty much the only thing they agreed on. Ever.

Willie only ever talked about Alex, not the band and Alex made sure to steer clear of mentioning Julie whenever he talked about Willie. The arrangement worked for all sides.

Julie and Luke's rivalry extended far beyond their music. It crept into their classes and had them fighting for the top spot. The teachers were thrilled. It meant Luke put in as much effort as he possibly could into every assignment or test. Even if it was out of pure spite, it was working.

And then, oh dear, and then there was a group project. Obviously, they split to opposite ends of the room with their friends to choose pairs (except Willie and Alex, who were shoved together and assured it was perfect) but apparently, it was important to learn how to work with people you dislike because in the workplace you might be forced to work with people you dislike -- or something like that.

Julie and Luke had never let their rivalry coerce them into doing stupid things -- except the one time where Carrie was convinced Luke could hold his breath longer and Julie almost drowned in the school pool to prove Carrie wrong -- but the moment they were paired up, Julie and Luke both wanted nothing more than to break several school rules, vandalism being the top one and starting violent fights being the second. It was unclear if they wanted to fight each other or their teacher.

Matters were made worse when their friends got to pair off together on their own terms while they were stuck with each other. The only thing keeping them from completely refusing to do any work was that they both were still competing for the highest scores.

Their friends had never been more entertained and the two opposing groups bonded over watching the two most stubborn people they knew suffer out a school project together. The clear awkwardness between them was hilarious and it was a pleasant thing to see them sitting at the same table and not trying to verbally murder each other. Bobby turned out to be the funniest person in the whole group. He had a meme-y caption for every moment they caught of Julie and Luke sitting near enough to have a normal conversation and the others loved it. He also seemed to be able to relate all the memes to the pair and was strangely good at photoshop, which earned him the Groupchat King title. (Julie and Luke were completely unaware of this groupchat excluding only them -- which, for the others' safety, was for the best.) Flynn's favourite was a photo of Julie with a feral look on her face, miming strangling a smug Luke. Me & 2020 was Bobby's winning caption. She wasn't sure which was which and that made it even better, in her opinion.

As the weeks passed, Julie and Luke's rivalry mellowed. As far as they said, it was still going strong but their actions told another story. There were playful nudges in the hallway, now. Teasing death glares across a classroom. Locked gazes and stifled giggles at inside jokes -- the fact that they even had those was surprising enough. They willingly shared a lunch table for the sole purpose of interrupting a mini date between Willie and Alex but most of it was spent in their own world anyway. Their mockery of each other had become gentler and more harmless teasing than anything.

And then one Tuesday, Luke didn't show up at school.

Of course, Luke's band knew exactly what was up, but they -- with support from Julie's friends -- decided it would be fun to play dumb and send Julie to Luke's house, just to check up on him, you know, despite the fact that the group project was long over and she really had no need to meddle further into Luke's life. The mere fact that Julie forgot she still had class and was seriously ready to leave immediately said a lot.

"I can promise you that it's really not as bad as it looks," Luke said from under several pillows, a puffy duvet and maybe three stuffed animals, "but there's no band practice today and I'm not coming to school tomorrow either so can one of you flick Julie's forehead for me? It's tradition."

"Band practice, huh?" Julie said, dropping her bag on the floor with a soft thud. "And here I thought you just had nothing more interesting going on in your life than disrupting mine."

Luke sat up fast enough that his head spun, his vision swam and two pillows fell off the bed. "Who told you where I live?"

"You did, dork. Here, I brought your homework and my dad's trying something out in the kitchen. He misread balf the recipe so it's the blandest thing I've ever tasted but if you're sick, it'll be good for you."

Luke responded to the bit that made sense. "I don't want bland food," he said, scrunching up his nose as Julie set a small stack of papers on the desk in the corner and walked up to him with a covered bowl.

"As if you'd know the difference. Your mom said you can't taste anything anyway."

"You talked to my mom?" Luke asked, looking mortified.

"Yeah, duh. What, did you think I climbed through your bedroom window? I don't care that much for you."

"Aww, I knew you cared for me."

Julie didn't respond to it. "So this is supposed to be a vegetable stew," she said, tapping the plastic wrap over the bowl, "but like I said, mistakes were made."

"Well, what is it then?" Luke asked, leaning over to peer at the bowl.

"I'd call it . . . semi-flavoured water with surprise veggies."

"Joy."

"I know, right? Anyway, I'll leave you to your . . . pillow fort? Cute stuffies. I have the same penguin."

Luke glanced at the penguin that was still secured in his arm. "Don't you dare tell your friends. Especially not Flynn. She's ruthless."

"She is not. But fine, only because you're sick. I'll be back for my bowl tomorrow and it better be empty."

