#i suddenly forgot every character i've ever loved from every piece of media i've ever seen WOW
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thirteenemeraldcats · 5 months ago
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10 characters from 10 fandoms!
tagged by @abubblingcandle and @kvetchinglyneurotic who are both so ridiculously talented as writers and SO ridiculously lovely as people that i am forever building metaphorical statues in their honour and tossing roses at their feet as they bow on the stage
Jamie Tartt (Ted Lasso)
Dick Grayson (DC)
Neal Caffrey (White Collar)
Prince Zuko (ATLA)
Peter Parker (Marvel Comics)
Morpheus/Dream of the Endless (The Sandman)
Buffy Summers (BTVS)
Spock (Star Trek)
Westley (The Princess Bride)
Donna Noble (Doctor Who)
I HAVE NO IDEA WHO HASN'T BEEN TAGGED!! (AGAIN!!) going to boop with no pressure @nativestarwrites @sighonaraa @fanficfanattic @orbitalpirate @anguishmacgyver @jamiepoptart
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liyazaki · 2 years ago
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I know, I know- I went right for the jugular with that title. at first glance, this might look like a KinnPorsche finale hit piece...an "oh, y'all thought this was a HEA?" before I throw a bucket of gore all over your warm fuzzies, Carrie-style.
in reality? this is a long-form love letter to perhaps the most meticulously-constructed show I've seen in years- Asian, Western, European, etc., et. al. period, fin, full stop.
if there's an idea that KinnPorsche has driven home over and over again, it's that more than one thing can be true at once. that idea has never been more overt than in the finale.
something can be immensely satisfying, hella romantic, quietly appalling, empowering, and like a waking nightmare- all at once. for me, the finale was every one of these things- just maybe not for the reasons you'd expect. in summary: have a little faith before reaching for the pitchforks (thanks in advance).
but first: a little history, a little fandom
some background before we jump into the, as @dancinbutterfly likes to say, "it's about the DRAMATURGY"- of it all. I've been going into every piece of media for years now with as close to the inverse of expectations as you can get, because she has been burned and then some. I've been in fandom of all sorts for many, many moons. perpetual disappointment followed by headcannoning fixes are old friends, and I know them well.
I dumbed this show down before it even began, at no fault of the story or crew or anything else. eliminating my expectations before the word 'go' is just something that happens automatically. if you had told me pre-KP that a quasi-porn-with-feels, Thai-BL-meets-the-mafia show would shock me out of my media coma, I would've just giggled and said "sure, Jan".
that's exactly what happened, though: week after week, this show gave and gave and gave some more. unapologetic queer horniness on full display? here; take it. you want a light, joyful relationship in contrast to perhaps the most intoxicatingly-toxic one you've ever seen? sure, we got that too. how about fascinating moral quandaries and a dark, twisty thread of mystery running throughout? we got you covered and then some.
and oof, that mystery. the possibilities, the implications? the personal ramifications for these characters we were falling in love with? crumbs were suddenly being dropped from a table I forgot could have so much food on it, and I grabbed onto as many morsels as I could get my greedy little hands on.
we all did: the sheer amount of god-tier analysis and meta this fandom created is a testament to that. this show awoke something in our brains that made the collective talent shine brighter than I've seen in a fandom in a long while (Bad Buddy is a close second).
and then- the Finale™
but the real pièce de résistance here: the part of this horny, batshit beauty of a story that puts this show front and center in my mental hall of fame? that finale. pardon the crassness, but it's very much warranted here: that FUCKING FINALE. it was more than the sum of its parts, while simultaneously being the EXACT sum in a whispering, "are-you-paying-attention?" kind of way.
it confirmed little red flags I didn't even trust I was really seeing, which, sure- that's just good writing, solid storytelling. but then it said "nah- we're not done", and stuck the landing so intelligently, it elevated the rest of the story past my wildest expectations. thanks to the finale, I know that my rewatches (yeah, it'll be plural- move along) will be a perpetual mind-fuck affectionate.
it set up us for a likely-explosive second season, with as much potential for greatness as there is for Shakespearean levels of tragedy. without that 81-minute magnum opus, I doubt I would’ve been compelled to write this monster in the first place.
so let's get into the impact of the finale by taking a closer look at the most important players- starting with our sex-on-a-stick (I had to), second-in-command himself.
without further ado: you ready for a deep dive?
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kiss me so that I forget myself. I close my eyes & fall in the abyss. -Kamand Kojouri
the title for this meta- Tragedy Dressed Like a Daydream- was inspired by Porsche's iconic walk down the hallway, cementing his new status as he symbolically ascends his throne.
my first thought during this scene- besides the obvious serve-CUNT-king- was, "that's a man who's walking to the gallows- he just doesn't know it yet."
