#i keep saying i don't ship it and yet here i am
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arabella-s-arts · 2 days ago
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Okay, since I haven't really shared my thoughts on Buddie here yet. I thought I would share them, not for any particular reason, mostly just so I can get them out of my head. I will also briefly talk about my queer Eddie headcanons.
Okay, let's start with Eddie. Look, I would say that that man is gay, but the way he reacted when he first met Ana was not very homosexual of him. So based on how he acts in canon, I either think he's aromantic bisexual, or homoromantic bisexual (which is rare, but does happen). Personally I'm leaning more toward homoromantic (maybe that's just because I ship him with the hot priest), but I keep aromantic around for funsies.
Anyway, now I'm going to talk about Buddie. I don't ship it. I don't hate the ship, I totally get why people want them together, but I went into the show knowing about Buddie and expecting I would also ship it just for me to not. I tried to ship it, but I never really got into it. When Eddie was first introduced it felt like it could go the romantic way, but then their relationship settled into friendship, and that's all their relationship felt like to me, friendship. I mean, I would joke that they should just kiss already, but not because I actively wanted them together, but because I like drama. I know there are things that aren't typically seen as a friends thing, but a romantic partner thing, that they do. But I kind of loved that Buck and Eddie were doing all these non-traditional things together because they were friends, and that's just how their relationship is. Anyway, I was trying to be in support of Buddie maybe eventually going canon for a while, because I know how much it would mean to other people. But once we were reintroduced to Tommy, all that went flying out the window. Because Buck and Tommy's relationship were giving all the things I felt like I supposed to be feeling about Buddie. I know polyamory is a thing, I think it's great that people ship Buddietommy, but I don't personally have a lot of polyamorous ships, just because I always end up shipping one couple in the trio more than the others, and that doesn't seem fair to the third person. Anyway, I think Buddie got permanently ruined for me after Bucktommy, and especially after how a lot of Buddie fans treated Lou and that relationship. And I know that's not all Buddie fans, I am not judging a whole based on a fraction. I still think Buddie is a good and valid ship, it just isn't for me.
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duckwnoeyes · 2 months ago
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I'm not sure how to articulate it, but I am obsessed w Giles/Willow and Buffy/Jenny being direct mirrors of each other and yet they all refuse to accept it. Giles wishes he could see himself in Buffy, bc yk that's his kid. But in actuality the two of them aren't all that similar, (aside from being gay for their arch nemesis). Buffy, as the kid forced into a destiny she doesn't want, is so much more like Jenny Calendar, which Lord knows is a fact Buffy is very uncomfortable with.
And then there's Willow wanting to see herself in her favourite teacher (Jenny Calendar) but actually being pretty much a direct mirror to Giles. To Ripper. While Giles is so adamant they are nothing alike, so there is no need to monitor what Willow is getting up to in regard to magic. Until the moment she drags her best friend back from heaven and tries to end the world and Giles is forced to acknowledge that Willow is the true successor to his legacy. (Gay and maybe sometimes evil)
(This makes Buffy and Willow a direct parallel to Jenny and Giles. Which could mean nothing.)
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honnelander · 1 year ago
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go fish! part 3
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here we are everyone! we made it guys! the much anticipated part 3 of the go fish! mutual pining series!! i cannot express enough how much this series means to me and that i am constantly blown away with how much you all love it too. it amazes me every day. i hope this lives up to the hype and that you all love it. and don't worry, there will be a part 4! disclaimer: i tried tagging everyone that had asked but a few users don't come up when i try tagging them, so i'm sorry :(
WARNINGS: none
word count: 4k
pairing: opla!sanji x jealous!reader
summary: reader sees Sanji get cozy at the bar with someone else and you get jealous as hell. Zoro sees the whole thing.
prequel part 1 part 2 part 4 masterlist
taglist: @mischiefmanaged71 @smolracoon25 @smol-book-nerd @shuujin @amanda08319 @nimtano @your-platonic-gay-lover @lovelymrvl @whiskeypowder @jovialcat123 @xtigerlily @shadowwolf1864 @quixscentsposts @guidingstarsstuff @ateliefloresdaprimavera @chexmixtrys @princettecharlie @amitydoodlez @the-maladaptive-daydreamers @abracarabbit @commanderfreethatdust @lordbugs @sweet-little-nothings @geisterfvhrer @kenkenmaaa @dazaisfavgf @fan-goddess @shadydeanmuffin @cherrypie5 @sauceonmyshorts @hhighkey @gimmebackmyskeeball @he4vens-ang3l @selcouthaesthetics @sapphireonline @dory-98 @redskull199987 @teenyforestfairy @acupnoodle
It really shouldn’t bother you...but it did. You couldn’t help yourself. Sanji wasn’t even yours, he never would be, and yet...you couldn’t help the wave of jealousy and annoyance that crashed over you every time he would be a little too friendly with other women. (At least, too friendly by your standards and, of course, you thought your standards were pretty reasonable.) 
But Sanji wasn’t even yours (he never would be). You weren’t his wife or his girlfriend, hell, you were only just crewmates to each other, so there really should be no reason why you felt as angry and jealous as you did. 
That still didn’t stop you, however. In fact, it just enraged you even more and you didn’t know why. 
It was just a stupid crush you had on him, right? So why did it bother you so much when he would cast that perfect smile of his towards someone else? When he would wink at another woman and say some suave innuendo that he would never say to you? Or even touch their shoulders or give a hug to someone else when he’s never even touched or grazed your arm or shoulder by accident before? 
“If you stare any harder at that glass, it’s going to shatter from all the daggers you’re giving it.” 
You blinked, looking up from the drink in your hand and to the left, only to see an ever calm and nonchalant Zoro take a swing of his beer, keeping his gaze towards the bustling nightclub/bar you all were currently visiting.  
It’d been a couple of weeks of straight sailing on the open ocean and everyone on board was going a little stir crazy, even the ever-happy-go-lucky Luffy. So, when the Going Merry’s captain had smelled a whiff of food in the air midafternoon up on the masthead that wasn’t Sanji’s doing, everyone had collectively decided to follow Luffy’s nose and see what lied ahead.  
After a half hour of sailing, you all had stumbled across another ship-like restaurant that, admittedly, even looked better than the Baratie. So, it was an easy decision for the crew to decide to dock there for a couple of hours and give Sanji the night off from making dinner, much to the chef’s annoyance.  
But it had all turned out to be the right decision in the end, apparently, since Sanji had made a point to visit the kitchen and give his compliments to the chef. 
Now, all of the straw hats had made it to the outdoor bar area to ‘drink the night away’, as Usopp had so jovially put it, and you’ve been here ever since. 
“Ha ha,” you deadpanned, looking back at the nearly full drink you had in your hand. “Very funny Zoro. You know, you should quit piracy and be a standup comedian.” 
Your green-haired crewmate turned his face to you with an unamused expression. “You’ve been nursing that drink all night.” He arched an eyebrow. “You ok?” 
At that question, your eyes immediately went to Sanji, who had been at the bar for a majority of the evening, chatting with the bartender but, of course, as if on cue, another gorgeous girl slinked right up to him, batting her eyelashes and ever so casually rested her hand on his bicep, sliding it all the way down to his forearm as she giggled at something the chef said. 
Sanji, on the other hand, flashed the new woman, the tenth this evening at least, you thought sourly, one of his dazzling white smiles, leaning forward slightly as if he was telling her some sort of inside joke, causing her to laugh louder and place her other hand on top of his. Sanji’s smile only grew wider. 
You couldn’t help the stab of pain your heart felt at the sight. 
“Never better,” you replied to Zoro bitterly as you quickly downed your drink. 
His gaze didn’t budge. “You don’t look fine.” 
“Yeah, thanks for pointing that out Captain Obvious,” you quipped sarcastically under your breath, stealing another glance at the object of your affections. He was still chatting with that other woman, and you couldn’t help letting out a small breath as you felt the familiar sting of jealously deep within your chest.  
God, it hurt. It hurt so goddamn badly, and you didn’t know why. 
Zoro followed your line of sight and when he saw the Going Merry’s cook at the end of it, he hummed to himself, hiding his sly smirk behind his beer as he looked back at you. “Sounds like you need another drink then.” 
“I guess so,” you sighed, sitting up and leaning over to grab the bottle of liquor that sat in the middle of your small table to refill your glass when Zoro stopped you. 
“Nuh-uh,” the green-haired swordsman said as he put the heel of his boot on the table to block off your reaching hand. “If you want a refill, then you have to go to the bar,” he explained, nodding his head towards the bar, and, coincidently, Sanji. “This bottle is mine.” 
“What?? Aw come on Zoro,” you whined. “I don’t want to go over there.” 
“Oh? Any particular reason why not?” 
It must’ve been the liquor, because you could’ve sworn you heard a knowing tone laced in his voice but when you looked at your friend, he looked as nonchalant as ever. Maybe you were imagining things. 
“No,” you lied, your cheeks heating up slightly.  
“Good,” Zoro said, taking a long swing of his beer, finishing it up and slamming the empty bottle on the glass tabletop lightly. “Then when you’re up there, get me another beer.” You opened your mouth to protest again but Zoro spoke before you could. “Since, you said there’s no problem.” 
Shit. You were backed into a corner. And the only way out was to go up to the bar and be face-to-face with Sanji. 
You looked back towards the crowded bar and felt another wave of emotion come over you. But these feelings were hard to discern. The pair was still talking at the bar, the woman still being a little too touchy towards him for your taste. You sighed slightly. Maybe when you got over there, he would just ignore you, since he was so engrossed in conversation it seemed. Part of you didn’t know if you wanted that wish to come true or not. 
“Alright- fuck it, whatever,” you grumbled as you snatched your empty glass and made your way to the bar, leaving a smug Zoro alone. 
