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findingjoynweirdstuff · 4 years ago

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Crash Course: The History of Dream SMP Season One

So...

You want to get into the Dream SMP, but oh no! There’s eight months of extensive and event-filled history to catch up on, and dozens of highlight videos to watch that don’t always include everything, and pages upon pages of detailed Wiki articles...where do you start!?

Well, I’ve created this to summarize the events of Dream SMP Season One into a single post as a sort of “narrative timeline.”

I’ve also included the dates of the events to the best of my ability, so that everything is in (mostly) chronological order.

I’d highly recommend also checking out the Wiki for more detailed descriptions of the big events if you’re interested.

Happy one-month anniversary of the Grand Finale!

Enjoy!

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Note: Some dates, but not all, are taken from VOD upload dates, and Tommy’s VODs are usually uploaded a day later than initial broadcast, so they may be slightly inaccurate. Dates marked with * are the dates the VOD was uploaded, in cases where I am unsure of the original broadcast date.

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The Early Days

April 25th:

The SMP started out as an ordinary survival server, and was often referred to as “the survival world” on early Dream Team streams. The first eight members to join the SMP were: Dream, George, Sapnap, Badboyhalo, Ponk, Alyssa, Callahan and Sam, though Sam took a hiatus until the events of the Election Arc. The Community House was the first thing to be built in the center of a lake.

It was in this period that Beckerson and Mars were named from donos (the various named knicknacks in the Community House are also from donos), Dream tamed a white horse named Spirit, and Sam tamed Fran. There were also several other various pets like dogs and foxes that were tamed by the members.

Some notable events from this period include: the construction of the Court House (and subsequently Sapnap and George’s murder trials there), Dream building the wooden path, George texting Dream’s mother, Sapnap’s Famous Storytime Stream (in which Spirit died due to mobs), and the burning of Ponk’s first Lemon Tree due to a conflict with George.

There was also a running joke that Callahan and Alyssa were dating (they aren’t)

Tommy’s Arrival

Tommy joins July 4th. Tubbo arrives shortly after, with Fundy a day after Tubbo.

The day of Tommy’s arrival:

Tommy joins the SMP. His first day, George and Dream get him to stand on a crafting table and he subsequently murders George and takes from the Community House chests. Dream and George put Tommy on trial in the Court House. After a brief manhunt, Tommy is banished 2,500 blocks away (the first of three exiles) in the snow and is ordered to stay there. He fails to comply and is briefly banned before Dream lets him back on. He chooses to settle on a hill next to Ponk’s Lemon Tree.

The Disc War: Start of the Disc Saga

Taking place from July 9th* - July 11th*, though there were various events/conflicts relating to the discs that happened before and after this time.

After listening to two discs, Cat and Mellohi, with Tubbo on a bench while watching the sunset (VOD: July 8th*), Tommy considers the two discs to be his most prized possessions.

This event is considered the first major war of the server, and the Disc Saga would continue to have developments throughout the rest of Season One.

The events of the first Disc War began due to another conflict between Sapnap, Ponk and Alyssa. Punz and Tubbo were also involved. Tommy ended up siding with Sapnap, and much vandalism and fighting happened before Dream logged on with the intention to stop it.

Tommy and Sapnap murder Dream, and Dream steals Tommy’s discs in return, threatening to burn them unless Tommy returns his gear. Tommy, Tubbo and Sapnap end up combining forces to murder Dream and take back the discs, which Tommy hides under his base. Dream spends time off stream digging up the entirety of Tommy’s land in search of them.

The rest of the Disc War proceeds with Tommy and Tubbo working repeatedly to take back the discs from Dream. It only ends when Tommy crafts an Ender Chest to put the discs in.

This was also around the time that Fundy’s Socializing Club was built, which later led to a brief conflict taking place there.

(It was also during this time in the middle of the Disc War that Wilbur joined a call with Tommy and asked Dream out on a date to Pizza Hut, with Tommy speaking in game chat as Wilbur’s wingman. Dream says yes, George gets jealous on Twitter, and the infamous Vlog plot starts. It would go on from July to October.)

Schlatt and Wilbur

July 12th: During a short conflict between Tommy and Tubbo over the death of Tubbo’s pet bee, Tommy burns down Tubbo’s house. Wilbur logs onto the server to act as Tommy’s lawyer.

On July 17th, Schlatt gets whitelisted on the server without Dream’s knowledge and Tommy spends a day with his idol. The SMPLive Cuck Shed is recreated in Dream SMP, and Tommy listens to the disc Blocks with Schlatt. People trend #kickschlatt on Twitter. Both Wilbur and Schlatt log off the server “permanently,” Wilbur by choice and Schlatt by banning (as Dream didn’t know who he was). Tommy gains ownership of Wilbur’s ball house.

Also worth mentioning is Eret joining July 19th.

The L’manburg War for Independence (aka “Revolution”)

This was a relatively short but very consequential arc, taking place from July 24th to August 2nd, a little over a week in total. It is the second major war of the server, and the first to be faction-based.

July 24th: Wilbur joins the server again.

He decides to start an empire with Tommy. He builds the Camarvan (aka “hto dog van”) in a remote part of the woods and recruits Tommy to help create artificial scarcity in the server’s drug market by stealing everyone’s blaze rods. This isn’t taken too kindly by other members, especially Sapnap. One thing leads to another and they decide to mark out a tiny square in the woods to declare as an independent country. Tubbo joins them, and he and Tommy sing “Hallelujah” to a tilled patch of dirt (this melody would later become the L’manburg National Anthem). They also recruit Eret to help build. They decide on a name: L’manburg, and also don revolutionary skins.

Dream comes over, displeased by this, and declares war. His side consists of Dream, George, Sapnap and Punz, though the L’manburgians attempted to convince George to their side due to his Britishness.

Eret builds the walls, Fundy joins the revolution after logging in within the walls and being very confused, Wilbur claims Fundy as his son. Tommy constructs a fight club beneath his house and, after poorly speaking Dutch to Fundy, goes down the path placing signs in various languages saying “the green bastard shall die!” as propaganda to Dream’s viewers of various nationalities.

July 31st:

Dream and Sapnap log on during one of Dream’s streams, inspect the area, and go through a multi-step plan to demoralize the L’manburgians: they burn down all the trees around their land, lavacast a huge cobblestone wall just outside, construct obsidian TNT cannons around the walls, and fire several TNT blasts into the country, destroying part of the hotdog van’s roof. George joins the call, gets filled in on what’s been happening, and assists in the chaos. Eret, the only L’manburgian online, is helpless and can only meekly protest in game chat. As a final message, Dream and Sapnap set fire to Tubbo’s house (the second time) and Dream gives his famous “white flags” ultimatum.

August 1st:

The ultimatum’s war date was pushed back a day due to Twitter drama. The final evening before war, Dream, after doing his serious stream, logs onto the server and blows up Tommy’s land with TNT, exploding part of the beloved Cuck Shed. Wilbur, in VC, tells Tommy to return the favor to Dream, but instead, Tommy chooses not to fight fire with fire. Impressed, Wilbur makes Tommy his right hand man. Eret joins Dream’s side around this time.

August 2nd:

The day of war comes. Dream’s side goes to Tubbo’s jungle base to kill Tubbo repeatedly. There’s a brief conflict at the Power Tower. Wilbur logs on - the L’manburg side is grossly underprepared. They meet at the Embassy and exchange fire with the Dream SMP members. After Dream seems to retreat, Eret suggests they return to L’manburg, saying he has a “secret weapon:” Eret has been grinding for items.

He leads them down a long tunnel into a blackstone “Final Control Room.” The chests are empty, and Tommy pushes a button in the middle of the room, wondering what its function is. The redstone doors slide open and Dream’s men ambush and kill all of them, leaving them with nothing.

