#i rewatched the first four since it's been so long (NO SPOILERS FOR THE FINALE PLS) and it still made me laugh

[femboyishcharm]

thinking of him

[inevitably-johnlocked]

A Breakdown of My Thoughts On Good Omens S2

(That may or may not also be a meta about my predictions for the future interwoven in)

Hey All!

All right, I’ve officially watched Good Omens Season 2 twice, and am almost done my third time through, and I want to put out some thoughts before I start reading other people’s meta about S2 so that my initial thoughts aren’t influenced by those. I was GOING to post it to my GO blog @inevitably-ineffable-husbands first, but decided instead to make the initial post here since this is my largest audience (my GO blog is mostly a reblog blog, but it’s been pretty active the past week with people sending me asks there!).

During my second watch-through, I took some notes about stuff I wanted to expand upon. This got a bit messy, long, and disorganized so I tried to just clean up those notes so they’re more legible. I think I inevitably want to write separate meta about each section, especially after my next few rewatches (AND especially since I want to talk more about 3 or four Big Thoughts that I have about S3). 

This meta turned out to be a lengthy essay-style meta with a few bits of point form and free thoughts, broken into sections for easier consumption, so I hope you will give it a read through. It’s longer than I intended (it’s about 5,000 words), so if you need to pause anywhere, I’ve conveniently broken it up into sections below the cut, which you can see the breakdown of here:

Before The Beginning

Crowley is A-Major-Angel Theory (or The Angel That Crowley Might Actually Have Been)

Maggie and Nina (Mirrors. It’s about mirrors)

The Ineffable Bureaucracy (MORE MIRRORS YAY I LOVE DYING!)

Crowley and Aziraphale (& Their Relationship Arc) (which includes my thoughts on THAT moment and why it was wrong)

The Metatron and Aziraphale’s Decision (I actually covered a large chunk of this on THIS POST so you can read just that if you want instead)

Other Things (That I Didn’t Know Where Else to Put) 

Final Thoughts

Also, so it’s not hidden under the cut, here are the things I’m interested in expanding upon in the future, if you guys would like to read more. The first one is the only “for sure” one on my plate right now:

A Thought on AziraCrow from an A-Spec Perspective [REDUX]: An expansion on the above-linked meta I put out a week ago about their relationship arc and how I feel it’s being portrayed and what it means foor the future.

THAT Scene Small Thoughts: And its importance RIGHT NOW and why the confession will be so much more powerful in S3. Actually I think I MIGHT cover this in the AziraCrow meta, but I DO want to expand upon the scene anyway regardless.

And I don’t have many things to say as of finishing this meta, but I would like to put out my thoughts on why Aziraphale made That Choice. (EDIT: It would be an expansion on THIS POST which would include some points I made under the cut in the various sections, compiled together. I know I’ll have more thoughts as the weeks move on and as I understand the scene more and more).

Anyway, I hope you enjoy what I’ve written! The next meta I’d like to tackle is the Relationship Redux meta, provided that the asks I got in my inbox aren’t going to take up too much of my time.

Feel free to add your thoughts in the reblogs and replies as usual! I welcome other opinions and thoughts, and I will try my best to keep all the threads together. This blog is and will always remain a community project! :) 

PLEASE be advised, in that case, that Spoilers WILL BE in the notes, and OBVIOUSLY there are spoilers below the cut for the entire season! Cheers, and thank you! Enjoy!

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BEFORE THE BEGINNING

I have running theory that’s kind of on strings right now, but I feel like Aziraphale feels responsible for Crowley’s Fall, that he feels he didn’t do enough to help prevent it, which may explain his actions in Episode 6. 

Now, I’m not saying that the entire reason he spends so much time with Crowley is because of some underlying guilt, NOT AT ALL (just a small part of it), but more that he feels like he could have done more to dissuade Crowley from asking questions – It’s why he spends their entire lives trying to convince Crowley he is good! Aziraphale loved seeing an angel so happy with what they were doing, and his warnings were making Crowley unhappy. Instead, Aziraphale decided to compliment Crowley on his work to make him smile again. I think it’s absolutely something to note since this scene and the finale of E6 suspiciously bookend each other, meant to be compared and contrasted with each other. 

When Azzie is presented with the opportunity to give Crowley back something he loved doing – being happy making galaxies – Aziraphale took it, because he knows how much Crowley struggles with his own sense of self.

Unfortunately, Azzie thinks Crowley’s inner turmoil is because of who he is and his status as a demon, not because Aziraphale is literally his whole raison d’être and why Crowley keeps coming back to him – he’s only ever truly happy being around Aziraphale.

Crowley, in turn, has become Azzie’s own reason for being, he just sadly hasn’t come to that conclusion yet at this point in the story. Aziraphale thinks that by being the Supreme Archangel, he will have the authority to make things RIGHT, not knowing the info that we as an audience have through Crowley that that is FAR from the truth. I’ll go more into it in my Metatron section below.

Basically I’m saying that this sequence at the beginning exists to show who Aziraphale is as a person, an angel who struggles with his OWN sense of self and his desire to do good and make people happy. Aziraphale is so consumed with believing that he can change things if only he has some control over a situation, then it can all be better; he fails to see that he already has everything he wants right in front of him. He doesn’t think he can TRULY be with Crowley safely unless something changes the status quo, and he naïvely thinks that taking the job is the best way to do so. I think next season we will see Aziraphale finally understand that he CAN’T be “free” until he accepts that he and Crowley ARE better as one. 

Another note I wanted to make about this is just an aside commentary: Aziraphale ABSOLUTELY was smitten by Crowley. I suspect until he met Crowley, Aziraphale had never seen another angel be so joyous in his work. It intrigued Azzie and blossomed into something-unknown in him.

Azzie was smitten since before the beginning, and that he indeed pines for Crowley. He’s just terrified about what happens After if he were to do anything about it.

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CROWLEY-IS-RAPHAEL THEORY (or another Top-Ranking Angel)

This is one of my favourite theories that circulates in the fandom, and I went into a bit of detail about this on this post here, but I want to expand more upon it briefly (hah).

I think this season further proved Crowley was A Big Angel™ before he Fell (not necessarily Raphael, but it IS the prominent theory about his identity). It’s a Big Point that I think they’ve been planting the seeds for in both seasons so that we as the audience can figure it out; maybe not exactly WHO Crowley was (the general audience wouldn’t know about the theory), more that Crowley was indeed a higher ranking angel than all of them. This could be a big reveal in S3 for the general audience, and will be the reward for the “easter eggs” that the fans picked up on. 

Here are the clues that I have so far, both from the fandom theories for S1, and my own observations of S2... I have not read any meta yet as of writing this, so I probably missed some if people are talking about it:

Raphael is notably missing from the main Archangels. It’s very odd, because he was a prominent figure in a story about Abraham

When we first see Crowley in S2, we see him as the primary creator of the universe. That kind of task isn’t given to just any angel. We knew in S1 that Crowley created stars, just not the full story of it.

The only Top Angel who recognizes Crowley is Saraqael and we don’t find that out until Episode 6. They mention that the two worked together during the creation of a nebula. Saraqael is just as old as Crowley and was there Before the Beginning as well. Michael, Uriel, and Gabriel don’t recognize Crowley when they come down during Job’s trials, meaning that Crowley probably Fell before they came to be Top Level Angels. 

“A throne, a dominion or ABOVE” is who Muriel said were the only angel classes that could open the file on Gabriel, and Crowley literally just opens it without issue. Crowley faffs it off as an old password (but even then, why would he HAVE an old password for a confidential file?) but I think it’s more true that he actually had and hasn’t lost the clearance he had as a higher order of angel. Muriel NEVER stated that an Archangel can open the file at ALL. BUT I think Gaiman’s Archangels are technically top of the chain so they possibly are able to open the files as well.   For shits and giggles, I actually looked into the orders of angels: Muriel’s listed angels are part of the top 4 levels of Angel rankings. Now, I know that the authors took creative liberty with Capital A-Archangels for story purposes, but it’s a very interesting thought, isn’t it? I wonder if Crowley was actually one of the first Supreme Archangels? Just something to nibble on until S3.

The INSANE power level of HALF of a bit of a small miracle from TWO people that can raise 25 dead people is very interesting thing to literally flash red in your face as if to say “THIS IS A REALLY IMPORTANT THING TO REMEMBER, DON’T FORGET IT”. Why? Why make this the catalyst of events in the series if it’s not important and won’t be brought up again? Was Crowley’s power the one that set off alarms in Heaven since his part was to hide Gabe from Heaven?

The writers have deliberately avoided giving us Crowley’s name in Before the Beginning. Crowley has a penchant for changing his name when he wants to distance himself from the past, and there’s a good chance he purposely threw away his Heavenly (dead) name to cast aside any memories of that former life. It’s not who he is anymore, nor who he wants to be ever again.

Crowley constantly references the problems with Heaven, stuff that Aziraphale seems to have no knowledge of. 

Crowley has an uncanny sense of where Aziraphale is and what he’s up to at all times. Actually, he’s able to sense trouble from everyone regardless. NOW, this might be down to him just... being so smitten with Aziraphale that perhaps he’s purposely attuned his senses to him, but none of the other angels nor demons seem to be able to do this unless it’s with their own kind. Crowley seems to have it for everyone. This is an odd power for one “measly demon” to have.

I’m certain I’m missing a few other easter eggs here that were mentioned, but in the interim, I think these definitely the ones that are worth noting.

“One Character Split Into Two”

I’ve seen a theory that ties into the Angel Theory where Crowley and Aziraphale are actually two parts of the SAME angel, Raphael, and I only remembered it after I saw this quote from David and Michael’s interview:

“Well, now we’re playing one character that’s sort of split into two”

Interesting choice of words... Did one of them slip up here? I don’t think that this is the case, that it’s just me over-reading into an interview quote, but it is something I did came across in my readings of the Raphael Theory that I thought I should mention.

While trying to find a couple posts to link to for this theory, I came across this super interesting post regarding Aziraphale’s name meaning in Hebrew, and it does list ONE of the “unlikely” possibilities being that it means “Raphael is my strength”. While the author links this to be part of Crowley!Raphael theory, I kind of like it for the Duality Theory, where Crowley IS Azzie’s strength in the sense that he’s the Emotional Support Demon. Crowley IS kind and gentle and protective of Aziraphale. And Azzie, who gets his strength from Raphael Crowley, is the brains (or main single braincell carrier) of the operation.

Kind of like an overly-romantic version of soulmates, literally One Soul split into two people who are meant to find each other again and become whole.

Also, I go back to my point about their power being ASININE at less than half each. WHY IS THIS POSSIBLE? A theory: They are stronger than an Archangel’s miracle together, so it’s not absurd to speculate that it was stronger because it was finally at its full power with the SINGLE soul concocting the miracle.

Anyway, this Duality Theory is probably definitely not the case since we see them both Before the Beginning, BUT we can argue that the scene we saw was their first introduction after being split... Aziraphale just HAPPENS to zoom by, the only single angel in the area? Hmm.

I ALSO just want to say that perhaps when they body-swapped, that may have also activated dormant “together” powers within themselves? Just a little thought I had while writing this section.

Aziraphale is Raphael and Doesn’t Remember

And finally, there’s the theory that they will pull a Shyamalan and reveal that it’s Azzie that’s actually Raphael. I honestly think this is the least likely scenario, given that all the clues they’re putting in the show don’t at all point to this, other than the possible entomology of his name (I read somewhere that Gaiman initially was going to spell it Aziraphael to coincide with the naming conventions of the other Angels) could be a play on the Raphael name and it’s Aziraphale who’s actually the missing Raphael.

I don’t think it’s this at all, for the record. I just wanted to point it out since it is a theory that I’ve seen thrown around linked to the Raphael Theory.

Regardless of which theory it is, I just CANNOT get it out of my head at how often they kept bringing up elements of Crowley’s past, and I just.... mmmm. I know he’s more Important than he lets on. There’s just too many eggs dropped in this season for me to let it go without a bit of grumbling.

Or maybe I’m just looking too much into it. *shrugs* I can’t help it, reading between the lines is a hobby of mine I do so enjoy.

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MAGGIE AND NINA

UGH, I absolutely love character mirrors... I love seeing the parallels of characters and how they’re supposed to represent the protagonists in situations. 

Regarding Maggie and Nina, upon rewatching the series, I see now that Nina is primarily Aziraphale’s mirror and Maggie is Crowley’s. 

For Maggie, as an expansion on a drunken post during my liveblogging:

She’s smitten (”pathetically in love”) with someone just out of reach, hopelessly pining and watching from afar.

She’s STUPIDLY protective of and adores Mr. Fell and Nina.

She, like Crowley with Aziraphale, attempts to make Nina happy: She gives a record as a gift without thinking about the “after” (Crowley tends to do the same)

She’s stands up to the demons and for herself.

She’s “unloved and unloveable”, which Crowley believes himself to be

She’s the one who thought up the plans to get them out of trouble

For Nina:

Fussy and stuck in her ways

Doesn’t want to disappoint but can’t seem to do right by anyone

“we’re just friends, well, we hardly know each other” (which I believe is a line similar to one Aziraphale said in S1)

Afraid to start a new relationship for fear of not being good enough

Makes their love interest wait and hopes they’ll be there when the time is right (She will be)

Her relationship with Lindsay appears to me to be a parallel for Azzie’s relationship with Heaven, with them being "done” with Aziraphale for one too many indiscretions. Lindsay also accuses Nina of “cheating” which Aziraphale technically does with choosing Crowley over Heaven 

Their inevitable NOT match-made is a gentle parallel to the painful NOT match-made by our heroes. There’s a bump in the road, and when they’re both ready, they’ll eventually get together. 

Also, another thing I wanted to note here, is that Nina’s VERY heartfelt conversation with Crowley is super, SUPER important to AziraCrow’s arc, and I believe it is the catalyst to why Crowley made the decision to try to confess in Episode 6. Like, he genuinely looks like he’s re-evaluated a few things after Nina walks away. And because it was the Aziraphale mirror stating this, Crowley perhaps starts to get ideas in his head that maybe Azzie is ready to move forward, since “it certainly looks like [you’re a couple from the outside]”. Why not make it official then? Maybe Aziraphale IS just waiting for Crowley to make the move.

Food for thought.

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THE INEFFABLE BUREAUCRACY

I don’t have much to honestly say about this one, other than I am SHOCKED that it only took them 4 years to figure their shit out but our idiots still are at first base after 6000 years. Get your asses moving, idiots!

Seriously though, they’re the biggest pair of mirrors in the season, but funnily enough, I think Gabriel is Crowley’s, and Beez is Azzie’s.  

Gabriel, like Crowley to Azzie, introduces human things to Beez. 

Gabe questions Heaven and convinces Beez to question their side... essentially he “Falls” when the trial happens, abandoning Heaven. 

Gabe throws everything away to be with Beez. 

Beez is the one who learns from Gabe, just like Azzie learns from Crowley.

Beez compares themself to Aziraphale: “I imagine he took better care of you than I would have”.

Beez calling Gabe “you silly, silly angel”... Aziraphale called Crowley silly in the first half of the season.

And as an aside, just... the casual “I love you” from Gabe is like an unfiltered Crowley. Because I am certain Crowley will be the first to say it.

That’s just a super simplified version of it all, but just wanted to point it out so y’all can see where I’m coming from on why I think that.

And I REALLY BELIEVE that Aziraphale will repeat this or a similar line to Beez’s in S3: 

“I just found something that mattered more to me than choosing sides.”

I think it will be the line before the climax of S3 that Aziraphale says when he finally rejects Heaven. Because that was a POWERFUL line, and it will solidify the mirrors and parallels that are all over this season. I feel like Heaven won’t suffer the same incident happening twice, so we might even finally get to see a ridiculously protective, vengeful angel Aziraphale, to rival all of Protective Crowley moments! WHAT a payoff that would be after two seasons of him just kind of sitting idly by not standing up for himself, eh?? GOD I want it.

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CROWLEY AND AZIRAPHALE (& THEIR RELATIONSHIP ARC)

I have just a few notes to immediately take away from S2, but I do plan on expanding more upon these thoughts in my Revision of my A Thought on AziraCrow from an A-Spec Perspective meta I wrote prior to S2. 

In that meta I state very clearly how important their relationship and its portrayal is to me. I do concede that, because of this fact, I may be biased in my opinions about literally the entirety of S2′s relationship arc. I ADORE Aziraphale and I really see a lot of myself in him, and I can understand why he did what he did at the end, and why the “rejection” happened. But again, I will touch upon that with the revision meta.

Instead, I took some additional notes while I watched and rewatched S2 that I don’t think I can fit well into that meta without ham-fisting it in. I’ll try my best to break it into yummier sections so it’s not so messy.

Protective / Jealous Crowley (and his possible PTSD)

This point deserved its own little section, because it’s one of my favourite things this season. I love just how BLATANTLY PROTECTIVE and JEALOUS Crowley was, to the point of being near-murderous. I LOVE the confrontation scene with Gabriel so much, because it’s SO revealing to just how terrified Crowley is of Aziraphale being hurt and not being in Crowley’s life again. 

I imagine he constantly replays the fire in his head: what if Crowley WASN’T there to save Aziraphale that time??? To step into fire for him??? He’s seen how bad No-Azzie would be with the Bookshop Fire, and I think he STILL believes that it was Hellfire that discorporated Azzie (not the accidental summoning circle). So imagine the psyche of a demon who is hopelessly in love with an angel, having to be face to face with the fire that he believes killed Azzie the first time and THEN have Azzie’s boss basically tell Crowley how little he thinks of Aziraphale? Ooof.

And I also will standby the fanon theory that it was Crowley who left all the fire extinguishers in the bookshop, and not Aziraphale. Bless Azzie, he knows that this is a “New Fear Unlocked” in Crowley and lets him do it to ease the anxiety.

And isn’t it funny that Crowley (aside from the 2 year lockdown) seems to have spent every waking moment keeping a steady eye on Aziraphale? He’s scared, which is why I think he might have some PTSD related to everything he’s seen that Aziraphale is blissfully unaware of.

Their Arc and The Kiss

It’s so clear to me now more than before that Aziraphale IS Crowley’s whole life, to the point of obsession. I think the final arc that Crowley has to go through before he can truly be with Aziraphale proper is learning to let Aziraphale also protect him, to loosen the stranglehold that his fear of loss has on him. That Crowley doesn’t have to shoulder everything by himself and be Aziraphale’s shadow. Because that’s what he is in S2 – a lot of scenes of them together in the modern day is Crowley trailing just slightly behind Azzie, always watching and waiting for trouble and being there for him.

