#i know i did the world building but i think its very very neat

[cluescorner]

Arlecchino's whole deal is unbelievable

Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".

*Kills Clervie and "Mother"*

Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.

*Is in jail for a while and becomes a Harbinger*

Arlecchino: Huh I wonder why I am-

Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-

Arlecchino: Ok.

Pierro: ...You're just cool with that?

Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.

*Runs the orphanage/spy recruitment initiative*

Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????

Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.

[monty-glasses-roxy]

What if the carnival had an event where they turned a large area into one of those games where you ride around in a little tank and shoot each other with foam balls?

Roxy finding one of such tanks and suddenly it's her life's purpose to get this thing up and running again.

[novelconcepts]

There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.

Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.

Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).

But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?

How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.

How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.

How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.

How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.

How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.

How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?

All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?

They brought it back with them. Of course they did. It was the only way.

[petalsscribbles]

3. first impression

"We're here, young master." The driver says, capturing Yn's attention that was up until now stolen by raindrops sliding over the car window, imagining they are in some sort of one on one race.

"Thanks. I'll see you at 3." Yn says as he gathers his things, gets out the car and unfolds his umbrella.

The rain isn't particularly heavy, but it's not your usual springtime shower either. The school's building lives up to it's reputation. The academy is well known for it's prestigous status, famous alumni and snobbish appearance. The architecture is old but well kept, the gardens and yard are neat and tidy.

Here goes nothing.

Other students run by him covering their heads with their bags as they try to get to the school as dry as possible. Yn wonders why most kids didn't bring an umbrella, but he supposes not everyone obsessively checks the radar like he does.

"Excuse me, are you Yn Ln?" Someone asks right at the entrance as Yn shakes the droplets off his umbrella. The boy is dressed in the schools uniform, face-wise about the same age as everyone else but taller than most.

"Yes, that's me." Yn confirms. The boy smiles and holds out his hand.

"I'm Lee Heeseung, the vice president." Yn takes his hand and shakes it. It's ice cold, but he decides not to comment. "Mr. school president asked to take you on a tour personally once he's done with his duties for the day. He should be finishing up by now, actually. I'll take you to him. Shall we?" Heeseung explains and points towards the staircase in a gentlemanly way.

"So uhm..." Yn starts, having no idea how to start a friendly conversation. "What's your favourite planet?"

Heeseung looks taken aback but doesn't question it.

"Venus, I guess." He answers a few beats later.

"That's a good one. Did you know Evening Star and Morning Star are both actually Venus? The acid clouds in its atmosphere make it very reflective and shiny so people think it's an actual star."

"Really? That's cool. What else should I know about my favourite planet?" Heeseung says and Ynn doesn't have to be told twice.

"A day on Venus is longer than a year. It takes 243 Earth days to rotate but 225 Earth days to orbit around the Sun. Also..."

"Sunghoon's gonna love you." Heeseung chuckles to himself, quiet enough to not interrupt Yn's Venus fact-spitting streak.

The rest of the way is spent by Yn's ramblings about Mars and Heeseung patiently listening.

"We're here." Heeseung announces, knocking twice on the door frame. The school president turns around to face the two, flashing Yn a friendly smile. Everything about his looks is unfairly perfect, as if he was chiseled by God himself. Yn doesn't know whether to feel insecure or stare in awe.

He makes his way towards them with long strides but stops midway, his lips curving into a frown and eyes turning dark red. What once was a welcoming expression is now contempt. Disgust.

Heeseung takes a step forward, shielding Yn with his tall frame.

"Hey, what the hell is wrong with you Sunghoon? Snap out if it right now." Heeseung warns. Sunghoon's eyes go back to normal, but the scowl stays as pushes past them and leaves the classroom.

"Did I do something wrong?"

"No! No, you didn't do anything wrong. I don't know what's gotten into him today. I'll text Jungwon and he'll slap some into him." Heeseung reassures.

"I see." Yn says, feeling a little dejected. His only hope is that he'll be in a better mood next time they meet.

"Well, I guess that leaves the touring duty to me. Follow me."

They resume their little walk around the academy, but Yn can't help a glance in the direction Sunghoon went, the hateful gaze still lingering in his mind.

A/n: The Living Sculptures of Pemberley is such a great song to listen to while writing frfr

taglist CLOSED

@starchasing-cryptid @foxilsdenn @moonslie04 @kkurbys @winter-world @bleedingxheartt @gnusihcom @dkmyman @mortifesboy @kkyoluv @teoluvsyou @bubblztaro @conwunder @xavi-in-kpopland @monstaxpuppy @gabrielllx @tarotarosung @livingsecret

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[alexanderwales]

My early impression of Factorio: Space Age are extremely positive, though it's much more geared toward veterans than I would have expected. I guess sushi belts aren't entirely mandatory, but I don't know how you would get by without them. They are easier now, but there are other mechanics that take things up a notch.

Mild spoilers follow, but it's not really a spoiler kind of game, and the UI seems very ready to give you all kinds of information about places you haven't been and things you haven't seen.

It's got a ton of content, the game design is overall fantastic on several levels, the music has been great, and in general I'm just a huge fan of it.

I am curious how well it holds up on repeat play, since a lot of doing a blind playthrough is figuring things out, and after you've figured them out, a lot of the gameplay is gone.

One slightly negative note, at least for me, is that the early game felt much too longer when I just wanted to get to space, and I kind of wanted … I don't know, an accelerated start option, not necessarily something like Faster Start, but a few technologies researched and maybe a tiny starter base or something. Setting up a furnace stack by hand is not something that I feel like I really need to do again, but I did it for the first SA playthrough, because I wanted the default expansion experience. I did kind of regret it in the end though.

I made it to deep space science in SE, so that's the point of comparison for me, and this is far far less of a grind, along with far more interesting challenges. The cheap rockets that can't carry a lot really incentivize building up a proper base on each planet, one that can make its own buildings and infrastructure, which is neat, and thankfully on all but Gleba (and Nauvis) you don't really have to set up permanent defenses against enemies, which can be a bit of a pain if you want to get on to the next thing. I set up defenses on Nauvis, and that was a time sink, but with the enemy expansion mechanics it was very very necessary. I think next time, rail world setting might be better, but I don't know how that would change the other worlds.

I think the thing that I admire most about it is that they really worked hard on making sure that each planet was very very distinctly different from the others, that each planet had some kind of new threat that was very different from the others, that each planet had gameplay mechanics that were very different from the others ... and it all works wonderfully, at least so far.

There are a few things that I wish were in the expansion, which aren't (at least as far as I know), and some of those are a matter of creative vision, some are a matter of development time taking forever, and others are just engine limitations. The spaceships are ... I mean, they're fine, but it's very clear that they're using the "surface" class, which is what I would have expected, but still means that there's none of the cool space stuff like docking procedures and ships that split apart and spinning up for artificial gravity. It's another interesting challenge in terms of game mechanics, but it's definitely aesthetically the worst of the new things.

The spaceships do not particularly look like spaceships, an issue which I think could have been partially solved by having new spaceship wall sprites and requiring the spaceship to be enclosed. The rocket engines look incredibly cool when they fire up, but then you look up at the gun turrets just sort of clinging onto this platform, and it seems a bit jank. But it's also the thing you probably spend the least amount of time on overall, since the ships get built a few times and then never looked at again, moving between planets without much intervention once the design works well.

(The space map is also a bit of a disappointment. I wasn't expecting orbital mechanics, but ... actually, I think I would have liked some kind of simulation of it. Launch windows for shortest time between planets would have been cool. Some circuit-readable calculation of how much thrust/time it will take, which rises and falls with the motion of the planets?)

But yes, overall, very positive on the expansion. I think there are a few kinks that aren't quite worked out, but in my opinion they're nothing major, just some features and mechanics that aren't signposted or a few wonky UI elements.

[ganondoodle]

i know i said i wouldnt be ranting about totk anymore, but i realized i didnt really count the sage dungeons as story (dont ask me why) so i thought im gonna write a better summarized version of my opinion about totk (i have around 60% of the game, all lightroots, not yet all shrines (missing like .. 20 or so, know the reward), not all krogs (dont know the reward), not all mayoi (half know the reward?) )

(in no particular order)

good stuff (in my opinion)

the. MUSIC! god the music is good, it was good in botw too but now with much more different bosses it really is probably one of my fav soundtracks of all time (most fav are all three phases of the end fight, the pre-fight to that, the build up one before all of those, Frosgeira (wind tempel boss) the glorious mASTER KOGA and more tbh)

the build up and end boss fight(s) are fantastic, i dont think im ever not gonna have my heart racing when approaching it (despite now skipping almost the entire way bc i set a teleport thing right before it) just bc the build up is so well made and the music(again) is such a banger and the fight(s) itself is so fun too, tbh i keep wanting to play it just bc its so fun

i LOVE how many themes play into the music (endfight alone had so many layers, fav probably is ganondorfs classic theme and calamity ganons both in the same piece among much more, and daruks theme in the fire temple)

(edit) YOU. CAN. TOUCH. DA. DRAGONS!!!!

ganondorf

ganondorfs design (x3)

ganondorfs weapon designs

ganondorfs voice (japanese)

everyone elses voice (japanese)

all voices (german)

thE YIGA!!! i love everythign about them and am so happy they got to be more than just some mini mission

(edit) also the fact that they get zonau tech to work without any special ghost powers is so ????

