#i know i am expecting too much from my copaganda show of choice

[mykashg]

calling the s17 finale a cliffhanger is so funny to me it assumes that any of us have literally an ounce of investment in what happens to voit

[lyricfulloflight]

for the Wee Woo Show Asks - 1, 9, 13, 22, 35

Wee Woo Show Ask Game

What made you start the show?

Tumblr made me do it.

Or to be more exactly, I'd seen the show via GIFs on tumblr. I was off work for a while last summer because I had surgery and had a lot of time on my hands stuck in bed and decided to give the show a try.

By the end of 2023 I had watched the entire series all the way through 3 times, and my favourite episodes half a dozen times, and was basically only reading 911 fanfic.

9. Favourite brotp?

Bobby and Michael!

I am so sad that Michael hasn't been on the show (I do understand the situation around that, which is unfortunate) because the friendship between him and Bobby was this great combination of wholesome and unhinged. They both love Athena in different ways and support each other is such a wonderful way. And the hijinks they got up to... I would love to see more of that on my screen.

13. Least favourite storyline?

Not a fan of Athena going way too far after May overdoses. At lot of the Athena storyline's aren't my cup of tea (I think copaganda is an appropriate descriptor for many of them and it just leaves a bad taste in my mouth).

I thought the end of season 7 was a mess in terms of multiple storylines. I thought the way Amir was treated and used didn't work at all (and another example of Athena using her position as a cop in the wrong way). The initial ending he had with Bobby in the hospital felt much more appropriate to me.

The Mara storyline felt like too much to me. That poor kid has been through enough.

Eddie's storyline was a bit bonkers, but I particularly hated how the last episode focused on moving away being Chris' choice and yet we never heard from Chris! I know he was angry and I didn't expect him to talk to Eddie, but any conversation, even a clip from his phone call to his grandparents, would have been good. Giving a character like Chris, who is visibly disabled, agency to make his own decisions is so important. The show has generally done a great job at treating Chris like a complete person, not someone defined by his disability and not giving him the chance to speak in episode 7.10 just felt wrong to me.

22. Favourite Begins?

Do I have to choose? Seriously they are all so so good. And each episode really allows us as the audience to better understand each character - the show without these episodes would be much less impactful.

If I have to make a choice, I'll go with Bobby Begins. It started it all and laid the groundwork for all the other Begins episodes. It also began the overarching theme of the show I think - that people are flawed, but if they acknowledge those faults and work to improve, they can be good people, they can de redeemed.

35. Underrated moment?

I love the Buckley sibling moments - Buck and Maddie and their pinky promises, Maddie always making sure Buck brings something when he goes over to someone's home, the hand slapping, Maddie kissing Buck's birthmark.

I also really loved how Buck took charge during the season 6 opening disaster. How composed and professional he was in a very stressful situation really showed how much his character has changed since season 1. I know a lot of people talk about how Buck is on this hamster wheel, and though I can see that in terms of his personal life, I think he's really made some huge changes and developments in terms of his professional life and his own personal development. Sometimes I think the fandom glosses over that a bit by focusing only on the hamster wheel of his love life.

[kareofbears]

persona 5 strikers thoughts and feelings

This is going to be a long post. Like, the type of post you’d only really have time to read when you’re trying to sleep but you’re not ready to be unconscious yet so you’re just looking for something to do to spend your time with minimal effort. 

So in 2018, a masterpiece was born into the world: Into the Spider-verse was released and it was amazing—it’s honestly the best spiderman movie we have without a doubt, and it’ll be very far into the future before Spider-verse is beaten as the best spiderman movie. Them’s the facts. Then in 2019, Spider-man: Far From Home was dropped. It’s a great movie! Great characters, great continuation of who these characters are and works fantastic as a continuation of a story. It’s really hard trying to take the torch of a previous movie (or in Marvel’s case, juggling twenty something movies) and come up with a new movie that both works on its own, as well as being the next step in this series of films. Thus, with that idea in mind, I think it’s kind of unfair to judge into the spiderverse and far from home, because these are two movies with two completely different objectives in mind. 

Okay, so this is still a persona 5 strikers post, I promise, but the idea is the same: Persona 5 could basically do whatever it wanted—new story, new characters, new everything, and it’s just plain old awesome. However, Persona 5 strikers did not have that sort of freedom. It was bound to the original game, and it had its own rules and stuff it had to keep intact, characters they had to work with, and on top of that, it had to justify its existence as a sequel (lets pretend money doesnt exist lmfao). 