I think Crowley has a genuine fear of loss of control similar to Aziraphale’s. Where Azzie’s is related to “well if I can do this thing then everything will be alright”, Crowley’s is “well if I can just keep Aziraphale safe, then everything will be alright” and that’s... not a good foundation for a relationship. Their Big Breakup had to happen for them to both realize this. 

Aziraphale has NOT gone through his “lost my partner” arc like Crowley has with the bookshop fire. I go more into it in the Metatron section, but I think that Azzie’s arc will look more like Crowley being used as a leverage tool against Azzie by Heaven, and those seeds were planted in the final moments of E6. Perhaps something DOES happen when Crowley inevitably comes to his rescue, and he also “loses Crowley for good” (but we know that the totally-made-up-just-now law of parallels will bring him back, we hope).

They’re currently at the Miscommunication and Separation stage of their relationship. They’re both so scared of hurting each other that they DON’T communicate... they DON’T expose each other to “bad things” that they know and instead just focus on the good. The breakup had to happen the way it did for Aziraphale to finally Get A Clue – because I honestly don’t think he realized Crowley loved him until the kiss – and that Azzie himself wasn’t the only one with a crush on his best friend. It had to happen that way for Crowley to understand that his overprotectiveness and lying by omission only harms Aziraphale in the long run.

Listen, I think it’s possible that Azzie thinks that Crowley only did the kiss because he didn’t want Aziraphale to leave at that moment, just another “Crowley thing” that he would do. It was piss-poor timing that was at the tail end of too many emotions and anger, and it’s easy to see how Azzie could have interpreted the kiss wrong. 

They both expressed wanting to be together, but misunderstandings will ensue because neither of them are good at communicating WHAT exactly "being together” entails. Crowley thinks Azzie means “working together side by side for a shitty company”. Aziraphale thinks Crowley means “just doing what we always do and having fun doing it”, both without shifting the status quo, when in fact they both mean “I can’t see myself with anyone but you and I want you forever in any way we can be, let’s please shift the status quo”. 

Then Crowley made the situation worse (though I do think he was VERY brave in doing it because WE the audience know his intentions are true and honest) by adding a kiss into the mix when they’re both upset and angry at each other. Both are left crying (Aziraphale turns around when the Metatron arrives, and there’s NO reason he should unless it’s to wipe his eyes. And Crowley deliberately put his glasses back on, so I think it was to cover up the tears) and no one gets what they truly want.

I think we’ll get a payoff for this next season, when they’re finally BOTH on the same page and NOT misunderstanding each other. I think there will be a “did you mean it?” from Aziraphale, and then a verbalized “I love you (or a variation of those words)” from Crowley, and then the paralleled line of “our side” I mentioned in the Gabe & Beez section. I think there will be a better, more satisfying kiss next season. I really do have faith about that.

Other AziraCrow Things

I saw a meme that put it best: “Aziraphale fell first, but Crowley fell HARDER”. I think Crowley is more comfortable in his pining because he’s not constrained by the same hangups and “obligations” that Aziraphale has. Aziraphale is worried that it’s “sinful” to love a demon.

I mentioned this before in the Raphael section, but I want to reiterate the point about The Miracle, because it’s SUPER important that this was a big plot point. The fact that it was so strong for something apparently so minuscule according to them proves that they are better together, and now that Heaven is aware that their powers combined to create that miracle, they absolutely want to keep the two of them apart. They suddenly became very aware that Aziraphale and Crowley are RIDICULOUSLY stronger together, because if a tiny miracle can set off alarms in Heaven, what can two full miracles combined create? I feel like this is a BIG Chekov’s gun for S3. 

I think a large part about why Crowley is offended by Aziraphale’s acceptance of the job offer is because Crowley is upset that he’s not enough for Aziraphale, especially when he rejected Beez’s offer for Aziraphale. His voice shakes when he asked what Aziraphale did. He’s hurt.

THE TOUCHING in this season is insane. It’s so casual and it’s EVERYWHERE. Their relationship, when it’s finally actualized, is going to be heart wrenching in a good way, the “good sort of hurt”. I truly do believe AziraCrow is endgame.

It amuses me to no end that the fact that these two idiots and their one braincell think that they can make a human relationship work when they’ve been mutually pining over each other for 6,000+ years with very little progress. And good lord, they both take their advice from fiction. It’s hilarious.

Aziraphale’s unending faith in Crowley’s “goodness” also kills me. I love that Crowley actually never wants to kill anything, he’s literally just trying to get by without getting caught, and he always gently encourages Aziraphale to do the same. He cares so much about being gentle with Aziraphale. The scene on the rock where Crowley is SO SOFT with Aziraphale melted my heart. It’s so sweet.

I LOVE that it was CROWLEY who got Aziraphale into food and drinks. It explains a LOT about why Crowley likes watching Aziraphale eat. HE did that. It was his first “gift” to Aziraphale (to his knowledge at this stage, when really it was Crowley’s smile at making the universe that really did it).

Crowley’s devotion to making Aziraphale happy while Azzie is just oblivious to how Crowley feels hurts a LOT, but I want to expand more upon this in my followup reblog to my relationship meta. I see myself SO MUCH in Azzie it’s goddamned scary.

Actually, I don’t think Aziraphale is oblivious to be mean, since he makes a point that “rescuing me makes him so happy”, BUT I think Aziraphale might misinterpret Crowley’s devotion as “Crowley wanting to do good” and not “omg he’s in love with me and wants me safe always”. Which I think is why Azzie is naïve enough to believe that Crowley actually WANTS to do good and not get in trouble for it, so thinks that Crowley will jump at the chance to go back to Heaven with him. Aziraphale always saw the rescues and the saving of children and animals on the same level –  as a demon fighting against his nature – when in reality it’s a demon who just does what he wants because he cares about everything and Aziraphale happens to be at the top of that list.

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THE METATRON and AZIRAPHALE’S DECISION

This section will be short since I actually covered a large chunk of it in my Manipulation of the Metatron Meta Reply a couple days ago, so please go read that if you’re interested. The shortened, summarized version of that is this:

The Metatron is playing Aziraphale, and he’s only using Aziraphale to bring about Armageddon 2.0, using Aziraphale’s desire to be needed and useful against him. Azzie DIDN’T see what Crowley saw in Heaven when he accessed the files and I don’t think he knows about the Book of Life Threat that was the punishment for harbouring Gabriel, either. Only Crowley knew about that, but didn’t tell Azzie (again, a huge problem in their communication that needs to be worked out).

Heaven and the Metatron KNOW that Crowley is a liability and I suspect they also know how powerful they are together. They needed to drive a wedge between them, and knew Aziraphale was pure-hearted enough to believe that he could make a difference, AND that Crowley would never take up the offer that was presented given his vocal disdain for both Heaven and Hell. 

And they chose Aziraphale as opposed to the other angels because the angels actually lust for the power, and that can be unpredictable. But because Azzie has ALWAYS only wanted to do Good with no ulterior motives other than to Make Everything Better, he is easier to manipulate. Crowley is the bargaining chip that will be used against Azzie if he attempts to go rogue like Gabe, that I am pretty certain about. I think that Azzie will find out about the Book of Life because they’ll place blame on Crowley for harbouring Gabriel. Aziraphale has no idea that Gabriel really didn’t have any power. The minute Gabe turned against them, a trial and ousting happened. Aziraphale got himself into a no-win situation, and upon discovering this, he’ll believe that, because he rejected Crowley, Crowley won’t come to save him this time, so to save Crowley, Azzie will go along with the plan. Crowley’s life will literally be in Aziraphale’s hands.

I’ve no idea how Crowley will find out about it (from Muriel maybe?), but Crowley’s POV will be the primary focus next season (since this season was Azzie’s) and we’re gonna see a vengeful demon and I’m here for it. Will there be a dramatic rescue or sacrifice? I think so. Not sure who the whump candle will go to, but my bet is on Crowley this time since we got Aziraphale in S1. Who knows. I’m all for “Aziraphale is hurt, so now Crowley goes feral”, but that’s a personal preference that I can get from fanfics, LOL.

Anyway, the long-short is that this job will be the wake-up call Azzie needs to finally see what Crowley saw, without the manipulation of words to confuse him. That Azzie can’t just “make things better” because he will never be allowed to make things better. As a Supreme Archangel, he will have the clearance and ability to find out everything Crowley did. Unfortunately, it will be too late... or will it? ...

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OTHER THINGS ON MY MIND (that I didn’t know where else to put)

Aziraphale NEVER FELL because they didn’t want it to look like an Institutional Problem. I even hazard a guess that NO angel has ever Fell since the Initial and Only Fall that sent Satan, Crowley and the other demons down. But Aziraphale doesn’t know that and I suspect that it’s this constant fear of Falling that keeps him complacent to Heaven. He’ll find out how they’ve really been dealing with problems when he’s in his new position.

And I think Azzie also never fell because Crowley made a point to never ever snitch. He knows they would eat him alive in Hell, so he protects Azzie from that as well.

I love that the Bentley clearly has a favourite and it isn’t Crowley!!! The car literally tries to follow Aziraphale. It’s so cute.

And on the subject of the Bentley... Crowley can feel everything going on with his car?? So like... is that a metaphor for Aziraphale being inside Crowley or.....? hee hee heeeeeee.

I loved that David got to use his natural accent in the Edinburgh scenes. IT’S SO PRECIOUS OMG.

And and and while Crowley was high off his rocker, he clearly says “Where are you??? 😢” and Aziraphale had to reassure him that he was there. So sweet.

Aziraphale and his inability to do literally anything humans do “the normal way” (mobile phone use, be a “newspaper man”, properly drive, learn French properly) while turning around and lowkey mocking Muriel is... something else. What a hypocritical dork.

The realization that they have a WHOLE-ASSED apology dance hit me like a tonne of bricks, and we KNOW it’s coming back in S3. There needs to be an entire cabaret from Azzie this time ‘round, LOL.

---------------------------------------------------------------------------

FINAL THOUGHTS

I adored season two, more than season one for sure, and I loved that it built up upon the AziraCrow relationship. It was an interlude that lets us know that they’re sort of in a rut, stuck in a status quo that both are afraid of changing, and that they both need a catalyst event to happen to truly be together.

I remain more hopeful and certain for a satisfying conclusion to their arc than I ever have before. Which is saying a lot because privately, after Sherlock S4, I kind of was ready to not put my faith in another show to canonize a ship I love ever again. 

But there’s a huge difference between this finale and Sherlock S4′s finale: GO S2 DOESN’T feel complete, and Neil wants to finish the story.  I went into more detail about it on this post here, but essentially it boils down to S4 left me feeling hollow and empty because its 4th season felt so detached from what we already saw. It felt like the closing of a book with the wrong pages in it, with no confirmation in sight of concluding the series proper with the S5 they’ve been promising for years. GOS2, on the other hand, left us feeling like everything’s WRONG but in the right way, you know what I mean? Like there is a part two to this saga to be completed. And that Neil himself seems determined to finish the story regardless of what happens.

I like to think that both Michael and David know what Gaiman plans for the endgame of their characters, given that Gaiman HAS said he does “have the final fifteen pages of Episode 6 [...] written. Given what we got in S2 with The Kiss, and Michael and David’s adoration for this story and its characters, I am hopeful that Neil entrusted them with what he wants for AziraCrow. They in turn play those characters better for it. 

So yeah, maybe I’m just putting clown shoes back on with this one, but I will remain... optimistically skeptical. Like, I REALLY want and believe that AziraCrow is endgame, that the Husbands will be actual husbands, but I also will remain skeptical that it can happen and not be upset if it doesn’t. I got a kiss (a terrible one, but a kiss nonetheless). I got a tonne of touching. I got them dancing together. I think that’s more than we ever could have hoped for, and it’s already leagues above what I am used to.

To conclude, here are some more questions, thoughts, and hopes for S3:

There are SO many “Chekov gun” moments in play in S2 currently, little things that really seem so pointless to have introduced (like the apology dance) and I am TRULY hoping that it’s true that Gaiman didn’t put things in this series unless it’s important later. I feel it will all come back around. Where S1 had open and closed plot points, S2 did NOT. 

Why was Crowley able to get into Heaven without any issue? Is THIS part of the Ineffable Plan? Why does Crowley not want anyone to know who he was before the Fall? It’s clear Crowley POSSIBLY knows more than he lets on about Everything. I think he was at one time the Supreme Archangel... Gabriel’s banishment could foreshadow this, given that Gabe is deliberately used as a Crowley mirror in this season.

I hope for a stupidly emotional, makes-me-sob-fat-tears, reunion, confession and acceptance of each other. Oh, and of course, the infamous cottage in Sussex we all hope for. I am a SUCKER for emotional beats and I CRAVE it.

Oh, and a HUGE apology dance from Aziraphale. You introduced that shit, I want to see Azzie go all out in return.

I think Crowley will be the first one to confess verbally. The Gabriel mirror kind of sealed that for me.

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FINALLY, that’s that! Thank you for reading all the way through, if you did. Again, as I alluded to in my introduction, I may expand upon a few sections of this meta on other posts in the upcoming weeks as I catch more and more things, and start integrating other people’s meta into my own theories.

Apologies for any errors in this, it took me nearly 2 days to write and a very tired couple proofreads through it to clean up hanging text.

I hope you enjoyed my foray back into meta-writing, and please, do not hesitate to send me an ask to either of my blogs if you wish for me to expand more on a topic.

Cheers, and good day 💙🖤

[maroonghoul]

Horror Movies I Just Watched: Mar 2023

Another short list this month:

Planet Terror: If these aren’t the grossest zombies I have ever seen, they’re the grossest I’ve seen in a long while. 

Once again, the fictional end of the world is caused by the US military dabbling in something without any proper precaution. Didn’t really care for the running gag with the mad scientist being castration obsessed. Not sure if that’s bro-humor or homophobia. Bruce Willis’s cameo as technically the main villain was kinda funny. if only for how they enjoyed making it obvious how detached he was from the rest of the cast. And of course, Tarantino shows up just to die, but not before deserving every nasty bit of it. Really surreal they’re part of a stolen plot point from 28 Days Later of all things. If you’ve seen it, you probably know the one.

 The rest of the cast work well enough. Marley Shelton’s doctor remains likable even as she goes off the deep end and her eye shadow runs (wait, did I say even? I meant especially), while Josh Brolin seems to channel his Thanos performance ten years earlier and even creepier. And what happens to their kid; child death in horror movies can be a stand out moment whenever it shows up if not handled recklessly. This isn’t reckless, but it certainly seals the deal on what kind of movie this is with it’s dose of dark comedy.

I know Rose McGowan’s gun leg is THE image of the movie, but I’ve been used to seeing it even before watching the movie, I was more affected by everything else. 

I should’ve know just how bloody all this was really going to get the second Tom Savini showed up. Then again, with him here and Rodriguez directing, calling this movie From Dusk Til Dawn’s grimier dumber brother seems appropriate. That reminds me, I need to rewatch that in the near future.

Scream VI: *SPOILERS!*

I felt like the previous one took a few more risks than this one, but I actually enjoyed this one more.

A part of me DID watch to relish the New York setting here, but Ghostface was always the type to be in costume when he’s in your house rather then around any sort of landmark. He would’ve been caught almost immediately.

Yes, the opening is a great first for the franchise. In hindsight, paired with the reveal of our actual killers, it felt like a callback to Mrs. Loomis betraying Mickey back in Scream II. Personal revenge taking priority over insipid fame-seeking meta commentary. 

Speaking of our actual main killers, Is this the first one since III where the motives are actually personal? And the first since II it’s someone taking revenge for family? It helps that there being THREE of them and they’re family kinda gives it a Texas Chainsaw vibe for me. And pretty cool that the climax is a literal blood feud between two families. (Though I’m confused, are the Villains the Bailey’s or the Kirsh’s?) 

Although that ends up being part of what I mean about there being less risks. With three killers, that means even less victims that aren’t just essentially extras which was about half the deaths this time (The bodega people plus Gale’s new companion), so the only new person who was expendable ‘til then was Anika. As for the core four, they’re actually less expendable now then the previous four have been (Randy died in only his second appearance and Dewey...) . Chad couldn’t really die no matter how many stabs because he’s new final boy Himbo. It wouldn’t been way too mean to kill Mindy, the black queer member, especially right after killing her girlfriend right in front of her. We literally just got Kirby back. The internet might’ve explode if it was definitive this time. Sam’s the new main character, who also makes a more compelling case of sticking around this time, (and hoping Scream vii doesn’t spin it’s wheels on her). Tara might be the strongest case, especially with how Jenna Ortega’s fame is skyrocketing so she could get too busy for more of these. But yeah, combining that with her sub plot of pseudo self destruction might not have paired well. I almost felt Gale was saved in reshoots, people repeating she was in a coma. I get it, but man, she would’ve went out strong. 

I guess, pay disputes with Neve Campbell aside, maybe it is time for some legacy characters to step back for now. Just do something to have less characters with plot armor.

Okay, Let me end this section on a positive note. One of my favorite bits was actually in the opening. Tony Revolori’s character becoming a killer AND getting killed because he doesn’t understand Giallo films was rather amusing to me, but I guess only because I know enough about horror movies to at least know what a Giallo is. Up to that, can we just say that was the actual big intentional gag of this whole franchise, am I right? All the characters talk about scary movies and most of the villains are trying to create a real life scary movie. Though the movies they’re referencing and trying to copy are Slashers films, the plots of the Scream movies always felt like they had more in common with Giallos, like the ones made by Bava and Argento decades before slashers. Slashers don’t have human, vulnerable schemers all that often, but Giallo do. The invincible killer that gets away with everything until the next killing spree were around in 70s horror movies (Michael, Billy, Leatherface, etc.), but they didn’t start being considered cool until Jason showed up a movie late in 1981. The eighties. A decade where psychopathic straight men seem to run everything. But we’re not in the eighties anymore, and as much as we can learn from it, we also need to leave it behind. Even though too many people prove to not get the memo, the joke is still on them at the end. Six times now in this case.

It’s crazy how the first and second time Ghostface was actually cheer worthy are in this movie, at the very beginning and the very end (Unless III had some moments, it’s been a while). While the end is gratifying with Sam weaponizing her own horrific family legacy against those who’s chickens have come home to roost, a slight evolution on Richie’s fate from the previous movie. I’ll still remember this entitled, pretentious asswipe getting done in by someone actually trained and experienced in killing (either the cop father of one of the kids he’s trained) beating him at his own game before he even got started, with a pre mortem one liner that would seem contradictory, but fits in how when you’re on the receiving end of the knife “Who give a f--- about movies?!”

Inferno (1980) Speaking of NYC-set horror films and Argento. This is a loose sequel to the original Suspiria. While it’s been a long time since I saw that one, I think I liked it more then this one. Suzy came into the plot because of a personal pursuit then got curious about the weird and horrific events around her. Mark in this movie, cared the least about who the Mother of Shadows is, yet he’s the sole survivor. Was that commentary about leaving well enough alone on such things? Usually you don’t punish any characters for trying to be smart in a horror movie unless movie is made before 1960. 

