#i particularly like anna's outfit because it reminds me of her costume but also because out of all the queens she's the only one wearing

[averlym]

okay you know what i’ll probs not finish colours and i want this posted by december so- here’s a silly little birthday comic, a few days late! (@holiday anon!)

[cityoftheangelllls]

My Favorite KiSS Dolls, pt 2

Camile by Wendy

Love all the retro fashion and the overall retro vibes of this one! It's so dreamy and reminds me of a Barbie doll!

Elgaladwen by NekoGirl

Ok so I'm a sucker for fantasy/elven fashion and although the clothes here are relatively simple that doesn't take away from the fact that they still look amazing! And the doll is so pretty. <3

Eowyn by Aragonite

Like I may have said before Aragonite has made a ton of epic KiSS dolls, and she's made a decent handful of LOTR ones too, much to my happiness! Eowyn is my all-time favorite female character from LOTR and I'm so in love with all the clothing items, accessories, and hairstyle options for this doll! I'm also glad her outfits aren't solely based on the movie! (Although I can't remember whether this one was released before the PJ movies or not)

Arwen, also by Aragonite

I gotta admit that I like this one even more than the Eowyn one because of all the drop dead gorgeous elven dresses and delicate accessories! I also like how there's some modern clothes/lingerie/swimsuits thrown in there!

Male and Female Ranma by Dov Sherman

I recently finished the first season of Ranma 1/2 and I love it so much! This is an old school KiSS doll that has a ton of outfits straight out of the manga and anime. I'm also so happy that P-Chan is here too, he owns my entire heart <3 And I need a plushie of him so bad

Athemes by Silent Angel

Although Athemes being a daughter of Artemis is illogical to me based on Artemis's vow to never marry or bear children, I still really like this doll. She's such a cute little goddess, her long white hair reminds me of Amalthea from The Last Unicorn, and she has an awesome wardrobe! It makes me wish that there were more KiSS dolls related to Greek/Roman mythology so I could dress up some of the main goddesses.

Anna by Eriol + Lydia

These two have collaborated on some amazing KiSS dolls, and I think I have most of them downloaded, if not all of them! This is one of my favorites, she's a vampire with a sick wardrobe, mostly in black, of course, but with a few dresses in bright colors thrown in! I particularly love the blue off the shoulder one that she's wearing in the screenshot. There's also a ton of neat details, such as when she says "At least (last?)! Blood!" when you click on one of the wine glasses.

Halloween Present '00 by Kimiki

Another fantastic doll by Kimiki! It's so smol and cute and I love all the costumes that come with it!

Kaori by Lina

This human/cat hybrid (sorry I don't know the exact name for it) is so cute and her wardrobe is so colorful, diverse, and fun!

Playgirl by Light

I love all of Light's dolls but this one has to be one of my topmost favorites. Her wardrobe is so chic and screams the 90s. And boy do I love the 90s!

Not sure if I'm going to make a third part after this but we'll see!

[imaginariumpod]

Bright Star : The visualisation of tenderness

This movie is one that I constantly revisit, the beauty and softness of it is something I want to carry with me. The soft colors, the delicateness of the moments that we see, and yet a story that moves hearts. This is the sort of stories I want to be able to tell and this is why I really wanted to write about this film.

I am just going to preface this article by saying that BRIGHT STAR (2009) directed by Jane Campion is one of my all time favorite movies and that I am going to be extremely biased in this article. Now, that this is out of the way, let’s move on to the article. Bright Star is a movie about the love story between John Keats and Fanny Brawne. But ultimately, it is a story about yearning, poetry and loss, at its core, it’s a story about love. Every shot of this movie encapsulates the tenderness and kindness which drives the story and Jane Campion’s directing. This movie is a highly romanticized version of John Keats’ life that centers Fanny and John’s romantic relationship and not necessarily on Keats’ career as a future legendary poet. The angle she chose to tell this story is a very soft and kind one, that is very empathetic toward both its main characters.

