#i miss them and their fics

[rendevok]

Act I ~ The Prince

A tapestry for Let No One Sleep by @azalawa-scroggs on ao3

[theopteryx]

nyahh

[sualne]

icebrug and mihawk from the Arctic Birds fic

[nerdylizj]

Links to favorite fics you’ve read for Zutara?

i've been sick all weekend so apologies for the late response & lack of ratings, descriptions, et cetera.. i fear this is the best i can do rn. these are random fics from my bookmarks that i like for one reason or another, in no particular order. there are many, many, many that i am missing. i recommend checking out these writers' tumblrs/ao3 profiles for other works too <3

the crevasse by @iamnotthemilkman

delicate by @jasmine-tea-latte

nessun dorma by @sproutingliliums

the worst prisoner series by @emletish-fish

those who remain bt @arctik-fox

partner in learning by @forever--rain

lost in you still

for the spirits by @demaparbat-hp

like gold by @sproutingliliums

salt and scale by @mzladybird

for pride and honor by @neincraff

such selfish prayers

celestial motion

modern love by @grapefruittwostep

i'm still here

everything i am

they call you refugee

didn't know my heart

playing with fire by @spacelattesao3

vengeance is like gold

[inklore]

can we bring back fun fics? ya know when they weren’t taken too seriously, where we were simply writing them to feel that ooshy gooshy feeling and laugh and feel. nowadays i feel like all that matters is how intense the smut is, and trust i love smut. i am its number one fan. but i feel like its become a means to popularity, only writing it because it’s following a status quo of readers who only care about fics when it includes filth. like its not wrong to want the filth. we all love the filth. but please bring back the silly little plots. give me one bed, give me unrealistic fake dating, give me a wild crossover with fandoms that shouldn’t work together but do, give me something crazy like aliens invading or dinosaurs! like all of those things can lead to tooth rotting fluff or shaky knees smut. just bring back the feels! the silliness! the reasons why we all stay up until all hours of the night devouring these works of art!!

[harmonictechnicality]

Eddie develops a strange habit after sex. It’s not exactly cute or romantic or nice. Nothing bad either. It’s just… well, Steve isn’t too sure what it is. But every time, it’s the same damn thing.

He collapses onto Steve’s chest and says:

“My boyfriend is a cyborg.”

Usually, Steve is still recovering from the fucking downpour of post-orgasm endorphins. So he doesn’t question it. Hell, he stopped challenging Eddie’s tolerance to geek out months ago. Dude holds fantasy knowledge in his brain better than he holds his liquor.

Which is saying a lot.

Anyways, Steve never has the mental capacity to react or respond. Instead, he runs his fingers through Eddie’s sweat-soaked hair for awhile. Scratches out little patterns on his scalp because it always makes Eddie go limp. Quiet.

Quiet is a rarity for him. And while Steve is totally weak for Eddie’s chattiness, the quiet can be nice too.

The only reason Steve finally decides to ask about it is because Eddie slips up. Says it before they have sex.

Steve is against the bedroom door, his nails dragging down Eddie’s back. God, he loves this kind of kissing. The lung draining kind. The type that’s sort of filthy from all the heat and grinding. 

Eddie hasn’t marked him up this bad since that time someone at work noticed his neck. Asked if Steve was having an allergic reaction during an office-wide meeting.

And this is going to be even worse. Steve can tell by the sounds and the soft pricks of Eddie’s teeth. He can tell by how long Eddie spends over each spot, like the bruising skin needs more attention than the rest of him. Like licking them over will make the colors last longer.

The damage has been done. Really no point in stopping him when it feels so fucking good. Steve forgets to worry about  how mauled he’s gonna look tomorrow because his head is swimming with Eddie’s lips on his neck. His collarbone. His chest.

That’s when it happens. That’s when Eddie’s strange habit makes an early appearance. 

He kisses over the blistery mess he made, practically growls the words out this time: 

“My boyfriend is a cyborg.”

“Okay, time out.” Steve says. Heaves some air back into his lungs. Pulls Eddie’s face up before he can continue making Steve look like goddamn target practice. 

Eddie blinks a few times. “Did I do something wrong?”

“No.” Gonna have to wear fucking high-collared shirts all week, but whatever.