Luke watched Julie leave with a look of amazement. As soon as he heard his front door close, footsteps pattered through the hallway, leading up to his mother sticking her head in his room. "I like her."

"I'm going back to sleep," Luke said, diving back into the safety of all his pillows, wondering if it was the fever or Julie that set his cheeks blazing.

Probably the fever.

"Good afternoon, dork. Reggie says you said you liked the semi-flavoured water and my dad felt very appreciated by that so he's made some actual stew for you to try. It's beef stew this time so please don't get surprised. Did you do yesterday's homework? You should, because I brought today's. How do you feel?"

Luke, who had been staring at Julie with his mouth slightly open in a perfect picture of surprise, blinked when he realised she'd stopped speaking. "Don't you knock?!"

"Your mom said you were asleep and I could just leave everything here for you but you were awake so. . ." Julie trailed off, shrugging.

"You . . . you are so strange."

Julie shrugged as she set the homework down on the desk and walked up to the nightstand to put the covered bowl down in Luke's reach. "You need to come back to school. I feel bad bullying your friends."

"I'm sure they'll be glad to hear that," Luke said sarcastically. He paused for a second. "Yeah, I did the homework. Most of it. My mom said it'll help to get out of bed and do something. I tried to play the guitar but she was adamant I didn't do that something."

Julie nodded and walked back to Luke's desk. She rifled through the mess and picked up all the homework. "I'll finish this essay for you," she said almost absently, searching among the pages. "Please tell me you did your science homework. I got a lot of that wrong and no one wants to give me the answers because apparently, I should learn my work."

"Uh . . . yeah. Um, yeah, I did the science. Wh-- what do you mean 'do the essay' for me?"

Julie looked up as she gathered everything into a pile of messy and uneven papers. "It's on the African American civil rights movement. It's factual and ninety percent of the class will have the same essay anyway so--"

"No. No, I mean . . . why?"

"Oh. Uh . . . why not?"

Luke didn't have a response, so he fell silent.

"Well, that's all of yesterday's homework. Get some rest and then make sure you eat. I can't have my favourite punching bag get too weak to take a hit."

As Julie turned and left his room, Luke felt the sudden urge to scream, so instead, he slammed his burning face into his favourite penguin. Yes, she had called him a punching bag, but she'd also called him her favourite.

"Music class just isn't the same without booing you. Also, Alex said you managed to keep the beef stew down yesterday so my dad thought you could try something a little heavier. This is an experimental chicken and fried rice . . . thing. I do not reccomend eating unless you're sure you're okay enough for a full meal. That said, I brought more beef stew in case you're not up for the chicken and rice."

"You can't just walk in unannounced!" Luke cried as Julie set down the two bowls on the nightstand.

"I can, actually," Julie said, flashing a set of keys at Luke.

Luke's jaw dropped when he recognized the keychains. "Hey, those are mine!"

"Wow, so observant. Your mom gave it to me before I left yesterday because your dad is at work and she needed to go out today and with you holed up in here, there wouldn't be anyone to open for me."

Luke frowned. "Oh, yeah, she said something like that but I was half-asleep."

Julie was pleasantly surprised to find Luke's homework neatly gathered at the corner of the desk. It didn't escape her how Luke seemed to glow with pride when she commented on it. She had to fight a smile as she dropped Luke's homework into her bag.

"Get some rest, dork. If you need anything, don't hesitate to call someone from Sunset Swerve. I'll be busy."

"It's Sunset CURVE and you know it."

"Really? I never noticed."

Luke pouted. "Tuxedo Sam says you're being very mean right now. I'm sick and I deserve care."

"Well, you can tell your stupid penguin that Skipper will beat his ass."

"You named your penguin after the penguins from Madagascar?"

"You call yours Tuxedo Sam."

"Yeah, okay, that's fair."

Julie rolled her eyes and turned to leave. "Take a nap, Moody McSleeveless."

Luke glanced at the penguin laying nearby as he heard Julie lock up the house again. "Don't look at me like that, she's mean all the time."

"I BROUGHT CAKE!"

Luke scrambled up, launching Tuxedo Sam off the bed. "Who died?"

"No one died," Julie said, picking up the penguin as she walked up to Luke's bed. "It's Friday and since you're doing a little better, I thought you could do with a small treat. Tuxedo Sam agrees."

"Give me back my penguin," Luke said, reaching both arms out to Julie.

"Did you do yesterday's homework?"

"Yes."

"Did you really eat both bowls of food yesterday?"

"Yes."

"And keep it down?"

"Yes, ma'am, now can I please have my penguin back?"

