#i like to call those their 'gills'

[a9saga]

does anyone want an aggressive white rooster? because this guy sucks. are you in the market for a bird that sucks? i got your guy for sure.

[luck-of-the-drawings]

AHAHAHH FINALLY ANOTHER NEW DOODLE PAGE. A COLLAGE OF OLD DOODLES, NEW DOODLES, DOODLES WITH MINIMUM EFFORT, AND DOODLES WITH ALOOOT OF EFFORT. SOME DRAWN ONA TABLET, MOST ON A MOUSE, BEEN IN MY WIPS FOR AGES JUST TTAAAAAKKEE IT BRO I CANT LOOK AT IT ANYMORE. ANYWAY HHEEELLLOOOOOO CHIPS GROWTH OVER 100 EPISODES CAN WE TALK ABOUT THAT?? BECAUSE I SURE WILL. IN MY TAGS.

[gilliontidestriderchampionoftheu]

theory: caspian is the navy's chosen one?

ok hear me out ok ok. we know the navys chosen one has to be an undersea person bcus of aster's prophecy (71) and gills.. "conversation" with the navy people (62). if the chosen one is someone we've already been introduced to, it's only down to gill, edyn, finn, aslana, aslana's mom, felipe, and caspian.

we also know that someone on lizzie's crew is a traitor. either john, rudith, or caspian. (115)

its implied that caspian's sister became one of the elders of the undersea, while he went the opposite direction and went to the surface. (79)

and finally, my only decent piece of evidence: caspian was previously in possession of The Golden Lotus, aka DESTINY'S BLADE. he says he "found" it, but doesn't elaborate where or when. he also says "It'll be like having another friend watching your back" implying he KNOWS it's sentient? and best of all, it gives the user the ability to cast DAYLIGHT. which power of mana is associated with the sun? the NAVY.

[cadaverousdecay]

I found one of those things you call a mermaid on the pier the other night. All tied up and thrashing its poor body around like a fish caught in a net.

That image repulsed me. You know I've never been one for fishing. Even catch and release puts me off. I don't like to watch the poor thing slowly suffocating as it waits to be thrown back in, its gills heaving and sputtering for water.

That creature tied up on the pier, the gash of gills on its neck was heaving and sputtering just in that way, dark ocean water flowing out with every failed breath, it really made me sick.

I pulled out my pocket dagger and its attention was on me. Its eyes bulged wide and I wondered if, like a fish, it couldn't blink. The sight of my dagger set it off into another thrashing fit and I tried to calm it down. Poor thing didn't seem to understand a word. It kept opening and closing its faded lips, but nothing came out. Must've spoke some kinda fish language.

I held it firmly in place and slowly brought the dagger to the knots binding its wrists. It calmed down after seeing that I wasn't here to cut its flesh. Or maybe it had just lost all energy from being out of the water too long. Either way, it stayed still as I cut the ropes around its legs.

When it was freed, it just lay there on the pier. So still it might've been dead, other than the weak flapping of the gill at its throat. I needed to get it into the water, and fast.

I lifted it up, one arm under its neck, the other under its knees. Its skin was slightly warm, unlike any fish I'd ever briefly held. But the same clamminess. Warmer than its skin was the water spurting from its gills.

I stepped closer to the edge of the pier and the thrashing returned. It must've known it was going back home, and was getting excited. I took a step back to gather momentum, and pushed forward with all my might, throwing the creature in kicking and flailing.

It hit the water with a splash, and stayed at the surface for a moment. Almost like it was treading water. Must've wanted to say thanks. After a few seconds it slowly sunk down. Back to its home.

I imagined the slit in its neck filling up with ocean water and I could finally breathe easy again. I couldn't get that sick taste out of my mouth for awhile, though. Same sick taste of my first fishing trip.

"Who cut its neck?" I remember asking my mama as the fish struggled in my hand, tail thrashing, scales cold. She told me those were its gills, that's how it breathed. Through the slits in its throat.

"So it's breathing through its neck?"

"No, sweetie. Not now."

I took one last look over the pier into the dark water below, getting darker. That fish is breathing now. It's gotta be.

[gatorbites-imagines]

Listen. Listen. Hear me out.

I beg you, almighty gator—Gambit(Remy LeBeau) x M/FTM reader(ur choice i like both :)) where reader is a mutant that has some kind of power that has to do with sea monsters, and loves tarot cards so Remy does card tricks for him while reader is in a pool.

When I was a kid I called Gambit “Magic Man” and I had to hold myself back from screaming that in the theater when I was watching D&W a few days ago and revived my non-understandable fanboying of him. (Sorry for the rant)

You can change the fic anyway you want, I’ve got no problem as long as Remy is as silly as he normally is(can evolve into smut or whatever cause I’m freaky like that 😏)

Gracias Gator!!

Remy Lebeau x mutant male reader

Headcanons

I love Remy SO much its insane. I can’t write accents, so it’s there in spirit. Haven’t read the comics, so im basing this off of is wiki. no smut but i had fun writing this.

i loved seeing Remy in the movie, i just wish theyd given him his eyes, you know?

How you two met can be a mixed bag. Maybe you met in the x-men, maybe you met in the thieves guild before every crossing paths with the x-men as a whole, or maybe somewhere completely third. I enjoy the idea of the thieves guild though, so ill go with that.

You both had different reasons for joining or doing what you do, but being two mutants amongst a lot of other non-mutants meant you felt some kind of kinship with each other, even if you didn’t really get along in the beginning.

Especially with you two being visibly mutants. With Remy’s eyes and you having scales on different areas of your body, gills on your sides, what others would refer to as “monster eyes”, so on and so forth.

This resulted in you two preferring to work together when you got the chance, you trained together, ate together, slept together (not like that), so on and so forth. It also meant you two got a very deep understanding of each other over time.

It also meant that Remy got to see just how stupidly powerful you were. In the beginning you just thought your powers involved controlling water and being able to breath underwater. Who’d have thought you could do crazy stuff like controlling typhoons, rain, lightning, so on and so forth, like some kind of biblical being.

This was how you gained the name leviathan. You didn’t really like the name in the beginning, since you hadn’t really picked it yourself and it felt almost insulting with your appearance. But Remy was so supportive you ended up coming to like it, even though it took a long time.