After speaking with Wilbur, who refuses surrender, Dream returns to L’manburg and lights a piece of TNT at the entrance, triggering tons of TNT that had been laid beneath the ground beforehand to ignite. Tommy leads everyone into a final bunker. As one last chance at independence, Tommy challenges Dream to a bow duel for Mellohi. George and Wilbur have a short exchange in which they reflect on their Pizza Hut Date, wondering how they could end up like this, with their men fighting each other on opposite sides. Wilbur tells George he should have been on their side as a British person. Eret too.

Tommy and Dream take ten paces and fire at each other on the Prime Path.

Tommy loses the duel.

Instead of giving up just Mellohi, though, Tommy asks Dream if he could give up Cat as well in return for “technical independence.” Dream agrees. Wilbur declares independence again, putting himself as President, Tommy as Vice President, and Tubbo as Secretary of State. Eret, meanwhile, is declared king of the Dream SMP.

YOOOOOOOOOOOO...you know the rest.

Jack Manifold is whitelisted. It’s a silver-lining ending.

Post-War Period General Events

August 3rd (?), VOD uploaded August 6th*:

On Jack’s first day, Dream attempts to bribe Jack onto his side with riches, real money, and books containing secret codes. Jack decides to act as a double agent.

VOD uploaded August 7th*:

Fundy and Eret continue their pranks. Eret builds his two towers to watch over L’manburg - Fundy completely destroyed the first of them, which is why Eret’s towers are now reinforced with obsidian. That same stream where Fundy “shrank” the tower was where Tommy and Jack first heard the tale of Fundy’s heritage. Fundy explained that his mother was a salmon (they came up with the name “Sally”) and that she was an accountant who raised him the best she could. Tommy and Jack are understandably weirded out by this.

August 6th:

Niki is also whitelisted and joins the server. The original Camarvan is torn down, and Wilbur introduces the first version of the L’manburg National Anthem.

The Drug Park Trivia Contest

August 9th:

Due to L’manburg needing more funds, Wilbur, Tommy and Tubbo get together and create a drug park business to attract drug dealers and women. They see four chickens hanging out near some gravel and name them Clementine, Clementine, Clementine and Clementine, deciding that gravel must attract women. PPA (Ponk-Purpled-Alyssa) signs a trade agreement with L’manburg.

The drug park attracts a confused Dream, who wanders around through the alleyways. Dream gets scammed and then scams them back, so Wilbur challenges Dream to a trivia contest.

August 10th:

Fundy takes off his revolutionary outfit and he and Wilbur get into a brief argument over it. Eret continues to build his second tower. Wilbur asked Tommy and Tubbo to prepare the trivia questions together, but while Tubbo had researched real trivia, Tommy put in bullshit questions that were later removed from the point score.

Dream loses the trivia contest and jumps off a cliff.

The Disc Saga: Showbiz Business

August 13th*:

After Tommy, Tubbo, Thunder, Skeppy and Fundy give a performance of Hamilton and Macbeth to Dream, gaining Dream’s favor, Skeppy tells Tommy he has Spirit’s leather. Tommy, seeing an opportunity to use Dream’s sentimental attachment to get Dream on his good side, asks Skeppy for the leather. Instead, Skeppy trades the leather back to Dream in return for one of the discs. Tommy gets Quackity in a VC to try and intimidate Skeppy (Quackity fails), then asks for Quackity to be whitelisted. Dream whitelists Quackity.

This was also around the time that Fundy kidnapped Punz’s bee, Beenis, and was put on trial, resulting in the birth of Tubbo’s alter ego: Big Law. This would come into play during the Pet War.

The Cartel

August 17th:

Quackity joins the server.

He is initially not allowed to join L’manburg.

He and Tommy start the Cartel together, going on a heist and cracking jokes about John Lennon. This is an overarching scheme over the course of several streams. Tommy ends up building a summer house for himself in the hills, and constructs a drug lab in its basement which he uses with Quackity to attempt a drug scheme.

August 28th*:

Later, after Tommy finishes his summer home and names the several cows who live there, Quackity kidnaps the one named Henry and threatens his life, as he feels that Tommy has become too attached to Henry and is no longer dedicated to the Cartel. Quackity forces Tommy to play a sick trivia game show where if he gets an answer wrong, a cow dies. Tommy asks Tubbo for help, but Tubbo sides with Quackity for the drama. The conflict ends in violence, but Henry is still alive.

Tommy and Wilbur Revive the Server

August 19th*:

Tommy, concerned that the SMP is dying due to Tubbo not being online, calls in Wilbur and Quackity for a chill stream. He and Wilbur rebuild the Camarvan very, very poorly, turning it into a monstrosity of a dirt-bug held together by cobblestone. This wasn’t very consequential, I just included it to explain how the Camarvan ended up looking like That.

The Disc Saga: Railway Skirmish

August 23rd*:

One day, Tommy was hanging around at his summer home. He hops in a minecart and accidentally runs Dream over. Dream uses the /kill command as a funny way to mess with Tommy (and the audience), causing him to die and lose all his stuff. Dream hadn’t been expecting Tommy to take advantage of it. Unbeknownst to Tommy, Tubbo runs in and snatches Dream’s prized sword, hiding it underground.

Tommy and Tubbo realize that with all of Dream’s gear in their possession, they finally have the high ground, and try and use that high ground to trade Dream for the disc. Wilbur joins and questions Tommy about why they’re trying to cause conflict, as L’manburg can’t afford to fight another war so soon. Wilbur orders them to return Dream’s things and apologize. Dream doesn’t give Tommy the disc, but does trade Tommy for Spirit’s leather in return for his stuff back. Tommy tries and fails to trade Skeppy the leather for the disc. He and Sapnap also then team up to kill Dream, but Sapnap betrays Tommy after being threatened and Tommy never succeeds in getting a disc back.

Tubbo reveals to Tommy afterwards that he’d hidden Dream’s sword, and they’d successfully kept it: they now have leverage.

Church Prime

August 24th:

Tommy and Dream put their differences aside for one day and start a religion together after plugging Twitch Prime for twenty minutes straight, to Tubbo’s disapproval. Quackity assists as well. The Vape Tower and Holy Land are created. Dream levitates into the air and /kill’s himself, then gets resurrected. One of the funniest streams the SMP’s ever had.

Church Prime has been born!

The Disc Saga: Spirit Scam / Start of the Pet War

August 27th*:

Tommy is enraged by Sapnap killing one of his beloved cows, Harold. He griefs Sapnap’s house and also informs Niki that her pet, a little fox named Fungi, was also killed by Sapnap. Niki is furious. She, Tommy and Tubbo kidnap Mars and Beckerson with the intentions of holding them for ransom as revenge. Dream, concerned about this, tries to reason with them. He can’t let Mars and Beckerson die at any cost.

While the sides make their threats, Dream locks up the jukebox room in Tommy’s house with obsidian and starts playing the real Mellohi to taunt them out of cockiness. Tubbo and Tommy manage to snatch Mellohi and put it in an ender chest. Dream, realizing he’d screwed up, names a fake Mellohi disc “Tommy’s Disc” and tries to convince them that that was the real one.

After plenty of scamming involving Dream’s sword, Spirit, Mellohi, the fish, and a confusing switcheroo, Tommy ends up with the real Mellohi and the real Spirit, while Dream keeps Beckerson and Mars in his possession. Niki just wanted an apology.

The Pet War

August 29th*:

After taking a brief recess from the SMP, Fundy logs on and starts to catch up on what he’s missed. He’s confused by Church Prime, but is more concerned with chat spamming “RIP Fungi.” He doesn’t believe it at first, but sees Fungi’s grave in L’manburg and calls Niki, who tells him what happened. Furious, he says that Sapnap must pay.

He asks Dream for Mars, but Dream is unwilling to give her to him. Instead, Dream leads Fundy and Niki to the dog house and show them the pets. He tells them that Skechers is Sapnap’s fox, but they didn’t hear it from him. As he is unable to kill one of his own kind, Fundy asks Niki to murder it with a pickaxe.