(edit) koga can summon and use zonau tech unlimited?? hes so cool

NO stealth mission!! (as far as im aware)

bosses are very different from each other

main dungeons are not too short and not too long and mostly fun (mostly bc i personally didnt like the gerudo one), i love that you can still somewhat cheese them and do them your way

sages felt like they got a bit more involved

(edit) you gotta do more stuff before getting to the actual dungeons and i really like that, feels less like a fetch quest but that you are actually helping

(edit) each sage is actually there in the dungeon and is required for it, which is great!

each settlement saw a much bigger danger/change (tho that has more impact if you have played botw) and its problems felt much more real

shrines are well varied tho i think overall a little easy (only got stuck on two so far and later solved them easily bc when i first started them i was tired and exhausted, no brain left lol)

NPCs felt less flat + more bigger sidequests that felt like they had more impact

cool new monsters + designs

the underground was pretty appropiately creepy

the sages abilities are neat

you can refight bosses!!

stable points system is a neat way to encourage you using them

weapon fusing is neat

(edit) the forest of the krogs being corrupted like that is both creepy and a neat nod to oot

(edit) the vai gerudo outfit being gone!! (one) evil has been defeated

(edit) the health bar going so far off the middle in ganondorfs second phase is honestly just funny hnjdfdjk unfortunate that you only need the master sword and with a few perfect dodges his health melts like butter in the summer

(edit) the music when dragondorf transforms sounds so sad .. its probably meant as a oh no world is actually ending sad but i like to think of it as a oh god what did he do to himself sad

the scene where rauru seals ganondorf kinda fruity

(graphic, animations and the overall world is still fantastic)

bad stuff (in my opinion)

everything zonau they feel forced into every bit of the world and its history (i know them being somewhat alien is intentional but not like that) it feels crammed into places they werent before and shouldnt be and it makes it all feel very artificial

the glyphs/dragon tears/memories really ruined alot for me, while it gave you insight as to what happened, it felt like it showed you too much and too little at the same time and i think it would have worked better if it was all in text for once if even at all, so the past stil stayed a mystery and youd be left wondering

timetravel .. really wasnt necessary and felt more like an excuse to get rid of zelda + make her the poor little sacrificial girl again + and to make her turning into a dragon as tragic as possible, like nothing but a stepping stone to the big reveal tm

shiekah tech being not just fully irrelevant but practically erased, wiped off the world (i know about the literally last guardian parts in hateno, it feels more like an oversight tbh, purah technically using it ... tho i dont think she ever calls it that, the purah pad is jsut the sheikah stone but worse), there being no good explanation, no remains, nothing as to why it would suddendly stop working and why even the titans and ESPEICALLY the shrine of life would be destroyed, if anything why wouldnt you enshrine it as a memento to history it was such a focus in botw and so well integrated into the world that it being fully gone, not even old overgrown, or visibly reused to build homes etc., or remains of how they built the og shrines in the underground feels like a HUGE missed opportunity (seriously it would have been so easy to make the ancient shiekah base their tech on old zonau tech, without stealign the gocus but buildign a connection)

all of the continuity problems, totk feels like botw didnt happen and the excuse of 'they didnt want to confuse new players' doesnt make a lick of sense in my eyes bc; its supposed to be a sequel, if you want it to be a standalone game then dont call it a sequel- if you start to play a game with the sequel instead of the first part its your own damn fault if you get confused; if anything, it would have been a good opportuntiy to make people interested in botw so theyd buy and play that one too

ganondorfs character is very flat, you basically get to know nothing about him (yuno even calls that out midgame but its never elaborated upon nhgfrdfhkk)

the zonau and their kingdom of hyrule is presented as this so perfectly good thing to such a degree it turns creepy, the end cutscene with mineru going poof was kinda uncomfy to watch tbh

the reward for all shrines being essentially a reveal as to who the hero in the tapestry was and it being, of course, some weird half zonau is the lamest answer to a mystery i didnt want an anwser too, it doesnt feel like it came naturally either (again my point of the zonau being forced into everything)

the shrines (zonau) feel so much more unnatural than the shiekah shrines, alien in a bad way and not in a good way + really are like a bad reskin of them, their sudden appearance and use is so much less logical

back in botw i was doubtful of if the shiekah tech wasnt going to far too modern tech and cause it all to feel like a bad mix of modern tech and medival fantasy, but they balanced it perfectly (tho the eponator zero was very much the limit imo) but the zonau tech .... oversteps that line i think, it really does feel, more than anything else, that it was just bc they wanted the stuff to be in there bc it might be fun to play around with, im not against that kind of stuff mind you im all for fun, but it feels a little like they thought of a box with endless stuff to play with first and a zelda game second (if you get what i mean)

quite a few quests or things in the game seem like they are more and then end in a dead end (the worst of all is impa saying she wants to go research what could help zelda turn back, and i was excited and convinced that shed give me a quest to find some mcguffin that would do that after i beat ganon but there wasnt anything you could actually do; less bad one but disappointing nonetheless the dongos were mentioned and treated like this big awesome thing from alot of NPCs all around the map and then when you find them they are bascially just gem vending maschines)

the way zelda turns back and link gets his arm back is incredibly unsatisfying, none of them even have something like a scar, or mark from it all, zelda spent thousands of years as a dragon (a transformation that was said to cost your soul but i guess that wasnt true) and link had his arm bascially eaten by miasma and he gets it back like it was never lost, zelda returns all intact as if nothing happened, getting blasted by some magic tm by two ghosts that were supposed to be long gone is the solution to all problems!!

(edit) link losing an arm wouldnt just be super intersting but also lend itself well to lead up into the next game where his prothesis is the focus and source of abilities

(edit) zelda got done so dirty, instead of her actual interests and character to shine she just gets shoved into yet another crisis surrounded by strangers in a world that looks like hers but isnt, and all she does is beg the ancient sages to swear to help link and sacrifice herself again (can you call that fridging? bc she sure feels like she got fridged) i like zelda and i dont like how much i didnt care about her and tbh im angry at the game for that

(edit) both link and zelda not even slightly changing in the years btween botw and totk kinda boring, like a haircut can only do so much

(edit) sonia really is the wife that dies to make husband sad thing isnt she? i get that gan had to get his hands on an enigma stone but i feel like there had been better ways to do that, the fact that she dies that easily is almost funny honestly, why does ganondorf even have weapons when he can just one punch people to death (tho i find it funny to imagine he can literally just kill people in one punch but hes too prideful to do it most of the time so he always uses weapons to look more cool)

(edit) so many new characters that you barely get to see or interact with, i really ... couldnt get myself to care much

(edit) zonau tech being so irrelevant to the games story while its also the focus is .. weird, its really just play doh for the players and nothing else honestly

(edit) monsters mining sonanium feels strange bc ... they dont do anything with it? the best thing i can think of is that they were told to do that so link cant .. upgrade his battery thignies? but then again you could just destroy the mines and remaining constructs to stop it .... also you really dont need anything zonau tech related to beat gan?

(edit) ganondorf beign so utterly uninterested in their tech is weird considering how he dealt with shiekah tech (and we KNOW it can get corrupted) he should be a tech nerd tbh

my twitch VoD of the first time beating the game getting muted at the credits despite me talking over it

nitpicks (in my opninion)

(edit) ganondorf should have a bit more of a boar inspired design, as treat, i think

(edit) the enigma stone wandering back to ganondorfs forehead even after transforming is? weird? i guess an excuse for da epic last stabby but still? (how cool would it have been to have to plunge into his mouth and break it there or something)

(edit) the underground gets a lil old after a while, the fact that its pretty much the same everywhere aside from some .. very strange flowing magma is a lil boring

(edit) ganondorf could have gone way more crazy with abilities and all that, imagine hed spwan multiple miasma arms on himself when you get him to a certain level of health

(edit) i miss unique weapons, there arent even normal axes around anymore, everything is about fusing really, i miss the cool shiekah tech weapons

(edit) the forest of the krogs being largely irrelevant is kinda weird

(edit) mineru being the sage of spirit still is kinda meh, the robot is neat but i thought tauro or purah would be the surprise sage tbh

(edit) the bosses were a little easy (i did boldo gohma rather early and did it without even getting hit)

you cant talk to koga normally :(

you cant find koga again after the last fight :(

you cant refight him (to my knowledge) :(

i find it very strange that yuno seemingly lost daruk shield, despite him having inhereted it in botw

the sage powers are not .. very great integrated, while its fun to haven them run around and help you fight, to actually use their powers you have to chase after them, something that in the heat of a battle is very annoying to do, constantly activating the wrong on or them losing their charge up when they get knocked over is like trying to herd a wild pack of geese while a three headed dragon is shotting laserbeams at you

some widlife just disappearing all of the sudden is very strange (like the rhino in hebra)

some new houses or settlements would have been cool, that the material things at the sides of roads are really only for you to play around with and not to build anything that lasts

you cant fight ganondorf (non dragon, even the dragon is locked to that evening sky) in the sunlight, night or rain, i would have loved to fight him at various times of day

their refusal to show any kind of blood is honestly turnign serious scenes into very awkward ones, sonia just getting punched and she dies with not even like, losing some spit from the force or something, or the fact when you defeat ganondorfs second phase he acts mortally wounded but doesnt even look scratched is just :/

amiibo stuff while neat being included its really mostly just bloating your inventory, if i wanted 5 vaguely different link outfits then i would have gotten the amiibo for it

why hide the -now-totally-not-phantom-ganon-armor- behind such a long questline and then .. have that NOT be upgradable

they put in a house building thingy and then not let you have a roof or a tree or something :(

at some point stable points jsut get you more and more of those free staying over night tickets that i maybe used .. once at the very start and now its just accumulating in my inventory

only one new horse coat pattern :(

satori now only being a thingy that shows you caves is kinda boring, i loved the mystery around it in botw (additionally, that it shows you caves you have completed already kinda sucks)

the end of the shrines isnt that cool anymore, speaking to a mummified monk that gives you essentially his last remains of life energy is so much cooler than a statue of the oh so awesome god king and his wife

the many references and reuse of old names is neat but together with timetravel etc. it easily leads to confusing and fighting among fans for who is more 'right' and its just .. tiring

(edit) considering how much of the advertising was about the sky islands i wished there were more and bigger ones, the underground (that was a little one sided after a while, it all looking the same rly) could have been alot smaller if the sky was bigger instead

(edit) i wished there was more of a sense of .. lost life in the ruins you find, from all races, the ancient ruins are jsut some bridged and ceremonial stuff and i wished there were more like .. houses, like people actually lived there and it not being all around beign a platform for you

(edit) the fact that the half zonau hero exists mean either rauru and sonia had kids but those were clearly not important enough to ever show nor mention, or there were other mixing of them before they all mysteriously died out the fact that the ancient hero was half zonau means their genes survided till then but somehow it never came up? the tapestry still exists and impa and purah say like its a well known fact that the hero looked like that (not at all close to any modern species) when you talk to them while wearing it (the fact that the hero armor thingy is very reminiscemt of ganondorf is like some backtreading bc we were theorizing about the hero having been ganondorf once and they wanted to stop that .. but the more funny thing is the HC of its a descdendet of rauru and ganondorf nhjdfknhdgkfnhkfd) (edit to add to the HC; the game being a big battle about child support is funnier than it should be idk if nintendo knew what they were doing adding details like that)

all in all it just feels like missed opportunities, lost potential, and more a game build around some game mechanics they really wanted to get into than telling a neat story, espeically so bc they called it a sequel, most of my complaints wouldnt be there if it was some alternate thing instead

i probably forgot stuff but if i think of more i will add them later with a little note that it was added in an edit (sidenote, i find it funny how much more nuance that whole conflict would get if rauru and ganondorf were bitter exes bfdrjfbdfndk)

[arcane-ish]

I miss miss my Zaundads, but let's talk about moms for a bit

Vander and Silco were my jam in season 1 of Arcane.

Let's talk about their presence or lack thereof in season 2 so far and what might be coming instead.

They didn't have much of a presence in season 2 so far. I kind of expected we would have gotten more Jinx hearing Silco's voice in her head and that it would have been more of a story about what are her wishes versus what are his wishes and I expected that ther would be more creeping buildup to the Warwick stuff in the background.

They didn't end up going for that and I don't really have a problem with it.