SO, the big question is: did it do that? Did it justify its existence? 

And my answer: holy fuck did it ever do that

I came into this game knowing the extreme bare minimum. I knew there was someone named Sophia, and i knew there was roadtrip, and i knew there were Personas. That’s my knowledge of it before i played it on the Switch.  I should also clarify like, early on, that i was not expecting anything from this game. At all. I was the world’s biggest cynic of this game—if you scroll down my p5s tag far enough, youll just see me complaining about a game that hasn’t even come out yet. I was fully expecting to have this be a Waifu show, and any male character that isn’t Akira to just be shoved aside like some kind of nerd in a high school hallway, and i have never been more pleased to be wrong. In fact, i actually owe it an apology, because of how fucking rude i was for no reason!!! Because this game deserves everything to be honest. 

Persona 5 strikers is, frankly, insane. Insane in the sense that it got to pull shit off that just would never have existed in the original game, because the original game is scared. It had to be as impressive as possible and garner as much attention as possible. Strikers does not have that problem—every single person who bought that game does not need to be convinced that persona 5 is a good game. They already played it. That means Atlus can just fuck around and have a good time, and man did they have a good time. There’s still scenes that still shock me if i think about it too hard, because i’m used to atlus having to follow this sort of rule set when it comes to persona 5 (or any of the main games im assuming, but i havent played them.) And on top of that, there’s still shit that’s Atlus Trademarked Branded in a good way. The style of story of story telling, and revealing the mystery that is so integral to what p5 is, is still there. 

So, to make this even a little bit comprehensible, i will make a list! 

First of all, What is this game?

In short, this game is an OVA of an anime. It’s bonus side content that has one thing in mind: to showcase these lovable characters more by putting them in fun situations. That’s it, and it is just phenomenal. That was the main point of, i’d say, like forty hours of the game. It’s just fun times with fun characters. 

But to get deeper of what i think is happening, or what they were thinking during the development, is that this is a second opportunity. Persona 5 (as we all know) had a lot of problems, and we were not quiet about those problems. We yelled it all out, made posts, made complaints on every social media platform ever. And Atlus heard all of them, and Strikers is a way to mitigate those mistakes. Aside from being a fun OVA, Strikers also works to be a deeper exploration of these characters—more specifically, the characters that did not receive much in the original game. Creating this sequel is having the ability to redo what they felt (or to be more specific, we felt) in the original game while adding new ones. I will get to that in a second.  

The format of the game 

Absolutely brilliant to throw them on a road trip. P5V already forced us to experience Shibuya for 200+ hours, and im so glad that they didn’t do that again. Going from town to town, making us experience these new places alongside our favorite characters is so good, and it just makes sense. It’s fun, it’s lighthearted, and it’s actually shockingly good. But one thing i do want to talk about early on is the way the story unfolds and the villains that they use, and what they do with it because it’s very interesting. 

So as we explore japan and stuff, we encounter jails, and with those jails comes an antagonist. This antagonist works to be a parallel to one of our characters. That character will find it in their hearts to feel bad for the antagonist, because the antagonist could have been them had the original game not happen. At first I thought all of the thieves were gonna get an antagonist, and i was really hyped for the ryuji one. And then came to hour forty of the game where i realized “yeah that’s not gonna happen. There’s just not enough time.” And i was right, and the game ended. But i am not salty at all, honestly, because the people who got a direct antagonist were: Ann, Yusuke, and Haru. (we wont count zen and sophie). 

Is there a trend??? Yes. these are all characters in the original game that have received the worst treatment by atlus. The three of them are basically cast aside the minute they finished their original arc, and its horrible! BUT that’s why this is the path that atlus chose for them—to give them more depth, and screentime, and a way to show their inner self. That isn’t to say that the ones who aren’t those three (makoto, futaba, mona, akira, ryuji) didn’t get anything. Futaba still has her thing at the end with ichinose, and she was very prevalent and animated during the rest of the game. Mona and Akira have to be a focal points, that’s just the nature of the game. The other two though, I will talk about in depth in a second.  

Makoto

Y’all i poke fun at shumako fans sometimes cause its kind of easy and fun, but i honestly love makoto. In my very first playthrough of p5 (my first ever jrpg game, first persona game, i had no idea what i was doing), i had only maxed out two characters: ryuji and makoto. And i know she had a lot of screentime and love in the original game which is great, but i truly felt like she was dissed in this game. Her only roles were

A driver

Someone to tell them “we don’t have a choice. Let’s keep going and see where this takes us.” (seriously, if you replay this game, you will see how much she does this)

Idk, i just wish she had more to do, especially compared to how much love they gave the other characters. 

