#i really love little mundane sorta details in magical worlds!
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aniseandspearmint · 2 years ago
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"Ya went with Greyscale's Refined Ceremony Salts for this, didn't you?"
Ye-ah? I've used their stuff before and nothing's ever blown up like this before!"
"That company- Look, you're the tenth mid level practitioner I've been out to see about this kind of thing this month. Even had to go out to old Jeraldine's place just two days ago. Half her tower workroom is just GONE. We still don't know where."
"What?"
"Greyscale's equipment is solid, and their material kits are usually okay, not top notch mind you, but okay. Their new salts though. I don't have a clue what the heck they're doing, but the stuff is seriously overloading the corner runes on any level 4 or higher working they're added to."
"Well, shit. What do I do? I wasn't using anything too volatile, it's just a standard heat sink for a cooling system but-"
"Yeah, no, you should be okay to clean that up without special equipment. I can still give you the name of a couple clean up agencies if- No? Cool cool. Here, lemme write down the name of a message board Jeraldine and a dude from the local Spellcraft Bureau 've set up, they're collecting statements for an investigation and product recall."
"Yeah, thanks."
"No problem."
A thing that bothers me about wizard schools in popular media – outside of the magic-grade-school stuff, anyway – is that they're typically depicted as being basically magic universities, but their actual curricula and pedagogical approaches look much more like those of a technical institution. Like, buddy, that's not a wizard university, that's a wizard trade school. You can't just slap university student culture on top of trade school pedagogy. It doesn't work like that – the one emerges from the other!
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albatris · 5 years ago
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Sorry in advance for the potentially dumb question, but: do you suffer from psychosis/schizophrenia? I’ve seen you reblog a lot of posts about it, of course, but i was curious. Also, if its not too personal, if you do, how much does it impact your writing/the weirdness glitchiness factor?
Not a dumb question at all, you’re all good!
So this is kinda…….. not something I’ve spoken about in a great amount of detail or specifics on this blog? And talking about it directly is actually kinda weird! I wasn’t expecting this to feel weird, but it totally does! So please excuse how long this answer took me hahahahaha
So I mean YEAH psychosis is a thing that I possess, this is a thing that resides inside my brain and occasionally outside of it………. I’m not schizophrenic, I’m more in the schizotypal realm of things, which is like….. I mean, that’s a label that best encompasses my experiences and so far it’s the only label that’s been vaguely and tentatively applied to me that’s ever really made me go “oh hey yeah that would actually explain a whole fucking lot” but like. Bits of it are still kinda wonky. Mental health is wonky, I think, generally speaking…………….
I was gonna talk a bit here about my specific experiences but, like, I really had no idea where to start with those and I don’t actually know how relevant it’d be to this question aside from being vaguely tangential in terms of psychosis………… so uhhhh I’m gonna jump ahead and talk WRITING which is WAY more in my comfort zone apparently
and oh my god this was so many words, I’m so sorry in advance, I have no idea if any of this is actually like………… super interesting? But I enjoyed the opportunity to talk about it so cheers for that! I think!
(and I’m sorry if you were expecting like………… a really short sharp sweet answer, I don’t really deal in shorts or sharps or sweets, I mostly deal in, uh………. rambling)
Rest of this post, under the cut, which I hope actually works on mobile, for the sake of your dashboards - 
So this message was an adventure for me into how the questions “How does it affect your writing?” and “How does it affect the glitchiness/horror factor?” are actually two entirely separate things. I mean, they’re two separate things because I’m assuming by “glitchiness factor” you’re thinking specifically of the stuff in my recent ATDAO posts about body horror and the unreality? In which case………… let me get to that in a moment
And since this post got super long, I’m going to start with my extremely short summed-up answer, and then elaborate on it………
In terms of how it affects my writing? In lots of direct ways!
In terms of how it affects the glitchiness and horror aspects? In some weird roundabout ways! It’s not where the horror stems from, but it’s where the response to the horror stems from and where a lot of my descriptive choices stem from! It’s not the horror, but it’s kind of the lens through which I explore the horror!