After a scavenger hunt stream with George, Dream tells Sapnap what happened. Sapnap, enraged, kills Niki’s animals and Fundy’s enderman pet. The Dream Team hide their remaining animals off screen.

August 31st*:

Fundy gets Beenis and a beehive at Tubbo’s base and offers to play a cruel game with Punz in which Punz chooses to spare one of the beenests while the other is thrown into fire. Punz decides that choosing is better than leaving Beenis in an enderchest and chooses. They place down the spared beenest but no bee comes out. Tommy and Tubbo arrive in full armor, looking ominously at Punz. Fundy explains the situation to them, favoring his side of the story, and Tommy and Tubbo defend him as one of their own. Fundy has started a war.

September 1st:

Fundy and Niki get a pet bee named Beelloon. They hide it in an obsidian box to keep it safe. They also locate Sapnap’s pets based on small details in the background of George’s stream.

Sapnap and Punz arrive one day after a Twitch Rivals tournament and force Fundy to watch as they explode Fungi’s grave with TNT. Fundy says they should end the fighting for good with a duel: one vs. one, Sapnap and Fundy.

September 10th:

Fundy builds a scaled-down version of Technoblade and Dream’s arena just behind his base. Tubbo referees the duel between Fundy and Sapnap. Fundy loses. Sapnap takes Niki’s fish and starts to play the same game with Fundy, but stops at the last second - it’s not worth stoking up the fires of war again. He congratulates Fundy on being a worthy competitor and leaves after returning the fish to Fundy. The Pet War ends there.

The Election

September 3rd*:

Tubbo and Fundy get into an argument that threatens to tear L’manburg apart in Civil War. Tommy, while Wilbur isn’t online, is the one left in charge of diffusing the conflict, which he does successfully. The next day (September 4th*), Wilbur logs back on and Tommy fills him in on what he’s missed. They decide that they need to consolidate power, and choose to hold a rigged election where they’re the only party that can be voted for. Quackity, after learning this, states that he’ll be running as well to prevent their dictatorship, declaring his campaign “SWAG2020.” This throws a wrench in Wilbur and Tommy’s plans. Wilbur and Tommy’s party is renamed “POG2020.”

September 9th*:

The Presidential debate is held in Tubbo’s King’s Court. Quackity reveals that Georgenotfound is his running mate. Tommy attempts a smear campaign against him, then later accepts bribery from Karl, who was overseeing the debate. Tubbo takes Karl’s spot to be less biased. Fundy states that he wants to run for president as well. September 15th, Tommy gains Sapnap’s vote by publicly denouncing Fundy, telling him that if Wilbur weren’t Fundy’s father, Fundy would be kicked out of L’manburg. The following days, they hold a few more rallies, sing a duet of Let it Go, and Wilbur, Tommy and Quackity construct the White House while speaking Spanish. This is also the birth of “Tubbox.”

September 20th:

They hold one last rally where the parties show off their endorsements. POG2020 is endorsed by Vikkstar. Georgenotfound is a no-show. Everyone wonders where he is, with one of the running theories being that he’s off editing the Vlog. Fundy and Niki announce their campaign: COCONUT2020.

Tommy and Wilbur have one last endorsement up their sleeve: Schlatt logs onto the server. He’s been unbanned. Instead of endorsing POG2020, however, he accidentally endorses COCONUT2020 and then decides to run his own candidacy, SCHLATT2020. Violence breaks out, Tommy, Wilbur and Quackity all escape underground. Wilbur and Tommy offer to combine votes with Quackity, but Quackity refuses after they reveal the offer is conditional on their own defeat. Instead, Quackity decides to partner with Schlatt.

Also worth mentioning is the fact that Wilbur asked for Tommy’s Mellohi disc, the real one, to keep until they’d won the election. Tommy gives it to him.

Schlatt’s Inauguration

September 21st:

HBomb is added to the server. Wilbur gets on the podium and states the election results: POG2020 won the popular vote by 45%, but was beaten out by the combined vote total of SCHLATT2020 and SWAG2020 of 46%, making Schlatt the President and Quackity the Vice President. Schlatt designates Tubbo as his right-hand man, still Secretary of State.

Schlatt’s decrees are as follows, given throughout the rest of the stream: Tommy and Wilbur’s citizenship is revoked, the walls are torn down, L’manburg is renamed to Manberg.

Tommy and Wilbur escape into the woods (Tommy’s second exile) and Technoblade offers them assistance. Technoblade logs onto the server and they find a ravine to make a barracks in: Pogtopia.

Tommy and Wilbur then go to negotiate with Schlatt for a one-day visa to L’manburg for Ninja’s visit. Schlatt agrees to it.

Ninja’s Visit

September 25th*:

Ninja visits and streams with Tommy for a day. He ends up getting married to Georgenotfound and using their marriage to get the Pogtopians an extended visa without Schlatt’s knowledge.

Pet War II: Battle of the Lake

Sapnap and Karl, who were engaged to marry with a wooden Eiffel Tower as their honeymoon spot, attempt to kidnap Henry. Instead, Sapnap accidentally kills Henry with fall damage.

October 5th:

Tommy is beyond enraged at the death of Henry, and goes to grief Skeppy’s property with Niki while he’s grieving. Dream joins and helps Tommy lavacast the Eiffel Tower. They attempt to frame Badboyhalo for this, which starts a new conflict and a battle between Skeppy and Bad against Dream and Tommy.

Sapnap logs on, Tommy confronts him, and Sapnap eats Henry’s corpse. Antfrost also joins in on Bad and Skeppy’s side. The fight continues, and Dream and Tommy escape into the wilderness together and a chase ensues. Niki is taken hostage.

Dream decides to entrust Tommy with one of the most valuable pets on the server: Mars. Tommy must never, under any circumstances, harm her. Tommy tells Sapnap he has Mars, but Sapnap doesn’t believe Dream would trust Tommy with such a thing at first.

Everyone heads to Pogtopia. Tommy gives his famous “I have the Blade” line and Technoblade logs on. Dream also joins Techno and Tommy’s side. They declare it the Battle of the Lake after a tiny pond next to Tommy’s Intimidation Tower. Punz swaps sides mid battle, and Dream, Tommy and Techno overpower the opposing side, claiming victory.

Dreamon Hunters

October 7th:

Tubbo and Fundy want to create some chaos, but their targets keep logging off and foiling their plans. Eventually, Dream logs on, and that’s when they get the idea to perform an exorcism on Dream. They get Dream to Skeppy’s Mansion and perform a complicated ritual, ending with them logging out and then back in again, and Dream exploding TNT, killing himself and also Tubbo in the blast. After this exorcism, Dream seems...different. He says he wants to be a builder, he wants to hug Technoblade, and his IQ is...75!

Tubbo and Fundy think at first that they’ve successfully removed the Dreamon, but after performing a test with an iron door, everything goes sour. In a last effort to get Dream back to normal, Fundy recreates his marriage proposal scene with Dream. Dream ascends into the air, explodes, and all seems to go back to normal...until DreamXD logs on.

October 15th:

In a second stream, Tubbo and Fundy get their proper Dreamon Hunter outfits, set up a base of operations on the beach near the Mansion, and recruit Sapnap to assist them.

The Festival

VOD uploaded October 10th*:

Tommy has an idea to connect the Prime Path from Pogtopia all the way to Dream SMP, but accidentally reveals Tubbo’s tunnel to Quackity in the process. This leads to a split between Tommy and Wilbur, in which Wilbur snaps and tells Tommy that this is why he isn’t the President and never will be.

