#i think the constant need to socialise is so much more exhausting than having classes every day

[umilily]

cruel that i am not allowed to just stay home from uni bc i don't want to deal with people

[luvnami]

𝐎𝐜𝐞𝐚𝐧 | 𝐖𝐚𝐯𝐞𝐬 (here) | 𝐄𝐩𝐢𝐥𝐨𝐠𝐮𝐞 | 𝐀𝐮𝐭𝐡𝐨𝐫'𝐬 𝐍𝐨𝐭𝐞𝐬

𝐀𝐮𝐭𝐡𝐨𝐫'𝐬 𝐍𝐨𝐭𝐞 - Second part to ‘Ocean’! Hope you enjoy it :> Reblogs, comments, shares and likes are really appreciated!!

𝐁𝐞𝐭𝐚 𝐑𝐞𝐚𝐝𝐞𝐫𝐬 - @getousuguruwife​ @amjustagirl​ @aliteama​

𝐂𝐨𝐧𝐭𝐞𝐧𝐭 𝐖𝐚𝐫𝐧𝐢𝐧𝐠 - Amnesia, Memory loss, Blood, Mild gore, Death, Blood loss, Corpses, Food, Manga spoilers, Pre-canon and canon compliant to a certain extent, Nightmares, Relationship Issues (lack of communication), Overthinking/Anxious Thoughts, I criticise Nanami’s choice of clothing

𝐒𝐮𝐦𝐦𝐚𝐫𝐲 -  Nanami Kento's life has been... Good, bad, and everything in between. He  (and many others) thinks he's mature, independent, the definition of  what a proper adult should be like. But really, the only way he's made  it this far is because you've been holding his hand the entire time. 

𝐖𝐨𝐫𝐝 𝐂𝐨𝐮𝐧𝐭 - 5k

Nanami decides to enter university and get a degree. He casts a life of sorcery behind and turns a blind eye to curses that peer at him curiously on the street. When you text him and ask about how life is in the city of Tokyo, he replies that it would be much better if you were here with him. You choose to ignore the meaning between the lines and tell him that he’ll do great in university; you’re sure of it!

Truth be told, his parents are more than glad to fund Nanami’s ventures and encourage him to do so. As a result, he finds himself engulfed by the world of rigorous studying. Lectures and tutorials drain his time from morning to evening, not to forget project meetings and whatever the hell ‘socialising’ means.

But campus life is invigorating. He wakes up to the smell of coffee and his roommate singing a foreign song with a catchy tune and has time to enjoy a lovely breakfast before he heads off for morning classes. Everything is done in his own time. No one rushes him to save the lives of innocent civilians, nor does the weariness of a day’s fight linger in his bones.

Quietly, gently. That is how Nanami’s time in university goes by. Writing essays on analysing market trends or a project on that sociology elective module he chose is nothing too tricky, especially when one compares it to sorcery. 

He learns to relax, unwinding in the golden hours of the evening with a Murakami paperback and a steaming cup of coffee by his side. Nanami meets new people — people who have never heard what a curse is (though he does find his witchy neighbour intriguing), people who have families at the furthest ends of the earth. Their companionship is refreshing.

You, meanwhile, earn a nice sum from working at Jujutsu Tech. You don’t work directly with curses (something which Nanami is thankful for) and enjoy your time surrounded by nature, treating the younger students with a smile and warm cup of tea. 

You and Nanami decide to move into an apartment where the commute is halfway between both schools. It’s a nice change of pace, really. You wake up next to each other in the blinding morning light, still entangled in the cheap (and slightly scratchy) duvet you got on sale. Nanami presses a kiss between your brows. You smile, your hand warm on his skin. 

“Good morning, Ken,” you croak as the sunlight frames your face.

You lean forward and place your head against his chest. Nanami’s hand strokes your shoulder lovingly as the both of you make small talk on the day’s events, then laughing when he makes a cheesy (and slightly indecent) joke about what he enjoys eating for breakfast. Your heart soars in your chest, catching the upwind and slicing through the clouds. It feels like heaven.

But the sea does not always remain calm and peaceful. Its tides rise and fall with the waxing and waning of the moon, and waves can come crashing down on boats that dare sail through its treacherous waters. 

Nanami buries the constant nightmares of Haibara under his pillow, waking up in the middle of the night with your arms around his waist. He pretends he does not see the curses that linger in the corner of his lecture theatre, nor the ones that stare back in the bathrooms. Nanami slips a pair of spectacles onto the bridge of his nose. His fellow classmates call him intelligent, quiet, but kind. 

