#i probably included way more info than you needed which is funny since i hadnt thot abt this until a day ago LOL
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ambitionsource · 4 years ago
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did you guys ever have voice casts for the characters? like people/singers you think the characters would sound like n all that? if so would you mind sharing them?
This is such an interesting question... admittedly, Es and I hadn’t really thought about it! We especially just think about the actual actors for those who already sing, but we can provide a couple other samples for each person if it intrigues you to know! Let’s see...
FARKLE | Corey actually does sing -- though not often in this version of reality -- but I do believe he has some professional training. We think of this song he’s recorded in particular, which I think is a really good example of how he sounds circa S1 in my head (this song is actually a bop. The YT version cuts out like 20 seconds too early but I found a version on Tumblr last year that was full so now I have it on my phone LMAO let’s go 2015 Corey). Anyway, it’s that pretty stereotypical power tenor vibe. A couple more comparisons I suggest are:
Jonathan Groff -- I think Jonathan Groff is the best comparison I can make. He’s theatrical, he has a pretty impressive range, but he rests pretty comfortably in the natural tenor range. Like he can do Kristoff one minute and King George from Hamilton the next, and I think that is equitable to Farkle’s range. The man key is that he’s a powerful vocalist. I think Farkle’s true center of his voice has a higher resting place than Groff, but it’s close enough. Example track: Bohemian Rhapsody. One of Glee’s best and an amazing display of Groff’s vocal range in one track. Farkle could match this beat for beat, flair for flair.
Chris Colfer -- I think that the flair Chris Colfer brings to a lot of his performances on Glee match well to Farkle’s vocal stylings as well (which is why he’s done a few performances with that version), but to be clear, I think Colfer’s voice is softer / higher than Farkle’s. It’s more about... emotion and inflection here than tone. Example track: Not the Boy Next Door. Farkle did this on the show, so you know we endorse it. This was also the track Esther brought up when I asked for her opinion.
Brendon Urie -- I think that Urie’s range is really akin to Farkle’s. I don’t think Farkle has at all the same kind of flair or inflection that Urie does (and Farkle is obviously more Broadway than radio), but on certain tracks I think it’s pretty cross applicable. Example track: Dying In LA
I’ll continue this under a read more to spare everyone who doesn’t want to read on because clearly this will be lengthy LOL.
RILEY | I have not heard Rowan sing since the thinly attached source material theme song days, so I honestly don’t think of her much as Riley’s voice (though I think she could do it if trained for it). Especially because of all the mains, Riley is one of the ones who is meant to be less trained and unimposing. For me, the most important quality to Riley’s voice is that it’s not overwhelming. It’s beautiful, and leaves an impact when you listen, but it’s never going to be Maya or Zay’s big, brassy vocals. And that’s fine. That’s what makes it unique in the landscape of the show (and why it appeals to Lucas rather than turns him away). A couple more comparisons I suggest are:
Amanda Seyfried -- I admittedly only know Seyfried’s work in the first Mamma Mia film, but she has the right delicate soprano that I envision Riley having. It’s like... a lilting, soft thing that’s enjoyable to listen to but can escalate into strong belting if needed and handle it effectively enough. Example track: Thank You For Music. Literally a perfect track for Riles.
Phillipa Soo -- Another great example of a powerful soprano player. Case in point enough that we’ve had Riley do a Eliza Hamilton song on the show already. Gentle and gorgeous, but sharp and intense when it needs to be. Example track: Burn.
mxmtoon -- First of all, let this be my plug that everyone should listen to mxmtoon. I love her. She has this lovely gentle voice and her instrumentation is so good. Her EP dusk is gorgeous and I cannot recommend it enough. But she is a great non-theater example of what I think Riley’s voice is like. She varies between ukulele and piano, and everything is just really understated and nice. Example track: show and tell.
MAYA | This is easy. I literally don’t have to say like anything. She just is Sab. That’s it. Like Sab is a phenomenal vocalist and she’s brassy and bold and has range and that’s all Maya is. Like literally that’s it LOL. If you need examples, hit her discography, but I’ll specifically highlight “Sue Me,” “Looking At Me,” and “Diamonds Are Forever” aka the Sab songs we’ve had her do on the show.