At least the kills were up to snuff. Failed decapitation by window and getting chewed on by rats before getting stabbed by a possessed(?) food cart vendor were highlights. Really hated how the guy drowns some cats before doing it. What was even the point of that? Not like Tenebrarum had any pet cats.

Skeleton costume at the end was cute though. Not even going to bother with the third trilogy in this sorta Trilogy. I heard it was even worse.

I’m likely going to have a longer list of movies to talk about next month. Until then...

[supernatural-blogss]

3rd blog !! yay !!!!!!

For this blog I was a bit torn on what season to write about, mostly because I hold the entirety of the show close to my heart. I even rewatched a few random episodes from the show to see if that season’s plot stood out to me more than the others. With much deliberation, I landed on a season to talk about! So, without further ado, welcome to my blog about.

Season 6 of Supernatural !!

For a general recap of season 6, we have Dean and Sam as our main characters. We don’t see much of Castiel this season, since he was mainly a temporary character and the show writers were trying to find effective ways to write his character out the show (no attempts worked though— episodes with Cas’s character just had higher numbers of viewers).

It’s hard to talk about this season with no spoilers, so expect at least two major ones to be spoiled in this general season recap! If you just wanna know my favorite character for the season, feel free to scroll.

This season is post season 5, where the show was originally supposed to meet its end. However, it was renewed for another season, and this is where Supernatural begins to scramble to pick up any semblance of plot they can. Unlike some of the other seasons, I feel like this season does a good job of creating direction in a world where all the characters problem should be solved post the end of the last season.

Sam is alive, and so is Cas, though Dean thought them both to be dead. Dean wrestles with feelings of abandonment and betrayal when he finds this harsh reality to be completely untrue. Cas is alive, trying to guide heaven in any way he can. And Sam? Well, he’s different in a way Dean can’t exactly put his hands on.

This season also introduces a new concept that becomes crucial to a variety of seasons— the idea of a soul. The soul is never defined in supernatural, but it seems to be a key component of making up a human’s moral compass, and it is also a very strong source of magical energy.

Sam, after having being pulled out of Lucifer’s grasp, has lost his soul. With no idea what’s wrong with him and no intention of fixing himself, we are in for the ride as we watch Sam make morally questionable decisions!

My favorite character for this season has to be …

Sam Winchester!!!!!!

When writing this blog I had to decide whether I should give each of our favorite boys a chance to shine, or if I should just gush about Dean Winchester one final time. After some thought, I felt bad for Sam (he was never close to being my favorite), so I let him have this one! Soulless Sam is sassy, snarky, quick-witted, determined, and straight rude! His lack of empathy and emotion is something I really enjoyed. The lack of these things completely detaches Sam from the person he is with his soul, and I found him thoroughly more enjoyable to watch. In fact, I wish they never gave him back his soul. It was refreshing to think “Dean’s overreacting right now” instead of “Sam’s being overly emotional” for once. Also, soulless Sam was genuinely the best hunter known to man. He was an even better a hunter than The Dean Winchester, I fear. This season was also the official star Sam’s long luscious shoulder length hair journey. Sometimes, when I rewatch the earlier seasons, it’s strange to see him with such short hair!

My Favorite Scene From Season 6:

This is the episode where we find out something’s wrong with Sam! It’s also one of the first times where we see where the brothers turn on each other.

and that’s the blog!

I hope you all enjoyed it !! If you have any comments or questions, feel free to ask them in them ! Also, I would like opinions on the four horsemen ! I’ve gotten mixed opinions about them as a concept, but i genuinely enjoyed death returning as a character in season 6. In fact, he probably would have been my top pick for favorite character if he played a more prevalent role in season 6 !

Well, until next time! toodaloo!

[peskygirl13]

MK SO-

I just got the Pokémon SWSH DLCs and I was wondering what it would be like for some legendary Pokémon to come to twst and cause some trouble(Legendarys I’d like to do ( you c an pick just one: Kyogre, Giratina, or Groudon)

If you can i want it to be just Diasomina!

This turned out longer than I expected and I got so mad with myself because I was almost done with writing this and I accidently deleted all my new work, so I had to start over from my last save point which is one of the reasons it took so long to post.

I’ve been binge playing the old Sinnoh games and rewatching the anime, so this was fun to write (despite me deleting my work). 

This will have references to the Pokémon Platinum game, so spoilers if you haven’t played the game and plan to. 

Hope you enjoy!

Malleus's favorite time of the day was night time. Night time was the best!

The world was at peace, it was quiet, everything was asleep, save for a few nocturnal creatures much like himself, he could hide from SIlver and Sebek and have some time to himself, and there were no students or humans who would see him and run away in terror.

But his favorite thing about night time was probably when he got to visit his favorite human, (Y/n).

Their situation was a bit odd, having appeared out of nowhere from a world full of creatures called Pokémon, but Malleus didn't care. They weren't afraid of him. After spending a lifetime of having people fear him due to his name, it was a nice change.

Malleus arrived at the Ramshackle dorm to find you already sitting outside, cleaning your Empoleon's feathers.

"Greetings, Child of Man." He greeted, happily walking up to you.

"Hey, Tsunotaro." You smiled, putting down Empoleon's brush to wave at him.

That was another thing Malleus adored about you. Even after finding out who he was, you still didn't fear him and continued calling him by that amusing nickname you gave him.

You both entered the dorm, along with Empoleon, and he was instantly greeted with the rest of your strange creatures. Luxray, Togekiss, Glaceon, Garchomp, and Lucario.

You headed over to the kitchen to make some tea while he got comfortable on the couch. Once he was seated, Garchomp laid its head on Malleus's lap, implying that it wanted scratches.

By the time you had returned with two mugs of steaming tea, all the other Pokémon had already gotten comfortable and most had fallen asleep.

You handed Malleus his mug before sitting down in your chair. Glaceon hopped up and curled up in your lap before falling back asleep.

After you both got comfortable, you began regaling Malleus with stories of your world.

Malleus loved hearing your stories.

From your gym battle challenges to your contests. Catching all your Pokémon and even receiving an egg from a woman named Cynthia that hatched into a Togepi that which layer evolved into your beloved Togekiss.

Malleus has never left the Valley of Thorns, except for school, so he enjoyed hearing about your travels. Your freedom to journey and see so many different places, never being tied down, he envied it.

“May I see your badges and ribbons again?” He asked.

“Sure.” You agreed, getting up to grab them.

At the movement, Glaceon, rather huffily, got up from your lap and moved to Malleus, curling up on his lap instead. He instantly started stroking her with one hand while the other continued scratching Garchomp. He only stopped when you handed him your badge and ribbon case.

He immediately opened them both and admired your impressive 7 badges and 5 sparkling ribbons. 

You had told him that even though you had collected the required number of ribbons, you were transported to Twisted Wonderland before you could compete in the Grand Festival. You also hadn’t yet had the chance to earn your 8th and final gym badge, which allowed you to challenge the Elite Four and the Sinnoh Champion. 

“They are very impressive, Child of Man.” Malleus complemented.

Even though there wasn’t a gym challenge or contests in Twisted Wonderland, Malleus could tell how much value each badge and ribbon you earned had.

“Thanks, Tsunotaro.” You beamed, positively preening at the complement. “Maybe when I find a way home you could come with me and have your own journey. There are a bunch of dragon type Pokémon I bet you’d like. Maybe your starter could be an Axew. Or a Dino. Maybe a Gible seeing how well you get along with Garchomp. There are also rock or electric types. OOH- Maybe a fairy type!”

Malleus tuned your rambling out. His head was both empty and racing.

Him? Go on a journey in another world? The idea was preposterous! Yet... also tempting.

Traveling around with no chains. Nobody knowing who he was, thus no one quivering at the sight of him. No overbearing, but well meaning, guards to coddle him. He liked this idea!

Unfortunately, he didn’t have long to dwell on the tempting daydream when Ramshakle’s door slammed open with a loud bang.

“WAKA-SAMA!!!”

Speak of the devil.

You and Malleus turned to the doorway to a disheveled and hysterical looking Sebek and a normal sleepy looking Silver.

“Sebek.” Malleus greeted, hiding his annoyance of being interrupted during his time with his Child of Man.

“Waka-sama, you mustn’t leave without telling us! What if something happens to y-”

The half-fae was cut off by and ice beam, freezing him solid. You and Malleus looked over at Glaceon who was angry about having her sleep disturbed for a third time. Now quite irritated and huffy, Glaceon angrily marched upstairs to try and get some sleep in your room.

“My apologies.” You jumped when Lilia appeared behind you without warning, hanging upside down as usual. “They ran off when I wasn’t looking.”

You looked back at the other Diasomnia residence. Silver had already fallen asleep, using Togekiss’s soft, feathery body as a pillow, while Sebek was slowly beginning to thaw out of the ice.

You wish you could say this is the weirdest thing to ever happen with them.

After having Lucario use force-palm and free Sebek, you all sat down near the fire.

(You left Silver be since he was already asleep.)

Sebek wanted to know what was so fascinating about you that Waka-sama would continuously come visit you. 

The only thing you could think of was telling them about your journey.

“After I won my seventh gym badge at Snowpoint, I had to meet my friend, Barry, at Lake Acuity and right after that I had to meet with Professor Rowan and Lucas at Lake Verity.”

“Why did you have to go to those lakes?” Lilia asked, genuinely curious as to what value they had.

“Uh, well-- mmh-- pthbbt.” You tried to think of a way to avoid that question, or at least dance your way around it, and the stuttering and raspberry blowing was obviously helping you be discreet in avoiding the question. 

“GLACE!!”

A loud yell echoed from upstairs thatw as loud enough to wake even Silver. You were momentarily grateful that you had been interrupted before realizing ‘Oh shit that’s my Pokémon.”

“Glaceon!” You yelled, bolting from your chair and rushing up the stairs with your Pokémon and the Diasomnia boys at your heels.

You opened your bedroom door with a loud bang and saw Glaceon in a defensive stance, hissing at the mirror with Grim looking frazzled.

“Fgaah! Minion, control your Pokémon! I was asleep and then it started shouting and tried to attack the mirror!” He yelled angrily, before stalking off to the living room to continue sleeping.

You sighed before looking over at the mirror. You held out your arm towards your Pokémon so they knew not to do anything yet. You inched closer to the mirror, pausing only for a second to pet Glaceon and calm her down a bit. You walked forward a few more steps until you were face-to-face with the mirror. 

Now that you were closer, you could see the shadow of something moving within the glass. You didn’t know what it was, but it wasn’t Micky. You leaned a bit closer, trying to make out the figure--

“GIRATINA!!”

Everything went black.

~

The first thing you noticed when you could see again was that you were clearly not in your room. Or your dorm for that matter. 

Everything was weird. You weren’t sure of any other way to describe it other than weird.

Weird and familiar.

“The Reverse World.” You muttered, shocked by your sudden return to the feared Giratina’s playground. 

You didn’t have long to stay dumbfounded when you remembered the Legendary who lived in this world. You frantically looked around you and saw that your team and the boys were with you, which did nothing to curb your panic. Grim wasn’t with you all, so you assumed hoped that he was still at Ramshackle.

You first woke up your Pokémon. They freaked out for a second before realizing where they were, putting them all on guard. They carefully scanned their surroundings for anything they found threatening while you quickly crawled over to the boys, traying to shake them awake. 

“Get up. Guys, get up! We need to move!”

The Diasomnia boys hardly registered what was happening and where they were before you pulled them away. Your team created a barrier around you all as you lead the boys through the strange new world. All they could do was look around wildly.

“Careful, gravity gets weird here.” You warned them. 

True to your words, the piece of land you all were walking on started to curve in the air until you all started walking upside down. Even Lilia, who was used to hanging upside down, was a bit thrown off about this.

“What is this place?” Silver asked what everyone was thinking, knowing that you were the only one who could give any of them an answer.

“The Distortion World.” You explained. “Also known as the Reverse World. It’s kind of like the Underworld of my world.”

That explanation only provided them with more questions but went they entered a place that had these large bubbles floating around them they were quickly distracted.

“Hey,” Silver called, gaining everyone’s attention. “This thing has headmaster Crowley in it.”

Said bubble did have a picture of Crowley in his office, working late into the night. Huh. Who know he actually did anything.

Silver raised a hand towards the bubble. 

“No, don’t touch it!” You exclaimed. Unfortunately it was a second to late and the bubble popped at the slightest graze of Silver’s fingers.

The boys looked over to you at the sound of you yell, seeing your panicked expression.

“Don’t. Touch. Anything.” You order, stressing out each word. “Everything in this world effects the real world. If you aren’t careful you could kill someone through this place.

The boys looked positively alarmed.

“Will the headmaster be alright?”

You waved off their concern, continuing to lead the way. “He’ll be fine. Popping that bubble didn’t kill him, but it did feel like he was hit with a bowling ball.

“How do you know this? How do you know so much about this place, (Y/n).” Lilia asked, dead serious. 

You glance over your shoulder at them before sighing.

Guess it was time to come clean.

“There are some things that happened during my journey that I didn’t tell you guys about.” You confessed.

“While journeying through Sinnoh, I constantly ran into an organization called Team Galactic. Their leader, Cyrus, believed that the world was ugly and needed to be destroyed. His plan was to capture the legendary Pokémon, Palkia and Dialga, and the Lake Guardians, Uxie, Mesprit, and Azelf. Those three were the reason I met Barry and Professor Rowan at the lakes, Lilia, to try and save the Lake Guardians from Team Galactic. Anyway, Cyrus claimed that he was going to create his own, perfect world using the powers of the legendary Pokémon. At least I think that was his plan. He talks like Shakespeare and I have a middle school education. Anyway, before he could create his ‘perfect world’ Giratina appeared and took Cyrus away to here, the Distortion World. This is Giratina’s domain.”

The boys were stunned into silence. They knew you were strong, but for you to have done all that as well as fighting overblots? They were truly impressed.

“What happened afterwards?” Malleus questioned, enthralled by your story.

“Cynthia, the current Sinnoh Champion, and I entered the Distortion World to save Cyrus. Unfortunately, he saw this place as his ideal world and didn’t want to leave. In the end, we had to use force and I beat him in a battle. And, after that, I had to face Giratina itself. But, I don’t know how, but before I could face it, the Dark Mirror called me to Twisted Wonderland.”

You stopped walking, taking a deep breath before turning to face the boys. 

“We need to find Giratina. Giratina’s the only Pokémon that can travel between worlds and its the only thing that can get us back to Night Raven.”

Your tone alone was enough to my the Diasomnia boys understand the severity of the situation.

“Human, if this creature is as powerful as you claim, then how do you expect to get it?” Sebek interrogated. 

You reached into your pocket and pulled out a purple ball with an ‘M’ on it, showing it the the boys.

“This is a master ball. I stole it from Cyrus’s base when I went to save the Lake Guardians. It can catch any Pokémon without fail. All we need to do is find Giratina.”

“Lucar!” 

“Luxray!”

You all turned to Lucario and Luxray who were growling in the same direction. Looking closely, you could see something coming at you all. Your team took their battle stances and sure enough, there was the Angel of Darkness itself, Giratina. 

Even Malleus had to admit, that creature was terrifying. 

It looked like a dragon and centipede mixed together, but it towered over everything, easily dwarfing them all.

You waisted no time.

“Empoleon, Hydro Cannon!” You ordered. Even Sebek had to admit that your authoritative tone was hard to ignore and resist, full of confidence and superiority. 

Empoleon listened without question, fearlessly attacking the towering giant.

“Lucario, Aura Sphere! Glaceon, Ice Beam! Luxray, Thunder! Garchomp, Dragon Rush!”

All your Pokémon attacked at once, hitting Giratina square on. The legendary screeched before firing a move of its own that your team narrowly avoided.

“Great job. Keep attacking!” You ordered shooing the boys out of Giratina’s firing range.

“What do we need to do to help, (Y/n)?” Malleus asked. He was already gripping his pen, ready to fight.

“Nothing. Just stay put and don’t move.” You ordered sternly. The boys were stunned.

“What?! (Y/n) we can help-” 

“I know you can help,” You cut off. “But I don’t need to defeat Giratina. I just need to distract it.”

You ran off before they could question what you meant, whistling for your Pokémon.

“Togekiss!” You called, jumping off the edge of the land and easily getting caught by your flying type, who flew you behind Giratina. 

You let your team get in one last group attack before throwing the master ball at Giratina. 

The legendary effortlessly went in and after a spectacular dive made by you and Togekiss, you caught the ball and returned to the boys.

The boys ran over to you as you climbed off Togekiss, looking at the ball in your hand.

“I can’t believe you actually caught it, human!” Sebek exclaimed, flabbergasted. 

“Thanks, Sebek.”

“So what now?” Silver asked. The group all turned to you expectedly and you rolled your eyes before turning around to the wide open space and releasing Giratina from the master ball. 

“Giratina,” You called, “Please take us back.”

Giratina stared down at you before letting out an echoing screech and lowing its head to your level.

Immediately understanding what it wanted you to do, you crawled onto its head before waving the boys over.

“C’mon. We its going to take us back.”

Hesitantly, the boys climbed on with your Pokémon and once everyone was on, Giratina soared through the air.

This was different from riding a broom or riding Togekiss, who was happily flying beside you all, but it was exhilarating at the same time.

Too soon for anyone’s tastes, Giratina slowed down to a stop before lowering itself down so that everyone could climb off. 

The place were Giratina dropped you all off was a small patch of land with two lakes on it. You and the boys could see your bedroom in one of the lakes, making you realize that you were looking through your bedroom mirror.

“Alright!” You cheered. “Let’s get back.” But before you could step through the reflection, Empoleon called out to you.

“Empoleon!”

“Huh? What is it, Empoleon?”

He was looking in the other lake, pointing at something. 

You, your team, and the boys looked through the refection and you couldn’t restrain the gasp that left your mouth.

You could see the Mesprit, the guardian of Lake Verity.

“That’s Mesprit, Lake Verity’s guardian!” You exclaimed, coming to several realizations at once. “That’s close to Twinleaf Town. I-I could go home!”

You turned to your team and the Diasomnia boys, your eyes sparking with both joy and a few unshed tears. “With Giratina we can go home and still stay in Twisted Wonderland!”

Mallues watched you with soft eyes. He had seen a side if you tonight that he had never seen before. Your courage, your confidence, your skill. He had these too, but yours stemmed from experience. This wasn’t something you were taught since you were born like him, these were abilities you learned through trial and error with your team. Something that he wanted.

With a new found determination, Malleus turned to his most trusted knights and friends.

