#i need to feel your touch

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[housederiva]

If I can be honest for a second, the ending of the Dragon Age series in such a disrespectful and rushed way does not make me excited whatsoever for ME5

[mulders-too-large-shirt]

thinking about how mulder loves to get scully a gift, usually terribly heartfelt, even if disguised as something flippant:

the superbowl vhs tape he brings her when she wakes up from her coma in one breath (and her deadpan "i knew there was a reason to live")

tickets for a football game to watch together in irresistible

bringing her flowers to the hospital in memento mori (he lies, saying he stole them from a guy with broken legs to make her laugh)

the birthday keychain in tempus fugit (and when she finds a meaning to it, he claims "i just thought it was a pretty cool keychain")

that is a man who is always thinking about her.

[touchyluffy]

part one

In the days it takes you to heal from your injuries, Luffy comes to your bedroom to sleep next to you every night. He does try, the night after the first, to sleep in his own bedroom but he can't. Usually sleep comes easy to him, especially after a long day of adventure but not now. He closes his eyes, trying to think of your wounds healing, your soft breathing, your warm hand holding his, but he can't fall asleep. He huffs in irritation and rises from his bed, sulking across the ship to knock on your bedroom door and opening it slowly. You put down your book, you were also struggling to sleep, and open the covers for him. You smile at each other as he excitedly hops into your bed.

And so it becomes routine for you two. Even as your injuries heal completely, as the sunsets and the crew walks off to their separate bedrooms, Luffy follows you into yours and you let him. It becomes normal to roll over in the middle of the night and snuggle into his warm body, to wake up in the morning with his arm wrapped around you, to feel him pull you closer in his sleep, to giggle at his sleep-talking, to hear your name in his mumblings. You offer to let him keep his toothbrush and some clothes in your room, he accepts.

Sleeping together becomes so routine that you have trouble sleeping without him. There were times when you two would be separated by a foe that Luffy challenged and each night you would stay awake staring at his side of the bed, worry clouding your mind and making it impossible to sleep and eventually when Luffy defeated the foe, he would be covered in bandages and it was your turn to listen to his soft, even breathing as he slept. There were times when you be working late into the night and he would come find you, curling up on the floor next to you to sleep in your presence until you eventually finish and drag him back to your bed so you can both sleep comfortably. There were times when you would get angry at him for putting the crew in danger with his recklessness and you'd slammed your bedroom door in his face and toss and turn, your anger at him turning into desperation for him to just come to bed already, eventually you get up to find him and as you open your bedroom door, Luffy's sleeping frame falls on your legs. He'd been sleeping against your door. Smiling you pull his rubbery body into bed and cuddle up next to him, his heartbeat your lullaby. He smiles in his sleep and his arms come up around you. Whenever he's missing his hat or sandals, you find them by your bed.

This new routine of you and your captain sleeping together left your other crewmates with their mouths on the floor several times. They still hadn't gotten used to you two waving goodnight and walking into the same bedroom. When they would ask, you tried to explain but there really wasn't anything to explain. You and their captain couldn't sleep unless you slept together. That's all, why do they always stare at you in such surprise when you say that? Their shocked faces didn't discourage you both into cuddling up to each other at night, finding relaxation, warmth, safety, and comfort in each others arms. What was once your space becomes "our bedroom", "our closet", "our bathroom".

[d3vilsadv0cate]

Keep up, Soap

[gayspock]

i love it when a tv show has lows that are so low you're so ashamed to ever show it to anyone ever but then highs that melt your brain a bit, like, "good fucking god, this is genuinely such an astounding piece of craftmanship... my perception of the medium, and perhaps of myself, has been challenged/changed in 40 minutes" but you cant even express that to ppl without feeling like youre fucking deranged bc my god the lows .....

[oddthesungod]

blue and green 💙💚

[intotheelliwoods]

What was that about One falling asleep whenever he can and feels comfortable enough because the boy needs it? Hm? Something about him feeling safe around Poptart and not needing to keep his guard up was it? @dianagj-art *uses your own tags against you*

[potato-lord-but-not]

Trick or treat! Just looking to see if you wouldn't mind talking more about Noel's scars? 👀 I can guess at some of them like the neck wound but I was wondering if you had any specifics for the others

ohhh for sure !!! a lot of them were inflicted during his time in the dreamlands, save for a few gunshot wounds he gained under relatively normal circumstances. Some were from kiy (the wrist scars from being restrained for like months probably), and some were from other creatures he faced during his time in the desert. some of them he could go on and on about telling the most elaborate story, and others he avoids acknowledging all together.

