#i need a model and animation showcase tho

[apple-cores]

eyeless dog study

[rhemaji]

Lil rant abt Caine

Caine is just a lil guy, despite it all. From a design standpoint I thought I was gonna absolutely fucking hate looking at him because those chattering teeth toys make my skin crawl- but the art direction really helps make him look more appealing and whimsical than a disembodied pair of talking dentures sounds on paper.

The thing with Caine is I didn't initially like him that much after the pilot. While his interactions with Bubble were quite funny, that one episode left me feeling like he'd just end up being kinda one note or at the very least one note in a way that'd get on my nerves. Then everything changed when Pomni Wake Up Time to Go On an Adventure! attacked

The comedic timing throughout that announcement video was so fucking funny and thanks to his line deliveries and animation/model [?] upgrades- CAINE LOOKED AND SOUNDED SO ADORABLE!!

Legit it wasn't until this came out that I realized I actually could be on board with Caine as a character and it's been uphill from there. Episode 2 was better than the pilot not only comedically and visually but also in terms of showcasing just how actually unsettling Caine can be as an antagonist. Not because he's vengeful or malicious, but because he's so oblivious to how people work. His mind's always buzzing with terrible ideas and he's so so eager about these adventures, but at the end of the day he really really doesn't get the circus crew. Try as he might to include them, keep them engaged [ZOOBLE WAIT!], or even give them what they want [Exit doors] he doesn't realize how traumatic and distressing their current situation can be. The very nature of being trapped in a digital world is bad enough but it's especially rough here bc not only does its god have limited capabilities, you also are very well acquainted with him, and he can't fully understand your pain nor can he truly save you from it. He won't mourn your abstraction. He will not attend your funeral. He will not understand the distress of your arrival, nor the weight of your departure.

This isn't just sad from the pov of the circus gang, it's also very sad for Caine- not because i think he'll ever feel sad about it himself necessarily, but instead because the situation is sad. New members appear over and over, you craft adventures and games and distractions like [i'm assuming] they'd asked you to, but over and over, one by one, they abstract. They stop laughing at your jokes. They don't like you. They want you to leave them alone. It's confusing and maybe even inconvenient.

Where I'm hoping the series takes Caine is that this dissonance between Caine's intentions and the distress of the circus gang gets worse and worse and worse until something's got to give. I'm hoping that maybe at some point a character will try to sit down and talk with him and for it to either sorta get through to him but completely backfire in some form because he misinterprets what the others want from him OR i'd also be down for him to listen, but not understand any of it and proceed as tho nothing happened. I don't want Caine to come around really, it'd be interesting to see how Goose would go about having him come around to being a better host that empathizes more with humans, but personally I do prefer him to keep on keepin' on being this oblivious and eager antagonist.

My favorite Caine lines/line deliveries so far:

"You, my friend, stumbled into an incredible world of wonders, where anything can happen!…e-except for swearing."

"And here we have THE GROUNDS! Drown yourself in the digital lake, or engage in ridery at the digital carnival!"

"What do you think of XDDCC? You're right, terrible, LET'S TRY THAT AGAIN!"

"Kaufmo abstracted? Why didn't anybody tell me?"

"Bubble you can't say that"

"-ZOOBLE WAIT!"

"Why are you all just standing there?! The- The Canyon- C-Candy Canyon Kingdom needs you now!" [according to his VA, this was an actual line flub but hoo boy am i glad they use it bc it's hilarious]

"I know you guys love your NPCs, but if I start losing track of who's a human and who's an NPC, who knows...what. could. happen..."

That last line there specifically surprised me the most because up until he said that I was under the impression Caine was linked to every single NPC. I even thought he could see through their eyes if he so chose thanks to his "hundreds of all seeing eyes" line in the pilot. Him saying this here implies lots of things. Has Caine forgotten before? Is someone in the circus secretly an NPC ooooooooh~

"Who knows what could happen..."

Honestly, when Caine first said this I did immediately theorize Jax as being an NPC but now that it's been *checks calendar* three months since I watched episode 2, I don't think this is the case anymore. Jax being an NPC would be...something. Jax not knowing he's an NPC would be interesting [i like it when ppl's realities get shattered], but honestly I think this line was a way to telegraph to the audience that no Caine isn't actually all knowing. He didn't know Gummigoo was coming through that portal until he saw him with his own two eyes. My theory is that Caine is only able to teleport, create, censor, transform, and destroy the world around him, but isn't able to see all of it at once unless he tries to. I think Caine's default state is one where he only knows what he sees directly in front of him/what he himself has left waiting for someone else. And rather than implying someone in the gang is an NPC, I think that line in episode 2 was mainly implying Caine can be tricked, that it's possible to hide something from him, to surprise him even. Though I'm not opposed to an NPC we haven't met trying to join under the guise of being human, it'd potentially create some fun tension assuming the audience was given enough reason to care about them.

Jax is actually my favorite character in tadc, but i couldn't fill an entire post with things to say abt him. Caine seems to be- at least as of right now- the easiest of all the characters to try and wrap my head around. I'll probably have a lot more to say about Jax as he exists in canon as the episodes come out [EPISODE 6 MY BELOVED]

but uhhhh yeah, that's all the things i had to say abt Caine. Pls go watch/listen to the fansong Digital Land bye!

[flapjacksfursona02]

Ugh i looove your ramblings. like. this show barely gets any discussion besides how sPoOoOky it is and shit and it saddens me lol (i guess it doesn't help that the creepy aspects are the most memorable, oh well)

Anywayyy,, whatchu said about the abusive relationships/caricature stuff? *slams table* 100% canon no cap...

like, the whole point of the show (at least originally) was to showcase how dark and sinister everybody else is compared to Flapjack, who's just this bright young fella who just wants to be everybody's friend, while being oblivious to how fucked up everything is around him.

That boy really is the only good character in the whole series, and it makes me sad cause Bubbie is pretty much the only good role model present in his life 😭

Also, you could argue that K'nuckles has shown to be reedemable multiple times on the run, but,,,, he's still a selfish jerkass to Flapjack and everybody else for most of the time so it doesn't really matter 😭

At least we got this weirdly cute quote from the show's pitch bible in the Flapjack wiki ig... i love it sm lol:

"Although Candied Island is always at the fore-front of K'nuckles mind, we see that there may be something that he craves even more than candy; the adoration of Flapjack. Although K’nuckles claims not to have any tender feelings for Flapjack, his actions say otherwise. He needs Flapjack, because he’s the only person in the world who doesn’t see him as a worthless bum."