He wants to believe that, too.

☆*: .｡.

Nanami joins a hedge fund company after graduation. 

“Are you sure that’s what you want to do, Ken?” you ask over the table.

The restaurant you had booked for dinner boasts of its month-long waitlists and seasonal menus. You poke at the raw fish that sits on your plate, Nanami holding a glass of amber liquid. He watches its colour swirl under the dim light.

“The pay is good. We’ll be comfortable.”

“I don’t care about money, Ken. I’d rather you do something less stressful and be happier.”

“Let me try it out for a year or so. That can’t hurt, right?”

He smiles, you smile. 

Your hand slips into his comfortably over the table, and your eyes meet in silent understanding. You squeeze his hand.

The company changes Nanami. Some things are obvious — the way he now parts and combs his hair back with wax, the pressed suits that line your shared wardrobe, the work phone that buzzes with notifications every minute of the day. Others are more… subtle. He comes home later and later each night, occasionally staying over in the office. His alcohol consumption increases. You spend the weekends alone. 

It’s gotten to the point where you’re lucky if you eat dinner with him once a week. You’re busy with your own work, too, but you assume that Nanami would be able to come home on at least the weekends. Your mind begins to drift.

Is there a colleague who wears a skirt too short, a manager who touches his shoulder a second too long? It’s been at least four years since you and Nanami had gotten together, and you still don’t know his stance on marriage or children yet. Does he love you, or does he love his job more? 

You fall into a pit of doubt and despair. Perhaps you should have been a lesser burden on Nanami. He spent so many hours taking care of you back then, wearing himself thin between missions, that the idea of him getting tired of being a caregiver to someone who didn’t remember him at all was… possible; reality, even?

There’s nothing original about you, either. Your handwriting is the same as a girl you’ll never remember from middle school, the way you text influenced by the students you work with. Maybe you laugh too loud. Or you’re too fat, too skinny, too quiet, too noisy, too blunt, too shy, too clumsy. So what made him love you? Or was he just in love with a previous version of you that you weren’t now?

It feels like you’re staring into a mirror when you try to remember who you used to be with childhood journals and photographs. The same face, the same body, memories that don’t make sense and a head that has become a blank canvas. A parent’s child, a teacher’s student. Unable to reach past the glass.

You don’t know who you are anymore with how you’ve changed to please Nanami — a person of personalities that switches in the blink of an eye. So why does he still keep you in his rented heart that’s full of other tenants, and under the contact name ‘Dear ♡’? You place the button in a drawer amongst a mess of spare keys, bits of tissue paper and promotional pamphlets. 

It’s tiring. Nanami’s head is in the clouds as you share a parfait, and you ask him, “Kento, do you really love me?”.

“What?” he asks incredulously. “Of course I do.”

The eyebags that are on his face have been there since two weeks ago. Nanami can’t remember when the last time was when he got a proper night of sleep, and currently, he’s thinking about the new client that-

“Kento,” you interrupt. “You’re exhausted.”

You point your spoon at him for extra emphasis, the tip of it having a dollop of whipped cream. 

“Pointing your utensils around is bad manners.”

“Never knew you cared about table manners.”

“Well, now I do.”

You lick the spoon clean and eye Nanami. He returns a tired stare before his gaze falls to the side and he lets out a sigh. He almost wishes that you would stop bothering him about this and let him go back home. There are so many emails he needs to send, and he can’t sit still without checking the stock market every hour or so. 

“Do you want to break up?”

The words come easier than expected.

“Huh?! What makes you say that?”

“You seem like you want to.”

“You can’t just assume things like-”

The girls sitting by the next table fall quiet. Nanami thinks that they’re eavesdropping on your conversation; you think so too. You glance quickly at them and they pretend nothing had ever happened, hiding their looks of surprise as they shove spoonfuls of dessert into their mouths.

“Let’s go somewhere else.”

You sound irritated. Nanami pays with his card, grabbing his things as you step outside of the cafe first. 

“Slow down,” he mumbles and pockets his wallet. 

You whip around.

“You can’t just assume things like that, Kento.”

“Fine, I’m sorry.”

Staring at him, your eyes seem glazed over. Tired, maybe. Tearing up, maybe. Maybe, maybe. Many maybes. Nanami doesn’t know what to say. He doesn’t know what’s been going on with you, actually. You seem distant, out of reach when you’re lying in the same bed as him. Is it the money; is he making enough to make you happy?