Julie passed Luke the stuffed animal. "You're adorable," she blurted, turning away immediately to hide her own stunned look. She cleared her throat as she headed to the desk to grab Luke's homework. "So, that group project? We got a ninety-five."

That distracted Luke easily enough. "What happened to the other five?!"

"We're very bad at teamwork," Julie said, glancing back at Luke over her shoulder to see him relax against the pillows.

"Ah. That . . . makes sense."

Julie nodded. "Mhm."

The silence that blanketed the room wasn't as awkward as it should have been.

"I have to go. Most of the teachers said it would be okay to get your homework on Monday, but Mr Hughes is on my tail about your chemistry paper. My dad is making cupcakes tonight for some reason and I told Willie he could have some, so I'll send extra with him to give to Alex to give to you, but enjoy that crappy store cake for now. I left proper lunch with your mom for when you feel like it."

It didn't register that the only reason Mr Hughes would be harassing Julie about Luke's homework was if Julie herself had taken responsibility for Luke. Well, it did register, but by then, Julie was long gone and the only response Luke could muster was a muffled scream into poor Tuxedo Sam.

"Oh, ew, gross. Luke, it smells like the middle school locker room in here. What were you doing?"

Luke had never looked more sheepish in his life as he pointed to the canister on his nightstand -- right next to his alarm clock. "My phone went off about an hour ago and I thought it was the alarm so I did the smart thing and slammed it down but I missed. Obviously."

Holding her nose, Julie dropped everything she was carrying on Luke's table and tore the curtains open, pushing the windows as far as they could go. She stood there for a moment, relishing in the fresh air. "I'll come back inside when I can breathe," Julie said, halfway out the window.

Luke wanted to melt into his pillows. A week later and he was only feeling slightly better. The pros of it was that Julie visited every day with something tasty and a level of snark that only amused him. The cons of it was that Julie visited every day and left him flustered and red in the face.

He firmly believed that Julie only came by every day because she had homework to drop off, but today was Saturday. There was no more homework to drop off.

And she could have just backtracked right out the door again but instead, she headed for the windows on the other side of his room. Why?

Because she's taking care of you, dork.

Luke couldn't help but think that the logical voice in his head sounded suspiciously like Julie.

"Hey, my parents have some stupid couple's yoga thing on Saturdays. Did you break in?"

Julie pulled the windows halfway closed and stepped back into the room. "No, I still have your keys. Your dad tried to give me the spare key to the front door but your mom said it'll be fine if I kept yours until you're back on your feet."

"Wow. She really trusts you, huh?"

Julie shrugged. "I'm a very trustworthy person."

"No, you're not. I saw you lose a pen that you stuck behind your ear and then you proceeded to lose three more by tucking them behind your other ear and in your pockets. You then tried to steal mine."

"I was fourteen," Julie said defensively.

"It happened last week!"

"I felt fourteen."

Luke gave Julie a deadpan look.

"Cute pyjamas."

"I know, right? Bobby got us matching ones when we were like fifteen for band bonding. I mean, I grew out of the pants but the shirt still fits."

Julie scoffed as she stared at the dark haired cartoon smiling at her from the pink shirt. "Looks really good on you, Skip."

"Hey, I like being Skipper. She's Barbie's most intelligent sister."

"Oh, yeah?" Luke didn't even notice that Julie had made herself comfortable at the foot of his bed. "And if you're Skipper, who are the others?"

"Bobby is Chelsea, 'cause he's the youngest of us, Alex is Barbie, 'cause his summer jobs have been everywhere, and Reg is Stacie, 'cause she's Bobby's favourite and Bobby's favourite bandmate is Reg."

Julie's head tilted slightly. "You sound drunk."

"The bottle said one teaspoon of cough syrup but I didn't read and I took two tablespoons. It's okay, though. Mom panicked and called the doctor and he says the cough syrup he gave me is for kids and I'm just really, really, really intolerant. Which you should remember for me because I plan to be super famous with the band and there are gonna be a lot of after parties and I don't wanna get drunk five minutes in. I think the cough syrup is kicking in."

"Luke Patterson, you are unbelievable."

"I know, right?" He attempted a winning smile, but it came off as plain childlike.

Julie chastised herself for finding him adorable. They were mortal enemies and she had to remember that. Then what are you doing in his room on a Saturday, after explicitly telling the rest of his band to stay away?

Julie found it unnerving how much the voice in her head sounded like a teasing Luke.

"You're like, really annoying."

Julie frowned. "I -- I'm sorry?"

"You should be." Luke was sitting cross-legged now, fiddling with the ears of a stuffed bunny. "It's really messing with my head."

Julie decided she liked tipsy Luke -- even if it was just cough syrup. "How so?"