[dropoutfailure]

ok, enough wholesome dadson. time to sexualize terrible fathers. (cw for: dadson incest + FtM son POV + transphobia / misgendering / fetishizing / forcemasc)

transphobic dad: doesn't approve of you transitioning or taking T, but isn't stopping you and doesn't seem turned off by the changes, even after you pass consistently as a man. doesn't know how T even works, always lowkey curious about the changes. he does like that you're so much hornier on T and don't even have periods anymore. tugs at your facial hair (ow? wtf :/) and goes "huh? it's real? I thought you drew it on every morning!" with a hearty laugh. dad joke? he might have actually thought so. backhanded praise, mean jokes at your expense, and moments where he genders you correctly, by accident.

thought you would eventually change your mind and give up transitioning "when you realise that being a man is hard," as if he's not the one making it hard. he might actually think of you as a son at some point, but he was never taught to apologize, he's "always right," he's stubborn, so he will keep calling you a daughter because a father can't show weakness. wants to call you homophobic slurs sooo bad, but that would be admitting defeat.

gets angry when you bring up surgery bc he likes to squeeze your tits and fuck your pussy. won't do any anal because it's gay. and clearly, he's isn't, he says. definitely closeted.

trans boy chaser dad: for better or for worse, only took an interest in your life when he found out you're a trans guy, fixed his relationship with you by treating you more like a date than as his son.

excited, touchy-feely, even creepy. eager to please. just pathetically horny for the way your body's changing from T - he won't misgender you. you get aggressively reaffirmed to the point of it getting annoyingly patronizing actually. regardless, he fucks you hard, encouraging you to moan with your cracking voice, and is too horny to feel bad about the incest. it's a welcome change from the previous emotional distance, but you feel used, like he's taking advantage of your newly high libido.

fixated on your body and everything "clockable," would rather you didn't get any surgery... says you're already perfect as is, from just testosterone... it does feel nice that he takes some sort of pride in having a son now, fully embracing you, the way he finds even all the awkward changes (sparse facial hair, voice cracks etc) not just endearing, not just attractive, but really fucking hot. and it's a relief for your body which craves that release. but. dad might just completely lose interest a few years into T, if you pass consistently.

bisexual, he says. but of course not into cis men.

transmed dad: thinks he knows what's best for your body, forcemascs you in his own ideals, pushing you to work hard to speed up your transition, to become a "real" man. you were so happy that dad accepted you being a trans guy so wholeheartedly and proudly, but the acceptance seems to have turned into overbearing surveillance...

dad insists on doing your T injections himself, because he doesn't trust that you'll actually do them. "no son of mine will be a fucking embarrassing softboy pansy who never transitions for real, have some dignity, god damn it! either you transition fully or you don't transition at all!" ...he pushes you to consider top and bottom surgery asap, to become a "real man," regardless of what you might want. he very excitedly looks forward to the day you can top him with your real cock, like a son should. :)

he makes you like anal because that's how real men do it. you're absolutely not allowed to derive any pleasure from anywhere but your ass and T-dick, and the phantom sensation of a strapon. he's good at working your T-dick though, it's all almost worth it just for that...

love, validation, and praise only when you've "earned it." if you fail to live up to his strict expectations, the things he says fucking hurt. misgenders you as punishment and threatens to withhold your testosterone "since you want to stay a girl so bad."

......

so, all of these options leave you feeling unsatisfied and degraded in one way or another!! yippee! no, there's no option for a Normal About Trans Men And Masculinity Dad, this is the Terrible Fathers dadson poll. you must choose.

[the-one-that-weeps]

I find it a little poetic that, usually, plays have 5 acts, but isat has 6. And the sixth one is responsible for breaking the cycle. Like telling the viewer that "hey, it's not over. Your life isn't theatre. So go out and live."

