#i never really watched scooby doo but this brought insight

[finkisun]

I feel like this guy HEAVILY inspired Sommnus and Sarah's relationship

i don't know what i was expecting but it wasn't that

[scoobert-doobert-fanclub-blog]

Interview with Jon Colton Barry, Creator of Be Cool Scooby Doo

My Questions:

What inspired you to get into the business of cartoons? What does Scooby Doo mean to you? Do you have a message to the people who criticize your creation for sharing other styles of other shows? Do the characters have any little quirks that you've added in that you picked up from real life people? What's the behind the scenes look like for you? An average day in the life of being a writer/working on the show? Any tips for future writers and the like out there? Do you have a favorite line you've written in the show? Or a best moment? What inspires you to wake up in the morning? Any moments when you were bummed when something didn't make the cut? Or do you have all of the power?

Jon Colton Barry:

What inspired you to get into the business of cartoons?

I was actually writing sketch-like comedy for the stage, honing my voice and style in front of live audiences (which I'd recommend to every writer), when Dan Povenmire saw one of my shows. I'd known Dan for years and he liked the comedy in my show and offered me a job on a new animated show he just sold to Disney called "Phineas & Ferb." I had no particular inspiration to get into animation, but it was a good job and, from the beginning, Dan made it clear he wanted me to write like me, to just write naturally in my own comedic voice, plus I have a background in commercial art and songwriting - so the show was just a perfect fit, creatively.

What does Scooby Doo mean to you?

Before I began writing on BCSD, Scooby Doo was mostly just a feeling of nostalgia to me. Saturday morning cartoons as a kid, eating Apple Jacks in my pajamas. The character or show didn't mean more to me than, say, the Superfriends or any of the other crudely animated series we'd all stare at as the sugar kicked in. Now, after having created a new Scooby Doo series from scratch, I have more respect for the durability of the core ideas built into the show. There has been almost 50 years of different Scooby Doo series, most of them radically different from one another and, I've discovered, that, basically, whatever iteration of Scooby Doo was on when you were growing up will always be the "real" Scooby Doo to you and/or the "best" Scooby Doo. People have very clear ideas on what Scooby Doo is, which is so odd because the only consistent element in Scooby Doo is change.

Do you have a message to the people who criticize your creation for sharing other styles of other shows?

I just find it so strange. We literally got death threats because we pushed the art in a more cartoony direction. We, apparently, also "ruined" a LOT of childhoods. I think it was a mistake to allow the new (unfinished) designs to leak out a year before the series began airing because people built up this violent, irrational hatred for the show and made assumptions about the show's substance based on some rough drawings. I mostly feel bad for Seth MacFarlane for being accused of creating the new designs endlessly. The characters are just more cartoony, that's all - and it was essential that we pushed them that way because we wanted to have a broad comedic and tonal palette to play with, from broad slapstick to real, touching human moments and a lot of our humor would not have worked with the more realistic looking designs. I never heard anyone say, "Wow, the Simpsons are such attractive looking characters!" - but they had that ability to do surreal, broad comedy and also break your heart. That's what we wanted, as well. My experience has been that the vast majority of people who actually sit down and watch the show and give a few episodes a chance all in love with it and discover that it's actually one of the most conservative Scooby Doo series in terms of the original, classic 1969 series, but we simply fleshed out the rest of the Scooby Gang and gave them dimensional personalities for the first time, turning them into a real comedic ensemble. From what I understand, scientifically, once you give the show a chance and get what we're doing, your childhood becomes instantly "un-ruined," which is a pleasant side-effect.

Do the characters have any little quirks that you've added in that you picked up from real life people?