As you made your way across the small dance floor and towards the bar, you felt your heart fill with dread with every step you took. You prayed to whatever God was out there that Sanji didn’t notice you but, of course, when you neared the bar, you noticed that the only open spot was behind him. 
How fucking perfect. 
“One beer and a refill please,” you quickly ordered, handing over your empty glass to the bartender.  
 “Y/n?” 
Your heart clenched at hearing Sanji’s voice. Why did you think, for even a moment, that Sanji would ever ignore you? The man seemed to always notice you no matter what, even when no one else did, so why would he ignore you now? 
But you couldn’t look at him. “Oh, hey,” you quickly greeted. 
Sanji, however, didn’t miss a beat. “I didn’t think you were a big drinker,” he commented curiously, turning his body fully to face you, leaning against the bar, and unintentionally removing the woman’s grip on his arm.  
“I’m not,” you answered, casting a quick glance up at him. 
The blonde chef blinked in confusion, his brows pulled together slightly, but before he could question you further, his ‘date’ for the evening quickly made her presence known. 
“Sanji?” the woman called out sweetly, stepping to the cook’s right, placing her hand on his right bicep and the other on his shoulder as she looked up at him with a coy smile. When she looked down at you, however, you could see the look in her eye that was anything but sweet. “Who is this? I didn’t know you had a girlfriend,” she commented, tilting her head in fake misunderstanding.  
Immediately, both you and Sanji straightened up, shaking your heads quickly. 
“No, no, she’s not my girlfriend-” 
“He’s not my boyfriend,” you both denied simultaneously. 
You quickly looked away from them, hoping to hide the rush of embarrassment that crashed over you and, to be honest, the sting of his quick rejection. It was just another reminder, you thought bitterly, that even though Sanji always acted like a complete gentleman towards you, you weren’t his girlfriend. He was just being nice, like always, and he would never like you how you liked him. 
You looked down at your hands, quiet for a moment as you knocked a knuckle against the bar top. “No,” you said after a beat. “We’re not dating.” 
The woman blinked, clearly unfazed by your admission, like she expected nothing less. She still had a fake look of curiosity on her pretty face. “Oh, right! Of course not,” she laughed slightly, in a way that made you feel small. “You must be one of the straw-caps then, right?” 
“It’s straw-hats, actually,” you bit back, straightening up and turning to face this jerk of a woman, chin up high, sending her what you hoped was one of your meanest stares. This girl could be mean to you all day if she wanted to, you didn’t care, but you’d rather drop dead than to ever let her bad mouth Luffy and the wonderful pirate crew he put together. “And yes, I am one of them. I’m a pirate,” you stated proudly.  
Sanji must’ve been drunk or stupid, because he didn’t seem to pick up on this girl’s bad energy. “Don’t you remember, darling,” he started, sending the girl a small smile, “I was telling you about my crewmates?” 
“OH right!” She hit her head in an exaggerated manner. “I remember now, pookie. You said there were two girls on your crew, an orange-haired map girl and another one...” she trailed off, tapping her pointer finger on her chin like she was deep in thought. “Oh!” she exclaimed brightly and looked down at you, her smile sweet as candy but her words as sharp as a razor. “You must be the potato girl!” 
Whatever air of pseudo-confidence you had was immediately snuffed, her words quickly cutting you down to size. “The- the what?” 
“Yeah, don’t you like potatoes or something?” she laughed, acting like it was the stupidest thing she’d ever heard.  
And to her credit? It definitely sounded stupid if you didn’t know the context behind the story. You swallowed the lump in your throat, trying to fight the urge to either cry or deck this girl in the jaw over her making fun of such a special moment between you and Sanji. 
You opened your mouth, ready to shut her shit down when she beat you to it. The next words out of her mouth immediately sucked the air out of your lungs. 
“Or is just because you look like a potato?” she asked, laughing her about ass off as she lightly hit Sanji in the chest, keeping her hand there, expecting him to laugh along with her but Sanji just stiffened at her side. 
You, however, were too busy keeping your breathing under control and trying your hardest not to cry to notice Sanji’s reaction, or lack of. You could feel red hot shame bloom across your chest, the heat crawling up your neck and flushing your face as you looked down at the floor. 
Normally, another girl calling you ugly would sting, sure, but not cause you to literally break down in tears on the spot. So why now? Deep down, though, you knew exactly why. It was because of Sanji. She had literally called you ugly in front of Sanji, the person you had a major forbidden crush on, and what if Sanji just laughed along and agreed with her? You didn’t know if you’d be able to handle it. If he did, you would have to quit the straw hats because there was no way you could ever look at him again. 
Not wanting to wait and see what his reaction would be, you started shaking your head, ready to mutter up some lame excuse to get the hell out of there when you felt an arm snake around your waist and a warm body press against your side, pulling you against them. 
“Now, Madam, I don’t think those are the right words to describe the most beautiful woman in all of the four seas now, is it?” a deep, familiar accented voice asked from above you. 
Your breath hitched in your throat as you whipped your head up towards the voice with wide eyes, only to see the ever-beautiful Sanji look down at you with a small, soft smile, his eyes full of wonder and another emotion you couldn’t decipher, as you felt his thumb rub small, comforting circles on your right hip.  
His look and touch sent shivers down your spine, and you couldn’t tell if he was acting or not. Your heart hammered in your ribcage as you searched his eyes for a lie, but all you could find was the truth, strong and unwavering, staring right back at you. 
“I said: is it?” Sanji repeated himself, tearing his eyes away from you, looking straight on at this awful woman with his eyebrows raised slightly, like he was daring her to say something else. 
Clearly not expecting Sanji to rebuke her as blatantly as he did, the woman started sputtering. “Well, I- I didn’t mean it like that, Sanji-bear, really-” 
The blonde man raised his left hand in the air, immediately silencing her. “Yeah, I gotta be honest- I highly doubt that, sweetheart.” 
At his condescending tone, you saw the woman bristle and nearly foam at the mouth, her eyes nearly popping out of their sockets. She huffed, looking back and forth between you both for a moment before scoffing and shaking her head in disbelief, saying, “I knew it. I fucking knew it.” She looked Sanji dead in the eyes, glancing at you, her eyes filled with hatred, before taking a step closer to Sanji, filling in the gap between them, as she whispered something into his left ear before stalking off and leaving the bar without another glance. 
You quickly looked up at Sanji as she was whispering into his ear, confusion apparent in all of your features. Whatever she said to him, you couldn’t hear since they were both taller than you and the woman wore the highest heels you’ve ever seen, but whatever words she had spoken had left the chef completely stunned because you felt his body become rigid, the comforting circles his thumb was rubbing on your hip stopped, and you saw the muscles on his face freeze as he kept his stare straight ahead.  
“Sanji?” you call hesitantly, instantly forgetting your own muddled emotions as you looked up to your heart’s desire. “Are you ok?” 
At the sound of your voice, you felt him relax. He let out a little laugh (it sounded fake to you), as he looked down at you with a smile that didn’t reach his eyes. “Of, of course. I am.” But as quickly as he looked at you, his attention was stolen by the bartender placing your order on the bar in front of you. “Thanks, man,” he called out, removing his arm from around you and stepping away to grab your drink order.  
Instantly, you missed the warmth he provided. You felt cold all of a sudden.  
You shook your head once, clearing your head of those thoughts. Now wasn’t the time to analyze things like that. “Sanji-” 
“How are you feeling?” he asked with his back facing you, beating you to the punch. When he turned to face you, drinks in hand, any trace of inner turmoil was gone. His eyes, instead, showed concern for you. “You know you’re beautiful, right?” he asked softly, his eyes scanning your face before looking back into your eyes. 
The look in his eyes nearly took your breath away. For a moment, you had completely forgotten what he was referring to. “Uh, w-what?” 
He must’ve mistaken your confusion for disbelief because his next action nearly stopped your heart. “Oh, my love,” he started softly, a small smile tugging on the corner of his lips. He placed the drinks on the bar, freeing up his hands, and placed them on either side of your head, along your jawline, as his thumb rubbed your cheek soothingly, his fingers gently entangled in your hair. Sanji gently tilted your head upwards, so your eyes connected with his, and the look on his face was filled with such tenderness and radiated a warmth that touched your soul. His gorgeous, tanned face filled your entire field of view, and you could feel his minty breath fan your face.  
When the hell did he get so close? 
You felt your cheeks heating up at the proximity, your eyes tried to look at anything but his crystal-clear blue ones. Your brain was sure to short circuit if you didn’t get ahold of yourself. You were going to do something incredibly stupid if you didn’t get space immediately. “San-” 
“Y/n,” he said, his tone soft yet commanding. “Look at me, love.” 
Your heart rate skyrocketed and you felt your breathing quicken. God, you could feel yourself getting a panic attack and you didn’t even understand why. There was nothing more you’d rather do more than look at Sanji but you didn’t know if you had the strength to do it.  
You placed your hands on top of his wrists, fully intending to peel him off and push him away, mumbling, “Sanji, I can’t-” 
“Please.” 
In an instant, you looked into his eyes and what you saw nearly made your heart stop. His gaze was so intense, so piercing, his blue eyes seemed like they were staring directly into your heart and soul. Could he feel your rapid pulse through his fingertips? 
When you locked eyes with him, you saw his soft smile grow. “You, y/n, are the most gorgeous woman to ever sail the four seas. You are the most beautiful woman in the world, I promise you that.”  
With each word out of Sanji’s mouth, you could feel your heart breaking and it was dawning on you as to why. 
But Sanji continued, his eyes sparkling. “And I'll be damned if I’d ever let that horrible woman make you feel otherwise. Alright, Missus?” 
At the nickname, you let out a shaky breath and quickly blinked back tears. It was right then you knew, you knew it from the depth of your soul, just like you knew for certain that the sky was blue and the earth was round: you loved Sanji. You didn’t just have a crush on him anymore, but you were completely head over heels in love with him. 