But let’s talk about some of the new characters! 

Zenkichi

Damn you atlus. Damn you and your insistence at bringing in cop characters. I was fully on board with hating zenkichi, i was fucking ready for it. I was convinced that there was nothing they could do convince to like zenkichi. I was immune to their copaganda. 

And then i ended up loving him, which makes me sad a little bit. I didn’t realize how desperate i was to have an adult who has a persona. Someone who wants the world to change just as much as they do, while still having that aspect of them that makes them adult. Like??? As someone who is technically an adult, its a breath of fresh air. An adult. Who fights. For justice. Using a persona. And god i love akane so much, and her obsession with the thieves (that scene is probably in my top ten fave scenes of the game). Also what i loved about zenkichi is that he fucking hates the cops!! He hates the system of the cops!! And thats why i actually really started to love him!! Because i thought it was atlus saying that the systematic problem of the police cannot be solved by one person, and zenkichi threw away his badge. I actually cried at that part!! 

But then he became a cop again, and i was just :/ but as a character, i really love him to bits and would love to do a study on him, or at least use him as an outside pov. But! i absolutely love his persona, since im a les miserables fan hehe

Sophia 

she’s probably my favorite new aspect of the game. I was ready to not like her—again, i just suck like that, lmfao—and when i saw her, i was scared that she was just another waifu. I mean, she was very cute after all. But then as the game went on, i thought she was a little too cute. And even further into the game, i finally slapped myself in the face and realized oh my god shes not a waifu. Shes a sister. 

That blew my mind, im ngl to you. A female character that isn’t supposed to be romanced? By jove, what a miracle! 

And she…is an amazing character. Im sorry, i just love her so much. I love her so much that she  probably ranks as my fifth or sixth favorite character which is surprising even to me. Everything about her is delightful and invigorating. She’s funny??? Her comedic timing is amazing, and she has such chemistry with the rest of the team. She’s actually useful to the plot, and while her character design is a little too on the nose for me in terms of cuteness (i mean, good god she’s wearing oversized sweater to show how cute and tiny she is, and her hair has literal hearts in it), she is absolutely lovable. 

But what i actually really wanna gush about for a second is sophia at the last stage of the game. You get the idea, i dont really like to get excited over things, so at this point i figured that there was nothing this game could do to shock me. 

And then sophia had a persona awakening. 

Like. holy fuck did i yell. I didnt realize what was happening until the music had already kicked in. and its just so fucking smart!!! Sophia??? The ai?? With no heart?? gOT A PERSONA???? AWAKENING??? BECAUSE SHE LEARNED WHAT THE HEART IS AND THE PASSION THAT YOU NEED IN ORDER TO GET A PERSONA??? I started crying honestly, because it was just so smart. And looking back on it now, its obvious!! Of course it would lead to this, it only made sense that the culmination of her character arc leads to her getting a persona, nothing else would have been as good. Also, her voice actor is just amazing?? When she was talking to ichinose at the end, i actually got incredibly emotional because of the line reads. Its just so spot on and it really captures the essence of sophia.

Muah. five stars Atlus. You got me. 

Ryuji <3!!!!

Oh man. Oh boy. Okay. so where do i start. 

Yall know i love him. Hes probably my favorite fictional male character of all time, and he is the one i was the absolute most cynical about in this game. I was expecting literally nothing. Nothing. Like. nothing. I thought he was just gonna keep being used as a joke, or a gag, and he’s gonna be super horny all the time for the other girls and it was gonna make me mad and there was gonna be some insane homophobic/queerphobic jokes in every other scene and i know i was being unfair, but i cant help it. 

And then i played the first two hours of the game, and i cried the entire time. Because ryuji has never been better than he is in this game. Its crazy. 

The ryuji in persona 5 strikers is who ryuji should have been/how he should have been treated this entire time. From the actual funny jokes (for example, the gold bar joke + his reaction to it in the beginning of the game), defending his female friends instead of being the one people need to defend from (natsume arc), and the fact that he was the one to be there with morgana and akira in the very beginning of the game. Its such a small thing that they didnt even need to do, but it was such an integral part of the original game for me, that i just was convinced that nothing like this was going to happen. But then it happened. Its just small stuff like that that could have been overlooked but it wasn’t because this game? Persona 5 strikers? Fucking loves ryuji. 