Well, as I mentioned, Zac and I decided to turn the entire Scooby Gang into an equal comedic ensemble, which, we were surprised to discover, no one had ever done before. There are so many Scooby shows where they just leave out Fred or Velma or Daphne because "people don't care about them," instead of saying, "Well, why don't we MAKE people care about them by actually giving them personalities and points-of-view as characters." They'd, historically, just been "The leader/jock," "The pretty one," "The smart one" - these one-dimensional stereotypes. We started with Fred and our main inspiration for him was young Gene Wilder, particularly in "Young Frankenstein." We sort of plugged Gene Wilder into Fred as an engine and gave him control issues - and he began to come to life. Daphne was the most radical change and we thought of her as a Rapunzel-type character, who had lived a sheltered, oppressive childhood under the thumb of her strict, eccentric mother, who came from old money and had great wealth. Daphne is now free and out in the world finally able to do all the things she was never allowed to do as a kid and the world is a candy store to her. She's also highly creative and eccentric, not caring at all what people think about her. It was important to us that nothing about her character, nothing about how you'd describe her personality or her behavior had ANYTHING to do with her gender. Oddly, people started calling her "stupid," which is just strange and clearly demonstrates they haven't actually watched the show, because Daphne is actually really smart and funny - she's just REALLY eccentric and bold, but she's also the soul of the gang, the most empathic and insightful where it comes to the others' needs and problems (although she does get a kick out of annoying Fred when she thinks he's being too uptight). Grey DeLisle, who does Daphne's voice is actually a LOT like our Daphne in real life - smart, quick-witted, eccentric and creative and she really met Daphne halfway and "got" her perfectly. From what I can tell, Grey is basically one oppressive childhood away from wearing a fake beard for no reason. It's actually much the same with Kate Micucci and Velma. We wanted to give Velma more social anxieties. She grew up around books and her superior intellect isolated her as a child, so she lacks some basic social skills, like not always knowing that the truth isn't always the best way to go in certain circumstances. Kate brought a really beautiful, nuanced neurosis to Velma and a vulnerability that humanized her in ways you can't see on the script page. There was so much more we wanted to do with Velma, but, sadly, we didn't get the opportunity. Warner Brothers was actually very open to the changes we wanted to make to Fred, Daphne and Velma, even though they were pretty radical, but they were, understandably, more conservative when it came to Shaggy and Scooby, who were seen as the most beloved and, therefore, least changeable. That said, we made our case that if Shaggy and Scooby were the comic relief before and we're now elevating the entire gang to a comedic ensemble, we HAVE to, somehow, raise Shaggy and Scooby proportionately or we'll lose them all together, bogged down in stale 1969-era puns and pizza jokes. We noticed that even in 1969, Shaggy and Scooby would defy the laws of physics and do some surreal things, so we decided to push that aspect and give Shaggy and Scooby the more absurd, physical and surreal comedy, breaking the fourth wall and sharpening their wit. Shaggy was always a jokester, but we injected him with a healthy dose of Groucho Marx, which played nicely and freshly because Groucho, as a character, is fearless and Shaggy is terrified of everything, so plugging that sensibility into a coward created a lot of fun, original scenes and moments for Shaggy. Scooby was basically Harpo on all fours. We held him to only four words per line of dialogue because we found it unsettling and strange when he talked too much in other series, like Mystery INC. Four words was a nice restriction because they had to count and we found that the more erudite we made them, the funnier he became. In the end, I think we got the math of the characters pretty right on and my favorite scenes are always the ones with the gang all together bouncing lines off each other like a pinball machine. Everyone's point of view is clear and unique from one another and the cast always brought that perfect sense of old, best friends who tease each other and joke around and get on each others' nerves in a really truthful and relatable way. I really feel like we created the most human, real and funny Scooby Gang yet seen.

What's the behind the scenes look like for you? An average day in the life of being a writer/working on the show?

An average day would be me holed up in my office, pacing around in a small circle holding a wooden pointer stick because I tend to write on my feet, twirling a stick (which became a habit back on "Phineas" when we'd pitch the episodes up on a wall with pointers). I'd often have freelance writers in and we'd break a story together and they'd go off and write a draft and I'd spend the rest of the day (and most nights) writing or rewriting scripts with unholy deadlines with a gun to my head, which is called "writing for television." It's great fun, actually.

