#i see you and i appreciate you immensely

[cozytownz]

just a small appreciation post to people that reblog my art & talk in the tags

i hope you guys know it really makes my day to read them

[lnmei]

Palestinian Fundraiser Donation Match! 🕊️🇵🇸

I decided to use a recent payment I received for an illustration to donate to every Palestinian who reached out to me this past week. Please share this list, and if you are able, pick at least one donation to match me! Many small donations can go a long way which is why I took the time to put together this post. (date: August 11)

@esraayyad14 | vetted here | match my €5 donation

@mohiy-gaza | vetted here | match my $5 donation

@azaxa | vetted here | match my €5 donation

@abedallhferwanagaza | vetted here (#60) | match my €5 donation

@mahmoud0hilles | vetted here (#198) | match my €5 donation

@noorabd1992 | vetted here | match my $5 donation

@ayaalanqarsblog | vetted here | match my €5 donation

@ahmedalnabeeh11 | vetted here (#218) | match my €5 donation

@ehabayyad23 | Bilal Salah shared this post | match my €5 donation

@emanfamily81 | vetted here | match my €5 donation

@samarsh97 | vetted here | match my €5 donation

@mayadayyad81 | vetted here twice (#144) | match my $5 donation

@bisanalbalawi18 | vetted here | match my €5 donation

@malakabed | vetted here | match my €5 donation

@abdelmutei | vetted here | match my €5 donation

@lailashaqoura | vetted here (#152) | match my €5 donation

@fedao | vetted here | match my $5 donation

@motaz225 | vetted here | match my $5 (~$53 SEK) donation

@free-gaza2 | vetted here | match my $5 donation

@ahmadresh | vetted here | match my $5 donation

@falestine-yousef | vetted here and clarified here | match my $5 donation

[kimtaegis]

LILACS BY THE SEA a music collection curated for @cordiallyfuturedwight Lilacs (Kayla) Playlist • Sea (Seokjin) Playlist song notes

cr. mahoneysuga, rawpixel, bts-trans, Diana Zviedrienė

[stil-lindigo]

50% of all revenue for my store, starting now, will be donated to CareforGaza and the PCRF.

[ PURCHASE MY ANTHOLOGIES HERE ]

hi there! i'm lindi. you may have seen some of my comics floating around in the past year or so.

if you’ve ever liked my stories and wanted to purchase a copy of one of my anthologies, I invite you to do so now. This policy will be in place indefinitely, and the list of charities/organisations may be subject to change depending on their effectiveness. Currently, the focus is on providing aid and food to the innocent Palestinians in Gaza, but in the future I hope to increase the scope to tangibly support the queer community and help fund independent artists in Australia.

below, I'll list a few resources for people who'd like to directly donate at the source:

credible organisations that are doing work on the ground in Palestine:

Care for Gaza:non-profit charity that distributes money, food and other resources directly to families in Gaza.They maintain a regular presence on Twitter and Instagram. You can donate to them via Paypal here.

PCRF / Palestine Children's Relief Fund: non-profit organisation that distributes essential food and resources to families in Gaza. Most recently, they delivered 30 tons of vital medicine, and 82,000 pounds of flour.

Medical Aid For Palestinians: deploys medical teams to treat Palestinians suffering under Israel's malicious bombardments.

help people leave palestine (donate what you can)

Save Sanaa and her Family (Gofundme)

Save Amjad Saher and his family (Gofundme)

Help a family of 13 escape Gaza (Gofundme)

Help a Palestinian children's book illustrator save her family of 12 (Gofundme)

[alyona11]

Ok time for my big Hadestown hot take and that’s that West End Hadestown doesn’t give you a 100% Hadestown experience. It’s still ridiculously good and 100% worth seeing, don’t get me wrong (I used my opportunity and saw it twice and will likely see it again if I’m in London), but it kinda made me realise a couple of things about OBC production that will always be my Roman Empire and make me deeply upset Broadway is too greedy to give us an OBC proshot.

So, here are some of my thoughts and reflections based on seeing Hadestown live on West End + seeing different versions (including London National theatre proshot) in boots. I think you can pretty solidly say that in Hadestown there are 2 main stories: Orpheus/Eurydice and Hades/Persephone. And even though arguably Orphedice is the main most important story, it my opinion it also wins from Hadesphone story being strong. Which works perfectly in OBC due to Amber Gray and Patrick Page delivering a very deep nuanced performances as their characters.