"No, it's nothing."

"You can tell me, Luke. I promised not to tell anyone about your stuffed animals and I kept it, right?"

"Yeah, but this time the secret about you. You're not allowed to know."

Curiosity more than anything made Julie lean forward slightly. "It'll be our secret."

"Okay, but you have to promise not to talk about it."

Julie nodded quickly. Luke tugged at the bunny's ears for a moment.

"You're like . . . really pretty."

Julie couldn't help the soft laugh that bubbled out of her. Adorable, she thought.

"Like, a lot of pretty. You're pretty on the inside, too."

"On the inside?"

"Yeah. On the inside. You know, your heart."

"M-my heart?"

Luke nodded at his stuffed rabbit. "Yeah. You have a really pretty heart. It beats like a drum. Making music. Like you."

Julie's mouth hung open, surprise silencing her.

"You have the prettiest music in you. I can hear it like -- like a song that gets stuck in my head all day. It's really annoying but it's so pretty. It smells like flowers and it looks like butterflies."

At this point, Julie didn't think she'd be able to speak, even if she knew what to say. Luke was talking to the stuffed animal, frowning as he struggled to voice his thoughts understandably.

"Sometimes it's just so loud and I wanna cover my ears and run away but it just gets louder and louder and then you come over and you're saying something mean but the music is there and it's not so loud anymore but I still can't hear anything else. Your heart sounds like a ballad."

Julie was frozen to her seat at the edge of the bed. Part of her wondered if it was Luke talking or the fever. Part of her desperately hoped it was Luke.

"Julie, you are music."

It was a simple sentence. Anyone could have said it. It could mean a lot or it could mean nothing at all. If anyone else had said it to her, she would have taken it as the highest form of a compliment. But that wasn't what Luke was saying.

Everyone knew that Luke spoke best through lyrics and chords. His books and desks were covered in etched notes and scribbled words. Luke lived and breathed music. It was everything to him. Without it, Luke didn't know who he was.

And he compared it to Julie.

Julie stared at the text on her phone. She bit her lower lip, unsure of what to say in response.

Mom said you visited yesterday. I was dazed for most of it. I didn't say anything stupid or incriminating, right? Not that anything could be more incriminating than the three stuffed animals on my bed.

Ten minutes after that, another had come through. Jules, are you ignoring me? Did I do something?

Then another five minutes later. This is still Julie Molina's number, right?

Julie quickly typed out something before she chickened out again and tossed her phone to the foot of her bed once it was sent.

Hey. Got busy in the kitchen with dad. No, you're good. See you at school tomorrow?

Julie scrambled for her phone to send one last word.

A few streets away, Luke stared at the word 'dork'. He was sure he had said something. He vaguely remembered yapping on about music to Julie -- duh, what else did they share? -- and then suddenly, she wasn't there anymore. He wondered if he'd fallen asleep talking and Julie had left then or if he really had said something to make her leave.

Yeah, he wrote back, see you at school.

Luke cornered Julie as soon as he caught sight of her in the school hallway. "You've been ignoring me and I don't like that."

Julie squeaked. "I most definitely am not ignoring you."

"Julie, you're pretty much the only person in this school that doesn't keep their phone on mute or vibrate. I know you heard my texts yesterday."

"So what if I am?" Julie asked, folding her arms. "We're not friends, so why should you care if I reply to your texts or not? In fact, why were you even messaging me in the first place?"

While Luke fumbled for a response, Julie slipped past him and continued on her way to class.

"Oh, that is just rude!" Luke yelled after Julie.

She ignored him all through any classes they shared and when lunch rolled around, she made sure to sit with Carrie and Flynn at a small table. Luke had never looked more offended in his life as he joined Reggie in sitting with Alex and Willie.

"What did you do on Saturday?" Alex asked, leaning forward to whisper. "Julie was fine when she told us we don't need to come by at all."

"Julie told you not to come over?" Luke asked, ripping his gaze from Julie to Alex and then Reggie, who shook his head.

"Bro, she actually called Alex and told him that we don't need to come see you because she was going to."

"Yeah, I remember her being there but I was drugged up on cough syrup."

"Weak," Alex whispered loudly, grinning when he made Willie laugh.

"Maybe you said something?" Willie suggested.

"Yeah, probably! But she's not talking to me. She's not even insulting me, which I would very much prefer over this apathy."

"You know where she lives," Reggie said dismissively. "Maybe you should pay her a visit."

Luke glanced across the cafeteria to see Julie quickly whip her head down to stare at her fold. "Yeah. Maybe."

Julie was tired and wanted nothing more than to go to sleep. Her plans were thrown way off the rails when she walked into her room and found Luke petering around the shelves beside her bed.