ZAY | Zay is an interesting one, because I don’t really think he fits any specific category in my head. He kind of defies definition. He definitely has a brassy swing to him that allows him to pull off showstopping numbers (like his Kossal audition with “Ain’t No Way”), but he can pull it back and reshape it to fit breathtaking musical theater renditions (like “Music and the Mirror”) or banging contemporary (think “Consideration” or “Self Control”) in a way that I don’t think Farkle or Maya can. He is the most vocally versatile of the bunch, and that makes his comparisons sort of wide-reaching as well. I’m not really familiar with Amir’s vocal ability outside of rap (so at least we know he can do that), but based purely on what I hear in my imagination, a few comparisons:
Leslie Odom Jr. -- A younger and less polished Odom, to be clear, but this is a big one for me. I think Odom’s vocal strength and range is so impressive, and what really strikes me is how... grounded and resonant his voice is. That’s a big thing for Zay for me -- you never doubt he’ll be able to support his vocals and that they’re strongly rooted. If he ever cracked or ran out of breath, it would be a shock. This is also really tied to Zay because of how much I would kill to see him perform “Wait For It” and how I feel like it’s such a Zay song. But anywho... Example track: Wait For It.
Frank Ocean -- Ocean has such a cool interesting range and does a lot of things with his performances vocally, so that’s why he’s on here in that he also defies definition. I think Zay also considers Ocean a musical inspiration, so it makes sense that he would adopt or emulate some of his style. I feel like he also translates emotion well, which is a key Zay trait too. Example track: Godspeed.
Amber Riley -- Now hear me out here. Obviously, Zay is a baritone and Amber is like a mezzo soprano / alto / what have you, but the reason I’m listing this Glee legend as a comp is because the quality of her performances is so sharp. It’s like, any time Amber performed on the show it was jawdropping. Her vocal runs are insane, the power behind her vocals is awe-inspiring. She captivates you from the first note, and that is why I always think of Zay. That’s how it is when he performs too, especially in moments where he’s trying to sell it (like his Kossal audition). I wouldn’t be giving my authentic comparisons if I didn’t mention this. So there. Example track: And I Am Telling You I’m Not Going (I would sell my soul to see Zay perform this. Please. PLEASE. Maybe I’ll crowdsource with Charlie and we’ll both sell our kidneys).
CHARLIE | Speaking of Charlie, he’s an interesting one, too. I honestly didn’t really... have a concept of how he sounded in my head, but then when I learned that Tanner sings, it was not at all whatever was deep in my head. But I love his voice, so I think I kind of ended up reconfiguring my perception of what Charlie sounds like around that revelation and now I’m still kind of trying to figure out exactly what that sounds like in the context of the show. The thing is, though, I think Charlie also doesn’t really know what his style is (LMAO), so it’s okay that we’re experimenting a little bit. Like in S1, the few times he sang, it was all over the place but mainly radio. Then in S2, he did predominantly musical theater duets. And now in S3, we’ve really just gone all over the map (from punk-rock opera with “Superstar” to bubblegum pop with “Party For One”) and there’s a lot of fun in that. Where Charlie will land, I don’t know yet, but I will share with you all Tanner’s only recorded song at this point and you all can start to orient yourselves from there. But a few other ideas to get the ball rolling:
Norbert Leo Butz -- Now here’s the thing... Charlie doesn’t sound like this LOL. The reason I’m including Butz is because I started writing about Jeremy Jordan and his rendition of “If I Didn’t Believe In You” and Jordan’s rendition is truly just so inferior that I realized no, I really don’t think Charlie sounds like Jeremy Jordan. So then I ended up here, and you know what, here’s the thing. I think an older Charlie would sound like Norbert Leo Butz. Like, give him 10 or so years, and this is where he’ll settle. To a degree at least -- I don’t think he’ll ever go quite as brassy or bold as Butz can lean sometimes, but the way he like... emotes through his vocals feels extremely Charlie, and the range is about right in terms of voice part. Anyway, give him 10 years, and then get to the point with this amazing example track that is one of my favorite musical theater tracks ever even though I hate the character who sings it. Example track: If I Didn’t Believe In You.