In the end you two split apart as you leave the guild, going your separate ways but still keeping in contact in small but safe ways. With a power like yours it was hard to stay under the radar, and many wanted you on their side, even if it meant by force.

Time passes, Remy joins the x-men, you travel on your own and discover yourself and the world. Remy gets kicked out of the x-men when they learn of his past, you two meet up again and travel together for a while.

Its during this gap in Remy’s place with the x-men that your relationship became something more. He tells you about Rogue, and how he at first thought he loved her, only to realize what he felt for her wasn’t near as strong as what he felt for you.

And of course, during this confession, Remy tries to lay on the charm and act like it isn’t a big deal, but you can easily see through him and notice how anxious he is about it. in the end you just have to grab him and kiss him to shut him up, which yes, does shut him up, but also leads to you guys falling back into the water you’d been sitting by when he lunges at you to kiss you again.

Hes a charming guy yes, Remy has such a way with his words, how he carries himself or how he touches you. But underneath all that he also cares so deeply, to the point of being willing to die for you or those he cares about, which makes you lose scales from stress at times.

So, if you place protection spells on him that you got from the deepest part of the sea by the people who have started to worship you like a god, then only you have to know. That Namor guy is pretty swell, when he isn’t being a bit arrogant. He even taught you how to use a spear, so you guys are kinda brothers in spirit now.

At some point Remy does return to the x-men, somewhere you don’t feel ready to join him yet. So, a lot of kisses are shared, and a few tears a shed. And yes, of course you give him jewelry made from your scales. And a dagger made out of your larger teeth when you transform into a more serpentine form, because yes, you can also do that.

Remy doesn’t feel much need to tell the x-men about his relationship. Sure, he keeps flirting but that’s just because that’s how he is. But it never goes further than that. Some of the members that can read minds know about it though, since he thinks about you regularly.

In the end the relationship is exposed when the x-men find themselves in quite the pickle near the ocean. And Remy, knowing he can get them the upper hand, is able to snap one of the sigils you placed on him.

Rip to whoever they were fighting, since the sea lashes out and swallows them whole, followers by a giant feral looking sea serpent, you, rise from the water. Yes, you teleported there. What else were you supposed to do? You thought your boy was in danger!

Cue the x-men just being stunned or confused when Remy calls out the cheesiest pet names, almost kicking his feet in happiness at seeing you. It makes a bit more sense when you transform into a more human form, it still takes some explaining though.

In the end you don’t end up fully joining the x-men. You doing that would place them under a lot more danger than usual, since you had your own enemies and alliances, and you’re pretty sure Namor would get butthurt if you did. But you become something of an ally. Which means you hang out on Krakoa on the regular.

It becomes a very regular sight to see a giant serpent lazily swimming around the island, or resting half on the beach as Remy sits and shows you his different tarot readings. Of course, you also spend time together with you in a more human form, but seeing such a big sea monster also makes any baddies keep a distance.

There are also of course pools set up on the island, not just for you, but they’re accessible for you as well. Remy is regularly seen in the pool with you, or just sitting with his feet in as you two talk or whatever else you guys do.

You end up becoming something of a swim instructor to the youngest mutants, or just those that can’t swim in general. This is something Remy finds extremely entertaining and he’s always teasing you about it. luckily its easy to shut him up with a kiss, or by knocking him into the pool. Or both. He doesn’t mind.

[fakevalentine]

gurl the idea of Ellie taking you for a jog as an excuse to gill u up with water. making sure u stop to drink plenty during the jog and definitely after. I just know once r has drank enough, Ellie would pushing push on r's tummy and twase them. "You gonna piss urself babe? really?" jusy push and push on r's tummy

female reader x ellie williams

"gotta stay hydrated, baby."

is what ellie said. what she insisted on, filling one of those obnoxiously big water bottles with motivational phrases to the brim and constantly reminding you to take gulps as you jogged along the neighbourhood together.

for your health, of course... stay hydrated...

you were totally fine at first. but the more you drank, the more fuller you feel. and suddenly, you cant keep up. you cant hold it.

you call out behind her, the empty street making your voice echo. "els, i cant anymore." you whine, slowing to a stop. ellie huffs a laugh that you fail to hear in your distressed state.

she halts and turns to look at you with a very unimpressed look.

she sighs dramatically, slamming her feet against the pavement as she walks slowly towards you, eyeing the now empty water bottle in your hand. "you giving up on me already?"

you groan, squeezing your thighs together in hope to ease the pressure in your bladder as you shake your head. "no, i just," you look around the, thankfully, still empty streets, and then back at her. "i need to pee..."

her expression is playful and unserious, and you just frown. "oh, you need to pee?" she thinks its kinda cute, the way you shift your weight uncomfortably and bite your lip.

her hand strokes up the side of your thigh, "how bad?"

"bad, ellie. can we please go home?"

she hums, looking down to where her fingers now toy with the waistband of your pants. "oh dont be like that, baby. we're getting our exercise, right?"

you dont realise that shes fucking with you, all you can focus on is trying to not to wet yourself outside— three streets away from home.

"just hold it."

you furrow your eyebrows, "hold it?" you shake your head. "i cant. please ellie."

maybe she would of if it wasnt so entertaining, took you home and watch you disappear to the bathroom like an honourable girlfriend. but wheres the fun in that? instead she lays her hand flat against your abdomen, pushing down on your tummy

your breath gets caught in your throat and you reach down to grab her wrist, the sudden pressure taking you by surprise.

you scold her, warning that if she does that youre gonna pee. you certainly dont want that, but maybe ellie does. maybe this was the plan all along— of course, that has yet to click in your head.

she just laughs at you, "whats wrong, huh? you gonna piss yourself, baby?"

youre humiliated already, your face rising in temperature at her teasing. you whimper, nails digging into her tattooed forearm as she applies more pressure on your stomach, no sympathy in her green eyes

you cant ignore or deny the warmth that floods your cunt, but you can certainly feel ashamed of it. oh, but youre confused. why does the embarrassment of soaking yourself give you a rush? why do you want to give ellie what she so clearly wants?

and how could you ever deny ellie williams?