Any tips for future writers and the like out there?

Tips for future writers... hmmm. Well, try dating Dan Povenmire's wife's sister. It worked wonders for my career.  If, for some absurd reason, THAT fails, then I'd say develop your own style and your own voice as a writer. It's been such a pleasure for me to have been hired on shows with the expectation that I would be "writing like me," which was the case on both "Phineas" and "BCSD"  and all the things I've worked on since. As I mentioned, writing for the stage - even small, equity theater - is GREAT for developing your writing and honing your unique voice. There's no money in it, but you learn what works and what doesn't and you learn to trust yourself - to know that if YOU like it, then there's an audience out there who will ALSO like it. Other than that, you know, WRITE.

Do you have a favorite line you've written in the show? Or a best moment?

I think my favorite lines are in season 2, so lemme think about what's aired already.... I loved Grey's read of Daphne doing the Fred puppet in the van, "I have a weird accent now. Bo bo bo." That just crystallized the character for me. I'm also fond of the vending machine sequence because it was something I made up off the top of my head with a lot of very serious-looking WB executives staring at me who had no idea who I was and were wondering what kind of fresh new food-related comedy I would be bringing to Shaggy and Scooby. I got up in the large conference room and just acted out that scene from "Mystery 101" pretty much exactly as you see it in the show. Thankfully, they all laughed and I was allowed to stay in the building another day. Oh, one more - I always loved Daphne's off-handed response to Bradford in "Party Like It's 1889," when he tells her she looks stunning, That Daphne doesn't give a crap about that kind of stuff and dismisses the compliment with a good-natured, "Yeah, that's me: set for stun. Pew! Pew!"

What inspires you to wake up in the morning?

I have a four-year old (at the time of this writing) son, Jones, who is all the inspiration I need to get up in the morning. Also all the noise and jumping I need.

Any moments when you were bummed when something didn't make the cut? Or do you have all of the power?

Yeah, there were/are plenty of times I was bummed by something not making it into the show or getting changed along the way. WB keeps a pretty strict hand in their large, beloved franchise properties like Scooby Doo and Batman, so I'm actually really pleased and grateful they let me get away with as much as they did with the series. That said, I had no real power other than the trust and faith of Zac, the show runner. He hired me to be in charge of the writing and he just let me get on with it. I was never actually a producer on the show, although I did equally create this version of the series with Zac and the whole tone of the show was technically "in my voice" (which made it VERY difficult for freelance writers to come in cold and write an episode), but, alas, I was still ONLy the writer and we all know the old joke about the dumb blonde who tried to break into Hollywood by sleeping with the writer - unless, of course, the writer or the blonde is related to Dan Povenmire's wife, in which case you're golden. For the most part, though, I'm extremely proud and pleased of the work we did on BCSD and I hope people will give it a chance and watch a few episodes to get a real sense of what we've done with these characters and this beloved property. I know they'll fall in love with it and, in fact, it will retroactively IMPROVE their childhoods.

[mononohke-archive]

Anime Roundup Pt.2 - Fall 2016 [Spoilers]

More rambling~

Jojo’s Bizarre Adventure: Diamond is Unbreakable [8/10]

Another season of Jojo’s Bizarre Adventure has come and gone, and it’s been quite a wild ride. Personally, I think it was about on par with the first season of JJBA. I liked it better than Stardust Crusaders because I liked the main characters better and the plot was not as much of a repetitive “monster of the week” affair, but unfortunately, it seems like they didn’t put as much effort into the animation and production values. This 39 episode season was also a full 11 episodes shorter than the two 25 episode seasons of SDC, despite the manga being slightly longer. It definitely felt a little rushed, and I’ve had my manga reader friends inform me that some of their favorite parts were cut out.