Nanami reaches out and tries to hold your hand (when was the last time he had done that?) when his phone buzzes. He retracts his hand and reaches for his back pocket, but you grab his wrist. He looks at you.

“What are you doing? Let go.”

Irritation laces his voice. 

“Don’t answer that.”

“Are you crazy? It’s from work. I have to.”

“Work this, work that! You spent the last year basically married to your office and the one time we get to go out together, you want to work?”

Your voice is sharp, slicing Nanami’s hazy conscience. He watches as it pools at his feet, a gust of fresh air tickling his skin. He relaxes his wrist and you pull your hand away. Passersby glance at you briefly before continuing their daily commute, not bothering to give you a second glance.

“Sorry,” you mumble.

“It’s okay,” Nanami replies. 

The both of you stand in the street, suddenly feeling as if you’ve drifted away from one other unknowingly. Like a boat in the ocean, Nanami rocks with the waves that splash gently on his hull. Everything is blue and vast around him. He can’t see the land. 

Nanami thinks about that girl at the bakery. The way she always cried out ‘Come back soon!’ every time he left as if he wouldn’t return a second time. And then he thinks about the clients he serves, all outfits and jewellery that easily cost half his salary. They shove money into his hands, expecting even more in return without a word of thanks. 

“Hey,” Nanami says. 

He reaches out across the waters and grasps your hand in his. You look up, eyes brimming with tears. He swipes at the corner of your eye with his thumb. Understanding washes over him and he takes a deep breath. 

“I’m sorry,” Nanami whispers sincerely.

That night, he calls Gojo when you’re safely tucked into bed. Nanami tries to ignore how the older sorcerer cackles at him and hangs up once the call is presumably over on his end. He slips under the covers as you turn over in your sleep, resting against his chest. Nanami kisses your brow. 

He gets his first night of good sleep in a long, long time. 

☆*: .｡.

Nanami falls back into the rhythm of sorcery. He trains for a good month until he gets his stamina and strength back, obtaining a new weapon from the school for his missions. Gojo seems oddly delighted to see him return, laughing when Nanami’s out of breath from a workout.

“Ken,” you say, wrinkling your nose when he steps out of your shared bedroom. “You’re going to work in that?” 

Nanami adjusts the cuffs of his sleeves, staring at you. 

“Is this not appropriate?”

You observe him from head to toe. The leopard print tie, blue shirt and tan suit — you resist the urge to tell him he’s so close to looking like a pimp. Out of all the lovely suits that Nanami has, he chooses to wear this one?

“It’s a bit bright, that’s all,” you laugh. 

“I thought I would go with something eccentric. You don’t get to wear this at the office,” he remarks, striding over to the kitchen to grab your packed lunches. 

You remain quiet and fiddle with a loose thread on your own suit jacket. 

“Something the matter?”

“Oh! Nothing at all. Let’s go.”

It’s more convenient now since the both of you work at the same place. Nanami drives to Jujutsu Tech every morning and picks you up in the evenings as well. He detests how Gojo makes fun of him for it, calling him a ‘lovely husband’. It makes your cheeks warm, and you duck your head before Nanami can ask you anything about it.

Peace reigns true for a few months. The morning routine is a nice change of pace compared to Nanami’s previous job. You’re able to spend more time together, even to the point of going grocery shopping or watching a movie with takeout on Friday nights.

Nanami relaxes only a little. Compared to office work, this is probably just as bad. First of all, he has to see Gojo almost every day and have him talk his ear off. Secondly, he returns to being the balance between life and death for civilians once more. It’s not a task he enjoys. However, he harbours that the thanks he receives and the lives he saves are a good enough exchange. 

Years come and go, as do students of Jujutsu Tech. Nanami sees more dead sorcerers and exorcises more curses. You quietly type away at a laptop, filing their deaths and completing any tasks you’re given from the higher-ups. It seems that life has slowed down once more and you return to a monotonous pace. 

You wonder if your relationship with Nanami will progress any further. It’s been close to nine years and yet… nothing has developed beyond living together or the odd weekend date. That’s not to say that you don’t love Nanami. You do, honestly. He treats you well and listens to your occasional nagging to put his stacks of books away, but you want something more. You crave the thought of getting married, to be lawfully his and maybe start a family. But, contrary to belief, Nanami isn’t opposed to it when you bring the topic up over dinner one night.

“Marriage?” 