You swallowed the lump in your throat, which might’ve been your heart, because you realized that even though you loved him, you could never have him. He was your crewmate, your friend, another one of the straw hats. He was someone that you promised yourself you would never cross “the line” for. Who you vowed to yourself that you wouldn’t risk anything for feelings-wise because you didn’t want the rest of the crew to suffer if you both didn’t work out. 
But despite all of that, it didn’t make the truth any easier to swallow because now you were stuck. You were stuck with your stupid feelings and all it did was want to make you cry. You should’ve been happy right now at this sudden realization but no, instead all you wanted to do was go hole up in your room and sob. 
And besides, Sanji would never return your feelings anyway. 
“Y/n?” Sanji repeated, a hint of worry laced in his tone the longer you kept staring at him unblinking. 
You quickly blinked, unable to stop a few tears from escaping your eyes, but managed to hold back the rest. You tried your best to fake a smile for him, but you could feel your lips quivering. “Sanji,” you breathed but quickly cleared your throat. “That, that was beautiful.” You looked at him in the eyes. “Thank you.” 
At your thanks, Sanji’s whole face lit up and he winked. “Ah, anything for the Missus.” 
The blonde cook didn’t make an effort to move, however. He kept his hands on your face and with each stroke of his thumb you felt tingles shoot down into your stomach (and to other inappropriate places), and felt goosebumps erupt across your skin.  
You had to get out of here. 
Carefully, you squeezed his wrists and slid your hands over his, gently prying them away from you, pulling them down and giving them one last quick squeeze in appreciation before dropping them. “Thank you, Sanji,” you repeated softly. You looked towards the bar, at the two forgotten drinks placed there, because you just couldn’t look at Sanji right now. “I, uh, should go bring these over to Zoro.” 
“Of- of course. Right. Mosshead is probably quite pissed off at us but, ah, who cares what he thinks.” Ever the gentleman, Sanji went to reach for them. “Here, let me help you-” 
“No!” you quickly intervened, grabbing them like it was a pot of gold. “No, no. I got it. Don’t worry about it. You should, uh, stay here and keep talking to the bartender. I think he was looking for you,” you lied and without waiting for his response, took the drinks off the bar, leaving a crestfallen Sanji standing there, watching you walk to Zoro and then, promptly, out of the nightclub altogether.  
As you walked over to your green-haired friend, your legs felt like rubber and that you would collapse at a moment’s notice from the sheer weight of your thoughts. You, however, were so far gone that you completely missed Zoro’s Chesire cat grin.  
“You and the waiter seemed pretty cozy over there, huh?” Zoro jabbed, his arms resting on top of the seat cushions and knees spread out like he had no care in the world. “I thought you guys were going to kiss or something for a minute there, but instead-” 
“Shut the fuck up, Zoro,” you practically growled at him as you put his beer and your glass on the glass tabletop with much more force than necessary.  
The swordsman lifted his hands slightly along with his eyebrows. “Whoa, hey now no need to-” 
Instead of taking your seat back and sitting back down, you started walking past him and towards the exit without waiting for his response. “I’m heading back to the ship.” 
As Zoro watched you leave, a clearly drunk Usopp slid in right next to him, gnawing on a toothpick, watching you as well. “Daaamn, Zoro,” the slingshot shooter drawled loudly, leaning against his crewmate and completely disregarding the other man’s personal space. “Did you see Sanji and y/n? I thought they were going to- pft, start making out or something!” Usopp exclaimed as he waved his hands in the air, mimicking an explosion and two people kissing. “Do you think they know they like each other?”  
Zoro hummed, watching your retreating form and then looking towards the dejected waiter, who looked like a kicked puppy. “I don’t know Usopp,” he replied, leaning forward to grab his beer and take a swing. “But if they don’t tell each other soon I’m going to lose my goddamn mind.” 
“Yeahhh,” Usopp agreed, sliding his sunglasses down the bridge of his nose to look at the swordsman better. “You said it- oh! Is this drink taken?” he asked, not waiting for Zoro’s response before taking the beverage and sipping on its straw.  
Zoro shook his head with a small smile. Sometimes his friends were too predictable for their own good. He just hoped that you and Sanji would start being predictable soon so you two could finally be together and put everyone out of their misery.  
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aerithmybbgmypookiemywife · 2 months ago
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Let's spice up the SAGAU world with this idea. The reader is NOT The Creator, yet is a higher being that the characters refer to as "The Player". How would characters interact with the person who commanded them from above? And what if you still had the power to control them?
For this example, I would include Kazuha and Yanfei because they are my king and queen of my account.
oohhh honestly i feel like they would worship or think of the reader in the same way as they would worship their Creator.
Like, imagine Player! Reader playing Genshin on their phone and just absolutely fawning over Kazuha. "Oohhh look at my pretty boy…" you would mumble, and on the inside, Kazuha is flustered with that comment but always has to act like he didn't hear it. He can't see you, but he could always hear your voice… It's angelic, sweet… Calming to the ears.
When you control him, he feels calm. Kazuha fully trusts you in whatever you do.
What if Player! Reader is the type of player that just keeps yapping and commenting for no reason at all. Player! Reader is just roaming around and keeps spouting nonsense like Kazuha would say his usual line of "There are leaves around, and I know just the tune to accompany them, if you want to hear it." you would reply with "Of course baby girl hit me with it.". Or when fighting Hilichurls you would just spout filler nonsense like "HELL YEAH!! TAKE THAT BOZO!!" or "Mhm, get swirled mother fucker." while using Kazuha's skill.
Imagine Player! Reader gets a cutscene with Yanfei in it and just screams her name out of pure joy. On the inside, Yanfei is surprised but very much overjoyed with your enthusiasm. Every time Yanfei said a line, you would always comment "Yep, speak your truth queen." or "You're so right." and whatever anything just popped up in your mind.
Yanfei loves listening to you talk, although she unfortunately couldn't see you… The sound of your voice is forever engraved in her mind… She doesn't mind getting controlled by you, she knows that you were just trying to make things better for her.
But… What if… Player! Reader gets transmigrated not as a Creator, but as just a normal person… You're so fucking confused as to why you're suddenly in Liyue… Oh god… Why the fuck are the guards pointing their spears at you?!
"Who are you???" They asked with a glare, "I-I uhh… Uhh…" you stuttered, "They don't look like they belong here." one of them whispered. Before the situation could even escalate, a familiar voice spoke out. "What's going on here?" someone asked. You knew that voice…! It was…! Yanfei!
The guards of Liyue got out of her way and Yanfei got a better look at you, she looked at you from head to toe… Confused about your different type of clothing… "I swear to God I also don't know what's happening right now…" you spoke up as you held your hands up.
Yanfei's eyes widened, "Y/n…?" she muttered, recognizing your voice.
But what if it was Kazuha who met you first? Well, imagine Player! Reader wakes up and sees that their surroundings are different. "What the fuck??" you mumbled as you soon realized you were on a boat. But what boat…? Also, why were you even in the somewhat basement of the ship?
"Who are you?" a voice spoke up, it was familiar but it sounded stern. Your breath hitched to see where it came from… It came from… Kazuha? Now you're just confused…
"What the fuck…? Am I seriously in Genshin impact right now…?? IS THAT FUCKING KAZUHA?!!?" You blurted out the last sentence it hit you that it was Kazuha right in front of you! You let out a gasp and covered your mouth.
His eyes widened, "Are you… Y/n?" he asked.
I think it's safe to say you aren't worshipped by the NPC's but you are however treated well and worshipped by the Characters.
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astonmartingf · 7 months ago
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HE LOVES ME, HE LOVES ME NOT ; MSC47
childhood friends to lovers! mick schumacher x verstappen!reader . . . when push comes to shove, you would never admit to having a crush on mick as you grew older. this however ends up with you convincing yourself that he would never love you outside the platonic relationship you built through the years, despite all evidence pointing to the obvious— he loves you, but you think not.
amgf this has been plaguing my mind, and after writing atrocious angst (ybom) i'm here to write a palate cleanser on my mind 😔 i also chose to write this instead of study for a chemistry exam, i keep making the wrong decisions but seeing as i made this was it so wrong??? i think not. enjoy like always 👍
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liked by mickschumacher, maxverstappen1, and 76,863 others
yourusername some things never change 🐻
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user1 and now what? what are we?????
user2 awww baby mick and baby yn are adorable
user3 the way yn is more attached to mick than max
user4 i remember in an interview where jos said when he couldn't find yn he'd look for mick since he was a tall boy
user5 wait where? when was this?
user6 in an old interview, idk when but it was with michael as well
user7 they're actually so adorable, oh my gosh
mickschumacher terrorizing the earth, one forest at a time, here's to more hikes in the future 💖
yourusername you bet i'll be there, it's scary how we aren't sick of each other yet
mickschumacher i mean it's you, why would i be sick of you?
yourusername as you should!!! i'm great to be with
maxverstappen1 mick is just too kind to kick you out
yourusername you're jealous we kicked you out!
user8 they're actually all that's in my head
user9 how are they not dating????
user10 because people of different sex can be friends?
user11 i get the shipping but they're good as friends so why?
user12 i mean they look good together, it's just wishful thinking
user13 oh imagine having a good looking childhood friend and not dating them, ofc they've been friends for so long wtf
user14 i mean, they are a good match so, leave people alone for shipping them
user15 they may be a good match but it's still weird so idgaf you're wrong
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mickschumacher
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liked by yourusername and 726,947 others
mickschumacher with the feel of your hand on mine 🐇
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user16 oh gosh please help them realize what they're made for each other
user17 i was so convinced they're just friends but then mick pulls shit like this
user18 i can't keep on defending you if you do this???? boy?
yourusername if you hadn't held my hand then and there i would've flown away
mickschumacher okay that's exaggerating, but as if i'd let that happen
yourusername because it was so strong, you were holding my hand tightly
mickschumacher are you complaining or thanking me?