But there were a lot of things I really loved about DiU as well. Josuke quickly became my favorite Jojo after Joseph, and I like Jotaro more in this part than I ever did in SDC. The villain, Kira, is also one of my favorite characters period and so is Rohan Kishibe, played brilliantly by Takahiro Sakurai as usual. Many of the stands are hilarious and creative in this part too. I also loved the whole Scooby Doo-esque mystery of a serial killer in the town and the slice of life elements. The scale was brought down from “evil villains try to take over the world” to one serial killer who “just wants to live a normal life”... and kill women and take their hands to satisfy his compulsions, of course. It was a really refreshing change from the typical formula.

The only thing or character that I didn’t like is Koichi - partially because he gets more attention than Josuke, kind of like Polnareff in SDC (except much less likable) and partially because his voice actor, Yuki Kaji, is fucking annoying as him. Unfortunately, on top of that, he’s the character who spends most of his screen time yelling exactly what’s happening, like Polnareff and Speedwagon before him, except his voice is literally ear-splittingly irritating.

I sincerely hope that in the next part, they don’t take shortcuts like they did with this part. JJBA is one of my favorites, so I will still be waiting for it eagerly.

Touken Ranbu: Hanamaru [5/10]

I wasn’t expecting much from this anime and it still disappointed me lol. Touken Ranbu is basically a moe anime (but with a diversity in character designs that moeblobs wish they had), except the characters are male. Some of it was sort of mildly entertaining and cute, but for the most part, it was pretty boring.

... Maybe I’m just peeved because they didn’t focus that much on characters I personally find attractive, like Kogitsunemaru. You know the only reason I watched this show in the first place was because I’ve seen a ridiculous amount of yaoi for it on pixiv? The porn was nice, but I would never play the game itself, so I figured the anime would give me a little more insight into the characters and their relationships. The anime did, but it still failed at entertaining me.

So, yeah, this anime perfectly average and forgettable. Only watch if you’re super dedicated to the game.

Poco’s Udon World [9/10]

The biggest surprise of this season for me was this show. Yes, this show is my AotS (by about .2 points) over that other anime which got super popular and had a ton of praise. Well, we all go against the grain sometimes and this is my turn. Poco’s Udon World is an underrated masterpiece in my opinion. This show came off the heels of the much more popular Sweetness and Lightning, which came out the previous season. Both shows have a similar premise - a young man in his early 30s with black haired (voiced by Yuuichi Nakamura) becomes a single father due to sudden circumstances and has to take care of an adorable toddler-aged child. There are some key differences, of course, but they are still similar enough to be comparable.

Personally I think Poco’s Udon World is far superior (for reasons I will discuss), and it saddens me that it hasn’t got half the popularity of S&L. (Probably because there isn’t a cute waifu character as one of the mains, heh.) So what makes PUW so good to me? Well, besides all the cute and the incredibly heartwarming/touching nature of the show, it’s also just very well-written. The characters and their development, as well as a plethora of themes I don’t see being portrayed very often in anime or when they are brought up, are handled in ways that make me uncomfortable.

Here is just a short list of themes PUW manages to masterfully cover in a 12-episode, single cour season:

career vs family

career and family separately

fatherhood

grief and nostalgia

growing up

love

And those are just the main themes? There are other things that are covered on a more subtle level. See, I explained in my review of S&L that it was lacking an exploration of its themes and was constrained by its repetitive slice of life format. Most of the supporting characters were not very fleshed out either. PUW fixes all or most of these problems.

Every episode brings something new to the table and there is no set episode format. I also absolutely love that every character outside of Poco and Souta feels like they could be a real person, instead of being a plot device or 2-dimensional character. They all have lives outside of their interactions with the main characters, so that even when they don't get much screen time, they feel fleshed out. All of them represent a different sort of family or different sort of lifestyle or different sort of mindset, which you can easily compare to Souta's situation because they all serve as foils to him. A lot of supporting characters even get their own character development like Nakaji and Rin (Souta' sister).