[emwallas176]

Just finished episode 3x19 (Memoria) and I have a lot of thoughts…

(Firstly, season three will just NOT give Lex a break)

Let’s recap the ep together:

- Lex agrees to have a shady scientist run experiments on him to try and regain the seven weeks he lost during his “psychotic break”

- Clark confronts him and tells him to stop (now I get Clark is concerned about his secret coming out but what the hell. Lex isn’t even trying to dig up anything about Clark at the moment. He lost seven weeks! Of vital memories! Including the fact that his own father drugged him and caused a psychotic break and locked him up in an institution and performed highly dangerous electroshock therapy on him. Clearly Lionel is a threat to Lex’s safety. And the most mind boggling part is that Clark knows all of this! Don’t you think that Lex deserves to know?? Don’t you think that not telling him is actually putting him in danger?? How is Clark justifying that with himself?? Even if he was concerned about Lex knowing his secret. Which I fully believe that Belle Reeve showed that Lex would one hundred percent keep his secret and protect him but I digress. Clark doesn’t have to tell him that bit. If he just told Lex about everything else then he wouldn’t have to go through with the procedure anymore. But he doesn’t. So Lex continues with the experiments)

- anyway, Lex has a psychotic break (again) and remembers repressed memories about his brother Julian who died when he was a baby and

SPOILERS

- turns out Lex’s mother was so terrified after witnessing how Lionel treated Lex (and was probably suffering from post-partum depression) that she goes and kills her son… horrible

- then twelve year old Lex witnesses this and covers for his mom, taking the blame! And suffering Lionel’s misplaced wrath for the next ten years (also since Lex called it a repressed memory during his confrontation with Lionel does that mean that for all these years he truly believed he killed his brother??? Bc if so….)

- also let’s not forget to mention that after getting into it with Clark Lex ends up being the one to save him from the lab after Clark is stuck in a vat of kryptonite (and is Lex thanked? No. Clark accuses Lex of becoming his father. Does he apologize for this? No. Instead he asks Lex why his father hates him so much. Clark Kent you are on thin ice young man.)

* special reminder that the episode before this while under Chloe’s truth serum, Lex admitted that the one thing he wants more than anything is his father to love him. Just in case that provides any context that absolutely breaks your heart.

* also ALSO no one even came to his fucking birthday party!!

I’m burning this whole place to the ground I swear to god. Smallville doesn’t deserve nice things. I’m going to keep Lex right here next to me until they learn to treat him better. IS THIS YOUR VILLAIN? Be fucking fr. You wish he was the villain. You stain his name to try and hide the fact that this boy has more morals and goodness inside of him than you know what to do with. I’m losing my mind.

[mercymaker]

to be completely honest... i think so many problems that plague fandoms would be solved if people remembered the concept of headcanons and accepted it for what it is

[danwhobrowses]

For anyone else who is gonna struggle surviving the next 3 weeks with the angsty and tense situation of Callowmoore here's a few things from the last 2 episodes that I feel were underrated and will assist in trying to keep me sane/emotionally stable: - Matching messed up hands built for holding - Fearne nervously playing with her hair as she approaches Ashton - Ashton wanted Fearne to be either the last thing they saw if they died or the first thing they saw when they succeeded - Fearne's admittance corroborates Ashley's 4SD revelation that Fearne is in love with someone in the party but doesn't know how to process the emotions - Fearne wanted Ashton to be happy, while Ashton wanted to feel whole so they would be worthy of the Hells - Ashton twice tried to lead a search for Fearne, and instantly clocking onto Chetney saying he followed Fearne - Fearne making herself look as radiant as possible before giving Ashton the cold shoulder - Ashton only rose to Chetney's provocations until he said 'You hurt Fearne' Use how you will

[astras-ender]

okay i was too p*sy to say it on monday but it's christmas so fuck it: (beware super long post)