I think part of the success of Hadestown when it works on its fullest is how it creates a very deep emotional journey. And I feel that regardless which pair of Orpheus and Eurydice you have (if we take Broadway/tour/West End take on the characters) it’ll still work! Like you need to try really hard to mess up orphedice the way people wouldn’t root for Orpheus or wouldn’t empathise with Eurydice because they are so relatable and cute. You instantly love them, they are so so lovable. So orphedice part is one thing in Hadestown that imo works if not always then in 99% of the cases.

Hades and Persephone’s part of the story in the contrary is VERY hard to nail on 100%, in my opinion, and this is literally driving me crazy. Maybe seeing Amber Gray and Patrick page in professional recording awoken some feelings in me, I don’t know. I will state straight away that I also do enjoy other actors’ takes on characters and I do see some very interesting character moments there and there. However, I keep returning to the thought that Amber/Patrick’s characterisation works SO WELL for the main narrative. I’ll try to explain why I think so. Consider it my love letter to the OBC.

First and foremost, I feel like Hadesphone story has a very fine dynamic that the actors have to nail, so you would feel that: 1) these two still love each other; 2) these two are buried under their problems and see no way out, only a miracle (aka Orpheus and his song) can save their marriage.

And if the first one usually works at least due to Epic 3, the second one, imo, often (at least partially) falls victim to acting/directing choices which can cause troubles with point 1 as well. I think one big thing I’ve noticed is that often Persephone’s alcoholism gets forgotten in the acting performance. Like yeah sure her choreography includes drinking from a flask but in comparison to Amber you never get a feeling that she is absolutely wasted. Which, is in my opinion something that you should feel when you’re watching the show and something I was constantly forgetting about when I was watching the show on West End. I feel in Amber’s performance you can constantly see that her Persephone’s feel good attitude is a façade of a broken person who knows that her marriage is going to hell in front of her eyes yet she is too passive and hopeless to try to make an active change (well, she does try in Chant and nothing happens), so her only way is to chase the sense of normality that the “medicine” gives her. But when she is alone, if you get to catch a moment when people are not looking at her, you can see a deep sadness under her positive front and her memory of the old days when everything was more simple. Nevertheless, the main point that the lyrics literally say is that Persephone is blinded by the river of wine. And this is crucial to her character and her relationship with Hades because the story states that even though Hades is a problem and he is an active actor in creating more problems, he is not the only failure in this relationship. Persephone needs to be woken up from her apathy almost as much as Hades does and this is something that we see during If It’s True.

From Hades’ side I feel like it’s not a good decision to make him a total villain because when he is irredeemable you don’t feel like the whole “song that will fix the world” has any chance of working long term. I think Patrick nailed a deep antagonist very well. His Hades is weird and lowkey creepy and alien. He does objectively bad things but when you look at him you can’t stop thinking that he doesn’t operate in regular human logic or morality. When I look at him in Chant, it feels to me that his words about building stuff to impress Persephone are absolutely sincere, and I can absolutely see that his Hades doesn’t understand why she is so upset about it when his intentions are so so clear. Maybe it’s my vision but even before Epic 3 when he is so far gone and buried in his projects and messed up ideas I don’t have a single doubt that Persephone is a single motivator and goal of Patrick Hades’ life and that he literally doesn’t need any other being to care about. And tragically this fixation is what makes him blind to all other things he does even if those things ruin Persephone’s life (and other people’s but tbh I don’t think he cares).

I feel like by removing Persephone’s Chant 2 verse Hadestown created more problems for Hades and Persephone part of the story making it a much harder job for the actors to prove to the audience that Hades and Persephone have a chance to make their relationship work. Like I get that maybe it was a necessary things to do (even though I think the show is much better with it) but it made it so much harder to empathise with this particular part of the story unless the actors use the choices that work in the narrative. Because for example when I was watching the show on West End part of me was wondering “what is Persephone’s deal in all of that, what does she win by staying with Hades?” With the verse, and with Broadway Previews or London 2018 in particular this part was clear: Persephone still loves Hades and believes that he has the opportunity to change and become a better man he used to be. Without the verse, however, the actors should give you the same idea during the show which is a hard task considering Hades and Persephone have only 2 big conversations together (Chant and How Long). So apart from those songs there are only subtle mostly silent moments they get together through which the actors have to convey the same thought which is hella difficult and probably hardly will be appreciated by anyone apart from the people who sit closely.