And... okay, I want to analyze this show in-depth one day, but I need to rewatch it (maybe several times) before I do. Trust me, it’s cute and all, but it’s much more than that too. You might be surprised at how high it is on my Top 10 Anime of 2016 list.

Kiss Him, Not Me [7/10]

After watching two absolutely terrible otome/harem anime that really pissed me off (Uta no Prince Sama and Kamigami no Asobi), I went back on my decision to never watch an otome because this one was about a fujoshi and written by a yaoi mangaka. Somehow... it paid off. I came out of this pleasantly surprised at how much I enjoyed this show.

Don’t get me wrong, there is still plenty that annoyed me (the fatshaming, how Serinuma’s voice changes, the shoujo cliches, etc), but overall I enjoyed it more than I disliked it. Although I was only rooting for two of the love interests, Mutsumi-senpai (who is mild mannered, friendly, genuine, liked her when she was fat) and Nishina (the gay option™, also a fujoshi and otaku who has a lot in common with Serinuma, also liked her even when she was fat), I didn’t really mind or hate the others either. All of them still treated her more respectfully than LIs in the other otome I watched.

The ending was brilliant too, and if they make a second season, I would still watch it for the characters and humor.

Yuri!!! on Ice [9/10]

How do I even begin to tackle Yuri!!! on Ice? This is the AoTS for sure (in general, not to me personally) and is by far the runaway smash hit in terms of both popularity and ratings. This anime is a game changer, to put it lightly. It did something no other popular anime has done before, and the praise is honestly well deserved. But, hey, remember that it’s still not perfect. In fact, up until the very last episode, I was debating on whether it deserved an 8 or a 9 on MAL. I settled on a 9 (a low nine by my standards) only because I cried a whole lot the last episode and realized that the overall impact of the show is bigger than my minor gripes. What are those minor gripes?

#1) Off-model/inconsistent animation. I will give a slight break to the animators because I know that animating ice skating is very complex and intricate, especially if you consider just how much ice skating there is in almost every episode. There are about a dozen ice skaters, each with two different 2-minute routines. Yes, many of them are reused multiple times, but regardless it’s still a lot of work. Unfortunately, YoI missed the chance to be stunning all the way through and join the other always-praised animation greats like Cowboy Bebop and much more recently, Mob Psycho 100. Only the first episode truly impressed me with how perfect and fluid the animation was, and I was dearly hoping that they would keep up that level of quality all the way through. Sadly they don’t, but we should all thank the writing of this show for being so damn good and making up for it. Besides, aside from a few, rather obvious off-model shots, it didn’t ever get too bad, not like Cheer Danshi!! from the Summer season.

#2) Slightly rushed pacing. Yeah, some of the events of this anime just go by too fast, especially the beginning few episodes where months pass between Victor arriving in Japan and Yuuri beginning his journey to the Grand Prix Final. It’s not really made clear to the viewers how much time has passed, and even I didn’t realize until I read a tumblr post on it. Originally, I wanted a whole other cour so that I could see the ice skaters interact more outside of work, but I think that would be too much as well. One more episode (a full 13 episode cour) would’ve been perfect, imo. Thankfully, we are getting another season, so there will definitely be more time to develop the other side characters and resolve some of the remaining threads! But seriously, I hope they do slow down a little bit in season 2.

Other than that...? Gripes so minor that they’re not even worth mentioning. The amount of good that YoI has done is overwhelming my comparison. I’ll just go through them like a list again because why not?

#1) Viktor and Yuuri’s relationship. A healthy canon gay interracial relationship in a non-yaoi anime. That is just shy of revolutionary in terms of LGBT representation in an anime. “We are born to make history”, indeed. Yes, some other anime have done it too like No.6 and Revolutionary Girl Utena. But was No.6, the other one where the main couple is M/M, popular like YoI is? Not particularly. Most of the viewership comes from yaoi fangirls or LGBT anime fans seeking an anime with a canon gay ship in it. What about Utena? Well, Utena didn’t have a happy ending, not for the canon lesbian character and not for the main F/F relationship of the show. Nothing is also explicitly stated like it is in YoI. Ofc, Utena by the very nature of the show, explicitly states very little but still. There’s also a goddamn kiss!

