#i want rainbow links to be a thing im insane about again
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Trying to come up with ways to rewrite my old Four Swords Link OCs, but the only ideas I have are somewhat derivative of my friends' ideas... hm..
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gotta vent about my day real quick
highlights of the day
> be professional ghostwriter.
Agreed to edit a 25000 word segment of a finished manuscript for a much loved regular client, who said the MC’s dialogue needed to be punched up. Easy enough. I figured it would take a few hours.
Was briefly excited to discover the manuscript was for a concept I had outlined and written several chapters for a few months ago.
Excitement rapidly dwindles as I realize that beloved client has hired another ghostwriter to write the majority of the book. Which would be fine, except this other ghostwriter has no fucking idea what they are doing.
Formatting is a god damn disaster and I spend several hours just getting the document into a workable condition.
You ever open a word doc, look at the navigation pane, and just see a wall of blank links, because someone applied the header formatting somewhere and then just hit enter a million times instead of using a page break like a civilized god damn human being?
in the middle of this forest of blank headers, actual chapter titles are scattered at random, and also they only applied the header to roughly one out of every five chapters or so, you know, just, when they felt like it. when the spirit took them. when the stars aligned. when the feng shui was right.
Also, apparently they like the way first line indenting looks but don’t know how to make word do that (spoiler: its easy as shit and takes like two clicks) so every once in a while they start manually hitting tab before every line, until they get distracted and stop for a while, luring you into a false sense of security before they remember and start doing it again.
Sometimes, when a scene transitions but they dont want to just end the chapter for some reason, they break it up with spaces. Other times, they like to use asterisks. Once or twice, just for flavor, they throw in one of those page width lines that word makes when you type a line of hyphens.
There is random highlighting in places, for no discernible reason.
Once I have the document formatted in a way I can bear to work with, I start actually reading through it. About the first seven chapters were written by the client. They’re cheesy but solid.
Then I get to chapter eight, and the suspicions i had begun to form while putting the formatting through traction (namely that whoever did this was a fuckwit) quickly crystallized into a shining certainty that my beloved client had mistakenly hired An Ass Clown.
Not just An Ass Clown, but An Ass Clown who thought 50 Shades was a beautiful love story, actually.
And they gave This Ass Clown, this literary reprobate, this paste eating remedial english mother fucker, my outline.
let me clarify that i did not expect to have sole control of this story when i produced the outline for beloved client, and I was okay with that. That’s how it works. If I’d been dead set on writing this myself, i wouldn’t have sold the outilne to beloved client. but it really rubs salt in the wound to have spent hours of my life crafting the bones of this story, which i really liked and was excited to see take shape
and then find out it has been put into the pie fondling hands
of An Ass Clown.
first hint that something has gone drastically wrong: the arrival of completely unnecessary and ridiculous fantasy names for things.
“oh we dont drink coffee in this book. it’s kofee. at least until three chapters from now when i forget and it becomes kofe. Oh, and watch out for those thornaby bushes! I’m going to misspell that one literally every time I use it! It’s entirely possible that this isn’t a fantasy name at all and I just have a small seizure whenever I try to type the word thorn bush!”
second omen of my impending anuerism: phonetically written accents which are so comically stereotypical and inaccurate that native speakers of that accent should be entitled to financial compensation, except they can’t even stick to the stereotype accurately, producing gems such as “It’s not safe in that there pen with ‘em swine, young miss.” I don’t even know what accent that’s supposed to represent. To top it off these accent abominations are sprinkled in with all the consistency and reliability of a lactose intolerant cheese enthusiast’s bowel movements.
But this, I tell myself, moving on, is not my problem. I just need to punch up the mcs dialogue. It’ll be fine. I can do this. I just need to take this shit: “A fond idea, but I doubt I have that ability.” I joked. “I can’t imagine living without true sunshine. Even the triplet moons must shine less brightly without their sister sun.” and make it… not like that.
Except, and here’s where I start hitting the real roadblock guys
this book is in first person.
essentially, the entire novel is the MC talking.
So sure I can change the spoken lines, but her internal monologue
which is, i remind you, the entire narrative
her internal monologue is going to keep being maggie gyllenhal’s character from The Secretary if her copy of the script had been swapped with just a binder full of sonnets written by a middle school english class during the Shakespeare unit.