THAT MAN IS ABSOLUTELY MEANT TO BE MC'S BROTHER

and that's okay. the sooner we accept this FACT, the better. (im talking to you tiktok and twitter)

i've seen too many c-dramas and manhuas and can easily recognize the trope when i see it. and many, if not all CN players themselves have said that's what it is. (not to mention every other translation refer to caleb as 'brother' or 'non blood related brother')

it's just for some reason, ENG translations must think we're too sensitive for that kind of trope and have changed it to 'childhood best friend' (maybe bc we have a history of not being able to distinguish fiction and reality and can't read btwn the lines)

this is fanart commissioned by Love and Deepspace THEMSELVES:

the apple and serpent have long been a symbol of forbidden-ness bc of adam and eve, and there's nothing forbidden or taboo about dating your childhood friend. but there certainly is when that someone is your adopted brother 👀

the pseudo-incest is the draw and the 'forbidden love' of it all is what gets the girlies giggling and kicking their feet, just like us girlies who love sylus and his criminal ass

it does not mean there are people who actively want to fuck their siblings (blood-related or otherwise) just like how we would run in the other direction if sylus was a real person

so enough with the "b-b-but we can't be related!!" bc he definitely is lmaooo

and more importantly enough with the unnecessary ass bullying 🙄

[campbyler]

Hello!!

I’ve had an unpublished modern au byler fic in the works for an embarrassing amount of time and I’ve noticed that you two talk about characterization a lot, which has been my main struggle. I’ve figured out choices to make for characters and how they relate to choices and characteristics of the canon characters in the show, but I’m not sure if the reasoning behind those choices and traits will translate to readers.

I love the fic and I feel like y’all did a great job with making those reasonings clear in your writing without directly saying it, so I’d love to know if you have any specific tricks for that!

Also sorry if this kind of formal, I’m stuck in email mode with finals coming up :|

hello! soooo sorry this is such a late response — i was thinking it over when it came in and then i ended up talking about something similar on another ask and totally blanked 😔 thank you so much for asking for our input, i’ll try to be as concise as i can! (<- edit from future me who has finished typing up her answer to this ask: famous last words. you were not concise. at all. oh my god i’m sorry) i know you said you already made your initial characterization choices and everything so please bear with me while i word vomit and rehash what was probably part of your thought process anyways just to be able to follow my own train of thought lol

some general thoughts here that thea and i have been mulling over for the last few months regarding how we’ve written our fic and choices we have made for it: we’re both well aware that acswy is not everyone’s cup of tea for many reasons, but i’m specifically bringing this up in response to your ask because every once in a while, we do see someone refer to our mike and will as being written out of character, whether or not that’s a deterrent for them in reading. and i want to make it clear that this doesn’t bother us and nothing im about to say is meant to sound defensive or like we’re making a case to people who feel this way — we have our reasons for making the decisions that we did and also already heavily retconned our og concept for them on account of it having been pretty ooc at the time, even to us, so we’re confident with where we are now — but it has made us think about what people actually consider to be “out of character.” this brings me to my first point re: characterization which is, to us, the importance of differentiating between something that the character in the source material doesn’t/probably wouldn’t do versus something that is more of a direct contradiction to the character themselves. for example, we’ve seen people say (often while reading for the first time) that will is ooc specifically in the first couple chapters of acswy, a big reason being because he’s “mean to mike.” it is, of course, vastly different from how he acts in the show and is probably a slightly jarring dynamic to be dropped into right off the bat, especially since the entire premise of the fic is that the reader has almost zero context for why he’s behaving this way, and even more so at the beginning of the fic before his and mike’s relationship develops further. to me and thea as writers, the importance lies more so in the context for it all: how mike and will would turn out after growing up without each other as best friends, with a lot of the cultural pressures of the 1980s removed but having some new ones of the 2010s/20s introduced; not going to high school together, being in the same friend group for years and getting closer over time with many interests in common, but also facing a lot of conflict and having that friend group be geographically separated while a lot of it goes down.