Oshima Brothers -- The shape of the O bros vocals don’t quite match how I hear Charlie in my head (they’re a bit too flat), but the essence of their performances resonate with him very strongly. It’s that gentle, soft-spoken acoustic vibe that I think is so core to Charlie’s performing delivery, which is part of why he’s so consistently overlooked even when he proves time and time again that he can bring compelling vocals (i.e. Haverford’s semi-finals setlist). Example track: Cadence.
Harry Styles -- It’s funny to think that if Charlie saw I was comparing him to Harry Styles he would lose his shit, but I want to be very specific about why and under what conditions I’m including him as a comparison (as he’ll show up on another person’s list too). I think Styles specifically works as a comp for Charlie in regards to the general tone and quality of his voice, in particular when it is on a softer acoustic (like “Cherry” or “Sweet Creature”) and when it’s more upbeat (like “Lights Up”). Like I’m not out here being like Charlie is as good as Harry Styles LOL, but I think the core qualities of their voices are similar. Especially when cross-compared with the other examples above along with Tanner’s actual voice. Example track: Sweet Creature.
ISADORA | Isadora is an anomaly of sorts, since she’s that character archetype where they never expected to be a singer but then ended up being talented anyway (Asher is in the same box). I tend to imagine her with a defined alto register, and a slightly huskier, gravelly tone as compared to Maya’s polished, trained vocals and Riley’s gentle, chime-like resonance. So it’s like... gritty, in a way? I have never heard Ceci sing, though I’ve been told she has once upon a time, but I am working basically from scratch in regards to how I imagine her. So without further ado, some comparisons I suggest:
Jorja Smith -- I think Jorja is the most Isa-like track we’ve had her do on the show thus far, to my brain at least. She has this charming edge to her vocals even when they’re on the softer side which is exactly what I envision for her, and I think there’s such a strong definition to when she jumps into her lower register. Whereas with Isa, I think it would be the same, but reaching into her upper notes would be even more of an audible stretch. Example track: Don’t Watch Me Cry.
Dua Lipa -- Another strong alto here, which automatically tracks Isadora for me. Dua especially has that husky quality I was describing. I would recommend all of her Live Acoustic EP to get a sense of what I’m highlighting most as a comparable, but it’s just that like... slight grit, gonna-kick-your-ass alto excellence. It’s so hard to articulate so I hope you get what I’m saying LOL. Example track: Tears Dry On Their Own Acoustic.
Madison Reyes -- I don’t know how many of y’all have watched Julie and the Phantoms yet, but it’s fun. And Madison has a great voice, which made her another good comp for Isadora. Same thing of like that unpolished but compelling belter, slightly gravelly quality. Example track: Wake Up.
LUCAS | Obviously, Lucas doesn’t sing all that often. And when we do give him songs, or roles in songs, most of the time it’s of a variation where he can more talk-sing the words than actually Sing. But he’s not totally exempt, so he deserves a comparison. For me, it’s like... the way Lucas would tell it it’s like he’s the worst singer ever in the history of the universe and you should never hear him, but honestly he’s like. Fine. He’s not great and he would never have gotten into the school for singing, but he’s not terrible. He’s passable. When he tries, it’s charming. I think the biggest key that makes him different from everyone else is he doesn’t have much of a range -- when I pick songs for him, I always try to go for ones that kind of stay within the same octave or register for the entirety so it’s almost like monotone singing, because that’s about what he can handle decently (his performance in 211 being an exception, of course, because it had to be). So, comparing accordingly:
Harry Styles -- I warned you he’d be back again, but this criteria is even more hyper-specific than Charlie. I think Styles is a great comp for Lucas in the very limited tracks where he is not showing off in any capacity and is really just keeping it stripped down and to the point (think “To Be So Lonely”). His cover of “Girl Crush” is another good example of what I mean. It’s basically like the same 4 or 5 notes and very little movement or flash, and his voice kind of takes on a grittier, flatter quality which is what I’m aiming for. Example track: From the Dining Table
That’s really it honestly. He doesn’t perform enough to warrant much else. You get the idea lmao.