The actual respect they gave this boy is insane and i wasn't ready for it. Like, they gave the shujin trio lunch, they gave the little charm of the katana when they were in natsume’s jail, and, in my opinion this is the second-best thing that they could have given ryuji is sophia. Ryuji and sophia are the pinnacle of a brother & sister bonding relationship in the game that isn’t akira & futaba. And its really prevalent too?? Small stuff from the beginning of the game (pulling her out of a jail, calling her shorty), but then you have the iconic “shut the fuck up” scene, and that scene was so well characterized and written and voice acted, that somehow him saying “fuck” was the least exciting part of that scene to me. Ryuji is an older brother to her, like its undoubtable, and its only further cemented at the end of the game where Ryuji helps out ichinose because he knows how much sophia cares about her. This game. Love ryuji. And i love. This game. 

You know what else i love? Akiryu. 

Guys. i was fully prepared to starve in terms of akiryu. But theres just. So much of it. I wont get too deep into it, because i think this aspect of the game for me still needs marinate a little bit. Like, what was that last shot when EMMA died and Ryuji walked to approach Akira so they could relish in their victory together?? And the smile from both of them??? What the fuck. That was amazing. Also Joker being saved by Ryuji when he was about to fall from the cliff to save sophia??? WHAT. The LEADER AND HIS RIGHT HAND MAN? WHAT. anyway. If theres anything i want to keep for myself in my own brain, its the akiryu aspect of this game, so i wont talk too much about that part of things (instead, itll probably manifest in fic lmfaooo). 

Sure, there’s tidbits of stuff i dont like that they gave ryuji: sexualizing ann in that one cut scene and making him touch the jails even though it hurts, and i recognize those and frown at them, but for the most part, i am blown away with how they treated him.

Basically, Ryuji has never been better. From the opening of the game with him being the first text message and the one to sling his arm around akira, to the very last cut scene where it was ryuji wordlessly leaving because he’s so confident that they would never be separated for long, this game adores Ryuji and i am so so happy to say that.

The Royal aspect of things

Yeah, i had to talk about this, but itll be a short thing i just wanted to point out. Because the last part of this game...is persona 5 royal. Which is curious. Like taking reality and giving that power to someone else so you dont have to experience suffering anymore? And even like, the final section just looked a lot like the top half of maruki’s palace?? And whats even crazier is that we had a boss fight with sophia, just like how we had a boss fight with sumire? Royal and Strikers have like, the same thesis statement. It’s kind of uncanny.It’s interesting, it’s like atlus came up with these two ideas, and then just decided they liked both of them so much that they just did it twice. I don’t mind though—actually, in terms of how the last Palace/Jails go, i probably like them both about equally. 

Though i did love the final battle in this one more than i did in royal. Splitting into teams?? Thats cool as fuck, and really innovative and i didnt see it coming. It also kicked my ass. A lot. 

Now for the last stretch: the small stuff!

The music — bomb as fuck. In my heart, Daredevil is ranked the same as Rivers. Axe to grind is also amazing, but Daredevil owns me

Akechi — i really debated whether or not to talk about him, but i figured a bullet point should be enough. Im really shocked that he wasnt in this at all. Like not even a name drop. If this is an OVA, and the point of the game is to please the fans, and akechi is arguably the fan favorite character, i was really ready for something. But there was nothing, except for the pancake hallway if that even counts as a reference. Thats it. Thats all i wanted to say about him.

The humour — FUCKING HILARIOUS im convinced that in my fifty hour playtime, five of that is dedicated to me laughing and unable to continue the game 

Akira — so much personality! His lines of dialogue are crazy sometimes (like. Whats up with him saying Ryuji has ‘nice abs’ when they were in bath? Im crazy and even i dont know what the fuck that could mean) 

Battle system — oh my god i almost forgot to talk about this. I love it! I kind of miss the turn based aspect just because i found it very comforting for some reason, but this hack and slash style of gameplay is so invigorating because i do feel like it justifies shit like the baton pass and huge attacks.  This battle system fully encompases how the Phantom Thieves are supposed to fight, you know what i mean?

Anyway, thats my thoughts on strikers. Loved it. Amazing. 9.3/10, wouldve been higher but Konoe’s Jail almost bored me to death. Also im a monster and i didnt do any requests that isn’t a fun one, teehee. As if i play persona 5 for the persona aspect of things.