Porsche also embodied raw, effortless power in this moment- but it carried even more weight than just that. this was an easy, almost-royal kind of stride- like he was born to it.
from Porsche's unforgettable presentation to the visual callbacks (more on that in a minute), this is the definition of a full circle moment. it felt less like the victorious kind and more of the snake-eating-its-tail variety, though. again, more on that analogy later.
my doom-and-gloom reaction to this scene has nothing to do with the fact that Porsche is not only staying in the Family, but rising to the top of its ranks. this is a mafia tale: I signed up for bullets, bloodshed, moral ambiguity and as much be-gay-do-more-crime as possible.
once I started to drill down into what exactly about this moment made me feel so unsettled, the reasons turned out to be much more nuanced.
a couple interesting details about this scene before we get into the nitty-gritty: we've seen this kind of oozes-power walk before. it's what I opened my Kinn character analysis with:
Kinn carries himself with the relaxed ease of an heir born to inherit a throne, and the singular, brutal focus required to keep it.
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this is how Kinn walks into every room he enters- when anyone besides the people he's closest to are present, anyway.
there's so much I want to say here about the choice to film Kinn from behind versus Porsche head-on, the framing, etc., but I promised myself I wouldn't get too far into the weeds in this meta.
one more tidbit I noticed in this scene: Porsche never blinks- not once. a neat little trick I learned in Psych 101: blinking less communicates ease, confidence, lack of anxiety; while frequent blinking says "I'm afraid/nervous/lying." if you want someone to see you as more confident than you might feel, look them straight in the eye- or straight ahead and past them, like Porsche is here- and blink less. I doubt this was intentional, but it adds (subconsciously) to the powerful aura radiating off of Porsche.
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when you know what a man wants, you know who he is- and how to move him. -George R.R. Martin
belief can be manipulated. only knowledge is dangerous. -Frank Herbert
the triumphant veneer on Porsche's ascension starts to crack as soon as we ask, "how did he get here?" the answer- the rot at the root, discreetly leeching off all the life it touches- is Korn.
we're well-aware that Korn is a master manipulator. he knows his sons' strengths and weaknesses like the back of his hand.
what really makes Korn a force to be reckoned with is his patience. he's been using his knowledge of how to utilize his sons- like the tools I believe he sees them to be- for a very, very long time.
it took years-worth of quiet, methodical consistency to orchestrate the events we arrive to in the finale- and to best mold his sons to carry out his purposes. we've also been getting hints at this the entire time- some of which weren't made clear until the very last moments of the finale.
galaxy-brained @dancinbutterfly caught a god-tier hint at just how deep Korn's machinations go, and it happened in episode ONE- yet it's impact in the finale is enormous. if you aren't convinced that Korn has been planning on using Porsche from the start, you're gonna want to hold DB's/my beer for this one. I'm going to be giving the CliffNotes version, but you can read DB's epic finale analysis here.
the last scene in the finale- with Kinn and Porsche declaring their commitment to each other on the boat- is a callback to episode 1 already, bringing us back to where Porsche jumped off the deck. after Porsche escaped, we cut to Kinn and Korn in conversation. I'll quote DB directly here:
Kinn is asked why he didn't procure Porsche- and we see Korn playing chess. he's playing as white, and white always goes first. Korn always has the information needed to make the first move. he takes the queen [Porsche]- and he uses it to get checkmate.
back to the finale: right after Kinn and Porsche's final hug on the boat, we cut over to Korn. he's sitting at a desk with two betta fish in front of him (my theory on that in a minute). Korn stops to look at his phone, smiling at the picture of Kinn and Porsche that Tankhun just sent him.
Korn's expression is that of a warm, loving father, by all appearances happy to see his son happy- but it kind of just made my stomach roll. and then, we reach the line that takes us all the way back to Korn's first game of chess, right after the other boat scene when he won the game using the queen:
"history is only written by the victors."
not to lapse into tag speak in the middle of a semi-serious meta, but are you crying screaming throwing up yet? someone throw me a thesaurus because "chilling" doesn't cover the level of twisted we're witnessing here. the juxtaposition of these scenes in particular casts such a deep shadow over Kinn and Porsche's happy-for-now ending, it's impossible to ignore (again, all credit to DB for catching it).