His chopsticks pick off a portion of grilled salmon and he brings it to his mouth with some rice. He chews, swallowing.

“Yeah. I mean, we’ve been together for so long, you know? So it kind of seems natural for us to do so.”

Your gut twists nervously. The steam from your miso soup rises silently in the air, wisps of white smeared out at the edges. 

“Sure.”

“Huh?”

“Sure, let’s get married.” Nanami says.

You have to physically close your mouth and your eyes are widened in shock. Your heartbeat accelerates that much faster.

“Are you serious?”

“Well, were you serious when you asked me that question?”

Heat rises to your face. 

“As you said, we’ve been together and living under the same roof for quite some time. Marriage seems like a plausible idea.”

“Then let’s-!”

“But I have one condition.”

Momentarily, your heart wavers. Nanami finishes the last drop of miso soup in his bowl and balances his chopsticks on top of the porcelain. As usual, his plate and bowls are scraped clean. 

“I’ll only get married after I stop being a sorcerer.”

Your face twists in confusion as you try to understand where Nanami is coming from. You don’t get it — didn’t being a sorcerer mean that Nanami faced death everyday and that he should be taking advantage of what time he has left? But, of course, you don’t mean to curse him into an early grave like that. Except… Except that your face visibly falls and Nanami takes notice of it.

“I’d rather not have my life entangled with curses more than it should be. Once we both earn enough money and have a nice savings account, we can retire and go do whatever we want. Besides, I’ll invest. It’ll be more than enough.”

You remain silent and stare at your half-finished dinner. Nanami reaches over the table and takes your hand in his. 

“Can you give me some more time, please?”

You don’t reply. 

☆*: .｡.

“Did you hear about the new first years?”

“Mm. The one who died, right?”

“Gojo wants me to mentor him for a while.”

Nanami’s hands are positioned on the steering perfectly. His palms guide the car carefully through the steep roads that climb up to Jujutsu Tech. You flip through a checklist of things you need to do for the day.

“Will you be heading out of school?”

“Probably. There’s a scene I need to check out.”

“Stay safe, alright?”

“Of course. You too, don’t forget to have your lunch again.”

Nanami pulls into the parking lot of the school. Leaning over the clutch, he presses a kiss to your hairline. You gently peck his jaw.

“See you tonight. I might not be able to pick you up, so get Nitta to drive you.”

“See you, Ken.”

Nanami watches as you open the car door and step out. You turn back, giving him a wave and smile through the window. He returns the gesture. Once you’re out of sight, Nanami pulls out his phone as he sits in the car. He thumbs through his emails and his Adam’s apple bobs as soon as he sees the confirmation sent to him. A loose sigh worms its way out of his chest. He pushes the door open and steps out. 

The rest of the day is spent teaching Itadori Yuuji about the sanctity of being young and simpleminded. Sorcery isn’t child’s play — especially when there are lives involved. He watches as Itadori’s face crumbles at the mention of the transfigured humans. He wants to comfort him, place a hand on his shoulder and tell him that it isn’t his fault.  

They have a quick debrief of the situation with Ijichi before parting ways. Nanami shoulders his burden once more, watching as the car pulls away in the direction of Yoshino’s home. 

As night falls, Nitta drives you home. She’s chatty, serious about her job and does it well. You smile when she gushes about how lovely Nanami must be at home, and, oh! Do tell him to lighten up at work. 

You thank her when she drops you off. As you walk through the lobby of your apartment complex, you make a routine stop by the mailboxes. Junk, bills and… a box? You flip it over to see who it’s addressed to; perhaps Nanami had ordered something online. However, your name is printed neatly across the label.

The first thing you do when you get home is to open the box. It’s small, probably not more than a hand’s breadth in length. Your pen knife slices through the tape cleanly and when you push aside the flaps, you spot two velvet boxes sitting in a mess of paper filler. Your fingers tremble when you pull one of them out and open it. 

A silver ring sits in the furrow of a cushion with Nanami’s name on the inside. Your heart skips a beat and you reach into the cardboard to pull out the second ring box. This one is a little larger, with your name engraved on the interior side of the band. It must be Nanami’s, then.

It’s already well past 6p.m. as you dial his number with your lower lip between your teeth. You pace around the house, bouncing on the balls of your feet. What were these meant to be? Promise rings? Engagement rings? You hadn’t dared to slip the one with Nanami’s name engraved onto your finger just yet.

“Hello?” 

Nanami’s breathing is laboured. Your heart falls and you stop in the middle of your living room, staring ahead at nothing.