and with this context, what we would consider to be ooc would be if we just like. made will a straight up DICK or something lol. no nuance involved, constantly berating mike with no reason to do so, even with their unknown history, like just ragging on him all the time and never backing down, even when mike isn’t engaging (side note: giant personal pet peeve of mine that max constantly gets written this way but i digress). we see in the show that will is often snarky and sarcastic and will stand up for himself when needed, especially with mike — which imo is another sign of will’s trust in him and their bond, that he can be honest with mike and not fear genuine retribution, and in acswy, he knows mike will meet him where he’s at. he sometimes isn’t afraid to hit a sore spot, but he would never ever just be a jerk for the hell of it -> we even see him apologize after their fight in s4, despite it clearly being a very emotional moment for him and a lot of truth behind what he was saying. whether he intended for it to come out that way or not, he still felt bad for reacting that way and apologized to mike’s face about it. likewise, there’s a reason acswy will acts the way he does with mike specifically, and we were also intentional with making mike match his energy like he does in canon, which will counts on, even — the way these boys BICKER, oh my god — and he has his own ways of pushing will’s buttons which prove to be very effective. even in the early chapters there are a lot of moments of softness and real friendship between them that (we hope!!) make it pretty clear that it takes some effort to maintain this facade, that there is more than enough of their “canon” bond and dynamic and chemistry where being friends and having fun together is a much more natural state to exist in, and is where they usual end up during those brief periods where they let that mask slip. same principle if we had made mike some uber-jerk who had completely different interests than he does in the show (we are so glad that book annotator and zelda fan mike wheeler is ringing true for you all ☺️), or someone who’s super self confident and popular and charming (outside of will’s very unreliable pov) once he and will start hooking up. i think most people would look at that and look back at canon mike wheeler and say yeah that is Not my mike, because making will an actual asshole or making mike any of these things would be going against core character traits that are central to their arcs in the show. will wouldn’t be will if he was generally a confrontational dick, and mike wouldn’t be mike if he was popular and exuded self confidence and so on. that’s just not them! so to summarize, i guess the question to us is more along the lines of “would they ‘not do this’ in the show out of circumstance/lack of necessity (e.g: canon byler going to the same schools until s4, never having a reason for rivalry to develop, growing up living in close proximity to each other and all of their mutual friends, etc) or would they ‘not do this’ in the show because it’s antithetical to the way they have been written?” we find it much more interesting to put a character in a situation and then essentially work backwards in a way to see how they would react to it, rather than putting them in situations that correlate to things we have seen before, and therefore would probably result in them reacting in a way we have seen them do before.

and now coming back to what i think you were actually asking: i think my biggest tip to making those references without it being said outright is honestly just to have faith in both your readers And the creative choices you make. which sounds like a bit of a cop out answer but i simply can’t understate the important of trusting your readers to pick up what you’re putting down, and to trust that they’ll read between the lines for you. a lot of my favorite characterization moments in aus are ones that are really really subtle, where a character does or says something that is clearly a callback to something in the source media, but it isn’t explained in a way that’s actually calling attention to it — it always seems much more natural that way, like whatever they did is just a progression of who they are in that story instead of the author trying to make a point or force a connection. just off the top of my head a small example might be how i see so many authors in non-magic/no upside down aus still make will really struggle with the cold, often just as a throwaway line or paragraph which imo is much more effective for me than trying to explain why he’s feeling this way. or having him enjoy the same media as in the show in a slightly varied and less direct way (e.g: being into the new star wars shows as a continuation of his canon interests, putting him in theater club to play off of the posters we saw in his room, etc). i think it also helps to have something specific in mind that you’re trying to tie back, like an important moment for that character’s story or something that stood out in the source material. like, i love writing lucas and dustin bickering over stupid stuff bc it takes me back to them in s1 in the principal’s office or s2 in general, or one of my personal favs in my own fics was one where i had will be on a constant rotation of fun patterned socks. he’s creative, he’s an artist, it’s (hopefully) a pretty clear connection to make once i write it in, and i really do think a modern version of him would get a kick out of something like that! and sometimes people just won’t pick up on what you’re trying to say and that’s okay too! everyone reads fics a little differently so some connections might be more obvious to some people than others and so on. from my experience as a reader, i find it pretty easy to connect the dots between an intentional and thoughtful moment of characterization vs one that doesn’t quite hit the nail on the head, or the author felt the need to spell out for the reader which maybe took me out of the moment a little too much or something. to me, making those choices and translating canon to an au is honestly the hardest part, especially with a modern au and a show like st that is So defined by the period it’s set in, so if you’ve already got that out of the way i genuinely think you have the rest of it in the bag as well. unless you worked through it in the month it took me to get to this in which case i am so so so sorry LOL

okay that’s been my word vomit of the day, hopefully any of this made sense or was useful at all, but thank you again for your kind words and support and for thinking to ask us! always always happy to chat writing, even if it takes me a million words to do it 😗