yourusername thank you mick 🫡 you're the bestest friend ever
user19 they're actually driving me insane
user20 even the wind ships them
user21 don't you think that's the universe making a sign to both of you?
user22 "as if i'd let that happen" okay mick, wtfffff why is he doing this?
user23 they can't keep doing this and just pulling the best friend card at the end, they need to hold responsibility for us
liked by maxverstappen1
user24 bro max liked????
user25 what does he know? wym??? max oomf, why are you liking this comment?
user26 max is tired of their bullshit i know
user27 if max is tired we can be of help, i for one am volunteering out of the goodness of my heart and not because of my nosy ass
user28 okay yn and mick you can share it with the class
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yourusername
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liked by gina_schumacher, victoriaverstappen, and 86,047 others
yourusername a week of mick 🐻
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user29 yn is with mick instead of being at a grand prix????
user30 you're telling me they're just friends? shut up actually
user31 i'm deluding myself and saying they're dating
user32 they're so cute (they're driving me crazy 😮‍💨😩😭😀😊🥹😠)
mickschumacher thank you for watching me hase
yourusername ofc!!!! i am your number one fan bärchen 💖
maxverstappen1 is this the important thing you have going on?
yourusername yes it is, it's not like you won or smth
maxverstappen1 wow... am i going to have to steal you from mick now?
yourusername bold of you to assume i would leave mick
user33 they're actually insane wtgfhfjg
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yourusername uploaded a new story
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[look, it's a bear!] [jk it's my boyfriend hehehehe]
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user34 OH NOOOO
user35 is this MICK? hello? mick stand up??!
user36 what about mick 🥹
user37 a soft launch out of nowhere? wth????
user38 this is mick? it's Mick isn't it? please tell me tkzusbdkajdj I NEED TO KNOW!NNN
mickschumacher you're evil hase, what have you done
i want to have you to myself a little longer, is that so wrong 😠
mickschumacher i don't think anyone can have me like you do
YEAH!! that's right, i love you bärchen 💖
mickschumacher i love you hase 💖
646 notes · View notes
yuikira · 4 days ago
Text
𓈒࣪ The "you" shaped spot ₊✧
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warnings: pure fluff, one implication of having sex, bits of crying, hurt/comfort, ooc kinich, very self indulgent, i apologize for mistakes.
GOD THE ANGUISH I FEEL SINCE THERE HAVE BEEN NO GOOD KINICH FICS RECENTLY
m so sorry mualani i love you but i hate you coz you're so shipped w kinich it makes me cry in anguish burn in despair and writhe in pain..coz hes mine. not yours. never yours (guys am i mentally ill)
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"y/n?"
well, this was strange. if he still remembers how to read the time correctly, it's 3:30 pm and you should be at home today. yet he couldn't hear a single sound from the shared household, implying you were, infact, not at home. huh? that was wholly strange. you both had no urgent tasks for today, so where were you gone? your date was in 1½ hrs time, so he didn't have a tinge of worry about it. he knew you'd return by that time, even if you were gone somewhere. but where did you go anyway? to the balcony? xilonen's workshop? ororon's fields? mavuika's chambers? ifa's vet?
it was almost 5:30 by the time his patience finally ran out. you were nowhere to be seen, noone knew your whereabouts, your departure time was unconfirmed, and you didn't even tell him about it. he tried to distract away the thoughts that eerily haunted his mind, 'what if she's in danger? kidnapped? or perhaps, dead?'
he'd get nothing out of overthinking. finally, it all clicked to him where you could perhaps be found.
shit, and was his intuition right. he could hear the sounds of violent sobs drifting off in the sea breeze, some sniffles and pieces of incoherent speech here and there. they were yours.
"y/n? y/n!"
he gently held your shoulders and tried to pry off your palms from your face. is it too late? at last as he finally managed to do so, he saw your tinged red eyes, indicating you've been crying for a lot of time.
"what happened to you? babe? are you okay? please tell me- what happened to you? please, please please-"
"im fine, ichi, its alright"
"you dont look alright at all. what happened to you? who did this to you? this sadness?"
"oh it's just..um..this is embarassing.."
"no tell me, please baby, tell me. if you don't tell me and start crying again, i might just start crying too. please tell me"
"um.. it's...basically, these past few days I've felt like... you're.. avoiding me. like...everytime i try to approach you, you just- you just..shut me down. push me away. it maybe because I'm not living upto your expectations, but these past few days I've been feeling like you spend time with mualani more than me. it hurts so bad when my inner thoughts whisper to me, haunting me by saying stuff like you're giving the same lovesick smile to her as you do to me, and falling for her and- mfhm?!"
oh by gods, the way kinich just tenderly held you yet kissed constrastingly different, almost making you feel dizzy and lightheaded. you knew you weren't in the right state of mind after crying and struggling with your thoughts for so long, and his intoxicating kiss didn't help the matter at all.
at last when he finally pulls his lips away from yours, a tinge of bemused smile rests on his slightly chapped lips. him? in love with mualani? he'd rather give away his body to ajaw and keep himself locked in a small piece of memory inside your heart, so that as long as your heart beats, you both never get seperated. that was the best deal for him.
"look, im sorry I didn't tell you earlier and I'm sorry if I don't live upto your expectations and or are falling for mualani, its completely alright and-"
"Are you insane?"
"huh?"
"You are the words etched into my heart. You are the blood in my veins. You are the god I was born to worship. Who am I to commit such blasphemy?"
"i-ichi-?"
"You are the knowledge I seek. The love I pray for. The reason of my existence. And you still think I'd leave you?"
"wait no ichi i-"
"The symphony of my beating heart belongs to you. Only you. For long as I'm alive, its bound to beat for you. I love you, y/n. I love you so much."
Teardrops began to fall from your eyes again as he finished speaking. He'd never, ever been good with words, reflecting his love and care with his actions instead. Although he's trying to be more and more vocal for you, you'd never expected this from him.
That was the moment you realized, his heart was 'you' shaped, with every single bit of his sanity dedicated to you.
"And no, I.. I'm so sorry if i made you feel as if I'm avoiding you. I'm infact not. It's just the fact that.. I'd been trying to plan a surprise for you for our 4th anniversary, but..looks like I wasn't so slick with it. I'm sorry"
"No, no, it's fine, it's fine. I misunderstood, no need to apologise" you shook your head while holding one of his hands, the other wiping your tears off as he gently places a soft kiss on your forehead.
"It's partially my fault, for making you feel this way. Let's go home, yeah? I'll try to make it up to you. Brownies and making love later?"
You smiled. "I love you so much, it's hard to put into words like you did"
"I love you more. You're forever my girl"
238 notes · View notes
lucabyte · 3 months ago
Note
i'm so curious about your character gender reads now tho 👀👀
(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)
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(I turn around to face you.)
Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.
So, (I put the cheese back in the fridge.)
This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.
(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)
(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))
It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)
Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)
So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)
(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)
Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…
SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.
SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.
SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.
Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).
I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.
SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.
CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES
When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.
Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...
This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.
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[Image: Interactions with the change craft textbook in acts 2 and 3/4.]
In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)
The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.
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[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]
Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)
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[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]
So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.
MIRABELLE.
Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.
Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?
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[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)
Whereas…
ISABEAU.
When Mal du pays speaks as Isabeau, it says the following;
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"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."
I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.
Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.
Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.
So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.
Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.
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[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]
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[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]
While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.
The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.
Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."
But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.
Speaking of which.
2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.
HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)
I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.
Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.
It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.
Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*
And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.
And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.
But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.
(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)
3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.
Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.
My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.
ANOTHER NOTE ON THE 'NOT A GUY' THING.
Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.
But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.
ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?
The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.
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[Image: Prologue Isa calling himself a mother hen]
And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.
... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)
APATHY AND SURVIVAL
It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)
It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.
So. That line about the dress. Let's unpack the line(s) about the dress.
THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.
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Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.
In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)
Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'
NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....
Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.
I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.
To, try and segue back to what I had initially written, we'll pick up here...
Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.
While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.
... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.
It's in acts 3 and 4. It's a line I already brought up.
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"You're thinking about crafting your body. You seem to have all the time in the world now."
good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.
This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.
If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.
I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--
*coughs* Ah. Ahem. Right. The uh, academic tone.
Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?
Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...
Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.
TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.
This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.
In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.
ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.
Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.
There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.
DE-PERSONING. AND LOOP. OH JESUS . LOOP .
Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.
People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!
When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.
When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.
Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.
Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.
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[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]
And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:
Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.
While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.
Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.
This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.
TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.
Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.
(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)
Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.
And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.
But I don't know anything about japanese so ! If I'm off the mark, discard this!
LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.
While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.
Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.
Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.
Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.
As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)
Tl;Dr:
Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland
They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.
Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.
They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.
They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.
The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.
They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.
Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?
But most of all:
It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.
(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)
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(Now for some bonus material)
ADDENDUMS:
PERSONAL BIAS NOTE:
Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.
I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.
This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.
STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):
MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:
I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.
BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.
ODILE, WHAT'S HER DEAL?:
Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.
Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.
HEADCANON NOTE: INTERSEX SIFFRIN
I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration
haha gotcha its fuckin themes again. its always themes with me.
But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.
So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.
HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE
I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".
[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"
Bonus bonus:
[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"
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kingcrow01 · 11 months ago
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DC x Marvel Fic Recs
@jas-per11 @letthedeadghostrest
Hello! I saw your post, and I've been meaning to rec some DC x Marvel fics anyways, so I'll do that here. I don't know what you've read, so I'll start with
Peter Parker / DC Series:
The Dark Matter Multiverse Series by @mysterycyclone
Dark Matter is the blueprint for most Peter Parker / DC fics, and it's also fucking fantastic. If you're reading a crossover and don't understand why, without explanation, Peter is talking to ghosts? Why he by default ends up living in a firehouse? Read Dark Matter.