He’ll bring that up some other time. “Why do you keep saying that?”

“Saying what?”

“That… thing.” Steve barely can spit it out.  It’s like his throat is physically rejecting the nerdy shit he’s about to say. “You keep calling me… a cyborg or something.” 

“Oh that.” Eddie sighs. Casually shrugs to one side. “It’s your fault actually.”

“How is it my fault? I don’t even know what fucking language you’re speaking.”

Eddie walks over to the bed, chanting Steve’s name over and over. Definitely not in the way Steve prefers him to chant his name. Very un-sexy chanting.

“Remember that day you asked me to grab your car keys?” He asks, patting the bed for Steve to join him. 

No. “Kinda?”

Steve hesitates before walking over. He didn’t necessarily wanna stop their primal makeout session. But it was bound to lead to the bed at some point, so…

Just not like this. Not talking while fully clothed. Blech.

He sits next to Eddie. Hands awkwardly fidgeting in his lap.

“Well, I couldn’t find them.” Eddie admits. “So I ended up going through your desk drawers.”

Of course he did. Perpetual snooper.

“Ended up finding a binder full of medical records.”

Well shit.

Steve’s throat tightens. Swells around the sudden guilt he feels for keeping this from Eddie. 

“Why didn’t you tell me you had a metal plate in your head?”

“Dunno. Hardly even remember it.” That’s only partly true. Steve doesn’t remember the surgery or much of the recovery process. He was only a kid when it happened.

But he does remember the hospital smells. He remembers the sounds of his IV bag dripping throughout the night. All the sensory indicators are still fresh in his mind.

“Well, that’s why. You're part-machine.” Eddie points to Steve’s head, expression softening. “And every time we fuck around, I think about your bionic skull. And how glad I am that it keeps your brain from leaking out when I bend you over the way you like it best.”

Steve laughs. The jokes help lighten the mood. Not enough to replace it entirely, but enough for it to be easy to swallow again. 

They’re both quiet as they get ready for bed, folding the covers down. And yeah, sometimes quiet can be nice. Just maybe not right now.

“Hey, Eddie.”

“Yeah?”

Steve stares hard at the pillows. “Are cyborgs like… cool?”

Eddie pauses for a moment, then hops onto the bed. Starts crawling over to Steve with a smug grin. He lifts up to meet Steve’s lips. Kisses him sweeter than normal. Lighter. Starts nodding his head mid-kiss, keeps nodding as he breaks away.

“Yeah, babe. Cyborgs are so fucking cool.”

[non-un-topo]

To the next adventure...

Image description and details under cut

I.D.

[A drawing of Nicky, Joe, Quynh, and Andy from The Old Guard. They are all in profile, walking in a straight line facing the sun. They are dressed in medieval clothing and armour, and each carry their own weapons and bags. Nicky has his sword, a crossbow, a quiver of bolts, a dagger at his belt and another strapped to his ankle. Joe is holding his sword, a bag, and a coin purse. Quynh's bow is over her back, and her quiver is at her hip. Two daggers are strapped to her belt, one of them matching Nicky's. Andy is holding her axe, two bags, and a dagger. They each have serene expressions and closed eyes, as if they're not in a hurry. In the background, the seasons change from winter to spring, summer, fall. There is an old tree behind them, and its branches change with the seasons.]

[penny00dreadful]

Is it just me or are we all sleeping on the super fucked up homoerotic wound care that could come from the group of them dropping back into the Rightside-Up, going to Max's trailer and Steve's still bleeding out because look at him.

And everyone's quizzing everyone else, mainly the girls because it's the 80's and casual sexism was everywhere, on whether they know how to sew.

Nancy never learned, Robin doesn't trust herself and Max is just straight up like fuck off.