I think in a way season 1 benefitted a lot from that traditional paternal power structure presence (and how it falls apart) and I think it's actually kind of brave to move away on that and build something without it. (note that even Singed who had a dark father presence in his own way, both as a mentor to Viktor and the one who creates Jinx with Shimmer was barely present in season 2 so far even though we expect him to do at least one more act of fathering).

And in a way it's forward thinking because of course their main characters, Jinx, Vi and Caitlyn are female so so they are going to step into the position of power role, they are going to female mentors or pseudo mothers.

(sidenote: as much as I think it would have been a cool and tragic and interesting story to see Jinx torn between what are her own wishes and what are Silco's wishes, I think it's also pretty neat that they went for not that and instead it's just Jinx having to figure out what she wants and what she is)

So.... mothers!

The main mother presences were of course Ambessa and Cassandra. And we have Jinx being forced in the Silco role with the young girl.

Ambessa of course is the overwhelmed mother, who already lost a child, invades the home of her other child and has to juggle pressure from the outside.

I got to say I feel really, really, really cheated that we didn't get to see a longer "seduction" scene where we see Ambessa manipulating the chembaron into attacking by inciting her rage over her dead son by Ambessa relating to how she lost her son.

She also steps into being a dark mentor to Caitlyn.

With Caitlyn the presence of Cassandra looms large and one of the most intriguing things was the little hint that Vi dropped that she knows that it feels like to step into her mother's role.

In theory she could have been referring to Vander and we could get something like in season 1 when she hallucinated him during the Sevika fight. But I'm optimistic that maybe we will get a flashback to Jinx and Vi's mom and how Vi was still sort of also in a mothering position with Powder (does that mean that Vi has failed her "child"?)

I do wanna say, if Jinx is going to mostly echo what Silco did with her, I don't necessarily consider that "motherly" just because Jinx is female. So Jinx could just as easily be "dadding" Isha. Or maybe she will remember her own mother or Vi and create her own blended version.

The only of the season 1 "dads" who still had decent amounts of screentime in season 2 so far is Heimer and I think its noteworthy that despite there being the "this is my former student, this is my current student" to me he doesn't feel very dad-like to me anymore.

In season 1 Heimer was a traditional dad/male mentor figure. He has students, he encourages them, he scolds them, he is disappointed that his influence on the world was negative, he is hurt when his "son" throws him out.

In season 2, it feels like he has accepted a new position in life. In season 1 his "dadness" was based on his knowledge and in season 2 it feels like he sees himself as having no clue and now having a lot of kid like enthusiasm. In way he put himself more in the student role because he realized he had no idea what was going on.

Of course it's possible that Warwick and Singed's roles will ramp up over the season and we will have more mixed approaches to "parenting" in general rather than primarily "mothers & daughters". (ie that Ambessa versus Warwick could be "the mom" versus "the dad")

(don't let me dream of Ekko co-parenting Isha or parenting his tree followers)

Of course there's a chance that Viktor will join the "dad club" in that he dads his followers, in the sense he creates something and feels responsible for what they do, just like Jinx will presumably have to deal with the responsibility of people following her.

[oneatlatime]

Avatar Day

I'm back!

"A hundred years passed and my brother and I discovered the new Avatar" That wasn't just chance, was it? Wanna bet that it also wasn't just chance that Zuko was near enough to see the beam of light?

HOW LONG DO YOU HAVE TO BE ASLEEP FOR A SPIDER TO SET UP SHOP IN YOUR MOUTH?!?!?

"What are you doing in my mouth" is a sentence so ripe for innuendo-isation that my brain tripped over itself trying to come up with a dirty way to spin it.

Love the boundary talk too. I had no idea that kind of therapy speak was around in the early 2000s.

There has got to be a more efficient way of stopping someone who can canonically fly than pulling down a whole ass tree vaguely in their path. And how strong are these rhino things?

Did that mask guy just try to bomb a child?

Tee Hee. A Pee Pee.

Boomerang has to come back though. That what boomerangs do. I refuse to believe that boomerang is gone.

I guessed about halfway through season 1 that Zuko would have to go through some identity struggles in this show, but I was wrong! It's Sokka who gets to reevaluate his identity. Ponytail guy doesn't have the same ring to it.

Dingalings all over this episode.

I've been wondering why we weren't seeing more Avatar themed places and events. Granted, the avatar's been missing for a century, but in a world where there is recurring proof of a spiritually endowed god-like person's existence, I would expect more temples and Holy days. I mean, we can't even prove that any of our gods exist and we still commit to building megachurches. Imagine how easy it would be to fundraise to build a temple to an Avatar when there's the underlying threat that if you don't donate, the demigod in question could show up at your house.

Two things: first, there were some serious resources invested in these floats. Either this village is loaded or has priority problems. Second: Aang is now well enough known worldwide, that villages he's never been to can accurately depict his appearance, costume, and personality. It really never occurred to them to lay low, did it?

"That's the biggest me I've ever seen." I'm curious to know your sample size.

Sokka could totally carry a torch. It's the torch that wouldn't be worthy of the wielder.

That about sums up my reaction too.

Zuko's in this episode. Hi Zuko! I'd know that musical trill anywhere. When was the last time I saw Zuko?

So I know that Zuko's got a wisdom problem, but could he at least wait until after dark to rob people? While wearing a very recognisable costume that is prominently featured on its own Wanted poster? Just a little common sense I'm begging you.

So in character for it to be Katara who takes action first when Aang is insulted/has his effigy set on fire.

This guy is stupid right? Kyoshi was around at least, what - two hundred years ago? And there's been two avatars since, who as far as I can tell aren't Kyoshi reincarnated but are whole other people, and he's still blaming Aang for some rando's death?

Pro tip: anyone introduced with the expression "glorious leader" is invariably neither glorious nor a good leader. Good leaders don't need hyping up.

I was wondering if that little remark about water tribe money at the beginning of the episode was going to have a payoff. Every time I think it's simple worldbuilding, it turns out to be plot. This show is so neat.

The loss of boomerang is having unforseen effects on Sokka's mental state.

"I can't do that [save the world] with people thinking I'm a murderer either." Says Aang. "So what exactly do you think every earth kingdom and water tribe person assumes you're going to do to the Fire Lord?" Says I. To be clear, I don't want to watch a goofy 12 year old commit a war crime, but I guarantee that no one in the avatar world is under any illusions about any fire lord going quietly.

How does Aang know how do push the 'expert detective' button?

How long is Katara's arm?

Ok I'm guessing from Katara and Aang's reaction to the polar leopard boots story, that Aang knew that Sokka could be conned into helping with 'expert detective' talk, because Sokka has retold the polar leopard boots story 800 times.

Sokka understands the importance of looking the part! Hang on I got a gif for this.

Well-known top three rich person activity: money fondling.

Moneybags should have put those metal reinforcing struts on the roof too. He probably cheaped out.

Oh my GOD this is peak sibling energy. This is MY thing. No touch. ME DO. MINE. Yeah I know it's obvious to anyone with eyes but I'M THE ONE WHO GETS TO SAY IT OUT LOUD.

Loving the bubble pipe.

HYBRID ANIMAL

NOT A DRILL

Rat Elephant?

Too late my man. The only person who didn't see that is Aangy.

Super nitpick time! Why did they build a defensive stockade when there are highly climbable cliffs 50 feet away and the fire nation have cliff-climbing tanks?

Funny how the mayor guy says "clear her name." Aang wants to clear his own name, the mayor wants to clears Kyoshi's. At least some people get that avatars are different people.

Last visit to Kyoshi was: -Harassing local wildlife -Misogyny -Crossdressing -Burning down the whole village -Harassing local wildlife again

What in that list inspired Suki to change the world/fight in the war?

Respect the props Katara.

I found the sane people is this village! You know what I love? When they're listing Aang's good points, being the Avatar comes FORTH. They get that he's more than his title.

I'm sorry but I cannot believe that this painting, which lives in a building without a door, is three hundred years old. Unless that thing is behind 15 layers of varnish or invisible glass, humidity would have destroyed it in the first decade.

Katara getting ragdolled got a big laugh from me. Plus the follow up pipe to the noggin. Gotta love a sibling slap fight!

With that model of justice it's no wonder the sane ones are in jail.

Sounds like someone was chasing butterflies when he should have been paying attention...

Zuko again. I'd forgotten he was in this episode.

"There is a simple honour in poverty" is a good-sounding line, but I'd believe it more if it wasn't coming from a former crown prince who, until like three weeks ago, never wanted for anything.

Can someone please make Zuko aware of the fact that honour as a concept exists outside of an avatar-capturing context?

In my experience, the hope you give to yourself when there's no hope left is less hope and more spite. Still works though.

Was all that talk about not touching Kyoshi's things just talk, or did the water tribe siblings have to steal this stuff?

YES Sokka is RIGHT stuff has POWER.

Did Koh steal their brains as well as their faces?

The village idiots fucked around, and now they're gonna find out! this is going to be good.

So Chin the conqueror was about as smart as the people of his village. He really thought he could take on the Avatar?

Good Lord avatars can move tectonic plates?

She's blowing a continent. She sailed a continent. Without a sail.

Tiny Momo.

Badadss lady speech aside, it's pretty funny that Kyoshi used her ability to manifest to be the opposite of helpful.

Just when I thought he couldn't possibly get more stupid, he sinks to an even lower level of dumbass. Zuko sucks all the common sense out of any room he enters; the only thing that's kept him alive this long is being in proximity to the world's wisest man as balance. So what does Zuko do? Rides off into the sunset WITHOUT Iroh. Dumbass. I give him two days before he dies in a freak foraging accident. Dumbass.

SERIOUSLY. DUMBASS.

Never thought I'd be happy to see these guys, but here I am.

Petty Aang! I've never seen petty Aang before. Boy contains multitudes.

Screw artifact preservation.

Three of these jokes in a single episode. This episode does rather feel as though it was written with the brakes off.

The lead rhino takes one look at Aang and is like "I'm not going to mess with that. Let's burn down some buildings instead." Let the record show, the lead rhino has more sense than Chin the Conqueror.

I knew it! Boomerang came back!

Raw dough. Uncooked dough. Their new snack is salmonella. "This is by far the worst town we've ever been to." Thanks to Sokka for the thesis statement.

Final Thoughts

This episode was hot nonsense! And I love nonsense, but it's too far when I find myself rooting FOR the rhinos. To be clear, I loved this episode's humour and especially the sibling dynamic between Sokka and Katara. I've literally had that exact conversation with siblings, usually about who gets to be the one to tell Mom about the spectacular awesome thing we saw that totally wasn't our fault and that we totally saw without going somewhere we shouldn't have.

But! The villagers? Stupid. We cut to Zuko? Heretofore unseen levels of Stupid. Even Iroh was being stupid. You do have to let children learn things for themselves and make their own mistakes, but in enemy territory? With a documented history of dumbass behaviour? And a propensity for dressing as a wanted criminal, while also being a different wanted fugitive while out of disguise? Mark my words; it's going to end stupid.