I’m going to start by placing the movie in its cultural context as well as in the cinematic industry that was prevailing in 2009 and still is today. Jane Campion is one of my favorite female directors and one I would qualify as an Auteur. Unfortunately, the cinema industry being as it is, I feel like so few women have the standing in the industry as artists that a lot of men have. Not to turn this into an interlude on the inherent inequality of the cinema world at large, but it’s easy to think of male directors that have a certain aesthetic and a recognizable way of making their movies. I’m thinking of Wes Anderson, Martin Scorsese, Quentin Tarantino, Guillermo Del Toro etc etc. For better or for worse, those cineasts are known for a certain style of works that is attributed to them . Female cineasts who get to be artists for more mainstream are very few in between, Jane Campion is one of them, but I could also name Anna Biller, Agnès Varda and Greta Gerwig. Women work at all scales of the industry and yet it feels their work is not valued enough for varied reasons. The industry doesn’t want to take A Risk (™) on a  female cineast the way they do with male movie makers. The industry still has so much progress to do when it comes to centering stories made by people that aren’t straight cis white men, the films being produced for a mainstream audience are still majorly directed, produced and written by white men. You only have to see the recent award shows where the best directors nominees were all white men, despite women and people of color  presenting amazing work constantly. Representation is important in what you see in the movies, non-white actors and stories featuring marginalized people, but what is also truly important as well, and I feel isn’t talked as much in the broader discourse about this subject, is how it’s important to have diversity behind the camera as well, whether it’s the director, writer, producer, crew, etc. I think we can safely say that progress was indeed made since 2009, but a female filmmaker being celebrated is still so rare to this day that i feel it’s important to remark on.

Jane Campion was still a celebrated filmmaker, despite having taken a hiatus from the film industry, and Bright Star (2009) did very well. The movie received many awards and nominations in such prestigious institutions such as Cannes or the British Independant Film Awards. Campion describes the film as more intimate than the previous ones she had made  and in this regard, she is right. The way the film is shot and directed brings you closer to the characters and the story. The intimacy and the tenderness is almost overwhelming at times, she uses shots that are both very close and very near to give you a close sense of nearness and intimacy and to convey the emotions the characters are feeling, but also Campion uses a lot of very ethereal and shot. Hands brushing, butterflies flying around while one is lying on the grass,  make  this movie a literal visualization of soft romantic yearning.  

One of the most important things to me in this movie,  is how kind the narrative is toward Fanny Brawne. History hasn’t been kind to her, especially when we know that historians in general (ad im talking precisely white male cis straight historians who have been the ones to mainly write our History) have created the narrative that she was a despicable person, that she was a frivolous woman who didn't deserve to be in the vicinity of their favorite poet, simply on account of her being a woman who was more interested in clothes than rhymes and verses. and maybe she was, but on all accounts, John Keats was terribly in love with her, and she was equally in love with him. I  just want to preface this by saying I would die for keats, I adoooore his poems and his writing and I have his complete works on my bedside table at this very moment.. I feel like its a very special kind of misogyny (or a very mundane one, now that I think about it) where the simple feminine presence of Fanny brawne near John Keats somehow tarnished him. The fact that she loved feminine things was a flaw that she needed to overcome for most male historians, they thought her futile and shallow, simply for the fact that she was a woman who was interested in clothes and delicate pretty things.

But more than that, she was also a skilled seamstress, she made her own clothing and was delightfully creative and hardworking, and the way Campion frames the craft of Fanny in the movie shows how valuable she thinks this skill is. Garment making is a really complex craft that requires skill and time and hardwork and to this day still isn’t valued the way it should be. So it should be no surprise that history, mostly written by male white cis historians, remembers Fanny Brawne as a vapid shallow woman who only cares about clothes. We can see that the character of Charles Brown, who will later be introduced as one close friend of Keats, is a bit of a placeholder for this sort of perspective. He constantly tries to thwart Keats and Brawne’s budding romantic relationship because he doesn’t think Keats should bother with such frivolous affairs. The movie is incredibly kind and tender in the way it showcases how craft, any craft, whether it be sewing or writing poetry, is work and a labour of love, and does not diminish the value of either to the advantage of the other.