And then there's Eddie Handmade Battle Vest, Drug Dealer, Dive Bar Guitarist Munson like

🖐️😐

Enter the ✨ shenanigans ✨

[fifthnailinstevesbat]

after the events of season 4, steve just wanting SO BADLY to be friends with eddie. just LOVING the idea of them getting closer and having eddie as a friend because hell yeah! a close male friendship with someone that is actually my age, and who i don’t have a weird history with involving bruised eyes and love triangles? count me IN! and eddie is FUN, he is actually hilarious! the way they share the same glances of understanding when dustin is being an absolute shit head, rambling on and on about some obscure topic, expecting everyone to always be on the exact same page as him. of course. and, although steve suspects that eddie actually probably is keeping up with everything dustin says, much better than he ever could, he knows that above it all eddie can appreciate the antics for what they are, and roll his eyes with steve at dustin, i concur, you dustin henderson, are a total butthead.

steve just about junps RIGHT IN to being friends with eddie. hey man, what’cha up to tonight? wanna watch a movie? get drunk, smoke a bit? hey eddie, how have you been, man? he starts calling eddie up on the phone regularly just to check in, shoot the shit, he loves it! he loves having this new friendship with eddie munson and he loves how much the other boy has surprised him with how much he actually enjoys being around him. he’s not a freak, really, well ok maybe he is a little bit, but only in the best ways. he’s kind, thoughtful, and is always looking out for the people he cares about, which is something steve can really respect in a dude. but he’s also so funny? steve never could’ve anticipated just how much eddie has managed to make him genuinely LAUGH over their short amount of time spent together. and he’s really, out there? with the way he presents himself, the way he takes up space with these big THEATRICAL movements, leaving no room for regret or shame or god forbid embarrassment. steve isn’t even sure munson is capable of feeling it at all.

eddie munson is a good dude, and steve could use a bit more of that kind of person around him. he loves all of his friends, the weird little bonded family he’s found himself apart of, and they are all good people, but it never hurts to have afew more added in here and there. it never hurts to know there are more good people out there to find.

so steve is all over eddie, it seems.

at least, from where eddie is standing. nobody else seems as phased as eddie does at this sudden change in steve’s demeanour, in his interest in what eddie munson spends his time doing these days. it seems like, to everyone else, to steve, it’s just a natural progression in their relationship, after being sort of role model figures to the same group of kids, both being the two single dudes, who fought the same monsters together last spring, it seems nobody questions too much that they’d start casually hanging around eachother more. especially since eddie has found himself to fit into his own special spot as one of the group now after it all, after he unwillingly became tangled in this whole upsidedown-superpowers-supernatural-monsters and demons debacle, and tangled quite dramatically at that, the rest of the group that’s been with this since the beginning seemed to find no trouble in taking him in and seeing him as “one of them” now.

so, steve asking eddie to smoke, to watch movies, to go for a drive with no real end destination, it’s not really something that earns them too many double takes. dustin makes a comment or two in the beginning, because steve since when did you like hanging out with eddie? you guys are like so opposite, you don’t like any of the same stuff he does? and steve barely gives a shrug and a dismissive yeah yeah whatever man in response, with a signature eye roll, and dustin had said it seemingly also not too seriously, poking fun at steve wherever he can, not really meaning anything by it, as he fidgets around and rambles in the backseat of steve’s car, eddie riding up front. after that, though, he’s dropped it. it’s never brought up again. part of eddie thinks, too, that dustin would actually be enjoying that his two older friends are becoming friends themselves.

robin seems to be the only other person to look a bit harder at their situation, lingering stares at their interactions, all squinted eyes and eyebrows raised, though from her all this seems to be almost always and only ever directed at steve. eddie’s not sure what to make of that. isn’t he the weird one? i mean, he’s the one that stands out, right? he’s the odd denominator that makes their friendship strange. why would steve harrington want to hang out with Him? HIM? but robin doesn’t spend her time studying eddie to try and search for what about him could possibly have piqued the interest of cherished steven harrington, no, shes always looking at steve. like she’s seeing him differently, almost. eddie doesn’t even think that steve notices it, either, because he doesn’t seem to be questioning or doubting anything odd or strange or out of the ordinary with their newfound time spent together. and maybe, maybe robin is seeing him differently. eddie knows he definitely has been. seeing him more, intensely. deeply. human. seeing the person that steve is, as just steve, not this idealised version of a boy that eddies starting to question ever really even existed at all, or if everyone around him just needed to believe that he did, and who was steve if not happy to comply to the wants of the people around him for who he should be?