Spider and Bat Friends Series by @emmacortana
So far, 12 well written and hilarious works from my all-time favorite author, Miss emmacortana. This, coming from someone with over 1,500 bookmarks. She's that good.
Bitsy and The Bats Series Series by @wibbwoby
Haven't read this one in a while, so I don't have much to say, but Rated T for Traumatized is an absolute classic.
Pizzaverse Series by Irisen
A heavier read, wherein Peter tries to keep his job, make rent, and has a lot of unfortunate run-ins with Gotham's rogues.
Peter & The BatBoys (Doctor AU) Series by @thepoppypress
Peter is the Wayne family's doctor. He has a... chaotic time. I've only read Part 1, but I am still including this here because it's a series.
Peter Parker needs a hug (From the BatFamily) Series by @true-blue-fool
Shorter fics about Peter bonding with the Batfamily. Part 3 is especially cute.
Spider and Bats Series by @superklutzkent
Peter Parker whump, featuring the Batfam. All of the whump.
Let's take a break and look at some DC x Marvel fics that DON'T feature Peter:
Steve Rogers: Man out of Time and Place Series by RavenclawAngel
After Civil War, Steve gets exiled to DCs earth and builds a new team.
from the nucleus flight Series by @blackkatmagic
Khonshu whisks (Comic) Moon Knight away to DC. Very well written and passionate. If it's not your thing, don't let the Bruce Wayne/Marc Spector tag dissuade you from reading; since it's unfinished, the ship hasn't happened yet, and it's too good of a fic to miss out on.
The Devil's in Gotham (Remastered) by @prince-link13
Matt Murdock moves to Gotham and befriends Jason Todd, his neighbor. Bruce Wayne/Matt Murdock
Marvel/DC Crossovers Series by @bamboozled-and-alone
What it says on the tin. My favorite, part 2, is Matt Murdock taking care of Damian Wayne.
Echolocation Series by Firecat23
Matt Murdock and the bats; though, part 6 does have Team Red, meaning Peter.
Back to our regularly scheduled programming:
Peter Parker slash fics:
Cassandra Cain/Peter Parker
Along Came a Spider Series by @rags-n-bones
Quiet Respite by @faeriekit
I'm not too far in this one yet, but it's Faeriekit, so it's bound to be good.
Peter Parker/Tim Drake, affectionately called redspider
a shining spider web by Selador
Needling by LaughingFreak
How dimension travel can lead to love. Series by Psychic_Queen05
My current Favorite Ongoing Peter Parker / DC Crossovers:
The Ones Burnt by This_is_lovin
After the events of No Way Home, Dr. Strange's magic sends Peter to Gotham. He wakes up in another boy's body, and has to deal with the consequences. Part one just ended with a bang, you all should be there for part two, it's gonna be awesome.
Arachnomaly by @songue85
The (Comic) Amazing Spider-Man, being neighborly in Gotham. Plus some sick art from the author.
time flies by (bye) by WHYISEVERYNAMETAKEN
Two difficult years after No Way Home, Peter ends up in Gotham, but with a whole lot of introspection. One chapter left; you better be there.
All of the rest, that didn't fit in the prior categories:
Unforeseen Consequences by @mysterycyclone
Gotta Get to Rock Bottom! by @emmacortana
Read the initial notes first.
Set Naked on Your Kingdom by sassydandelion
Peter's Gotham Debut by BlankGeode, Leeavy
This Was Home by @emmacortana
The Peter Parker Theory by nicfics
and even though we are strange and exquisitely scarred by Wingfeather6913
What happens in New York by @violent138
A Long Way From Home (And No Way Back) by Vivia_wants_boba
Ignorance is Death by No_idea_what_Im_doing_lmaooo
One Dead Spider by Miellonek
If you do check out any of these fics, always leave a comment. Authors love those, it’s like catnip to them.
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bamsywrites · 27 days ago
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And Comes Dawn pt iii
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Pairing: Sauron/Halbrand x Reader, more ships/love triangles to come, though, so stay tuned.
Summary: the deciver has decided he must get rid of you until a stranger reignites his curiosity in an unexpected way.
Word count: 2k
Notes: let me know if you wanna be tagged. I was not expecting this many people to like this fic. Thank you so much for the feed back, I read every comment and reblog multiple times. Keep any and all feedback coming. I'm super invested in this series and have so many plans that I'm so excited to write.
Tags/warning: male masturbation, nothing super explicit but sauron has some pretty unhealthy kinks, slow burn, saurons post nut clarity is murder plotting, sauron being sauron. galadriel finally shows up, cliffhanger
Series Masterlist
“She does nothing but sit there, day in and day out. Our rations are wasted on her!” 
“All of us sit and do nothing because there is fucking nothing to do.”
Halbrand and the older man were fighting again. Halbrand had become annoyed that the other had declared himself the de facto leader of the raft, and his anger exploded when it was proclaimed you had not 'earned' your rations. He had obviously found it absolutely insane and when you made no sound or protest, he took it upon himself to make it known how insane it was. 
“I am the leader here. I have organized the rations, I have kept order, and I have directed where we go.” The other man seemed offended. He had proven himself to be rather arrogant, and you held no surprise that he would suggest such a thing or believe that he was the leader of the raft.
“Oh great Lord of the Raft. How difficult your job must be. Deciding if we die a little to the west or a little to the east.” Halbrand rolled his eyes as he spoke. 
“Be sarcastic all you want. She's lucky we don't throw her in.” 
The air stilled and a dark shadow passed over Halbrands face, his jaw clenched and in a moment he had grabbed the other by their shirt, “The moment you do that is the moment I feed you and every single person on this raft to the wyrm.” Their faces merely inches apart,  Halbrands voice was cold, full of hatred, and it sent a chill over everyone on the raft. The older man stared up at him with fear, a fear so palpable and intense that it was as if he was looking into the eyes of the great foe himself. 
“Halbrand,” you spoke softly, fingers gently wrapping around his wrist and moving him away. “This is not what I wish.”
He turned to look at you and his gaze softened,tongue peaking out to wet his lips. The air flowed again, and the darkness lifted, “You wish to starve? Because that's his wish, that's his plan. He wants to make our supply of food last longer by taking the very little portion you have. He knows you would never say anything to him, and you can not ask me to sit back and watch you starve, sweet one.” His eyes searched your face as he spoke with such earnest conviction. 
“I do not wish for you to murder in my name,” you replied in a passionate whisper. 
Halbrand nodded, sighing softly, “Then I will not,” he leaned closer to you, so his lips were next to your ear, and you could feel his hot breath on your skin. Your breath caught in your voice as he whispered softly, “Know that I would, though. If you only asked, I would burn this raft and everyone on it to keep you safe.” 
He pulled away and pressed a soft kiss to the crown of your head as you stood speechless. The butterflies in your stomach exploded. This was new. Your interactions had been purely platonic until this point. He never presented himself as someone more than a friend, and you had been content with that. Yet you enjoyed the feeling of his lips on your forehead and greatly missed them when they were gone. 
The talk of murdering everyone else was one you didn't wish to dwell on. Perhaps it was hyperbolic. Perhaps said in anger. Either way, those were thoughts for another time. Now, you would embrace the shivers and butterflies. 
“Well, your highness, she will be eating today and I will ensure it,” Halbrand gave the man a pointed look and the other simply nodded, his eyes still swimming as if he'd seen some great horror but you were too fixated on the ghost of Halbrands kiss that lingered on your forehead to pay it much mind. 
~
He'd taken the deception too far when he placed that kiss upon your head. He regretted it the moment he did it. The taste of your skin stained his lips, and it was all he could think of. Your skin felt unbelievably soft and he could just imagine what your lips would taste like, your tongue, your cunt. 
Your cunt. The thought of it had been all consuming. Warm and wet. Soft and velvety. He ached to feel it, to taste it, to take it. The thoughts had led to his current position, standing at the edge of the raft with his cock in his fist. This act felt below him but the thoughts wouldn't leave his mind and he needed some relief from them. From the thoughts of you. 
Thoughts of your cunt. 
Warm and wet. Soft and velvet. 
His eyes fluttered, and his breath caught in his throat. He hated every second of this. He had no control. Ever since you looked up at him with those eyes of yours, eyes he wanted to make weep as you choked on his cock. He breathed a soft curse as he imagined your sweet, innocent eyes looking up at him with your lips wrapped around his cock. His thumb collected the precum from his tip and worked it around his shaft, the soft wet sounds filling the night. 
Would you be inexperienced?  Had someone claimed you before? You were his and his alone, his precious sweet one. The thought of someone else having you first filled him with such rage. He would drench his hands in their blood and paint your body with it as he fucked you. His hands around your neck, squeezing enough to feel your life thrumming underneath his fingers. 
You were his and his alone. No one else could touch you, no other lips taste you, no other cock take you. He'd burn all of Middle Earth to ensure it, torture any man who dared look at you. He'd carve his name into your flesh, lick the blood off your skin. A growl escaped his lips, the thought of his name scared into your soft skin. His hand tightened around his cock and his movements increased in speed. 
His breathing got more ragged as he got closer to his peak,  your name tumbling past his lips in a choked whisper. He could almost imagine you whining and whimpering his name, his real name.  That was what sent him over, the visual of you impaled on his cock and desperately calling his name. He groaned loudly, his seed shooting into the water. 
Breathing heavily, his eyes closed. Almost immediately, the cacophony of thoughts entered his mind. That had been a brief reprieve, but now his existential crisis continued. What was his purpose? Who was he now that his master was dead? Power and control, how could he have both without sacrificing the other?  
And then your smiling face flashed through his mind, the sound of your laugh...-
This couldn't continue. No amount of curiosity was worth this loss of control. He was a god, but his mind as of late had been reminiscent of a teenage boy. Thoughts may plague him, but he would forget you within the age. He needed you gone, dead. The longer you stayed alive, the longer these damn lustful thoughts would plague him and be his undoing. He was slowly losing his sanity because of you. 