"What are you doing here?"

Luke drew his hand back sharply. "Cute box. What's in it?"

"None of your business," Julie snapped, hurriedly closing her bedroom door. "What are you doing here?"

"I wanted to talk to you but you were ignoring me and--"

"You could've just yelled at me from outside," Julie hissed. "I would have come down to shut you up! You can't be in here. Get out of my room."

"No. Not until you tell me why you've been avoiding me since Saturday. Jules, what--"

"Fine! Go and wait for me in the garage. I'll come talk to you in there."

Luke hesitated, unsure if Julie was serious.

When she heard footsteps getting closer, Julie grabbed Luke by the neckline of his shirt and dragged him to the window. "Get out," she whispered hurriedly, "I'll come down to the garage, I promise."

Thankfully, by the time her father arrived, Luke was gone.

"Who were you talking to, mija?"

"Luke," Julie said with a smile. She pointed at the phone. "He liked the cupcakes I sent with Willie."

"Oh, that's great. You didn't take something yesterday and today? Is he feeling better?"

"Much," Julie said, nodding, "in fact, we have some talking to do, so I'm gonna meet him in the garage in a few minutes."

"So late?"

Julie absolutely could not lie to her dad. But she could do half truths. "It's a long overdue discussion."

"School work?"

Julie shrugged. "Music."

"Ah. The garage makes sense. Well, do you wanna take some food down? Midnight snack?"

"Thanks, dad," Julie said with a smile, "you're the best."

"Oh, your dad is the best!" Luke cried as soon as he saw Julie walk in with a plate of cookies.

"These are experimental, too. They're some kind of oatmeal and choc mint blend. They taste good, in my opinion."

"Everything your dad makes tastes good," Luke said, grabbing three cookies. "My mom's starting to get jealous of how much I love your dad's cooking."

Juli smiled and set the plate down on the coffee table. Was there any point beating around the bush? Sugarcoating things?

"You told me I was music."

Luke paused, one and a half cookies gone. "What?"

Julie kept her gaze trained on the tassels of the carpet. "You told me I'm annoying . . . because I'm pretty. Because I have a pretty heart. You said it beats like a drum and I have the prettiest music in me that gets stuck in your head. It --"

"Smells like spring and looks like butterflies. . ." Luke looked positively mortified.

Julie, refusing to look up, did not notice. "You said . . . you said my heart sounds like a ballad and then -- and then you told me I am music."

Had he really said all that aloud? Well, no wonder Julie was avoiding him like the plague.

Julie tensed up when she could see Luke's feet step in front of her. Almost every part of her screamed that this was wrong. They shouldn't be so close without bickering and fighting. But deeper within, beyond the confines of logic and sense, Luke's voice told her that this was the furthest thing from wrong.

"I said all that? Aloud?"

Julie nodded.

"You know what music is to me."

Julie nodded again.

"Jules," Luke said gently. "Julie, look at me."

Julie refused to, so Luke gingerly tucked his finger under her chin and lifted her head, waiting until her gaze fell on him before speaking.

"You know what music is to me," he said again, prompting another nod from Julie. "Then you know what you mean to me."

Julie blinked a few times and shook her head. "No. No, that's just the fever talking. You -- you didn't really mean all of that."

"If you really believe that, why are you avoiding me?"

"I . . . I don't know."

Luke dropped his hand to take hold of Julie's. He glanced at her, waiting for her to pull away. When she didn't, he interlocked his fingers with hers. "I meant every word. Okay, maybe not literally, but you know what I mean."

Julie shook her head. "We're not even friends, Luke."

"Hm, well, who said I wanted to be your friend?"

Julie wanted to hate Luke. She wanted to loathe the sight of him. She didn't want to like him, let alone love him.

And yet, she did.

So before the overthinker in her could stop her, Julie leaned up on tiptoes and brushed her lips against his. Luke beamed at her like a kid on Christmas morning.

"Not the response I was expecting, but definitely one I'm enjoying."

"Don't make me regret it."

"Yes, ma'am. Now, what are my chances of getting two more? And one for the road? Within the next five seconds becaus my mom doesn't know I snuck out and she think I'm still sick."

"Dork," Julie said fondly, shaking her head.

"I'm serious!"

"You can have two."

"Three."

"Two."

"Four."

"One."

"Two will do," Luke said, letting go of Julie's hands to wrap his arms around her. He gave her a small squeeze. "Plus a hug."

"Dork," Julie said again. But he was her dork and he was her favourite.