eddie likes having steve as his friend, too. don’t get it twisted. he loves how unexpectedly expressive steve is about everything, even really small things. steve LOVES to raise his voice, rest a hand on his popped hip, scolding the kids for something stupid with no real heat or malice behind it. and steve is, like, kinda bitchy too. eddie knew he had the capacity to be a real asshole when he wanted to be, that’s all he knew steve for back in the day, when he was back in high school, hanging around tommy h and the basketball boys, the jocks. eddie would spend his days hearing only whispers and gossip in the hallways of the parties at king steve’s house and the fights king steve had started and won on the court or out in the fields, only ever getting as close as a shove into a locker with the guy at the time, but eddie knew how it could go. he knew all about what steve had done to jonathan, what he’d said to him, the words he’d used. eddie knew it all. he’d seen enough, and been through enough himself, to know how these guys acted in response to guys like him, like jonathan, people who were lower on the social food chain. so, eddie knew about steve’s “mean streak”, if you will, but this kind of snarky bitchiness was something new to him. harrington was almost, sassy, when he wanted to be. it was less so cruel and more just, just sass. if he’s being completely honest it kind of blew eddie away, at first. he thought steve was one of those dull headed jocks who thought with their fists more than their actual brains, but that couldn’t have been farther from the truth. steve’s insults were well thought out, they were FUNNY, he was smart with his words. and silly. oh my god steve harrington could be so fucking silly, real honest to god goofball when the moment called for it, when he felt comfortable enough. eddie had caught on multiple occasions steve mimicking lightsabers to play fight with dustin, or the stupid fucking shit he would do or say just to make robin laugh, singing along to a song playing on the radio with a funny voice.

it was all a little, intoxicating, to watch. eddie didn’t know what gave him the right to be in on this now, to get to see this side of steve and better yet to be at the other end of some of his best qualities. it was fun, all the time they spent together, but there was always something else tugging inside eddie everytime they spent close time together, too. something, he knew steve wasn’t aware of. something he knew steve wasn’t equipped to deal with. something he knew, was him. was him, making things something more than they should be, because, nobody seemed to be questioning that they could become friends, so why ruin that? why disrupt it?

- robin and steve

“Steve.”

“-but then like, it wasn’t that I didn’t want to watch it I just thought, hey, y’know, let’s try something different for a change, but then he- oh my god he honest to god TACKLED ME Robin — I mean, it was so fucking funny and it happened so quick — and all over a fucking Tom Cruise movie-“

“STEVE.” Robin lightly slammed a hand onto the counter. She had been standing behind it for no short of 20 minutes, watching Steve as he paced around, supposed to be stacking tapes onto shelves, but ended up spending the whole time going on and on, and ON, about how movie night went with Eddie last night. She thought she was bad…

Steve jumped, almost running into a shelf and knocking down his hard work, and seemed to snap out of whatever trance he had found himself in after starting to tell Robin a story about something funny Eddie had done last night.

“Shit, sorry. Sorry, what were you saying? Were you- were you saying something?”

To this, Robin just rolls her eyes and let’s out a laugh, “You, sir, are goddamn hopeless.”

“Sorry. How long was I talking for?” Steve wandered his way over to lean his arms onto the counter from the opposite side.

“Oh, I dunno Steve, just about half an HOUR?”

“That is an over exaggeration Robin, it’s only been like-“

“Honestly, man, i’m concerned for you. You are like next level OBSESSED with Eddie. Eddie Munson. You do realise this right??? You are obsessed with him, Steve.”

To this Steve sputters, lazily waving his hands back and forth.

“No, Robin, what the hell are you talking about? I am not OBSESSED. No need to be jealous, alright, Stevie-Boy here can have more than one friend. Your spot in my heart isn’t any less special now that it’s beginning to be shared by another.” He bats his eyelashes up at her, holding both hands over his chest as if to cradle his heart.

“Oh my GOD! You even SOUND LIKE HIM!”, she playfully slaps his shoulder. “Steve. You are obsessed.”

“I am not obsessed! He’s just a really great guy, alright-“

“Blah blah, yep whatever you say, lover boy.” Robin quips, plopping down onto the chair chair infront of their staff computer, turning herself to face it.

“Wha- what? Lover boy? What the hell Robin, that is not- that doesn’t even make any sense!”

She is just smiling at him now, enjoying seeing him spiral like this. Steve let’s out a sigh as he puts his hands on his hips, and shakes his head, looking at her right back.

