#i say little but i actually want a full yy fleshed out story

[cynicallyneutral]

[overthinkingkdrama]

Exit Rant: Mr. Sunshine

[This is intended to be a spoiler free review of Mr. Sunshine but it may include a few minor spoilers throughout. It’s also long as all hell. Enjoy.]

Wow, here I am with my Mr. Sunshine review and it's only...*looks at wrist despite not wearing a watch* nearly three months after the final episode aired. Totally in keeping with this blog's commitment to publishing consistent and relevant content *manic laughter*.

The truth is, even if it hadn't been bad timing schedule-wise, Mr. Sunshine was going to be a difficult drama for me to review. This drama has so much to recommend it in terms of beautiful production, epic scope, unique period setting and blockbuster cast. There is something conceptually mesmerizing about Mr. Sunshine that engaged my basest fangirl and aesthetic sensibilities, but the actual experience of watching the episodes does not live up all the premise promises. What Mr. Sunshine delivers as a drama is, paradoxically, less than the sum of it's parts.

Let's focus on the positive first.

The cast in this drama is god-tier. You're rarely going to find an ensemble cast like this outside of Chungmuro. Your first, second and third leads all can and have headlined films and dramas of their own, and a lot of the stars here (like Kim Tae Ri of The Handmaiden fame) have critically acclaimed film pedigrees.

There's a lot to say about the actors and the performances, and there's no way I'm going to get to all of it. The extended cast is large and exceptionally great, and I'm not going to be able to remember and talk about everyone by name, so I'm going to have to limit myself to the main cast.

It's really the cast that moves heaven and earth to make this script work. To the degree that sometimes it felt that each actor lived in their character and lent flesh and texture where the writing let us down. Kim Tae Ri, played Ae Shin with so much fierceness and unshakable dignity that I couldn't stop cheering for her, even when the plot sidelined her character for what felt like episodes at a time.

For many people, the rousing showstopper performance of the drama was Yoo Yeon Seok as Gu Dong Mae. Early in the life cycle of the drama I recall hearing that Kim Eun Sook got herself embroiled in some controversy because people felt that the Japanese-sympathizer Dong Mae was far too likable considering his political ideology. Some hasty shuffling was done and rather than being characterized as a bald-faced fascist, Dong Mae became more of a freewheeling mercenary gangster-type. This was a positive change in my opinion. I don't want to retread what has already been said (a lot of it by me) about Dong Mae, but YYS has never been and may never be as interesting or as sexy as he was in Mr. Sunshine, in my opinion. He plays the morally grey character with edge and blazing charisma and, if nothing else does, makes the drama worth checking out.

Information broker and enigmatic owner of the Glory Hotel, Kudo Hina, as portrayed by Kim Min Jung and (my personal favorite) and the soulful Hui Seong, born into a blood-soaked privilege he can't escape, played by Byun Yo Han, wonderfully round out the cast and are, if anything, tragic underutilized by the plot. The only person here who perhaps underwhelms is Lee Byung Hun as the titular main character. I don't have strong feelings about him as an actor or as a person one way or the other. I've enjoyed some movies he's been a part of. I do feel that visually he looks too old for baby-faced Kim Tae Ri, but I'm almost used to that kind of thing in Dramaland. His performance is perhaps meant to be restrained--nigh on repressed--but it comes off as a bit bland and wooden. Which isn’t to say he’s bad, and I feel Eugene had a lot of potential to be a very interesting character just...decidedly less interesting than everyone else.

A lot of praise has been heaped on the way this drama looks, and I will agree, it’s a very pretty show. Personally, I disliked how heavily color graded certain scenes, especially outdoor scenes were. I found it a bit distracting and it took away from how otherwise gorgeous some of the scenery in this is when the sky is tan or everything in a scene is tinted blue for some reason. But the production deserves a lot of credit for creating a full and lived in feeling world, for the beauty of the sets and the costumes, the sheer attention to detail, and the way they used all four seasons to set the tone and give you a sense of the passage of time.