Schlatt comes on. He ignores the tunnels, but announces something new: The official Manberg Festival, a celebration of democracy and freedom. With this announcement, Wilbur starts to have doubts about his intentions. Why should he want to go against someone who was democratically elected, hosting fun events for the citizens? Wilbur has a realization: he’s the villain. A few minutes pass, and he’s completely gone, slipping into paranoia about everyone’s loyalties as he starts to distrust that even Tubbo is on his side. He has a plan to blow the entire place up with TNT, and asks Dream to help.

At the end of the day, Tubbo and Tommy have a moment by the bench. Tubbo reveals to Tommy that he’d been given a Mellohi disc by Wilbur, who had also given a copy to Tommy as well. They question why Wilbur would give them both copies of Mellohi, and try to hide the truth about the disc. Tubbo says he probably has the real one.

In the coming days, Tubbo and Fundy help create the decorations. Fundy, meanwhile, has been questioning his loyalties. He wonders what Tommy and Wilbur ever really did for the country in their administration.

October 16th:

The day of the Festival arrives. Everyone, including Technoblade, has been invited except for Wilbur and Tommy. Techno joins in with the party activities, and it’s a joyous day. Tommy and Wilbur wait on the roof, and have a brief conversation with Tubbo before the moment arrives. Wilbur accuses Tubbo of being a yes-man, explains that there’s a key phrase in the speech to activate the TNT. There are twenty pieces of TNT beneath Schlatt’s chair alone.

He puts Tubbo in charge of making the final decision of whether Manberg stays or falls. It’s up to Tubbo to say the line. As the party settles, Tubbo goes up to give his speech. He says it, Schlatt prompts him for more, and Tubbo says the line. Wilbur and Tommy hop down to press the button, but Schlatt gives a little chuckle. He and Quackity start trapping Tubbo in concrete, keeping him in Schlatt’s chair while everyone looks on in confusion. Wilbur and Tommy pause – they can’t detonate the TNT with Tubbo in the blast radius. Schlatt reveals that he’d known about Tubbo’s spying all along, and calls up Technoblade for a favor.

Schlatt orders Technoblade to execute Tubbo. A few shots from Techno’s rocket launcher, and the deed is done. Techno then turns and massacres the crowd as Tommy pearls onto the podium and Wilbur searches around for the button, which he’d lost. Wilbur confronts Schlatt in order to defend Niki, but Schlatt orders Niki’s death and everyone runs back to Pogtopia.

Tommy is fuming at Technoblade, and the two have a short fist fight in a combat pit to settle their differences. Tommy loses, but his rage still remains. Techno tells him that the only universal language is violence, and now that they’ve settled that issue, it’s time to move on.

October 19th:

A few days after the festival, Tommy comes online and overhears an argument between Quackity and Schlatt over the destruction of the White House. Quackity snaps at Schlatt, shoots him, and runs off into the forest while Schlatt tears the building down. Tommy meets with him, and Quackity is recruited into the rebellion. Wilbur comes on and gets filled in. Wilbur also reveals that he’d found the button room off stream, and shows it to Tommy and Quackity. He only needed two witnesses. Tommy and Quackity trap Wilbur into the corner before he can press it, though, and talk him down into taking another approach for now.

The Meeting

November 2nd:

It’s Niki’s birthday party. A fun-filled gathering hosted by Karl at his new Haunted Mansion, featuring several members of the SMP. Wilbur and Quackity are both there, and hang around after the party to sing love-hate songs to one another while playing the guitar. After Quackity sings one last song to Wilbur, though, things turn south. Wilbur tells Quackity that he’s going to blow up Manberg, and Quackity is going to watch. Everyone runs to Manberg in a panic as Wilbur starts playing the chords to Hallelujah. He begins to sing the L’manburg National Anthem in preparation, but Quackity manages to convince him not to do it. Wilbur gives Quackity an ultimatum: set up a meeting with Schlatt by the coming Friday, or Manberg gets blown to smithereens.

November 6th:

Friday comes. Quackity and Schlatt have a meeting in which Quackity attempts to trick Schlatt into signing away his presidency. Schlatt doesn’t fall for it. He, Quackity and Tommy wander through the woods while Wilbur makes his way to the button. But Schlatt reveals that he’d found out about the Button Room, and he’d disconnected the button’s redstone and moved the TNT somewhere else.

Coincidentally, Fundy had just done a massive prank marathon the day before, and one of his many pranks was to fill Pogtopia to the brim with buttons…loads, and loads, of buttons.

Everyone meets in Pogtopia. Badboyhalo arrives as well, and Fundy comes to reveal his Spy’s Diary, a book of information he’d collected on Schlatt throughout the entire administration with details on Schlatt’s deteriorating health. Wilbur starts to realize that instead of no one being on their side, everyone was on their side. Just as he comes to that idea, though, Dream joins the call and there’s another reveal: a traitor in their midst. Wilbur and Dream agree to end things for good on November 16th: the final war for L’manburg’s fate.

Pet War III: The Panda Skirmish

November 5th:

While in the jungle, Punz finds a panda and Sapnap helps retrieve it, saying that if anyone touches the panda, who they named Dumptruck, it would be a battle.

Once they get back, though, Antfrost, with assistance from Badboyhalo, attempts to steal the panda for the animal sanctuary. During the movement of the panda around from place to place as Punz and Sapnap attempt to get it back, the panda dies due to Punz’ armor enchantments. They blame the Badlands for the panda’s death, as if they hadn’t tried to steal it, the panda would still be alive.

As things break out into all-out war, Sam joins the fray to help the Badlands. Sapnap threatens Fran, saying Fran would not be able to come back if the dog died.

The battle ends in the victory of the Dream SMP members, and the defeat of the Badlands.

Pet War IV: The Final Pet War

November 15th:

The night before the final war, Tommy and Sapnap finally have their confrontation about Sapnap stealing Tommy’s horse, Juorse, not too long before.

Tommy and Techno meet with Sapnap. Sapnap, surprisingly, advocates for talking out the conflict instead of immediately breaking out into fighting. All he wanted was Mars back.

They meet at the Community House and negotiate. While Sapnap returned Juorse to Tommy, however, Tommy refused to give up Mars. Sapnap killed Juorse in retaliation, angering Tommy. Tommy runs away, while Dream and George join the server with the intention to kill Sapnap for an unexplained reason.

After a chase, Tommy is led to Sapnap’s secret base and shown his remaining pets. Sapnap tells Tommy to kill them. Tommy, refusing to stoop to Sapnap’s pet-killing level, says no. To settle the conflict, Sapnap and Tommy agree to a duel at Eret’s museum. Sapnap wins very quickly. While Tommy is being made fun of by the others, though, Sapnap is gracious and does not. He respects Tommy as an opponent, and the two go off on their own to talk.

Tommy tells Sapnap that all the Pet Wars have to end, for good this time. He says Sapnap has to let go of Mars. If he truly loves Mars, and doesn’t want to see her passed around as a bargaining chip forever, she should be freed.

Sapnap, though saddened, agrees, and they set Mars free at the shore, watching her swim out to sea.

Free at last.

The Manberg-Pogtopia War: Finale of Season One

November 16th:

It’s war day. All hell is about to break loose. Dawn of the finale.

Tubbo logs on to prepare, and ends up getting stalked and killed by Dream. Dream allows him to retrieve his items, though – it was just a show of strength.

Quackity and Tubbo share a few moments of reflection together. They discuss who could possibly be the traitor. They both suspect Tommy.

On top of Ponk’s tower, they make a promise to each other. At the count of ten, they would stand opposite each other with the Eye blocking their view, and would, at the same time, take a step to one side. Towards the city if they would stay and fight, and towards the forest if they would run. The count reaches zero: they both step to the side to fight.

Tubbo starts to question if this is all just history repeating itself, if every war since the Disc War is just bound to end in defeat.

Karl attempts to bribe pretty much everyone on the Pogtopia side to join Manberg, with little success.