Goshh how i wish they had more moments with an actual good father/son bond... ok bye lulz

i could just go talking about it for hours.

k'nuckles is kind of the great example of how gruesome a person could become (and yeah, we'll look at him as a person and not a myth beast, he's still human according to the show's canon) in some circumstances. dude was literally raised without anyone by his side who had good intentions, at least from what i saw. mermen tried to drown him in a bag like some animal when he was a child, to listen to bednight stories he sat under the caged window holes of a stormalong prison and absorb all the things criminals told him when he didn't know any better. the way he lacks empathy at all in his life that he is able to kill a person without any thought nor hesitation and death threatening people is normal to him. also him easily falling to alcohol and drug addiction, that's... yeah. reaching rock bottom of society from time to time, until someone saves him. feeling comfortable sleeping in a trash bag, as if he was used to be thrown there by someone else while being uncosciosly blackout drunk. all the candy overdose deleriums. the way he is lying all the time, permanently, sometimes even if there might be a chance for both him and flapjack to get in trouble for hiding the truth. the way he can easily start to cry without a reason, or just lay on bubbie's tongue and not getting up for weeks 'until he rots'.

this is an insanely good written alcoholic/addict character. so good that it's way too depressing for some comedy-driven kids tv show. and i'm surprised that no one talks about it aloud, the gruesome angst that this show is about. i'm not sad about it tho, nor mad, it even feels more nicely when even the fandom and fanart are quite joyful, but sometimes you just sit and analyse the show or a character and you feel weirdly excited and horrified at the same time. flapjack is dark fiction art

[doomednarrative]

I’m doing this for fun simply because I'm rewatching them all so,

Here's my personal ranking for Every Gorillaz Music video, based both on song and the video itself:

(This is going to be a long post)

PHASE ONE:

Tomorrow Comes Today: 7/10. I love this song and the video fits its vibe, but its still pretty simplistic and not a whole lot of actual animation and no story, so it gets points off for that.

Clint Eastwood: 10/10. I love this one honestly. Its still so charming after all this time and showcases the band well for their early days. Love the more moody tone of it, and I always love seeing the band actually play instruments in their videos too. Bonus points for Murdoc's laugh opening this one because I love that.

Rock The House: 9/10. Pure fun. I don't have a lot of commentary for it, I just think its fun and I love the song itself too. One point off for Murdoc thrusting his hips too many times for my eyes tho.

19-2000: 10/10. This one was the first Gorillaz video that I saw and it really is just a nice non plot connected video. The 3D animation still manages to hold up because of its mix with 2D animation in my opinion and I enjoy it.

Rockit: 5/10. I like the song but the video is kinda meh.

PHASE ONE MV'S OVERALL: Overall I like phase one and I miss Del. Bring him back.

PHASE TWO:

Dirty Harry: 8/10. 2D is just vibing so hard in this video and I'm living for it. That’s all that matters. (Side note but I love the version of this video they did for the BRIT's as well.)

DARE: 10/10. Noodles time to shine, a perfect song, what more could you ask for?? (Also love the bit with Murdoc at the end of course.)

Feel Good Inc: 10/10. This one is obvious if you know me at all. Murdoc playing his bass is what sells this one for me cause I enjoy the animation. The songs amazing and one I find comforting to listen to, and the mood of the video fits it perfectly. Theres some really fun shots with lighting while 2D is standing at the window too in the tower in here that I've always liked.

El Mañana: 6/10. I love this song but it makes me sad and so does the video.

PHASE TWO MV'S OVERALL: Phase One is iconic for its art style and for being The Beginning, but Phase Two is my favorite of the two for its art. I love how these videos are animated, and even if Demon Dayz is my least favorite album, the songs in these videos are all very good. Pretty solid as a whole all things considered.

PHASE THREE:

Stylo: 10/10 LISTEN, I KNOW SOME PEOPLE HATE THE CGI, BUT I LOVE IT. It’s so expressive, this song is one of my absolute faves, I’m sorry to be such a Murdoc liker but hes so much fun in this video and so expressive and it starts the story off for Plastic Beach. I love it so much.

On Melancholy Hill: 7/10. It’s not a bad video, and I love the song a lot, but...not a lot actually happens in the video aside from the bits with Noodle. Bonus points however go to just how seamlessly it puts 2D and 3D animation together, and for how cute 2D looks this whole video.

Rhinestone Eyes: 9/10. WOULD BE A 10/10 IF WE’D GOTTEN OFFICIAL ANIMATION FOR IT ;-; (The fan animated video for it tho is Very very good and i applaud that whole team.) Amazing song, this video has the most story packed into it so far from all the other videos and it’s memorable from its storyboards for that alone.

Doncamatic: 10/10 Listen...Listen I know its a one off and it doesn't really have anything in it but I’m obsessed because its one of my favorite Gorillaz songs tbh and I love Daley’s outfit in it so it gets a full pass from it.

PHASE THREE MV’S OVERALL: I love every video this phase tbh, none of them are bad. All of them are fun,and even if Melancholy Hill is a little slow, it’s still enjoyable. I love this phase because they all connect and I know I’m not the only one who feels that way either.

PHASE FOUR:

Hallelujah Money: 7/10. It’s not at all bad, but I’m as not fond of this song, and the video itself is much too trippy for me. Still has its own merits tho that I won’t knock it for even if it’s not my personal taste.

Saturn Barz: 10/10. Everything about this video is amazing. Character designs and as a comeback for the bands animated counterparts, it was perfect. I loved hearing them actually speak again too it made the whole thing so fun. The song is fuckin awesome and it fits the vibe of the whole video. Bonus points for the more lineless animation style they gave everyone in this video, it was a really neat change from past phases. My one complaint is again stop making me see so much naked Murdoc, I may like him but not like that.

Sleeping Powder: 6/10. I am so split when it comes to the mo cap models. This songs good but the video is again too trippy for me.

Strobalite: 9/10. Would have been 10/10 if Russel got to dance with 2D and Noodle, but other than that its pretty damn good. The mo cap looks way less awkward in here, particularly Murdoc and Russel. Also hilarious that Murdoc made a deal with the devil, and the guy who played him is actually his voice actor irl. This songs too much fun to vibe to as well.

PHASE FOUR MV’S OVERALL: Not much for story, but makes up for it in updated art and great music again. Solid overall yet again. I like it.

PHASE FIVE:

Humility: 20/10. Literally every single person I know who’s seen this video loved it. The animation is Beautiful, the song is so fuckin catchy, Jack Black is in it! What more do you want!! (The only thing I could have asked for was to see more of Ace but that’s its only flaw.)

Tranz: 9/10. I love this song so much but this video is Again just a little too trippy for me. However, we get to see Ace just jamming out in this video and I’ll take the trippiness just for that.

PHASE FIVE MV’S OVERALL: I was surprised there wasn't at least one more video for this phase honestly? I feel like Kansas or Souk Eye would have made for great videos for this phase. That aside tho, both the videos it does have are a lot of fun. My literal only complaint is that I wanted to see more of Ace. Bring him back in the future.