John Keats is ofc a central part of this story. Ben Whishaw succeeds perfectly in bringing the tragic poet to life. Whishaw is perfect to play a poet who is about to die of consumption, he’s just very tragic that way. His delivery is perfect and he is the perfect casting for John Keats. (If you have the time, this reading of La belle dame sans mercI by Ben Whishaw is so delicate, beautiful and legit brings tears to my eyes )  I’m sure most of you know the story of Keats, but it’s still very tragic to think about : a  poor and unsuccessful poet who died incredibly young and who never got to truly see how impactful his art would be in the future.  Keats is still remembered today, but he never got the chance to enjoy the success his poetry had, years after his death. He never got to marry the woman he wanted to marry because he didn’t have the means to do it. He created beauty from his words and then died alone in Italy at just 25 years old. It never truly hit me before this year, when I did my annual rewatch of the movie, how young Keats truly was, being now 24 years old at the time of writing this article, it truly was a life that has been cut too short.

The directing of Jane Campion is very deliberate, and i think there’s a vision to this movie that is incredibly powerful and obvious. The movie’s pace is very slow, but I think sometimes we need media that just takes the time to slow down and to just enjoy the scene enfolding in front of us. I’m thinking about some scenes where you can only see Keats sitting on a chair outside. He is writing. The wind is moving through the leaves, the birds are singing in the distance, and Keats is writing. A lot of people would say that the scene is useless when it comes to moving the plot forward, and I guess i would agree, strictly speaking, that it doesn’t do much in terms of moving the plot forward, but it does set the atmosphere wonderfully. You can feel the calmness and the ethereal feeling of Keats’ poetry. Campion scatters moments like these throughout the movie, where she takes the time to slow down and get lost in the moment. It’s something that i particularly adore in media, as life constantly feels like it’s getting away from me, it reminds me to slow down and take the time to breathe.

The delicate colors of the cinematography are another aspect that I think really brings such a soft and tender dimension to the movie. The director of photography for this specific movie is Greig Fraser who also did the cinematography for such movies as Rogue One, Vice, as well Batman film starring Robert Pattinson but we aren’t talking about that atm. The colors that have been used throughout the film are very soft and soothing. Soft pinks and soft greens, as well as deep rich hues of blues and browns. There’s a haziness to this movie that very much feels like being thrown into a poem.

This wouldn't be an article written by me if there wasn't any mention of the costume design. The costume design in this movie is being taken care of by Janet Patterson, who had worked previously on other Campion’s movies (Portrait of a Lady, The Piano). The work she does here is marvelous. She manages to create such a beautiful wardrobe for each of the characters. From the colorful dresses of Fanny Brawne to the outfits of the last extra, everything is carefully thought of, and the attention to detail really stands out when you look at the clothing, from the historical research to how well the costumes fit within the realm of the BRIGHT STAR cinematic universe. John Keats’ outfits, in particular, were particularly delightful, he,s always clad in deep blues and clothes that seem worn and comfortable. Something about these darker blues just seem so melancholic compared to the rest of the costumes, especially in contrast with Fanny Brawne’s brighter dresses.

The last thing I will touch upon is the tenderness of the story in itself, despite how sadly it ends. The love story between John Keats and Fanny Brawne unfolds slowly, and then all at once. Despite all of what they go through, the love and the care they give each other is tremendous. And the times they have to be apart, you feel the yearning and longing for the other as if enveloping the scene. Having to wait for another letter, having to acknowledge that they can’t be together is heartbreaking, especially as Keats is desperately trying to do right by Fanny. They want to get married, but Keats is an unsuccessful poet who is in debt, and Fanny is from an upper middle class family and won’t be allowed to marry beneath her rank. I feel like it’s such a mundane story and yet, it feels world shattering to them, especially the last moments they share when Keats becomes ill and he has to leave for Italy to rest and try to get better, but they both know that it’s probably the last time they’ll see each other breaks me. The tenderness in each movement and each conversation they had was tinged by the heavy weight of saying goodbye one last time.

And then. The letter arrives. With the news of Keats’ death. And his fiancée cuts her hair, dons a black dress. And mourns him.

[freshginandtonic]

I Just Haven't MET You Yet: Thoughts on the Super Bowl of Fashion

The Met Gala is the the Olympics of fashion. As my title suggests, it has been called the Super Bowl of fashion. Athletes train for years - buffed and polished to an inch of their life to go out there and achieve excellence in sport. For the Met it’s excellence in fashion. Once a year, we (or at least my mother and myself) wait with bated breath to see what everyone wears.