“Ken? Are you okay?”

“Yes, I’m fine. Just… just a little hurt. It’s nothing serious.”

“Are you sure?”

“I’ve called Ijichi to pick me up, don’t-”

“So it is serious, then!” you cry out in horror. 

“No, no. I said I’m fine. Look, did you receive the rings yet?”

“I did, but that’s not the point now. Are you safe?”

“I-”

You hear Nanami’s phone clatter to the ground and the thump of his body on the floor. 

“Kento?” you whisper.

He doesn’t reply. 

☆*: .｡.

You’re seated on the floor of your shared home, an oversized pajama shirt stolen from Nanami’s closet swallowing you. Sunlight pours in through an open window at two in the afternoon and the quiet hum of vehicles outside can be vaguely heard.

Clip, clip, clip.

One hand holds a nail clipper, while the other cradles Nanami’s fingers gently. The blond watches you absentmindedly while you trim his nails. He had insisted he was perfectly capable of doing them on his own, but the glare you gave him made Nanami sink back into the sofa. 

He was hurt after a fight with Mahito — the wound on his side made him grimace whenever he stood up, and Nanami found himself relying on you more than he wished to. Thankfully, he had passed out from blood loss and pain but nothing too devastating had happened. That didn’t change how concerned you were about him, though. You try to forget how you had hailed a taxi just to rush back to Jujutsu Tech to see Nanami lying in the sickbay with a blood drenched shirt. 

Nanami thinks it’s childish. When was the last time someone had clipped his nails for him? Was it his mother? A warm breeze wrings itself through the window. You run the pad of your finger over the cut edge, feeling for any sharp portions. 

Nanami stares at the top of your head. Your fingers feel uncharacteristically soft against his own calloused ones — wielding a weapon in battle wore his palms down at the end of the day. He doesn’t particularly want to admit he likes it.

Nanami is a man of truth. He hates lying, and definitely doesn’t tolerate beating around the bush. But if he spoke as he thought, told you everything he felt about you as often as it came like the wind, how would you react? He clutches his heart in the aching hand of a budding teenager, the fears of facing a cruel world fresh in his mind. 

Being a sorcerer means facing death on a daily basis, especially with the increase in curses with modern times. It doesn’t help that with both of you on the field, it means double the chances. Sorcerers never die without regrets.

Nanami wishes he could love you more, let you explore each crevice of his heart without fear of leaving you; being left behind one day. He doesn’t want to curse you if he dies. He doesn’t want to become a burden to you any more than he should be. 

Clip, clip, clip.

“Is it too short?” 

You glance up briefly at Nanami and brush the hair out of your eyes. He stares down at his fingers and feels them over with his thumb. He shakes his head.

“No, it’s fine.”

You nod and move on to his next hand. You’re systematical about it — trimming off most of the grown parts in three portions, then a couple tinier clips to finish the job off. A nail file sits on the ground beside you, the tiles of the floor cool against your bare legs.

“Hey, Ken?”

“Hmm?”

“I heard that there’s a new bakery opposite that popular department store. I was thinking of going to take a look later. Do you want me to get anything for you?”

“Nothing too sweet would be nice.”

“Okay.”

The living room falls back into a comfortable silence.

Clip, clip, clip.

☆*: .｡.

It takes a few more weeks before Nanami is cleared by Ieri to return to regular sorcery work. He tries to rest in the downtime he has, he really does — but the itch to get up and finish Mahito off has him restless. 

At this, Gojo sends Nanami and you off to Hamamatsu on another curse investigation for a change of scenery. Gojo doesn’t want to admit it, but he had mumbled to you something about taking care of Nanami’s mental health. Maybe the beach would help? You told him he sounded like a doctor from the 20th century. You’re not one to refuse a free trip outside of Tokyo, though, so you and Nanami pack your luggage and troop off to Hamamatsu on the Shinkansen. 

“Thank you.”

Nanami’s fingers curl around the ice cream cone handed to him, the sun scorching his back. It’s too hot for this; for anything, really. He makes a mental note to give Gojo a good stare of disapproval once he returns to school. 

Why did the mission have to be on the warmest day of the year? With how the heatwave makes perspiration trickle down your back, though, the dangers of facing a possible special grade curse is the least of your worries right now.

“It’s so hot!” 

You eagerly lap at the soft serve, savouring the cold, sweet treat. Nanami wanted to take a photo of the ice cream, but- oh well, you’ve begun eating, and the horrendous heat would have probably melted it before he found a good angle, anyways. 