I loved the C plot with Sokka and identity. It's funny how it parallels/speedruns the journey Zuko's going to have to end up doing at some point (he'd BETTER), although probably not in a single episode with goofy props. If only teenage identity crises were as easily solved as a returned boomerang.

That scene with Kyoshi sure was something, huh? I actually rewound and watched it twice through before I tried to comment on it, because I was too enthralled to do anything but watch.

If all Avatars can do what Kyoshi can do, then Aang is: a) nowhere near as developed an Avatar as I've been assuming, and b) going to be really really scary one day. Not sure how I feel about Scary Aang. Although petty Aang was fun.

I love monster of the week episodes with low stakes and high humour, but this one was had so much stupid coming at me from so many directions that it did get a little annoying. Still, I'll rewatch it. That Kyoshi bit was delicious.

[wolftozier]

12 for any/all of the losers?? whoever inspires you in whatever iteration

12. fashion sense

eddie: very glitz and glamour. brand names for the sake of brand names. the gaudy ruby pinky ring... his gucci loafers... eddie dresses how he thinks rich successful people should dress, which means he isnt dressing like that at all. three different luxury brands at a time. chunky ass rings. wears both silver and gold jewelry at the same time. hes so tacky <3

richie: okay first of all i dont think richie is bad with fashion. obviously i love subscribing to the idea of him having silly shirts and funky patterned socks and joke ties but like... its a facade... my guy builds himself a mask to hide behind... i think this was in a fic i read but the way he dresses to me shows that he knows too much about fashion, not too little. he knows exactly how to exaggerate the flaws he doesnt mind showing to the world. dont take him seriously!! treat him like hes a childish manbaby!! just like he wants you to. youve fallen for his trap.

mike: mikey and his librarian sense of fashion... sweaters. vests. little glasses that have a chain. shoes that make clicky noises when he walks. i just want him to wear comfortable things i think he deserves comfort!!!!!!!

bev: she is a natural tomboy to me i Think... adam sandler type tomboy, with the oversized stuff. however, i think she learnt from a very young age that people (adults, men, etc) dont like her if she isnt feminine. and sadly i think shes very susceptible to what that crowd thinks of her. shes hyper feminine as an adult because of this. worries people will think differently of her without the makeup. without the nice clothes that show off her figure.

ben: i think for a long time into adulthood, even when he loses weight, ben wears oversized stuff. and its not fashionably oversized, its dont-look-at-my-body oversized. and i think hes more forced outta the habit instead of growing out of it. because he needed nice clothes for job interviews etc. i dont think hes ever comfortable all dressed to the nines like he is for work and i dont think hes comfortable dressed down in pajamas, because it just makes him feel like hes hiding again. he doesnt really have a solid taste in fashion because hes never really allowed himself to feel good in what he wears

bill: sorry i love bills 2019 fashion. guy who goes into the nearest. like. walmart or whatever you americans use and heads to the mens section and just buys whatevers there. like yeah he looks good but dude. we can afford better than 7$ shirts i think

stan: i love baby stan and him being the worlds smallest adult. this means. to me. that stan never has much of a fashion evolution. he wears his adult clothes just as pressed and neat as he did his little kid clothes. tucks his shirt in. buttons up neatly. hes very methodical when he puts everything on.

[fiberglassandflowers]

Hey idk if there’s some master post about mbts but if there is may I please ask where and if not could I perhaps humbly request a description because it sounds cool as FUCK

omg yayy okay so there's not a masterpost as of now (though there is a google doc in the works that will probably be. very big) BUT i will try to give a brief rundown. underneath a readmore 👍

OK SO. IN SUMMARY

MARY BELL TOWNSHIP: more like mary bell CLOWNSHIT ha ha. heavy surveillance like everywhere (including in peoples homes. how fun). it's also got some like radiation stuff going on. all the residents are a lil radiation poisoned But it's mostly fine. also the town moves and i dont know why.

VANNIE OVERTURE: based on suburbia overture. the mayor who is a vampire. major control freak. sucks shit. like most of the reason mary bell is the way it is. permasmile swag. has killed before. hates when people are weird freaks and is actively passive aggressive if not outright aggressive.

TRIP LETWO: based on 2econd 2ight 2eer. world's silliestguy contrarian and infamous public nuisance. deeply tortured individual but shes dealing with it i guess. physically cant leave mary bell township. he has too much goddamn lore

LYDIE LAPLACE: based on laplace's angel. so lame. just deeply lame. killed a guy and got kicked out of office building heaven (laplace's inc. id give this its own section but it doesnt really matter all that much). i dont ever think about it unfortunately im sorry women.

MINA BYRD: based on i/me/myself. very sweet very nice. ladybugpilled socialanxietycel. doesnt have a whole lot going on but she is nice im glad shes there. im gonna have a significant relationships section of this but im saying that shes roommates with lia here bc its not really significant otherwise

WALTER LEE: based on ...well, better than the alternative. worlds first cis father to be a butch lesbian. probably a girl but she doesnt know that. weird nostalgia issues so bad his wife left him.

DOTTY LEE: ten years old. strange little girl but i dont really think about it a lot. not much else to say about her really.

LIA CRATES: based on outliars and hyppocrates. her name is pronounced like lie-uh cray-tees not lee-ah crayts. i have to clear this up because i realized most people were wrong LMAO. a little mean but not so much when you get to know her.

WARREN LEARY: based on blackboxwarrior. actually the worst therapist you will EVER meet. isnt even licensed. you book a session with her and she only talks about herself the entire time. constantly referencing a dark and contradictory past.

MARSHA TILLIS: based on marsha, thankk you for the dialectics. slightly better therapist! still not that good. has the spirit of an old man despite being in his 40s. will begin to psychoanalyze your behavior upon the first thirty seconds of knowing you.

NORMAN LEE: based on love, me normally. guy trying really really hard to be a regular guy. has a loooot of problems that stem from this. hugest people pleaser the world has ever known. a little bit offputting. has hair symbolism :-)

MORTIMER: based on memento mori. doesn't have a last name. worlds silliest grim reaper death thing. works in the death division for laplace's inc. lived a pretty normal life. then it died :-(. more here

FERN O'DYNAMIC: based on thermodynamic lawyer. hates his bitch wife (who is a praying mantis for. unknown reasons? will elaborate). just has a lot of anger inside him and doesnt know how to deal with it so he takes it out on other people. he kind of sucks but he's a neat character.

MIRANDA WRIGHT: the person being sung about in thermodynamic lawyer. bug wife (i can blame anything on radiation). she wasnt always a bug she just kinda did that idk. there's not much about her but she's an etymologist.

COTARD LETWO: based on cotard's solution. she has so many problems oh my gooood. deeply lonely person. fascinated with the macabre. its like coping mechanism that makes you worse. im insane about her writing a basic description is so difficult fkdjsfhsjd

RAMONA MCLAREN: based on red moon + hand me my shovel (though the latter was included later on bc it fit her). worlds most intelligent and stupid single celled organism. patheticswag. absolutely batshit insane. attempting to solve the end of the world.

KUIPER SUNSHINE: based on dr sunshine is dead. uh. i dont really know much about her to be honest SORRY... its really silly though + haver of prophetic dreams that she is NOT transparent about. fucks with people a lot just for funsies

COLIN THESIER: based on cover this song. girl who used to be in a band but got kicked out bc of friend drama. survivor of a toxic codependent queer friendship. trying to be a better person bc she used to suck pretty bad unfortunately. a bit more here

theres like a couple more characters but none of them are really important enough to give their own sections. debbie letwo is trip and cotards mom, laplace is the head of laplace's inc, maude is walter's ex wife who left him (heres the scoop on that).

OK NOTABLE CHARACTER DYNAMICS TIME:

VANNIE/NORMAN: norman has been pretending to be a normal dude this whole time + vannie totally fell for it. normans stuck in this friendship bc hes too much of a people pleaser to break it off even though vannie actively drains him emotionally. also he feels validated by vannie thinking hes normal. its so awful im so insane about their dynamic

VANNIE/TRIP: THEY HAAAATE EACH OTHER. their entire core beliefs are at odds (guy who thinks everyone should do their best to conform vs. guy who loves being a weird freak and doing fuck all). their dynamic is honestly pretty simple in comparison but theyre so petty and stupid its insane. if you put them alone in the same room one of them isnt coming out

TRIP/NORMAN: theyre gay together. there's a weird lore thing about the way relationships are handled in mary bell but long story short theres paperwork that has to be filled out if you want to be registered for one and trip thinks its really funny for xem and norman to constantly break up so they'll have to fill out the paperwork because it fucks with vannie. theyre also kind of awful and tragic

WALTER/DOTTY: that is a father and his daughter. walters trying his best and hes doing well but nothing would have been better than just moving out of mary bell township to raise his child.

WALTER/NORMAN: they’re brothers 👍 not much else to say there but they’re cool

WALTER/MAUDE: already linked a more in-depth explanation of their deal but ill summarize it here. maude thought living in mary bell township was really bad for a child (and it is) but since walter has issues about idealizing his childhood he was like "whaaat well i was raised here and im fine" and they fought about it and once it became clear walter wasnt changing his mind maude figured shed just spare herself from all of it. so she left 💯

WARREN/MARSHA: what if the two worst therapists ever were queerplatonic and violated hipaa together. also what if one of them [marsha] was helping the other [warren] because they're on the run from the law. would that be crazy or what

FERN/MIRANDA: actually awful. they really want to divorce but trip and norman keep clogging up the paperwork so theyre on a waiting list forever. their relationship was really good at one point but its not anymore :-( more info here

NORMAN/FERN: fern haaates norman because of the previously mentioned paperwork debacle but normans ass cant deal with the thought of anyone disliking him so hes just been really trying to get on his good side to no avail. also theyre coworkers so its more relevant

MORTIMER/TRIP: man how do i even summarize this one. due to lore reasons that you can read about in the link provided in trips session they have a super weird dynamic present day. or at least on trips end, mortimer is just super friendly to them and it wigs her out.