“Lilia, Silver, Sebek,” He began, quickly gaining everyone's attention, “I have decided that until it is time for me to receive the crown from my grandmother, I want to travel (Y/n)’s world with a Pokémon of my own.”

Even you weren’t expecting that announcement.

“WHAT?! WAKA-SAMA ARE YOU FEELING WELL?!?!? WE MUST GET YOU TO AN INFIMERORY!!”

“I’m fine, Sebek. And I’m not joking.”

“WHAAAAAAAT?!?! YOU, HUMAN, YOU HAVE GIVEN WAKA-SAMA THIS DANGEROUS IDEA!!”

“I think its a great idea.”

“MASTER LILIA?!?!”

“zzzzz”

You couldn’t help snorting at the scene in front of you. A rather calm Malleus simply being unmovable about his choice of coming home with you, a hysterical Sebek trying to talk him out of it, an impish looking Lilia who actually supported Malleus’s idea, and a snoozing silver, who could still sleep effortlessly despite the chaos surrounding him.

You leaned up against Empoleon’s belly, him and all your other Pokémon already lying down, knowing that this was going to take a while. Even Giratina was curled up!

But, You thought, watching the group was a soft smile, you know that no matter how much you wanted to go home, you would've missed this. And this, your friends and NRC, was something that you never wanted to lose.

Bonus:

After sorting everything out with Crowley, you returned to your world to reconcile with your friends and your mom. It took some explaining, but bringing Grim back with you as well as Malleus with his magic and horns was enough to convince everyone what happened to you.

Afterwards, you were able to compete in the Grand Festival. You didn’t end up winning, however you did make it to the finals. Your opponent, Dawn, had only beaten you by a few points.

The Diasomnia gang, as well as Grim, the Adeuce combo, and the Pomefiore Trio were all present to see this and couldn’t have been prouder.

Once the Grand Festival had come to a close, you headed over to Sunnyshore City and won your 8th and final Gym Badge, permitting you to challenge the Elite Four and Cynthia.

The Pomefiore Trio didn’t watch these challenges, but the other did. 

Their nerves were through the roof when you finally faced Cynthia. And when your Garchomp miraculously out sped her Garchomp with the finishing move nobody cheered louder. 

In the end, you took Malleus to the place where you caught Garchomp back when he was still a Gible and caught Malleus his own, whom he unironically named ‘Gargoyle.’ 

Malleus did have to return to the Valley of Thorns, but not without you promising that the upcoming summer would be the start of his own Pokémon Journey. 

I wrote most of this forgetting about Grim, so sorry he doesn’t have a bigger role or more screen time.

Fun story; I got in trouble for writing down my ideas for this at work even though I did it while the store was dead and I’ve worked there for nearly two years and have either written something or drawn something almost every shift I have. Litterally no one but the manager to caught me cares. 

And, just to irritate me more (whether she was aware of it or not), said manager takes my writings and decides to read them and then proceeds to put them back in the wrong order before lecturing me.

So, yeah, that was fun.

[canary3d-obsessed]

Restless Rewatch: The Untamed Episode 19, part one

(Masterpost) (Other Canary Stuff) (Previous Post)

Warning: Spoilers for All 50 Episodes!

Chilling in Yiling

We start off with Wei Wuxian hanging out in a busy area of Yiling, which is a really dumb place to pick for a fugitive rendezvous.  

He's wearing a fashionably distressed brown robe, and a woven disguise hat, that makes him invisible to his enemies until the moment he takes it off, kinda like the mask he wears in his second life. Unfortunately he is a polite boi so he takes off the disguise hat when he goes indoors to get a bite to eat, and promptly gets smacked down by Wen Zhuliu. 

Xiao Zhan's stunt double is really good at this wire-pull+table-smash move; this is the second time Wei Wuxian goes crashing through a table (the first one being when Yu Ziyuan was beating him). This time he clutches his now core-less abdomen, in a move we're going to be seeing a lot of, going forward. Abdominal surgery is a bitch. OP can personally attest to this.

Wen Zhuliu provides some comic relief by looking at his hand in puzzlement; he clearly can tell Wei Wuxian has no golden core, but he isn't going to bother telling Wen Chao that.

Wen Chao gloats and steps on Wei Wuxian's hand while Wei Wuxian stares at his shoe and OP wonders, not for the first time, how they make rubberized zig-zag treads in Ancient Fantasy China.

(more after the cut)

This is all happening in the Yiling Wine house where Wei Wuxian will later share the most important meal of his life, the one in which A-Yuan lays claim to Lan Wangji, ultimately giving LWJ a reason to live long enough for Wei Wuxian to be resurrected. If that doesn’t deserve a good Yelp review, nothing does. 

Dream a Little Dream of Me

While Wei Wuxian gets ready for his big whump scene, Jiang Cheng is dreaming, and looking absolutely breathtaking in this deceptively simple robe, that's made of a really complex fabric, that catches the light all over its surface.  The lighting here is warm and romantic, giving everything a nostalgic glow.

He looks around the courtyard in his dream, and sees Jiang Yanli and Wei Wuxian come running in the gate carrying kites. 

A child fetching a kite was the first casualty of the Wen attack on Lotus Pier, so this image may already be a little fraught for Jiang Cheng. In this initial image of his family, Jiang Cheng isn't present as a child, but then his junior self comes running up, to be warmly greeted by his mother.

Jiang Cheng's reaction to the scene playing out in front of him is not a simple one. We've seen him externally expressing his trauma at the fate of Lotus Pier and his family - his anger and his despair - and this dream shows us his private, interior trauma. 

His body has been repaired by Wei Wuxian and the Wens, but his psyche has not.

This family interaction can't possibly be one that ever happened. It's too lively, too affectionate, too comfortable. The family he was part of as a young adult was cold, angry, cracked.  Families don't change that much in 10 years, unless there's a major trauma that alters things in a fundamental way.

Even the glimpses we got of his childhood contradict this image. This warm group is not the family of "I sent your dogs away" or "wait in the cold until Jiang Cheng lets you in" or "I won't tell Clan Leader Jiang what happened" or "I'm only 11 but I'm in charge of soup and bedtime already"

Jiang Cheng smiles at the affection he sees enacted in front of him, but quickly moves to grief. When a toxic person dies, you don't just lose the relationship you had with them; you lose the hope for a better relationship. Perhaps Jiang Cheng has always imagined this version of his family; now nothing like it can ever come to be.

The pleasant scene vanishes into nightmare, as his mother starts bleeding from her eyes, ew. This is like Nie Mingjue when he qi deviates, but dream Yu Ziyuan is perfectly chill about it. 

Jiang Cheng is not perfectly chill about it. 

He turns around to see Lotus Pier burning. When he turns back, his family has been replaced with Wen Zhuliu, who is particularly gleeful as he reaches into Jiang Cheng's chest and melts his core.

Jiang Cheng wakes up on the mountain, alone (as far as he knows), and quickly stands and boots up his new golden core.

It's purple, because of course it is. King. The nightmare is gone and he smiles, maybe for the first time since the attack on the pier.

In a moment that is probably going to feel really embarrassing in hindsight, he kneels and bows toward the mountaintops to thank Baoshan Sanren, who is totally not there. 

Wen Ning, on the other hand, is there, although we only see a little bit of his belt and robe as Jiang Cheng walks off to Yiling to meet his brother.  This entire plotline walks a very weird line in which the audience is told just enough about what’s really happening to be confused, but not surprised.

Do the Whumpty Whump

After some initial roughing up, Wen Chao has his dudes stand Wei Wuxian up so he can question him without actually getting any information out of him at all. They take turns calling each other dogs, with Wei Wuxian saying that when Wen Chao talks he just hears a dog barking. (Of course if he really heard a dog barking he'd be terrified) 

Then he says "isn't that right" to Wang Lingjiao, and Wen Chao gets super pissed; don't disrespect me to my woman. 

He has his minions do a Nancy Kerrigan to Wei Wuxian's knee and then kick him for a while.

Then they kick the shit out of the camera operator.

Wen Chao is really not about fighting his own fights.  He also keeps threatening to have Wen Zhuliu melt Wei Wuxian's core, and Wen Zhuliu keeps popping up his hand and then putting it back when Wen Chao changes his mind, which gets more hilarious every time I watch it. Feng Mingjing’s physical embodiment of Wen Zhuliu is endlessly entertaining, even in scenes where he has literally no lines. 

I Ain’t Afraid of No Ghost

Wei Wuxian continues to goad Wen Chao, telling him that more torture is good because then he'll die with loads of resentment. He says that after he dies, he will come back as a ferocious ghost, which is...almost exactly what happens, except he stays alive for the ferocious part. 

They go back and forth about the feasibility of this whole haunting plan. Wang Lingjiao is the voice of reason, for once, arguing the "ghosts aren't real and anyway fuck this guy" position.

Wen Chao thinks that he can’t haunt them because of cultivator security hardening procedures soul-calming rituals, but Wei Wuxian wasn't born into a gentry family so didn't have the anti-fierce-ghost treatment that other cultivators get.

This is the only time in the whole of the show when Wei Wuxian says, himself, that he's the son of a servant. He's using his reputation as a commoner to bolster his threats. 

Wei Wuxian is working hard to put on a scary-guy persona, which works pretty well on Wang Lingjiao but not as much on the rest of the group. Three months from this time, however, he will have become the scary, vengeful creature he's currently spitballing about.  He will also become way, way better at torture than the people who are currently mistreating him. 

Wang Lingjiao and Wen Chao go through a whole sequence of ideas about what to do with him. For whatever reason Wang Lingjiao doesn't insist on chopping his arm off even though she's been craving it for ages. 

She does gleefully burn his burn some more, causing it to bleed directly into the giant obvious bag he has hanging from his belt leaking resentful energy. Which the Wens do not take away or search.

Wen Chao, incidentally, starts calling him Wei Ying during this encounter, which is rude of him. Tch.  Finally Wen Chao decides on a plan, which involves sword-flying effects so terrible that no soul can survive them.

Jiang Cheng is looking for Wei Wuxian in town, wearing a woven hat like Wei Wuxian’s.  This...is not a disguise. If you want to be inconspicuous, maybe take that giant piece of silver off of your head.

He hears random people talking about the Wens being in town, and then he apparently looks up at the sky and sees the Wen dudes flying on their swords with Wei Wuxian, but it looks so ridiculous that Jiang Cheng's mind cannot process what he is seeing.

While they "fly," Wen Chao delivers a massive brick of exposition about the burial mounds, while Wei Wuxian looks genuinely frightened. The VFX of random, undifferentiated mountaintops and clouds do nothing to sell this menace, but the exposition is actually pretty good, creating a real sense of disturbance and threat.

Then they toss him in, and we go from the terrible VFX of sword flying to a visual effect that they mercifully did really well throughout the show - the black resentment smoke. This time it catches Wei Wuxian and holds him for a few moments, before dropping him the rest of the way to the ground. It also apparently pulls the turtle sword out of his belt bag, but we don't see that part.

They Say That Every Man Must Fall

Having seen Wei Wuxian at his lowest point (so far) and dream Jiang Cheng also in deep distress, we go to the Dafan Wen sibs, who have also reached a breaking point. Because they helped Wei Wuxian and Jiang Cheng, they are traitors to their clan - unquestionably so - and are being punished for it, with Wen Ning having been tortured in addition to being locked up.

I see my light come shining From the west down to the east Any day now, any day now I shall be released

You know how Lan Xichen successfully argued for Wen-Clan-Member Meng Yao's life and status, because Meng Yao betrayed Wen Ruohan to help them? Even though Meng Yao killed a bunch of Nie guys? Wen Ning and Wen Qing also betrayed Wen Ruohan and helped the Sunshot Campaign, without killing a bunch of guys. They should have been treated as allies by the four other clans, but they got diddly.  

I’ve Been Dead Once

We return to Wei Wuxian in the burial grounds, where he's lying on the ground surrounded by resentful energy and by strained, desperate voices calling his name. This whole sequence is remarkable, since it effectively communicates the horror he's experiencing, through little more than Xiao Zhan's face and good sound design.

I hang around dying to be tortured  You'll never be alone in the bone orchard

The voices call four versions of his name. A variety of voices call him Wei Wuxian, Wei Gongzi, and Shixiong, which (I think) is what the young Jiang disciples would have called him. And in the midst of those voices, Lan Wangji's voice, low and calm, saying "Wei Ying." Upon hearing that Wei Wuxian starts to drag himself up.

For a show with definitely no zombies in it, they sure do use the visual language of zombie films for Wei Wuxian's first motions after hitting the ground. Starting with twitching fingers, then gradually pulling himself halfway up and crawling, lurching across the ground. Wei Wuxian comes slowly back to life, the very first member of his army of the dead.

He makes his way across the ground toward the floating turtle sword. Along the way he accidentally grabs the world's most bowlegged thigh bone; the lack of sunshine in the burial mounds puts the skeletons at risk for rickets.  All of the skeletons in the show are exactly what you would expect from the practical effects team that made the demon hand and the animatronic dog.

The turtle sword is roiling with resentful energy, and is talking to Wei Wuxian as he crawls toward it, asking if he wants revenge. And what a coincidence, he DOES want revenge. 

He grabs the sword and plunges it into the ground in an explosion of resentful energy. (Ground: why you gotta take it out on me?)

The sequence ends with the most compelling, ominous shot of Wei Wuxian's face...a new man. 

Soundtrack: 1. I Shall Be Released by Bob Dylan 2. Beyond Belief by Elvis Costello  

Writing Prompt: The Day Wei Wuxian arrived, from the POV of a Burial Mounds ghost. 

[pumpkinspice-prouvaire]

(i have no idea what killing eve is but no less than 5 of my favorite people genuinely seemed moved to commit crimes over it?? what. happened???? what did they do to you all???)

ohohoho hope you're ready for a rant. I know very little about screenwriting but what I do know is that I am a n g r y. 

answer under the cut for major spoilers for the killing eve season 4 finale

the short answer is they buried their gays

the long answer is that they spent four seasons building up an incredible wlw relationship with two actors who have some of the best chemistry I have ever seen. In the last episode of the series, they finally gave us what they wanted and had Villanelle and Eve start a relationship, with one of the most tender first kisses I have ever seen (this scene makes me insane I only saw it for the first time last night but it has been on a constant loop in my brain ever since). They also managed to wrap up all their storylines, the big bad was kiled off, all the characters had their arcs completed, all good. 

And then, literally in the last thirty seconds of the episode, they bury their gays by killing off Villanelle

And I’m just like?????????????? What does this achieve????????? It doesn’t add anything??????? The story is finished, so it’s not going to have any impact on wrapping up anyone’s arcs, and doesn’t tie up any loose ends. It’s the last thirty seconds of the entire show, so there’s no time for any sort of character work, we’re not going to see how Eve copes without having Villanelle in her life anymore, or how losing the woman she loves after finally getting her will impact her and her future, because again, IT HAPPENED IN THE LAST THIRTY SECONDS. It tells us nothing, it adds nothing, it was so obviously done purely for shock value, and as well as being insulting to the audience, it speaks to a lack of confidence in your own writing, because do you think the episode isn’t good enough on its own without having this wild ‘twist’ at the end? 

What makes it worse is that it didn’t need a twist. Like, I cannot express enough that having Eve and Villanelle escape from the big bad and run away together, which is what was implied would happen, is exactly what I wanted from the ending. Like, having it right there and then having it taken away in the LAST THIRTY SECONDS FOR SHOCK VALUE, is just............A really shitty way to end my favourite tv show of all time. As my roommate said when we watched it, why are writers today so against giving anything a happy ending? There is absolutely nothing wrong with the final episode until the last 10 minutes, and when I rewatch it I will be turning off at the 30 minute mark. It’s insulting to the audience, it’s insulting to Sandra Oh and Jodie Comer (and from what I’ve heard they’ve made in subtly clear that they’re not happy with the ending), it’s insulting to all the writers who worked so hard to subtly build this relationship in the previous 3 series. 

TLDR it was an unnecessary sucky ending, thanks, I hate it.

this absolutely does not explain in any way what Killing Eve is lol, but even with all that said, I cannot recommend this show enough, it is my favourite tv show of all time and it’s an incredible watch. Just for the love of God when you get to series 4 episode 8 turn off at 35 minutes

[plasticnightmaredoll]

"Evangelion 3.0 + 1.0: Thrice Upon a Time" review (contains spoilers)

Contains some of my thoughts on the other installments of "Rebuild of Evangelion" as well.

After what feels like a billion years, we have finally gotten the 4th and final(?) movie in the "Rebuild of Evangelion" film series. It has truly been a long time coming, though, considering it's been nearly a decade since "Evangelion: 3.0: You Can (Not) Redo" was released (which was in 2012!) I guess the biggest question to address first is...what the wait worth it?

Yes!

But also....no.

I suppose it was, you could say. I was excited for the conclusion to the films, although, maybe not as much as some people. I did rewatch the TV series recently (except for episodes 25 and 26 because I just wasn't feeling it). I didn't rewatch "End of Evangelion" as it's a bit too dark for me right now but I remember it well so it's not necessary.

I don't like "Evangelion" as much as I used to years ago, not as much as "Berserk" or "Ghost in the Shell," but I still do like it. It just suffers from some shortcomings presented by the budget.

Anyway, how does this movie quadrilogy, a retelling of the Evangelion story presented in the series, compare?

Is it better than the original series? Of course not.

Is it as good as the original series? Nope.

Is it good at all? Yes, but it has its shortcomings like the original series, but the movies have many more flaws. I don't know if new fans should watch this quadrilogy or the original series first, though. I guess it just depends on the person? If you are a fan of the original series, though, then these movies probably won't give you anything new, anything worthwhile, but again, that's up to the person.

But let's just break things down, see the good and bad this movie series offered.

Warning: Spoilers ahead obviously

Notes: I will refer to the movies as such: Eva 1.0, Eva 2.0, Eva 3.0, and Eva 4.0 (Bitch, I ain't typing out 3.0 + 1.0 or "Thrice Upon a Time" every time), "Eva Series" for the Evangelion TV series, and "EoE" for "End of Evangelion".

The Good

Let's get the obvious out of the way:

The art and animation for all four movies are phenomenal. No longer held back by the limitations of a mediocre budget, Hideaki Anno and his team were able to go all out and deliver some truly stunning animation. Some of the CGI is a little bit...much, but I wouldn't say any of it was bad, definitely not bad enough to be distracting.

Shiro Sagisu delivers a fantastic collection of music as expected. His music defines Evangelion, almost like it's a character in and of itself.

The Japanese voice cast was incredible as expected. The English dubbing is ok, but some actors are clearly better than others. So, the best version is still the Japanese version (like it typically is with most anime).