PHASE SIX:

Momentary Bliss: 8/10. This songs fine, but what sells it for me is the video is more slice of life/a day in the life of the studio. I’m always a fan of those moments. Bonus points goes to Murdoc trying to fuckin poison Jamie and it backfiring on him.

Désolé: 10/10: ooooh this song is so beautiful...I love it so much. 2D Noodle and Russel got to have such a fun time in this video and they deserve it. And poor Murdoc, having his little sad times by his asshole self. I love him but I think he deserved it. The others needed a good break from the bullshit and I’m glad they got it.

Aries: 6/10. Video itself is kinda boring, but the song is nice. Murdoc deserved to be left behind in Désolé after what he tried to pull here.

Friday the 13th: 3/10. I don’t care for this video and I really don’t care for the song. Not much else to say.

PAC-MAN: 6/10. Video’s fine, I like some of the little details in it, but it’s nothing special. The song itself is nice tho, super calming, I like it.

Strange Timez: 20/20 MY GOD I LOVE THIS ONE SO MUCH...VISUALS ARE SO FUN, I LOVE ROBERT SMITH SO I LOVE HIM IN HERE, ITS JUST A GOOD TIME ALL AROUND!

The Pink Phantom: 5/10 I just don’t really care for this song?? I like Elton John but I couldn’t get myself to like this one no matter how many times I’ve listened. 2D got to be happy in this video tho so I’ll give it a pass.

The Valley of the Pagans: 6/10. This song fuckin slaps but the video feels like a boring redo of 19-2000 except for it’s ending. It gets points for giving everyone Plastic Beach feelings at the end and hyping up the video after it.

The Lost Chord: 20/20. Y’all knew this was coming. This was something I’d BEEN hoping for story wise and I finally got it. Was it maybe a little rushed? Yes. But GOD it was such a nice thing to see them say “hey we’ve wrapped up this part of the story for good and want everyone to move on from it, so we’ve given it a properly acknowledged final send off.” And tangibly seeing everyone's emotions laid out about the island and their times there was very nice. And  I know Jamie and Damon have stated Murdoc is irredeemable, blah blah yes I know hes an asshole still, but I WILL think about Murdoc in this video and how he seemed actually regretful and what that means to me and the fact that it was no one else but 2D himself being the one to reach out to Murdoc in the end to save him until my dying breath, thank you very much. And this song?? Fuckin beautiful, it had those Plastic Beach vibes again and felt good for it’s send off song, I love it.

PHASE SIX MV’S OVERALL: I may be a little split on some of them and on Song Machine as a whole, but tbh I love the phase six art style so much and most times the videos were pretty good. Bringing back PB in the end was something I always wanted too so it really does get bonus points from me for that. I’m 50/50 on them overall. The great ones are great, and the meh ones are just kinda boring, so it evens out in the end.

STAND ALONE VIDEOS MENTION:

Do Ya Thing: 10/10. I’ve said before I love the 3D animation and the slice of life stuff, so this one’s obviously a favorite, and you really cant go wrong with an Andre 3000 feature either. 

Superfast Jellyfish: 3/10. This song is kinda fun but I don’t give a single shit about the music video.

Garage Palace: 8/10. Very fun pixel visuals for a change along with a killer song, super enjoyable.

So what’s my final verdict on Gorillaz and their long music video history?

Honestly for a group thats been going as long as they have, I dont think they have too many misses in their catalog. The ones that aren’t as fun are just kinda there, but the videos that really stand out stand out far above the ones that don’t hit the mark as well and in the end it all feels like a good balance. No band has a perfect video every time, but the ones that Gorillaz did well they did amazing on and I enjoy it immensely when that happens.

Sidenotes after watching all of those:

For the love of god please put Russel in the videos more, please, he deserves it and I would love to see him more.

On that note, BRING DEL BACK WITH HIM TOO!!

And speaking of characters to bring back, I want Ace to come back and join Murdoc sometimes, even if its only once or twice more, I need to see them interact PLEASE.

Last note but Jamie, please, I’m begging, show less of mostly naked or fully naked of Murdoc in future videos, we’ve had our fill by now.

[thefloatingstone]

Oh that's very interesting with the studio switch!

I'm actually not sure if they would keep assets but it depends on a lot of things. Generally, animation studios are in a weird state of eager to share but ONLY once production on a show has been finished. Once a show or movie is complete they'll post those concept art sheets and storyboards online for anyone who'd like to see it including sharing it on Animation groups and such. but DURING production that stuff is on STRICT lockdown. I'm currently working on a show which has not aired yet and I am under a very strict NDA where I cannot even reveal what I am working on. This is all to do with like.... idk what the actual definition or term for it would be... But it's to stop situations where Pixar is making the movie "A Bug's life" and the Katzenberg leaves Disney with some VERY bad blood between him and the studio, starts Dreamworks Animation, and then puts together the movie Antz and makes sure it comes out in theaters 2 months before Pixar's ant movie.

So the studio that did the movie have completed their project. It's been released. They have wrapped production. The contract with their client (Hasbro presumably) has been complete. So there is nothing left to still be under NDA unless it's something genuinely secret which I can't think of an example tbh. But something to do with finances or whatever.

However they are under no obligation to simply GIVE their in-house film assets to another studio. That's not really how it's done, anyway. If a project changes studios then the new studio has to start from scratch. So this would mean starting all over again FROM pre-production which is character design, model sheets, story bibles, reference materials for props, backgrounds, etc etc. They CAN hire staff from the original studio if that staff was contract staff and not in-house employed but the new staff would still need to create all of that from Scratch. it would be easier because they know what they're doing and they just need to repeat the process... but it IS work that needs to be redone.

UNLESS all the assets, 3D models, environments etc are not owned by the studio but are owned by Hasbro which is not common practice. Hasbro may own the IP but the product created is owned by the studio under which that product is created. they can't sell them because they don't own the IP, but they can use those assets and animation to market their studio to new clients as showcase of previous work and they don't need to ask Hasbro permission to do so.

So unless there's some deal or contract or purchase or something else involved the assets wouldn't simply be given to the new studio to use as those assets belong to the original studio. Unless there's like a thing where both studios are subsidiaries both already owned by Hasbro rather than contracted for a project.

it's all ownership and copyright stuff.

So short answer; I have no idea D:

As for rendering and time, I'm not entirely sure how long rendering takes these days. I'm a 2D animator so the last time I had to render 3D animation was in college in 2010. computers in 1997 would take AGES to render out the simplest CG renders ever, but even tho the CG was simple, the computers were weak. Nowadays the computers are insurmountably stronger, but as a result the CG that needs to be rendered in shows is also vastly more complex.