AND NOW HERE WE GO………… WORDS AHOY
So in terms of how it affects my writing, generally speaking
boring straightforward answer first:
It’s something that crops up in a super literal sense, just in that I’ve got a fair few characters who are psychotic to some degree or another, and it’s something that plays into how they relate to the world and their specific character voice and how they respond to the situations they find themselves in. 
somewhat irrelevant, it’s, uhhh….. something that I feel interacts with themes in a different sort of way, too. ‘Cause a lot of times there’s, like….. stories about people going on cool magical sci-fi quests, and there’s Stories About Psychotic People, and there’s not an awful lot of overlap between the two unless it’s in the context of “and the whole magical quest was a delusion all along!” which, ew
and for fucking REAL there is so much interesting ground to cover and opportunities for different perspectives and new avenues through which themes can be explored, like, in that overlap of stories. It’s something I wish I saw a lot more of in fiction! Which is another huge driving force in, like, why I write stuff the way I do
and now slightly more interesting:
Worldbuilding! It’s definitely something that plays into worldbuilding and like…. my love of creating stories that are kinda just……. “reality but a little bit to the left” if that makes sense? 
Whether this is something like Undertow, where there’s a degree of magic woven into the fabric of the universe, where things are connected by invisible threads, where I can give opinions to objects and feelings to the weather and the streetlights, where the earth itself has a voice? Or whether it’s something like ATDAO, where reality is coming undone at the seams and the fact that everything is just a little lopsided and haywire is a Mundane Part Of Everyday Life? That’s something I find super cathartic and quite lovely to play around in! I’ve always experienced the world as Just A Little Bit To The Left, and writing was one of the first avenues I found to kinda…. channel and explore and expand on that and put my feelings of strangeness into words?
It’s kinda, like, I like being able to share that kind of vision with others in some sort of way, and not necessarily in a frightening or horrible way, y’know? 
THIS IS ABSOLUTELY NOT TO SAY that anything I write is, like, 100% a direct mirror or my own life and how I see the world lmao. A lot of my writing takes experiences and feelings and little facets of how I experience the world and works them into something that’s often more literal and concrete, or it’ll start out as My Thing and as I’m writing, it sorta blooms into something totally different. But bits of it are in there, sure, although they change shape a lot! And it’s definitely in there with a lot of the general overarching feelings and concepts! Yeah!
One other thing that kinda leads onto my next topic is, uh…… that a lot of how I interpret events and meanings in the world around me can be kind of frightening and threatening, and that’s not reeeaaaally something I want to delve into too much in my writing from a worldbuilding perspective? So generally the parts of ATDAO’s “reality but a little to the left” that start to twist into horror and unreality are things I’ve constructed specifically to serve that purpose, more so than things I’ve pulled directly from my experiences.
AND NOW IN TERMS OF GLITCHY HORROR STUFF HELL YEAH
so again I’m assuming by “glitchiness factor” that’d be all the unreality and all the body horror stuff and weird horror? Which, fuck yeah! Despite my squeamishness when it comes to horror, this is one odd little corner of ATDAO that I’m extremely fond of hahahaha
And, like, initially when I considered this question I was like…. oh, this is not something that really has any of its roots in psychosis or my experiences of mental illness. And that’s…… kiiiiiind of true? My construction of the unreality and its contents is a lot of me just me sitting at my laptop going “Hahahaha that makes me physically nauseous! That’s the worst thing I’ve ever come up with!! I’m adding it in immediately!!”
But yeah, it definitely does factor in, though! Maybe not in as interesting a way as you’d hoped? 
So first off, my experiences are something that sorta plays into my word choice and the specific way I use language in those scenes. And I’m also gonna go ahead and say that dissociation and specifically derealisation are also things I draw from pretty heavily for those kinda……. more glitchy horror-ish parts? So for me, my experiences factor more into HOW I describe the content more so than any of the horrid glitchy gory content itself. 