As many of us are currently, I am working from home at the minute - today before I started my commute (15 seconds from my bed to my desk), instead of activewear I decided to put on my designated fancy ass velvet dress I bought about four years ago that I now wear to any vaguely formal occasion (with an abundance of tape to deal w how low cut it is) - and a puffer jacket (it’s cold af in my room) to commemorate the gala.

This year’s theme was supposed to be ‘About Time: Fashion and Duration’ I googled this concept and found the following information on the Met’s website: “it will explore how clothes generate temporal associations that conflate past, present, and future. Virginia Woolf will serve as the "ghost narrator" of the exhibition.”

My thoughts on this are as follows: firstly, ‘About Time’ is a great film if you haven’t seen it. Secondly, clothes conflating the past present and future - it’s a big yes from me. Thirdly, can Virginia Woolf serve as the ghost narrator of my entire life? What an idea.

The co-chairs this year were going to be Anna Wintour, Meryl Streep, Emma Stone, Lin-Manuel Miranda and Nicolas Ghesquiere. I mean, that list in itself is like a dream party list because you just know you’ll be getting a Streep-Stone-Miranda musical number in between drinks and dinner. I also don’t really know what being a co-chair of the event MEANS, but I’m guessing its some kind of vague organisational role where but you defer to Anna on everything - basically a school captain and principal set up.

For those of you who want a quick crash course in the, who, the what and the why I’m even talking about this gala thing here’s the tea: The Met Gala is the annual fundraising gala for the benefit of the Metropolitan Museum of Art's Costume Institute in New York City and marks the opening of the Costume Institute's annual fashion exhibit. Vogue have just done a video to explain the history so pls get enlightened.

However if you want more than 6 minutes and 50 seconds of how it all works, look no further than the 2016 documentary ‘The First Monday in May’. The film covers the months leading up to the 2015 Gala and the night itself. The theme that year was ‘China: Through The Looking Glass’, and it was all about the impact of Chinese design on Western fashion over the centuries.

The film is a huge eye opener into the pressure, time constraints, and sheer elbow grease that goes into the event. It’s also the closest thing to The Devil Wears Prada I’ve seen since ‘The September Issue’ . Anna Wintour flits around the museum with her sunnies and her giant cup of Starbucks, and scenes of Anna’s assistant and event organisers excessively vetting people from the guest list (“Josh Hartnett? What has he done lately?”) are amazing but also can you IMAGINE watching it and seeing them bitch about you?! Quelle nightmare.

Also if you’re a nosy Parker like me fun fact you can pause on the shots of the seating charts, and see who’s sitting next to who - I managed to squint and see Baz Luhrmann next to Jennifer Lawrence, Amal Clooney next to Tom Ford, and‘Jared Leto TBC’. How ominous.

As I mentioned earlier the show I work on covers the Met Gala - and yes, thanks to the time difference ‘the First Tuesday in May’ really doesn’t have the same snazzy ring to it. So come last year we were prepared to report on it - in 2020, I recalled it fondly, and also stressfully with my bosses video calling me at 7:30 this morning to remind me it was Met Gala Day and giving me a triple bypass in the process.

From my memory, the Queen of Camp at the 2019 gala was Lady Gaga - I remember watching her pink carpet entrance at work (I was the Met Gala producer that day - definitely not a real thing) and realising that every time I looked up at my screen she had a different outfit on - I believe there were four in total, which gave me palpitations at the time as I had to have three separate slabs of overlay to show the transition between her looks - but now a full year later I can appreciate her sheer artistry.

The 2019 theme was ‘Camp: Notes on Fashion.’ The exhibit was inspired by Susan Sontag's 1964 essay that defines camp as "love of the unnatural: of artifice and exaggeration.” It’s something that Sontag describes as “esoteric - something of a private code, a badge of identity even, among small urban cliques.” It seems to me that’s the best way to describe the Gala itself? Something out of the ordinary, opulent and pretty much unattainable to normal people looking in from the outside that manages to seduce us all every year.

There were so many great looks last year I can’t possibly go through them all, so quick honourable mentions to the following: Harry Styles , Ezra Miller, Lily Collins, Irina Shayk, Kim Kardashian, and Hamish Bowles to name far too few. Also some great online stuff came out as well: this movie trailer for the event and this brilliant video showing how the Vogue social media team handled the event.