The problem was he couldn't do it. He tried mere minutes before giving into these urges, but as he looked at your sleeping face, he couldn't bring himself to push you in and under the waves. In thousands of years, no one had been able to still his blade or stay his hand with such ease. He couldn't look at you and take your life. He could not be the one to do it, that thought alone proving to be more a reason for your death. Weakness was not something he would tolerate. 
His mind called out to wyrm, calling it to their location. If he couldn't do it, he'd give the task to something else. By nightfall tomorrow, you'd be gone. You'd be at the bottom of the sea or in the belly of the beast. By nightfall, he'd have his mind back. 
Why did the thought of your death fill him with such dread?
~
He wouldn't even look at you. You'd greeted him in the morning, and he ignored you. You sat next to him, and he moved to the other side of the raft. You watched as his eyes bore into planks of the raft. You wet your lips and pulled it between your teeth. He was your first friend in a very long time, and now you had lost him for reasons that escaped you.  You were utterly alone, lost at sea, and you struggled to find hope here. All you could do is close your eyes and remind yourself that falling into despair would do nothing more than make the situation worse and more hopeless.
You watched the clouds pass in the sky, counting them, and your fingers tapped away at the wood. Every few moments, you had to blink away the tears that had started welling in your eyes as you thought of losing another person you cared for. Suddenly, you sat up as you heard what you thought was a voice in the air. You squinted as your eyes examined the fog.
“There's a voice on the water.” You spoke quietly. 
Almost instantly, bickering broke amongst the others. To save her or not. You shook your head, “We're not leaving her to starve and die!” 
One of the others pulled her up and gave her water as you grabbed her a chunk of bread and looked for a piece of cloth or something that could bring the stranger some warmth. The bickering continued as you searched and returned with a piece of bread.
“Suppose you'll be sharing your rations?” the old man asked. 
You couldn't help the roll of your eyes, “Damn the rations,” you kneeled and handed the stranger the bread. “It's not much, but it's something. Are you hurt?” 
Before she could answer, one of the others asked, “What are you doing out here?”  
The stranger took the bread, “I was separated from my ship.” 
You looked at her with empathy. Of course, you could understand. She looked over at you as if to answer your question next, but she stopped, her eyes examining your face as if she knew you but was unable to place how. It made you uncomfortable, made your heart still. Has your past caught up with you all the way out here? 
“She doesn't look dangerous,” the other woman spoke.
“Looks can be deceiving,” Halbrand spoke, and you were about to protest when you saw the point to her ears. Your blood ran cold, and you moved back from her. 
“Remove your hand from me, sir,” the stranger spoke, her attention returning to you. “I know your face.”
You quickly stood up and stepped back. This could not be happening. Not here. Not now. Perhaps the elf could save you, or perhaps she would convince the others to throw you into the sea. The sins of your father would never stop chasing you, it seemed. 
~
“I know your face."
His head snapped your direction at this revelation. What did that mean? How would an elf know you? He watched your reaction, the fear and shame passing over your face confirming that there was a story there. He cursed silently.
All day, he avoided looking at you. All day, he had convinced himself that you were nothing more than a naive human, that the warmth he felt had to be in relation to this new form getting used to the world around him. There was nothing special about you. Nothing at all. He repeated it over and over, though he never really believed it. He could sense the darkness and calamity swimming through the ocean towards them, the beast he had called, and he had convinced himself that your death would solve his internal struggle. 
But now, this damn elf had reignited the curiosity with vigor. It felt as if an inferno burnt through him. He had to know more. He knew when the wyrm came, he would be unable to leave you to death. You were the most curious thing, and it was infuriating. 
Who were you? 
previous next
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caramelarchive · 11 months ago
Note
could I request something like the reader deciding to give L a lil massage. It started out in their head as smth sweet/relaxing until it became high-key concerning cuz every press of their hands draws out a deafening crack
Let's Try a Massage ╾ L
BAHHAHAHAHHAA the fact that this is not somehow canon is a crime, I cannot. anyway, thanks for asking! let's go! I have moved to my main @lawlietscaramels please follow there for new content!
 ★━━─・‥…━━━☆
"Boo," you say, coming up behind L to rest your hands on his shoulders and your head besides his. He gives a quick hum of acknowledgement and you peck his cheek.
"Hello, there." After a minute, he turns away from the computer's bright screen, rubbing his eyes and rolling his shoulders as he turns to look at you. L gives a yawn, one of the rare signs he trusts and loves you enough to let his stoic guard down, and blinks sleepily at you.
Your hands brush along his shoulders.
"Ready to take a break yet?" you tease gently, poking at his neck.
"I suppose so." L turns back towards his computer, one finger tapping against the j key and the other prodding at his lip. "I don't think I can do anything else at the moment," he decides, and turns the monitor off, scooping a forkful of cake into his mouth as he does so. "Did you want something?"
L spins his chair around to face you at this question, his head tilting up as he peers at you from the seat. One of his hands reaches up to rub at his shoulder and he gives a cross groan, not breaking eye contact.
"...Did you want something?" you ask, smiling and poking at his shoulders. L groans again and bats your hands away.
"I am simply a little sore."
You grin as a wonderful idea comes into your head: something sweet and cute, to help L relax after yet another long day of hard work.
"In that case, I can help!"
It's a difficult feat to pick L up, so you just roll his chair over to the couch and push him onto the cushions.
The detective turns his head to the side, so he is able to keep his eyes on you, but does not make any move to protest. L just shifts around a little, groaning unhappily, and waits for you to do... whatever it is you're going to do.
Pressing your hands together for a minute to warm them up, you eye your partner up and down.
...Definitely, a massage is required here.
You decide to plonk yourself down on his back for easy access, your hands reaching up to L's shoulders. Your fingers probe into the skin and L gives a small sigh of gratitude. A smile spreads across your face, as you're obviously able to remove some of the stress he has placed on his body by scrunching it into a ball all of the time.
And then a crunch.
You almost fall onto the floor, scared out of your wits. "L! The human body should not make that noise!"
"My apologies."
You sigh and stroke his hair for a moment. "I think this proves that you need some sort of assistance with your back, my love."
The gesture, which you thought to be sweet, becomes more and more concerning as you continued. Wherever you place your hands, there is a dramatic crunch, a crack, all very loud and very not normal.
"L, when was the last time you saw a doctor? Or an acupuncturist or a chiropractor or a physiotherapist?"
He just shakes his head.
You press your hands into his back and it cracks in protest. You take your hands off him and wring them in dismay.
"I just wanted to give you a massage, and now you sound like a whip-person..."
L gives a little chuckle. "Yes... Perhaps a different approach is in order, my dear Y/N." He shifts again, turning to look at you once more.
"I'll run you a bath."
 ★━━─・‥…━━━☆
𝖎𝖋 𝖞𝖔𝖚 𝖑𝖎𝖐𝖊𝖉 𝖎𝖙 ˏˋ⋆˖⁺˖⁀➷ 𝖕𝖑𝖊𝖆𝖘𝖊 𝖗𝖊𝖇𝖑𝖔𝖌 + 𝖋𝖔𝖑𝖑𝖔𝖜
what if I wrote a little bath scene? nothing nsft as I have said but I mean,, rose petals in the water, bringing in a rubber ducky or a plastic ship... lemme know if you want that as a part two!!
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sen-ya · 6 months ago
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part 5/7
is it silly that this is my favorite in this series? i really enjoyed writing kaya and I wanna do it again at some point :')
[op comic masterpost]
[pg1] panel 2: Kaya: Oh! Dr. Law! I didn't expect to find you in our library.
panel 3: Law: K-Kaya-ya!
panel 4: Law: Uh. Ahem. Excuse me. I hope you don't mind me borrowing your books.
panel 5: Kaya: Oh of course not! I'm just shocked to hear we have books you don't! What are you studying?
panel 6: Law: UHHHHH
[pg2] panel 10: Kaya: Oh! Is someone on your crew pregnant? Ikkaku??
panel 11: Law (thinking): She doesn't know Ikkaku is trans. Does she not know that I am?? I just assumed Nose-ya would have mentioned it. But that makes sense. If Straw Hat didn't already know Nose-ya was trans it's not like I would have told him.
panel 12: Kaya: ...?
panel 13: Law (thinking): Fuck, I've been quiet too long. I can't throw Ikkaku under to bus. Just say something.
panel 14: Law: No. Kaya: Oh. Then why...? Law (thinking): Wait, shit
[pg3] panel 15: Law: My, uh...brother...'s...wife. Yeah, we're taking him back to Zou soon...because his wife is pregnant...and I...want...to help...?
panel 16: Kaya: Oh, how sweet! Congrats "Uncle Law" hehe. If you have any questions I could help with let me know!! I specialized in traumatic injury, but I did deliver a few babies in Syrup Village! On smaller islands like that you wear a lot of hats.
panel 17: Law: And you've...been pregnant. Kaya: Well, yeah, but I wasn't my own doctor! Could you imagine if I had tried to deliver the twins myself? Even a doctor needs a doctor, you know that.
panel 18: Law: ...right.
panel 19: Law: ...what...what was it like?
panel 20: Kaya: Oh, my pregnant patients were actually pretty fun! I suppose it makes sense that as a pirate ship doctor you wouldn't have had to know obstetrics. But it was always so lovely to hand a parent their--
[pg4] panel 21: Kaya: ...newborn...baby...?
panel 23: Kaya: ...I'm sorry, Dr. Law. If there's context I need you'll have to give it to me. I'm not good at guessing.
panel 24: Law: What do you mean, I just gave you context. Kaya: With all due respect, you're full crying. It's a new sight for me!
panel 25: Kaya: You can tell me what's going on! I'm told I'm a very good listener
panel 26: Law: ...You Straw Hats sure are a pain Kaya: Sorry, hehe
panel 28: Law: ...I...ahem...so number one, if you didn't know...I'm...I'm trans.
panel 29: Law: But not like your husband. He got the works from Ivankov-ya...I never felt the need to seek that out.