Eret is confronted by Dream, who asks him where his power comes from. Eret says respect, but Dream says the only reason Eret is king is because of an axe and a shield: the people who fight in his name. Dream warns Eret to stay neutral, sit on his throne and look pretty. Eret decides to betray, and Dream revokes his kingship. In Eret’s place he puts George, fulfilling his promise from the first L’manburg war. George is pleased, and then goes off to continue building a little mushroom house for himself, which would of course go on to become a vital plot point of Season Two.

Eret joins the Pogtopians (minus Tommy and Wilbur) at Manberg. They head to a little spot by the sea and set up a board to discuss who is on their side, and who is not. Meanwhile, Tommy and Wilbur log on together. Tommy protects the L’mantree in a wall of obsidian, and beneath the Power Tower, Tommy plays the disc Mellohi and Wilbur rants, threatening to blow up the country.

Everyone meets in Pogtopia. Wilbur has also started to give out blue dye, which he calls “blue.” Techno leads them all to his secret base and the vault beneath, revealing all the items he’d grinded for. Everyone stocks up on supplies, but they didn’t realize that the Netherite armor was full of useless enchantments that Techno had put on it to disguise the truth: that he was planning on fighting them all along.

Everyone then charges across Tommy’s bridge to Manberg and ascends Eret’s second tower to shoot down on the Manbergians. The fight continues on the ground, ending with Dream asking Wilbur to talk. It was time to negotiate for Manberg’s surrender.

He leads everyone to Schlatt, who was hiding out in the Camarvan completely drunk. Everyone gathers around Schlatt as he gives his last words, last rants, and then abruptly dies of a heart attack or stroke. Everyone is surprised, but uneasily happy.

Wilbur makes Tommy the President. Tommy goes up on the podium to give a speech, but says he can’t be the President right now: he still has a Disc War with Dream to fight. Instead, he makes Wilbur the President.

Wilbur gives a speech, but says he can’t be President as well. Instead, he gives the Presidency to Tubbo. (This is the point where, on Philza’s Hardcore stream, he tunes in to hear Tubbo’s speech)

Tubbo gives a speech and actually accepts the Presidency. Wilbur says he’ll be right back and heads off, causing Phil some concern. Wilbur heads to the button room, Phil realizes what’s going on, and Phil scrambles to get on the server, desperate to stop his son.

During Tubbo’s speech, Dream messages Techno, pointing out that Techno is anti-government. Techno doesn’t like how this is going, and decides to assassinate Tubbo with his rocket launcher, causing panic. A fight breaks out.

Tommy and the others are told by Dream that there is a traitor: the traitor is Wilbur. Everyone realizes in horror that Wilbur is nowhere to be seen.

Wilbur is confronted in the button room by Phil. He gives a short speech before giving his final line: “It was never meant to be,” and presses the button. Manberg goes up in a blast. Afterwards, as Tommy and the others watch, Wilbur begs Phil to kill him, and Phil does.

Techno tells Tommy the tale of Theseus and spawns two withers.

“Do you want to be a hero, Tommy? Then die like one!”

Wilbur respawns, wanders around the SMP, has a short moment at Eret’s museum and then returns to Manberg, at which point he gets attacked by a wither. He decides to end stream, and declares Tubbo the President of a crater.

In the aftermath of the final battle, everyone surveys the damage. Tubbo creates his new cabinet, Techno and Phil speak with one another as well.

Tommy, Tubbo and Dream all agree to a moment of truce as they listen to a disc at the bench together, sitting side by side.

With that, Season One draws to a close.

It’s not the end.

Just a new beginning.

---

...And that’s about it for now!

Season One of the Dream SMP was a half-year-long wild ride to experience, full of countless fond memories and all-around good times.

Here’s to what comes next!

I hope you enjoyed!

#mcyt #dream smp #dreamsmp #dream smp recaps #dream smp timeline #long posts #reference #dream smp lore

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skullsandwineglasses · 3 years ago

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The Legends (2019) Full Review

My review of the first 30 episodes of the drama can be found here.

This is more of a rant than a review. The drama should have wrapped up at episode 35. I was able to tolerate it up to episode 42 when the wedding was, but by episode 48 it’s a total mess.

If only this scene was as epic as the picture makes it look. But alas, this was just a dream sequence, and by this point in the finale, I was already bored and scrolling through instagram on my phone. If only they really did have a love-hate relationship. But this is an angst-free drama.

Inconsistent character arcs

The FL and ML have become incredibly weak, both in terms of abilities and personality. The changes just don’t make sense for their characters.

Zhao yao is no longer the badass she once was, and I’m actually fine with that. Moving away from her demoness persona is part of her growth. BUT, she no longer has a goal in the drama (except when she finds out that Mo Qing has an inner demon. Then, her goal becomes finding a way to expel the demon). But in the last quarter of the drama, she doesn’t really do anything of importance. She lost her sword, but she doesn’t actively go and find it. Instead, Mo Qing and Jiang Wu are the ones who took initiative to hunt it down for her. And when Lin Zi Yu got away with it, she doesn’t bother thinking about finding her sword again?? I mean girl, you lost your sword. Your only weapon. Why is that not at the top of your list of priorities? Is this the same FL who had risked it all for the Wan Jun sword?

(I miss the demoness)

Her tolerance level for things that annoy her is just so out of character. Zhao yao used to be someone who always fought back against anything she didn’t like. But when it comes to Jiang Wu, she seems to have unlimited tolerance for him. Yes, he saved her, but owing him does not mean letting him be a menace. Like when Jiang Wu sucked the life energy out of Ah Dai. All she did was try to restrain Mo Qing from attacking Jiang Wu, but she didn’t spring forward to prevent Jiang Wu from killing Ah Dai. I mean, the cause of Mo Qing’s rage was Ah Dai dying. Shouldn’t you go address the root of the problem? Instead, she just sits and stares and lets Jiang Wu kill Ah Dai instead of doing something. And then there’s the scene in the library when she’s asleep, but Mo Qing is wrestling with his inner demon, and then the Wan Jun sword kills the 2 guards on duty. She just sleeps through the entire thing. Wasn’t she once the most feared conqueror/demoness? Isn’t she a warrior? How can your senses not be alert when there’s so much ruckus around you? Someone on MDL said that she became a glorified baby sitter for the ML, and while I don’t agree that it’s as extreme as that, I can see their point. All that Zhao yao does after the wedding is try to reign in Mo Qing to prevent him from going into full-on demon mode. She holds him back, tries to calm him and soothe him, rinse and repeat.

Speaking of Mo Qing, his current personality is just rage and jealousy. At first, it was kinda endearing seeing him jealous, but soon his entire arc was just about him being consumed by jealousy. The writers try to justify it by saying that he’s always had low self-esteem and been unconfident about himself because of his upbringing, and the growing demon energy inside him is exacerbating these thoughts, making him more unlike himself, but you’re telling me that everything that he and Zhao yao had gone through together was all for naught? This would have made sense 5 years ago, but we’ve seen that he has greatly matured since becoming sect leader. During the earlier episodes, he was able to see right through Zhao yao’s mask. He teased her, flirted with her, scolded her, and basically proved he’s her equal in every way, and he did it all with easy confidence. And now suddenly, all of that growth reverses, and he’s insecure and sensitive again. This character progression just doesn’t make sense in the context of everything that’s happened. I would have loved to have seen more of the introverted and unconfident Mo Qing at the beginning of the drama. But instead, we only got a handful of scenes before that part of his character arc was cut short and we skip ahead 5 years later and then another 5 years later to when he’s the sect leader. There was honestly no purpose for Mo Qing’s suffering. He just suffered for the sake of suffering. In other xianxia dramas, characters suffered for a purpose. It was a price they had to pay in order to protect someone they love. But this suffering is just pointless. It does nothing for this character arc. And they kept replaying the same montage of him sleeping on the dragon. As if it’s not already clear from the last 20 episodes that he’s being haunted by his father’s demon.