ASHER | Although we didn’t expect it back in the days of S1, Asher has certainly jumped up to take spotlight in terms of performing in the last couple of seasons! Ricky (along with Liam) are actual singers and were together in a band for several years, so there’s no doubt they can sing and I think of their voices most often (in particular, I recommend the “Compass” music video, because it’s a good song and allows you to actively see which boy is singing what). But admittedly, Ricky’s handful of solo tracks since FIYM went on hiatus are average at best (and his lyricism... king you need Liam to write your lyrics LMAO), so I don’t usually jump to his music as examples of what I think he -- or Asher -- is actually capable of. So with Ricky’s good vocals as a base, here are some additional comparisons:
Ruel -- Cannot stress this one enough. There’s a reason Asher’s true initial debut was Ruel’s best track (”Younger”). He just has that perfect like... strong tenor with soft edges that feels very teenage twink and very Asher. It’s not quite Diva!Asher flair, but at Asher’s most base vocal style, I think Ruel is the perfect match. Example track: Down For You
Troye Sivan -- Same kind of traits here in terms of like smooth tenor, and in this case it actually is a certified twink singing so the crossover is even more apt. I don’t think Asher is as... electronic as Troye’s production often is, but the general range of his voice is close enough to be considered a match. Example track: 10/10
DYLAN | So same FIYM video shared in Asher’s applies here as well, but I think what works so well about Liam’s voice in regards to Dylan is that I think the key trait to Dylan is that he’s not flashy. When I think about Liam’s voice (and I love his voice, he’s my favorite FIYM member), I often think about when Sue on Glee called Quinn’s voice a “soft, forgettable alto,” but only it’s a tenor and I mean it in a nice way. The most endeared way. Dylan is less about being impressive and more about just like... character. His voice is not the best in the bunch but you can feel how him all of his performances are through his inflections and his energy. That’s what Dylan vocally feels like to me. So aside from his soft, forgettable tenor on the second verse of “Compass,” here’s a couple other niche comparisons for Dyl Pickle:
Princeton in Avenue Q -- Whenever “Purpose” comes on shuffle, I think about Dylan because of how distinct and energetic the delivery of the song is. There’s just so many little quirks and inflections and moments of fun within the vocals, and that reminds me so much of how Dylan performs. Little laughs, free-wheeling runs, stuff like that. Example track: Purpose.
Graham Verchere -- This dude like isn’t even actually a singer and he isn’t that big an actor, but I love love love his rendition of “Thirteen” with Grace VanderWaal and every time I listen to it I think about Dylan and Asher. It captures the other end of Dylan’s range for me (the soft, forgettable tenor thing) in the sense of like... imagining Dylan plucking out songs for fun on his guitar while hanging out with Asher and then playfully serenading him and the two of them doing a carefree, easy duet like this. I just love it. So I’ll include it. Example track: Thirteen.
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ruffiorocks · 5 years ago
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LONG post in regards to whats being said about Lena.
Man, every time the CW post something about Supergirl on Instagram or Twitter people really lose their s**t for literally no reason.  
People saying that Lena is awful, they wouldn't watch a show with Lena in it, someone went as far to say they would rather die that watch a show with Lena in it??? OK.... Dramatic much? Yet here you are following the Supergirl page and knowing exactly what has been going on in the show because you use it for your arguments. Seriously sort your s**t out!
Also, I may get hate for this and I DO NOT CARE but im totally fine with Lena punching Kara in the face. Personally i think she’s asked for it. You can argue until the end of time that she doesn't deserve the punch for keeping her identity a secret, debatable BUT she absolutely deserves a punch in the face for being an arsehole to Lena and calling her a Luthor and then going to her best friends boyfriend and talking him into betraying her trust! Oh and then letting Lena vent to her about how this meant she would never trust Supergirl again, that was disturbing behavior, played off as an ‘oopsie’ moment. Personally Kara’s Jeckell and Hyde act with Lena has always been a bit disturbing to me, its not always funny. Just like in season 2 when she landed at L Corp with Superman and basically looked her nose down at Lena (re watch it). But a punch in the face is warranted. Punching someone in the face isnt akin to becoming evil!
