#i thought the floor number being the episode number would be so clever and meta and now it's backfired tremendously

[genericpuff]

the Dillyhub mirror of Rekindled having different episode numbers has literally never been an issue

until now-

[littlestsnicket]

the witcher: betrayer moon

The beginning of this episode seems to draw so much more on horror tropes than other episodes. Not that I watch a lot of horror to actually know that. This bit isn’t actually that gory, but there’s something about the slow painful dying that’s really ick. 

The random ass Witcher is smoking a fucking pipe! I missed that the first time around. It seems like he dies a lot too easy for someone with heightened Witcher senses. I guess there just narratively isn’t time for that to take longer but it feels a bit sloppy in a way this show usually isn’t. 

Two funny things about the scene with the prostitute: (1) we immediately establish that they’ve been at it long enough to run out of refreshments which is great, and (2) she’s singing Jaskier’s songs and using them to identify Geralt’s scars. That comes up in shippy stuff a lot but let's assume that is not what they’re going for. The best thing about it is that Geralt is annoyed at the singing and scar identification but also 100% willing to ignore all that if it means a pretty lady is touching his chest like that. I’m amused.

Oh hey, organized labor!

‘You can’t kill the vukodlak so you decide to kill your king?” — that’s a real odd take on the situation, but I suppose it’s not an unreasonable take on what Geralt knows of the situation. Maybe. And he’s so derisive about it. Geralt’s political views are complicated and warrant more thought than I am willing to give them right now to unpick. 

“And if you can’t kill it?” “Then I die.” ICONIC. 

It’s an interesting touch that the guard captain knows people by name. He seems very engaged on a personal level. It gives you a feeling of how small Temaria is. 

I’m not going to look at this in terms of adaptation (that would be a separate thing if I even get around to it) but I think it’s a really interesting choice to pull Triss into this story. 

This has been going on for 6 years?!? No wonder people are close to revolt. 

Oh Geralt’s angry face when he finds out that Triss lied about the other Witcher fleeing. Like don’t undermine his professional honor. 

I’m really glad they didn’t give Geralt cat eyes. I found it really distracting in Good Omens when Crowley wasn’t wearing his glasses. It’s just an odd thing to see on an otherwise human passing creature. 

Yenn? Why are there illusions of people you conjured watching you have sex? Why is that something you thought to do? The way they are smiling and the just like... warm applause is so odd. What is the kink you’re exploring there? I want to understand, Yennefer.

“You are a first draft of what nature intended.” The delivery of that line is so funny. (Also, I imagine that is how book!Dandelion’s hair looks.)

“We remake ourselves on our terms. The world has no say in it.” There’s a lot to unpack there. Especially with how Tissaia explains it in terms of power. 

“Call her a unicorn if you like.” Fanon is wrong about how much Geralt talks in the show. It’s not all just hmm. Relative to all of his dialog there’s not actually that much of that. 

I very much enjoy the way Geralt’s deduction skills are shown here. And also how he confronts royalty as someone who is both not a subject and has very little to lose in terms of social standing.

Stregobor!! AAAAAGH! He’s so awful 

“The all powerful sorceress Tissaia de Viress is knocked down from her glass pedestal.” Teenage rebellion Yenn (although that does oversimplify their relationship.)

Geralt just like... ignoring Triss’s questions is really good. There’s not nothing to the fanon characterization of Geralt.

Sniffing! Sniffing years old scents! How does Geralt function out in the world with all of that input? I guess he’s used to it. 

“Kings have done more for less.” “True.”

Istredd calls her Yenna!

“I will not be schooled by some man that pimps the world as some romantic adventure. My world is cruel. Unpredictable. You enter, you survive, you die.”

“You’re just angry because you lost your chance to be beautiful.” “I want to be powerful.” “Seen and adored with everyone watching.” “It is what I’m owed.” “No amount of power or beauty will ever make you feel worthy of either.” This whole exchange is so good. Yennefer and Istredd are young and flailing about but know each other to hit the mark a few times. 

The aesthetic of this ball is so confusing. What is that music? Maybe Yenn’s dress as “what a early 2000s teen thinks a witch should dress like” was more intentional than I thought. That’s what this party is too. It’s got a strong, for lack of a better word, fanon Harry Potter vibe. 

Angry Yenn! She has got to be so used to being able to emotionally beat down people by the time she meets Geralt. 

“This isn’t my first time trying to save a princess who others see as a monster.” “What happened to that princess?” “I killed her.” Geralt is fucking impeccably honest. That is a huge part of who he is as a person. What a thing to say to a king.  

The prostitute assumes Geralt was in love with the princess and Foltest assumes he is incapable of it. And Geralt does not correct him. 

“She was hiding from the brotherhood...” Wait!!! Did Yenn give the guard captain the curse?!? I think she could have timeline wise. 

Yenn chooses to keep her eyes and her scars. She also very explicitly knows what she is giving up. Which she, importantly, never puts up for debate. But this really isn’t informed consent. That is the life path she was, essentially, sold into. She also doesn’t get what she was promised in a court appointment. The thing that stands out to me on this watch is how little real power and influence Triss has in Temeria. I think it’s easy to suspect that Yenn didn’t put in her all at court, because by the time we see her next it’s been such a long time and she is so jaded. But I don’t think that’s the case at all. There is something going on here with women needing to be beautiful to exercise power and it also, simultaneously, undermining them. It’s a complex thing.

Geralt can be pretty fucking ruthless when he lets himself. Just abandoning captain dude to die. Not that he’s a good person or whatnot, but still. 

The snow particles add a lot to the aesthetic of the fight sequence with the striga. And the noises the striga makes are truly horrifying. 

Yennefer is insane to do this without any kind of pain relief. I read some very good meta about Yennefer believing it should hurt. I don’t have anything insightful to say about it. 

The little moments of Geralt being clever while fighting! I’m trapped so let me aard through the floor to escape. That is next level situational awareness! 

Yenn’s transformation intercut with Geralt fighting to break the striga curse. What does that imply? Lots but I’m really not sure exactly what. 

Geralt trapping himself in the crypt. It’s so clever but also feels like an act of desperation. And he’s relatively unscathed until the mostly uncursed but totally feral princess tries to eat him. 

Yenn and feral princess are in very similar fetal positions post transformation. 

Yenn’s face when she walks into the ball! It’s a really complicated face. Something about her ever so slightly vague open mouthed expression reminds me of Steve Rogers post Captain America transformation. It’s a similar “I have just undergone something incredibly painful and now am different” thing. 

So what would have happened if Yennefer ended up in Nilfgaard? Would it have made any difference?

“Anyone else would have killed the princess. You chose not to.” “I’ll take my coin now. I need to get back to my horse.” yeah sure Geralt. Triss knows you’re not in this just for the money. 

Vortex of Fate!!! This is not one of the episodes where they say destiny an unreasonable number of times, but Triss does say it there at the end. (And also the bit about destiny being related to choices.)

“I feel something waits out there for you. Something more.” CUT TO CIRI! There are a lot of really clever things with how these storylines are woven together. 

You know what? I did not miss Ciri at all this episode. Freya’s performance is good and there’s nothing wrong with the writing, but she is definitely the character and storyline I am least engaged with.