He opens and closes his mouth afew times, like he’s really thinking about what he wants to say next. Or like he has no idea what to say next, and his brain is not moving fast enough to formulate the next sentence his mouth knows he wants to say. He wasn’t obsessed. That’s not- that’s like- no. No he was not, Robin was just playing around with him, she knew how to get on his nerves. Get him all wound up over little things just to see him react like this.

After a minute or two, Robin realises Steve was not going to reply anytime soon, so she turns fully back toward him. Saving him from his spiral.

“So, what are you’re plans for tonight Steve-O?”

He lets out a chuckle and walks around the counter till he’s behind it with Robin, leaning his back against it so he can stand across from her and face her.

“Well, not really sure. Parents aren’t home, no early shift tomorrow, might drink afew beers, listen to some music, —“

“See what Eddie’s doin?” Robin finishes for him, quirking her eyebrows up and down as she does it.

“Oh shut up!” Steve just laughs and softly throws a tape from the counter at her chest. “As a matter of fact, yeah I will see what he’s up to. Because we are friends now, Robin. Is that a problem? Actually I was also gonna ask you what you were up to after work, too, but you know what after this I’m having second thoughts, I mean, the way you’ve been treating me lately-“

“Oh my god, you are the worst. Yes, I’m free, of course I’ll hang out with you dingus. You and your tweedle dee.”

Steve laughs at this, then tilts his head.

“Wait, does that make me dumb? Tweedle dumb?! That’s how you see me?”

“Yeah it is actually, got a problem?”

“Oh wow, she’s feisty today. Can’t believe you think I’m dumb, Rob’s. When you come knockin’ tonight, do not expect a warm greeting at my front door.”

“Yeah, yeah, I’ll take my chances.”

- later. steve’s house. to be continued?

[nocek]

they unionized 😱

(bigger version of first panel without speech bubbles is here as a treat ;)

[arainaizevran]

A wonderful art of Ajax and Wyll commissioned from @geezmarty! <3 They were amazing to work with, highly recommend!!!

[beannoss]

Something I think about a lot and wonder if maybe gets overlooked in Twilight’s story and as vitally indicative of his character is actually in the very first chapter:

Anya isn’t needed for Strix. Twilight decides to adopt her anyway.

[Spoiler warning: Mostly this post deals with early chapters already in the anime but there is reference to chapter 62, which has not yet been animated and will be in season 3]

Twilight decides it — “I’m going to rework the mission so it doesn’t involve a child because that’s too dangerous” and he’s 100% right! Donovan Desmond is canonically a far right warmonger with fascistic authoritarian aims. His government made liberal use of the SSS — a group to mirror the Stasi — who continue to operate in morally dubious ways (much more likely they’re actively morally reprehensible, though we’ve mostly only had rumours of that so far). From what we can tell, Desmond is at best an absent father and likely actually worse than that: if that's how he treats his own children, imagine how he might treat others. And the timeline seems to indicate that the experimentation performed on Anya was done under Desmond's government — even if Twilight isn't aware of experimentation on children, he is aware of both human and animal experimentation under Desmond's government. Taking all that and also the complexity of Strix's aims, undoubtedly there were other things that could be done, more straightforward if not necessarily easier.

So. Why? Why entertain the change at all? And then, having entertained it, why go back when the reasoning is indisputable?

On the Doylist level, I think Endo wanted to ensure that Anya had some agency within the set up — Endo also does this with Yor. It would be much harder to be on Twilight’s side fully, or to trust him on an ethical level/take him as any sort of moral authority, if he were just straightforwardly using these two people. To have them be active and consenting participants (arguably to actually be affirming the arrangement: Twilight sets it up, but Anya and Yor actually make it happen) even if the audience only knows the depth of their knowledge/motivations/etc currently, shifts the power dynamic in important ways.

But it also the set up tells us important things about Twilight. He is largely impatient, cold, detached in chapter one. His overarching feelings towards Anya are, I think, real annoyance, real confusion, and real impatience. He just doesn’t understand this damn kid and it turns out she’s a person which is frankly unacceptable — he’d needed and anticipated an automaton, ideally of himself in miniature form. (Though I think one could ponder whether Twilight was, in many ways, an automaton himself at this point, but that's maybe for another meta 🙃)

He’s not entirely unmoved of course — we're given to understand he’s affected when Franky tells him how many times Anya’s been adopted and returned, and isn't amused by Franky's joke about names. Franky's comment — "Just don't get attached" — reinforces this. The prospect of “the future” perturbs Twilight when he’s reading the parenting books. His initial reaction to Anya’s kidnap is horror. All these are true too.