[pg5] panel 30: Kaya: ...I see
panel 31: Kaya: How far along are you? Law: ..12 weeks, give or take. Kaya: Well, I've provided obstetric care of all kinds. So whatever questions you're researching here...why don't you ask me instead of being your own doctor?
panel 32: Law: ...Same question. What was it like?
panel 33: Kaya: Being pregnant was a horror show!
panel 34: Law: A glowing review. Kaya: Oh, sorry! I can lie if you'd prefer!
panel 35: Kaya: I was just so sick my first trimester! Law (speaking over her): KAYA-YA I THOUGHT I WAS DYING FOR TWO WEEKS WHEN WILL IT STOP I CAN ONLY EAT RICE.
panel 36: Kaya: It's different for everyone. By the end it wasn't quite so bad for me, though. And I love my kids so much. They were such cute newborns!! So I was alright being uncomfortable for awhile. Because that's what we wanted, you know?
panel 37: Kaya (off screen): What do you and Luffy want, Dr. Law?
[pg6] panel 38: Law: ...We haven't decided yet. We're giving it to the end of the week. I'm trying to think about it rationally. But I just keep getting emotional any time I talk about it. It's strange.
panel 39: Kaya: An emotional decision and a bad decision aren't inherently synonymous, you know.
panel 40: Law: ...your bedside manner is impeccable, Dr. Kaya-ya. Kaya: Well, thank you! Next time let's meet in the infirmary, mine or yours.
panel 41: Kaya: I'll be your doctor through this, okay?
panel 42: Law: ...Okay...Thank you. Kaya: Of course!
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ronance4everbrainrot · 3 months ago
Text
Moooore descendants 4 incorrect quotes with Glassheart/CharmingHeart (they back)
(and other ships)
Red: Sometimes I get so caught up on being gay that I forget I’m actually bi.
(Girl. Same)
---
Maddox: Man, I’m gonna get fat if you keep feeding me all these chips and junk!
Red: I’M NOT! I was eating them and you took them.
Maddox: You said I should try some!
Red: I said they were good.
Maddox: That’s not how I heard it.
(MADDOX! HIIIII! SOME LOVE FOR YOU TOO BUDDY!)
---
Red: Tomorrow’s the Cooking Contest. Maddox always tells me one thing every year. They say, “You might win if you’d stop eating your entry!” But how would I know whether it’s an award-winning dish without tasting it first? This may be a problem humanity will have to grapple with for eternity.
(AU. Red is a good cook)
---
Chloe: So how’s the food Red made?
Cinderella: It's great! Compliments to them.
Chloe: *goes to the kitchen*
Chloe: You're adorable.
Red: *blushes*
(again. Red is a good cook. She invites the Charmings for dinner and then asks them for their blessing when Chloe leaves)
---
Chad: we could make a boys club!
Maddox: Im non-binary.
Chad:
Chad: Anti-girls club.
(Slay. Also can't decide if Maddox should be green or purple. Maybe even orange but I chose green for now. Will change later if I'm in the mood)
---
Red: Can you PLEASE peer pressure me into doing my project?
Chloe: Do it or you're straight.
Red: I said peer pressure, NOT THREATEN!
(That's too far, Chloe! Are you mad?!)
---
Chloe: Operation no more distractions is a go!
*not even 10 seconds later*
Chloe: Oh, look! A butterfly!
(She's either laser focused or cannot concentrate at all)
---
Red: *clicks pen*
Maddox: *clicks pen in response*
Queen of Hearts: Stop that.
Red: Stop what?
Queen of Hearts: You’re talking about me in Morse code!
Red: Yes, that’s what we doing. In our very limited time, we took a class on a very outdated, very unnecessary form of communication just so we could talk about you in front of you. Congrats, you figured us out!
*later*
Red, to Chloe: That’s actually exactly what we were doing.
(I'm surprised you kept your Head. And they absolutely did learn that because they had nothing else they could do)
---
Chloe: Come on, Chad. Nobody actually believes that Red is in love with me.
Chad, to The Squad: Raise your hand if you think that Red is helplessly in love with Chloe.
*Everyone raises their hand*
Chloe: Red, put your hand down.
(*raises hand* what more evidence do you need??)
---
Chloe: The salary of a clown is 51,000 dollars.
Chloe, gesturing to Chad and Red fighting: And yet these idiots do it daily, and for free!
---
Red: When I first got my autism diagnosis, my first thought was “woah… it’s canon” and I think that maybe thoughts like that is why Chloe made me get tested.
(It is canon now. Headcanon)
---
Chloe: Anything else?
Red: Yeah. Stay away from me!
Chloe: Alright. See you in the room we share
(Literally them. Canon. can also be switched)
---
Queen of Hearts: If looking good was a crime, you’d be a law abiding citizen.
(rather that and not off with my head)
---
Queen of Hearts: We are gathered here today because someone- *glares at Red’s coffin* -couldn’t stay alive!
(Oop-. Damn. She would care more tho. I think..)
---
Queen of Hearts: So you're looking for information on this thing, huh? Well, I feel like it must be from far away.
Mal: What makes you say that?
Queen of Hearts: If it's something even I don't know about, then I'm sure nobody else must have a clue. So it's gotta be from some faraway place. Impeccable reasoning, isn't it?
Mal: Your Majesty.. You don't have a clue about this thing, do you?
Queen of Hearts: *screams in anger*
(Just a meeting between two Queens ✨. Canon
---
Queen of Hearts: Standing next to sunflowers always makes me feel weak like ‘look at this fucking flower. This flower is taller than I am. This flower is winning and I’m losing.’
Maddox: Wow, you are not ready to hear about trees.
(ssSSHHhhH. Not so loud. Don't want you to lose your head. Canon tho)
---
Red: I’m terrible at expressing myself.
Uma: Don’t worry, actions speak louder than words.
Red: Yes, but my actions are also bad.
(Girl same. Getting advice from the principal ✨ she probably did something 👀)
---
Queen of Hearts: God has let me live another day and I'm going to make it everyone's problem.
(She for real does make it everyone's problem)
---
Hope you liked it!
Wanted to add more but then it would have been too long.
So the next one has more of the OGs
Byeeee
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writingoddess1125 · 1 year ago
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I am obsessed with how you write for one piece characters (especially angst-fluff XD) I was wondering if I could request a Sanji x male!reader where they both barely got together yet sanji still fawns over nami and robin which causes reader to start feeling insecure, then later in private reader asks sanji if he’d love him more if he was a girl instead. Angst to fluff/comfort pls:))
Btw idk if you have any rules so sorry if this goes against them! Feel free to ignore/delete this!<3
Please and thank you :)
So love this idea! I'm splitting it into two however! So don't worry this will have a happy ending I promise!
Curiosity pt. 1
Sadness
Sanji x MaleReader
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Support me on Ko-Fi! Enjoy!!
P.s the sanji quote I used was actually in the Japanese sub so don't @ me
You sat there as silent as stone eating your meal as the chaos and laughter of the ship sounded around you. Nami angrily yelling, Zoro drinking, Luffy yelling for more food while eating, Usopp spinning another story and your boyfriend fawning over Nami's tits openly- In most cases you would have been embarrassed but at this point... the disappointment was expected.
You'd only been together for a few months, starting out as flirting with each other- Him approaching you since he had felt conflicted in his attractions and you guided him through the maze of identity and attractions. Finding him in your arms and in your heart-
Sanji later admitting you were the first guy he has ever liked and the first person he dated. You thought it was sweet- a romance unfolding that you two would one day tell the world... but that didn't seem like the case anymore.
"Nami~ Can I see your panties! Wait let me get a camera!" Sanji laughed loidly as you could see the love in his eyes as Nami looked red in the face and angry.
"You're vile" Zoro hissed at the laughing Sanji, his nose bleeding as Nami gave him another hard punch to his head knocking him to the floor.
Zoro had been getting more aggressive against Sanji- mainly due to the fact he find his acts disrespectful towards you.
Lowering your gaze at this you took another sip of the mixed rum drink your boyfriend had served. However the sweet cocktail tasting bitter on your tongue now- not bothering to announce you were dismissing yourself from the joyous dinner.
Zoro gave you a sympathetic nod, watching you silently stand as you gave him a tight lipped small smile in return and left.
Stepping out you take a heavy sigh- Trying to keep the tears from falling and Biting your lip to swallow the pain once more.
That ache in your heart had faded letting a numbness settle instead. Taking a seat on the main deck you stare up at the sky, watching the stars above you as the fading sounds of laughter echoed behind you.
Sitting out looking over the open ocean you thought- Thinking about the pain and embarrassment that Sanji had brought you. He had been the one to approach you, asking you out on a night like this. Thinking of how he held you close and whispered that you were his one and only. Yet you felt like those moments were now just empty words- Maybe they had always been that way even after such a short amount of time....
"(Y/N)! What are you doing out here?" You heard a all too familiar voice call out, seeing a cherry checked Sanji smile brightly at you. His smile did freeze slightly at seeing the rather stoic look on your faze, his brow raising.
"Is something wrong?" He questioned, stepping closer in worry.
"No" You say calmly, looking back out on the water. Knowing you would kill the mood of you brought up how you felt- however it seemed you couldn't have your way... He sat next to you nudging his shoulder against yours.
"Come on- I know my boyfriend well enough to see you're sad" He said sincerely. You didn't meet his gaze however, sighing in defeat instead.
"Would you have preferred it if I was a girl?"
Sanji's eyes widened at this, confusion and shock going over his features.
"What kind of question is that?- Of course I"
"You still fawn over Nami and the others.. stare at their chest and droll over their figure.." You say softly, touching the thin fabric that covered your lack of breast.
The blondes face falling as he realized what he had been doing to you-
"(Y/N) dont be ma-" He started but cut him off again.