I get to chapter ten around three in the afternoon. I have been working steadily, with an unusual degree of focus thanks to my recent adderal prescription, since ten in the morning.
this is where shit begins to go truly bananas.
this is a YA beauty and the beast type fantasy
that good fun indulgent shit that’s almost as enjoyable to write as it is to read
usually. previously. before i had to endure this traumatic twelve hour experience.
Chapter ten is the first big “dinner” scene. this book isn’t being shy about pulling from the source material, but that’s fine. the beast “apologizes” (heavy quotes there) for having earlier used magic to force the heroine to answer his questions truthfully. They talk and almost seem to making progress for a bit, and then have a fight and storm off. Standard stuff.
Except, uh, the beast’s apology is, essentially “Yeah I shouldn’t have done that.” “so you’re apologizing?” “no but it’s the best you’re going to get so deal with it.”
and the headstrong, independent heroine who wears pants and wrestles pigs and dont need no man
just kinda rolls with this. There’s giggling.
They have their big dramatic fight, exit stage left, much angst and todo.
The next morning heroine wakes up to find the beast has (presumably) snuck into her room while she was sleeping and dumped a bunch of new dresses on her. he has also (apparently) replaced her brain with Bella Swan’s more vapid cousin.
She forgives him instantly. Because pretty dresses. She also starts calling him master, because why not. She has, over night, become the darling submissive Tumblr doms dream of.
This is not a bdsm book. I am eighty percent certain it doesn’t even include soft core smut. I’m telling you this so that you understand this transformation was not a contrivance in order to facilitate kinky sex. I have written a contrived set up to a sex scene or two in my day. This is not that. This is Not what is in the outline. I know, because i wrote the outline. It is My Outline.
No, The Ass Clown just… decided to do this. Apropos of nothing. I’m beginning to think the Ass Clown’s decision making process involves whipping pies at a comically large dartboard. And all the options on the dartboard are just “lol whatever”
By the time I get to chapter eleven, wherein our newly lobotomized heroine is “excited to wear a new frock and please the master!” - direct quote I have given up any pretense of editing dialogue and I am just straight up rewriting shit using the previous garbage as a loose outline.
I have eaten, maybe, three bites of a bowl of oatmeal all day. I have not taken a bathroom break since before noon. I have missed my deadline. Beloved client is concerned. I’m sure I can still do this, I just need a few more hours.
the words sound like truth but my soul knows i am a liar
I frantically restructure scene after scene, deceiving myself each time that it will be the last, and I will be able to get this crazy train back on the rails. But this crazy train has no interest in being on the rails. It’s a direct line no stops right off the edge of the cliffs of insanity.
The beast jumps unpredictably from homicidal rage and threats of violence to jokes and flirting as though he did not just declare her his property and threaten to rip her tongue out a few paragraphs ago. Heroine swoons and sighs and giggles regardless of whether she is dealing with Dr.Jekyll or Christian Gray on PCP.
But I’m still sure I can do this. I’ll just adjust these two full chapters to make her appropriately scared and angry, and then replace this weird conversation here with a heartfelt apology from him and an effort to do better. That will totally work. Unless, you know, it turns out that conversation I want to replace only starts out with them joking and laughing together, and turns into him berating and abusing her mid paragraph of a fuckin montage a page later! But, haha! Why would The Ass Clown ever do that? It would be completely irrational, tonally jarring and out of character! Only a seltzer slinging rainbow suspender-ed peanut butter fumbling son of six fucks would do that.
so of course The Ass Clown did that.
It’s eleven at night. I know when I’m beaten.
I inform beloved client that the Ass Clown has bested me and I can do no more.
She is very understanding.
I send her what I managed and I check the added word count while im at it
i added a full 6,000 words to that manuscript just trying to patch up this sloppy motherfucker’s lopsided prose and gossamer thin understanding of narrative structure
son of a bitch had about as firm a grasp of romance as i currently have on the trembling shreds of my sanity.
their grip on character writing could not be more tenuous if they had first dipped the target brand Hulk Hands which I assume they always have on their person into a barrel of adult-film-grade silicon lubricant and then taken their Leapfrog 2-in-1 Leaptop Touch down a waterslide.
Do you know how much I usually make for 6000 words?
$180.
Do you know how much I made for enduring this ass blasting, which I naively believed I could tackle in a matter of hours?
$100.
You owe me $80 Ass Clown. And I aim to collect.
Also I lost my damn mind for a minute and said the words "i dont know shit about fuck my guy” to my actual father on facebook
so there’s that.
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