Protected by the shade of a shopping district, Nanami and you had agreed to find refuge for a few hours — the curse could wait till the sun began to set. Besides, it would be more likely to turn up after dark. 

“How does yours taste, Ken?” you ask and peer over at his cone.

He had gotten a cookies and cream flavoured one, despite how you egged him on to try out the local eel flavour. Nanami was not going to ruin his taste buds just like that, thank you very much.

“It’s alright,” he says, licking traces of ice cream off of his lips. “Could do with a little more cookie.”

“Wanna try mine?” 

You stick your cone into Nanami’s face. He’s greeted with your half-eaten soft serve, where your tongue has made a path of its own against the original swirl. He eyes you carefully and you offer the cone to him once more.

“That’s unhygienic.”

“Oh, come on, Ken! We’ve kissed before, sharing saliva on ice cream is nothing compared to that.”

Heat rushes to his face, though Nanami assumes a composed facade. He blames it on the weather without hesitation. Not wanting you to tease him anymore, he leans forward and nips a tiny portion of your ice cream off of the tip. 

“Yummy, isn’t it?”

“Mmm.”

“Want to try mine too?” 

The words leave his lips on reflex. Nanami wonders when he’s begun letting you try his food — when he used to be so adamant that no one could even touch its container or look in its direction (thanks to Gojo’s greedy fingers). You nod excitedly and lick off of a portion. 

“It’s good!” 

What was the first time he had said it to you? Over oden in the winter; over those disgustingly sweet slurpees you insisted on from 7 11? All those small moments that had built up culminated in Nanami’s affection and understanding towards you. The way in which you offer him a bite of your food without expecting anything in return; is that what love is like? 

“You’ve got some ice cream on your face,” Nanami says.

You instinctively use your tongue and try to clean it off. “Did I get it?”

Nanami shakes his head. “It’s on this side,” he replies, pointing a spot on his own face.

You try again, to no avail. Nanami sighs.

“What would you do without me?” he asks monotonously, using the pad of his thumb to wipe it off.

You stand there, frozen for a second when he leans in. His promise ring is cold against your cheek.

“Kento?” you whisper. 

Under the light of the shining sun, he presses his lips to yours, shielding you from warm rays and the glances of passersby with his back. You let out a muffled sound of surprise as you taste cookies and cream, your eyes fluttering shut instinctively. 

Nanami isn’t a fan of public affection. God forbid Gojo see him kissing you, really. But as he leans back and watches your half-lidded eyes stare up at him, he asks himself if you’ve ever received his own sort of love in return. 

A relationship’s all about give and take; but has he given as much as he should have? Has Nanami loved you in a way that matters? Life is a fleeting concept to all sorcerers. Should he die and leave you behind, Nanami wonders if he would pass without any regrets. Did he do enough when he tugged the covers over your shoulders when you fell asleep on the sofa, was there more he could have done even after buying you that watch you had eyeballed for the past few months?

There’s that sort of incompetence that curls up in his chest on sleepless nights, even with you tucked into his side. It makes his head spin and his heart fall into a bottomless pit. With all the eyes of juniors and students that look up to him, Nanami can’t help but wonder if he’s truly as good as everyone thinks he is. Being a sorcerer holds little problem. But what about a lover, a husband?

He couldn’t save Haibara, so how dare he think about…

“Kento,” you swallow. “Ken?”

Nanami snaps out of his daze. “Huh?”

“I dropped my ice cream,” you whisper. 

He swivels his head and spots your cone face down on the sidewalk. His own cone drips down his hand, the melting liquid staining the sleeve of his suit. For once, Nanami’s mind runs blank. 

“Kento? Are you okay?” you ask gently.

“Hey,” he murmurs. 

“Mm?”

Nanami’s careful to avoid the pool of melting ice cream as he steps closer to you, lips brushing the shell of your ear. Your breath hitches as his cologne invade your senses.

“I love you. Let’s get married.”

[floraexplorer]

A Letter to My Family House

This is the house I was born in.

It’s the only family home I’ve ever known.

This is where my parents brought me as a baby in March 1988; to a house they’d decided to put a mortgage on when they realised they were about to become a family. They’d only been together for six weeks when she discovered she was pregnant.

My parents first met ten years earlier. He’d directed her in a play in 1977 (she was his leading lady), but he was already due to be engaged and so nothing could happen between them.