[portugalisinsa]

In my desperate attempt to sleep I ended up thinking about copaganda and how the term as been abused and misused, so let me rant about it for a little bit

So “copaganda” means a specific thing, namely, a piece of media that pushes propaganda for the police, implying that the police is Great, Actually, and Don’t Worry Your Pretty Little Head About It. Cops is an example of that. Blue Bloods is the poster child.

However, as it always happens, a specific term that is actually Important enters the mainstream and loses its meaning because of people, and now it’s being used by many as “movie and/or show that’s about the police and/or has a police character that isn’t a total dick, which obviously means that the movie and/or show is bad”.

That’s obviously bullshit, and I will show that with Edgar Wright’s great masterpiece Hot Fuzz.

On the surface, a complete dumbass would say that Hot Fuzz is copaganda. Nicholas Angel is shown as good! The final act is a big shooting! Of course it is, right?!

Wrong.

Alright, so, Hot Fuzz begins by showing us Nicholas Angel and how fucking awesome he is. There’s what you would expect (urban pacification, riot control, resolution of “Operation Crackdown”, highest arrest) but, most notably, there’s a degree in Politics and Sociology, and they specifically mention popularity within the community. In fact, in the rest of the movie, that is what he mostly does- community work. He checks the traffic, patrols, gets minors out of a pub, and tries to find a duck for a member of the public.

So Nicholas Angel is awesome, and he’s the best cop. it would naturally follow that the rest of the police would love him. That’s what we want- if you’re good, you meet your objectives, and do your best, you will fit in the police and make the world a better place!

But no, the others fucking hate him. His superiors are shipping him off because he’s too good. He’s making the others look bad, and the idea of, you know, holding everybody at a higher standard doesn’t touch them. No, Nicholas Angel makes them look bad, and looking good matters more than all the results he gets.

Now, it would be easy to make it look like it’s just a higher up problem. The higher up are lazy and image obsessed, but the common officers, the ones we all meet, they’re good and appreciate him. “Don’t worry, public, we’ll protect you even though our superiors are dicks.“

Nope, they fucking hate him too.

So already, not a glowing endorsement of the police. But hey! It could still be copaganda! Maybe, I don’t know, it’s just those city cops, and the country cops are actually the good guys!

Ahah lol, actually? The country cops fucking hate Angel too. Angel is a “city cop” who thinks too highly of himself and is there to show them how it’s done.

If you’re reading this, you may remember that Angel kinda never did anything other than, you know, be a by-the-book officer. The country cops don’t like him for completely bullshit reasons that can be summarized as “you’re new and also you’re trying to make us feel bad for not being as awesome as you by being that awesome and we don’t trust you go away”. Danny likes him, admittedly mostly because he’s a sweetie pie, but partly for the bad reasons- he wants soldier cop.

All of this is, needless to say, not a glowing endorsement of the police.

Eventually, we find out what made Angel want to become a police officer; his uncle was one. He admired him, and wanted to be like him. Now, Edgar Wright could have left it at that, and we would have had a nice, traditional “amazing cop comes from long, noble line of cops” story, but instead, we instantly find out that, actually, his uncle was corrupt, and that’s bad, and Angel is disappointed in him.

So, to recap- we’re basically halfway through the movie, and the only good cop is Angel. (Danny isn’t bad, but like... he’s not exactly good either, at least as a police officer)

The movie continues, and murders start to happen. Angel is literally the only one who thinks anything is wrong. A long, long string of “accidents” is happening, and none of the cops has even the slightest inkling that something is wrong. They’re just like “Angel, you nipped scarf, you’re a paranoid dum-dum“, and what little they do, they do after a lot of arm-twisting and with extreme disgruntlement.

Once again, not a glowing endorsement.

On and on we go, two thirds into the movie, with only Danny liking Angel and showing any kind of improvement as an officer, until we finally get to the revelation that the council is killing people for the greater good (the greater good)... Oh, and btw, who is also part of the council?

The Frank Butterman, AKA The Police Inspector, AKA THE FUCKING LEADER OF THE POLICE IN THIS TOWN.

So, to recap, by the final act of the movie, we find out that the higher ups are corrupt and the main body of the police are ineffectual.

Okay. Cool.

Nicholas Angel then proceeds to pack up for the final showdown. I see lots of people making the argument that this is an example of soldier cop, fixing everything with violence. Me, I think that’s bullshit. In real life, the problem isn’t that cops have riot gear, the problem is that they use it for everything. Riot gear is something you use only when strictly necessary, and I would argue that “murderous council that’s packing” is one of those times when it is.