Despite all this, I have to say that yes, while the ‘Camp’ year was, indeed shit hot, and I lived for every moment of it, my favourite year was in fact 2017.

The theme was ‘Heavenly Bodies: Fashion and the Catholic Imagination’, and after 13 years of Catholic education and living with a deeply religious grandmother who keeps a bunch of icons around our house I can firmly say Alleluia and Thanks Be to God. The main thing I remember from this year was this amazing video that Vogue put up (and apparently took down as I had to find it on Facebook) showing celebrities flouncing around the museum in their finery.

My friend Georgie and I were going through our favourite looks from previous years over Zoom last night, and while she had gone for looks from like 1974 to present day, literally all of mine were from 2017 bc I loved them all so much. Plus looking through I remembered that Shawn Mendes and Hailey (now) Bieber were a couple for about 30 seconds.

I must particularly make mention of Zendaya, Emilia Clarke, Greta Gerwig, Ariana Grande, Bella Hadid, Rihanna, Kate Bosworth, Blake Lively, Lily Collins, Kim Kardashian, Chadwick Boseman, Cardi B and Priyanka Chopra who, although perennially irritating since becoming Priyanka Chopra Jonas, cannot be ignored for her excellent use of red velvet here. As you can probably tell I found it REALLY hard to narrow that all down.

I am someone who decided at least five years ago that they would one day attend the gala (I haven’t quite figured out why I would be invited, but even Kim Kardashian started as a plus one so there’s hope for me yet). Every year I look at red carpet as my altar, the stars the saints and angels (yeesh, can you tell I went to Catholic school - and I actually believe this garbage). I don’t know how a short walk up some stairs to a museum became so fraught with power but there it is. Every time I go out in something approximating a ballgown (bringing it back to the red dress, people) I imagine how I would walk, who I would talk to, what my hair would look like (very important), and who I would have at my table (slightly less important than hair). And of course, addressing Anna (through her all things were made, for us and for our salvation, maker of Heaven and Earth, of all that is seen and unseen etc).

Maybe she would look at me and nod approvingly with a wry smile (please refer to the end scene of the Devil Wears Prada to see exactly how this would happen, but hopefully the smile would be a bit warmer than what you would give an ex-employee) and I would walk on, secure in the knowledge that Anna and I had connected on a deeply spiritual level. Then I imagine I would head straight to the bar to recover.

NOW KEEP READING HUN

A quick note for people who want to read fun stuff/watch fun stuff about the Met Gala to compensate for this trash year, here are some funky links to what Vogue has going on:

Anna Wintour Addresses the Met Gala and Florence + The Machine Performs https://www.youtube.com/watch?v=HptQEYkMrVQ

Thinking of the Met on a Not-So-Typical First Monday in May https://www.vogue.com/article/moment-with-the-met-vogue-global-conversations

25 Years of Met Gala Themes: A Look Back at Many First Mondays in May https://www.vogue.com/article/met-gala-themes

Only at the Met: An Oral History of the World’s Most Glamorous Gala https://www.vogue.com/article/the-complete-met-gala-oral-history

See the Costume Institute’s New (Though Postponed) Show About Time https://www.vogue.com/article/costume-institute-about-time-preview

The Most Unforgettable Met Gala Beauty Looks—According to the Hair and Makeup Artists Behind Them.                             https://www.vogue.com/article/met-gala-makeup-artists-hair-stylists-instagram

Naomi Campbell Breaks Down 30 Years’ Worth of Met Gala Magic https://www.vogue.com/article/naomi-campbell-life-in-looks-met-gala-video

A Look Back at a Decade of Stunning Met Gala Interiors https://www.vogue.com/slideshow/a-look-back-at-a-decade-of-stunning-met-gala-interiors

Sarah Jessica Parker Shares a Playlist Inspired by the Met Gala Theme ‘About Time: Fashion and Duration’                              https://www.vogue.com/article/sarah-jessica-parker-met-gala-about-time-playlist

[mysticdragon3md3]

With WonFes 2017 Winter over, it’s time to post the obligatory wishlist!  ^o^

Even though there were a lot of exciting figure announcements and prototype reveals at Wonder Festival 2017 Winter today, I don't feel my wallet is in too much danger.  There were a lot of Nendoroids that looked interesting, but I likely won't buy.  And the figures I ABSOLUTELY POSITVELY HAVE TO PREORDER, were fairly few (at least compared to previous WonFes).  