TRIP/COTARD: OUGUIGHJ. AOAUYFGDSFHSJ. tragic sibliiings. man i dont even know if i can go into this. go here and here if you want to learn more about them. jesus

COTARD/COLIN: frienndsss :-] classic extrovert forcing themselves into introverts life trope a little bit. they play music together and its great. mina's also in their little group but the two of them are closer

KUIPER/RAMONA: have been described by my friend as being "nonromantic freak4freak" and this is true. theyre working together on the end of the world stuff. they also rope cotard into it but thats lore i havent talked much about yet. go here and here for more info about them.

that might??????? be it?????? if there's more ill update it but thats the general basics i think. thank you for being interested and hopefully reading i greatly appreciate it :-)

[tokiro07]

In a recent interview, Eiichiro Oda said that he probably won't do any more manga after One Piece (or at least nothing huge) because the world he constructed for One Piece inadvertently allowed him to explore pretty much every type of story he wanted to: Mock Town was a Western, Egghead is both a sci-fi and a murder mystery, Thriller Bark was a horror, etc. He never did it, but Oda probably could have found a way to work in a high school drama or romantic comedy if he'd really wanted to. I would argue that's how the Hungry Days promotion came about, he probably wanted to see it explored at least a little bit but couldn't quite find a good excuse for it

Undead Unluck, as I think at least one of us has mentioned before, is very similar: it can be whatever it wants to be whenever it wants to be. A sci-fi horror against the emotion-eating aliens on the space station, a zombie apocalypse Western against Spoil, a wuxia against Feng, competitive gaming against Spring, sports against Void, and now of course the high school AU centered around Chikara; Undead Unluck can do it all! If we end up going into Lucy's mind and it becomes a swords and sorcery fantasy with Lucy captive in a castle by a dragonified Ruin, would any of you really be surprised? Would any of you even complain? I wouldn't, and in fact I hope it happens now. That'd be such a funny way to get both Ruin and Lucy back into the main story

I don't know if I've ever really talked about it before, but there are certain niches that Jump manga fill. I don't mean in the sense of genre like sports or gag manga, I mean more thematically. When My Hero Academia started, the consensus was that it was the "new Naruto," with its plucky underdog protagonist competing with a cruel and prodigious rival and a society that discredits him for the circumstances of his birth. Black Clover draws inspiration from a ton of big name manga, but Bleach is probably the one that it best resembles in the structure of its world (the Clover Kingdom resembles Soul Society, the Magic Knight squads resemble the Thirteen Court Squads, and the Grimoires are basically simplified Zanpakutou)

Over the years, I've seen many things take major inspiration from Naruto, Bleach, Dragon Ball, etc., but shockingly, there was a long stretch where I never saw anything try to emulate One Piece, at least not in a way that was particularly obvious. The closest was Toriko, creating wild and imaginative animals, plants, etc. the same way that One Piece creates its islands, but nothing had a cast that felt reminiscent to me

Interestingly, the first one that I noticed that felt like what I was looking for was Dr. Stone, and that only sunk in for me when Senku had his group build a boat and put up a sail with their own unique symbol. I realized in that moment that where Toriko had covered the spirit of adventure that One Piece had, Dr. Stone covered the spirit of friendship and togetherness: every time a dilemma came up, the solution was almost always finding a new ally and awakening their talents, applying them in a way that they'd never thought to before, or reconciling with an old enemy for the sake of progress. "My friends are here to do the things I can't, and I'm here to do what they can't." This is one of the core tenets of One Piece, and while it took me a while to notice, it was equally a part of Dr. Stone's core as well

Undead Unluck does something pretty similar, though not as overtly, since the cast don't really have neat roles like "navigator" or "doctor" or "chef;" instead, everyone has their areas of expertise that can be used in multiple situations, so the individuals best suited for each situation are carefully selected, and if none are available, the hunt begins for someone who is. I think this didn't sink in because it didn't become nearly as prevalent until after the timeloop, but in retrospect, the first half of the story was like the pre-timeskip Straw Hats', unprepared and unable to reach the world's ceiling when finally faced with it, only to come back stronger and wiser in their journey to come back together

Coupled with its ability to be (Chucky voice) genre-fluid, Undead Unluck has unexpectedly become in my opinion a more than worthy successor to One Piece's particular niche in Jump. I've had this thought for a while now, but I think that Undead Unluck might actually be a good glimpse into what One Piece would have been like if Oda had been able to stick to his original five-year plan. It isn't able to take nearly as much time to flesh out its world, but its streamlined approach elegantly allows us to get to know enough about the cast to be invested while still allowing attentive viewers to pick up on fine details. Where One Piece ballooned to be a 30-year venture because Oda kept having more ideas he wanted to share and angles he wanted to analyze, Undead Unluck seems to have a stronger clarity to its vision and commitment to ensuring that vision is realized ASAP without sacrificing any of the essentials. Neither approach is wrong, it's just good to see that there is in fact a world that exists where One Piece would have been able to be just as solidly executed even without entertaining every whim and flight of fancy that its author could dream of

Of course, One Piece is still going, and likely will be when Undead Unluck naturally concludes, so calling UU its successor is definitely a bit of an overstatement, but my main point is that I'm glad that we're starting to see authors who aren't afraid of sharing One Piece's niche, and more importantly are doing it in a way that's fairly subtle, but identifiable. It's an extremely comforting sign for the rapidly approaching post-One Piece world, and I can't wait to see what fills the coming power vacuum

[nutkick]

i plead the fifth: a retrospective

to honor finishing my first ever longfic, i thought i'd start a new tradition of answering this tumblr questionnaire as a final goodbye to such a big project! questions and answers are under the cut <3

1: What inspired you to write the fic this way?

i first had the idea for i plead the fifth (IPTF) simply for the drama tbh. i already had two installations into a long drag (ALD) and wanted to explore the characters and world i had been building in a bigger way. lethal company already had a "format" for me to follow, which each day of a quota being dedicated to whatever planet you landed on, ending with a stop at the company, so that's how i structured the fic!

2: What scene did you first put down?

the first scene i had in mind was the ending of the very first chapter, actually! here's what i jotted down in a message: speedy plays nice in front of everyone, but the moment him and platy are alone he threatens him

3: What's your favorite line of narration?

hard choice, but probably chapter 6's jester encounter:

“You fucked me,” Speedy pointed an accusatory finger at it. “What happened to being buddies?” The Jester remained silent for a moment, as if contemplating Speedy’s words. And then, its hand raised to its crank and started turning.

one of my friends and betas (drill my beloved <3) particularly loved this line:

The Jester regarded him with what Speedy might ascribe as curiosity, tilting its aluminum casing to the side.

as she says: it could be curiosity. and yet its the most dangerous creature in this place by far. it could be curiosity. you hope it is.

4: What's your favorite line of dialogue?

another really hard choice, god... the dialogue in chapter 7 was the most fun to write, especially the back and forth between chilled and larry:

“That wouldn’t stop me! He wouldn’t need the dick pills, I’d fucking—“ “Larry!” Chilled chastised, still laughing. “You can’t say that!” “What? Don’t be jealous!” Chilled leaned back and cackled. “That’s not what I-“ Larry slammed his fist down on the stand. “I said I’d fuck everyone else, that includes you!” “This is a court of law!” Chilled cried. It fell on deaf ears as Larry doubled, tripled down.

5: What part was hardest to write?

chapter 8 in it's entirety, honestly. the payoff in the previous chapters was easy, wrapping it all up in a neat conclusion while simultaneously leaving some things open-ended for future continuations was so much harder. i think it added to the fic, though: nothing ever ends as perfectly and neatly as we'd like it to.

6: What makes this fic special or different from all your other fics?

well, one, it's like, 37k words... i typically write one-shots, this is my first real attempt at a longfic. i know, some authors drop 300k word fics, but i basically just wrote double what i've posted on ao3 in one work!

7: Where did the title come from?

the song "kaleidoscope eyes" by panic! at the disco. it's from a b-side on the album "vices and virtues". (of course i'm a p!atd fan, i was born in the 2000s. some habits die hard...)

i could ramble on about how the b-sides on this album are as good or in some cases better then what got on the album, but the important part is the lyrics and the general vibe of the album as a whole.

There's a get out of jail card If I can think of something clever ... I'm just a crook, with no intent or stash Pour gasoline on the vault, just to burn the cash

like, is this not speedy? and the bit at the end where brendon urie psychs himself up for an evil laugh is so speedy-coded. (not brendon urie, fuck that guy)

8: Did any real people or events inspire any part of it?

youtuber rpf? being inspired by real people and events? i sure hope so... i originally got the idea for a speedy-platy homoerotic rivalry from speedy's among us videos. i can't find the exact video now, but speedy just dropped a video of him and platy at each other's throats for like 15 minutes. art truly imitates life.

characterization like junk being absent-minded, or kara being one to throw herself into work, those come from a combination of existing roleplays they've done (like kara being on smplive/smp earth, or chilled on purgesmp) or inside jokes within the group. basically, combining a bunch of details and my personal infallible interpretation of their streamersonas and making some interesting characters to put in the barbie doll house/torment labyrinth. y'know, usual rpf stuff.

9: Were there any alternate versions of this fic?

sort of! i had to move around events after chapter 3 because some things fit better a certain way. i also accidentally added an entire day by accident when i was drafting the story, that was funny. guy who can't count to 7

10: Why did you choose this pairing for this particular story?

ALD has a lot of ships within it, but i think pr1 is a unique fandom in the sense that you can take any ship and make it work. even if there are some popular ships (zrc, speedarms), those weren't even started in pr1, those are legacy ships from the fandoms that collided to make pr1. arguably coldburger is the first pr1-specific pairing that didn't carry over, but that's kind of a different answer for this question. i've always had a bias for speedy since i started watched him at the beautiful age of like, 13? and he led me to find all of the other youtube groups i've grown up with. so it felt right making him the main character.

chilled is my second favorite, since purgesmp, and i like putting that guy in situations. when lethal company came out (a year ago! wow time flies) it was the perfect concoction.

naturally, other ships followed: i couldn't not include some speedarms. background romances felt obvious, like the larry and side match-up is so right it'd feel wrong to not include it. and the speedy-platy romance was a given, i mean... fellas, is it gay to have a rival you hate but know everything about to the point where you can read his emotions like a book?

11: What do you like best about this fic?

the all of it? haha, i don't know, i love the entire process of fic writing. the planning, the drafting, the editing, the posting, silly shit like the playlist and this questionnaire. every aspect of this project has been enjoyable, most of all connecting with the fandom and other creatives with everything that inspired IPTF.

12: What do you like least about this fic?

probably the length of time in between the last few chapters. i had a lot pre-written, but it took one busy work week to completely derail the train... sigh.

13: What music did you listen to, if any, to get in the mood for writing this story? Or if you didn't listen to anything, what do you think readers should listen to to accompany us while reading?

i actually have a playlist of songs that have directly or indirectly inspired ALD as a whole!

14: Is there anything you wanted readers to learn from reading this fic?

you probably shouldn't take moral lessons from my characters. that being said, we all put a little bit of ourselves in our writing, and my piece was learning to not torture myself with what-ifs and my own assumptions about the people around me and the way they feel you can't make people stop caring about you in the same way you can't force them to care about you. they either do or they don't. and it's up to both of you to communicate to either end

15: What did you learn from writing this fic?

posting as you go is not my thing, so for future projects, i'll probably try to have a bigger buffer or maybe even the entire fic written? who knows!

also, i think i really refined my process, especially regarding editing. i gained a lot of confidence from posting my silly story, now i can post even sillier stories <3

[cer-rata]

Hi! I wanted to ask about your process making of Conrad. I been thinking on creating my own oc but I really don't know where to start and when I read "heart of Gotham" he feld like a pretty solid character and very interesting too.