[druidshollow]

AAAAAAUCGUFUFHFUGG THIS IS SO FUCKING COOL SHES FSO FUCKGINGNG MCOOOOOOL...... SHE LOOKS SO AWESOME YES GIRL MURDER PEOPLE!!!!!!!!!!!

I still absolutely hate her btw @druidshollow

[lellalombardiapologist]

it pains me to no end when i see people make those tragic f1 rivalry posts and they start from prosenna, but prosenna would be nothing without villeroni

alain prost received phone calls from gilles villeneuve when he was upset after what he perceived as a betrayal at imola in '82, if you're familiar with the phone calls senna made to prost ten years later that's gonna ring a bell (no pun intended)

alain prost saw gilles villeneuve die at the next gran prix without ever making peace with didier

alain prost would not have stopped the '84 monaco race in the rain if it hadn't been his car upon which didier pironi's ferrari impacted horribly in the rain at hockenheim two years earlier, getting airborne in a tragic repetition of gilles' accident and resulting in didier' legs being horribly mangled (he had to undergo more than 30 surgical operations, never recovered full functionality and thus could never race cars again). alain himself said that he used to like racing in the rain before that.

alain prost probably knew that didier pironi had his house filled with photographs of him and gilles and alain kept very little f1 memorabilia in his study, except for ayrton's helmet

alain became the first french world champion only because didier's accident gave way to keke rosberg's championship win in '82

alain was also aware of didier's death in a powerboat crash in '87, and is probably aware that the narrative between him and senna is more nuanced than the gilles/didier narrative in popular journalism and media because he is still alive to tell his version of the story after ayrton's death, while didier isn't here anymore and most remember him as a traitor to gilles.

[impish-baby]

Ooo what about a group of fae caregivers who have been watching reader for a while and deem that this baby can’t go on longer without being taken care of, to then lead the reader out into the woods to never get them go.

Love your work btw :))

Fae!!! My favorite honestly, I hope this is alright! ^^

Come along now, run away from the humdrum. We'll go to a place that is safe from greed, anger, and boredom - Fae caregivers x reader - ☘️

The woods have always felt like a second home to you. Towering trees that stretch into the clouds, babbling brooks, it's all so much more tranquil than your busting town. Sometimes, it even feels like the forrest cares just as much about you as you care for it. It's silly, you know, but it makes you happy.

The rumors of fae are forever present, but they do nothing to deter your longing for the wild. Old wives' tales are all they are, whisperings meant to keep children from wandering too far from home and getting lost. Even if there's truth to the stories, it's none of your business. Really, you just need to be polite (something you should already do) and guard your name, it isn't that difficult.

Leaves crunch underfoot as you travel the familiar path into the woods, the changing of seasons obvious. You're a little sad to see the green go, but it is only nature's coarse. The autumn season gives way for lots of good harvest at least, basket in hand in hopes of bringing a few spoils home. As you travel deeper into the trees, the sun is eventually swallowed by the canapy, beams of light being the only thing allowed through.

A fox catches your eye for just a moment, the creature staring at you from the undergrowth. You can't resist the urge to wave politey, so you do so before it scampers back into the trees. No matter how many times you see one, they're still so beautiful.

Everything is really, that's why you've found yourself crouched in front of a patch of mushrooms reaching out of the forrest floor. They're pretty, a light brown with frilled gills..

"I hope you aren't going to pick them, those are poisonous, they don't make for very good eating.."

The sudden voice from behind you causes you to fall flat on your bottom, a melodious laugh following. "Oh dear, I didn't mean to startle you.." they offer you a hand up, giggling all the while. "Are you alright, darling?"

You manage a nod as you're helped back onto your feet, thanking the man quietly. He's tall, probably taller than anyone you've ever met, and jewelry covers his form as if his beauty didn't speak for itself. His rings catch the light as he raises your hand to his lips.

"You may call me Briar, might I have your name?"

He doesn't falter for second as you shake your head, asking him to call you a nickname instead. "Oh, I get to choose, do I?" Brair rubs his chin like he's deep in thought before springing forward and playfully tapping your nose. "Sprout then, you're just a little thing, it suits you.."

You aren't the happiest about it, but you're in no position to protest. Briar only smiles and steps away, no longer in your personal space, but waiting for you. "Are you out to pick berries perhaps? I know a great spot. I was about to fetch some myself, actually.."

He's expectant, tilting his head at you. "We'll have to go away from the path, but I promise, they'll be the best thing you've ever tasted.." You're reluctant to veer away from what you know, but Brair assures you he won't get you lost, and the promise of goodies is tempting..

You think his smile can rival the sun with how bright it is when you agree, Brair taking your hand in his as you begin to walk into the thicket. It feels right almost having your hand in his, it's strange, you've only just met but he seems familiar. Like you've always known him.

"My friends and I are having a little bit of a party, actually.." He hums, swinging your intertwined hands back and forth. Brair laughs again when you ask about it, giving your hand a gentle squeeze. "A welcome home party, I suppose. One for a beloved member of the family.."

It feels like it takes no time at all to come across the bushes he was referring to. The path, however, is long gone. You don't notice, attention captured by Briar guiding you to sit beside him. He was right, the berries are like nothing you've ever tasted before. They're the sweetest, nothing compares to the burst of joy they give you when you sample one.

By the end of picking, your fingers are stained pink as well as your mouth. Briar hadn't snacked on the fruit like you did, only smiling as you had your fill. "See? Good, right?" He hums, brushing your hair away from your face. "You know.. I'm sure we'll have much more yummy food at the party, I'd be delighted if you came. " Briar pays no mind to your instantaneous about not wanting to intrude and.. and if the rest of the food is as good as what you just ate..

"Perfect.." Briar is already leading you away, although you're unsure when you started walking again. "Ohh, I can't wait.."

You can hear music in the distance, the sounds of merriment beckoning you home.