‘cause it’s kinda, like, a specific kind of fear, I think, it’s a little bit off-beat and weirdly-worded and disjointed and it hits your senses all wrong, it doesn’t make an awful lot of sense but it’s still extremely real. There’s a lot of weird or unsettling bullshit that goes on in the unreality that there’s no convenient Real World Descriptive Equivalent for. Like, cityscapes made entirely of soundwaves, the aforementioned body horror stuff in earlier posts, places that are a complete and total lack of Anything where there’s not even space or colour or texture or light, senses getting all tangled up into each other, something being simultaneously bigger than the sun and smaller than an ant, voices unravelling like twine? LOTS OF WEIRD, BASICALLY
There’s no nice neat right way to describe that, and if there was, it probably wouldn’t pack the punch it needs to, yeah? But I love that kinda shit, I get to pull from a bunch of really weird sensory experiences and feelings I have no real way to articulate and I get to use language in creative ways to evoke the same feelings, the same experiences, the same sense of fear and wrongness? I get to draw from weird shit to describe a bunch of weird shit that makes NO fucking sense whatsoever and that can’t realistically be tied up with words
Point is, they’re experiences I draw from in order to Get Real Fuckin Weird With Words
and getting weird with words in this specific way is CATHARTIC as FUCK dude it’s so good, it’s one of my favourite things. This is, like, the dark edgy version of what I talked about earlier in regards to worldbuilding and me painting a nice odd vision for people to share in hahahaha
“let me take you on a nice gentle stroll through my imagination” vs me supplexing you to the ground and beating the shit out of you with a bat 
And one other thing is just……. I’m sorry, I’m super tired, this bit is probably gonna be jumbled and wordy and maybe not super relevant but uhhhhhhh
So the unreality is not something I initially drew from any particular place in my psyche, but it IS something I’ve come to construct in a specific way, and a lot of it is something I build with the questions of like…… “How does a psychotic character respond to this input?” and “What does this scenery draw out in my character and how does it challenge them?” in mind, so I guess………… in that sense, there’s definitely still a fairly big impact? But kind of in a sideways way. The unreality is not so much based on psychosis, but it’s something I use to highlight specific elements of it, I guess, but mostly in terms of the skills it draws out
‘cause like. in ATDAO the only characters who kinda get to butt heads with the unreality aside from that one random dead car driver who may or may not be vaguely half alive in a state of horrific limbo are Jacob and Tris, and like
I don’t ever really frame Tris’s psychosis as some horrible terrible thing he’s burdened with that makes life a terrible living hell 24/7 but it is, like………. something he struggles a lot with over the course of the story, both in general terms and in terms of people not taking him seriously about the Extremely Real Fantastical Nonsense that’s going on and in general being hesitant to trust his perceptions of reality. And ALSO I guess in terms of just…….. the way he relates to the fact that he’s been dragged into some Extremely Real Fantastical Nonsense? And him wrestling with how he’s supposed to believe in something like that when no one else can see the evidence and everyone is telling him he’s just crazy, and how “ridiculous interdimensional dumbass sci-fi quest” is something that’s reserved for other people, because he’s already been there like four times already and it has extremely different implications for him
In terms of mental illness, all my protags have patches of the story where they make it through kinda “in spite” of their struggles with mental illness (though that’s a sentence I fuckin hate) and other patches where mental illness is just a thing they deal with alongside whatever plots they have going on…… but their experiences with mental illness are also something that gives them specific skills and perspectives and ways of understanding the world that are invaluable, and some of the most important parts of the story are the parts where they make it through specifically BECAUSE of those skills and perspectives
Which is kind of the Whole Thing With The Unreality, that’s its whole deal
The unreality is a fucking huge turning point for Tris as a character, because it’s specifically because of his experiences with psychosis that he’s able to navigate it so effectively, it’s because of the specific skills he’s developed and the practice he’s had in similar circumstances
not, like, the SAME circumstances, but things from other contexts that kind of, transfer, circumstances where the same skills are applicable
‘cause like, turns out, he’s really good at navigating confusing frightening hellscapes where nothing makes sense and mis-stepping can get you killed, because he’s had a whole lot of practice just like. existing as a person with psychosis in a weird apocalypse world where reality is collapsing in unpredictable ways. He spends a lot of his life trying to make sense of reality and figure out the rules and developing countless systems for navigating the world safely, which he often needs to adjust at a moment’s notice, or completely scrap and reconstruct. He’s had a lot of experience of just sorta waking up and whatever bullshit is going on he’s just gotta be like “ok cool so this is what we’re doing today, I have to deal with this, so how can I deal with this”. He’s used to grounding himself and problem-solving even under intense pressure and when he’s terrified and regardless of whatever objectively horrifying nonsense is happening around him. He’s used to sorting the horrifying things that are not dangerous from the horrifying things that are extremely dangerous.  
He’s basically the one character who can get tossed into the unreality and actually work with it and figure out the rules even though everything is screaming and glitched out and trying to kill him, he’s spent most of his life developing the perfect skill set for it
(and like, this is the first point in the story where he sorta realises that his specific way of viewing the world is going to be a strength rather than a weakness, but like. despite the fact that Tris is basically a walking panic attack he’s actually always been the one of the team who’s been the most adept at navigating daily life with the apocalypse, it’s just not something he’s ever really picked up on)
and uh
that’s kind of a vaguely irrelevant note to end on, actually
HEY THAT WAS SO MANY WORDS I’M SO FUCKING SORRY
I DON’T EVEN HAVE A NEAT WRAP UP TO THIS POST
MY WRAP UP WAS THAT SUMMARY AT THE START
IF YOU READ THIS FAR I HOPE IT WAS AT LEAST SOMEWHAT INTERESTING
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comicteaparty · 5 years ago
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May 13th-May 19th, 2019 CTP Archive
The archive for the Comic Tea Party week long chat that occurred from May 13th, 2019 to May 19th, 2019.  The chat focused on Damsels Don’t Wear Glasses by J Alice Bown.