Now for the other things:

Evangelion 1.0: You Are (Not) Alone

The movies started off pretty safe with Eva 1.0 being mostly a retelling of some episodes at the beginning of the series. I think this was a smart move to make since starting off completely different may have been off-putting. Giving us a familiar "base" made the transition into a new story easier.

Evangelion 2.0: You Can (Not) Advance

Eva 2.0 did retell some events from the series but also went into new directions, including the introduction of Mari Makinami, a different 3rd Angel, some new Evas, and providing a very different execution of Third Impact compared to "End of Evangelion."

What I liked about Eva 2.0 was that it gave us a version of Shinji who was actually a badass. Well, mostly. In EoE, Shinji was forced or maybe even tricked into participating in Third Impact, suffered a mental breakdown because of it, but ultimately got it together long enough to decide to cancel the event.

In Eva 2.0, Shinji does accidentally cause Third Impact, but he wasn't forced into it or tricked. No, he caused it because he wanted to save Rei Ayanami so badly that he didn't care what it took -- he was willing to sacrifice himself and the whole world to save her, someone who meant so much to him. For once, Shinji wasn't being weak and wimpy, he was kicking ass and taking names. Yeah, it was a bit selfish but at the same time, he actually had a spine and DID something HE wanted to do without needing to be talked into it or guilt-tripped into it.

Mari was a fun character introduced in Eva 2.0. Of all the main characters, she probably is the most mentally healthy and stable, which may be a little too convenient but not everyone has to be openly struggling with problems, right? She served as a sort of wild card among the Children, a girl with her own goals separate from those of the others.

Evangelion 3.0: You Can (Not) Redo

Unfortunately, I can' say many good things about this entry because it...didn't work for me. There are some positives, though. The art and animation obviously were fantastic, but it also featured some of Shiro Sagisu's best work in terms of the soundtrack. The ending song, "Sakura Nagashi," is very beautiful and sad all at once, and probably my favorite piece of music from Evangelion.

PERIODT.

I also liked the extended interaction between Shinji and Kaworu. In the Eva Series, we didn't get to see them interact for very long as it was crammed into one 25 minute episode.

And I don't care what anyone says or how Eva 4.0 ended -- Kaworu and Shinji are gay for each other and an OTP and I will DIE on that hill.

Evangelion 3.0 + 1.0: Thrice Upon a Time

Eva 4.0 gave us a very vulnerable Gendo Ikari as we went into his thoughts and emotions via Shinji confronting him. Usually, a stoic man who was driven by his own goals with little concern for others, he ... actually broke down and revealed how weak he was on the inside. I mean, I always knew that if he loved anyone, it was Yui, but it seems the movies proved it was not that simple and perhaps he cared for more than that but was unable to properly deal with or express his emotions, especially after her death.

But seriously, Guys -- Guys, seriously -- YOU GUYS, HOLY SHIT SHINJI, THE VOICE OF REASON. What is this universe we're seeing?

He was being like a therapist to his dad who was...kind of more fucked up than him. I mean, Shinji wasn't intentionally trying to cause the end of the world to be with a lost loved one, and he did have more friends than Gendo ever did.

There were some very epic battles scenes in Eva 4.0, which were brilliantly choreographed and kept your adrenaline going for most of the film. The CG was even good, sometimes great, and I know how Anime and CG animation haven't always had a good relationship or positive reactions from fans (i.e. "Berserk's" 2016-2017 anime series was pretty much entirely CG animation, and it looked like ass. Yeah, I know the Eva movies had a much bigger budget but come on...if you can't deliver the goods, then don't make any half-assed attempts!) But this series of movies proves that CG animation in anime CAN work. I suppose it depends on budget and the blood, sweat, and tears poured into the project (and Hideaki Anno put so much into the Evangelion story)

During the therapy session between Shinji and Gendo, it was like we were experiencing Episodes 25 and 26 of the Eva Series. We got to look at different characters and, in some instances, explore their thoughts and feelings. It was like we were saying goodbye to these characters like in EoE but without the death and dismemberment and tragedy. This time, though, it flowed much more efficiently with the story while the final episodes of the Eva Series were so jarringly different and almost frustrating to deal with due to the sharp change in narrative and execution.

Rebuild of Evangelion In General

The Eva movies gave us much more character growth for Shinji than in the series. Not that the series did a poor job with him. It just didn't give him a chance to recover from his pain. The movies did, and in Eva 4.0, Shinji presents himself as a much more mature and stable young man before his father, who ended up being the one breaking down.

Asuka's story in the movies is quite different, and while she does suffer some of the same mental health problems she has in the series, she doesn't completely lose it. She somehow manages to power through alone despite her suffering, and whole she does suffer some emotional troubles due to her experiences in the movies, she does manage to keep it together. But we see that despite the front she put up, she still wanted recognition and affection from others. Imperfect but somehow emotionally less...fragile. Not a bad thing, though. This interpretation of Asuka was...very intriguing and, in a way, much more tragic when you think about it. I mean, we don't see everyone get a happy ending in real life, do we?

The movies, I think, ultimately were going for a much more optimistic end to Evangelion, one that still involved death and destruction, but not as absolute and depressing as what was given in EoE. It really is Shinji's story in the movies, and he is the one to dictate how the Impact will go, but with far less angst.

I feel like we got peace with all the characters in one way or another, even in death. If EoE was conveying life is very painful and something terrifying you may want to run from, but ultimately it's the only way humanity should live (if that makes sense). It sucks but it's not completely awful...usually.

Eva 4.0 conveys life is full of pain but also full of joyful experiences as well, and you take the good with the bad and live life as best you can. It's similar in terms of the message in EoE but more optimistic. I mean, I like dark, twisted, depressing shit but warm, fluffy moments are fine, too.

The first(?) Rei being more attached and emotional was an interesting choice, but also very sweet. Her care for Shinji was akin to how a mother would love her son, I think, and Rei is a clone of Shinji's mother, Yui. Yes, Rei is just a physical "copy" of Yui, but still...I felt there was a very powerful, almost familial bond between her and Shinji. I don't think it was ever romantic or sexual, which is probably for the better because Rei is a clone of Shinji's mom. He doesn't need to be banging that!

Mixed Thoughts

This isn't really a bad thing, I guess, more like something I have mixed feelings over but it was overall still pretty off-putting: We find out in Eva 4.0 that Asuka is...a clone. A clone? Really? Seriously? There was no indication of this in the previous movies, and while I kind of like the idea of her being a clone forced to undergo insane and grueling experiments in order to survive, I...don't get WHY it was just thrown in at the last minute. I was left so confused upon this revelation and wondered why they had no prior indication that this was the case for her. It didn't add to her character as much as it should have because it was so random.

I liked the very strange, cryptic, confusing, yet somewhat profound content of Eva 3.0. It was a drastic change from the more streamlined, comprehensible plot of the first two films, so it doesn't really sit well with me or with the flow of the story. But it was more like the Evangelion we all know and love (or the Evangelion I know and love because it's so fucking mysterious and symbolic and fucking weird).

The Bad

Eva 3.0 as a whole still feels like a very awkward, disjointed entry in the movie series, almost like it's some sort of weak, temporary bridge between the first two films and the last one. I don't think Eva 3.0 is terrible, just not as well-written as the other entries. It seems like more of a last-minute thing.

Speaking random character revelations like that of Asuka's clone reveal....Mari knew Shinji's parents? She actually helped Yui and Gendo get together. This...doesn't make a lot of sense. She doesn't look as old as she should be, and I just don't get this backstory element. It seems so...odd, like some obscure twist with no true setup. Maybe it's just me, but I didn't get it. I didn't. I don't think it was necessary to make her someone who knew Shinji's parents.

I also didn't agree with pairing her up with Shinji at the end of Eva 4.0. I mean, it's not officially stated they are a thing, but it's strongly hinted at. I actually didn't even think he should be with Asuka this time around. He was better suited to Kaworu. Mari seemed more hung up on Asuka anyway, calling her "Princess" and "Your Highness" and being all huggy-buggy with her. "

Shinji x Mari makes no sense, basically.

Exposition, exposition, exposition...Eva 3.0 had a few scenes that explained a bit too much, but Eva 4.0 had far too many scenes exposition. It really overdid it near the end with Gendo explaining his plans in such detail, and while I liked him opening up about himself, I didn't need to hear every single thing about his version of Instrumentality. Evangelion is supposed to be vague and thought-provoking not spoonfed to you.

How and where did WILLE get the technology to restore cities to a previous point in time? Like.....what? When? How? Why? Who? It didn't make a lot of sense to me and seemed like a very cheap and strange way to forward the plot.

I also am not sure where the thousands and thousands of Evas came from seeing as how Gendo and Fuyutsuki were running the show at NERV and SEELE was silent, probably dead.

While the first three movies were pretty "grounded," Eva 4.0 went...way over the top. Yes, I know, I know, the series and EoE were fucking batshit at times, and it's not like the Angels or kids piloting giant robots could ever be a thing, but it didn't go so far out that you found yourself rolling your eyes at the absurdity.

Final Thoughts

Overall, I did enjoy the "Rebuild of Evangelion" quadrilogy and most of its changes to the narrative. However, I still and most likely always will prefer the TV series and "Evangelion" instead because I felt like the story was handled much better. That being said, I think the "Rebuild" movies are a good way to introduce someone to Evangelion, and maybe will appeal more to those who prefer modern animation and art over the older stuff. Also, the four movies do provide more (and sometimes too much) explanation for things, and some people may like that approach over the more mysterious and confusing nature of the Eva series + EoE story.

Evangelion 1.0: You Are (Not) Alone ➡ A-

Evangelion 2.0: You Can (Not) Advance ➡ A

Evangelion 3.0: You Can (Not) Redo ➡ C

Evangelion 3.0 + 1.0: Thrice Upon a Time ➡ B

Neon Genesis Evangelion TV series ➡ A-

End of Evangelion ➡ A

[smallblueandloud]

dude… i’m thinking about starting doctor who… give me your thoughts lmao

AAAAAAA

okay. okay. i'm gonna be reasonable about this. i'm not gonna bias you against perfectly good seasons.

I'M TRYING SO HARD HERE I'M GONNA TRY TO NOT HATE ON THINGS THAT YOU MIGHT ENJOY. most of this is under a cut because i apparently have a LOT of thoughts about this, the show i was hyperfixated on for two entire years. go figure!

okay. first thing: don't skip nine. some people might tell you to, and like, you do you and all, but s1 of nuwho is one of my favorite seasons and i don't think anyone should skip it.

(for clarity's sake -- you probably know all this, but you asked for my thoughts, so -- there are two "kinds" of doctor who. classic who is doctors 1-7 and mostly in black and white. it started in the 60s and it's wild and i haven't seen ANY of it, but i know a few people who are super into it, so it appeals! then the show got cancelled. then they did a few movies with the 8th doctor. then they rebooted the series in 2005 with the 9th doctor. that show is still ongoing and it's what i mean when i say nuwho. it's all i've seen, so it's gonna be what i have opinions on lol. nuwho starts on 1x01 "rose", so you can make sure you're watching the right season.)

PERSONALLY, my favorite era of the show is RTD's, which are the first four seasons of nuwho and showrunned by Russell T. Davies. my favorite companion is donna, because her dynamic with the doctor is PERFECTION, but i also really really love rose and martha. the season arcs are kinda all over the place but they're really fun! the show has HEART, okay, it's all about kindness and helping people and solving mysteries and i love it. it doesn't treat its characters of color (martha and mickey) very well, which is my main issue with his run. it makes it hard to enjoy whole episodes of s1, so just, be aware.

then there's the moffat era, from seasons 5 to 10. he. sure wrote a tv show. many people have written about how much they love that era, which i would direct you to rather than trying to write it myself, since i'm... not a huge moffat fan, lol. a lot of people liked how elaborate his plots were and especially how he wrote 11 and 12! (also the master during his era is super popular, but i don't want to spoil much so i'm trying to avoid talking about them lol.) (i will concede, he wrote "blink" in s2 and i LOVE that episode, it's one of the more famous ones for a reason.) bill potts, the fourth (and final) companion of his era, is the first regularly appearing queer companion, and i haven't watched all of her season but i love her.

and right now we're in the chibnall era, which has had two seasons (11 and 12)! honestly i can't articulate what he's about yet, since it hasn't been very long, but his doctor is a DELIGHT and i love her companions. also spyfall was literally everything i've wanted out of television, ever, so i'm kinda legally obligated to enjoy his stuff.

okay, that's eras down. now for shipping: i'm a huge doctor/rose shipper. i can't tell you how popular it is in the fandom at large, but a quick glance at ao3 tells me 10rose has more than two times as many fics as the second most popular doctor who ship (11/river). so do with that what you will! the age gap is weird in the first season, which is why i don't usually headcanon that they're together then, but in s2 it's much more of an... equal partnership? idk if i'm wording this right, i have SUCH a soft spot for 9rose that it's hard to strike the right balance lol. the point is: if 9rose doesn't appeal to you, don't write off doctor/rose entirely, at least not until you've seen s2.

(can you guess which part of the doctor/rose ship appeals to me the most. Can You Guess. hint: there's a reason why s4 is my favorite dw season, and possibly my favorite of television ever.)

i'm also a HUGE fan of random femslash ships between the companions. rose/martha has stolen my heart, but rose/clara is popular (and very sweet) and also What If Yaz And Clara Dated. literally pick two female companions' names at random and i will be extremely into whatever ship that makes.

(sidenote, i'm looking at the ao3 ships again and PROPS to 13yaz shippers for having more fics than doctor/master?? Good For Y'all.)

oh okay and also the master exists. uhhh without too many spoilers: the master is another time lord who grew up with the doctor, and they're kinda... best enemies? (ignore me, i spent two hours today watching sarah z's video on a certain webcomic.) there is one certainty in the doctor's life and it's that they will always have to kill the master one more time. obviously that's the kinda angst that appeals, and they always have Delicious tension when they're both onscreen, so just like. yeah. if you want tortured gay time lords, stay tuned, because that'll be there.

(RTD is gay, i believe, so his storylines are. queer. you will not be surprised that he created jack harkness. the doctor's first onscreen kiss in the reboot, ever, was with a man. Thanks RTD!)

uhhhh that was a lot of words. one more thing: people are gonna tell you you Have to watch This Episode, or This Season, or whatever, and here is my advice on that. do whatever you want! listen to whoever's recommendations you want. it is perfectly fine to skip episodes or entire seasons if you're just not feeling them. i stopped halfway through the s8 finale and still, to this day, have not started s9, and it's fine! watch whatever you want. skip s1 if you're not feeling it! the show is pretty disjointed between doctors, which is disappointing if you want them to reference a long-gone companion, but makes it super easy to skip around.

okay, NOW i'm going to wrap this up. i was hyperfixated on doctor who for YEARS so i have SO MANY THOUGHTS. i keep meaning to get back into it and... hmm, is this a sign? should i go rewatch doctor who? i'm crying PREEMPTIVELY about [redacted episode that features a white wall, for all the whovians reading this] so obviously that is a yes and i will get on it immediately. PLEASE PLEASE let me know how it goes, i'd love to hear your thoughts as you watch!! good luck and enjoy the ride!

[fireinmoonshot]

REBEL ONE SHOT / EPILOGUE | A FIELD OF FLOWERS | ARMITAGE HUX x READER

Summary: Three months after the end of Rebel, you and Armitage spend a blissful afternoon together in a field of flowers on a surprisingly sunny Arkanis day, bringing to light things you’ve been wondering about for months. Pairing: female!Reader x Armitage Hux Fandom: Star Wars Word Count: 2286 Warnings: THE RISE OF SKYWALKER SPOILERS, toothrotting fluff. A/N: SURPRISE! As a little gift for Star Wars Day – May the Fourth be with you all! – I piped out this little baby this afternoon. Basically, for those of you who read and loved Rebel a few months ago... here’s a sneaky sort of one shot, set three months after the final chapter! I had so much fun writing this and revisiting these two. I truly hope you enjoy it and that you’re all having a wonderful day celebrating Star Wars. May 4th is basically over here in Australia but I rewatched A New Hope this afternoon and my love for Star Wars is stronger than ever. I hope, in these crazy, rocky times, this little piece of writing will bring some sunlight to your days! (I also tagged those who I had in my taglist for the original parts, just on the chance some of you would want to read this since you wanted to be tagged for the original!! :))

READ THE ORIGINAL FIC – REBEL – BELOW!

PART ONE | PART TWO | PART THREE | PART FOUR | PART FIVE | PART SIX | PART SEVEN | PART EIGHT | PART NINE | PART TEN | PART ELEVEN | PART TWELVE | PART THIRTEEN | PART FOURTEEN | PART FIFTEEN

Armitage is smiling. That’s the first thing you see as you round the bend and come upon a large field filled with white and yellow flowers. He kneels in the middle of it, the sun beaming down upon him and making his red hair look even brighter than usual. The rain had subsided for the morning and the flowers in the field that were usually weighed down with rain and surrounded by mud are thriving in the warmth the sun provides.

What really stands out, though, is the small village child running circles around him.

The boy’s mother stands beside you, a smile on her own face as she watches her son enjoying his time in the sun. Arkanis rarely ever had days without rain, and when it did, no one remained in their homes at all. You’d taken to going on a walk with her, a woman who’d become your friend over the last three months since you’d made Arkanis a kind of home, and Armitage had insisted he’d be okay to take care of her son while you walked.

She turns to you as she sees them playing. “I mean no offence when I say I doubted him before,” she speaks. “But he certainly seems to have proven himself. I’ve never seen Rhys so happy around a man who isn’t his father.”

You watch as the boy stops running in circles, clearly dizzy, but despite the dizziness, proceeds to leap right into Armitage’s arms. The force knocks Armitage, laughing, back into the flowers behind him.

While rare, and though you had heard his laughter before, it still ran through you with a beam of shock every time you witnessed it and every time you swore you fell a little bit more in love with him.

Leaving the First Order, taking your hand, had done him more good than either of you had imagined.

The boy’s mother looks back towards them. “Have you thought about children?”

Briefly, you scrunch up your nose. The cursed question, it seemed. You had, though. Both of you had had versions of that conversation, though they had ended at the exact same point every time, and you weren’t mad about it. Armitage was honestly terrified of becoming a father out of fear of unwittingly becoming like his own. He’d promised that if the time ever came, he would try his best not to be like his father, and he’d made sure you knew that. But then he’d admitted a worse fear – the fear that in some distant part of the universe, an inkling of the First Order remained. One that would, when your child grew up, reemerge. That it would do just what his First Order did. Take children from their parents and force them into being stormtroopers, or worse.

It had been hard for him to admit that fear, and you’d seen that as he said it. While you preferred not to think about possibilities like that, you understood his fear. And so you’d come to a simple conclusion: maybe. Maybe one day. But if that one day never came, that would be okay too. And both of you were entirely okay with that one day not being today or tomorrow or the next day.