So, maybe because in the actor combo I saw (Zachary and Lauren), I got a feeling that even though they were great separately, I didn’t feel much chemistry between them as a pair. I think, Persephone seemed pissed and tired of Hades all the time until How Long and I didn’t feel that she still believes in his willingness to change. And Zach Hades despite being entertaining, kinda gives the impression of Hades who has other options, he is not into Persephone enough. The only sparkle appears between the two in Epic III which is still cute but I’m not sure if it works just as well if that’s the first time you see the show? Also considering Zach Hades gives more malicious intent in His Kiss, The Riot it seems that he is not even slightly interested in Orpheus having any opportunity to succeed with his quest. Which is not bad, don’t get me wrong! But in comparison to Patrick who is deeply self projecting into Orpheus to the point where you could see that even though he doesn’t want to let him go, part of him does because it would prove he too could succeed in his challenge of waiting for Persephone, this take seems a bit lacking. And overall because of His Kiss, their promise in Wait For Me doesn’t seem as giving much hope that the story won’t repeat itself next Sunday. Which in its turn makes Orpheus’ sacrifice feel a bit… worthless. If on Broadway, when Orpheus turns, but spring comes again you feel like it is the start of something new: hopefully a kinder and softer time. On West End the show also wants you to feel it but when you think about Hades and Persephone you feel…less certainty that this sacrifice will have a long term effect?

I guess the creators wanted to concentrate on Orpheus and Eurydice more and forget about Hades and Persephone by making them more secondary story or maybe there was a lack of director’s involvement to give the cast some hints on how to make this particular part of the story work better, but it feels to me that in its current state the show works in its 85% power which is still great but once you know there is something missing you can’t stop thinking about it and wishing the show would give you those 15% you crave.

[i-may-be-an-emu]

Some of my favourite out of context sfth ao3 tags because these are so funny (also all of these are from different fics)

Disclaimer that these aren’t mine :)

[carlos-tk]

Hello just a lil msg for anyone who has wanted to donate to the 911actions prompt fills but isn’t in the financial position to do so or can’t participate for any other reasons. I’ve got some spare prompts to be filled and my brain is mush with no ideas so I wanna share the love. If there’s something that you have been eager to have written or drawn, send me a dm and I’ll submit the prompt for you ❤️

[canisonicscrewyou]

Fuck this entire week oh my fucking godddd. This felt like a little trial. Hurdles to get through the last of Busy Season for the year.

This week:

I shut down my store's entire IT system while being guided through a troubleshoot and it took ~45 minutes to fix it

Rolled + landed on my ankle on my walk to work on Halloween. Had to limp into work.

On Halloween I also had to kick out an intoxicated dude on a bike who tried to serve himself water out of a crushed, grimy to-go cup by leaning his entire body over the bar after going to the registers to ask ME for a cup of water. Left after telling me he has two no-trespassing orders from my store.

Had to hobble my way home because I had no way of getting a ride because my city closes down half the streets for Halloween.

Worked through my bruised and busted up ankle for ~3 days while another coworker called out to. Probably catch up on school work.

Nearly cried at work like. Several. Times. Partially from overwhelm and confusion and now partially from pain.

Watched my boss feel immensely bad after seeing My Ouchie and then went home. (<- only for my fiancé to come in to pick me up and then when I wasn't there, tell my boss and coworker that I should have called out today which is. Correct.)

Now I'm really just sitting with my injured leg Up High and On Ice

I got to see some fireworks, dress up as Will Graham, my coworker gave me the last of her cigarettes, and I got to post fic though so. Not all bad. I guess.

[teatitty]

I made these tweets back in early January and guess what motherfuckers

I WAS FUCKING RIGHT 

[toastydumpster]

!!!! Your drawings are always so cool!!! Your art style is so fun, it works with more serious things and goofy stuff. As always, great John design but I think your Arthur isnt complimented enough. he's very cool

Also THANK YOU for starting the petting your John thing it has brought so much joy into my life.

Your art always makes me smile !!! <3

This isn't even an ask Imao, more just fanmail !!

THANK YOU DUDE YOU MADE MY DAY!!!