Also why are people saying ‘I knew she would turn Evil!’ ‘Look what Lena is doing!’ erm... Lena hasnt actually done anything yet. A punch doesn't mean full on evil. Lena said she wants to inflict the same pain on Supergirl that she has caused her, now that’s interesting to me, because Kara hasn't actually inflicted any ‘physical’ pain on Lena and Lena even said she doesn't want to kill Supergirl. Now save for a much deserved punch in the face which looks like it takes place in a virtual world anyway, perhaps Lena is going to go down another route and inflict emotional pain on Kara just like Kara has inflicted it on her. Maybe this is why we saw BTS of Alex and Kara fighting, maybe this world is set up so Kara can experience everyone she loves betraying her in some way? The same way Lena feels she’s been betrayed? Im not saying that’s a healthy way to deal with things but the show would be boring if Lena was like ‘nah its cool’.Plus this is how Lena will see it, something she wouldn't be thinking if Kara had taken the time to explain things to her from the off set. to late now. 
Now i know what people will say ‘Kara has suffered so much and doesn't deserve more pain’ yeah... well Kara should have thought about that before inflicting pain on Lena who has also suffered enough pain in her life to. Kara having suffered doesn't mean she has a free pass to treat others poorly, who haven't actually done anything to hurt her or intended to hurt her at all. If Lena had been a nob and out to get her from day one then fair enough, but Lena has saved Kara’s ass/life many times and has never intended to hurt her, but s3 kara (who i wish i could forget) decided being an ass to Lena was OK. Yes Kara thought she was protecting Lena, but that excuse became null and void the moment she started revealing her identity to every Tom, Dick and Nia that she met! Kara is NOT a space puppy! Sure she has her cute adorkable moments but dont mix fan fic with reality. Kara is actually a very serious person who doesnt have all the answers, and doesn't always have a clear view of things. Remember it was Kara who basically told Jonn that there was no more alien hate anymore because SHE didnt receive it, the blonde haired, blue eyed hero of the city who looks human didnt receive hate so therefore it no longer existed. Now this isnt having a go at Kara, its to show that Kara isnt always right and doesn't always have a clear view of things.
Now, people are saying that Kara’s other friends didnt have a bad reaction to Kara admitting she was Supergirl so how dare Lena? OK, you guys are reaching pretty far now and you’re conveniently forgetting what has happened on the show because you’re too busy hating on Lena, so:
1. Winn didnt hate Kara the moment he learned she was Supergirl. OK, well first off, she wasnt really Supergirl yet, just an alien. Winn thought it was cool and wasnt upset she had lied to him? Well Kara keeping her identity from Winn didnt effect Winn in any way at all. There was no Luthor/Super history involved in Winn and Kara’s friendship.
2. James already knew, Clark took that decision away from Kara because he felt she needed a man to keep an eye on her. But this aside, James already knew Superman and was his best friend, he didnt ‘already’ know Kara. He knew who she was before she knew who he was! Again, him knowing her secret had no Luthor/Super implications.
3. Alex already knew and grew up with her. There was no ‘secret’ identity, she came to the Danvers as an alien and anyway Alex was NOT cool with her to begin with.
4. Mon El was also an alien, he wasnt a massive fan of Kara anymore than she was a fan of him. In fact Kara was the ass to Mon El rather than the other way around. It was Kara who referred to him as a ‘Daxamite’ more than once. Now, you could say they did have a history like the Luthor/Super one. Only it was Kryptonian/Daxamite, but the difference is Kara immediately told Mon El who she was, there was no pretending to be an alien from somewhere else or someone entirely different like she did with Lena. Kara knew Mon El was a Daxamite because of the beacon he sent, he didnt deny being one either. No his lie was being the Prince because he knew Kara would NOT have been OK with that. So he got involved with Kara whilst pretending to be something he wasn't. I seem to remember Kara being pretty miffed when she found out he was actually the Prince, only the end of the world was happening and she didnt really get a chance to deal with those feelings because she had to send him away. But later when he came back Kara had had time to process her thoughts on him, but she still told him EXACTLY what she thought of him. Mon El deceived Kara so he could pursue a relationship with her, Kara deceived Lena so she could pursue a friendship with her. Kara and Lena should have a choice in these scenarios because the respective ‘secret identities’ would have made them take pause. 
5. Jonn. already knew, nothing to argue here. 
6. Nia, Kara told Nia in a moment of solidarity because she to had ‘lost’ her sister, and apparently this was an OK reason to tell the girl you knew for 5 minutes who you are. Do you know who else had ‘lost’ a sibling and Kara has had many a solidarity moment with and who has saved her ass more than once and who she has known for longer than five minutes??? oh yeah LENA!! Anyway.... again, Nia had no reason to be miffed at Kara, she hasnt spent 3 years lying to her or pretending to be someone she wasnt and not fully trusting her. No Luthor/Super family drama or anything. 