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RebelVampire
COMIC TEA PARTY- WEEK LONG BOOK CLUB START!
Hello and welcome everyone to Comic Tea Party’s Week Long Book Club~! This week we’ll be focusing on Damsels Don’t Wear Glasses by J Alice Bown~! (http://damsels-dont-wear-glasses.com/)
You are free to read and comment about the comic all week at your own pace, so stop on by whenever it suits your schedule! Remember, though, that while we allow constructive criticism, our focus is to have fun and appreciate the comic. Below you will find four questions to get you started on the discussion. However, a new question will be posted and pinned everyday (between 12:01AM and 6AM PDT), so keep checking back for more! You have until May 19th to tell us all your wonderful thoughts! With that established, let’s get going on the reading and the chatting!
QUESTION 1. What has been your favorite scene in the comic so far? What specifically did you like about it?
QUESTION 2. In so far, what aspect of the world-building catches your interest the most? Why is that so? Also, what theories do you have in regards to differences between places like Persephone and Hestia?
Delphina
For serious scenes, I think I gotta go with the big swordy magic scene where she saves Jake from being crushed by the statue (http://damsels-dont-wear-glasses.com/?comic_id=202) because the lighting effects are gorgeous and seeing Lave doing big magic stuff with her sword was really really cool. For silly scenes, the one that always sticks with me is Lave trying to be a host and failing miserably. (http://damsels-dont-wear-glasses.com/?comic_id=123)
keii4ii
2) I really liked this page. http://damsels-dont-wear-glasses.com/index.php?comic=20180423 How she just asks a random person on the street for a magic shortcut and gets an answer right away. While it's always been clear that magic is an ordinary thing, this kind of little details really shows exactly how ordinary.
Capitania do Azar
I really like the prologue, particularly the part where they climb the lamppost. There's just so much character into the entire scene, and the exchanges are really cool. It's a very strong beginning for a story too, imo!!
2) http://damsels-dont-wear-glasses.com/index.php?comic=20130423 I really think this part has a lot to show about world building like, here's this weird magical event going on, but everyone is just "I was just trying to show you something cool urg" and "well this ain't it"
duskglass
for the worldbuilding, i especially love the variety of creatures/nonhumans we've seen so far, and how well integrated they are with the setting! it's got a classic urban fantasy vibe while also being very fresh and unique
RebelVampire
QUESTION 3. At the moment, who is your favorite character? What about that character earns them this favor?
QUESTION 4. What do you think Lave’s backstory is? Do you think she got all her scars from her job, or might some of them predate her job somehow? How do you think Jake will change the way Lave handles and deals with her life?
ClauseArt
heeey I just saw this! This is my comic! Thanks for taking the time to read it! c8
RebelVampire
1) i definitely gotta go with the scene where jake is in dream world like place with aishe. I really love how this scene just suddenly adds 1000 layers of mystery. Plus, i really just love the change in color scheme. It really gives it this other worldly feel that gives me goosebumps. Plus, I also just like Aishe's design. 2) I've really been enjoying the differences in magic. Like, for example, how most zombies actually suck cause ya know...theyre dead. I feel this adds such a great twist what we expect, cause every change I feel fits a more logical setup for what the magic does. Again, like how the zombie thing makes 1000% sense cause dead bodies are not the sturdiest. I am curious about why Lave had such a reaction to Hestia magic schools, but I don't have any theories outside of magic must be viewed very differently in places.
3) Kestrel because he's such a precious failure at life. Like...he just cannot catch a break and for some reason that makes him super endearing to me. Plus now hes got the whole aishe connection thing going on so that makes him double interesting. But mostly I want to boop him for all his failures. 4) I would think some of her scares would have to predate her job. Cause she's...she's got a lot of them. And considering she mentioned having been in jail, I'm kind of struck with the idea that maybe she ran with a gang or something. She super gives me the impression of someone who mostly raised herself and didnt have a huge loving family involved in teaching her how to deal with life. I think Jake will be a good influence on her though and teach her to be more careful. Cause she seems very fun loving and reckless, and while that can work when youre solo, its not great when you have other ppl. Like i think the Kestrel thing was a good example cause I felt Lave perhaps was too loose cannon with it, which semi resulted in Kestrel almost kicking the bucket. And Jake is like 1000 times more fragile, and I think it'll force Lave to see that she cant protect anybody if she goes around without a plan.