[obsessivevoidkitten]

Dishonorably Discharged and Detained

Alpha Shark Man x Gender Neutral Omega Reader (CW: Dubcon, a/b/o, omega reader, DILF, size difference, shark man, merman, biting, marking, claiming, heat cycles, breeding, kidnapping, force fed reader, reader is briefly shocked by an electric fence, general yandere behavior) Word Count: 4.7k (18 minutes into March and already a fic is posted! This was written as a birthday gift for a friend, happy birthday, you know who you are, my longest friendship and trusted confidant. I hope you all enjoy this. Also I tagged this as a merman because I think it qualifies, even without a fish tail a person who is part fish counts. I will die on this hill.)

The dreadnought you were on sailed at a fair pace, ever forward, back to your base. It had been deployed to the front but the battle was over before you even had a chance to arrive, enemy presence in the area had been way overestimated and your unit had not been needed. The sea ahead of you lie calm and serene, the sun scintillating off the surface of the water and the salty breeze kissed your skin, feeling pleasant in your stuffy uniform. You were second in command of the ship directly behind Admiral Reeves, you were an omega but with hard work and perseverance you had managed to defy all expectations of what an omega could be, ranking higher than many alphas your age. This caused some issues when you had first achieved your current rank, but over time you had gained the respect and obedience of those under you as well as the respect of your superiors. You had become invaluable to Admiral Reeves both as a hard worker, a motivator of the troops, and even a strategist he could always call upon for a second opinion when planning on how to engage an enemy force or escape a harrowing situation. That wasn’t to say things were completely easy for you, whenever you were docked or dealing with other service members that were not in your unit you always had to stand strong against harassment and catcalls. And being constantly surrounded by so many alphas, and the pheromones that accompanied them, could sometimes make you more than a bit dizzy. Admiral Reeves’ pheromones were among the most potent, he was not a regular human like most of your peers. He was a shark man. A hybrid species that had been genetically engineered decades ago to help humans explore the seas and get an advantage in maritime combat. Reeves’ heritage was obvious. His sharp teeth, the fin on his back, webbed fingers, gills at the base of his neck, and pale blue skin giving him away to any who saw him. He was likely in his early fifties, it was slightly hard to tell though given he wasn’t completely human, but his short hair had an attractive peppering of grey. As mentioned previously his pheromones were much stronger than an average alpha’s. Probably because he was significantly larger than a normal human. It made being an omega near him all the time slightly difficult, but the main difficulty was that sometimes his cool headed handle on his instincts slipped a bit and he could be just a slight bit overprotective of you. He never disrespected you or questioned your ability to carry out your duties though. After enjoying a few minutes of sunlight and salty sea air you began to make your way back below deck to the dorsal side of the bow where the bridge was contained, you had to make contact with the mainland and give them your coordinates and estimated time of arrival. But before you could even leave the deck a sudden explosion sent you flying. You remained conscious just long enough to notice your right arm and leg were bleeding. You tried to get up but within seconds you collapsed. The next few weeks were a blur that you were almost entirely unconscious for, with only brief fragments of confused awareness. You remembered seeing medics above you, you remember a moment of being in the ship’s medical bay as the ship weaponry fired, and you remembered being awake several times briefly in a hospital bed. When you finally, REALLY, woke up you were in significant pain. Your arm and leg that you had seen bleeding were both in a cast with your leg suspended, your vision was a bit blurry, and your head was throbbing. You had great trouble concentrating, it took great effort to collect yourself and assess your situation. You were no longer in the ship’s medical bay and there were no windows in your room, it seemed very minimalist. Probably a military hospital on base. There was nothing really much you could do other than just try to relax and let yourself heal, eventually a nurse walked in and immediately rushed over to you to check your vitals and ask you a few questions to make sure you were fully aware and awake. After doing so she hurriedly rushed out, staff was under strict orders to notify Reeves the second that you were awake. Since the ship you had been stationed on, The Sentinel, was docked for repairs Reeves was currently at the naval base that you were receiving treatment from and it did not take long for him to be notified about your updated condition and come speeding to your side. You could tell immediately by his scent he had not been getting much sleep and he had been more than a bit anxious. Not surprising, probably lost some good soldiers in that battle and then having to wait as the ship was repaired or for him to get a new assignment was probably pretty stressful. You could have never imagined that the reason for his recent distress had actually been your hospitalization. But it had affected him in ways he would not have thought previously possible. He stood beside you with a huge grin on his face. On anyone and to anyone else it may have been frightful, given the sharp nature of his teeth, but you knew it was a good sign. “Nice to see you awake after you’ve been lazing about in bed for a few weeks, haha,” he joked with his typical sense of humor before his face got grim and he took on a more solemn tone, “But... in all seriousness… It’s good to see you’re okay. We lost some good ones in that attack. Sunk the bastards that did it though.” You took a moment of silence before breaking the tension. “Don’t worry, fish breath, after a short recovery I will be their worst nightmare. I will sink their entire navy myself.” Reeves hastily hid a worried expression at the thought of you returning to duty, you didn’t know what the expression was for but it was probably just a bit of stress piercing through that rough exterior of his. “Heh, yeah. I’m sure. The little pipsqueak is gonna have them all on the ropes. They’ll piss themselves,” he chuckled heartily, though it sounded just a wee bit forced. After some small talk and him telling you about the casualties and general condition of everything he reluctantly left, after the nurse shooed him away to let you rest. For the next 5 to 6 weeks it seemed like resting was all you could really do and by the time you were ready to be released and begin physical therapy to get back to tip top shape you were really ready to get out of bed. Over the course of your recovery Reeves continued to visit you, really just about everyday that he could, to see how you were progressing and he seemed to be increasingly anxious about you returning to duty. Now that you were out of bed that anxiety seemed too palpable for you to ignore and finally, after he had given you a nervous look when you mentioned your excitement to be seaworthy right as The Sentinel was nearly ready to depart, you decided to just ask him about it. “It may just be me but… it seems like you don’t really want me back on duty…” “What that’s crazy!” he said in a manner that had you wholly unconvinced. You crossed your arms, tilted your head slightly, and stared at him with an expression that said “really?” He sighed deeply before finally admitting outright what he had been thinking since the moment you had been taken to the ship’s med bay. “Look… I know you are a talented sailor but… are you sure you should keep doing this?” You were stunned, mouth agape in shock, but he took your silence as an opportunity to press forward with his line of logic. “I mean… you have a smaller frame than anyone else. The doctors did not know if you would survive at first and the doctors said that even a beta, let alone an alpha, with a larger body would not have been so damaged by the blast or so endangered by the blood loss,” once he started saying all this the words just seemed to spill out of his mouth, like he had been damming them up and it had finally burst allowing him to unleash a torrent of his thoughts on the matter. There was of course much more to it than that, he was