Today, tomorrow and the next day were reserved for the both of you and you alone.  

Still, the sight of Armitage playing with Rhys in the field thrills you immensely, and not just because of how lovely it is to see him with a child he clearly cares for, but also because of how happy it makes him.

He’d been filled with more happiness than you’d ever seen over the past few months on Arkanis, and you were grateful for that. You knew he’d lived a life with very little joy before he took your hand, and so he took extra pleasure in the little joys that seemed to follow him around like a not-so-pesky bug on Arkanis.

You shrug a shoulder and turn to your friend – Dina. “Not yet,” you admit, lying to her in your answer but knowing it’s for the best. Prying eyes still followed you around here on occasion and you didn’t need more on baby watch. It had only been three months, after all. Virtually no time had passed. “It’s still early days.”

She nods understandingly and doesn’t seem to want to say anything else on the matter, so slowly you break away from her and begin to walk towards Armitage and Rhys, still playing in the field. Rhys has moved to sit atop Armitage’s chest and is yelling about how he’s “taken down the big, scary monster” and you’re glad to see that childhood fun on a topic like that didn’t seem to bother Armitage.

He clutches at his chest. “No, no – he got me! Rhys got me! I’m–”

“No, the monster doesn’t know my name.” Rhys drops the act for a second to tell Armitage of this crucial fact before jumping straight back into his games.

You watch as Armitage blushes a shade of bright pink for just a second before continuing to join in with Rhys on his game. It’s only when Rhys eventually looks up and sees his mother wandering a few steps behind you that he pushes himself off of Armitage’s chest – rather forcefully – and begins sprinting towards her.

Armitage stays lying in the grass as you reach his side.

“Does the monster want to lay in the grass forever?” You ask, looking down at him.

His hair is messy, just like you’d seen it many times before. He’d given up on using hair gel months ago and you’d gotten used to the messy, floppy hair it was sometimes. You particularly enjoy how messy it would be after a nights sleep. He did not. And the beard he’d grown during his time on Ajan Kloss had gotten rather messy when he slept too. It was part of the reason he’d shaved it off, and while you miss it sometimes, a slight scruff still remains that makes him look not quite as clean cut as he had when you first met him.

Gone were the days of tight fitting, ironed First Order uniforms, and here were the days of slightly baggy t-shirts and trousers that weren’t as flattering as he would have liked them to be.

Not that you cared.

“Would the princess be mad if the monster did stay in the grass forever?”

“Not at all. But she would be lonely.”

You hold out a hand to him, and his smile returns as he takes it and accepts the help to stand. He brushes himself off as soon as he’s standing, removing some of the grass from the field from the back of his shirt before looking at you.

It’s quite impossible for him to stop smiling around you.

And he still hasn’t quite gotten used to being with you always.

He leans down to press a quick, chaste kiss to your lips before reaching down to take your hand again. With your spare one, you reach up quickly to brush a stray petal out of his hair before you walk over to Dina and Rhys. He’s talking excitedly about his afternoon with Armitage, and Dina is listening deeply.

“She asked me if we’d thought about children before, you know?” You mutter up to him before you get too close. “I think people are starting to get suspicious of us.”

Armitage raises his eyebrows. “People should, frankly, mind their own business.”

You nudge him gently. “People are just curious. They’re a tight knit community. There are kids all over this place. And we’re a new, young-ish couple that are without children. They probably think there’s something wrong with us.”

“Perhaps they should look closer to home.” He shakes his head.

He rarely ever thought about his own children. But only because it wasn’t something that was necessary to him right now. He had you, and he had the other children who lived around him that seemed to like him, strangely. He had been thinking of something else, of course… but you didn’t know about that.

He’d been thinking about it ever since you attended a wedding in Arkanis a month and a half ago. Wondering what his own would look like, if he were to have one. Wondering what you would look like in a dress like the bride at that one had worn. Wondering how he would look in a suit like the groom had worn. The thought had kept him up late at night more than he’d like to admit.

The both of you reach Dina and Rhys and she looks up at you.

“Rhys was just telling me what good fun you had,” she speaks directly to Armitage. “Thank you for taking care of him, love. If you’re up for it, next time we go for a walk, you might look after him again? Only if you’d like to, of course. No pressure here.” She looks at you and it doesn’t take you long to catch her double meaning.

No pressure here for you to have your own children when you can babysit mine.

Armitage, though, is thrilled. He smiles. “If Rhys will have me back, I’d be happy to.”

Both Rhys and Dina beam at that, and soon enough they’re off, wandering back down the hill and through the small woods towards the city centre.

You and Armitage hang back. From this field, you can see half of the city in the distance, but from the other side of it, you have a perfect view of the hills and ridges that cover the planet before the lake, not too far away from here. Armitage lets go of your hand just so he can wrap an arm around your back as you wander back towards the flowers, wanting to take advantage of the sun while it lasts.

Facing out towards the hills, you and Armitage happily settle back in the flowers. Armitage sits behind you, and you lean back into his chest, the warm sun beating down on you. For a few moments there is silence.

Then, Armitage speaks.

“What do you think we could do to deter those who wants us to have a child?”

You can’t look up at him, but you furrow your eyebrows in confusion anyway. “I don’t know if there’s anything we can do. No matter what we do, people will still wonder. Even though it’s only been a few months, they’ll still wonder,” you admit. “They know how serious we are about each other. Not much would deter them.”

Armitage huffs softly. “What about…” He hesitates. Never in his life had he ever been in a position to discuss something like this with anyone before, though he supposed that the likelihood of there being a good time to discuss it was slim. “No… never-mind.”

“No, what is it?”

“What about…” He hesitates again, and then sighs. “Would marriage deter them?”

You’re spinning around to face him half way through the word marriage, unable to keep the shock and surprise off of your face as you meet his eyes. “You– marriage?”

He nods nonchalantly. “Would it?”

”I– probably not, no. It’d spur them on even more, I think.”

Armitage screws up his nose and shakes his head, disappointed. “Oh.”

“What… what makes you ask that? What makes you think of it?”

“I don’t know,” he shrugs. “Ever since we attended that wedding I’ve wondered.”

“Wondered… what?”

He meets your eyes and smiles slightly. “What it would be like to marry you. It’s a luxury I never allowed myself to think of before. Marriage. One I never wanted to, one I never thought I would get a chance to even dream of. But I heard stories sometimes, heard people in the First Order, those who worked there, sometimes mentioning husbands or wives. I always allowed myself a luxury of curiosity, but not a curiosity about my own life. About my own possible wife.”

You try and look for the right words to say, but none that come to mind seem to be right. Instead, you lean up and kiss him softly and gently, letting your lips linger for a little longer than usual before you pull away.

Armitage’s eyes are sparkling as he looks at you after. “What was that for?”

“I think I’d like to call you my husband one day.”

His lips twitch. “We could do it, if you’d like.”

“People would be even more invested in us having children, though.”

“I’d get better at ignoring them.”

You’re unable to stop yourself from snorting in laughter at him. Sometimes he surprised you in his kindness and sincerity, and other times he was just like the Armitage you’d met on his ship months ago. Just as cold, just as unfeeling, but different – always with an undercurrent of warmth. This was one of those moments.

“You don’t think it’s too soon? To get married?”

He shook his head. “If there’s one thing I learnt after taking your hand and letting you save my life, it’s that life is not long enough to wait around for things you know you want.” He swiftly kisses you once more. “And I can guarantee I’d like to call you my wife even more than you want to call me your husband.”

You narrow your eyes. “I don’t know… that’s a pretty heavy bet…”

“It’s one I’ll win,” he assures you happily.

He’d had the odds against him for much of his life. This time, the odds were in his hands, and he was going to do with them whatever he pleased. This time, that included marrying the love of his life.

–

TAG LIST: @agirlinherhead, @songforhema, @sleep-paralysis-demon @midgardian-witch @capcrayon @redsacrament @wlucyw @the-dream-catch3r @petalduck @hopesxxhigh @treblebeth @burritonee @acaprioglino @rebelspykim @iwritefanficnotprophecies @ahsfan23 @erys-targaryen @tazzclegane @ibikus @seafrost-fangirl @percivalgravs @chewle @j1224 @livy1391 @drowsebaby @lafy-taffy @sleepy-blossom @memys-art-stuff @pink-pirate @sophiasescape @whovianayesha @theserenityspace @rageofpatroclus @hanyasnape @pancakefancake @esperanzavelez @shoochi @iirelynn @we-all-are-strange @empressoftheundergroundsun @carisi-sonny @fredd-weasley @kxte-p @oneandahalfeggs @watercolour-sloth @thekeywordisbalance

[ordinaryschmuck]

What I thought about every episode of The Owl House Season 1 (Part 1/2)

Salutations random people on the internet who probably won't read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

Hey, do you miss Gravity Falls?

...

Yeah, I know, dumb question. Which is why I have good news! Not only is there a new series that is just as good as Gravity Falls, but in some ways, it's even better. That new series would be none other than Disney Channel's latest hit: The Owl House.

The Owl House, slowly but surely, became my new obsession since Eda reacted to decapitation with an unconcerned, "I hate when that happens." I wrote fan-fiction, made fan-art, and even began to separately review new episodes. Unfortunately, I got in a little late in the reviewing game and only managed to analyze the last four episodes of season one. And like an idiot, I promised that I'll review the rest when they came out on Disney+. Seeing that all of the first season has finally come on a legal streaming service (which means WATCH IT RIGHT NOW!), it's time I finally saw through to that promise. However, I'm not going to over-analyze each episode because that would be insane. So instead, we're going to lightning round these suckers. Because it's my Tumblr, and I get to decide what I review and how the hell I review it...hooah.

Which means this is your last chance to avoid spoilers if you haven't seen The Owl House yet. Seriously, it's a great show, and you can catch up right now on Disney+. A week-long trial is more than enough time to watch the series, so DO IT! With that out of the way, let's get started with:

“A Lying Witch and a Warden”: This episode gets a lot of flack for having poor pacing and being too preachy with its message. And to that, I say...you're not wrong. Yeah, I wish I could be that person who can defend this episode against criticism like that, but these are understandable problems that just left this icky feeling in my tum-tum when watching. But that's only when looking at it as a regular old episode when in reality, people need to see it as a first episode. The first episode in any show needs to get viewers interested enough to continue watching by answering these five essential questions: What's the plot of the show? What's the tone? Who are the main characters? What's the world they live in? And what are the rules of the same world? "A Lying Witch and a Warden" does a great job of answering all of these questions. And if you stuck around until the season finale, then that means it did a great job of keeping you interested in sticking around as well. So seeing how it got its job done, albeit, with mixed results, I give this episode a B-.

“Witches Before Wizards”: Don't mind me. Just reveling in the fact that Luz escaped to a fantasy world to avoid Reality Check Camp, only to get a reality check anyway. Because that's what this episode is in a nutshell. Through the "quest" that Luz goes on, she learns two important lessons: One, don't trust strangers who offer you something nice and shiny (bonus points for Eda warning Luz to avoid men with sandals and then have Ategast wear sandals). And two, there is no such thing as having a predetermined destiny. I love the idea that Luz coming to the Isles was just a twist of fate, and everything that happens afterward is pure dumb luck. And that moment when Eda gave a speech about making your own path instead of waiting to become something special? That was the moment when I went from thinking this was going to be a fun show to thinking it's going to be a great show. So consider this episode a solid A in my book.

“I Was a Teenage Abomination”: How is it possible for an episode to get better and worse with time? Because here's the thing: This episode does a great job of showing how perfect Amity's development is. After one single season, it already feels jarring, seeing the way she acts in certain scenes. However, in that same respect, it's the same reason why this episode got worse. I didn't mind that Willow practically got away with cheating and vandalizing the school with her magic because she and Luz were basically trying to show up a two-dimensional bully. But knowing what we know in the future, it does seem unfair that Amity gets punished for their bad behavior and Willow got little consequences for it. Sure, Luz got banned and had to work at gaining Amity's trust, but what about Willow? Although, despite this complaint, I don't really hate this episode. It builds a believable connection between Luz and her friends, and the B-plot King and Eda show off their budding friendship. So while this episode is a C-, it's a somewhat enjoyable C-.

“The Intruder”: Is it weird for anyone else that King gets most of the blame in this episode? Yes, he took the potion, but Luz was the one who kept pushing him. This is why it never sat right with me seeing how everyone, including himself, blames King for this episode's incident. That being said, "The Intruder" is fantastic. Eda, as the Owl Beast, is legitimately threatening, and the way the episode treats Eda's curse like a chronic illness is actually kind of sweet. It teaches kids how this is something that just happens to people, and they're not any weaker because of it, as long as they take the right steps. Which is cool, and it's why this is another solid A episode for me. Sure King getting the blame bothers me, but it pales in comparison to everything else “The Intruder” does right.

“Covention”: If you want my personal opinion (obviously, seeing how you're reading this), "Covention" is the perfect episode to show a friend to get them into watching the The Owl House. Everything there is to love about the show is seen in just these twenty-two minutes. Eda being a chaotic good, Luz being a sweet and understanding character, some incredible/natural world-building, an actually decent B-plot, an epic fight scene, great comedy, and, my personal favorite, the building of Luz and Amity's relationship. In fact, this episode has the most quintessential moment between these two, that Dana Terrace herself took charge of making the animatic for it. A scene that is so perfect that you can do an analysis of these few minutes alone...which is what I did. Click here to read it! "Covention" gets an A+ in my book and might possibly be the best episode of the season. Maybe even the series!

“Hooty’s Moving Hassle”: There's not really a lot I can say about this episode. I don't hate it, but I'm not exactly in love with it. The interactions between Luz and her friends are adorable, and there are a few good jokes that kept me laughing. But the story is kind of bland, and I just find Eda's sudden obsession with Hexes Hold'em kind of odd. Especially since a card game is what nearly defeated the "undefeatable" Owl Lady. If it wasn't for the nice reveal of Willow's and Amity's friendship (which comes into play in a far better episode), I'd say that you could skip this one on future rewatches. Because this is a C grade episode that just doesn't grab me as well as others.

“Lost in Language”: Ah, yes. The episode that made dozens of fans jump aboard the Lumity ship...unless you're like me, and you've been shipping these two since the show's theme song (And I don't know why, either. It's just the second I saw Amity my first thought was, "Oh, honey. You're gonna fall in love with the main character, aren't you?" AND I WAS F**KING RIGHT!). But jokes about shipping aside, "Lost in Language" is a fantastic episode. It has a great lesson about how people are more complex than their first impressions (Or to not judge a book by its cover, if you wanna stay on theme). Edric and Emira seem like a chaotic duo who cause mischief all for good fun. But Luz, as well as the audience, learns that Ed and Em are kinda the worst (they get better in future episodes, but still). Then there's Amity, who hasn't had the best first impressions in the last few episodes. We got glimpses of a good person here and there, but for the most part, that's all they were. Glimpses. Then there's this episode, which gives us more than a small look, but some actual insight into who Amity really is. Better yet, who she wants to be. It's something that I appreciate about The Owl House in that it wastes no time in developing Amity's character. So much so that I can forgive this episode for shoehorning a "Two idiots and a baby" plotline that does nothing but add maybe two minutes of padding. So yeah, it's an A+ for sure.

“Once Upon a Swap”: "Ugh! It's the body swap episode! How cliche and-" SHUT UP! Shut your mouth, and listen: Something being cliche does not always make it bad. Only when the cliche fails to tell an entertaining story does it have the right to work as a complaint. "Once Upon a Swap" may have a cliche premise, but it's still an enjoyable story (or stories) with great laughs and even some ok lessons. I can understand if you hate the episode because its premise is something you've seen a dozen times to the point where your sick of it. My most hated story idea is the "Character A saves Character B, and Character B becomes a life slave." If you have seen this story once, you've seen it a thousand times, and it's the same case with a "body swap" episode. But guess what: The Owl House is a kids' show. Kids'. Show. You can complain all you want about predictability, but kids are the type of viewers who will be new to this experience, despite if it's one that is done to death. Which is why this is solid B of an episode if you ask me.

“Something Ventured, Someone Framed”: Can people please stop shipping Gus with Mattholomule? Because that slimy, greasy, weaselly little son of A BASTARD BITCH WEASEL DOES NOT DESERVE LOVE IN WAY POSSIBLE!

...

But enough about how Mattholomule is the worst character ever, because "Something Ventured, Someone Framed" is a B+ in my opinion. Sure it shows the worst side of Gus and lets Satan's little herpe win in the end, but there is still quality to be had. We get insight into who Gus is as a character, on top of Eda swallowing her pride and cleaning the school so Luz can get into Hexide. Also, Eda's permanent record was the first time this show brought me to tears due to laughing so hard. So while I have to take points off for the inclusion of Mattholomule (I don't make the rules. I just live by them), this is still an episode I wouldn't mind revisiting.

“Escape of the Palisman”: I subscribe to this theory that Luz will one day have Eda's staff as her own. And episodes like this that strengthen the bond between Luz and Owlbert help confirm that theory. Luz's dedication to trying to make things right could just be part of her kind nature, but I like to believe that this is Dana and the crew trying to set up this possible outcome. As for what I think about the episode itself...it's ok. Again, Luz's dedication is nice to see, and King's adventure with Owl Beast Eda is somehow insanely adorable, but there's not really much to say other than that. So it's another B episode for me.

---------------------------------------------------------------------------------------------------------------

And that’s the end of part one! Part two has probably already been posted by the time you finish this, so you can go ahead and find that if you’re interested.

[nitrateglow]

Well, I rewatched Two for the Road...

I found it interesting what changed during this rewatch-- certain things I found strengths the first time around, I disliked, and other elements I appreciated more. I doubt I’ll rewatch it for a long time yet, but I get its appeal a little more.

Anyway, have some scattered thoughts. I tried to be as spoiler-free as possible.

Positives:

Audrey’s performance is amazing. This is one of her more subtle, layered performances, and one I would suggest to those who believe she could not act or had no range. Joanna is largely a likeable character: charming, considerate, affectionate, and playful. However, years of a strained marriage to a selfish boor erodes her romanticism and her vindicative edge, slightly hinted at in the earlier scenes, blossoms into something ugly. I think Audrey juggles the dark side of her character with her endearing charms in a natural, non-exaggerated fashion, making this character feel very human.

The direction is playful in a 60s way. Now, this will be a strength or a weakness depending on your tolerance for 1960s cinematic hipness. Donen plays around with fast-motion, freeze frame, music, and composition in very self-conscious ways. The movie feels a little New Hollywood in that sense (though I would not count it as a bonafide entry in the New Hollywood movement-- it’s very traditional in other ways).

The physical comedy is good. Pretty much any scene with a malfunctioning car (and there are many) is handled in a deadpan manner that is almost Keatonesque. And I’m a sucker for anything that evokes Buster Keaton.