(fun fact; when Pixar was making Toy Story they couldn't see what they were animating the way modern CG animators do with a window showing the 3D models. They had to do it by punching in numbers into the XYZ axis to adjust the models within the 3D space, hope it looked good, then render it out in a partially completed state to check it. It was a nightmare lol)

So I was reading an article in Animation Magazine about the upcoming pony shows.  The Youtube webisodes (Tell Your Tale) will be in 2D, while the 22-minute Netflix episodes will be “created with a dazzling 3D CG animation style evocative of the recent film”, according to the magazine.

To my eye the “Make Your Mark” picture looks like it’s literally using animation from the G5 movie, and I’m curious if the animation is ACTUALLY going to be that close or if it’s, like, a placeholder image.  I’m not an animation expert, but I had the impression that “realistic” hair is hellishly hard to render, but maybe I’m wrong or animation has advanced past that or something.

For a plot twist, I searched around for more info on Atomic Cartoons (producers of the upcoming CGI show) and discovered in 2021 they put out the call for CGI hair and fur render artists.

“We are looking for a Character Groom Artist to join our team on an exciting new My Little Pony CG Series for Netflix! …  What You Will Do: Design and style CG hair and fur grooms for digital characters and creatures.  … Strong focus on design and creation of grooms for characters and animals with an eye for how hair and fur look, and behave.”

So that’s very interesting!  Maybe we are going to see some elaborate CGI hair.  I hope so!

As for the webisodes, I’m not expecting a ton out of them story-wise because from what I’ve read there will be OVER 70 EPISODES and they seemingly will be written by ONE PERSON, and I think that’s just asking a lot of someone?  BUT the webisodes reportedly will have the same voice actors as the Netflix series!  So that will be the first chance to hear the new voices for all the characters, which is exciting.

I saw in a different article that Maitreyi Ramakrishnan will be the new voice for Zipp Storm … I looked up some interviews with her on Youtube and she looks like a great choice.  Her natural speaking voice would be a good match for Zipp, although she may do a different voice, being a voice actor and all.

[attract-mode-collective]

The One Man War Against The Bydo, As Depicted By Just A Single Animator, Is Complete

Remember the work in progress R-Type fan flick from Otaking77077 (aka Paul Johnson) that I highlighted a little over a year ago? Well, as you can see above, it’s finished! And other than the rather questionable usage of a filter laid on top to accentuate the time from which the source material hails from… the game’s from the 80s; fans of the game knows this already, and for those who aren’t, it probably doesn’t matter the least bit…, it’s good stuff.

Johnson’s next project is Street Fighter related, which is neat and all, though I was kinda hoping he’d stick to shmups. Since he covered the 80s, why not a shooter from the 90s? Cuz a Thunder Force anime would be pretty rad and all.

Speaking of Street Fighter, the current focus of the Video Game Art Archive is Street Fighter The Movie: The Video Game. So get this; the Japanese instruction manual has illustrations of all the characters doing their specials, and they modeled after the actors!

Remember: here’s how Blanka appeared in the movie…

And here’s something to do with the live action Mortal Kombat flick; pondwitch sez: “me and my neighbor scorpion at the easter barbecue”

Buranovskiye Babushki, according to Wikipedia, is “a Russian ethno-pop band containing eight elderly women” (you’ve probably never heard of them before, unless you follow the Eurovision Song Contest, hence why they’re no strangers to me). Anyhow, TNT4, which appears to be the Russian equivalent of Comedy Central, recently enlisted the grannies to do a cover of the Mortal Kombat theme…

Can’t believe I’ve gone this long without mentioning the big news from last week! Well, big news in my book at least; the creator of PaRappa the Rapper and Vib Ribbon is teaming up with the creator of Gitaroo Man and Ouendan/Elite Beat Agents. It has the name of Project Rap Rabbit for now, and otherwise, not much else is known…

[UPDATE 5/16/17] Actually a new, crucial bit of intel has been revealed; Project Rap Rabbit is something you can Kickstart.

Speaking of PaRappa, here’s a snapshot I’ve been meaning to pass along for some time now, tho instead of waiting for the next installment of the Super Attractive Club newsletter, here’s the cute little stamp that accompanied the box full of 20th anniversary goods that miki800 ordered a few months ago…

Now might be as good a time as any to mention that the RodneyFun.com storefront is no longer open for business. How come? Well, Rodney Greenblat (the other person responsible for PaRappa, for those who needed an explanation) is about open a brand new shop!

The Rodney Shop will open this Saturday in the Catskills here in NY. Yup, it’s an actual store, not a website. Though hopefully an online version will open shortly thereafter, and hopefully I’ll be able to make the trip and be one of the first customers to enter the doors…

Everyone knows about the Nazca eagles in Xevious, though @isami_ichifuji points out that the game contains at least one other real world landmark…

Some time ago, I mentioned a series of discs for the Sega Saturn that weren’t games but were instead filled with CGI portraits, plus a tune or two, each based upon a Virtua Fighter. Well, some time before that, lvrllnd wrote about something a series of tapes for your VCR, which again was designed to cash in on “VF Fever”…

As before, there was one for every single character; each features various tricks and tricks and I want each and every one. If you look on eBay, you can find them for about $27 each! Along with plenty of other Virtua Fighter VHS tapes. Though I’m actually more interested in just the one on Virtua Racing…

Sticking with Sega for a little bit, courtesy of kazucrash is the unused cover art for the North American release of Gunstar Heroes. Call me crazy, but I kind of really like it?

Via Video Games Densetsu are some old photos that Koichi Namiki, who was part of the Sega Sound Team Band, recently shared. My fave is this one, back when Macs were considered part of the band...

Also via videogamesdensetsu is the most interesting tidbit from Hideki Sato (one of Sega’s main hardware designers) at something called the Game Business Archive: “Ryuichi Sakamoto was paid ¥10.000.000 to create the boot up sound of the Dreamcast.”

The dude from Yellow Magical Orchestra got paid close to 90k for the DC start up sound! I wonder how he feels about the fact that his handiwork is always accompanied by the sound of that loud ass disc drive mechanism, along with the beep of a VMU that needs its battery replaced? Eh, got his close to 90 grand, I’m betting he doesn’t really care.