in love with you, but even if he had been honest about not wanting you back in combat he could not be completely honest with you or with himself on why exactly he was so adamant. You were speechless a moment more before becoming absolutely indignant. “SEVERAL people passed away in that battle, and all of them were all alphas, war doesn’t spare anyone!” Normally someone speaking to their direct superior in such a manner would be reprimanded but you were beyond caring at this point. “That may be true, but being smaller and more fragile doesn’t help your chances. And you have always been a bit accident prone…” Not an entirely unwarranted criticism, you did tend to be a bit accident prone, though all of those were minor injuries, nothing serious until now, but having enemy ammunition go off near you was hardly your fault and anyone, regardless of body or constitution, would have been injured by such a situation. Incredulous at his comments you stormed off, he called out behind you but you kept going on. That night you didn’t get much rest and you were irritable the next morning. But that did not compare you to the anger you had when you reported in the next morning and had Reeves tell you that he did not want you working with him anymore, he wanted you off the ship working in a safer non-combat capacity. You just stormed off once again to get reassigned to another combat ship. It didn’t have to be glamorous, it could be a fucking submarine for all you cared. It hurt, and it hurt bad, that you would not be with your former crew, or with the leader you had grown to consider a friend, but in battle was where you were meant to be. You put in for reassignment and vacillated between anger, grief, and feelings of betrayal for the remainder of the day. As at the end of everyday you made your way to the omega barracks. You were the only one using them currently, unlike on the ships there were fresh recruits trained on site so separate sleeping arrangements were made. It was hard but eventually you managed to push your raging emotions aside and go to sleep. Reeves had heard about your reassignment, he figured you might be difficult. Instead of asking for a non-combative position you had of course just let them reassign you to another dreadnought. He couldn’t just tank your career to get you out of the front lines, you had too impeccable of a record for anyone to believe that and too many sailors that would vouch for you, no, he would have to instead use his ties to have you erased completely. The shark was a very high ranking admiral with ties to the intelligence agencies and it was within his power to do such a thing, considering you had no civilian friends or family to poke around, and anyone in the navy who might poke around could easily be brushed off or told that you had passed away in the line of duty. So in the dead of night you were disappeared. Operatives quickly snuck in and made their way to your sleeping form, quickly injecting you with a serum that would keep you completely unconscious for many hours and then shoving you into a black sack. You woke up from probably what could be described as the deepest and most fulfilling sleep you had ever known, and then you looked around and realized that you were most certainly not where you had gone to sleep. Gone were the rows of bunk beds that had filled the small omega barracks room, replaced by a small room without any windows, blank walls, and harsh lights. It all seemed very… antiseptic. Too clean. Too empty. You went to the door, which had a small barred hole window, and tried to open it, but it was completely sealed with no way to open it without the key. But you were stubborn and shouted a few curses while trying to force it open anyway. This proved to be a mistake, as it summoned your captor. Reeves. “Admiral!? What the fuck!?! Where are we? Why am I being detained?” He looked at you and with a regretful sigh said, “You just… wouldn’t listen to reason. And I couldn’t lose you.” “My god… You’re absolutely insane! You can’t just cage me up like I am some sort of animal just because I don’t want to live my life how you want me to!” “I AM NOT INSANE!! You refused to see reason! I love you and couldn’t have you in danger anymore and you just wanted to charge in and get hurt. Your injury was a sign that it needed to stop. YOU NEED TO BE SAFE!” You flinched back, unaccustomed to him being so loud and angry. At seeing you recoil his face softened and his tone became much more quiet. “Look, you’ll get used to it here okay? I know the room is a bit bare but we can put whatever you want in here, okay? The war will be over soon and I will be able to be home and then you can move in with me.” You looked down, angry and depressed and betrayed, unable to meet his gaze. Finally he sighed heavily and mumbled that he would have someone bring you some food but he had to go. That’s largely how life went for you there for roughly a year. Facility staff would take care of your day to day needs and every few months, or sometimes weeks, you would get a visit from Reeves. Each time he would offer you some gift or trinket, repeating his confessions of love and care for you. He gave you sweets, blankets, plushies, flowers, and various other things. The blankets and plushies were scented by him, in typical courting fashion, but no matter what the item was you shoved it in the farthest corner of the room. Except the sweets, they would have expired, so instead you would immediately throw them at him. Reeves was more than distraught, not only were his attempts to advance a relationship with you not succeeding, but the friendship you had before was totally eroded. Till, the most important thing above all else was that you remained safe, and once the war ended, which would be any day now, he would be able to move you to his house and take care of you daily himself. When the war was finally over and the time had come for you to be transported to your new happy home with your captor and the destroyer of your life you fought the personnel that were trying to put you in the transport van that had been loaded with all of your things tooth and claw. Literally. You clawed and bit everyone who got near you, you would rather live in a boring glorified cage for the rest of your life than be in a house with Reeves. Finally they had you held down by multiple men and once again injected with a sedative. And, just like a somewhat uncertain amount of months previously, you woke up in a strange room. This time on a couch though. A blanket had been lovingly put on top of you and a soft pillow placed behind your head. This was obviously Reeves’ house. Unlike last time you had been informed of your destination before being abducted. It appeared you were in a modified basement, you looked around, searching for anything that may be useful as a weapon. Sadly, it seemed the room had been left clear of anything you could use to fight Reeves with. There were tiny windows, but they were not only really high up but also really small. Even if you could somehow manage to eat them you would never manage to squeeze through them. There was really only one course of action left for you. You took the blanket that had been left down here for you and waited at the door for Reeves to come down and check on you. When he finally opened it you hid behind it until he took a few steps down. You then threw the blanket over his head and kicked his legs as hard as you could making him stumble, you took the opening to push him down the steps and flee out of the basement. You came up into a hallway that connected to the living room and rushed out the door. You were more than a bit shaky, you had no shoes, and your body was weak but pushed on by a potent mix of sheer force of will and a strong dose of adrenaline allowed you to propel yourself forward. You ran down the driveway and came to a fence that was entirely locked up. No problem. You could scale this with ease, flee into the woods that seemed to surround this area, and eventually find help on the other side. But the second you touched the fence and electric current ran through your body, causing you to twitch and fall down stunned. It was electrified. Because of course it was. For someone he was worried about dying in battle he sure as shit did not seem to underestimate you when it came to you trying to escape. It didn’t take long for him to come running, you had hoped you may have been lucky enough to at least have broken a leg or ankle as he fell, but it seems he was unperturbed by his recent push. You were too shaky at this point to do anything other than let him pick you up and hold you