Negatives:

The “witty” dialogue feels very forced. I know a lot of people like the script for this, but I didn’t care for the dialogue at all. It felt like it was trying too hard to be hip and clever. I normally don’t cite Dennis Schwartz’s reviews, but I pretty much agree with his thoughts on the dialogue:

The supposedly clever adult banter between the always bickering couple seems less comical than just being sour grapes...

Pretty much, especially since so much of the dialogue just follows the same pattern:

Mark: You hated [thing]. Joanna: (tearfully) I loved [thing]! Mark: NO YA DIDNT. Ya hated [thing.] Joanna: I hated [thing]....

Oh, or this one:

Joanna: Marriage is good. Mark: Marriage SUCKS. Look at those miserable people! Joanna: That’s just them. Mark: NAH MARRIAGE BLOWS.

I cannot stand Albert Finney’s character. Out of all the love interests in Hepburn’s canon, I dislike Mark Wallace the most. He’s loudmouthed, selfish, and controlling, not to mention hypocritical (okay with his own infidelities, but losing his mind when Joanna has an affair of her own). He barely acknowledges the existence of his own child. He’s arrogant and annoying even when he and Joanna first meet-- I had no idea why she ever took a shine to him beyond his looks. As a result, I was rooting against the relationship at every turn, which leads me to my next point.....

Because Mark is so unlikable, I do not get why Joanna stays with him.  About all he’s got going are looks, moments of good humor, and an animal sexual magnetism. Otherwise, he’s a boorish jerk who badmouths marriage constantly and takes Joanna for granted once they do marry. He does eventually have a turning moment, but it comes so late in the movie and is so quickly done, that I found myself utterly unmoved by it. In fact, the whole ending just felt like a cop-out to me-- had this movie come out even five years later, I think the ending would have been quite darker. As it was, it felt too cute and neat. I just didn’t buy the resolution.

The nonlinear structure makes the plot not only confusing, but repetitive. The first time I saw this movie, the nonlinear structure was about the only element of the production that I consistently praised. Now, I found it was one of my least favorite things about it!

At first, the cuts between the happier moments of the past and the more bitter scenes in the present are ironic and clever (we cut from the young lovers basking in the afterglow of their first sexual encounter to them in a later period, married and just complaining about how badly they slept the night before). By the hour point, I felt the cutting between the four time periods killed the flow of the story and often felt clever for the sake of being clever-- I think seeing the relationship slowly go bad would have worked better than constantly cutting the way they did.

And then, the bickering just becomes tiresome as hell-- I ceased to be upset for Joanna or annoyed at Mark during the final half of the movie. I was just exhausted and indifferent by the sour grape parade... and judging from the emotional Mancini music and the acting, I do not think Donen intended for me to be apathetic by the end. Enervated maybe, but not apathetic.

Final thoughts:

I’m glad I rewatched Two for the Road. I feel like I get why people like it a little bit more, but I confess that by the end, I was just left cold by the whole affair. It really isn’t my thing, I guess, but not everything can be. And if you haven’t seen it, then don’t let me put you off. A lot of people treasure this movie and more power to them.

[chaoticneutralwriter]

Intermission: The Demon In Detail

You think a great way to enhance your experience in watching anything supernatural related is to have an actual demon beside you but.... that’s just your opinion.

guardian demon! Jimin x reader

word count: 2.6k

genre: fluff, romance, supernatural, slow-burn, comedy

Related Works: see Masterlist under guardian demon!Jimin

A/N: An intermission! Can you guess what I’ve gotten myself into recently? LOL I thought it’d be cute to have something like this happen since once we get the ball rolling...not so many cute moments later on 🤐🤐🤐 (and the next chapter I have a feeling is going to be CHUNKY so...a little treat for you before that ;)) So anybody who hasn’t watched Good Omens yet but were planning to, some spoilers in that chapter! And as such, I don’t own anything related to Good Omens the show or the characters involved. Otherwise, enjoy!

“I thought you were supposed to be napping?”

Your gaze only shifts marginally away from your laptop screen to the sound of your sudden guest before flitting back.

“I was gonna just watch one episode….” You mumble petulantly but it was the honest truth. You really were planning on watching one episode of this series you picked up as a way to get you started and use it to give you that final push to knock out from being so tired.

Clearly that’s not gonna happen anymore.

Jimin gives a shake of his head, a little exasperated from your antics, not really annoyed but he does have to wonder; why are you lying on your bed like that? From his place by your doorway, all he sees is a mound of blanket that had been wrapped up into a lump with no doubt you underneath it. You’re using the giant plush calico cat shaped like a bean as a pillow, the one he got you on a whim one day and he hasn’t seen you without it since. He thinks its cute but there’s an actual, perfectly good pillow that you could use just laying not even two feet away, in fact, there’s plenty of room for you to be laying comfortably in and yet for some reason —

You’re curled into a ball, at the very end of your bed, your desk chair facing you, laptop propped onto the seat.

It’s like you MacGyver-ed your way into making things a lot more difficult for you.

You feel your mattress dip, causing you to shift with a grunt, pausing the episode so that you don’t miss out on anything as you turn your attention fully to your supernatural guardian. He’s taken a seat beside your head, one muscular thigh resting temptingly close to you. You bury your cheeks further into the plushness of your stuffed animal in hopes of hiding a creeping blush and smother the urge to jump ship with your pillow for something better.

“What are you watching that’s so interesting you forget the need to sleep?” Jimin asks, dark eyes staring inquisitively at the paused screen which has David Tennant and Michael Sheen bickering about what to do once they find the antichrist.

“It’s called ‘Good Omens’ — it’s about a demon and an angel who’s trying to prevent the apocalypse from happening when the antichrist, who’s a kid, realizes his true powers.”

You miss the way Jimin blinks, brows furrowing and absolutely flabbergasted at you when you push play again to continue the episode. He cocks his head from left to right like a puzzled puppy before he’s able to finally let the synopsis settle.

“I’m sorry what now?”

“So there’s a demon named Crowley, right? He’s the one in black there and an angel named Aziraphale who’s the one in white and they’ve somehow became really good friends throughout the years so they’ve like — oh you know what,” You pause, getting distracted yourself and not being able to re-explain the plot up until now while also taking in new developments. “Just rewatch the last two episodes, the series is only like six episodes long anyways.”

Jimin goes to complain, thinking how utterly ridiculous it would be from your paraphrased explanation alone but you’re already clicking back to the first episode. He clamps his mouth shut, purse his lips and exhales a quiet sigh through his nose, leaning back to might as well get comfortable. He’ll never quite understand a human’s obsession with his kind and angels to the point where they’ll come up with a million different ways to interpret their image — from monstrous looking creatures (on both sides) to simply more human-like supernatural entities, he thinks he’s seen them all over the years.

Oh whatever, he thinks, it’ll just be one episode and that way, he can at least say he didn’t give it a shot.

-

Four episodes later, you’ve somehow managed to sprawl out over each other, both equally as invested in the show. You had to hide your smile every time you glance over at Jimin who, every so often, tilts his head and then either snorts or hums noncommittally at the show’s interpretations. It also piques your curiousity on what Jimin finds approving or disapproving so whenever that happens, you usually ask him a question, even if you do sound like a two-year old discovering the world for the first time.

“So are there really four horsemen of the apocalypse?”

“There are…. Or were. They’re like Greek Titans now…. It’ll take a lot to summon them all at once.”

“Like the anti-Christ?”


“I can probably assure you that Satan won’t be having a son any time soon.” Jimin replies and as an afterthought, his nose wrinkles. It’s weird to imagine one of your bosses having a kid, let alone imagine him to be the father type.

“…Huh.” You leave it at that, flopping your head back to rest against the mounds of pillows. Halfway through episode three, Jimin started to scold you in the way you’re laying on your bed and took it upon himself to actually drag you to the head of the bed so he can prop you on the pillows. Well…For the most part you were resting on the pillows behind you but with Jimin’s arm thrown out in the mix, you find at times you’re lying on the pillows and using Jimin’s arm as one too.

The stranger thing is that he hasn’t said anything about it.

“Have you ever met Beelzebub before? Are they like the ‘celebrities’ of demons?”

“They work in a different office division than mine, so I never see them — heard they’re not that great though.”

“Office division?” You laugh, tilting your head to shoot him an incredulous look. “So Hell runs like a corporation?”

“Where do you think concepts like capitalism come from?”

You let out another boisterous laugh, head flinging back and knocking lightly against his forearm. “Well, damn…”

His own lips curl into a smile at the sound.

It’s late into the evening by the time you get to the last episode where Crowley and Aziraphale help Adam have the confidence to tell Satan that he’s not his dad (always wanna hear something, ugly ass fucking…). You were very taken aback by the scene when it happened, finally seeing Satan for the first time, the big reveal but you found yourself more interested and far more amused by Jimin who had bursted out laughing so hard he was squeaking and creasing over himself. It then goes on to Adam restoring the world but then Aziraphale and Crowley get captured to be punished for treason.

“Is there such thing as ‘The Great Plan?’”

You vaguely feel Jimin’s fingers idly twirl and comb through strands of your hair as he thinks. Normally you’d feel embarrassed and shy away but the sensation is so nice and relaxing that you’re practically melting into his side. Plus, you’re very warm and cozy next to him.

“No, not that I’m aware of. I think angels already have too much of a superiority complex to instigate a war on Earth just to prove that they’re better than demons.”

“Well, that’s reassuring to hear I guess…”

You hear him chuckle breathily. “If it does happen though, I’ll save you…I guess.”

You scoff playfully, “Oh don’t worry, you won’t be able to get rid of me even if you tried.”

“And strangely, I don’t doubt that.”

It makes you smile smugly. The scene plays out in front of you as Crowley, disguised as Aziraphale and vice versa, gets their appropriate sentences (death by hell fire and death by holy water bath tub) but come away unscathed thanks to their switched disguises. You’ve long since learned holy water does in fact, harm demons the way its portrayed in the show (at least common demons, Jimin had explained killing someone like Satan with holy water would probably require a whole tank full and a soak for seven days) as well as other confirmed myths, like how demons and angels are actually supposed to look like.

“Demons and angels both have the ability to take on any sort of appearance they wish, as proven.” He cups one hand against his cheek and bats his eyelashes at you. You shake your head with a roll of your eyes but point taken.

“But how do they really look like? No glamour or anything.”

Jimin pauses, face slipping into a sort of rueful pensive look before he says, “Not pretty, I’ll tell you that. Demons are creatures deprived of the light, so they lurk in the dark, twisted by their very nature and obsession to corrupt. Only those who are foolish or wish to die would stand in the true face of one.”

You blink, taking in his words completely entranced even though he’s explaining something that should be terrifying and sounds a lot like a warning. Well, you suppose it would’ve worked if you didn’t already have your fair share of encounters (and would also help if you weren’t currently snuggled up against one). Besides that, you could’ve also sworn that you had seen Jimin in his ‘true’ form before, right when you first met him in fact. But then again… You pause, correcting yourself by recalling back the memory — he had been shrouded in shadow so the most you had seen of him were his striking, glowing red eyes.

So in conclusion, you hadn’t seen his true form.

Your lips purse; call it morbid curiosity but you’re a little disappointed. You’re pulled from your thoughts by a tap on your nose.

“Don’t get any funny ideas.” Jimin reprimands and though it sounds lighthearted enough, you hear the underlying seriousness of it.

“I wasn’t.” You say defensively, but then add, “What about angels? Do they fit the stereotypical halo and wings image?”

Your guardian smiles but it comes off more like a grimace and simply says, “I think you’re better off not knowing.”

Well that doesn’t sound ominous at all.

You voice as much however Jimin never goes into further detail than that. You begrudgingly drop the topic.

The episode closes with Aziraphale and Crowley changing back to their original selves and going on a lunch date. You let the credits roll, too comfortable to move otherwise. Jimin doesn’t bother moving either, that or maybe it’s the fact that you have his arm trapped underneath your head.

“How’d you find the series?” You ask, turning slightly to Jimin.

You see him shrug, angling his face towards you as he says, “It was…interesting; got a few things right surprisingly. But an angel being friends with a demon….” He shakes his head, “Yeah, that will never happen.”

“Hey now, I’m sure not all angels are assholes…” You argue, “Just like how not all demons are either…”

“Oh? And how are you so sure of that?”

“Well, I’ve met you and Jungkook and you’re both not that bad.”

Jimin hums, a low sound that vibrates from his chest and you barely register the flex of his arm beneath you before you’re hauled up from your spot. A squeak escapes past your lips as you’re suddenly chest to chest with Jimin, face mere inches from each other and those gleaming red ruby eyes staring straight back at you.

“Such sweet words, but I’m afraid that’s how you get killed my cherub — if not by them,” His voice drops until it’s nothing but a husky whisper when he says, “then by me.”

You think you stop breathing for a second, so caught off guard from how close you are to this unnecessarily gorgeous demon. His warm breath tickles your cheeks and you can practically count each long lashes over those mesmerizing eyes, and how full those pretty pink lips are….

You swallow nervously, only hoping that he wouldn’t notice but who were you kidding, being this close to him — if that doesn’t give you away then no doubt the rapid beating of your heart would’ve. You turn away, no longer able to withstand eye contact lest you want to end up drowning in those crimson depths and in a last ditch effort to distract him by any means, you mumble weakly, “D-Don’t be a such Crowley….”

Jimin blinks, confused. You think he’s going to laugh at you until his brows furrows, completely displeased. “I’m not a Crowley… at all.”

“Yes, you are.” You shoot back, grinning at the way he pouts. He scoffs, rolling you off of him in disgust and you laugh as you go, plopping back onto the bed.

“Be grateful I don’t have big creepy snake eyes. I could if I wanted to you know, but that would completely ruin my aesthetics.” Jimin argues, arms crossed.

“…What about wings?” You ask, blinking owlishly to meet Jimin’s eyes which had faded back to a warm brown. When he quirks an eyebrow at you, you elaborate. “You never really told me if demons have wings like in the show. Or if it’s even possible.”

His mouth opens as if to respond to you but then after a brief thought, he stops himself. You don’t mean anything by asking, simply curious is all but the way Jimin looks off, deep in contemplation has you a bit concerned. Just when the thought to break the sudden tension crosses your mind, Jimin exhales through his nose.

“To be honest, I don’t really know the answer to that one cherub. Maybe we did or maybe not at all —  demons were once angels after all, or so I was told.”

You think he sounded a bit wistful near the end, the quiet sombreness of his tone tugging at your heart strings. However, Jimin doesn’t let you linger on it as he abruptly gets up, stretching his arms over his head and letting out a loud, exaggerated groan, effectively erasing any traces of it. “Anyways, I’m off. Your roommate should be home soon so I’ll see you whenever.”

Jimin turns to walk out of your room but you’re overcome with the urge to ease whatever emotion you unintentionally triggered for him. So you find yourself blurting out, “Well whether you did or not, I think wings would’ve looked p-pretty cool on you regardless…”

Your face feels like it may as well be on fire as you tense in trepidation, seeing Jimin halt in his steps. You can’t tell what his reaction is with his back turned towards you, so you wait, teeth chewing on your bottom lip and your calico plushie clenched in your hands like a stress ball. Then, you see him tilt his head, throwing you a look over his shoulder and that infamous smirk tugging at the corner of his lips.

“Well, obviously that’s a given.”

The breath you’d been holding wheezes out in a silent laugh. You shake your head and watch Jimin disappear, obviously very pleased with himself if the swagger in his step is anything to go by.

He might deny that he’s anything like Crowley, but to you, Jimin is more like the fictional demon than he realizes. Perhaps that was why he was your favourite character in the series. However when it comes down to it, you'd choose Jimin over Crowley being your guardian demon any day.

With or without wings.

[loopy777]

Almost forgot, did you like the Wandavision finale? I found it to be a little underwhelming, though not without its moments. I’m a softie, so the moments that were intended to be moving hit their mark for me.

Yeah, I overall agree with you. The big emotional moments worked great, but it was a bit prosaic compared to how it started, and I do have some quibbles with the series as whole now that we have the whole picture.

SPOILERS FOLLOW

First of all, I do have to register some disappointment with the final battle. There have been some grumbles online about it devolving into a typical super-hero fireball-tossing tussle, but I had specifically been thinking how appropriate/cool it would be if the final confrontation actually involved all the sitcom elements from the rest of the season. Like, Agatha would turn Wanda into the 50s housewife in order to limit her powers to cheap special effects, but then Wanda hits Agnes with an 80s makeover that blinds her with the big perm-wig spilling over her eyes, and then Wanda transforms herself into a 70s outfit with such big sleeves that she can fly with them as wings, etc. You know, go all out with rapid-fire sitcom homages, straight down the camerawork changing to match the era with each magical spell. But that was just my own vision, and it would probably be too big-budget for a TV series like this, even a streaming headliner. But it would have been a really great capper for the series, right?

But, as I think we’re both alluding to above the spoiler warning, the goodbye between Wanda and Vision and the kids was exactly as painful as it needs to be.

And what was absolutely perfect was the confrontation between Vision and Cataract. It started as a cool battle, and then the whole "Ship of Theseus" conversation was perfect in content and staging. It probably helped that I'm familiar with the concept, although I like the "Grandfather's Axe" version from the Discworld books best. It works great for the character, and I like how it leaves open how Vision might come back, and that we won’t ever get the Vision who died in Infinity War, but even his future transformations will remain true to the spirit of the character.

I do appreciate that they also didn't shy away from showing that Wanda had been inadvertently torturing the whole town, and that in the end she had to walk away without a chance of forgiveness like Zuko in 'Zuko Alone.' I think the narrative could have condemned Wanda a bit more, although I honestly don't think the overall effect would have amounted to much. I don't think Wanda belongs in jail because- well, what would the point be? Wanda is already cutting herself off from everything, living alone in a place where she can reform and master these dangerous new powers she has. What more would jail do to/for her? As a punishment, it seems like nothing compared to giving up Vision and the kids. I think that’s what Monica’s clunky dialogue was meant to convey, that the townspeople don’t understand that there’s no further punishment that can affect Wanda at this point.

On another anti-jail point, the SWORD leader guy shouldn't have been sent to jail. He was completely set up for a full-on horror-movie death-ending. Sending him to jail is weaksauce. He's the one who instigated this whole thing by triggering Wanda with a show of her lover being dissected with hand-saws. If that's not asking for a horror-movie death, especially in a show with witches involved, I don't know what is. Dude should have melted or been transformed into a bug that gets eaten by a scary rabbit or turned into a commercial in a TV that gets destroyed, etc.