Ten years later and after his divorce, he left a message on her answerphone asking her to lunch.

The rest is history. Thirty years of it, in fact. And it’s a history I’m now responsible for preserving. Now, this house and its contents are all I have to remember my parents.

Losing your parents turns your world upside down

2018 has been the most difficult year of my life. Since my dad’s death last October it feels like I’ve spent more days crying in these six rooms than living in the outside world, and it’s been utterly exhausting.

One of the hardest things about grief is that there’s no rule book. It’s completely up to you – your body, your mind, your emotions and your intuition – to parse how to act, think, and feel your way through the grief-cloud. Your friends are supremely cautious about giving the wrong advice or adding any further stress, so they’re gentle with everything they say to you. Much of the time I hear, “We can do whatever [it is] you want.”

But that’s the problem. I have no bloody clue what I want. And what may feel like appropriate behaviour (i.e. spending your days sobbing on the carpet) is fundamentally flawed, because you’ve been through such huge trauma that your instincts are all over the place.

Take this house, for example. I moved back here just over a year ago in July 2017 when my dad was dying so I could help care for him. The timing was bizarrely appropriate: my flatmate Emi was heading to Nepal and India for six months so I wasn’t sure what my housing situation would’ve looked like anyway.

Except once my dad died last October, I didn’t leave the house. I couldn’t.

Instead I lived in a blur. My world became a confusion: predominantly crying in London, alongside occasionally telling myself I could still travel; that being abroad could still make me feel normal. In the first half of 2018 I headed to Cuba, Spain, Antigua, and Holland – but I still didn’t question my home base.

So I’ve somehow spent almost ten months living in the house I grew up in. By myself.

There are reasons for this, of course. For a long time I couldn’t even contemplate the idea of living elsewhere because this house is where all my familial memories are – and because being here allows me to remember them, and cry about them, and mourn them.

But I’ve been so careful to allow myself this private grieving space that I’ve overlooked something much more important: is being alone here actually helping me?

Losing your parents means you compare yourself to them

For a long time I’ve classed myself as an extroverted introvert. I love being around people and I thrive in social environments, but when I need to recharge it’s all about being by myself. Now that my parents are no longer around, it’s acutely easy to see my behaviours aligning with theirs  – and to judge myself accordingly.

My mum was a born socialiser. Whenever I came home from school she’d be sitting with her friends around our kitchen table gossiping with cups of tea, and we’d always joke that Mum could make instant friends with anyone, even in the queue at the post office. In comparison, my privacy-preferring dad was more likely to choose a night at home than any number of social invitations my mum tried to entice him into.

After Mum died, I noticed that our family house grew immediately quiet. While I quickly went back to university and then moved to San Francisco for my year abroad, Dad barricaded himself here – one man with his impenetrable fortress of solitude – and that’s how I began to view this place too. As a quiet, empty set of rooms, with way too much space to think.

I’ve spent most of the last few years terrified that I’ll end up alone like my dad – even though the crucial difference is that he was clearly happy being by himself. Yet conversely, I still need time and space alone to grieve and cry (the age-old adage of being stuck between a rock and a hard place has never felt more appropriate).

It’s made sense for this house to be my place of solitude this past year. This house means more to me now than it ever has. It’s been the one constant throughout my life: first a place of ultimate familiarity and comfort, then a place to grieve with my dad about the loss of my mum, then a place to calmly remember her, then a place to watch my dad’s declining health, then a place to grieve for him alone.

I have boxed myself in here. Self-imposed isolation. Surrounded by photos and objects and furniture and so many goddamn memories at every turn, which all act simultaneously as beautiful and heartbreaking reminders of who I’ve lost.

These are the details of my house: the inexplicable details which now mean everything to me, but mean absolutely nothing to anybody else.

There are the orange and blue shadows which fall onto the bathroom floor every afternoon when the sun is shining.

The chipped paint on the bannisters in the hall where we used to leave Post-It notes for each other, explaining what we were up to that evening. Her choir practices, my music lessons, his theatre rehearsals.

The elastic band I placed on the one squeaking stair so I’d know to avoid it and not wake him up when he was dying.

The marionettes she brought back from a visit to Indonesia, which my dad hung on the back of the living room door and posed them holding each other’s hands.

The wild blackberries which have always grown in the garden bushes, and which he made into crumble in the autumn – along with shop-bought apples and a secret ingredient of canned mango to make it smooth and creamy.

The green glass bottles she placed at the very top of a door in the kitchen we’ve never opened.