Korn didn't just make Porsche's sudden meteoric rise happen- he orchestrated it all. this hint was just a standout one of many. I don't think Korn ever expected Kinn and Porsche to get romantically involved, but did he ever switch gears masterfully when they did.
there isn't a single event in the course of Kinn and Porsche's story that Korn didn't either 1) make happen himself or 2) expertly adapt and work to his advantage.
riddle me this: what could be better for Korn than having his ever-loyal but soft-at-heart son on the throne? let's dream even bigger: how about having his son's heart as his second? as smart as Porsche is, this isn't a world he's known for long- at all.
Porsche doesn't fully understand the rules or know the players- and he certainly doesn't have the benefit of experience required to see the bigger picture. Kinn's biggest weakness is now right out in the open, ready for Korn to exploit when and if needed.
for a man like Korn, what could be better than that?
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back to the fish, and what could be our last hint the finale at Korn's next move. betta fish- or fighting fish- are known for their aggression towards other bettas. Korn has the fish in two bowls, separate but still in each other's line of vision- and able to antagonize the other.
before he looks at his phone, Korn is tapping on just one of the bowls, almost like he's deliberately trying to rile the fish up. he's also watching them very intently- and Korn is the most intentional character in this show.
the meaning here is wide open to interpretation, but this moment doesn't feel accidental- next to nothing in this show is. I don't see how pitting Kinn and Porsche against each other at this stage in the game would work to Korn's benefit- they're the most obvious explanation- but I'm calling it now: there's something there, and I have a nasty feeling that it's important.
so- Korn is pulling all the strings. Kinn and Porsche are in power in name only. they’re simply pieces on the gameboard and they always will be, as long as Korn is alive. they’re only there because Korn wants them to be.
Porsche and Porchay were only reunited with their mother because Korn made it so. I could write pages of meta on those scenes alone- the combination of intelligence and fear in her eyes, her catatonic-seeming (but were they really?) reactions, ad nauseum.
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I'm not going to delve too deeply into the Namphueng plot here, but I have to mention that something about her reveal feels reactionary. the timing and suddenness of it feels more akin to thinking on your feet than it does to a long-game strategy. there has to be so much more happening here than we're aware of yet.
the main evidence of this for me: Korn left Namphueng essentially locked up in a tower for years. Korn is nothing if not brutally efficient. he could've used her just like he uses everyone else right out in the open. it would have been a million times more practical for him to go that route, but he didn't. that choice says something.
I don't know if I can buy into the idea that his only reason for pulling off this years-long kidnapping-in-plain-sight was just to time her reappearance in order to control Porsche (and Kinn by extension). we're missing a puzzle piece here- really, I feel like it's a lot of them.
which leads us to the million dollar question: what the hell does Korn know? how far down the rabbit hole does the history- and crimes- of this family go? Korn methodically knocked so many threatening pieces off the board, there's now history that ONLY KORN is privy to. let that sink in for a minute. if knowledge is power, Korn's is now near absolute.
Korn's inescapable influence takes what otherwise looks like a beautiful triumph- Kinn and Porsche, united, back where they started- and makes it look more like walking into an abyss.
when and if we get S2, I can guarantee that none of us are prepared for whatever Korn is planning next. like I mentioned in the beginning, the potential fallout for our players left on the gameboard is, in a word- catastrophic.
I'll wrap up this section with a chef's kiss quote from my beloved @elnotwoods:
I got so blinded by the metaphor and the symbolism [playing chess] that I overlooked the fact that the pieces on a chessboard only ever do what the player wants, because there are different ways to play, different moves and strategies- but it’s ultimately up to the person moving the pieces to decide.
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so the story of man runs in a dreary circle, because he is not yet master of the earth that holds him. -Will Durant
there's also the issue of who Porsche is, and the question of if he did possess full autonomy here- i.e. if Korn wasn't making his moves for him from the shadows- would this be the choice he'd make? does it align with who he is- or, at least, with who he used to be?
because no one- outside of the people in the Family itself- have been more directly affected by the brutality that comes with the criminal underworld than Porsche and Porchay.
their parents: slaughtered in their home. debtors harassed and threatened them both for years, to the point that Porsche went to beg for mercy on his uncle's behalf. they had to feel like they were living in a semi-constant state of fear- likely with plenty of righteous anger and resentment mixed in, too.
so rather than just a cycle that repeats, we have a true tragedy here in the form of the metaphorical snake eating its tail. the Kittisawasd brothers' lives, loves, even their life's purpose (for Porsche, at least) are now inextricably linked to the cause of the greatest trauma they ever experienced. they're not just a part of the Family now- they sit its throne, either directly or by association.
love- especially the new, fresh, starry-eyed kind of love- has a way of blinding you. of bending you in ways you never thought you would, without either lashing out or getting out first.
is Porsche capable of thriving in this world? absolutely. will it require depths of compromise he can't even fathom yet? undoubtedly yes.