Speaking of SWORD, we definitely needed more Jimmy, Darcy, and especially Monica. Monica should delivered a climactic speech to Wanda about coping with grief and not letting it turn you into an abusive monster, which then empowers Wanda to defeat Agatha and end the Hex. I also think the way Monica randomly develops super-powers from the Hex is really hacky. I hope whatever movie she appears in retcons things so that she already had some kind of potential or latent mutation.

However, what really struck me as a bit hollow (as I thought about things later), is the point was of all the mystery in the series. Yeah, it was fun to speculate through the run, and I enjoyed the whole "What's going on?" feel of the beginning, but by the time we got SWORD's POV of everything, that should have been the end of it, and that episode shouldn’t have climaxed with Monica announcing Wanda’s control like it’s supposed to be a revelation to the audience. That, by itself, created suspicion, because it’s not a revelation to us. We had all speculated that it was really her from the very beginning, complete with the common guess that she probably grew up watching old American sitcoms, so the fact that the storytelling made a big deal about the revelation was suspicious, and then Agatha’s reveal turned it into a whole back-and-forth fakeout that was super pointless.

Saving the confirmation for the second-to-last episode was stretching things unnecessarily, and the tease about whether Agatha might have been the one behind it all was misdirection for its own sake, just distracting from the focus on Wanda and Vision. If the series wanted to be a season-long mystery, it should have been from Vision's POV. If it wanted to be focused on Wanda, then it should have clarified things starting with episode 5. The surprise of Agatha could even be preserved, but without the teasing about Wanda not really being fully in control. I think this will make rewatches of the series fall a little flat, and I think is also responsible for a lot of the disappointment that people are feeling about the finale, since it doesn't live up to the 'momentum' of the all the questioning that the rest of the season had been encouraging.

To clarify, I don't mean that all the little details and teases needed to add up to anything- I'm boggled that the internet seems to think this series would be a way to work X-Men or Fantastic Four into the MCU, that Mephisto would ever be a thing, or that Jimmy Woo's witness-protection dude was ever anything more than an excuse to involve him, etc. But the big question about how in-control Wanda is of the Hex is something that really didn't need to stand as long as it did, especially since the answer winds up being so straight-forward. Trim the mystery and the twists from the back-end of the series; they don't need to be there, and just distract from the character arc.

That said, I do think the character arc is ultimately good and the story more-or-less servicable to it. And I really enjoyed the 'stylings' of doing the whole sitcom format. So overall, WandaVision gets my thumb's up. But it could have finished stronger.

[panharmonium]

well, we started season 5 the other night.

[disclaimer again for anyone who doesn’t know me: i’m rewatching because I NEVER FINISHED SEASON 5.  i have never seen the last four episodes.  i don’t know how it ends.  please help me enjoy (or, you know, maybe not enjoy, given how things are going in the first two episodes, but...experience, at least) season 5 without spoilers.  thank you!]

i’m going to try to keep up with posting some things during season 5, but despite the fact that i don’t actually know how it ends, this season still kind of makes me feel like i’m being marched to my own execution, and sometimes i feel TOO emotionally invested in what’s going on to even want to write about it, but we’ll see how much i get done.  

anyway - the most important takeaway i want to put down about the opener is that merlin is a mess.

the writers/directors do a really great job of flipping the script between seasons 4 and 5.  in season 4, arthur was the disaster, and merlin was the one who had to take charge of everything.  but in season 5, arthur's gotten his life together, and merlin’s the one having a crisis.

the turnaround that arthur makes between S4 and S5 is amazing.  it’s like he’s a completely different person.  a better person.  i love seeing him like this - after spending all of season 4 so fed up with him, suddenly i get into season 5 and finally see the king i was looking for.  there’s no more agonizing over what people will think of his decisions or what his father would do - he just looks inside himself and does the right thing.  he’s confident.  comfortable in his leadership role.  and you can see that it’s changed his entire demeanor.  despite everything that’s happening, he never seems excessively worried about their situation.  he never seems overly stressed (in contrast to merlin, who is losing his mind) - he stays positive and just does what has to be done.  he seems happy.

it’s the kind of peace of mind that comes from being certain that you’re doing the right thing.  he almost never experiences that in season 4, but in season 5, he’s finally comfortable with who he is and what he’s doing.  even the tone of his confrontation with morgana is different than it was in S4 - he’s not second-guessing everything he did that could have made her hate him anymore.  he regrets the situation they’re in, but he’s not tearing himself up over it.  he’s not afraid of her.  

merlin, on the other hand - 

merlin is afraid of everything.

merlin in season 5 is a grade A disaster.  the - you remember how in this old piece i kept saying ‘merlin’s life does not revolve around arthur pendragon?’  

well, it didn’t, then.  but it sure as hell does now.

and not in a nice ‘you’re my best friend’ kind of way, either.  the fear of what’s coming - the idea that Something Bad is coming for arthur and that only merlin can stop it from happening, the fear that everything he’s worked for will come to nothing - it swallows merlin whole.  it changes him.  from the very first episode, his fear twists him into something unrecognizable.  like - even before mordred comes on the scene, after annis says that it’s likely gwaine and percival are still alive and being held captive - merlin tries to convince arthur not to rescue them.  he says “i’m not sure we should go to ismere.”

like - excuse me?  merlin’s advocating for NOT rescuing someone?  for just leaving his friends to die?  for abandoning GWAINE, of all people?

something’s wrong.  something’s big-time wrong.  

and it’s not like we’ve never seen hints of this...ruthlessness in him before.  merlin's worst moments have always tried to poke through when he gets too caught up in what kilgharrah tells him is “supposed” to happen, when he lets his fear of failing at his destiny override his natural compassionate instincts.  he almost leaves mordred to be captured in 1.08.  he almost allows uther to be assassinated in 1.11.  he does poison morgana in 2.11, though i’ll grant that that was in dire circumstances and under extreme duress.  for the most part, though, in moments like these, merlin’s better nature wins out, and he ends up defying the “demands of destiny” to do what he thinks is the right thing, the better thing, the kinder thing.  even when confronting morgana in the crypts in the S3 opener, he tells her “it doesn’t have to be like this.  we can find another way.”

but this season, merlin’s better nature is losing.  he’s losing himself.  and it’s noticeable, even to other characters.  arthur tells him “i’ve not seen you smile these past three days,” and gaius notices he’s not himself:

what happened to the young boy who came into my chambers just a few years ago?

he grew up.

which is, of course, exactly what morgana says to arthur in 5.2.  

watching this happen is the most devastating thing.  it’s TRAGIC.  for a character whose base personality has always been so sunny - how absolutely inconceivable is it to hear arthur advocating mercy in a situation where there was no need for further violence, and then to have merlin be the one shouting “you should have killed him!”

the juxtaposition of ‘he showed us kindness’ with ‘YOU SHOULD HAVE KILLED HIM!’ is horrifying.  like.  good god.  even arthur thinks it’s bizarre.  he literally turns to look at merlin and goes “what is WRONG with you?”

and then when they’re contemplating getting inside the fortress, merlin says again “i told you.  you should have killed him when you had the chance.”

and arthur gives him this look and the tiniest little shake of the head.

what is wrong with you.

last season, it was merlin telling arthur “this isn’t like you.”  this season, somebody desperately needs to tell merlin the same thing.  

it’s bad.  it’s bad, bad, bad.  that’s all i can say about it.  we’re only at the opener of the season and merlin’s entire life has already been consumed by this fear.  everything else falls by the wayside.  he does things that go completely against his nature.  it’s a far cry from the merlin of yesteryear, who fought the dragon every step of the way when kilgharrah tried to make him abandon morgana or let the druid boy die or even allow uther to be killed.  it’s a far cry from the merlin of 2.11, who shouted “where does it say my destiny includes murder?!”  it’s a far cry from the merlin of previous seasons, who said things like this:

you're telling me that little boy is going to kill arthur?

it seems that is up to you.

no.  you can't know that for certain.

you have it in your power to prevent a great evil.

there must be another way.  the future isn't set in stone.

does season 5 merlin not remember what happened the last time he acquired a little bit of foreknowledge and tried to actively stop the future from happening?  he ended up causing the exact events he was trying to prevent.  

i repeat - HE ENDED UP CAUSING THE EXACT EVENTS HE WAS TRYING TO PREVENT!

and obviously i haven’t finished this season, so i don���t know, but i just don’t think anything good can come of this constant ‘trying to get mordred killed’ thing merlin has going on.  so far, mordred hasn’t even done anything to hurt any of them.  i actually like mordred, in fact, from what we’ve seen of him.  and yeah, okay, probably i’m going to get burned for that later, but the merlin we knew before would always rather get burned for trusting someone and seeing the best in people instead of just advocating for cold-blooded murder.  

like - maybe mordred IS secretly evil!  maybe he is!  but merlin in previous seasons would never have just taken kilgharrah’s word for it.  he always used to say ‘we can find another way.  there must be another way.’

nowadays, it’s like he’s given up.  he is single-mindedly focused on the only purpose he can see for his life anymore, and that purpose is simple, stark, and cold: ‘make sure arthur doesn’t die.’  there is literally no room in his life for anything else.  

and you know - some people would see that as like...i don’t know.  romantic, or something.  beautiful.  but i don’t. 

arthur and merlin actually love each other in this season, and i think that’s beautiful.  arthur’s finally gotten out of ‘be a dick’ mode, and even in just the opener he displays genuine care and concern about merlin, and that’s beautiful.  the two of them are on more equal footing than they ever have been in the past - for the first time, it feels to me like they’re actually friends - and that’s beautiful, too.

but the utter collapse of merlin’s entire sense of self and the dissolution of any bit of his life and worth that doesn’t have to do with ‘make sure arthur doesn’t die?’  that’s not beautiful at all.  merlin is miserable in season 5.  he’s lost so much of what made him who he was.  he’s hidden himself away for so long that the lie has stuck; he hardly remembers who he used to be, and he’s stopped hoping for better, because people kept telling him ‘your time will come’ but it NEVER DID, and arthur is king now but NOTHING HAS CHANGED, and i don’t think merlin’s ever felt more alone than he is when we see him in S5.  

i don’t think he remembers what it was like to think things could be different.  it’s been three years since he had a friend to love him for who he was.  lancelot is dead.  ealdor feels like a dream.  he has gaius, and that’s all - the rest of his life is a lie.  and it’s like he’s resigned himself to it now.  he doesn’t talk about telling the truth anymore.  he doesn’t chafe at not being able to reveal himself.  this is the season where he literally hears arthur say ‘maybe my father was wrong, maybe not all sorcery is evil’ and then merlin declines an opportunity to free himself, just to make sure mordred will die.  

it visibly kills him to do it.  you can see the agony of that decision on his face.  the pain that he is in during this season is slowly destroying him.  but it’s like he doesn’t think he has other options.  he’s given up on his own life, he’s given up on his own liberation, he’s given up on anything that isn’t ‘make sure arthur doesn’t die.’  

i hate that this is all he thinks his life can be.  i hate that he thinks this is all he was fashioned for.  merlin at his core has always been such a happy, hopeful, sunny person.  he’s always looked at things and seen the good.  he’s always been so curious, and gregarious, and loving.  he’s always had a smile for everybody.  but so much of that has just been crushed, now, under fear and stress and isolation.  

i don’t know.  this is only the first two episodes and it puts such a feeling of grief - and dread - into my heart.  i worry for the future.

[farmerlan]

Farmer Lan’s Rewatch Guide to The Untamed - Episode 4

CAUTION: SPOILER SPOILER SPOILERS

[We open to the opening/gift-giving ceremony, and we are introduced to fellow rabble rouser Nie Huaisang, as well as Jin Guangyao (then known as Meng Yao). He seems aware of the gossip surrounding him but Lan Xichen treats him kindly anyway.

The Wen posse interrupts the ceremony, stopping at the entrance to disfigure a disciple on the way. Lan Wangji almost interferes but holds back; Wei Wuxian does not care about consequences (what else is new) and the Jiang and Wen sects soon draw arms. Lan Xichen disarms them all with his melodious xiao playing and tells Wen Chao to watch himself, with Wen Qing stepping in to diffuse the situation.]

Differences from the novel:

You probably know what I’m about to say and I’m afraid it doesn’t get any less repetitive from here on out…but yep, this scene is not in the novel. There’s no ceremony. The flashback pretty much goes directly to lessons/the meeting of Wuxian and Wangji. With that said, I thought it was a really clever way to introduce some more of our main characters.

In the novel, Meng Yao does not show up as part of the Nie sect’s retinue at the Cloud Recesses. In fact, I am not sure where he would be in this part of the story timeline. In the novel timeline of events, Meng Yao joined the Nie sect’s cultivators during the Sunshot campaign, but prior to that had tried to visit his father at Carp Tower after the passing of his mother, only to be rejected and kicked down the stairs. However, I believe this would be even before that , so at this point he is probably still living with his mother.

As discussed in the previous episode, the Wens do not go to Cloud Recesses at all so any scenes from here on out with Wen Qing and Wen Ning are not part of the novel. Wen Chao in the novel still does most of the awful things he does in the drama, but he is not established as a villain this early on in the timeline. For Wen Qing and Wen Ning, they are only introduced after Jiang Cheng had been captured by the Wens.

[Wei Wuxian and Nie Huaisang arrange to go visit the back hill for shenanigans. The three of them run into Lan Wangji, Wei Wuxian recounts how he fought Lan Wangji last night.

Cut to Lan Xichen, who thinks the Wen sect is up to no good and voices concerns about their involvement with the puppetry issue. Lan Qiren hesitates to jump to conclusions but note that they have been getting out of control. Meng Yao is then shown being ignored by most people except Lan Xichen, who treats him kindly and wow I didn’t really pay attention to their dynamics the first time round but I can totally see why some people ship them ha.]

Differences from the novel:

Something that the drama, especially in this episode, conveys is the lack of respect afforded to Meng Yao as illegitimate son of Jin Guangshan and a prostitute. In the novel, he grew up being bullied and even after he took the name of Jin Guangyao, he was looked down upon. Lan Xichen was one of the only people who consistently stood by his side. In Chapter 48, there is a scene where other cultivators did not want to drink the tea offered by Jin Guangyao as they believed that he was ‘unclean’ since he is the son of the prostitute. The only person who thanked him and drank the tea without hesitation was Lan Xichen.

[Wen Qing tests the wards around the back hill, Wei Wuxian and Nie Huaisang are shown catching fish in the stream. Wei Wuxian hears a noise and investigates, only to see Wen Qing. We learn that she’s a doctor by trade.

There’s a scene of the Jiang gang sharing dinner and we once again have a scene between Jiang Cheng and Jiang Yanli. The former wonders when Wei Wuxian will grow up and start thinking of the sect and Jiang Yanli once again bring up Wuxian is living up to the values of the sect, and we get our first conversation around how Jiang Fengmian favors Wei Wuxian.]

Differences from the novel:

Sorry, nope again. No such scenes in the novel since neither Wen Qing nor Jiang Yanli were at Gusu! In fact, there is not a whole lot of dialogue between Jiang Yanli and Jiang Cheng about favoritism – Jiang Cheng really only talks about it with Wei Wuxian directly.

Don’t worry, Wen Qing is a doctor in the novel.

[Lan Qiren is reciting the values of the Gusu sect and Wuxian and Huaisang are passing peanuts, notes, dozing off and generally being up to no good. I love how improperly Wei Wuxian is sitting right as Lan Qiren talks about having proper posture. Lan Wangji looks like he is about to have an aneurysm. Wei Wuxian gets picked on by Lan Qiren for his lack of respect. Lan Qiren asks him to get lost and as punishment, to transcribe a volume of the Gusu Lan rules 1000 times, and then asks Lan Wangji to supervise him.

Wei Wuxian goes wandering in the back hill and runs into Wen Ning, who is shown here at being good at archery but gets a few pointers from Wei Wuxian. They run into Wen Qing and Wei Wuxian guesses she’s up to something, before Lan Wangji shows up to drag him back to the Cloud Recesses for his punishment.]

Differences from the novel:

Wei Wuxian does run into Wen Ning practicing archery in the novel, but the setting in the novel was that of a flashback. In Chapter 59, As Wei Wuxian sneaks back to Yunmeng to try and find Jiang Cheng (who had been captured), he encounters Wen Ning. Wei Wuxian doesn’t quite remember him at first, but Wen Ning remembers him and was grateful that Wei Wuxian spoke up for him during an archery competition held at the Nightless City two years ago.  Essentially, Wei Wuxian had spied him practicing and given him encouragement, even after Wen Ning performed poorly in front of the audience because he was nervous. Wen Ning helps Wei Wuxian recover Jiang Cheng from the clutches of his sect.

The lesson scene with Lan Qiren is in the book, although it is somewhat modified. In the book, Wei Wuxian actually receives punishment four times in both the novel and drama, but for different reasons:

After Lan Qiren tries to test him and he mentions demonic cultivation in the classroom (this scene), Lan Qiren tells him to get lost (and Wei Wuxian being who he is, just takes this as an opportunity to straight up leaves the class, pissing Lan Qiren off even more lol). Afterwards, Jiang Cheng finds him and tells him Lan Qiren has ordered him to copy two volumes of the Gusu sect rules three times (when we’re talking volumes, we’re talking TOMES given how dense the material is). Nie Huaisang actually volunteers to do this for him as long as he helps Nie Huaisang cheat by passing notes during the next test in return. This does not happen in the drama – it was replaced by the scene where he gets punished after he gets caught by Lan Wangji while trying to sneak in to the Cloud Recesses.

Lan Wangji catches them cheating during the test and tells Lan Qiren. The subsequent hilarious interactions between Lan Wangji and Wei Wuxian during his punishment happens in Chapter 15 and is covered in Episode 5.

Wei Wuxian later on attempts to smuggle alcohol in AGAIN in Chapter 18 and ends up getting both himself and Lan Wangji punished – although there is a difference in terms of how this happens between the novel and the drama (Episode 6).

Finally, our boy also gets punished for his fight with Jin Zixuan, which DOES closely follow the novel according to my memory (although I have to check Episode 7 against Chapter 18 to confirm).

Overall Thoughts

As of right now, we’re still around Chapter 13/14 of the novel and it’s definitely been interesting seeing how the drama writers had to adapt the flashback-heavy plot to something more palatable for a drama. It’s actually really cool seeing how our feelings towards characters develop the same way as they do in the novel, just through a different series of events than what was portrayed.

For example, the show had to cut out a fair amount of dialogue for Nie Huaisang compared to what was in the novel, which cuts down on his character development. However, the writers were still able to show his character as that of a mischievous,(adorable) bumbling idiot, only, they effectively did this through the back hill scene while simultaneously building on the exposition for Wen Qing as well through her interaction with Wei Wuxian in that same scene. The novel has the luxury of breaking these interactions with side characters out into more prolonged scenes, but the writers do an incredible job of condensing everything while still having the plot make sense.