close. “It’s okay, I know you’re scared, I forgive you for pushing me. And sorry about the fence, can’t take any chances.” He carried you back down to the basement and sat you down gently on the couch, laying the blanket that you had formerly used as a weapon on top of you before kissing your forehead, which made you flinch away in disgust. “Now that we are living together I will be able to give you the non-stop attention you deserve. I am sure you will love it here eventually, okay?” “Not okay you absolute fucking idiot, there is no way in the world I will ever love you or even remotely tolerate your presence! Just let me go! The war is already over anyway.” “There is always another war eventually and I must keep you safe from yourself. I just can't risk losing you, can’t you understand that?” You just scoffed in response and pulled the cover over your face so you didn’t have to look at him. Reeves tried rubbing your arm comfortingly through the blanket, and you could do nothing to stop given how shaken up you still were, but he could smell in your scent that you were growing increasingly angry and even a bit anxious at his touch so he finally retreated upstairs to make you a nice dinner. He remembered from years of service with you that you got pretty cranky when you were hungry. When he came back he brought with him a bowl of delicious smelling crab bisque, something he thought was fairly light and easily digestible, but not too light and still full of nutrients. He sat the bowls down on the coffee table and sat on the opposite side of the couch from you. “Sorry about the furniture accommodations. I will move a table and bed down here for you eventually. At some point you will share my bed but I felt like an adjustment period might be good for you first.” “Yeah, so I don’t murder you in your sleep,” you said dryly and without any hint of it being a joke. “Y-you don’t mean that, you’re just a bit cranky because you need some foo-” **CRASH** He was interrupted by you using your hand to smack the bowl of bisque right the fuck off the table and into the hard concrete wall, not unlike a cat that had taken offense to a cup on a table. “It’s… okay… I made more than enough. I know this has been hard on you.” All you did was blankly stare at him as he went and procured another bowl. It smelled great and you were well and truly hungry, but you refused to give in. If you made sure not to eat too much your body would not trigger a heat because it would take too much energy. You also just wanted to piss him off, maybe get him so pissed off that he either lets you go or at least makes some mistakes that you can exploit. When he handed you the second bowl he had gotten for you it immediately met the same fate as its predecessor. He stared at you for a long moment that seemed to span an eternity before he angrily grabbed his bowl of food and pulled you close to him by his arm. He pinched your nose closed so you had to open your mouth and then he shoved a spoonful of food into your mouth, then he held his hand over your mouth so you had to swallow. Reeves continued this a couple times until you got the memo and ate the rest of the bowl willingly. Well… you had wanted him to be pissed. Over the course of weeks you had to accept that you just had to eat what you were given, but by no means did you just give up on making life inconvenient for him. Every gift tossed, any furniture he brought down here destroyed, blankets shredded, anytime he scented something it would be immediately quarantined to the closet after its destruction. The only thing you kept was clothing you deemed acceptable and without his smell on it, you needed clothes but would not accept any with his pheromones. That could be misconstrued as you accepting courtship. You were perfectly content with denying him any ounce of love, affection, or friendship and you were right in the middle of giving a nice silent treatment when finally the proper nutrition and your omega nature convened to ruin everything. You were in heat. Heats were very strong on a normal day, but this was not a normal heat, this was the first heat in a very long time. You had prevented them for a long time in the black site and when you were in the navy of course you took prescribed suppressants. You hadn’t had one in years. Tremors shook your body, you couldn’t stand and your body temperature was heightened. They didn’t call it a heat for nothing. Your brain was addled, you were dizzy and almost delirious, you could barely remember why you were here. You tossed off the covers and stripped down to your slick soaked underwear. Reeves was awoken by an amazing scent and knew immediately what it was, your pheromones beckoning him even from his bedroom, his darling needed him desperately. The smell demanded he come immediately to you and comfort you and take care of you in every way imaginable. Reeves saw you there before him, writhing in carnal need and so small and helpless in front of him. The couch wouldn’t do, he needed a bigger and more familiar space, he took you up to his room where he had actually made and maintained a nest made of things that smelled of the both of you. Despite a vague notion in the back of your mind telling you to avoid him, scratch him, and leave this situation, your instincts and the powerful consequences of having denied yourself your natural cycle DEMANDED that you bury your nose into the scent gland of his neck. So strong, such a strong mate. Reeves was elated, his brain was very much fogged too with lust and instinct but he didn’t have it as badly as you did. He was very much aware that his darling mate was finally accepting and even actively seeking out comfort from him. The shark man peeled off your slick saturated underwear, sniffing at your hole, breathing in the heavenly aroma you made, before your cries of desperation and something inside of him told him to slide his tongue right inside. Finally you began to feel the smallest amount of relief. It wasn’t enough, you needed a knot. A nice big knot from a nice big alpha, and this one smelled strong. You grinded yourself into his probing tongue, whimpering for much more. After several minutes of this he decided that was enough of getting your flavor and he was now ready to properly breed and mark his sweet little brat. He took off his clothes, revealing his large well muscled pecs, lightly scarred from years of combat, and his large cock. The musk coming from it made you drool. He wasted no time ramming into you, as caught up in the moment as he was he had little concern for going slow or for any possible discomfort. Fortunately there was none, you were perfectly primed for his large prick. It slid in you perfectly hitting all the right spots inside of you, causing you to squeal with delight when he bottomed out, deep within you. He moaned himself when he felt your heat and how every movement you made, every shudder, squirm, and all that writhing, he could feel on his cock. He started slow at first, but that was not what either of you wanted and soon it turned into a messy slamming of you, making hot wet sounds as he battered your innards with his cock pistoning in and out. It did not take long at all for his knot to start to swell within you and then reach its full size, sealing the two of you together whether or not you would want it when post heat clarity hit you. You clung to him tightly as he bred you, nails clawing at the skin of his back, as if trying to pull him deeper inside you. He nuzzled into your neck, his nose swimming in your scent as he breathed it in, this is what he had wanted for so long and now he knew he would never regret his actions, everything had been worth it. Reeves licked your neck and bit down on your scent gland, sharp teeth buried into your neck, you whimpered at the sensation and he licked your neck comfortingly, holding you close as you both shared a powerful orgasm. You both panted from the intensity, the heat that was burning up your will power and clarity fading a bit, but not enough to be yourself again. Reeves knew on some level that when things went back to normal you would still resist him, and your convictions would not be so altered in subsequent heats now that you had one after so long, but this was a good start to everything finally falling into place. Your heat would last days and there would be a lot of breeding and a lot of bonding. His instinct to protect you would only get stronger and you would be a bit more susceptible to his pheromones and would naturally seek him out for comfort when in distress. He may have been part fish, but it was you who were caught in his net.