So I'Il like to know, how did you come up with him? Where did you started end how did you follow with his story?

And if you have advice on building a character I would love to hear it, thank you! :D

This is so nice? I think the biggest anxiety around creating a OC-centric fic is that your baby just won't be as interesting as the canon characters, or worse is actively agonizing to witness, so it is nice to see that he stuck out to you positively.

This is a lovely question and I want to give you a thorough answer.

Spoilers? I guess? But only for things I've already published.

On Conrad:

When I'm writing fanfiction, OC or not, I like to look at the existing world building, find a detail that I think is really neat, and then put it somewhere it doesn't belong. I love Star Sapphires conceptually, if not always in execution, and wanted to play with what it means to be powered by love, and to do it differently than the classic obsessive, toxic, homicidal Sapphire that Carol became back in the day before it was a proper corps, and Geoff did his lantern lore tinkering. But I also didn't want to make it a purely heroic, morally unambiguous thing. All emotions are neutral and love can go in a lot of directions. I knew it had to stem from some kind of pain, partially because that is the standard set in canon, and also because I feel that heartbreak is love at its most intense and difficult to control, and that level of extreme emotion is needed to attract a ring.

So I started thinking about the kind of person that would be capable of feeling love that deeply and then I realized that the most emotionally volatile time in most people's lives is the teen years. Especially when it comes to affection. I'm not excluding my ace friends here either, even if it's not romantic or sexual in nature, teenagers tend to form really strong bonds, due in part to the aforementioned emotional volatility. So I knew they needed to be a teenager.

I wanted him to be a boy because I think the love corps being gender biased makes no sense, and playing with masculine stereotypes of what love means interested me. I am a guy, I like to write what I know. I also wanted to play with the idea of what it means to be a guy in the first place. Conrad's boyfriend, Darren was kind of created to be a more standard masculine ideal: Big, strong, uncomplicated, aggressive. I think on a level Conrad envied that and the safety that came with it. Conrad on the other hand was more complicated. There's a lot of softness there, an emotional rawness even before the tragedy, and he doesn't hide that. He's very openly gay, honest and clear about that, but he's also not pressed to present in a certain way. He liked that Darren protected him, and he didn't like conflict. None of that was from a place of confidence necessarily, more an aversion to being inauthentic. He doesn't think highly of himself, but he's also not interested in pretending he's anything else. It's not that he doesn't care what people think of him, but he just can't be anything else than what he is.

Frankly, there's also a tendency to write black boys and men as wildly binary. Either hyper masc and aggressive or toothless and palatable. I didn't want Conrad to be so clearly defined.

So I had the basic outline of his vibe by that point, I didn't have all the specifics but I knew that I needed to create an awful situation for this emotionally vulnerable kid. That's where Gotham came into play. Bad things happen to people every day in Gotham, and despite that, the regular folk keep living their lives. It quickly became important to me that Conrad represent a very average person in a very strange city, with average ambitions and circumstances. Being raised in a working class home was a given, because I didn't want to lean too far into the poverty narrative, but I did want to draw some distinction there, and contrast that kind of worldview to that of the better resourced batfamily. I wanted to make the change in his status quo even more jarring by not making him someone with any ambition to be a superhero, and make his more typical understanding of the world clear and consistent.

I also wanted to make him the child of immigrants, but swerve away from the stereotype of the inflexible, emotionally unavailable first generation parents. They're not perfect, they are distant in how they respond to his sexuality, but it was important that they were smart, fairly progressive, kind people who clearly cared about their son and his happiness. I don't think a parent has to be wildly abusive to cause pain for their kid, sometimes they really are trying their best, and the kid knows they’re loved, but they still leave some sore spots to work through. I tried to take that approach with my characterization of Bruce too, actually.

A lantern ring is an incredibly powerful weapon, and Gotham doesn't usually feature characters that powerful, it doesn't fit the genre, and I knew that. So I kept him from training properly for the story so he was always struggling to figure out what he was doing as a way to not have to start him out with lantern-tier threats. On the note of the ring, I also was specific about countering the classic hypersexualized depictions of Star Sapphires, not out of any moral sensibilities (though I do suppose I’d feel odd putting a sixteen year old in a laser speedo), but because I wanted him to have to build the confidence to be showy if he even wanted that. His insecurities about his body are pretty standard stuff for any teenager, and while not a full on complex, I wanted to be a little realistic about what he was willing to wear. I wanted to emphasize that love is not just about attraction and sexuality…though yes, for him specifically those are factors. But specifically not the only places he draws power from. I like to think they all have a central love that they tether to, and branch from there. Were I to make another Star Sapphire after him, I would most likely go in a completely different direction and focus on a different facet of love to be the core of their power.

Anyway, so then I had "Gay Black Teen Boy from Gotham who is Nice Enough but Not Terribly Interested in Sticking His Neck Out." I then picked a life altering tragedy that was in some ways intended to mirror Bruce's and spark a similarly intense desire, but smaller and more focused in scope.

This may be hard to believe considering I made a character who is literally powered by love, but at that point I had no intention of having Conrad date anyone. The story initially was much more dour and lonely and I didn't anticipate a happy ending. It was going to be bittersweet at best, but tragedy was more likely. I changed my mind a number of times actually, frankly I think the fact that the story logically flows is amazing, because I was writing to at least four different goals over the course of it.

Damian made the most sense to me as a point canon character because of the ages I was going with, and how hard his personality contrasted Conrad's. I put them in the same school and tied him to the tragedy for convenience, honestly. I thought it would be interesting for Damian to be drawn in through his guilt and inability to leave a problem unsolved, and because of that grow to have a civilian friend who was disarming enough to not trigger his defenses, and THEN becomes wildly dangerous, so he'd already accepted him into his sphere and then had to deal with it. I...wrote them with more chemistry than I'd planned to (yes, Damian is a blorbo, I'll admit it okay), and suddenly it became less about the lore implications and impact on Gotham's power balance and more about whether or not either of them were capable of love anymore. For a long time the answer was no, their ill-considered hookup was supposed to hurt both of them to the point of closing off to each other...but I got to a point in my own developing worldview where writing that the answer is "Not everyone gets to get better" became untenable. And I didn't think that kind of pessimism even made sense for the story I'd written, its tone, and how I characterized Conrad and Damian.

He definitely developed as I wrote him. I generally only knew what I was doing two to three chapters in advance, so there was always some uncertainty, but I had a pretty good idea what drove Conrad early on, and knowing what he cared about was helpful. Sometimes when people talk about magic systems, they talk about creating a power ceiling and sticking to it. I kind of wanted to show you exactly what Conrad could be willing to do very early on, so there was always this question about where his center actually was. I assume you're up to date, so you saw the kind of darkness he could reach come up a few times, but notably always stopped before stepping completely off the path and into something more sinister. He's nice, he's so nice, and I wanted to show how nice isn't enough to build a moral framework on, and he's still figuring out what his actually is. That's going to continue being a theme for him even after the fic actually.

Somewhere in there it turned into an AU I wanted to explore more, and then I started projecting Conrad's arc further out, and I did make a few choices in service of that.

Anyway, on general character creation:

I think the most important thing is that a reader kind of understands what a character is about. Not that they should be predictable, but they should feel consistent enough that when you are surprised, you can think back and go "Oooh...no actually yeah, I see how that happened." And that only really happens when you as the writer know the core of what they care about. Conrad wants to feel Safe, and he wants to feel Accepted. That's universal stuff, but it's important because that's where his ambitions end. He doesn't know what he's going to be doing after high school, he doesn't think that far ahead. Darren was his world because he just doesn't think past the present. Because his desires are so simple, so primal, and become so painful for him, then I feel it logically follows that he's willing to break through what he thinks are his boundaries in order to achieve them. You can even threaten either of them separately, but when both are in jeopardy at once, he's willing to do just about anything really. So I as the author always knew what his tipping points were, and could sprinkle them around to watch him trip into them and hurt himself. I want the reader to be able to see where a scene is going and go "Oh. Oh no he's about to do something he'll regret." So consistency of desire is important, because it colors everything else. Then you can make him sacrifice those desires for something he's come to realize is more important, and boom, you have a cathartic/agonizing growth point and can recontextualize from there.

Themes are important for long work, but I like to figure out who the person is first and then pick a theme that they'd struggle with figuring out. Wonder Woman wouldn't struggle with any of this, and as such wouldn't make sense to explore the question through. I'm sure you can come up with a theme first, but I like starting with characters and figuring out what their story is.

Gender, sex, race, orientation, health status: These are all important to know, even if the story isn't about any of those things specifically, because every one of those details imply different experiences and invoke different stereotypes. So don't agonize, but do think about WHY you've made the character this way. Are you leaning on stereotypes? Have you accidentally recreated an unfortunate trope? I am a black writer, but even so, when writing a black character I need to be aware of what ideas I'm perpetuating. I wrote Conrad's anger the way I did specifically because I wanted to avoid supporting the image of an "angry black man," which doesn't mean that he cannot BE angry, but does mean that I need to be mindful of the way he is, and why.

There are a lot of spreadsheets and character question checklists and stuff out there, and I'm sure they're great for some people, but they irritate my ADHD and I feel like if I need to constantly refer back to what my character likes, especially my main character, then I don't have a strong enough sense of who they are, and I really need to, this is an OC, every decision I make is the only canon there will lever be, so I need to have a grip on what I want.

Don't be afraid to make them goofy. Conrad is so goofy, and it is part of why Damian becomes fond of him, but that's not why I made him like that. I made him offbeat and awkward (but not shy), to create a specific dynamic in his dialogue. He's not cool, he doesn't care about being cool, but he is still insecure, and that insecurity manifests in oversharing, in a certain shamelessness. He can't handle sitting with shame, his self esteem is too weak for that. So his lack of guile, and lack of panache are both fun quirks to help me differentiate his dialogue, but also important clues about how he takes things and then I can flatten those out when he's being serious, or scary. If a character starts out cool, and that's never challenged, then it's boring and you get into Mary Sue/Gary Stu territory. It's totally doable to start cool and then add nuance, but I think it's easier to start a little weird and then reveal why they're neat when the situation calls for it. My advice boils down to this: People love fuckups, they love humans, they even love monsters. The greatest sin is for someone to be boring, and being too sad or too perfect is boring. I have to let Batman have a sense of humor for that reason. 

Since creating Conrad I've also taken to picking some scenarios that people have a general standardized reaction to, making a different decision, then figuring out why that makes sense. Really early on I decided that he didn't get jealous easily, notably so, and worked out that it was partially because he doesn't feel entitled to anyone's attention, but also because if he loves someone, he wants them to be happy and that doesn't necessarily have to involve him. So figuring out that Jon had feelings for Damian didn't do anything to him, because, well, Jon is in the 8th grade, that would be ridiculous to feel threatened by at that point, but also because someone loving Damian that much to him is a good thing. He loves Damian, other people should too. Which is...kind of a good trait, if only it didn't stem so much from his lack of self-worth.