So the riot gear and packing up is fine. But what about the violence, I hear you cry?

Well, here’s the thing- the man is responding with the appropriate amount of force. Everybody is trying to actually murder him, and he never, ever shoot to kill. He shoots to incapacitate.

Look at the final body count, people. You think Bad Boys would have ended such a show up with none dead, lots low-to-medium injured apart from one guy who was badly injured but did it himself by tripping on a pointy thing? Fuck, even outside of copaganda, what was the last action movie that had such a body count?

Also, the rest of the country police come around, after initially responding AGAINST Angel, and only thanks to Danny mediation. Which... I mean, good, it’s good, I’m very proud of them, but like, once again, this isn’t exactly glowing endorsement. This doesn’t scream “see, audience?!?! Cops may look ineffectual, but when push comes to shove, they’ll save you!” to me, this screams “yo, they’re finally doing the bare minimum”.

Anyway, the end comes. The London police wants Nicholas Angel to come back because now they look bad, but Angel wants to actually rebuild and direct the police here in the town. They all do paperwork, because that’s what the rules say and rules are important and cops should follow the rules, and more stuff happens but it’s not important for the purpose of this so, here, the end.

At the end, we get the song. The choice of music is important for a movie, it means stuff. Even a mediocre director knows that, and Edgar Wright is a goddamn master of the craft. Have  you seen The World’s End? Check that soundtrack. It’s perfect. Hell, the man directed Baby Driver, which, you know, was half soundtrack. Edgar Wright cares about music in his movies and he chooses it carefully, is the point, okay?

So, keeping in mind that, what do we end Hot Fuzz with? Some bombastic “bad boys bad boys, whatchu gonna do, whatchu gonna do when they come for you”? Something that pumps you up, that makes you go “FUCK YEAH”?

We end it with “Caught by the Fuzz”, by Supergrass. Which, yes, slaps, it slaps my whole bod, and yes, it does pump you up, but, once again, is not a glowing endorsement of the police. It’s a song from the point of view of a scared teen having been arrested by the police who is thinking “fuck I should have stayed at home fuck”.

So what am I trying to say with this? Well, let’s start with what I’m not trying to say; I don’t think Hot Fuzz is an indictment of the police. Please don’t take all of this as me saying that Edgar Wright intended Hot Fuzz as a giant ACAB. That is what in the field we call a reach. Hot Fuzz isn’t an indictment of the police, and that’s fine, because it’s not trying to be. It’s showing the police as a highly flawed institution, and sure, it’s not showing it as flawed as it actually is, but that’s fine, because it’s not trying to be The Wire. What it is trying to be is a fun action movie, which it is, and it is so amazingly.

What I am trying to show is that it’s not copaganda. It’s a movie with a police officer as a main character, a main character who is awesome, but it isn’t copaganda. It’s not endorsing the police. It’s not whitewashing it. It isn’t saying “look at the police, aren’t they great? Aren’t we glad the police are around? Aren’t we better because of the police? Don’t you want to become a police officer? Don’t you think that what they do is excusable, at the end of the day, since they deal with so much?”

But what does this have to do with copaganda? So, look. I get that it’s very nice to tell other people that their favourite shows and/or movie is bad AND wrong, and to feel like you have the moral high ground while doing so. I also get that words change and at the end of the day who gives a shit about it. I really do get that- I will never, ever give a shit about ‘literally’ being used as an intensive and not just to mean ‘literally’, for example.

BUT, some words are actually important, because they do mean a very, very specific thing they are best at describing. And “copaganda” is important, because you read it, you hear it, and you instantly know what it means; it’s something that’s also cop propaganda. Got it.

Which means it’s a word that is important to try and keep for as long as possible, because, you know... the cops aren’t always great. And it’d be best if we weren’t constantly told they are.

I understand that it feels bad to have so many bad things happening around us, and so little power to stop it. But you do have a little bit of power. You have the power to call a spade a spade, and to say ‘that isn’t cool’.

Calling a spade a spade, however, means that you don’t go around calling everything a spade. If you call everything a spade, it creates confusion, and dilutes a message.

So please. Please.

Instead of just pointing at something that has a cop in it and say “copaganda!”, use your critical skills and, like I just did with Hot Fuzz, try to find out if it actually is copaganda before saying it is so.