7. The Legion already knew
8. Cat, Cat was Kara’s mentor and although Kara absolutely lied and deceived Cat, she NEVER treated her crap (save for the red K thing) like Kara did to Lena. Plus once again no Luthor/Super drama. Plus she wasnt Kara's best friend. 
Lena is completely different, have a think about what would be going through Lena’s head. ‘Supergirl’ suddenly turns up at her office the moment she arrives in National City in disguise? Supergirl using this secret identity keeps coming back to Lena, using Lena to track down Roulette, to try and get info from her about her mother. Lena mean while keeps saving the lives of the aliens of National City (including Supergirl). Mon El leaves and Kara suddenly cuts Lena from her life until she once again needs her for something? Come season 3 and ‘Supergirl’ suddenly turns on her? All for having a substance she wasn't using to hurt her but to protect her friend Sam? Supergirl calls her a ‘Luthor’ and gets pissed at her for GIVING her the Kryptonite? Supergirl starts telling Lena what to do as though she can? Supergirl then uses Lena’s boyfriend to spy on her? Then suddenly  Kara is back and being her best friend again listening to all her vent about Supergirl? Lena goes out of her way to make sure Argo City survives and Supergirl is still later an ass to her because she decided to work with the substance SHE created because Supergirl doesn't approve? Supergirl is an ass to her when they are with Alex and its Alex who puts her in place, but Kara is still coming back to her as her bestie? Kara Joins her in trying to track down Lex and even lets Lena think that she’s been blown up? Lena then has the pleasure of being told by Lex of all people that Kara has been lying since day one and he even has footage?? Lena’s new ‘family’ all knew except for her, doesn't say much for Kara’s trust in Lena. If she hadnt already dumped James’ ass i hope she would now! She would probably be thinking ‘why did James pursue me? Was he sent told to keep an eye on me? Was Kara just sent by Superman to watch me? Did the gang befriend me for the same reason? Keep the Luthor close? This woman has been betrayed and deceived her whole life, not second guessing any of this would be the bizarre thing. 
But anyway, i agree that both Kara and Lena are right to feel the way they do. But i am more on Lena’s side. I get Kara’s reasoning up to a point, to begin with she wanted to protect Lena., but then she should never have become so involved with her if she truly wanted to keep her safe. Her reasons become null and void when she tells people she’s known for 5 minutes who she is without thought to their safety (Nia). She made the decision to be an arsehole to Lena and then use Lena’s relationships against her and called her the only thing she knew would hurt Lena the most. She then kept saying she wanted to tell Lena but allowed others (Mon El, Alex) to keep her from doing so to the point where it was to late. Kara’s reasons started out noble, but they went beyond to far. Especially since Lex and Lillian knew and Kara STILL didnt see a point in telling Lena, Lex got the opportunity to tell Lena because Kara couldn't step up. The moment she knew Lillian knew she should have had Jonn erase her mind or tell Lena herself. Kara doesnt ‘owe’ her identity to anyone, but she should think twice about how much she gets involved with or treats the people close to her that dont know. 
Also, it is a betrayal, the writers have said so and even Melissa has agreed she totally understands it. Not telling Lena her secret isnt the betrayal, its everything that came along with it, everything Kara did along the way. (though she could be talking to Eve)
They say the season is a ‘fight for Lena’s soul’ , personally i think being betrayed by Kara is a poor reason for Lena’s soul to be in danger, it doesn't say much for her. But that very statement implies that Lena hasnt gone full Luthor, Otherwise it would be ‘Lena’s soul is lost’. 
It will be interesting to see how Lena reacts to the rest of the super friends since back in season 3 she understood secrets that weren't hers to tell and to keep people safe. She knew Alex was DEO but kept it to herself and wasnt arsed abut it and she didnt on Sam to keep her safe. But knowing the writers they’ll forget this part of Lena’s personality and make her miffed at everyone. 
Lastly Kara may be the main character but that doesnt mean everything she does is right and she DOESNT have to be your favorite character. 
Anyway thats enough. Dont send hate as always will go unanswered and deleted. 
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