[dykeshevik]

Soviet rpfblr’s biggest Yakov Sverdlov defender

[manhattan-gamestop]

oh by far the funniest part about the amingus breast feeding account is it’s definitely run by a polygon poster , likely a mutual

Lmao that makes a lot of sense. I also love the idea of running that account and following a lot of polygon blogs, and the day one of them posts about breastfeeding is your day to Strike

For context, nora's talking about this post

[sleepyagent]

I want someone to love me quietly and loudly at the same time because Im an idiot

[freepassbound]

what’s your favorite movie score?

I had the privilege of seeing Lawrence of Arabia in an actual movie theater once - that's already a fantastic score watching it at home on a television... but in a theater? With a theater sound system?

Really, though - it was a lifetime-level experience. Cannot recommend it highly enough if you ever get the chance.

[kyouka-supremacy]

Hey! I was summoned by the tags you put under my post bc I also very much enjoy discussing ethics. I might make this into its own post so I'll try to not elaborate too much...

I think that I can't just decide for everyone if the difference between doing good for the sake of goodness or in order to save oneself matters, but for me, in most cases, including Dazai's case, it doesn't.

I like to believe that morality is a choice one can decide to make, and I don't think it's fair to take that away from them, regardless on how they might feel on the inside. It's a wonderful thing to act morally because it's your "natural" tendency, but I think people also have the right to do so deliberately, for a reason that they choose, without their choice being minimised. They're two different processes for sure, but if the outcome is good, then the action is a good action, and, if being moral is a choice, then I don't think I have the right to decide that only one intention or emotion that will lead there is good enough.

Also, doing good for your own sake and for the sake of others are mutually exclusive at all. One feeds the other, and if we were to put every person's actions under such scrutiny, we would ultimately run in circles.

So, for people outside the story, I would say that the debate does matter, but for the sake of the people involved, it doesn't, because the outcome is the same, especially since Dazai is so opaque as a character, and what he really feels about the things he does is so hard to read, so at the end of the day all most of them experience is his actions.

[Post this is referring to] Thank you for your elaboration, I loved hearing your opinion on the matter!!! That's close to consequentialism, isn't it? The consequences of one's actions, how much good they produced, are telling of it being morally right or wrong. I don't necessarily agree, but that's definitely a valid way to see it!!! I personally believe one's intentions are the most relevant aspect to take into account when judging whether and action is ethically rightful or not. Note that that is judging the moral of the action itself, and not giving a judgement on the person; people can have a million reasons to act selfishly, and in my very “humans are always inherently good” worldview more often than not it's caused by society rather than an actual preference to not be altruistic. But that doesn't change the fact that even a good action, if it isn't moved by good intentions, won't ever be passable of being morally right to me. Besides, then, wouldn't the other way round work to? Someone well intentioned, who's however incompetent, and ends up with their actions putting more bad in the world– as long as they're acting with a true desire to help others for the sake of it, their actions can't be considered morally wrong for me.

To clarify, with reference to your ask; I don't think people who do something for selfish reasons, and end up doing good, are morally rightful; but if they decide to do good, well, isn't that a well-intentioned aim itself? Then I think they stop being selfish to the extension that they consciously decide they're going to do good. That's not morally reprinandable at all.

Now, regarding Dazai... Honestly, I don't think Dazai is a good person. Because he never meant to do good for the sake of it. But now, the thing is, I don't think anyone in bsd is meant to be interpreted as good or evil– nobody, not Atsushi, not Mori, no one. When it comes to bsd– I do think bsd expresses a more or less nihilist worldview. And I know pretty much everyone else disagrees with me on this, I know, I'm sorry. But I do think there lies an undergoing message that good and bad are ultimately the same, and equally meaningless– it's there in Oda saying “Neither good nor evil mean much to you”, it's there in the way it makes you root for mafiosi like they were the good guys, it's there in the way Dazai never even considered to make amends for the bad things he's done (because they were never bad to begin with, because good and bad mean nothing anyway), it's there in the way it constantly shows good people doing bad and bad people doing good in a way that basically equalises them. To me there's really no point in discussing whether Dazai is good, because he is most evidently not, but that's only because he was never meant to be interpreted as such to begin with. Please refer to this post for further details; it's not surprising at all that Dazai switching over to the “good side” didn't come with a radical change of heart, and that he basically stayed the same, because how could he become good when that's no different than being evil, and those both mean nothing anyway?

And I know most people see bsd's core theme as finding a reason to live, and maybe it is, but even then I think that wouldn't be by denying its nihilism, but rather accepting it and finding a reason to live in spite of it: to me all of bsd really sums up in “that, at least, is a little more beautiful”.