Before anyone comes for me about the cough syrup thing, I'm drawing from experience. I mean I never confessed my undying love for anyone but I did blurt out some weird shit. Also, THAT WAS LONG AND IF YOU SURVIVED THE ENTIRE THING, CONGRATULATIONS TO YOU

Mara's masterlist

[dutchdread]

If it's supposedly not the "best use of your time" retyping things that you've said many times to people then why do you continue to do it? Would you like it if you shared your opinion about which couple is canon and had someone reply to you with an essay saying you're wrong and that Cloud's in love with Aerith? People aren't upset at you because you disagree they're upset at you because you're trying to pick a fight. If someone doesn't agree with you, why don't you just scroll past and move on?

If it's supposedly not the "best use of your time" retyping things that you've said many times to people then why do you continue to do it?

Cause I'm just a helpful dude. But like I said, I try not to, that's why I have this blog, so in the future I will have to do that less and less.

Would you like it if you shared your opinion about which couple is canon and had someone reply to you with an essay saying you're wrong and that Cloud's in love with Aerith?

If their argument was correct, then I'd like it just fine, or at the very least I'd stop saying whatever it is they disproved, allowing me to fine tune my own stance. For instance, one of the reasons I like Advent children is because I've defended it so much. Doing that forces me to really examine what's happening in the movie from a deeper standpoint. I can't just subjectively go: "I hate this, this is shit. Why? Because I just do", if I said that, it would get picked apart, so when I talk to someone I have to really make sure that what I am saying makes sense, that it's factually correct, that there is nothing I missed. All of that requires me to look at the subject from different angles. Any time someone comes up with a new point or argument, or presents an argument in a new way, I have to slightly alter what I am saying. By working through my own thoughts again and again I learn how best to vocalize them, that then allows me to understand my own position better. In my opinion anytime I talk about stories I understand stories more, and since I love stories, I want to understand them as much as possible. Same thing goes for everything. Any time I talk about ethics, I understand ethics more, and I become a more ethical person. When I talk about politics, I understand politics more, and my political standpoints become better informed. Engaging people you disagree with isn't just valuable if you change their worldview, the first benefit comes from improving your own. Every alternative stance you come across broadens the pool of knowledge and experience that you use when forming opinions and arguments. Which allows you then to be more certain of your positions, and understand them better. But this doesn't happen if you just sit in your own echo chamber and listen to people who already agree with you. Be it politics, or shipping, the people who don't want to engage with those who have different opinions will never really be able to defend their own. They can't be certain that their position is solid, because they've never subjected it to rigorous scrutiny, they can never be certain that their position is complete, since they've never let people point out whether or not things might be lacking. Eventually that leads you to where I am now, where I've heard every argument a thousand times in a thousand different ways, and in 999 times out of those 1000 the things people say as a rebuttal aren't so much a counter-argument as much as they're different ways of saying "I've clearly never talked to someone who disagrees with me on this, because this has been addressed time and time again". Now, bringing up an old topic isn't always a bad thing, you may think that you can refute the traditional counter-points. But that would mean you know what the counter-points are, and if you're refuting them you'd say something along the lines of "I know most people say ....., however, I think that refutation is fallacious because of....." But from my experience that rarely happens. The most common example is people bringing up Cloud being unhappy in Advent children, the reasons for that have been discussed ad nauseam. Now, if someone were to have a counter argument to disprove the idea that Clouds issues stemmed from his guilt and fear of failing then they'd acknowledge that this is the common reply, they'd bring up the quotes stating that Clouds actions stem from guilt, and they'd address all that. That would be the second step, as it were. But they never get there. They're always stuck playing checkers while the rest of us are playing chess. Yeah, sitting in a circle reading the writings of other Clotis can be fun, I like a bit of confirmation bias as much as the next person, but what I like more is confirming my positions by throwing them into battle. However, I've long since stopped receiving new interesting viewpoints, so now I feel confident enough in my position to just formalize it, and link it, instead of going through the motions.

People aren't upset at you because you disagree they're upset at you because you're trying to pick a fight. If someone doesn't agree with you, why don't you just scroll past and move on?

Well this is funny, are you not on my blog? Did you not come to me? I think my blog is very open to discourse, and I don't force people to come here. The reason I "pick a fight" as you put it, is because I like these conversations, the main reason I need to make a more definitive version is because there are only so many hours in the day. I like these conversations, so I have no reason to avoid them. However, if, as you say, these people are upset because I am trying to pick a fight....then why don't they just scroll past and move on?