Then there’s also this, from earlier in the chapter:

It’s exposition, yeah, and it’s also exposing. "Hopes" and "joys" are very specific words to describe those events. It could simply have been "A marriage? An ordinary life?" but describing them as such — hope for marriage; joy in ordinary life — expose something of what Twilight feels about those two experiences and, on the flipside, they expose what he deems he's lacking. No hopes of intimacy; no joy in (an ordinary) life. There's an argument as well, of course, that he's being ironic but I don't think that actually invalidates the above analysis. Drawing attention to 'hope' and 'joy' at all are revealing, regardless of Twilight's tone in thinking of them. I think it's also interesting this panel, taken in conjunction with a pair of panels in chapter 62, Twilight's backstory. The above is almost a pulled out version of this below panel of Twilight's recollection of his childhood, and of course the returning image of not just a rubbish bin but a rubbish bin on fire when it comes to disposing of his identity:

Back to Strix. Both his final interaction with Karen and the whole everything of the framing of Strix is making Twilight think (and feel, ahem) things that he hasn't for some time. Twilight decides, I’m reworking this. It can’t proceed this way. Not because Anya is a pain in his ass, not because she’s not as (apparently) intellectually advanced as he’d originally thought, not even because he thinks he can find another child who would better be exactly what mission parameters called for. No:

And what changes his mind is Anya asking to come home.

One of the important parts of this to me is this:

He seeks consent.

This moment is a keystone, I think, to understanding Twilight. It’s also more telling than he maybe realises. Twilight is decisive — we all laugh because he spirals at the drop of a hat when his daughter or wife look even mildly upset but outside those (also very telling) scenarios, he makes decisions and he pursues them. Often he makes decisions quickly. He’s a dab hand at it; it’s a large part of why he’s as good a spy as he is.

He’d decided to change Strix.

Anya asks him, in essence, not to.

So, he doesn't.

But it's wild that he entertains keeping her request at all — why? Why even entertain it? It’s dangerous; it’s impractical; there are too many moving parts outside his direct control; Anya isn’t the sort of child he’d wanted for the mission if he’d spent any time thinking about what a child might actually be like; Strix is in many ways an extremely long shot anyway, Desmond could just stop attending for reasons unknown and unrelated; etc.

So, yeah, why? Maybe because of this —

In conjunction, I often think of this moment in the cruise arc:

Twilight first naming the feeling as lonesome, and secondly tacitly conceding that he perceives Yor as a companion and that that relationship is important to him, something to be missed. What makes this for me though is that Anya calls this out "Papa's you're so sappy" and Twilight's reaction is that of someone caught-out. He doesn’t say “nuh-uh!” but he may as well have. Essentially, something landed a bit close to home, hm? Maybe some of that hope for marriage? A soupçon of joy of an ordinary life?

Twilight’s loneliness underpins many of his decisions with his family — probably without him being fully conscious of it. I think he is at least somewhat conscious of it, but also if he looks too closely... Well, best not to. I could fill this post, I think, with images that demonstrate his loneliness throughout the series; that sorrowful/pensive close-up of his eye(s) is one of the abiding motifs for Twilight throughout. I'd probably start with this one from Twilight's backstory arc:

Anya's request plays directly off his loneliness. Still though, he doesn’t immediately capitulate — he emphasises Anya’s choice. Is she sure? The last day has been scary for a child (and for him, but he's ignoring that part) and Twilight, in his increasing recognition that Anya is a person, is probably aware in the back of his mind that he hasn’t exactly been warm or welcoming or at all patient with her. Things that people respond to — he's otherwise excellent at manipulating people, so of course he understands this. So. Given she'd just had this scary experience, given he hasn't exactly been great with her: Is she sure? She wants to come home — with him?

I think the moment may get a little lost because Anya says something riffing off his own earlier thoughts and self-revelation (featuring that shadowed, lonely eye motif again!)