I also don't believe Porsche would have put Porchay within 1000 miles of everything Kinn's world brings if it weren't for love. the "keep your friends close and your enemies closer" argument could be made here- the enemy being the world of the Family, not Kinn himself- but it doesn't ring true for me.
plus, we have Porsche's own words to fall back on:
I'm not on the main family's side. I'm not on the minor family's side. I'm on your side.
Porsche is here for love and love alone. Kinn is here because he is ever-loyal...Porsche's love is a bonus. a life-changing, beautiful bonus- but just a bonus nonetheless.
I have to pause to address what Kinn did and said right before this moment. he doesn't know his father is alive, but Korn's influence- or maybe more accurately, Kinn's indoctrination- is still SO strong, Kinn pulls a gun on the man he loves at the mere possibility that Porsche MIGHT believe Korn was responsible for murdering his parents.
and do you believe him? if you believe him, you have to be on the main family's side. if not- we're on a different sides.
more on this when we talk about Kinn, but this is bone-chilling stuff.
to circle back to Porsche and how he got here: at the heart of it, his decisions aren't all that different from the things anyone who's been stupid-in-love have done or come close to doing: compromising your values, making exceptions- being blind to the bigger picture.
what could catapult Porsche's ascension into a full-blown tragedy (gay gods, let it not; I mostly like being alive) ultimately rests on the gorgeous shoulders of our next major player.
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the proverb warns that 'you shouldn't bite the hand that feeds you.' but maybe you should, if it prevents you from feeding yourself. -Thomas Stephen Szasz
while pretty much all of Korn's scenes gave us glimpses of his manipulation, they showed us something else equally important: the depths of Kinn's devotion, specifically to his family and the Family. in Kinn's mind? I don't think he can tell the difference between the two.
this isn't Kinn's fault- he never stood a chance. how could he? Korn's had an actual lifetime to subtly shape and mold Kinn into the obedient foot-soldier-in-a-Gucci-suit he is today- and did he ever get started with him young.
remember Kinn's fireside confessional? he told Porsche about his dream as a kid to be a singer, but he seemed to let go of that dream almost as quickly as it came. where did Kinn get the idea of having to step up to take the burden off of Tankhun if not from Korn?
he was a child, but the walls of his cage were already closing in- and he was none the wiser. cut to all of these years later, and he STILL isn't aware. Kinn is incredibly kind, caring and soft with the people he loves, so he just said "yes- I can carry this great and terrible thing." he took on the burden, and his life is forever changed because of it.
he can't get that time back, that dream, or take back all the things he's done in service to Korn since. he's left with wistful "I wonders" before shaking himself off and moving onto whatever task is assigned to him next.
Korn is incredibly aware that love- romantic or otherwise- is Kinn's Achilles heel. all he has to do is casually mention how much the Family needs him (e.g. the apple scene) and boom- Kinn immediately falls back in line. Kinn would move heaven and earth for Porsche, but his blind loyalty to Korn is just as strong, if not stronger- the ultimate question, really.
and it bears repeating: Kinn's blindness is through no fault of his own. he's been systematically manipulated and groomed into becoming the man he is today. the fact that he's retained as much of his humanity as he has is a small miracle- however compartmentalized that humanity might be (read: being able to assassinate someone on the spot without a sideways glance).
if Porsche was walking to the metaphorical gallows unaware, Kinn is living on the knife’s edge, not realizing how incredibly precarious his newfound happiness is. he has faith in a foundation that doesn't exist. he's been drinking from a poisoned well all his life, and he's unwittingly invited Porsche to partake, as well.
I have no doubt Kinn’s intentions are good, and that his love for Porsche is as true, deep and real as any. it's the same sort of unquestioning, all-encompassing love- for his family, THE Family- that could be their ultimate undoing.
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I am no bird; and no net ensnares me. -Charlotte Brontë
we're going to stick to the surface streets where Vegas and Pete are concerned, because to the shock of absolutely none of you who know me, I could write a book on them.
however, I have to highlight the stark contrast their story provides in the finale against Kinn and Porsche's. they were the only characters who walked away with complete autonomy.
what felt like the final nail in coffin to Vegas- no longer being in line to assume his father's position, gain his power and prove himself worthy- was his saving grace. again, this isn't because they got out of the mafia, but because they got out from under Korn- which, irony heaped upon irony, was still Korn's doing.
for now, Vegas, Pete and Macau have been set to the side of the game board by our main player. they're out of the game, but they'll still receive some of its benefits (likely financial). it's probably the best outcome they could have gotten.
regardless of how it came about, or whatever the future holds for Pete and Vegas- it'll be a future they author together from start to finish. they're going into this new chapter with their eyes wide open, their feet on the ground and with a mutual purpose- to somehow be a family- based exclusively on what they want and need most.