[impeccablebackside]

are there any "habits" that each queen, on purpose or not, is having while sex, that would immediately make the other tom/queen that is fucking them go like: ,,ah jup. i'm definetly fucking teazer/vic/tanto right now."? like something typical or characteristic they always do?

Something that is meant to be unique to a queen is a concept that is dually easy and difficult to define. Aside from physical features (and divine physical feel), each queen does differ in other ways, so it is a good question anon. A lot of their typical characteristics are rather interwoven into basically any / all of the posts on this blog, so it may seem minor in the context of the ask, but it is an 'identifier' for each queen. I suppose read through some of them for ideas more specific to any given topic, or just ask me if you want. I would always be interested in reading about what you think if I do not mention something you have in mind.

Vic does not have anything outwardly unique for her partner(s) to necessarily notice when they are fucking her good. She greatly prefers to keep eye contact at all times during sex, and that is something that Plato certainly appreciates. They get lost in one another's eye, feeding off of the pleasure and enjoyment the other is experiencing. The sheer amount of kissing and passion that results from that is something that no other couple have. Aside from that, Vic cannot help but 'squeak' when she is really getting taken apart. When the sensation is overwhelming to the point that she cannot verbalize properly it with words.

With Rumple, it is not difficult to tell who you are with. How do you know you are fucking her? She is loud and very vocal when she getting fucked. Loud. You will know, and so will everyone else. Little is as satisfying to her as being able to express herself as much as she can when the pleasure hits. Even when she is alone, she still cannot keep it down. Otherwise, she also loves fiddling with and rubbing herself at all times during sex. Milking everything sensation-wise out of the encounter. That is not the only milking she does either. The little queen has a habit of fingering her tom's ass when she gives a blowjob or handjob, and that is another way to know the calico is involved.

Almost everything Tanto does could be considered something unique to her. The way she communicates and her mannerisms are inseparable from her 'true self', even when she is intimate. There is an aura about her that makes every encounter seem like it stops time and she is the only other person around. More tangibly though, Tanto has a habit of closing her eyes and zoning out as she is being pleasured. Almost meditating on the experience and getting wrapped in the bliss beyond the physical world. She even drools a bit sometimes when she relinquishes herself to the control and attention of someone she trusts. If you are the one fucking her, the beauty of her reactions, namely her squirting, is a good indicator. Though most noticeably depending on her mood and the sexual relationship, the torbie has a habit of biting her partners. Not necessarily hard, but still meaningfully. Her oral fixation and feedback from nibbling and biting excites her, and when she gets that look in her eyes, her more feral nature takes over.

With Cass, the tends to let out a fair bit of dirty talk during sex. She does not have any specific habits, and anything that she feels is uncouth with her is kept to a minimal. Even when she is intimate, she still wants to attain a certain 'public image'. Not that whoever is fucking her cares at all about her habits. Her body one of a goddess, and anyone lucky enough to get with her will be left dreaming about her perfect pussy that swells when she is getting fucked and has 'creamy' milky type of wetness that coats whatever she is 'wrapped around'. When she is done and has her orgasm, it looks like she actually cums a bit. It makes others yearn to experience it.

Deme has a tendency of tucking her face into whoever is on top or below her. Hiding away from the bitter world and into a place of warmth and solitude. Being surrounded and wrapped in the body of her lover is just as special as any pleasure. When the pleasure gets more heated, she will claw against the back (or front) of her partner. Few people know, but she always gives a little 'thank you' clench with her pussy after she cums.

Bomba tends to grab onto her partner in reaction to getting fucked. Besides her words or moans, the queen grabs and squeezes whatever is within reach to communicate her enjoyment. With Tugger, she loves grabbing ahold of his mane and pulling on it hard. It does not translate nearly as well with others, but the habit is still there. Otherwise, she gives some messy head sometimes and is sort of the only queen who does.

Jenny is noted to always give instructions and pointers to her partner. She knows what works and what falls flat, and is much too experienced to let someone else figuratively go down the wrong path when they are with her. She also is one of the only queens who smacks your ass during sex.

Jelly does essentially no oral sex, and does not really enjoy oral all that much. She is the only queen like that. Does she make it up in other ways? Not really, but she never needs to. Her partner knows what to expect, and there are plenty of other things to do.