Villains and supporting characters

I didn’t really care for the villains? Luo Mingxuan is still alive, but doesn’t do anything until the last 5 episodes. I eyeroll whenever Lin Zi Yu is onscreen. Jiang Wu is the only one who’s interesting and he serves as comedic relief.

And then there are all the unnecessary deaths. It’s like they’re killing off all the good characters one by one. What was the point of killing off the doctor? He was the only character who could scold both Zhao yao and Mo Qing. The drama felt so empty without him.

But on a good note, I really liked most of the supporting characters, from Zhiyan to Shi Qi to Ah Rong to Gu Hanguang. They were also the most consistent characters in the drama.

On a bad note, the drama spent too much time on the backstories of supporting characters. I did not care to watch Suruo mourn Luo Mingxuan and remembering how they fell in love, and this happens for pretty much all the couples in the drama. It’s because Zhao yao and Mo Qing have a very simple romantic arc that’s resolved very early on, so the writers had to throw in fillers to drag out the drama. And the consequence is that our leads end up getting not enough screen time.

The final 2 episodes

Oh boy. The last 2 episodes were a hot mess. In the final battle, everyone kept attacking and stabbing Luo Mingxuan, but he just won’t die?? He’s like Wolverine. He just comes back stronger. It just kept dragging on and on, and I completely lost interest. And I felt bad for Xu Kai. He was standing on the sidelines for most of the battle, just watching and shooting worried faces at Zhao yao. I hate to say he was useless, but it just felt like the writers did him dirty. Even Jiany Wu, who had already died by that point, was given a brief re-appearance. While Mo Qing, the ML, was forced to sit out on the action.

I’m also so over the will-he-won’t-he be evil plot. I keep saying this but I’ll say it again. It. Just. Keeps. Dragging. I’ve watching longer dramas, but this one felt to go on forever. We get it. You’re being tortured by your inner demon, but love will conquer all.

The editing is also weird? Some of the scenes aren’t in chronological order, and there’s no separation between dream sequences and reality. I also never liked the preview at the beginning of each episode. I also hate how they cut some crucial scenes from the TV version that’s on youtube, forcing me to hop onto doboku, which buffers.

Honestly, the last episode felt like a hallucinated dream sequence. In one scene, they’re all sitting around the table saying that the need to seal the Wan Jun sword before Mo Qing gets out of the control, and then it suddenly cuts to black with a title card that says 5 years later (don’t get me started on how often they overuse the “5 years later” plot device. Why is it always exactly 5 years?) We then see that Zhiyan is now the sect leader, and we’re told that Mo Qing has sealed himself away, and Zhao yao has been waiting for him to return. We don’t see them say goodbye to Mo Qing before he seals himself away. No scene showing a handover to Zhiyan. We’re just forced to go with it and imagine these scenes ourselves.

Zhao yao, with a new hairstyle and new clothes to signify the time skip, watches Zhi yan and the sect from the distance. She then goes to visit other people, like Sima Rong and Liu Cangling. Liu Cangling and Zhiyan are the only couple who were able to move on from each other, and honestly, good for them. We then see Zhao yao sitting in the cave, pouring wine onto the cave floor, and then it cuts to black again and a sword flies through the air and wedges itself on the bedrock and we hear Mo Qing say Zhao yao’s name in a voiceover. And then it cuts to a scene where they’re both in the cave wearing their clothes from 5 years and Zhao yao has her old hairstyle. You assume this is a flashback to when they sealed the sword. And then we see Mo Qing in another realm where he lowers the sword in to the water, presumably sealing it. And then it cuts to both of them on the street buying food, wearing their old clothes and hairstyles.

Does this mean he got out of the seal? When in the timeline is this street scene? How did he get out of the seal? Did he just walk out? Was Zhao yao there waiting for him, or did he go and find her? It’s typical for there to be a long period of uncertain separation in xianxia and wuxia dramas, and these dramas usually end either ambiguously where you don’t know if the couple will reunite, or they end with an emotional reunion, like in Ashes of Love, Eternal Love, Love and Destiny, and Love and Redemption, and famously in Return of the Condor Heroes. But what in the world was this ending?? The hell happened? That was so anticlimactic. If the scene on the street really was their “reunion” after he got out of the seal, does that mean Zhao yao changed her hair back to 5 years ago? Why is the costuming so confusing then?

And the last scene where they have the same actors play their kids? Um, no. That’s just plain weird. You built up the chemistry between the 2 actors, and then in the end you make them play siblings and re-enact the scene of when their parents met? For what? To make the audience reminisce about the budding romance between the leads at the beginning so that things come full circle? But, these characters are siblings?? You’re trying to make us emotional over a scene of two siblings pretending to be lovers?

There was just no point in doing that. It doesn’t tell us anything about the characters’ married life now. I don’t care about their kids. I care about the characters and what they’re doing now. What a strange and uncomfortable way to end the drama. Not satisfying at all.

It would have been better if they had left it ambiguous. The amount of times that Zhao yao came back from the dead showed that they can defy the impossible, so even if it was an ambiguous ending, you’d still be able to believe that they’ll be together again. But this mess just ruined the chemistry. Ugh. I really miss the first half of the drama.

Overall Impression

I’m mad about how chaotic the last few episodes were. While the beginning of the drama wasn’t without its flaws either, it was still very promising and intriguing. The beginning of the drama felt like they knew where they were going with the story, even if you didn’t completely like the direction that it went. So yes, I echo the other critiques saying that this drama had a strong beginning and a weak end.

When I got to episode 35, I thought, how bad can this get? When I got to episode 42, I was still holding out hope that maybe other people were just harsh and maybe I’ll actually enjoy it. But no, the final 10 episodes are really as bad as everyone says it is.

The romance, which was the only reason I stuck to the drama, also felt a little underdeveloped. I wish we got to see more scenes of them pre-episode 30.They were so cute then. Everything post-episode 30 was just them being constantly worried about each other.

At least there was no angst. And the comedy was great. So there’s that.

I give this drama a 7/10 for the characters and the premise. The plot is not worth watching due to terrible editing, pacing, and consistency, but it’s also a drama that won’t take you long to watch since you could skip most of it anyway and just go to the scenes with the leads. It’s my first drama watching Bai Lu and Xu Kai, but I’m def now interested in more of their work, like Arsenal Military Academy.

#招摇 #the legends #bai lu #xu kai #cdrama #白鹿 #许凯 #zhao yao #cdrama review #cdrama rant

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shinobi93 · 8 years ago

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1, 2, 3, 4, 7, 10, 17, 22, 23, 25, 30

1. Favourite classic novel

Oh man. I find it a lot harder to pick my favourite prose (either text or author) than poetry or drama (it might be guessable who my favourite poet and playwright are respectively). Also I mentally assumed this meant pre-20th century (in my degree I hardly ever went past 1900 so in my head everything after that is fun/interest/the stuff I did at A Level), but I’ll go beyond too.

Here’s some pre-1900 novels: The Picture of Dorian Gray, Frankenstein, The Monk, Northanger Abbey, this isn’t technically a novel because it’s from like 1590 but Nashe’s The Unfortunate Traveller

After 1900: Lolita, American Psycho, The Secret History, Maurice, A Single Man, A Dead Man In Deptford (I know some of these aren’t “classic” but they also aren’t 21st century so…)

2. Favourite novel published in the 21st century

Again, there’s not one. I’m going to stick with ones a little older than the proof copies I review because I feel those ones haven’t had enough time to settle in my head. So: The Lessons by Naomi Alderman, Girl Meets Boy by Ali Smith, A Little Life by Hanya Yanagihara, The Night Watch by Sarah Waters (note: these all have multiple non-straight main characters, guess what I want from modern fiction)

3. Genres and themes you’re interested in reading more of

Books written by authors from a more varied selection of countries, especially ones that are really modern and showing what the modern day looks like to them. I’m currently reading odd bits of YA LGBT stuff when I get my hands on it, which I feel is important for being able to recommend things in particular. I need to return to the Victorians because I Do Not Like Them Much and did them first year of undergrad so I’m (maybe) willing to go there again. And I always want to read more books set in varied parts of the UK (and less books set in New York unless they are very good).