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (�� And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[achromatophoric]

One Monday evening, Bianca is eating dinner alone in the Quad when Wednesday approaches with a tray.

Wednesday: Barclay. Chicken or fish?

Bianca: I already got food.

Wednesday: I am not offering. I am asking.

Bianca: What?

Wednesday: *presents tray*

Bianca: 😧

Bianca: What the fuck is THAT?! And why does it have gills AND feathers?!

Wednesday: I would not be asking if I knew.

Bianca: *horrified* It’s—oh god—are those compound eyes? I’m gonna be—ulp!

Bianca: *turns head and dry heaves*

Wednesday: *blinks* Hm. I missed those. I’ll add insect to the list.

Bianca: Wh-Where did you even FIND that thing?

Wednesday: Cafeteria freezer.

Bianca: What?

Wednesday: Enid has blackmailed me into taking cases that are less likely to result in death and dismemberment.

Wednesday: Thus for my first case, I’ve decided to solve one of Nevermore’s more enduring, if trivial, mysteries.

Bianca: And that is…?

Wednesday: The Mystery of Meatloaf Monday.

Bianca: 😧

With dawning understanding, Bianca slowly lowers her horrified gaze back to the tray in Wednesday’s hands.

The empty tray.

Bianca: *jolts* Where the fuck?

Wednesday: *sighs* If you would excuse me—

Wednesday: *calls out* ENID! IT WOKE UP AGAIN!

Enid: *from balcony* I’LL BE RIGHT DOWN WITH THE TRANQ GUN!

Bianca: *still processing*

Wednesday: *pauses before leaving* I strongly suggest checking under your sheets before you get in bed. They don’t bite per se—

Bianca: 😨

Wednesday: —but they do exert a remarkable amount of suction on unsuspecting toes.

Wednesday: You have been warned. *stalks away*

Bianca looks down at her unfinished dinner. She stares long and hard at the gray slab of half-eaten meatloaf swimming in lumpy gravy. Carefully, she raises her fork and…

Bianca: *pokes meatloaf*

Half-eaten meatloaf: *twitches*

Bianca: 😱

[mortalityplays]

I had a dream you were posting about Scotland's largest 'national park' which was a 200km long and 1000m deep land-locked lake called "Old Gunny throat". It was super aerated and so you couldn't swim in it without sinking to the bottom. And then you started posting some wildlife from the lake, and it was bizzarre like boa constricters with a water effect photoshopped over them (These are herbivorous snakes) and you photoshopped pieces of candy to look like crabs and everyone started getting REALLY mad at you for making shit up. And you kept insisting "No Old Gunny Throat is real we lost so many people down there. That's why the government has been working on this" and you posted a picture of an underwater pig with gills and covered in glowing orange bulges on its skin and explained "those are extra lungs" and then everyone was mad at you and then I woke up.

oh my god

[in-the-multiverse]

Also, secret life has the most references to past seasons especially to limited life. It’s almost like the clocker family never quite left, they still called each other mom, dad, son- Bdubs held on to the gripe about not being the favourite son. Cleo gave him the title, and they all laughed knowing that Scar would be upset. Almost every episode, they acknowledged the family in one way or another

The bad boys still helped each other out. The exchange of hearts and Joel calling it in the name of bad boys. He got tricked into completing Grian’s task in the beginning, but when the entire server was red later on- he didn’t hesitate to help Grian one last time. Even death didn’t separate them. Jimmy stuck around as a guardian angel, guiding one of his boys, laughing as they did ridiculous things- just like the old days. Every now and then, they remembered

The nosy neighbours didn’t forget each other. Although their interactions were rare, when they brought it up was special. Pearl tried apologizing to him (I can’t remember for what), Bigb says he doesn’t forgive her. Just like that, Pearl brings out her big sad wet eyes “but…nosy neighbours?” and Bigb immediately softens his voice and says he was joking. All is good between them. In the finale, Pearl sees him peeking out behind a wall. A fond, familiar sight. “Always watching?” Bigb shifts away and says it back “Always watching” they go their separate ways

I’m not sure if there were references to mean gills or team ties, but those other teams stood out strongly. And there were plenty more to double life, last life, 3rd life. It’s sorta strange, but in a welcoming way, to see more and more callbacks to previous teams. In a season where a huge part of the game mechanic is keeping a secret, in a series where past alliances are usually brushed aside, people leaned over to each other and went “hey, remember when…”

[lovelyyandereaddictionpoint]

The Yandere Student Council 

You just needed to get your schedule officialized. Having gained special permissions to take a desired course you needed the student council’s collective stamps of approval to proceed. Normally all you would need to do was slip in the necessary documents. But something seems to keep happening to yours and it just works better for you to do it in person. Thus begins you’re journey of getting the obsessed student council’s approval.