[artificiary-fr]

Hi, hello, I'm so sorry to intrude- genuinely. But if you feel like you're intruding on people in a group discord- please take it from a fellow RSD person: it's not you. often times people within a group don't know how to 'properly' respond to a share of ideas. most often they wait for a signal from other members. and if someone post something more 'reactionable' after you? then the conversation shifts to that person rather than you. This isn't about 'finding better friends' just... about (1/2)

(2/2) knowing that your friends are probably at least half as awkward as you, and don't know how to respond. If you talk to members individually and they like the idea? Yes!! But if you don't talk to more than one member individually? Know your view is biased. Not negatively or rudely somehow- just. Factually. People with rejection sensitive dysphoria get real fucked up about some... 'nothing' shit sometimes. ... uh. sidetracked 3/3: share your OC's. Talk about the things you love. BE WHO YOU ARE. and find the people that will love you /FOR/ that, not /BECAUSE/ of it.

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Hey anon! There’s no need to apologize - an ask is never an intrusion (unless it’s like.... aphobic or homo/transphobic or smth but that doesn’t apply here / isn’t the point) - rather, I appreciate it a lot. I put all three of your asks together in one, I hope you don’t mind! I’m gonna answer under the cut as well so my own words don’t take up a ton of space n’ such. I have a rambling problem.

Okay, so. First thing’s first: I really appreciate you approaching me and saying what you've said. I feel like I guilt tripped y’all into it - that’s the real bad downturn of venting about stuff like this I guess, like when people do pay attention due to the topic matter you’ve forced them into it - but either way, I still appreciate it. It’s definitely not an intrusion.

So a little before-note: I myself have been diagnosed with GAD / SAD (generalized/social anxiety disorder) and have suffered from diagnosed chronic depression for... uh... about 8 years? Anxiety for about 11-12 years. I’ve gone to therapy for it for around four-ish years (I think???), but my therapist left her job at the beginning of this year and felt I’d progressed and learned enough coping skills that I’ll be OK on my own with periodic check-ins with someone. I’ve also got untreated/untested ADHD of some kind - my therapist never got around to doing some other tests with me beyond one preliminary simple one. Relevant bc I understand how sometimes it’s not not-listening but an inability to focus. Some background/context, woo!

Anyway... I felt like I’d heard the term RSD before somewhere (can’t remember where) - but I didn’t know what it was at all. So I looked it up! I try not to attribute mental illnesses or afflictions to myself unless I’ve been diagnosed, but based on what I was reading, I just kind of went “...oh.” Next time I have a therapy check-in, whenever that might be, I wrote a note about it to maybe bring up or talk about it.

But on the other hand non-RSD, it’s like.... normally, and in the past, I’ve been able to shrug this kind of stuff off. Does it sting/hurt a bit? Sure, and I’m sure it would for most people! In this case though it’s something that’s just been building and building and building for a few months now, with multiple people in multiple groups, both one-on-one, in discord servers, and IRL. The servers just happen to be most relevant because of the covid isolation. So it’s like a... straw on camel’s back, rather than everytime situation. Does that make sense? I’m rambling, sorry. If that’s still RSD, cool! (...ish!) I’m still gonna bring it up either way. I’m just unsure if the compounding still like... counts or not?

TL;DR for there - sounds like what RSD seems to be, but instead of overnight or every occurrence, this little breakdowns been building for months from multiple sources. Unsure if that’s still RSD or not, bc I also have GAD/SAD.

Anyway continuing on.

I’m sure it wasn’t meant like that, but the bit about “ if someone post something more 'reactionable' after you? then the conversation shifts to that person” kind of hit different in a really big ouch sort of way.  I get where you’re coming from and what you meant by it, definitely! It just sounded kind of like a.... hm. “If someone else posts something more interesting than you, of course conversation will shift to them.” Which... is exactly part of what’s been hurting so badly ahaha. Nobody wants to be ostracized or treated like they don’t exist - especially if it wasn’t long after they talked in the first place. Nobody wants to share their happiness or excitement and then be deemed “not interesting / reactionable enough”. Y’know?

The problem with the talking to more folks in groups one-on-one to share is that’s where the possibility of RSD falls aside and my diagnosed GAD/SAD takes over. I get scared sharing one-on-one because I’m afraid people are gonna call me stupid or shut me down or even then pretend I don’t exist bc it hasn’t been the first time - especially IRL. Talking to people or making friends is really really hard. And when that fear gets reinforced it just.... snowballs.

It’s kind of a damned if you do, damned if you don’t.

But anyway, god, I just wrote a rambling essay, which yikes for a whole other reason bc once I start I just don’t stop, eh? Sorry, Anon! I’ll go ahead and quit while I’m ahead, but I just want to reiterate - I really appreciate you sending me this. It was really nice of you, and I appreciate that you shared your own experiences via having RSD and how that can affect how things look - especially since it gave me something to look into.

Thank you. <3

[waheelawhisperer]

Some of y'all wrote fucking essays in the tags and I'm not screenshotting all that shit, but there was some stuff I wanted to respond to here so I'm reblogging this specific post to do it.