I wish that wasn't more than I could say for Kinn and Porsche, but with where we leave them in the finale, it is- for now.
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we aren't one story- we can change our stories. we can write our own. -A. Poehler
and so, we reach the end. Kinn and Porsche are silhouetted against/almost swallowed by the darkness behind them (intentional? I'm thinking yes) on the deck of the boat where it all started.
everything has been leading us to this moment- even their final lines are a callback. Porsche is gazing at Kinn with so much warmth and affection, declaring that his life is Kinn's. Kinn assures him he'll treasure it, clearly in bliss- probably feeling like he finally has everything he's ever wanted.
the parallel- along with Porsche repeating again that he's there for Kinn and Kinn alone- gave me chills at all the high-romanticism, coupled with deeply-ominous foreshadowing.
Porsche's life is now Kinn's, and Porsche would give him absolutely everything (he already has). can the same be said for Kinn? is he capable of rising above a lifetime of submission to Korn for their relationship's sake, for Porsche's sake- or most importantly, for his own? Kinn and Porsche are on equal footing on the surface only, and Porsche couldn't be at a more dangerous disadvantage.
as @dancinbutterfly put it to me so eloquently:
there can't be equanimity when one person is standing on earth & the other is in chains, looking up at him from the heart of hell.
I have to use our catchphrase one last time here, because it's never been more applicable: this scene is the definition of many things can be true at once. when we step back to look at the state of play, the bigger picture- Kinn and Porsche's final moment is as tender and heartfelt as it is potentially heart-wrenching.
we're watching these characters we've come to know and love teeter on the edge of a precipice they don't even know exists- but we do. Korn knows- he created it, and he even gets the literal last word- not counting the small bit of dialogue in the final-final scene with Porsche, Porchay and Namphueng.
I was so distracted by the beauty of the relationships between our main/side characters and how they were developing, I didn't go over many of these small- but, in retrospect, crucial- details too deeply, until the finale left me feeling so uneasy, I had to figure out why. even that might have been intentional.
not to go crazy conspiracy board here (but I will): how poetic would it be if the intention all along was to 'dupe' (but not really, because we're talking about it here) the audience into being in exactly the same mental boat as Kinn and Porsche?
i.e. we're so distracted by all the pretty, shiny things (love! HEA! they're in power together! etc.) that we don't see the forest for the trees? I really hope- and dread- that we might get to see it all come to awful, angst-ridden fruition in a second season. because that, my friends? truly god-tier level story telling.
even with all this possibility for heart-wrenching fallout, I've never felt 'safer' as a viewer as I do in the hands of these writers. they left some plotlines under-developed or unaddressed entirely (for now), but the unforgettable story this team managed to create from the mostly-trash heap that is the source material is a testament to their professional prowess, and evidence of all the thought and care they poured into KinnPorsche.
this show has consistently delivered on every promise it made, and managed to surprise me at every turn. I don't know exactly where we're going from here, but if we get to see Kinn and Porsche's story continue? I can't wait to see where they take us- even if it rips our collective hearts out in the process.
what a way to go, no?
special thanks to @dancinbutterfly for going full-on Pepe Silvia with me through half the night (more than once) while I slogged through this thing, and to my wonderful wifey @elnotwoods for helping get my ideas off the ground 💖 tagging some lovely peeps who have been patiently waiting for this behemoth to drop: @patprans @ellaspore @bengiyo @snimeat @rainbowcolored7 @maleficent-cannoli @i-got-the-feels @shinwoonoh @risu442.
as usual whenever I write long-form, I’m doubting whether I actually said anything at all here? either way- thank you for reading this far & I hope you enjoyed it 🖤
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taiturner · 2 years ago
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🎬📺share ten different favorite characters from ten different pieces of media in particular order🎮🃏 Then send this to 10 (anon or not, your choice)
me, suddenly forgetting everything i've ever seen:🧍‍♂️ i might forgot someone obvious and i did in fact have to go to my about page to remember what i actually watch,  but this being from different media is in fact a challenge so here we go!!
luther hargreeves from tua
alden from twd
iris bennett from twd: world beyond (it's a spinoff and i prefer it over the original anyway so i’m counting it!!)
tracy stewart from teen wolf
maggie duval from scream: the tv series
taissa turner from yellowjackets
emori from the 100
esme carmona from the purge
kj brandman from paper girls
charles haden savage from only murders in the building (my favorite of the main three changes literally every day but i love them all so much and charles is winning my heart today)
thank you for sending!! 🥺
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