4. Favourite novelist

As above, very hard. The novelists I endeavour/have endeavoured to read a lot of works by include: Ali Smith, Vladimir Nabokov, Sarah Waters, Anthony Burgess, Mary Shelley, Donna Tartt (& Bret Easton Ellis but he’s a dick so she gets huge precedence), Christopher Isherwood.

7. Favourite protagonist

My immediate brain reaction was “in anything? clearly Satan in Paradise Lost”. That’s not my answer. I don’t think many of my favourite characters are the protagonist so this is tough. As a protagonist (rather than as a character), Richard from TSH, because I love unreliable narrators who get clearly obsessed with the people they’re claiming to objectively describe. Also the main character from Burgess’ Earthly Powers whose name I have forgotten because he has a totally wild life. And Forster’s Maurice because I just want him to be happy.

10. Favourite opening line in a novel

This is like one of my favourite categories of things. When I was like 18 I used to read aloud opening parts of books to myself for fun. I like the opening page of a lot of books (see: Fight Club, Lolita) but I think my favourite opening line is “What’s it going to be then, eh?” from A Clockwork Orange because it’s so memorable. Also, not a novel, but “I want a hero; an uncommon want / When every year and month brings forth a new one” (from Don Juan, may not be the line break as that’s entirely from memory).

17. What are your key writing tools?

I’m not sure if this means ‘my ancient Macbook and Pages open with the font I use for that kind of writing (Times New Roman for prose, Georgia for poetry, at the moment)’ or some resources which I do not have. Everything is in multiple Pages documents, I have no better tool than that.

22. What’s your writing process?

Depends on the kind of thing. For long prose (novels, long fic) I write out initial ideas, build those up until I have enough to make a vague outline, then usually a longer outline. Then I (controversially) write from the start, putting snippets to go later in a different document to save for then. For poetry I literally just start writing and then edit later. It’s why my plan for an epic poem has stalled slightly.

23. What’s the most valuable writing tip you’ve encountered?

I’m not sure if I’ve encountered all that many that are hugely valuable. I mean, the 'don’t use epithets unless you’re drawing attention to that characteristic for a reason and/or are Homer’ is always good.

25. How much effort do you spend on establishing a certain “aesthetic” in your work?

I wouldn’t say it’s so much effort as that it is how I want everything to be, I want everything to have a specific “aesthetic” that I’ve imagined so that’s how I create it. I do make playlists for any long piece of writing that encompasses the right aesthetic (often multiple playlists) so that helps me hone what it is. And trying to immerse myself in it and imagine it before I sleep so I have a better idea of it. But none of that is huge effort.

30. Do you have any (possibly unpopular/controversial) opinions on writing?

Quite probably. I see very little point in character physical descriptions that aren’t plot relevant or specifically setting up a viewpoint on a character or building the aesthetic. I don’t picture any characters when reading (I do picture places though) and will often forget these details. I don’t like most fantasy and sci-fi out of personal preference and would never write either because I hate that kind of world building. As I said before, I don’t agree with writing scenes out of order because that would massively stress me out (though if it’s a non-chronological work then I’ll accept it).Whilst it is important to get the aesthetic of the period, I don’t think historically-set writing should try and match the dialogue writing of the period, but rather give a flavour of it whilst still being modern. And it should still have swearing even when press censorship meant that printed works of the time didn’t.I love writing and reading poetry with rhyme schemes. I don’t think it’s too archaic/ridiculous-sounding/structured. But I can’t hear metre so I care less about that.

#thank you hugely megan #I felt like I was doing an interview #book opinions are like some of the only opinions I'm not too hating of conflict to have #about me #I guess I'm recommending things

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albanflandin-blog · 8 years ago

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Design Context Essay - Timelines in the stories

FLANDIN Alban

GIRARD Mihajlo

SPOILER ALERT: Possible spoils about the following movies:

Deadpool, Very Bad Trip, Usual Suspects, The Lord of the Rings, Cloud Atlas, The Fountain, Interstellar, Arrival, Following, Memento, Mulholland Drive, Réalité, Sin city, Gone Girl

Introduction

Most stories have always been told in a linear manner, be it in literature, cinema or storytelling in general. In essence, one way storytelling has always been the most logical choice since immemorial times, even during the first periods of humanity, for example, bards and poets would sing about knights’ stories from their birth to their exploits and finally their end. Stories would follow life’s course, that way they were easy to tell and easy to understand thus making them less confusing for the listeners and more captivating. Nowadays, these patterns are still used in today’s books and films but producers and writers become more and more keen to mixing up their storyline and making use of non-linear timelines to add complexity and originality to their works. Consequently, numerous processes regarding timeline manipulation became more and more popular like flashbacks, time travelling, etc… Certain producers go even further by making timeline manipulation become a major aspect of their stories itself. We will therefore seek to understand how the management of a film’s timeline can become a major aspect in its storyline and enhance the intrigue. In order to do so, we will first explain more in detail why the linear storytelling pattern is the one most widely used still to this day. We will then talk about the most commonly used ways of mixing up the timeline in one’s film and its impact on the story. Finally, we’ll see how some producers make the timeline become the major aspect of their scenario and the pros and cons it has in contrast to the classic way of telling a story.

I – Classical timelines and chronological development of the storyline

Most films today use linear narration techniques meaning they try to display scenes in a chronological and natural order. They aim for a consistent and understandable experience in which the spectators can relate either to the characters or the action. This process adds a realistic dimension to the story as the characters’ lives are displayed chronologically, just like a normal human’s life would unwind. Aristotle was one of the first people to highlight the importance of a well-constructed story in his dramas, logically, a story must have well-defined beginning, to set-up the main plot, middle, to introduce the action and its climax and finally ending, where the problems faced by the characters are resolved. His theory is expanded upon by Gustave Freytag in 1883 who proposes a new model based on Aristotle’s, called the Freytag Pyramid in which the story generally follows a defined narrative plot comprised of 7 distinctive parts:

- An Exposition phase, where the characters are introduced along their relations to each other, their motivations, goals as well as the context and environment they live in. Furthermore, the story displays what the main characters have to defend and what they have to loose.

- The Inciting Incident, where the main problems the characters are going to face are displayed as well as the beginning of their conflicts against the antagonists, if there are any.

- The Rising action, where the story builds up upon the conflicts and problems of the characters and the plot gets more exciting.

- The Climax, is the moment that the Rising action builds up too, the most intense part of the story.

- The Falling action then represents the events that happen after the climax that lead to the resolution and end of the story.

- The Resolution where the main problem or conflict is solved by either the main character or someone else.

- Finally, the Dénouement represents the end of the story where all the secrets, questions or mysteries which remained still after the resolution are solved.

This narrative model implies implicitly a linear narrative approach to telling a story (The resolution of a problem should arise after it is evocated). It is used in most movies where the director doesn’t want his spectators to know more than the characters they are watching. This allows the film to keep the tension going through the whole action phase and captivate its audience with action rather than questioning. Now linear narration doesn’t necessarily mean non-complex story, even though a lot of films nowadays use this kind of pattern to concentrate on other aspects. We can see it very clearly in most blockbusters today where directors trade story complexity in order to focus on making the action scenes look more interesting and impressive with the use of special effects and such ( Yes we are looking at you Michael Bay). In the end, the linear way seems like the most logical choice for a film producer to tell a story easily. But cinema is not only used as a way to tell a story but make the spectator experience something new and original, even though some producers manage very well to make use of linear narration to produce complex and engaging stories, some take the liberty to apply to their stories more thought out narrative outline to bring the spectators into their own world with their own crafted codes and make Cinema shine artistically.