I think every character choice should be intentional. They don't all have to be deep, but the more specific you are, the more tools you have to play with, and the more ways you can twist them out of shape. When you make decisions and stick with them, you create limitations, and those limitations are where I think an interesting plot comes from.

Shockingly, I do have more thoughts, but I feel like this is already far more than you asked for, and I do need to finish chapter 12, so I’ll cut it here. 

Also…this ask truly made my evening, and as such I feel compelled to share a tease of how I plan to celebrate the completion of the fic.

Look at him go!

[definitelynotshouting]

okay hello hi here to shout again because I have ROTATING the hunger lore for DAYS

ECOSYSTEMSSSSS!!! LETS GOOOO!!! did I do well in biology? No!!! I did not :D but ecosystems I know bby!!! MOONS AND STARS ABOVE I love the way it's all connected to like this huge ecosystem and the Watchers being almost gone, the Seekers being completely gone, and rhe Listeners relatively new!! Like?? That's so extremely clever and fascinating to me, and I love the way things are out of balance now bc!!! Yea!!! That's how ecosystems be!!

And also!!! It opens all these new thoughts!!! Like, I can't remember exactly if you said WHY the Watchers decided to take Grian, but if you didn't then like!!!! It opens up these possibilities of the Watchers trying to build back their population, which opens even MORE doors like "are they trying this with other players or was Grian the first/last?" And "would building their population out of Players actually help if Player-Watchers are different?" LIKE IM MEANT TO BE DOING SCHOOLWORK BUT I AM ROTATING

(and also. Love the way Grian became a Watcher. Can't remember if you specified the why (will go back and look) or if you're keeping it secret for now, but!! I love considering the ways populations adapt and survive to great loss and near extinction. It's very different from my own lore (living weapon Grian. Watchers took him to be a soldier bc Watchers and Listeners can't harm each other) so it's so fun to just think about and!!! Yeah!!! That's all I got!!!

Once again :D love your au <3 love your world building and your writing!! Was going to just send the one ask, but I cannot stop rotating your au!!! :D

-Wren

AAAAAA thank you so much!!!! :D im really pleased that everyone likes the ecosystem stuff-- ive been kinda noodling on it for a while because ecosystems are just so neat to me and it made a lot of sense to develop one when i decided Watchers were parasitic in this verse!!!!

I think ive only mentioned this offhand once or twice, but youve absolutely nailed the entire reason the Watchers took Grian-- they're trying to rebuild their population. Grian was essentially the beginning of an experiment to see if this was a suitable way to do that!!!

Actually lemme dive into that real fast, because i dont think i actually have before, at least not publicly. Something to note about Watcher life cycles is that they take comparatively a LONG time. Specifically, Watcher larvae take around a year to incubate within their hosts, and then once they "hatch" (altho "emerge" might be a better word for it) the juveniles take far longer to grow up and teach. And because these things are basically made out of wet tissue paper, theyve got a pretty high mortality rate.

So to get around that, and to try and get around the fact that juveniles often die because they dont know how to feed properly yet and often overextend themselves, why not try and copy the memory code of something fully grown and sentient and just... transfer it to a larva, so its easier to teach?? I feel like it kinda highlights the desperation the Watchers are feeling, that they'd go for this kind of wild experimentation, but it did technically work!!!

They just uh. Didnt account for the insane trauma that would cause, because to them Players are typically just viewed as food sources. Very orange and blue morality, in terms of their value systems compared to Players'.

Grian demonstrated to them that while its possible to rebuild this way on a technical level, its not actually feasible socially speaking. Grian ran from them because of the trauma they inflicted, and that sorta defeats the purpose of Watcherificating a Player so they can add to the community's population 💀💀💀💀 so yeah i'd say Grian is probably both the first and last experiment of his kind, if only because its just not reasonable to continue if your new Watchers are going to escape containment and flee to the ends of the universe every single time you make one /lh

I really love your concept with Watcher!Grian being a weapon, thats INSANELY neat holy shit!!!! Im feeling Things™ about that, i would absolutely love to hear more if you decide you want to tell me!!! It sounds like youve got some really cool symbolism in your lore, and i live for that shit >:]

Skdnwjfnmej anyway theres my own insane ramble to match your deeply flattering compliments, seriously thank you im so astonished people love this stuff so much, it makes me very very happy to know other people are spinning my concepts around in their heads :D feel free to send as many asks as you want!! I always love chatting with people :]

[a-mythologynerd]

I think it's a really important part of Kaz and Inej's dichotomy that they feel inversely about performing. The fact is that Kaz is a natural performer, and not just in his persona as Dirtyhands or putting on personalities for jobs (like he does for Smeet or any number of situations where he is a little shit) but also in a much lighter and fun loving "this kid loves fucking magic and just wants to do coin tricks." And Kaz's performances are so good that everyone believes that that's who he is, that "he doesn't need a reason." (and even he starts to believe it) To the point that his duplicity even tricks the reader cause he's an unreliable narrator, especially about himself and his own actions. Whereas Inej might be an actual performer, but she notably sucks at performing to the point her mom tells her to stop making it look so easy. And there's just really is something to the fact that her character is so intrinsically emotionally honest that she can't metaphorically put on a show and has to be told to pretend to fall. And the fact that they both see each other through this and what the world has "forced" them into (Kaz a perversion of his childhood love and Inej against her very nature). Kaz never asks her to perform (never as the Menagerie did and not even as her own family did at the caravan). And even when Inej is herself (or a persona and layer of herself) as the Wraith, Kaz sees through it and always knows she's there. And Inej always sees through Kaz's persona for the boy he is. Even when she's afraid it's true and its not a performance (ala the Alby incident) her hope is evidence of her deep seeded knowledge to the contrary. And she reminds the audience that actually he does have a reason! Always! He's just a boy who goes buck wild for puzzles!

And that's why the parallels of the Crooked Kingdom Slat fight and Dunyasha fights are so important. The inverse comes true! The violent Slat fight going from a showdown into a grand performance! Like that's it! That's the crux of Kaz's character! The violence is a performative action he takes to protect himself and build his legend! Inej even describes and compares it to performances multiple times both in his actions (escaping a straight jacket, "look nothing up my sleeve") to the reveal that Per Haskell has mistakenly given him a stage and Kaz is the ringleader. Versus the Dunyasha fight which Inej describes at first as a final performance for Ketterdam into a beautiful and honest reconciliation of her many identities as both an acrobat, a barrel brawler, the wraith, and just herself in order to finally conquer her "Shadow". And all of this culminates in the way they love and see eachother and provide what the other one lacks and needs. Kaz thinks Inej is magic and Inej cares so deeply that Kaz never gives her kind lies.

Anywho. I just think they're neat.

[motheatencrow]

BUG GAME MASTERPOST (AS OF NOV. 2022)

heyhey! this isnt actually anything "official"! i just thought i’d make this for fun and to also spread around bug video games that others, who like the silly little critters as well, might enjoy!

(remember that this is as of nov. 29 2022 so if any game unreleased game on here is now released, it may have been after the date that this was made)

there will be 3 categories: released games, games to be released/are being developed, and honorable mentions

under the released games, i will also be stating if i have finished the game, played them, or simply heard of them (can range from "i have the game wishlisted", "owned but not played", literally only heard of it, etc.)

these bug games will also only list games where most invertebrates are the main focus of the game

other than that, i will be doing the following if possible!:

- i will be providing brief comments for what i think of each game (this is my opinion of each game!! everyone has their own tastes and its alright if you dont agree with what i say! and in no way is my comments for each game professional/an attempt to critique the game in any way ksfhskjd)

- what the gameplay is like (sort of. im not really good at explaining LMAO)

- where you can find these games (game websites may be linked if available instead!)

visual warnings for this post: gif/image heavy, bright imagery click here for the text-only version!

let's begin!

released games

hollow knight - website; finished - a challenging metroidvania! i personally found this game really fun though i did have to take breaks from the game due to some difficult fights and events lsfhdskj. its definitely the type of game thats fun to replay and see how much you've improved since first playing it! i also think the world building, implied lore, and characters are really well done! (i highly enjoy reading people's analysis posts of this game jksdfkj)

overall, i suggest this game if you enjoy challenging fights and platformers, creative characters, games with deep lore, and/or emotional osts!

bug fables - website; finished - i am emotionally attached to the blue moth. anyways! bug fables is a paper mario rpg inspired game (used to be called paper bugs actually!) and it has charming characters and a good story! this game has a very fun ost and you definitely fall in love with the characters as you learn more and more about them. i find the sidequests very much worth doing and also really fun as it makes you go around and interact with a lot of the npcs in the game! you'll end up seeing that a lot of them have unique personalities and are loveable in their own right :] !!

i suggest the game if you like rpgs, bright characters and settings, bubbly osts, and/or perhaps even learning a dark secret or 2?

bugsnax - website; finished - silly game about catching and eating bug-shaped foods! or food-shaped bugs? food bugs!!!! the horrors. all the bugsnax designs are super fun and some of them are challenging to catch which i think makes the game pretty fun! there's also a bunch of ways that u could catch a bugsnak, its just up to what you can think of! the horrors. the characters are also pretty loveable and they have really neat stories and getting to know them can change the course of the game (just the ending really actually)

highly suggest the game if you enjoy being a little creative with how you perform a task/solving puzzles, characters that are more than what they seem, and silly creative creature designs!

creepy castle - available on steam; played - i have yet to finish this game! but from what i've played, its pretty fun exploring around, reading lore tidbits, and doing the duel minigames! it has a neat retro style and you can change the colors/gui settings if i remember correctly!

i suggest the game if you like rpgs, pixelated style games, and/or minigames!

webbed - website; finished - super cute spider game about saving your bf, swinging around on and crafting webs, and making new friends! did i also mention that youre a spider that shoots lasers from their eyes? webbed is a really charming game that can be completed in just a few hours, even with all the bonus/side things that you can do!

i suggest it if you like pixelated style games, are a completionist, want a shorter game, or just want to be a silly little laser spider!

apico - website; finished - a relaxing game about keeping bees and restoring bee populations! recently they've added an update where you can help repopulate solitary bees and butterflies, and there's a bunch more content that they're planning to develop and release!! the characters have silly bee pun names and have neat dialogue! (they also have pronouns next to their names when you talk to them <3) bee management is not super demanding and with some mods, you can enhance your experience in the game. personally, i have not played with mods, i really enjoy the base game alone! you can also build pretty bases, listen to the relaxing ost, or trap yourself in menu hell!

i suggest the game if you want something that's more laidback (though there is a bit of management), like reading silly dialogue blurbs, want to have a calming ost to listen to, or just wanna do some beekeeping! (proceeds also go to charities that help repopulate native bee populations!)