ClauseArt
@Capitania do Azar that scene with Kest and lave interacting around the lamp-post was actually the moment I decided Kest worked well as a main character. He was honestly going to die in the original draft. @keii4ii thanks! I super love just....the mundane feeling of everyday magic. @Delphina Honestly Lave just being a f--k up is probably my fav part of writing her character, especially for comedic effect XD Next to drawing glowy magic scenes of course.(edited)
@RebelVampire Oh wow this is a lot. Thank you! ;-; dammit I really can't respond to these kind of questions cus spoilers. But I'm glad you noticed a lot of my characters having...well a habit of messing up (and Lave did not handle that first chap well cough) XD Also Aishe is my fav character to draw, because Kest is my fav character to draw only its + because glowy effects. I do really like when more real world logic is put in fantasy, like corpses making for bad heavy hitters unless they're in a swarm. So I'm super glad you liked that!
Capitania do Azar
4. If Lave's style has always been what we've seen so far, then all those scars don't surprise me at all! They'd be the natural consequence of past encounters, work related or otherwise. It just kinda feels that everything ends with someone getting punched around her
3. I've really liked pretty much everyone, but I think Lave's my favorite cuz she's sturdy but messy and I feel there's a lot to be learned about her aha
And also she prolly also has a lot to learn
RebelVampire
QUESTION 5. What has been your favorite illustration in the comic so far? What specifically about it do you like?
QUESTION 6. Why do you think Jake is in Persephone with no guardian? What theories do you have on Jake’s hatred of non-humans? Will Jake be able to overcome his prejudice?
Capitania do Azar
6. Jake feels a lot like is somebody important's family but important could mean a lot of things. And has for his discomfort, I think it mostly stems from not knowing/being used to all this magic, which gives me the idea that some of these cities are less magical than others
5. Not an illustration, but I really love how in the last pages, as the sun rises, the colors become brighter and the sky becomes pink!!
It really helps bringing home the feeling that the night is over and the quietness of early morning, which is kinda fitting since they also stopped fighting
Delphina
I think I gotta go with Lave as my favorite character too because competent + ridiculous + magical +swordy is my entire jam so she's sorta the best of all worlds. Gena holds a special place in my heart too because she's clearly trying to keep a lot of things together.
Illustration-wise, I love how things like Jake's anxiety (http://damsels-dont-wear-glasses.com/?comic_id=198) or Chirovision (http://damsels-dont-wear-glasses.com/?comic_id=237) or Aisheland (http://damsels-dont-wear-glasses.com/?comic_id=225) traveling through magic spaces (http://damsels-dont-wear-glasses.com/index.php?comic=20170501) make the palette and rendering different depending on the mood. Really good use of a more abstract style to convey tone and worldbuilding.
(Now I want there to be a DDWG theme park where there's weird places like Aisheland)
varethane
Lave is my fave!!!! I love her goofy attitude paired with how much butt she kicks when it's necessary. I love seeing people underestimate her and then get surprised, haha.(edited)
My favourite illustration is.... hard to pick, but probably this page: http://damsels-dont-wear-glasses.com/?comic_id=206
Capitania do Azar
oh yeah, I really love the color work for those scenes, it carries out the emotions very well
RebelVampire
QUESTION 7. Which characters do you enjoy seeing interact the most? What about their dynamic interests you?
QUESTION 8. For what purpose do you think someone sold Kestrel the cursed orb? How does this tie into the axe theft mystery Lave is asked to solve? What overall is going on regarding these illegal items, and how will it tie into the story?
Capitania do Azar
7. Anything that comes out of Kestrel's mouth is gold, but when he and Lave bicker it's even better!!!
Please just let them bicker more for my amusement
8. It really feels like someone's around trying to spread SOME mayhem and if one object was possessed then maybe it's not the only one... could be a tricky situation
Delphina
Will second that Lave and Kest definitely need to bicker more
RebelVampire
5) im kind of cheating by saying i really like the extra page about the leylines http://damsels-dont-wear-glasses.com/index.php?comic=20160620 its really simplistic yet i think the illustrations work super well to help convey all the world-building information. its just a nice combo of huge info drop with some pleasant visual accompaniment 6) I assume Jake is probably an orphan from some important family? Or that Jake's family is super high up in rank somehow and just went "nah man we dont want this kid no more." while i def think some of jake's hate comes from ignorance, i also get the impression that jake had a bad experience with non-humans. something about jake's reactions just really strike me as ptsd. overall yeah, i think jake is gonna have to overcome it. plus, exposure breeds familiarity. its hard to be in the lion's den and continue to hate the lions.