I don't, every time it shows up in my notifications I'm reminded that people who've never thrown a punch in anger like to offer their condescending opinions about how Yang Fights Stupid and Needs To Learn A Lesson and that the writers took 5 Volumes to remember she was a main character

Taiyang is actually very interesting to analyze from a meta perspective because what the writers were so obviously going for and what we actually got are so incredibly different. Like, we could've had a compelling story about how even Yang's own father falls into the trap of assuming his surface-level impressions of her are correct and then actually explored that in some way (and there are a lot of things they could've done here if anyone on the writing team gave a fuck about Yang's Volume 4 arc rather than going on record describing it as boring and rushing through it as quickly as possible), but instead Tai was meant to be the Good, Smart Dad Who Gives Valuable Parental Advice To His Reckless And Hotheaded Daughter, which doesn't really work when his paternal accomplishments include, but are not limited to, emotional neglect, making fun of his daughter's trauma, insulting the embodiment of her soul, placing conditions on his support of her recovery, offering a critique of her fighting style that is factually incorrect at best, and implying that the reason he's not protecting Ruby is because he has to look after Yang and then sitting on his ass while Yang does that duty for him.

I like the character the writers want us to believe Tai is - the loving father who has his flaws and messes up sometimes, but genuinely cares for his daughters and is a source of support and wisdom on which they can rely. Unfortunately, the writers bungled his characterization and instead he just looks like he doesn't give a fuck about his daughters or anything beyond his immediate surroundings. From a meta perspective, the reason he stays on Patch and Yang leaves to find Ruby is because Yang is a title character and Tai isn't, and also because this is a story about the younger generation and the older characters can't be too prominent or they risk overshadowing the mains, but the execution is so ham-fisted, especially after the implication that Tai is only still on Patch because he has to look after Yang, that I can't get on board with it. Yeah, I know there are some theories about why Tai is staying that paint him in a more positive light, but until those theories actually make it into the show, they don't mean shit.

In reference to some of the other tags, I don't think sexism is the explanation, or at least not the only explanation, for every stupid take in this fandom. Like, yeah, there are definitely people who watch this show and go "Man Right, Woman Wrong" (just look at the discourse surrounding Ironwood), but in this case I think it's more that the fandom is buying into the message stated on screen and taking it at face value the way the narrative wants us to instead of looking closely enough to tell how stupid it is.

Anyway, Yang taking the bullet for Blake and Ruby isn't a character flaw, it's a sign that she gives a shit about people she's supposed to give a shit about. The alternative was watching them die in fucking front of her, what the hell else was she supposed to do, stand there and watch? In any other series, this would be framed as heroic, and rightfully so.

The real character flaw associated with her self-sacrificing tendencies comes from her abandonment issues and is the way she believes she lacks inherent value and bases her self-worth on what she's currently doing or able to do for the people around her instead of realizing that she's worthy of love from both herself and others just for existing. I talked about this in another post somewhere that I can't be bothered to dig up right now, but I don't want to see Yang stop throwing herself in the line of fire for the people she loves, I want her to come to the conclusion that she is valuable, that she is worthy of love, and choosing to put her life on the line anyway, even knowing that her loss would hurt the people in her life, because she loves them too much to watch them come to harm. Those protective instincts are too much a part of her for her to give them up entirely and still be Yang Xiao Long, so I'd rather see her activate them for better reasons.

Yeah, the fndm's 'Yang totes could've finessed her approach better, whatta dumb ragey bimbo meathead' insistence really isn't reckoning with the time pressure imposed by Blake's injury *or* Adam deliberately limiting possible responses just by staying within easy striking distance of her. Which is why I truly gotta stop stewing over fics which double down on Beacon's fall as this pivotal karmic punishment/lesson which fundamentally ~improved/tempered/upgraded~ Yang.

It never has. It never will. I can rant about this until I'm blue in the face (and have posted about it repeatedly in the past), but it won't sink in unless the show itself has a character come out and say "Yang is incredibly smart both in and out of combat and didn't actually do anything wrong at Beacon or 'deserve' to lose her arm, she just got caught in a no-win situation she couldn't have reasonably anticipated and got punished for it despite identifying the closest thing to an optimal choice within seconds of seeing what was going on", and even then I'm not optimistic because half this fanbase still thinks she's the same collection of tropes her trailer and the first 1.5 Volumes presented her as and that anything that demonstrates otherwise is bad writing. Fuck Taiyang's stupid advice, it's done more damage to the fandom's understanding of Yang's character than the front she put up for five minutes in her trailer that everyone assumed represented her actual personality.