The best part of this is that Viktor and Yuuri is that, despite their happy ending, they don’t sacrifice depth or conflict between them and the drama doesn’t feel forced either. That balance is hard to achieve and it takes writing talent to pull it off. Every action and reaction feels natural and in-character. The writing featuring them is as good as any well-written romantic drama with a hetero couple! The other great thing is that even though Viktor and Yuuri’s relationship is incredibly important to the narrative and is the main relationship overall, romance is still not the primary genre. It equally shares genres with sports, comedy, and drama.

TL:DR; Their relationship is important. It sets a precedent that a gay couple can be the main couple of an anime and still be wildly successful. Now future manga and anime writers can take risks knowing that they won’t end up being financially compromised due the lgbtphobic culture of Japan.

2) Yuri on Ice perfectly balances its genres. This may not seem that important, but it kind of is and ties into the last point about how romance is not the main genre. If romance were the main genre, then this would be a yaoi/shounen-ai anime and it wouldn’t have gotten nearly as popular as it did. Yuuri’s evolution as an athlete and his desire to win the gold for the first time is just as important as his relationship with Viktor. Yurio, Viktor, and the other skaters’ relationships with each other and ice skating is also given a lot of attention. The love and dedication to ice skating in general is prominent and that passion has attracted the attention of countless professional ice skaters. (In fact, It’s like the anime singlehandedly brought attention to a niche sport that doesn’t get a whole lot of industry unlike American football and soccer/European football.)

There’s also a lot of comedy, which may be hit and miss for some people, but I found it pretty damn hilarious when it happens. Of all the sports anime I’ve seen, only a few others try others bringing in other genres. Most are pure sports because pure sports are usually the most successful (Haikyuu!! and Kuroko no Basket). So far for me, only YoI has successfully melded together all the genres it attempts.

3) Characters. It is said that sports anime highly depends on its characters to be good and set itself apart from other sports anime... and that’s pretty true. Most sports anime follow a rigid, predictable plot structure that doesn’t allow for much creativity on that front, so aside from technical aspects like the production values, the characters’ likability are the only things that it can rely on for originality. Of course, as I’ve already discussed, YoI blends genres and isn’t just pure sports so it has more freedom, but even it follows the same basic plot structure: main character is an underdog (they’re usually underdogs) who wants to win the finals.

So, what about the characters? Honestly, they’re fucking great. The problem with sports anime characters in most cases is that authors will fall back on tired stereotypes. Even the best of sports anime tends to have really obvious archetype characters you can recognize instantly. YoI doesn’t really have that. Yes, some of the characters do follow archetypes a litte, but even in the short amount of time they are given, they end up having miles more depth than the average sports anime character. It helps that we get to see them interacting with each other off the ice too. YoI is a character driven show much more than it is a plot-driven one. The plot is fairly simple, but the characters and their development are the most important part, particularly the main character, Yuuri Katsuki. He is relatable but also very believably talented and multifaceted. Viktor comes off as kind of a passive aggressive jerk at first, but he is one of the kindest and most caring characters in the show. Yurio comes off like an aggressive little brat (and he is still a little shit, I hope he gets more development in s2), but he’s genuinely a prodigy and he cares about Yuuri’s career. Listen, I could keep going and list another 5 characters that I like, but that’s not the point of this review.

That about covers the major things... I could go on, but then I might never shut up. To summarize, YoI is not perfect, but it is still so important for the gains in made for gay representation and besides that, it’s a rich, funny, heartwarming, and interesting portrayal of figure skating. I am sincerely looking forward to season 2 and hope that it’s just as good or even better than season 1.