7) jake and basically any non-human. I really just enjoy seeing jake's various reactions of "eww no" and then having to be confronted with the fact that not all non-humans are bad. It just makes me more and more curious about jake's past. plus, all these interactions really serve as a great tracking devices for how jake evolves in opinion. 8) With Kestrel, I kind of think someone is trying to draw Aishe out. I mean Aishe does have pretty neat butterflies and powers, so I can't blame them. Though I assume its a revenge thing cause I get the impression ppl arent all that happy with Aishe. But thus why other illegal items are being involved because you need powerful stuff to get to the powerful people.
Desnik
That leyline page is gorgeous and informative, I love the combo of worldbuilding and infographics
RebelVampire
QUESTION 9. What sorts of art or story details have you noticed in the way the comic is crafted that you think deserves attention?
QUESTION 10. Who exactly is Aishe and what are their goals? What does this have to do with the undead from the first chapter? Why did Aishe help Jake? What will Lave do when she learns about Aishe?
RebelVampire
QUESTION 11. What do you think are this particular comic’s strengths? What do you think makes this comic unique? Please elaborate.
QUESTION 12. What do you think the story with Chiro is? How did he wind up as Lave’s roommate? Will Chiro and Jake learn to get along? Also, do you think there might be anything special about Chiro that might affect the story?
AshAngelV
6. I think he's come from an entirely different world that doesn't have non humans and magic.
AshAngelV
11. The world building and color scheme are definitely strong points. It feels fully fleshed out and magical, but also very grounded like it's this amazing magical place that's also totally normal. Also, the characters. Having a bunch of flawed characters with baggage is always more interesting than having perfect characters with no problems and even the bit characters feel dynamic. Like they have their own story and interests rather than being part of the scenery exsisting only for the MCs to interact with.
RebelVampire
9) The thing I appreciate the most details wise is just the physical flaws. Especially Lave's scars. Adding details like that can be really tedious, yet it really helps deliver so much character that I always enjoy when the time is taken to include things like that. 10) I feel like Aishe is probably some necromancer from the past who is trying to rectify a mistake that was made. I think Aishe helped for the reason they said: Jake did a kindness and gotta pay that shit forward. I feel like Lave is 100% not going to trust aishe and basically just encourage everyone to do the same. Maybe suggest Kestral seek professional help. But yeah, I don't see a green butterfly person flying with Lave XD 11) I think this comic's strengths lie in two areas. First, the implementation of magic. There are clear rules, there's enough deviations from the standard to be interesting, and the fact its presented as a normal culture thing is well-integrated. second, the color palettes are really amazing and suit the tone and atmosphere of each scene really well. 12) I feel like Chiro might be a bit special since that one person did wonder what species Chiro was or something like that. And that because of this specialness Chiro was outcasted. Hence why he wound up with Lave cause ya know, outcasts gotta stick together. I think Chiro and Jake will bond for sure down the road. Cause i mean Chiro did just help save Jake's butt, and thats gotta earn him some Jake points right?
AshAngelV
12. I think Chiro might be a vamp that just stays in bat form or maybe only has bat form.
RebelVampire
QUESTION 13. What are you most looking forward to in the comic? Also, do you have any final thoughts to share overall?
QUESTION 14. What do you think Kestrel’s role will be in regards to the larger story? Can Kestral and Aishe be detached from one another, or is the attachment permanent?
AshAngelV
14. I think he'll be the guy that's in a constant state of terror and peril. And I think the detaching will be up to Aishe.
ClauseArt
man its super hard not to chime in on these ahhh D8
Delphina
Rebel makes such good questions XDD
varethane
I am looking forward to several things! - what is Jake's deal and how is he linked to aishe -Lave's bite mark scar!!!! what is it!!!!!! -what will Kest do next -more Lave plz(edited)
RebelVampire
@Delphina thank you for saying so~!
13) im looking forward to more aishe doing aishe stuff just cause i dig that aesthetic a whole lot. im also looking forward to learning more about jake so more concrete theories can be made about wtf jake's deal is. and also why nobody else could take jake besides lave cause i mean seriously...theres gotta be more sane choices XD 14) Kest is gonna become a real mage and do magic stuff. also ya know, hide out with lave cause now the ppl he owes money too are probably gonna be out for blood. as for detaching...maybe not so much. i more feel like once Aishe is done with their tasks, their essence will just kind of disappear and merge with kest.
AshAngelV
Hang in there Clause.
ClauseArt
@AshAngelV I will try D8
I can at least promise a lot of these theories are gonna be answered sooner or later
RebelVampire
COMIC TEA PARTY- WEEK LONG BOOK CLUB END!