Below, the squares shaded darkly are figures I likely won't buy.  They caught my eye, but seriously, I'd rather spend my money on other Nendoroids.   The squares clouded in white are figures that if I was forced into a corner, I might be able to give up.  But it'd be nice if I didn't have to.  

Good Smile is going to kill my wallet if they announce more Harvest Moons!  ;u;  If every Crypton Future Media Vocaloid gets a Harvest Moon version, I don’t know what I’m going to do.  Those costumes are just too pretty.  XwX  

I feel like I'm obligated to get Figma Utena and Nendoroids Ed & Al, but I don't feel as strongly about those fandoms anymore, enough to justify the money those figures cost.  On the other hand, I have a rule about not passing up merchandise from an old fandom, for that reason alone.  The last time I passed up a Devil Hunter Yohko artbook, just because it was no longer my all-consuming obsession, I regretted it.  And I kept hunting for it at each succeeding con.  *That* is a regret.  Which is why I bought Figma Hikaru Shidou, even though I haven't been into CLAMP's manga, let alone Magic Knight Rayearth for years.  So when I see Utena, Ed & Al, my nostalgia dictates that I preorder them, even though my current obsessions say that I shouldn't be spending on old fandoms like Utena and FMA.  

I'm not really into these paritcular swords, but I've got a completionist problem.  * I already have Kashuu Kiyomitsu, so I have to get Yamatonokami Yasusada, right?  And Yasusada has a generic hakama!  Before Touken Ranbu Nendoroids, it was so hard to find nice, generic, male wafuku that could go on any character.  Still, even now, though it's gotten easier to get hakama from Tourabu, it's hard to find male kimono or yukata.  So I snatch up any versatile male wafuku wearing Nendoroid, I can find.   * Izuminokami Kanesada isn't really a character I'm particularly attached to, since I'm more a Dategumi fan than a Shinsengumi fan, but I've always liked his character design.  It even managed to make me ignore the long hair, even though I usually don't like that character design on males.  His costume was just elaborate enough, and the color scheme, contrasting between the deep red and intense blues, just really pop.  ^_^   * So that being said, I really shouldn't get Horikawa Kunihiro.  His costume design is closer to modern Western and I'd rather throw my money at wafuku designs.  But damn it, he's got the same intense blue contrasting against dark hair, just like Izuminokami.  ~_~;  That contrasting color scheme---or rather, contrasting intensity or value scale---just work too well on me.  And after seeing Horikawa in the Touken Ranbu Hanamaru anime, I'd feel bad if I split him up from the senpai partner he idolizes.  ~__~!  Anyway, I already preordered his brother (Yamanbagiri Kunihiro), so my completionist itch should be happy about that.  ...Even though the Kunihiro brothers don't seem very close...  x_x   * As for Ookanehira!  You can't trick me into wanting your Nendoroid!  ~w~!  I told myself not to buy any more characters I didn't already know!  (Unless they were exceptionally cute!)  I don't care if your eyes and hair color remind me of one of my main character OCs!  Nor if your seiyuu is Ono Yuki!  You're too full of yourself and I should be spending my money on cuter characters!  Stay back, I say!  Keep your charms away from me!  ~W~!

The Disney Nendoroids are cute and I like those classic "2nd Renaissance" movies, along with Tim Burton, but not enough to get figures.  But if I ran into them at a con or something, really cheap, and there was nothing else I was spending at during a small con, I might go ahead and get them.  Like what happened with Nendoroid Anna.  

I didn't include Nendoroid Yuri, because I already preordered him.  It's strange that I'm certain about getting Nendoroid Victor, even though I'm not as totally obsessed with Yuri on Ice as everyone else seems to be.  But despite YOI not taking over my life, I still do like the characters.  They're sweet!  And I want that ambiance in my display cases!

Karasuno Nendoroids.  No question there.  I just want all my Karasuno starters.  Announcing Yamaguchi and Sawamura together, when there are only 2 more starters on Karasuno, makes me think they'll be announcing them in pairs.  Here's to hoping for some Asahi and Tanaka Nendoroids!  ^o^  And if they decide to make a Nendoroid Ennoshita, I'll consider him.