grounded - website; played - grounded is an open world survival sandbox game (theres also a literal sandbox in the game) where you're a teen that's been shrunken down and must survive in the backyard while finding a way to bring yourself back to your original size. the game actually got a full release in back in september and i have yet to play it because my partner has not been able to play kfhskj. but we have played when it was in early access and it was super fun! there are giant spiders in the game but there's an accessibility setting that allows you to make the spiders more blobby in case you have arachnophobia! other than that it's really fun to go running around the game screaming and crying because the giant mosquito is about to 2-shot you. the base building is also pretty fun with a variety of materials you can make your base from as well as decor. there's also a variety of weapons and armors to choose from and create a build to optimally destroy bugs that are not so friendly. you can also tame some of the passive creatures and become extremely overprotective of them. (im not speaking from experience [lying]) there's actually a storyline to follow as well that helps encourage exploration and progression in the game!

i recommend the game if you enjoy open world sandbox survival games, being scared out of your mind when something you didnt see gets aggro'd on you, making neat bases, and/or strategizing and making builds to suit your playstyle! (i also highly recommend playing with friends!)

space moth dx - available on steam; played - an arcade-like shoot-em-up bullet hell where you play a moth shooting lasers at other laser shooting bugs! this is actually a fairly tough game if you're not familiar with these types of games. i personally have not gotten that far and have yet to play it again kslfhkjs but i think the art is super neat and the gameplay is pretty fun!

i recommend it if you enjoy bullet hells where you literally don't see anything But bullets (there is also space moth: lunar edition!)

bug academy - available on steam and switch; played - a pretty fun physics puzzle game where you control a swarm of bugs! there are different levels with different objectives and a star-based score depending on how well you do in each one! the only reason i havent finished this game is because im a completionist for it and got stuck on a level i have yet to get 3 stars on ksjfhkj. if you ever get this game, i highly recommend playing with a controller!

i suggest this game if you like puzzles, timed/stopwatch levels, trying to see how far you can chuck something, destroying buildings by chucking items, crying when you knock over your tower on accident, and/or being a silly bug swarm

crustacean nations - available on steam and itch.io; finished - woah moth!!! a game about crabs???? yeah they're getting a spot on this list, they're sea bugs to me. but anyways! crustacean nations is a fairly short game with only 3 levels (if i remember correctly) and a sandbox mode. you're essentially commanding a kingdom of crabs and you must defend your sand castle while destroying the other crab sand castles. there's also a pit where you can sacrifice crabs and summon a Big One. it doesn't take too much strategy to win each level but you still need to think about it a bit!

i suggest it if u want to play a brief n short army-building game! with crabs!

kill it with fire - website; finished - a silly game about exterminating spiders. as you progress through the game you get a bunch of new weapons to um. delete spiders with. there's also a bunch of challenges you can do and achievements to get! i've completely 100%'d the game just because it's kinda fun trying to do the challenges and collect all the achievements. the ending is also. a little messed up.

i suggest the game if you're a bit of a completionist, don't like spiders for some reason (i think theyre pretty neat), want to have a stress-relief game (or would it be stress inducing??), or want to see how goofy it gets

social moth - available on steam; heard of - a lot of my mutuals talk about and adore this game! i have not played it yet but it's wishlisted! here's a copy n pasted excerpt from the steam page: "Social Moth is a narrative platformer where you play as a small moth contending with social anxiety. Set in a close-knit community on the forest floor, the game allows the player to explore themes of mental health, relationships, and finding a sense of belonging."

i think i can suggest this game if you have social anxiety/want to understand social anxiety while also playing a puzzle platformer with an endearing art style and characters!

buggos - available on steam; heard of - ive had this game wishlisted for a while! here's a copy and pasted excerpt from the steam page: "Buggos is an RTS Auto Battler where you evolve your army into the perfect bug fighting force. You control a young hive mind bent on world domination, and your swarm will mostly listen to your every beck and call. Guide your swarm’s evolutionary path and breed your best bugs for world domination!"

i think i can suggest this game if you like the idea of world domination and slaughter, want a bug army building game, or enjoy pixelated style games.

i commissioned some bees - available on steam; heard of - did you know there's 10 of these games plus an advent edition?? these games are essentially just where's waldo bee edition and multiply those by like 1000. i've had this game wishlisted for a while but it hasnt been a priority pft. here's an excerpt from the steam page!: "The brief was simple. I commissioned artists to create a fantasy world, and hide as many bees as they can inside it. Now it’s your job to find them all! With 10 art pieces to choose from, and 1000+ bees, you will have a lot of searching to do."

bee simulator - website; heard of - i own the game but havent played it yet. the most ive done is watch markiplier play it hfkjsd. here's an excerpt from the epic games page: "The hive awakens as the sun's first rays warm the horizon. It's time to test your wings, receive orders from the Queen and begin your first mission. And that's just the start of your adventures. Humans want to cut down the tree that holds your hive, so your fate – and that of the whole swarm – rests on your tiny shoulders!" i think this game is more of an educational game aimed towards families and children but who knows! maybe some of you will enjoy it too?

i think i can recommend this game if you like bees :) and doing minigames/tasks/challenges!

black widow: recharged - website; heard of - an arcade shooter where you play a spider! i own this game but havent played it yet. here's an excerpt from the site: "Aim for a high score in the old school arcade mode and earn bragging rights with your name at the top of the leaderboard. Or test your skills and rank on the boards in one of 30 intensely creative challenges, which twist the gameplay in new and exciting ways. Collect cash from downed enemies to charge a powerful web blast, or pick up one of a dozen new power-ups including explosive blasts, spread-shots, and fear, trapping all enemies in your web. Every mode and level is playable in local co-op mode with a friend."

centipede recharged - website; heard of - i've played centipede in an actual arcade but it was not this specific game so i dont know if the experience is around the same. (i own it but havent played it) centipede recharged is similar to black widow: recharged in terms of an arcade shooter as well as the description given

empires of the undergrowth - website; played - an army building game about ants! in the "main zone", you're an experimental ant species that seems to be able to take on traits of many other ant species. you play levels as real-life ant species and try to grow your colony and complete objectives that are given to you. the rewards you get from these levels are used to upgrade your lab species and after completing a set of levels, you'll be given a challenge using the lab species. i havent completed this game due to being stuck on one of the challenge levels fhksjd but i think its kind of fun

i suggest this game if you like army building games (similar to starcraft or warhammer) and the idea of making a huge ant colony and competing against other colonies

yoku's island express - available on steam; heard of - there's actually a lot more places where you can purchase yoku's island express (epic games, switch, gog, etc.) but their website is down so i decided to resort to linking the steam page. i currently own the game but have not played it! it's a game about you being a tiny postman exploring around islands, delivering packages, while also making new friends and saving the islands where you reside. it's a pinball platformer adventure game and it seems really cute and fun to play!

earthtongue - available on steam and itch.io; heard of - this game actually just got recommended to me after this was posted! earthtongue is a game where you watch over a world inhabited by fungi and bugs. here's an excerpt about the game!: "You will spend most of your time watching life grow and eat each other to survive. Your subtle nudges will be required to maintain the balance of this world, but it can handle itself much of the time. Player given goals are limited, aside from maximizing the health of your ecosystem. You may choose to try to create a fungal garden to your liking. You may try your best to breed as many beetles as you can. You might use those beetles instead as food stock for the mantises. You might instead just peacefully watch the story of Earthtongue unfold on its own."

stonefly - website; heard of - stonefly is an adventure game where you control a bug-shaped mech! here's an excerpt from the site: "Harness the wind and soar through the wilderness of Stonefly, a chill and tranquil action-adventure game about self-discovery, legacy, and belonging. Glide your mech strategically among beautiful flora and dangerous fauna, confronting hungry bugs, adventures, and memorable characters."

to be released/in development games

hollow knight: silksong - website - the game that the hk fandom says doesn't exist and is actually a collective fever dream (it is 100% a real game, we're all just very excited for it to come out! /srs) the game is going to be like hollow knight (a challenging metroidvania) but this time the player plays as a new protagonist, who was a character in the first game, hornet! this game will have a new world to explore, new mechanics to master, new faces to meet, and much more.

bugaboo pocket - website - a really cute pixelated game about raising bugs! an excerpt from the site: "Bugaboo Pocket is a digital pet game where you raise bugs from egg to adult. How you care for your pet influences their personality and impacts the ecology around them. Inspired by real bugs!"

another crab's treasure - website - a game where you play as a hermit crab! you use trash in your surroundings as your shell and each "shell" provides a different effect that affects how you play the game! an excerpt from the site: "Another Crab’s Treasure is a soulslike adventure set in a crumbling underwater world. As Kril the hermit crab, you’ll need to wear the trash around you as shells to withstand attacks from enemies many times your size. Embark on an epic treasure hunt to buy back your repossessed shell, and discover the dark secrets behind the polluted ocean." (i recommend checking out their tiktok, some of the posts there are extremely funny)

dewdrop dynasty - steam page - a pixelated style metroidvania where you play as a gunslinging bee who lost their wings and finds themselves trapped in an unknown place. you'll meet interesting characters, challenging enemies, and also learn new skills and mechanics as you play the game. goodgis, dewdrop dynasty's dev, also posts a bunch of videos on youtube regarding game development tips and devlogs. (that's how my partner knew about the game and introduced it to me) a fun and charming game that will have mysteries to discover!

i am a caterpillar - dev's twitter - a game where you play as a caterpillar!: unbothered. slimey. thriving. in your moss. squelched up. wriggling. an excerpt from one of the dev's tweets!: "Become the squidgy lil' caterpillar you've always wanted to be, on a quest to stop your own metamorphosis. Crawl & wriggle all over anything in your path and explore the canopy."

a webbing journey - website - a cute 3D game where you play as a spider! you'll explore the world, making webs and slinging around on them. you'll also meet some friendly faces to talk to and do quests for them! an excerpt from the site: " You control a little spider equipped with all the typical spider abilities and a little bit more as you travel through various stunning islands searching for the most exotic flowers for your spider date. Along your journey you meet other spiders and animals who provide additional side stories and quests which challenge your spider abilities."

invertipets - dev's site / toyhou.se - a petsite game being made by @shadybugdev where you take care of bugs and bug-like pets! there's not much on it publicly available yet other than some pet concepts (which can be viewed through the toyhouse link!) but it's something to look out for! (the picture provided is some of the pets and their possible morphs!)

honorable mentions

an isopod game(?) being made by riley neville (part of sbuggames/made webbed) - this "game" has not actually been announced to be a game that will be published but it looks neat!

a worm game(?) being made by riley neville - same thing as the previous one!

all the games in my bug game collection on itch.io! (if i added all the ones in here i would be making this post forever. but please please check them out!!)

woah its the end!

that should be all i know! most of these games, if not all, are made by indie devs so i highly suggest checking them out and supporting them if you can!

thanks so much for reading and i hope i've helped you find a new bug game to pick up and enjoy! (or to wait for!) <3