Thank you everyone so much for reading and chatting about Damsels Don’t Wear Glasses this week! Please also give a special thank you to J Alice Bown for volunteering the comic and creating it! If you liked Damsels Don’t Wear Glasses, make sure to continue to support it via some of the links below!
Read and Comment: http://damsels-dont-wear-glasses.com/
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fedorasaurus · 7 years ago
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I wrote up a detailed origin story for my D&D character. He's a chaotic neutral Drow Warlock who got swindled into buying magic powers from a Fiend and then used them to run away from home because his mom is a jerk. Now he roams the surface world selling trash to the locals who think his garbage is COOL AND EXOTIC because it came from the Underdark.
Now he has to pay back the Fiend (who he also considers his bff), but it's fine because he's about to join an adventuring guild to take missions for fast cash. I assume that our DM will take it from there!
Full story under the pagebreak 'cause it's a little long and also the other players MIGHT NOT want to see my boy's personal details all at once for the sake of roleplaying. *shrug*
Oh, one last thing: My goal for playing this character is to see if I can play a Dark Elf who isn’t edgy and brooding. I think I also project a lot of my own insecurities and weakness to flattery on him, so maybe we can help each other with that?
Quasaris: Origin Story
-1-
Quasaris was born to the House of Redsilk as the youngest of three siblings, having two older sisters: Lunasta and Celeste. While his sisters were physically fit and had an affinity for magic, Quasaris lacked the strength and wisdom necessary to perform any useful job skills. When Lunasta and Celeste became priestesses of Lolth, Quasaris spent his days in the family mansion, cleaning and taking care of other mundane tasks, or tending to guests at his mother’s lavish parties.
His mother, Lady Crauline, was a wicked old sorceress who kept a distrustful eye on Quasaris at all times, and he suspected that she even sent spiders to spy on him while she was away. It was Crauline who put fear into Quasaris by showing him the crazed Drider that was contained in the depths of the Underdark's dungeons, telling him that the hideous creature had once been her husband--Quasaris' father--transformed into a mindless spider-beast after disrespecting Lolth's priestesses. Although Quasaris began to doubt this story as he grew older, it was enough to make him obedient toward his sisters and mother for many years.
One night, while Quasaris was tending to the household duties alone, a shadowy figure appeared to him. It had no discernible shape, but it was vaguely humanoid and spoke fluent Undercommon.
The figure claimed to be a Fiend of great magical power, but, more importantly, it told Quasaris stories of a world high above their own, a world full of color and opportunity for financial success and social influence without the control of Lolth in every aspect of life. Quasaris was skeptical that Drow could be welcomed in such a place, much less respected enough to become rich and powerful, but the Fiend assured him that the overworlders were a curious folk who adventured for the fun of it, had deep pockets, and loved all things exotic. And what could be more exotic than a reclusive race of Elves who lived deep within the earth? Sure, the Drow had been banished long ago, but things were different now, the Fiend insisted.
Although Quasaris wasn't entirely convinced, he appreciated that this powerful, intelligent Fiend took the time and care to befriend a useless fool like him. The Fiend returned regularly to keep him company on dull, lonely nights, never taking the same form but often bringing small gifts from the surface: seashells, flowers, even once an iridescent beetle the likes of which Quasaris had never even imagined. With each of the Fiend's stories and presents, Quasaris became a little more convinced that maybe there was something to a life on the surface, selling "exotic" trinkets to the locals. But it was all only a grand fantasy, for there was no way Quasaris had the brains or brawn to actually LEAVE the Underdark. The exits were heavily guarded, and surely his mother or sisters would find him out before he even came close. He'd be no match for their magical abilities.
On his 442nd birthday, the Fiend appeared to him with a slice of beautifully decorated cake, and a special offer. The Fiend, generous as he was, could give Quasaris a means to escape: a catalogue of spells, and an orb of pure obsidian from which to cast them, no prior arcane training required. It was a bundle valued at over several million gold pieces, but for his best friend Quasaris (on his birthday of all days), he could give him a special deal of just 1k.
Quasaris didn't have a thousand gold of his own, and didn't think it would be wise to steal from his family's treasury (although the consideration was tempting), but this was all no problem for the Fiend. A contract was drafted, stating that Quasaris could have the discounted 500g orb and 500g spellbook, as well as cast any of its spells for 100g each [per spell level / cantrips 10g] with no money down. Quasaris could then repay the debt at any point in his life, so long as it WAS repaid before his death. In the event that he is unable to do so, well, the Fiend would simply claim Quasaris' soul as compensation.
Appreciative of the great offer, Quasaris signed the contract and used the rented magic to escape that very night.