Something else that recently took place was Retro Express, described simply as “an event for retro PC”. Other than some Toho port for the Famicom, the only other notable observation from shoutime is how he or she “was done in about 20 minutes”…

Behold the Family Cube R. It’s basically a Famicom and the Famicom Disk System in a very nice looking red translucent housing, which I originally spotted over at sixteen-bit. the creator “gorigo” explains what’s inside, but due to that pesky language barrier, I’m not 100% sure what is being said. I believe it’s a combination of authentic hardware and clone hardware. Especially since: “If it is a genuine Famicom board, it will not fit”…

Perhaps the most interesting component is the “homebrew L type connector” that allows Famicom carts to be playable without having to protrude on top…

It’s also super neat how it’s the same exact size and dimension as a GameCube with Game Boy Player attached…

The Family Cube R is also the closest thing we’ll get to a Famicube IRL…

Here’s a completely different kind of mash-up, one involving Splatoon and Space Channel 5, by kitsune23star…

And here’s another, from the CDTcrew, featuring Die Hard the movie and Die Hard the video game (or at least that’s what Dynamite Deka is called outside of Japan)…

Though back to the subject of hardware, miki800.com shows us that a Ford dealership in the UK of all things decided to take the iconic look of assorted consoles and apply their stylings towards cars. The end result is pretty… interesting. Their take on an Atari 2600 as a car is perhaps a good starter…

The car based upon the Mega Drive/Genesis is perhaps the nicest, though is mostly looks like what the Transformers turned into, before they crash-landed on Earth (am talking about the G1 cartoon btw)…

Though this van based upon the NES looks looks like a clone console by Hyperkin, aka I think it looks awful…

As for the Switch mobile… remember when the G1 Transformer lost their ability to transform and had to drive around in big goofy cars?

miki800.com also shares with us how various sports titles for the Famicom and Super Famicom illustrated the Player 1 vs CPU mode. I dig how in Super Famista 3, the two are pals, but by Super Famista 5, they’re bitter rivals…

I’m already iPhone 5S buddies with Eric, and coming this June, I might be Darius arcade cab cradle for my iPhone buddies with JC…

And once again, I wish I still had my iPhone 3GS, so I could take advantage of yet another batch of recently discovered assortment 3GS covers from National Console Support…

Please enjoy this video from a dude in Japan who’s all about showcasing their wide and weird assortment of junk food. In this case, he’s checking out the just released Dragon Quest chicken nuggets. The vid itself is nothing wildly exciting, just nice and calm and relaxing; I watch his YouTube channel to relax and help fall asleep at the end of a long hard day…

Unfortunately, someone didn’t get the memo about the lids being perfect for making yet another kind of snack, as @xoxo_lalafell shows us all…

Meanwhile, @TakeponFX recently tweeted about Koppa’s, that deli in Milwaukee, Wisconsin with the Atari 2600 for customers to play that I wrote about almost a year ago. There are two things worth noting here: first is the following image that was shared, which shows a slightly different configuration, sans the massive multi-game selector. Considering when it was originally taken, which according to Flickr is 2010, I’d have to assume it’s a prior set-up…

The same older config was present in The Jeffrey Dahmer Files, which I also mentioned in that aforementioned post, and which is also from 2012. So the selector hasn’t been around before then, I’d wager. Anyhow, the second thing of note is that I had no idea you could purchase shirts from Koppa’s, including…

Behold the evolution of Bald Bull (via brotherbrain)…

Very few fanbases are as multilayered as Nintendo’s. For most folk, who consider themselves to be fairly dedicated fans of the house that Mario built… they barely scratch the surface. And to determine how deep your love for Nintendo goes exactly, here’s a handy chart (via radicalhelmet)…

This week’s recommended reading is courtesy of Kotaku, which details an arcade that holds tournaments centered on the rather obscure Neo Geo fighter Galaxy Fight. Though there’s one key difference, one that sets it apart from all the other tourneys out there (aside from the unique choice in game): every round lasts only a single second…

“You’d think such a thing wouldn’t work, and yet it seems to have distilled the intense mind games associated with the fighting game genre to their purest form, crafting a unique experience for players and spectators alike. Strategy that typically plays out over a minute and a half is crammed into just a few brief moments. Should you wait for your opponent to make the first move and react accordingly, or bet everything on a risky uppercut that can be punished if it misses? With such a small amount of time for gameplay, the weakest attack can secure a round, opening avenues for outlandish tactics that infrequently pop up during normal competition.”

And last but not least, a photo from arcade-crusade, of a dude standing next to a pinball machine that’s also wearing a shirt with some sound advice…

Don’t forget: Attract Mode is now on Medium! There you can subscribe to keep up to date, as well as enjoy some “best of” content you might have missed the first time around, plus be spared of the technical issues that’s starting to overtake Tumblr.

[rapfornication]

A List of a Bunch of Songs We Liked by Siya Mbatha & Norman

2016, what a year. Included in this list are the emotions and memories that came with these songs. Here is a list that attempts to consolidate a most uniquely strange year .Fuck Donald Trump and enjoy the links to other pieces we thought you might enjoy too. And also fuck Donald Trump. 

Danny Brown – When It Rain 

Produced By Paul White Album: Atrocity Exhibition

One of the more left field songs that still somehow has an underlying jitty foot-light feel to it. It sounds like ‘Dip’ if it grew up in a dark basement and suffered from crippling anxiety. Danny Brown matches the atmosphere with some of his most vivid, impressive writing to date as he describes Detroit as a city that sees no change but gentrification, grannies getting robbed and more guns than necessary. Unforgettable.

Kendrick Lamar - untitled 02 | 06.23.2014.

Produced By Yung Exclusive & Cardo Album: untitled unmastered.

Cornrow Kenny brought out the circus tricks without losing his seriousness. The build-up is one captivating performance but once his voice swings into high pitched, the stunting and trumpets go into overdrive and you’re left pleasantly stunned. Get God on the phone.

Fat Joe & Remy Ma Feat. French Montana & Infa Red - All The Way Up

Produced By Cool & Dre & Edsclusive Album: Plata O Plomo

They say regionalism is dead but this all NY affair begs to differ. Cool and Dre provide the bass and unforgettable horns and the legends (plus Montana) rip it apart like a swaggier version of The Avengers. Remy Ma came back and ignited desperately needed fire.

Fat Joe & Remy Ma Feat. Infa-Red, Jay Z & French Montana -  All The Way Up (remix)

Produced By Cool & Dre & Edsclusive

 Lean Back left a lasting legacy, even for the millennials like my whack self who remembers slogans like Terror Squad, before Khaled was Billy Ocean, back when Fat Joe had the red parka in the video

"Lemonade is a popular drink and it still is". Lemonade the album that I still haven't listened to has just dropped and every beyhive fan on Twitter was up in arms mad that Jay Z was getting his lemonade from a woman named Becky -if you're into that kinda thing. And that’s all Hov was gonna do in terms of speaking on it. One more time, let it sink in. Lemonade is a popular drink and it still is. He pretty much ethered Beyoncé if you think about it.