The first one you go to is the one with the easiest access –the Secretary. Gill Hunter has an absolute poker face when his boyfriend isn’t around. So you’re pleasantly surprised when he’s actually willing to hear you out. Keeping his amber eyes on you he listens to your plea for his stamp, seemingly not reacting at all he promises to help you—for a price. You have to step in for him and his boyfriend from time to time. He says it's just a week as he demands you shadow him for the day. Calling to you in his monotone voice to join him in the student council lounge. Don’t bother bringing up you’re friends or your desire to eat your lunch alone. Even as the week comes to an end and you get your stamp he has you working closely with both him and his boyfriend very closely as an honorary assistant.

“Most if not all schedules go through me, you don’t want your schedule being messed up again. Do you?”

The next one is Gill’s beloved–the Historian. June Frimroar is a different kind of person you need to get a stamp from. Where Gill strings you along with his stone-cold face and hardly hidden intentions, June will do the exact opposite. With a smile that flirts with scheming and altruism, he’ll ask for the most innocent kind of help. Only to somehow become something far more intimate and demanding of you in the first place. How else would simply taking notes during student council meetings lead to you smushed in a locker with the historian and his boyfriend? Or how you’ll be forced to help undress June whose hands inexplicably might be sprained? He’s an enigma to loosely associate with trouble, easily put off by how kind he is to you and your friends as you start spending more time with him and the rest of the student council. Certainly, those rumors of him crippling classmates for fun are far from true, right?

“Don’t you trust me, (Y/n)? Just listen to me and I’m sure everything will work out…even if that blackmail situation with your friend is completely separate.”

Like clockwork, you fall into being the student council’s lackey suddenly trusted with helping the seemingly overwhelmed Treasurer. Min Su is an odd fellow who’s been dignified a living legend with his accounting possibilities; rumored to casually be hired by the government a couple of times. So it's odd that he suddenly must have you spending your club hours documenting receipts. He’s so apologetic and jumpy that you don’t feel right questioning him. So it's normal that he has a fierce blush on his face as you take the records from his hand. Or the little noises of excitement pleasure he seems to have when you lean over him to admire his speed as he’s calculating the books. He’s likely to forget that you needed to get his stamp until you off-handedly mention how you’re going to miss him when you get that stamp.

“Oh, you wanted that? I-I’m happy to give it to you, n-no problem! But you’ll still visit me right?”

At this point, your presence is much more normalized in the student council quarters, and naturally, the Sergeant of Arms or more well known as the student council’s hype man is happy to welcome you. Popular beyond belief Roman Ferris arguably has the largest fan and friend base in the entire council. Knowing everything about everyone he already knows what you’re asking for and he’s cheekily telling you he’s already prepared how you’re going to get it. If you thought Gill was forward then you’d be mistaken Roman straight-up demands every weekend that you come with him on a date. Movies, restaurants, ice cream, trips to the park, he’s doing it all with you. Demanding you dress up for these ‘definitely not dates’, hold his hand while you walk, and smile at him only him when you pose for the camera. It's odd how he knows your every like and dislike, always ordering for you and smiling ominously when you ask. But he’s definitely not giving you this stamp if you suddenly stop coming to his dates hangouts, even if he promised he would. It’d be bad if the whole student body considered you a harlot for playing with the golden boy’s feelings. So just smile while you eat your favorites and keep your mouth sealed about your suspicions.

“Don’t worry about it babe, I already know just how you like it! Don’t worry how I know~ You’re so cute when you're well-fed!”

Practically cemented to your unwritten obligation the Vice President is well aware of what you’re after. Spencer Lyle will wait until the end of the day mindlessly stamping your document as he scrambles through his hefty pile of paperwork. Bags under his eyes and his lids dropping dangerously you figure you’ll help him, already familiar with the kind of work he was doing anyway. He thanks you when you eventually wake him up and from then on something sinister a friendship is born. Suddenly he’s coming up to you in your classes, during lunches keeping you talking casually as he leads you to the student council room. You were going there anyway, right? He’s just the perfect friend for you. Great at warding off bullying fans or teachers that get a little too snippy, he becomes your go-to friend. Not too popular but well-respected feared by the student body; totally perfect for relying on him to be relatable. Completely complacent with letting him into your life and it feels so normal now that he rings your dorm bell for an early morning. You know him so well so it's natural he does the same.

“Hey, you ready to go cupcake? Bags under my eyes? Yeah, I was up all night protecting you doing council stuff, you know how I work.”

Last but certainly not least the Student Council President: Lucoa Grander the college’s prodigy cryptid. Known to be a living genius and prominent underground business personality it seems only natural that he gets such a powerful, prestigious position. He is such a celebrity you go to Spencer to deliver your schedule confirmation only to receive a disappointing answer. Apparently, the president’s only willing to stamp yours personally, and thus your witchhunt for the illusive president begins. Searching high and low, stringing on his fan base’s own timeline and the other council members’ accounts you try to find him. But after a while, you give up fully prepared to abandon your desired course to have the blue-haired pierced-up president mysteriously showing up. He greets you so casually, sitting next to you as he asks mundane questions. When you finally ask for his stamp he gives it to you…on a major condition. 

“We’ve been looking to widen our ranks and I’ve we’ve been keeping a close eye on you. And we’re thinking of making you an honorary member–it's a new position to diversify our team. You’ll get your stamp this way and we get you our beloved a new member that’s fair enough isn’t it?”

[orangeocelotmartyn]

Martyn: yeah, course I did. One hit wonder over here my buddy Scott: you had two good ones. Screw the Nether and…the…crafting one. Martyn: yeah. The crafting one!! Yeah, two great hits, can't name one of them. That's an ouchie, ooh boy. Well I don't like those odds Scott: I'm a bigger fan of the current InTheLittleWood, rather than the old InTheLittleWood. Martyn: Sounding very Kayne right now. Wha--what's the current. What--what's the highlights of the current one? Pick me up. Scott: That he's really hot and I can call him daddy-- Martyn (and FireBreathMan): check! Scott: --and its accurate Martyn: check! Scott: he's also my Mean Gill Martyn (and FireBreathMan): check! Scott: and there's lots of fanart of us making out-- Martyn: Whats the one thing he won't pay for? The check!