The hole in the middle of the lawn where he planted an apple tree in memory of her.

The theatre masks he collected from Greece and Japan and hung up in his study, which used to haunt me whenever I ran past the open door to the bathroom in the middle of the night as a kid.

I’ve tried my best to make this place my own. Slowly, carefully, I’ve begun to place my own possessions around the house and make it a mixture of our shared past and my sole future.

But I’m still living amongst their memories. Because what do you do with the sum total of two people’s lives who no longer exist? She was sixty two when she died. He was seventy nine. That’s a hundred and forty one years worth of life! All of which I’m responsible for; all the parts of their lives that they chose to keep.

And I still don’t really know what I’m doing. Or if I even want to do this.

I don’t know how to clean two floors of a house adequately, so the dust collects above doors and on carpeted stairs and underneath heavy oak furniture which once belonged to my grandmother.

I look around at bookshelves heaving with texts I’ve never read and probably never will – but they’re a lifetime of two peoples’ theatrical study and theatre work, and my heart breaks at the thought of giving them away.

I have a hundred questions I can never know the answers to: where did they find the cherub which hangs above the stairs? Why didn’t he tell me how to unlock the second set of garden doors? How do I fix the strange leaking patches in the ceiling? Do I really have to find a chimney sweep to clean the fireplace?!

And sometimes I just can’t bear to move objects from their years-old positions when I know my mum was the last person to decide where they’d be placed. She was the last person to have ownership over them, and I can’t bear to eradicate that.

You can’t heal in the same environment where you got sick

In January I wrote an article about my search for ‘home’. I said that, after years of travelling with an internal need to keep moving, I now wanted to stay very still in a place of comfort and wait for this grief to wash over me. It’s taken a while for me to realise that waiting for grief to do its thing doesn’t actually work.

Wherever I am, I’m still going to feel this grief. Yet I’m making it infinitely more difficult for myself: no longer living with housemates and also being in a long-distance relationship means I’m primarily facing the day-to-day hell of that grief alone. And it’s too much.

I’ve seen a quote crop up a lot recently: you can’t heal in the same environment where you got sick. As so often happens, this has been like a lightning bolt of realisation. Maybe the house where I grieved the sudden loss of my mum and spent months watching my dad die isn’t where I should be now?

I’ve always seen it as a safe space, but in actual fact my house now feels somewhat toxic.

I’m also giving it too much power. This is JUST a house. It is just a building. It is not the physical embodiment of my parents. Not being here doesn’t mean I’m disrespecting them or their memory. Not living here doesn’t mean I’ve failed.

And another thing to bear in mind? Home isn’t always in just one place.

The place you call ‘home’ is your choice

The turning point of this thought process happened a few weeks ago. At a recent summer’s evening on a London rooftop, surrounded by many of my blogger friends, we were celebrating the wedding of two of our own, the stunning couple that is Paul and Karen from Global Help Swap.

As I chatted about the concept of ‘home’ to people who’ve known me for almost a decade, both online and off, I realised that the Flora they know is fundamentally a traveller. An explorer. Someone who breathes excitement, loves impermanence and adores challenging herself with a myriad of adventures around the globe.

Alongside many of these blogger friends I’ve travelled to Spain, Antigua, Scotland, the Philippines, Holland, and South Africa. We’re a group who think nothing of criss-crossing the world to spontaneously meet each other for beers – and that style of travel, that impromptu way of life, is a huge part of me. I’ve just lost sight of it for the last few years.

Losing your parents is traumatic – which means that right now, I’m going to be scared of whatever changes happen. I’ve forgotten what it’s like to have the courage to start over in a new place. But I’ve done it dozens of times before, in Florence and Norwich and San Francisco and Ecuador, and I know just how incredible it can be.

Although the idea of leaving my house fills me with fear, it doesn’t necessarily need to be a big deal to move somewhere new. This house will always be here, as long as I want it to be, and the memories won’t disappear just because I don’t live amongst a cascade of them every day.

That night after the wedding celebrations, I came back to my family house alone. I walked in through my familiar front door, climbed the stairs, and crawled into a huge bed by myself. Comfortable, certainly, but not enough anymore.

I’ve reclaimed enough of this house for now. Perhaps it’s time to move onto someplace different.

Have you moved on from the place you called ‘home’ after a trauma? What do you think makes a house a home? 

NB: All the images in this post were taken with the new Samsung S9, which I’ve been trialling out thanks to Three. 

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