Were this a post about Anya, I’d talk about how it’s an important character moment for her as well by way both of demonstrating her agency/choice and also that she isn’t nearly as dumb as Twilight thinks (and the audience, maybe, also thinks).

But in my view, she didn’t actually need to say anything about it making her cry. I think she could simply have said yes in that moment and Twilight would have agreed.

Twilight’s an unreliable narrator; he’s disconnected from his heart and that shrouds his own motivations from himself — something he actually also concedes in this chapter!

And it shrouds from us just how much he actually understands himself. He’s also a master of deflection. Easy to assume or say that bringing Anya home is just to align with Strix. Nothing more to see here; nothing else going on. But also that ripping off of the mask in the panel above — and the literal 'riiip' sound effects — also indicate to us that this is an unveiling to himself.

In my view, Twilight agreeing to Anya's request, deciding to go back to original mission parameters, actually shifts his motivations, subtly. Now he’s committed not only to the original mission goals, but also to Anya. He needs Anya to succeed at Strix, not only for Strix's sake, but also because otherwise the mission will end and she’ll have to go back to the orphanage, and he’s just agreed with her not to do that (not right away, in any case). I don’t think at this point he’s thinking it’s forever — his thoughts throughout the manga indicate he still expects the Forgers to be temporary. I don't think the shift in motivation is necessarily even conscious, but given the set up, I think something inside Twilight recognises that agreeing to bring Anya home is a compact, jointly engaged. Mostly all this has become subsumed into Strix: he makes decisions. He pursues them. He deflects, even from himself. Of course it's just for the mission; this saved him the trouble of reworking it, of figuring out something else. Nothing more to see; no need to think any more on it. And to be fair to him, Strix is very high stakes, resting pretty solely on his shoulders, so of course that is, objectively, motivation enough. Why even consider beyond that?

But I personally think that to the extent he's aware of it at all, there is something else going on, that he wants to have Anya for as long as it takes him to work something else out for her. If that's the case, then of course, we have Occam’s razor: the simplest solution may be the best one.

Maybe Twilight should just keep Anya himself, eh?

[Image description: gif from Spy x Family season 1, episode 1. Twilight and Anya have just found out Anya passed her entrance exam and are overjoyed. Celebratory, Twilight picks Anya up and swoops her into the air as they smile at one another. End image description]

[bezzygom]

gay

[lotus-pear]

i think you guys are onto smth..

i unironically got invested in this HELP

[nibbelraz]

I am endlessly entertained by the prospect of MBJ just having literally no clue how human physiology works, and thus believing everything he hears (which, paired with SQH's propensity for saying dumb shit without thinking, is a recipe for disaster)

like:

SQH: ugh if I read any more expense reports my eyeballs will fall out of my head

MBJ: *frantically gathering as many expense reports as he can carry before shoving them into the fire*

SQH: *literally watching all his work burn up in flames* i-

MBJ: please hold in your eyeballs

______

SQH, offhandedly: lmao wei qingwei ate so many bao buns at the festival that I honestly think he's going to turn into one

MBJ, absolutely horrified, actually gives his condolences to the (very confused) human man because this affliction which will soon take his humanity is a fate worse than death. Also he starts hiding SQH's melon seeds

_____

SQH: ugh I'm so stressed out i'm gonna EXPLODE

MBJ: NO-

Yes YES OH man Shang Qinghua definitely has no filter when complaining about stuff, Poor Mobei he's learning so many awful things about humans and how MUCH DANGER THEYRE IN (how much danger his favorite human is in)

He tries to learn more about what can happen to his poor human so he's spying on Shen Qingqiu and Shang Qinghuas meetings only to hear them BOTH dramatically explain how tired they are, Shen Qingqiu with some peak lord duties juggled with Binghe and Shang Qinghua with just the amount of paper work and how they both won't make it if things don't slow down soon which prompts Mobei to immediately tell Luo Binghe that his consort is going to DIE if he doesn't get rest immediately this second

I can see this getting SO out of hand so fast, He'd bury Shang Qinghua in blankets and hold him tight so absolutely nothing can bother him and he'd be safe

[liggytheauthoress]

love the feeling of rereading your own fic and going "damn this bitch can write"