We will now see the most used means of breaking linearity in Cinema today in the second part of our essay.

II – The common tools used to make non-linear timelines

One of the retrospective tools most used in Cinema today is the flashback. It allows the film to communicate important information that had not been previously revealed during the story and eventually fill story gaps and questions the viewers could have asked themselves. It can also be used as a mean to make the viewers understand a character’s actions, be it the protagonist or the antagonist, by showing elements of their past that can explain their behavior or emotions. There are mainly two types of flashbacks, the objective flashback that shows something that happened in the past without the characters necessarily mentioning anything about it. It gives the viewers information that even some of the characters may not have themselves, In Gone Girl (David Fincher) a flashback explains why the wife of the main character has disappeared while he himself is ignorant as to the reasons why. Then there is the subjective flashback, which doesn’t really break the story’s course as it is mainly following one of the character’s point of view, it is sometimes used to back-up talk with images, when one of the characters is telling his story for example. There is a good example in the hateful eight, when the character played by Samuel L. Jackson explains to another one how he killed his son. In this case the flashback is often used by producers to respect one of the main principals of Cinema, the “Show and don’t tell” as a linear dialogue would be way less engaging for the viewers. It is part of one of the cinema’s paradox, to avoid talk shows as much as possible and focus on what can be shown to the viewers and what can be explained to him without too much dialogue. It gives importance to certain aspects of the characters or the story and it lifts a problem we can have with linear narration that makes it hard to give consistency to the story and keep the viewers interested as everything is revealed from the get go. Either way, the flashback in general is a powerful tool to break storyline linearity as it allows some parts of the story to remain untold and create narrative gaps that will keep the viewers questioning until said information is revealed. It gives a realistic feel to the characters’ lives not in regards to how it would unfold but how it would be felt with its proper emotions, memories and marking events. Even though the flashback is a tool used by producers to break storyline linearity and put emphasis on certain aspects of the story, there are also other processes like ellipsis that settle only on focusing on important parts of the plot while keeping its order.

Certain movies resort to flashbacks as the main way to tell their stories:

- “Deadpool” in essence has a very basic plot in its present form and relies mainly on flashbacks to explain the hero’s story and how he got to the point he is now.

- “Very Bad Trip”, where the main goal of the characters is to find out what happened to them the night before their hangover, mainly by flashbacks triggered by videos of themselves or testimonies from people that were there.

- “Usual Suspects” makes use of flashbacks to illustrate the testimony of the main character to the police (Even if we learn at the end that what he says didn’t really happen).

The main limit of the flashback process is that you can make the film confusing for the viewers by making them loose the notion of the timeline or story order, thus flashbacks need to be correctly delimited in the story and carefully inserted with the use of special effects and such.

There are other basic tools that are used to make the intrigue less linear, in the same vein as the flashback we have the flash-forward that shows elements of the future that are bound to happen eventually. It can be presented either as a prophetic vision or an alternative future. It can give sense to the character’s actions by showing what they have to aim for or what they have to prevent from happening and display clearly what is at stake for the viewers to see. In “The Lord of the Rings: The Fellowship of the Ring”, the queen of the elves shows to the main character what will happen if he fails his quest to destroy the ring of Sauron.

Even though these processes break the linearity of the storyline of the movies in which they are used, the movie still keeps its linear construction. So in our third part we will see some examples of movies where the non-linearity of the timeline is one of the major aspects of the plot, which is sometimes even entirely constructed around it.

III – The timeline as a major part of the scenario

We will now talk about films based around a nonlinear construction. Certain movies choose to show multiple characters evolving in different eras by either by following a linear construction like in “2001, A Space Odyssey” where each story is showed completely before the movie transitions to the next, more recent one. In contrast, in “Cloud Atlas”, the directors tell six different stories in different ages and alternate scenes of each one of the stories. The plot bounces between timelines just like in “The Fountain” (Aronofsky) even though we can imagine that some of the stories are only symbolic and do not really happen, just like the part in the future. This way of telling the story brings dynamism into the movie and draws close to the TV shows’ ways of teasing what will happen next, a lot of scenes just end up on at a point in the story that leaves us wanting to see more (Especially in Cloud Atlas). To a lesser extent we can also talk about “Sin City” where many different stories are told and even though they happen at the same time, each one is shown separately and the movie goes back in time when a new story begins.

In certain movies, timeline manipulation appears like a consequence of the plot itself. In “Edge of tomorrow”, the main character is thrown into a time loop and comes back to the beginning every time he dies while keeping his memories, desperately trying each time to fix the mistakes that led to his death. By doing this, the movie scrambles the viewer’s expectations as in essence, the main character could end up doing the same things over and over again. This lets the producer try to impress the viewer and renew his experience with the same scenes but with different outcomes.

In “Interstellar” the timeline mainly follows the law of physics, as an example when the main characters arrive on a planet where gravity is really strong, time flies by more “slowly” than the people that had stayed far away from the planet. The most interesting thing we can talk about the timeline of this film is when the character of McConaughey goes into the black hole and becomes able to interact with objects of the past. By doing that, the character transcends time and tries to influence his past self not to become his present one. Here too, the timeline creates a story loop which links the beginning and end of the story, more or less like in “Back to the Future”.

On some other films, there is only one story and nothing in the scenario would justify a non-linear narration in itself. But it’s the producer’s choice to just tell his story in another way, in Arrival, Denis Villeneuve tries to trick his audience by showing what appears to be flashbacks but is in reality flash-forwards revealing that the main character had in reality visions about the future making her face difficult decisions. Sometimes, timeline manipulation is an integral part of the intrigue of the movie, for instance, in “Following” by Nolan, the story of the main character is told originally, scenes from three different periods in his life are mixed up together and put end to end to form a confusing puzzle that the viewer has to resolve. The viewer can differentiate each periods of the character’s life by looking at his face: he first has long hair, then short hair and a beaten up face on the last part. It gives a disconcerting feeling to the viewer during the movie and finally a sense of accomplishment when the pieces of the puzzle are put together. It is also the case for “Memento”, by the same director, it is the story of a guy that lost his short term memory due to a rare condition of amnesia. To bring the character closer to the viewers, the film is constructed upside down, each scene ends where the previous one began. By doing that the viewer, just like the amnesic character, does not know what has happened before. In consequence, the director creates complicity with his viewers and totally changes the classical stakes of the usual movie, here the story begins with the main character killing someone and the whole interest of the movie is to show the steps that led him to doing that. As we said before, using this process can give a feeling of accomplishment to the viewer when he finally solves the puzzle, but this narration can also be used to create a confusing experience where plenty of interpretations are possible, just like in “Mulholland Drive” by David Lynch, where the movie is divided in two parts, one where the character played by Laura Elena Harring (Camilla Rhodes) is with Betty the other where she is with(Played by Naomi Watts) and Diane (Naomi Watts too). Many interpretations are possible about what the signification of each part is. This confusing effect is even more present in “Réalité” by Dupieux: this film tells a story where there is, in the beginning, a big border between two timelines, dream and reality but the more the story goes, the more the border becomes thinner between each timeline, to the point that we can’t distinguish whether the scene is a dream or reality. To conclude, the manipulation of the timeline in an intentional way can really create an original and unique experience for the viewer, furthermore, if the process is well done it can enhance the intrigue.

Conclusion

We’ve seen why linear narration has always been so popular being the easiest way to tell a story without losing the viewers and letting the director focus on other part of his film even though it has its limits. To face them, a lot of movies nowadays began using “classic” tools and processes that could allow them to mix up their storyline and timeline such as flashbacks and flash-forwards as we have seen. Finally, some directors decided to produce movies that embraced timeline manipulation fully and make it an integral part of the storyline to add originality to their films and make their viewers experience new emotions and discover a new way of entertainment by trying to decipher the true meaning of the story.

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mihajlogirard-blog · 8 years ago

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Design contexts essay

Design contexts Essay