Japan.  Kiku Honda.  My rule about still collecting for old fandoms, as if they're still my current obsession, applies here.  Except that my Hetalia fandom doesn't feel that long ago.  Probably because I saw Hetalia the World Twinkle at AkibaFest2016.  Let's hope that if we show demand for Japan, USUK will get some Nendoroids too.  *o*!

Nendoroid More Dress-up sets are my favorite Nendoroid more.  The outfits are so nicely generic and versatile, and help put a stop to me buying Nendoroids of characters I have no attachment to, just for their wardrobe.  (I've given Masamune & Yukimura enough wardrobe options already---but I just can't stop!  It's for DateSana!  ;o; )  It’ll be great to put some period era Nendoroids, uniformed characters, and fantasy costumed characters into a modern AU.  Groomsmen for those Nendoroid More wedding sets...Haikyuu boys in formal wear...my KanColle girls as office ladies...  *U*  I could make a cubicle diorama!  O.O  Still waiting for male wafuku Nendoroid More sets, but until then, any Nendoroid More Dress-up sets are always welcome!!!  ^U^

Ice Kirby is so cute and I love blue.  But if I wasn't willing to get original Kirby, with all his cuteness, and I didn't get MetaKnight, despite his cuteness, then I should probably save my money.  I wasn't deluded for a second into buying that robot armor Kirby.  It's on my wishlist because I just like to look at it.  ^^;  I mean, what the heck is that giant, cute thing?!  ^o^

Nendoroid More face cases are cute, but if it comes down to it, those are the first things I cut out of my budget.  After all, I skipped on that Konnosuke faceplate case, and I love Touken Ranbu.  Still, that penguin and fishing bear are ADORABLE.  When I saw the penguine case's announcement last year, I wanted to get it to re-create Chiyo's costume scenes from Azumanga Daioh.  ^u^

I'm not watching Re:Zero, but Emilia is beautiful!  *.*  I have a weakness for pastel hair and her outfit, on top of that, is just so pretty.  Her character design just screams "ingenue" deredere, and that's my favorite type of waifu (alongside kuudere and sometimes dandere).  And if I remember correctly the spoiler I heard once, then she could also be one of my favorite mythological archetypes, the "universal mother goddess".  

I'm not going to buy a Racing Miku.  Let's be honest.  They always look so cool, but they're $80, instead of the usual $50-$60, because they're supposed to support Good Smile's racing team.  But damn, this mint green fairy is cute!  I thought it hurt to pass up the knight themed Racing Miku.  But this is adorable!  ;w;  And I had needed a green female Nendoroid for my rainbow figure photos.  

I was flabbergasted when I saw the Lum Nendoroid and the Rinne Nendoroid.  I thought it might be a hoax, a different figure line from Nendoroid, or maybe even from years ago, long out of print.  But it's actually just one of those Nenodroids made by a different company; Good Smile only does the distribution.  (Like Tomytec's Wixoss Nendoroids.)  So it's not even on Good Smile's WHL4U website, which catalogs all their WonFes announcements.  It might be too easy to not realize when these are even released.  But I absolutely have to support Rumiko Takahashi Nendoroids.  I'm more a Ranma 1/2 fan, than Urusei Yatsura, and I've barely read much Rin-ne.  But if we support these, then maybe Play Future will make some Ranma 1/2, Inuyasha, or Maison Ikkoku Nendoroids.  I would go nutz if Mermaid Saga Nendoroids were ever announced.  

The kimono Nendoroids for Puella Magi Madoka Magica are an absolute buy.  I never thought I wanted more than just Homura and Madoka, but if all the girls are going to get kimono Nendorids, then it's a good time to get the entire Holy Quintet.  ^-^  

Last but not least, Nendoroid More sets for Halloween and Christmas.  I really hope these are Dress-up sets and not just some accessories.  I'm a clay crafter; I can make little accessories on my own.  So these better be full-blown outfits.  Halloween is my favorite holiday and these would just be so useful for holiday figure photos.  I'm really looking forward to more info about these sets.  ^o^    

It was a really great WonFes.  And right on my birthday, it made the best present.  ^u^!  Hopefully, despite this long wishlist, I'll be able to keep things civil with my wallet.  ^^;