And let me just state that during Mr. Sunshine’s run I was decidedly obsessed with it. I posted about it, I talked about it to my friends, I talked several of those friends into watching it with me...and a few of those people still speak to me to this day. When I start criticizing it here in a few seconds, know that doesn’t mean I didn’t get a lot of hours of enjoyment out of this drama or that I think I’m too good for this show. I’ve seen 4 of Kim Eun Sook’s dramas so far and this is easily the best one. It’s not just better than Goblin, DOTS and Heirs, it’s miles better. Is that everything? I think that about covers it.

Now for the bad stuff...

I’ve said this in the past in relation to Goblin, but it bears repeating: Kim Eun Sook is good--possibly even great--at creating singular, iconic story moments and absolute rubbish at developing a cohesive plot that builds tension over multiple episodes and pays off in a logical way. At the time I said it I was basing it off of relatively little experience with her writing, but I’ve seen the pattern repeat itself two more times since then and I’m increasingly convinced that I’m a genius.

I do believe there are extenuating factors that account for the poor pacing of her dramas. The number of episodes and the episode length might not be within Kim Eun Sook’s control and she’s not responsible for poor editing either. Both Goblin and Mr. Sunshine suffer a lot because of bloated run time, and maybe that’s the network’s fault but it leaves plot feeling thin in places, even like it’s futilely spinning it’s wheels waiting for the next important event to come along.

With Mr. Sunshine the issue wasn’t even that there wasn’t enough interesting plot or character backstories to fill 24, hour plus episodes, possibly even more, it was that at times it felt like the drama flatly refused to delve into the interesting details, preferring to leave us miserably treading water in the doldrums of the story. It felt like we had to beg and wait for even morsels of backstory about certain characters--the drama was especially mum regarding Kuda Hina’s history--while the two leads endlessly mooned over one another. How many scenes did we need to watch Eugene and Ae Shin soulfully stare at one another?

Mr. Sunshine never successfully builds momentum until the last 2 or 3 episodes of the run. And while there is a lot of lip service paid to guns and glory and sad endings, but much of the drama feels like it's milling around with hands in pockets waiting for the tragic curtain call. Even the badass sniper heroine is frequently sidelined. It feels like the story remains stubbornly in the set up phase, one step forward and two steps back. It's as though Kim Eun Sook has all of these wonderful toys--great characters, huge budget, interesting time period/setting--and she simply doesn't know what to do with them.

Consistently my frustration with Mr. Sunshine was its inability to effectively incorporate the extended cast into the plot. It feels like all characters exist in separate bubbles waiting for their turn to have a scene. Those scenes are interesting but maddeningly brief, and then they are shuffled backstage once again until it's once again time for their requisite 5-10 minutes of screen time per episode. 

This problem is especially present in the main cast with Dong Mae, Hina and Hui Seong. And that is what is so deeply exasperating about this drama, because there is just enough good peppered in to keep me invested, so many great elements poorly employed. It makes one want to take KES's script away from her and take it home and fix it yourself, because you just know she's not treating it right.

When calamity comes, and it does, it feels disproportionate and somewhat unsatisfying, because the build up didn’t do it justice. The drama ends with a rousing crescendo, but it feels that the individual character arcs were never allowed to reach their full potential. I’m not one to shy away from tragedy, but it left me feeling rather empty.

I wish I could a finer point on it than that, but it’s a murky issue to me. I know I’m not connecting with the story as much as I want to, but it’s hard to put my finger on the exact reason and that just adds to my frustration with it.

I stand by my assertion that this is still the best KES drama I have watched. Thought admittedly I’ve still only seen 4 of them, this one shows the most promise and, I think, the most growth. But it’s not there yet. I don’t know if I could ever watch it again, but I’m glad I watched it once. If for nothing else for the fantastic performances of several old and new favorites. I give Mr. Sunshine an 8.5/10, which is probably too high considering everything I’ve said about it up to this point. However, it’s just too strong in terms of overall production and cast for me to feel good about rating it any lower.