-2-
Debt: 2k
Business on the surface was harder than Quasaris had anticipated. Most overworlders were out during the day, but the sun hurt his eyes and made his skin ache, so for a while he tried to engage only at night. However, he found that many businesses conducted after sunset were by those even shadier than himself, those far more streetwise and suspicious. He resorted to magic to escape from most trouble, but this only made his debt grow, and without a steady income to counter it, things could get tricky in the future.
He regularly communicated with the Fiend via the Orb, finding his Patron to be very patient and understanding. And, of course, remarkably generous, allowing him access to even more powerful spells after a time.
As months went on, Quasaris learned to conduct business in the shade, how to persuade his marks to buy common Underdark goods (junk from his old home, really; a broken fork here, a roll of wrinkled sheets there) for an inflated price. The money was good, but he would run out of stock eventually, and he still had the occasional troubles that were most easily avoided via magical means, so he would have to consider an alternate method of work when the time came.
-3-
Quasaris eventually learned not to stay in any one town too long while doing his business. It was safer to have fresh customers and less potential enemies or law enforcement attention. Not to mention, it seemed that some folk still regarded the Drow as dangerous, evil people.
One night, while traveling between towns, Quasaris was jumped by bandits on the road. Although he could have quickly dispatched the gang with some violent spells, he could talk a good pitch by now, and decided to give it a shot (and besides that, his spellcasting ability had been nearly exhausted earlier that day).
By some luck, he not only talked the bandits out of robbing and killing him, but also convinced them to purchase a number of his remaining trinkets in exchange for their treasure stash. The stash would have put him close to paying off his debt with the Fiend, but it turned out that it had all been stolen from a local village, and when Quasaris showed up there to pawn the items for gold, he was regarded as a hero for retrieving the goods. He was, therefore, forced to turn it over to the villagers, or risk looking like a thief himself.
It was shortly after this incident that Quasaris would be welcomed into the Silver Swords guild. With nothing but one last trinket and 15g, the opportunity to take on adventuring jobs for money could not have come at a better time.
Current Debt: 5k
- Other Notes! -
Quasaris has NOT seen his Patron Fiend's true form, nor does he know its true name. He just sort of refers to him as "Fiend" or "Friend" or sometimes "Benefactor," but like in a super ironic tone like when you and your pals are all in on a joke.
Whether the Fiend is more interested in money or Quasaris' soul is something I want to leave up to the DM's discretion, unless it isn't gonna be relevant to the campaign.
Quasaris has somehow been on the surface for months without seeing a single spider. He doesn't think they exist outside of the Underdark. Like. At all. He's gonna lose his composure when he finally sees one, I just know it.
Quasaris kinda-sorta has a crush on his Patron Fiend. Not in a romantic "I want to make out with you right now immediately" way (although I guess he'd consider kissing him if they met in person?), but he's just very smitten by the fact that the Fiend gave a damn about him in the first place and has just been SO NICE AND FRIENDLY AND GOOD AND QUASARIS YOU FOOL HE'S PLAYING YOU LIKE A LYRE. SPEAKING OF WHICH--
Quasaris is really good at playing the Lyre (self-taught), but music wasn't really useful where he's from so he never considered that to be a special skill. He still brought it with him to the surface with the other trinkets, but he plays it sometimes and isn't sure if he wants to sell it. (This possibly opens up an idea to multiclass him as a Bard, depending on how things go)
Quasaris wanted to be a priest when he was young, until he was basically told LOL, BOYS CAN'T BE PRIESTS OF LOLTH. He wouldn't rule out retiring into priesthood after his wealthy businessman days are over, assuming he found a deity that appealed to and accepted him. (I also love the idea of multiclassing him as a Cleric if he meets the requirements for that, or just imagining it as the ideal happy ending for my boy).
Quasaris never knew his dad, but he's like 70% sure that the Drider wasn't really him and 40% REALLY REALLY HOPING THAT THE DRIDER WASN'T ONCE HIS DAD.
Quasaris' sisters are twins and are about 7 years older than he is. They all got along when they were little, but they sort of fell out of touch with him once they became Priestesses.
His full name is technically Quasaris Redsilk, but he doesn't use his family name unless he has to, or he just shortens it to "Reds."
One of the reasons Quasaris has trouble paying off his debt is because he loves food. Like, a lot. He loves surface world meals and always asks what the different dishes are called so that he can use them as the verbal components to his spells (I have every intention of yelling "fillet mignon" when I cast something).
Quasaris isn't SUPER romantic/sexual, but he does think most Tieflings are cute and they make him a little flustered. Most of his emotional/flirty energy is directed toward his Patron Fiend, though.
ANY OTHER QUESTIONS? I'd be thrilled to explain anything further!
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