Rihanna – Needed Me

Produced By Kuk Harrell & DJ Mustard Album: ANTI

For the first time in her long career, Rihanna sounded liberated. ‘Needed Me’ amplifies the dark, sexual charisma she always displayed in ways that feel less put-on (Rated-R, basically) and more like self-expression. A fantastic wonky Mustard beat gives her room to remind her past flame who really was doing who a favour. Savagery personified in one song. Oh, that shot of Robyn in a lacy blue dress, gun in hand, looking out to the beach? Iconic

BBNG Feat. Samuel T. Herring – Time Moves Slow

Produced By BADBADNOTGOOD Album: IV

It’s been great watching BBNG grow into their own. The legendary Sam Herring lends his heartfelt voice to this perfectly crafted number. Personally, it got me through a messy situationship. Unreciprocated love makes it feel like time is moving slow.

Kid Cudi Feat. Travis Scott - Baptized In Fire

Produced By Mike Dean & Plain Pat Album: Passion, Pain & Demon Slayin'

This is the most Kid Cudi Kid Cudi has sounded for a long time. And it's scary to figure that your preference for an artist is derived in their articulation of their personal pain and struggles, I mean it's why we fuck with a Basquiat right? But here, here it's like Cudi just wanted to make his number one fan Travis Scott happy. The reserved role that La Flame takes in this feels like that, like he's soaking the moment in. The production overall sound is very reminiscent of Man On The Moon, if not a remake considering Plain motherfucking Pat, Mike Dean, La Flame and Cudder were all on this, SQUAD.

Schoolboy Q – JoHn Muir

Produced By Sounwave Album: Blank Face LP

Deadly basslines and triumphant horns score Q’s coming of age tale to churn out one of the best songs on ‘.Blankface’. Can’t help but poorly crip walk when this album cut comes on.

Kemba – Already

Produced By Frank Drake Album: Negus

Honestly, one could have chosen any song on Kemba’s often brilliant LP, ‘Negus’ but ‘Already’ takes the cake for two reasons: it’s Frank Duke’s hardest beat since ‘Fuckin’ Up The Count’ and the artist sounds angry, dissatisfied and wounded by the awful recurring problems surrounding race. Isn’t that how we all felt in this bizarre year?

Samiyam Feat. Earl Sweatshirt - Mirror

Produced By Samiyam Album: Animals Have Feelings

This song was supposed to come right after Faucet but looking in this in totality it's fitting that it only dropped in 2016, a year later. A resolute Earl spits his way through his insecurities and imperfections "despite how they praising your face I'mma make do!". Earl's raps are never really about us, mans just telling his story and again we find ourselves in it. Looking in the mirror, seeing the only the nigga we wanted to be. It's not angry, it's aggressively encouraging.

Isaiah Rashad – Park

Produced By Park Ave. & D. Sanders Album: The Sun's Tirade

Trying to follow the topics Rashad dives into is genuinely exciting. In lesser hands, it just wouldn’t work but he’s always saved by the mere fact that he’s a compelling writer. Over fluttering hi hats and knocking sparse bass, he compares himself to Nicki Minaj and Guwop, reveals sexual infidelity while denouncing his savagery and still sneaks in discerning bars about fatherhood and religion. What really trips one out is how effortless it all sounds.

Noname – Freedom Interlude

Produced By Phoelix & Saba Album: Telefone

Out the shadows, Noname took her spot as one the more talented rappers of her generation. ‘Freedom Interlude ‘  is all her strengths wrapped in one warm song. Her intricate soliloquies spill over some steady drums and calming chords as she wanders and aches about Bill Cosby, perception, motherhood, becoming and everything in between.

Jeff Chery – Salty

Produced By Stefan Green

The cliché goes: if you don’t have haters, you aren’t doing anything noteworthy. So, naturally, songs about them are probably my favourite. Nothing like glorious flexing as a defence mechanism to truly propel a song and Chery leans into his naysayers over woozy bass and autotune.

J. Cole – Neighbors

Produced By J. Cole Album: 4 Your Eyez Only

Certain people will always let prejudices rule their perception of others. As a young black man, the hurtful reminders creep up on you every time who walk pass a car and the white person inside frantically locks their door or when you call your friends for a get together and your racist nearby residents bring the police to your doorstep to break it up. Cole explores this reality in a way that’s both relatable and fittingly hopeless. No matter who or where you are, the burden of being black is sometimes too heavy.

DJ Khaled Feat. Drake - For Free

Produced By Jordan Ullman & Nineteen85 Album: Major Key

I didn't want Khaled and Drake to have another anthem so they made another anthem. And as audacious as Drizzy Drake Rogers might be, as irritating as his love "Serana, Rihanna and JLo in one year" life might be, this is a really nice song. Like those moments after when you're feeling yourself, appreciating your agility wanting to ask the person next to you “... Is this sex so good I shouldn't have to fuck for free?"

Ma-E & AKA – Lie 2 Me

Produced by: Brian Soko, Mr Kamera & Ma-E 

Ma- E is basically your uncle who tries way too hard to look/sound ‘hip’ but still somehow pulls it without coming off corny. This ‘Township Counsellor’ gem hides the lingering insecurity of being rich/famous and always wondering if people like you for you or what you offer. Roping in SA’s erratic egoistic makes perfect sense as the pair smash this one out the park.

Ka – Just

Produced By Ka Album: Honor Killed the Samurai

Gangster turned firefighter, Ka writes like how one would imagine if they found themselves in a ‘I Am Legend’ type world. Even the pragmatic, bare-knuckle beats can’t dull the emotionally profound bars about backstabbers, dead loved ones, poverty and unfulfilled potential. Guilt more than anything invades this samurais’ nightmares.

Lil Yachty - One Night (Extended) 

Produced by TheGoodPerry Album: Lil Boat

It's really the most pleasant mean way to tell a hoe she ain't no wifey, matter of fact to tell anyone she ain't no wifey. But the video is tight tho, very Odd Future 2011-esq and very much Lil Yachty's assertion that he's pretty much here to do whatever the fuck he wants with this hip hop thing, and even scarier is that you actually can't stop him. Hook hella catchy tho.

Cousin Stizz Feat. Larry June – Down Like That

Produced By Puff Daddy Album MONDA

Billed as a showcase of star potential, Stizzy breaks out of the seriousness that drives ‘MONDA’ for some old fashioned hijinks. But Larry June truly murks this sizzling beat with one of the verses of the year. Who else can deliberately rap off beat, admit and end the bar with cold ‘fuck rap’?

Belly Feat. 2 Chainz, The Weeknd & Yo Gotti - Might Not (Remix)  

Produced By Merlin Watts, DaHeala & Ben Billions

Between the time the original and now Belly had delivered consistently cold bars embodied in solid projects twice. And hip hops heavy hitters and OGs aren't asleep to this, Belly's signed to Roc Nation. Everyone on here does their part but it's 2 Chainz who steals the show with his playful but vicious flow with audacious lines like, "IF YOU LOVE ME TAT MY NAME ON YOUR UTERUS!". Belly comes through cold tapping into the drug taking, model fucking persona The Weeknd had before he went full pop on us. And while Yo Gotti's verse is otherwise forgettable, mans didn't go down without a fight. 

Young Thug - Digits/Swizz Beats

Produced By Wheezy Album: JEFFERY

Thug’s output makes it hard to pick a favourite but these two highlight why I love Slime’s style. He’s a unique, eccentric singular voice that constantly defies rap norms and conjures up memorable hooks with ease.

A$AP Mob Feat. A$AP Rocky, A$AP Ant, A$AP Ferg, A$AP Nast, A$AP Twelvyy & Juicy J  - Yamborghini High

Produced By Hector Delgado Album: Cozy Tapes Vol. 1: Friends

First off, s/o and daps to A$AP Mob for executing skits on a tape the way we remember skits on a tape, niggas too fucking cozy. It's the type of contextualising taking us back to Pesos. A corner store in Harlem. Second, you gotta want to believe that Yams in heaven tripping the fuck out not only watching the most tumbler-esque video but fact that the whole tape is not only an ode to Yams but also the preservation of his legacy.

Denzel Curry – ULT

Produced By Finatik N Zac, Nick Leon & Ronny J Album Imperial

The most gifted pick on 2016’s XXL Freshmen List. ‘ULT’ is the perfect song if you’re unfamiliar with Curry’s work. It’s high tempo and ferocious coupled with unyielding intelligence. Denzel sounds unflinching in the face of racial profiling and police brutality as he basks in the idea of unity. The chorus carries its 2Pac influence proudly. Revolt music.

Chance The Rapper feat. Saba - Angels 

Produced By The Social Experiment & Lido   Album Coloring Book

Chance is that guy, he either irks you or like Obama he's on your playlist(s). So this song found its way onto mine. This is the soundtrack to my success, the background music to scenes of triumph, the sound of joy, a thugs prayer of gratitude ..that's this song. Pain is beautiful but it takes real skill to articulate happiness. 

 ASAP Mob - Telephone Calls Feat.  Yung Gleesh, Playboi Carti, Tyler, The Creator & A$AP Rocky

Produced By Plu2o Nash Album Cozy Tapes Vol. 1: Friends

The best thing about this song outside the quotable, outside Tyler stepping his flow up, outside walk Gleesh walk and outside "POST MAN, who dis?" is A$AP Rocky's verified lyrics where he writes about Tyler "I wish I knew this nigga my whole life" ❤

Frank Ocean Feat. KOHH – Nikes

Produced By Malay Ho, Om'Mas Keith & Frank Ocean Album: Blonde

Frank’s writing displays vulnerable humanity that we all try and tap into on our best days. ‘Nikes’ is filled with hilarious shit talking, short eulogies to passed peers and kin, lines about doing lines and trying to stay young. Life in your 20’s captured in 5 minutes.

Isaiah Rashad - Free Lunch

Produced By Cam O'bi Album: The Sun's Tirade

 Damn, I hate to say this but drugs and depression gave depth to this man’s music and made it interesting. After Clivia Demo, I had feared that under the shadow of TDE/Kendrick hype, that like other almost kinda famous sorta artists we were going to lose him, collateral damage so to speak. But instead Rashad in the most cliche of ways turned tragedy into triumph. 

Skepta – Man(Gang)

Produced By Skepta Album: Konnichiwa

The appeal of grime is its ability to be entertaining and aggressively haughty simultaneously. Skepta comes for everyone’s head on this ‘Konnichiwa’ standout. Fake fans and friends, washed rappers &wannabe fashionstas; no one is spared. London boyz made noise in 2016.

Childish Gambino – Me & Your Mama

Produced By Ludwig Göransson Album: "Awaken, My Love!"

The signal to the stars. Sitting through this ever mortifying gospel-rock joint feels transient. A shift from dick inspired punchlines to channeling Parliament Funkdelic; Donald Glover is proof of the rewards of artistic progression.

Danny Brown - Dance In The Water 

Produced By Paul White Album: Atrocity Exhibition

I'd like to think that this song would fit perfectly in a Tarantino film that's already been made, maybe that one about the car with Rosario Dawson and the lady who did stunts for Uma Therman. I'd like to think those things, a perfect middle between the old world and new. Danny Brown, at his peak, paints the most perfect picture of curated chaos.. 

Saba & Noname – Church/Liquor Store

Produced By Cam O'bi Album: Bucket List Project

Two of Chicago’s more gifted writers take us on a ride through their hometown. Saba is insightful, sorrowful and clear headed as he tackles addiction, gang violence, gentrification and the school to prison system. Noname acts as the perfect foil. It soars with gorgeous keys and beautiful choir worthy voices that only add to the misery

Earl Sweatshirt & Knxwledge – Balance

Produced By Knxwledge Album: 2016 Adult Swim Singles

A sensible union. Two talented non stars whose styles fit each other like big feet & AF’s 1.Earl’s attention to detail add a personal touch to universal gripes of being young, black & confused. His mumblings feel at home over Knxwledge’s lush, anxious phrases.

AKA ft Yanga – Dream Work

Produced by KJ Conteh

Sampling ‘Street Fighter’ should already make this a classic but AKA takes it a step further by rightfully staking a claim to SA rap’s crown. The hook is masterful; Yanga’s voice complements the thumping bass perfectly and AKA sounds focused, sharp and agitated. A continuation of a 5 year streak that doesn’t seem to be ending anytime soon. Long Live Supa Mega.

Terrance Martin – Valdez off Crenshaw

Produced by Terrace Martin Co-Produced by Robert “Sput” Searight

Modern music would be less great without Terrace Martin. One could go on an endless tangent listing countless accolades and contributions but rather we stick to this one moment on “Velvet Portraits”. It’s a mesmerizing piece of jazz leaning funk that contains an electric guitar solo that’s so beautifully over the top you can’t help sit in awe. An experience.

D.R.A.M Feat. Lil Yachty – Broccoli

Produced By J Gramm Beats Album: Big Baby D.R.A.M.

There's this phenomena taking place where new kids want to be their own, don't want to inherit problems, keen to dictate their own narrative. This song is a prime example of this. D.R.A.M is on here with his puppy hugging positive healthy outlook on life bars and Lil Yachty is here in his whole self. The millennials Big Pimpin', I’m calling it.

Kadhja Bonet – Honey Comb

Produced By Kadhja Bonet Album: The Visitor

‘Classical music’ can be an off putting label. But Bonet puts a modern spin on the genre and breathes new life into it. It sounds so good it possess the power to you cleanse all your proverbial sins. Gorgeous piece of music.

 Solange Feat. Lil Wayne - Mad 

Produced By Troy "R8DIO" Johnson, David Longstreth, Sir Dylan, Solange &Raphael Saadiq Album: A Seat at the Table

Very rarely are us folk, black folk, worldwide given the space to be angry. Our sorrow, our pain and small glimmers of happiness have their time, designated hours. So when you're mad, you're mad on your own, you're carrying it on your own .. and when you finally exhale it's a lot. Mad about inabilities and inadequacies of the self. It's always just too much to never have someone ask "why you mad son?". It's a relief to have a song like this affirm that anger. Affirming the experience of holding on anger only for it to be dismissed, invalidated to be "why you always be so mad"-ed. I praise Solo for speaking this truth. 

Rae Sremmurd Feat. Gucci Mane – Black Beatles

Produced By Mike WiLL Made-It Album: SremmLife 2

Mannequin challenge aside, ‘Black Beatles’ was destined to be a hit. Swan Lee sounds like a fallen angel; cautious and courageous. Jimi admirably keeps up and Gucci is his outrageous melodic self. Mike Will brings out the trademark ear wormy tunes and you’ve got a stellar song that celebrates youthful exuberance like no other this year. Rae Sremmurd > The Beatles

Rich Chigga - Dat $tick 

Easily the hardest bars and hardest beat of the year, or the 2nd Quarter.  Upper Echelon bars. YOUR FAVORITE RAPPER WAS SHOOK WHEN HE HEARD IT. 

DJ Esco Feat. Future & Rae Sremmurd - Party Pack 

Produced By Southside & DJ Esco Album: Project E.T. Esco Terrestrial

 If you questioned the longevity of Future's "glow up" or how Rae Sremmurd would navigate beyond being the cute small guys then this song stands as testament. On this song Future sounds energized, he sounds damn near competitive on a song that features another well executed Swae Lee hook and a very well placed Slim Jxmmi.

Boogie – Nigga Needs

Produced By Keyel Album: Thirst 48, Pt. 2

Boogie has a knack of simplifying nuanced thoughts and conflicting feelings. Coupled with a video of him as a bleeding centrepiece in an art gallery, The Thirst 48 rapper tries to come to terms the difficultly of self-improvement in a world that conspires against him.

Travis Scott Feat. NAV - Beibs in the Trap

Produced By NAV Album: Birds In The Trap Sing McKnight

 Ay, millennials finally get our own cocaine raps, that tight. But say no to drugs. Drugs ruin lives. Drugs also cost way too much money to pick it up as a habit. Also, who actually does cocaine anymore. Isn't tripping on anxiety meds, though troubling cos clearly in the purest sense of self we have proved incapable of dealing with the realities of this world, the wave? I dunno, just don't do crack kids. That's not glamorous. Neither is crushed up Ritalin on your gums. Great song though 5/5 shout outs NAV for the harmonies and production s/o Justin Beiber.

Westside Gunn & Action Bronson – Dudley Boyz

Produced By The Alchemist Album: Flygod

Wrestling and food references? Boasting about hardness and superior garments over velvet soft chords? Why didn’t this collaboration happen sooner? Old heads need to pay more attention to Westside and stop complaining about mumble rap.

DJ Khaled Feat. Jay Z & Future – I Got Keys

Produced By Jake One, G Koop & Southside Album:Major Key

The God MC came down a couple of times this year to bless his subjects but this Future – assisted joint was a highlight. Not a world beater but admirable considering it is a 42 year old taking a jab at a relentless Southside banger.

2Chainz – Ounces Back

Produced By DJ Spinz Album Daniel Son; Necklace Don

This Christmas, I’m thankful that the most entertaining rapper on earth was inspired all throughout the year. A performance littered with ludicrous lines about forgotten apartments in Jupiter(???), expensive jewelry and his upper echelon sex game. The flow is never forced or out of pocket over dreamy bass and stuttering keys. How is he over 40 and more inventive than rappers half his age?

21 Savage – No Heart

Produced By CuBeatz, Southside & Metro Boomin Album: Savage Mode

The line between fantasy and realism grows blurry with each social media update. We continue to laud rappers who seem to draw from real life experiences more than the ‘posers’ and that what makes ‘No Heart’ so great.21 is way too specific & menacing not mean any of his threat- filled lines. Metro Boomin’ matches the dead eyed feel with his most minimalist work to date and the end product is as enthralling as it is terrifying. 

Chance The Rapper Feat. 2 Chainz & Lil Wayne - No Problem 

Produced By BrassTracks Album: Coloring Book

Chance The Rapper Feat. 2 Chainz & Lil Wayne - No Problem Produced by: Album: Coloring Book  Coloring Book is one of those polarizing projects, you either felt it or you didn't .. I didn't. But he made songs like this that didn't make you feel like you were at Christian Rap Camp, some menacing statements were made on here echoed by your mum’s church choir. Wayne told us about freeing the choir, Chance threw threats about labels meeting the real south side and 2 Chainz? Man that man effortlessly floated just right on this pleasant song that even this weird iPhone class project video even is enjoyable.  ZBo8QA/K2O8

Migos Feat. Lil Uzi Vert – Bad & Boujee

Produced By Metro Boomin Album: CULTURE

An ode to classy fly women that even Uzi Vert couldn’t ruin. Offset’s show-stealing hook sticks in your mind like a deferred exam. A shining example of the power of Migos as a hit-making collective.

Kanye West Feat. Kendrick Lamar -No More Parties in LA

Produced By Kanye West & Madlib Album The Life of Pablo

It's only fitting that the most flagrant and audacious bars would find themselves sitting on this masterpiece. It's almost felt like a battle rap, Kendrick urging Kanye to rap again and Ye coming the fuck thru, "that God for me!" Pablo declares triumphantly and the song is so good, it's such a Kanye signature sample old heads the energy in the recording studio is crazy with McDonald's and Hennessy. Crazy. Fucking magical is what it is.

G.O.O.D Music Feat. Kanye West, Big Sean, Quavo, Gucci Mane, 2 Chainz, Travis Scott, Desiigner & Yo Gotti - Champions

Produced By Kanye West, A-Trak, Lex Luger & Mike Dean Album: Cruel Winter

Briefly, for but at least a second it looked like Kanye, Pusha T, fucking Kid Cudi, La Flame, 2 Chainz and even Big Sean .. it looked like the gang were back together. This single came as a result of hysteria, a just released Gucci, Kanye West finally releasing an album, a Quavo in his prime on a fucking MIKE DEAN track. In this moment, with the whole world in a frenzy doing everything they could do to somehow get their hands on these super stars, we were reminded that this label, GOOD Music, is a home to champions.