"I'm not mad at you... I'm not going to scream at you or yell if that's what you're expecting.. I'm just telling you my reasonings" You explain and you could practically feel the dread rolling off him.
"Reasonings?"
You nod softly at this, not having the heart to elaborate further on that. You see the flash of panic.
"I don't want to ruin the night Sanji so I didn't want to have this conversation now"
"We are having it now- I don't want you to go.. I care for you" You heard the careful side stepping of his words, avoiding love or like with 'care' it made your chest ache all over again.
"Like how you care about my feelings?... It's okay to say you were just.. experimenting-" You say and he grabs your shoulders suddently so you were facing him, a flash of anger in his eyes as he stared at you, the sharp rum from his breath burning your nose.
"You aren't a experiment to me okay? It's not like that? I just- It's hard to explain okay?" He tried to reason as he released your shoulders and reached forward grabbing your hand to try to reassure you. But you pulled away calmly.
"Do you still like Nami?.." You finally ask and watch his face twisted up as he tried to answer.. but couldnt-
You close your eyes, almost greatful he didn't answer. Not knowing if his excuse would hurt you more then his actions, standing up from your seat you smooth out the invisible Imperfections in your trousers.
"It's okay Sanji... I can understand if I was a curiosity for you. Thank you for the meal, I'm going to bed. Goodnight" You say calmly and head below to get some sleep- you still heard the laughter from the kitchens as you faded into the belly of the ship to hopefully hide your tears.
Sanji sat there, dazed over what just happened. Pulling out a cigarette from his pockets however he just silently started at the stick of tobacco, a heavy weight settling on his shoulders as guilt tore through his chest. Closing his eyes tightly like he was force away the shame he felt.
"Shit.."
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the-fiction-witch · 5 months ago
Text
Orland & Opheila P3
Media - House Of The Dragon Character - Aegon Targaryen Couple - Aegon X Reader Reader - Shela (Fleabottom Smallfolk Girl) Rating - Spooky Word Count - 1193
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Aegon's face turned pale as he caught sight of his brother, Aemond, pressing a blade perilously close to Shela's neck, and panic quickly overcame him. His heart raced as he grappled with the overwhelming fear of seeing her in such grave danger. In that moment, he longed to gather the children into his arms and shield them from his brother's threat, yet he understood the importance of keeping them concealed.
"I was hoping you'd disappeared," Aemon smirked his tone pointed and cruel, 
"Why are you here?" Aegon asked, 
"Mother sent me to find you,"
"Must you always obey her every whim,"
"On this occasion, yes."
"Why?" 
"She sent me to find you, here I am,"
"Yes I understand that, why did she want you to find me? None of you have much a care for my comings and goings normally," 
"Father is dead," he said,
"Wh-what?" Aegon stuttered, 
"Father is dead." Aemon said once more, "So Mother wants you home"
"Is our father truly dead?"
"Yes. And they're going to make you king." 
"I do not wish to rule, I have to taste for duty."
"You'll get no arguments from me,"
"Then let me go. Say you couldn't find me. I will find a ship and I shall leave you will never hear from me again,"
"How I wish it could be that simple,"
"It can be. You have my word I will leave on the first ship to the east and you will never hear a word from me so long as I live. You will be king."
Aemond stopped a moment his eye glaring into Aegon's with a dark mistrust,
"I swear to you. I will. Just please... let her go. and leave us be."
"Mama!" Ophelia cried in panic having peaked out from under the bed, 
"It's okay sweetheart," Aegon spoke trying to calm her, "It'll be okay."
"Bring them out," Aemond demanded,
"No," Aegon answered,
"Bring. Them. Out." Aemon commanded tightening his grip on the tearful Shela, 
"Orland, Ophelia. Come here my darlings, come to daddy." Aegon spoke fearfully, 
Aegon watched as the twins cautiously emerged, inch by inch, from under the bed. He could see the fear in their eyes as they clutched onto his legs for security. Gently, he reached down and stroked their heads, soothing their anxieties as best as he could. Despite their trembling, Aegon was determined to keep them close, ensuring their safety and enveloping them with his love and protection.
"Please Please-" Shela begged,
But Aemond tightened his grip, "Not a word. Or I gut them both."
"No! Aemond please!" Aegon begged, "Don't hurt her. Or them. your issue is with me not with them." Aegon said,
"Fine," Aemond allowed Shela to go, tossing her to the floor with a dismissive gesture. The children, startled by the commotion, quickly rushed to her side. As they reached her, she enveloped them in a tight embrace, wiping their tears offering a sense of comfort and security. Sensing the urgency of the situation, Aegon instinctively positioned himself protectively in front of all three of them, ready to shield them from any potential harm. "You are coming with me to the castle, and to our mother." 
"No. I am not." Aegon commanded, "I am handing you the throne, and the crown on a silver platter. Take it. I don't want it and I shall never bother you again so long as you take it a go," 
"You are father's heir."
"Rhaenyra is father's Heir!" 
"You are father's first male heir. We both know the people won't accept Rhaenyra," 
"I don't care, I don't want the crown. I will not fight with her over something I don't want!" He said, "I am giving it to you!"
"... Even so, I would only be king until your son Jaehaerys came of age." 
"Not if I am not crowned,"
"Even so."
"...Then are we to speak plainly?"
"Of what?"
"Of Jaehaerys," 
"what about him?"
Aegon sighed and glared at his brother, "He is no son of mine," 
"How can you be so sure?"
"I know." Aegon answered, "I shared Helaena's bed once. The night of our wedding, for the bedding ceremony and to uphold my duty to her. But I have not shared her bed since." Aegon explained, "I know those children are not mine, so... let us speak plainly, if you take the throne and admit that they are your children, you will rule with them as your heirs."
"And you?"
"And I will leave, go east with... with my family you will not hear a single word from me I promise you," 
"why would I trust you?"
"I swear to you. On my life."
"I don't care about your life," 
"... On them. On my children. I love them with all my heart, I want to be a better man for them I want to be a father they will love and I want to cherish them. I do not want to cast them away as bastards born of a smallfolk girl, never to see their father, to forever look over their shoulders fearful of their fates for what they are." Aegon explained, his body trembling as he spoke, "I want to marry her, I want my children to be loved and kept close to me always. This is what I want not the crown so by all means bother take it, take it and do as you wish just let us go."
"You will leave the city. Tonight."
"I will I swear it." 
"If I hear you are in kings landing from dawn, I will remove your head, and hers, and theirs," Aemond warned,
"I know," Aegon nodded,
Aemond gave a solemn nod, the weight of his actions heavy upon him. He found himself contemplating if he truly desired this path, but deep down, he was unwavering in his decision. "Goodbye Aegon."
"Goodbye Brother." Aegon nodded, 
Aegon stood near the foot of the stairs, his gaze following his brother's every step as he ascended. With each passing moment, it felt as if an insurmountable distance was growing between them, deepening the ache in Aegon's heart. He couldn't shake the sense of finality, a resolute knowing that he would never lay eyes on his brother again. The thought was a heavy weight on his chest, threatening to consume him. Yet, as he turned away, it was Shela's embrace around Orland and Ophelia that provided him with a bittersweet reassurance. In that moment, he found solace in the belief that he had made the right choice, despite the pain it brought.
He fell to his knees and held Shela in his arms kissing her lips softly but the kiss full of love, when he pulled back he wiped her panicked tears and wrapped his arms around Orland and Ophelia giving both as many kisses as he could manage, 
"What.. are we to do Daddy?" Orland asked, 
Shela gazed at him, her eyes widening as a look of unease washed over her.
"...Pack all your toys little ones, we're going for a ride on daddy's dragon," He told them, 
The children were so eager to pack their toys that they didn't require any additional reminders. They meticulously gathered each and every toy, ensuring that nothing would be left behind.
"Shela we-"
"I know," she stopped him, "Pack their things, get them ready. And we shall leave... together."
"Together," He nodded giving her another kiss, 
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casurlaub · 6 months ago
Text
Why Wolfstar makes sense canonically
Call me delusional but welcome to my TED talk
Most of this has been said repeatedly by others over the years. I don't mean to steal anybody's credit, so if you feel like I have, please reach out.
This is me 'defending' Wolfstar, I'm not hating on another ship here and I won't engage in a discussion about which ship makes more sense. I'm just trying to elaborate why I can 'see' Wolfstar - even from a canon perspective.
I'm trying (and hoping to succeed) to be respectful and I'm not attacking a specific person here. This is just a general post with all my thoughts on the matter and all the arguments I've heard against it.
Brace yourself because this is going to get really really long, and there'll be a lot of quotes from the original source material.
The original source material
I feel that many people who claim the ship doesn't make sense fail to see that we're in this fandom because it did make sense to us after reading the books. The fandom exists, because many people saw it. Because it's possible to see it. It's not the other way around.
The thing with Wolfstar is, that it's all in the 'show not tell' which I suppose makes it 'easy' to overlook. Obviously it is, with the author not intending the ship - I'm not saying wolfstar is canon, but it makes a lot of sense with what we have in canon.
Their nonverbal communication
They have a lot of nonverbal communication going on, which shows a great level of understanding for one another. But they're not only able to read one another, they're actively (and both of them) communicating via eye contact - a lot. They're searching for the other person's eyes and are passing along 'thoughts', are reaching silent understandings just like that. That hints at a great emotional connection.
Let's do that 'chronologically':
It doesn't take more than a single look from Sirius to convince Remus that he is innocent. At this point Remus doesn't know shit about what really happened. He admits so himself later on, he keeps asking Sirius questions later on. And yet again he's so ready to believe Sirius,
Professor Lupin came hurtling into the room, his face bloodless, his wand raised an ready. His eyes flickered over Ron, lying on the floor, over Hermione, cowering next to the door, to Harry, standing there with his wand covering Black, and then to Black himself, crumpled and bleeding at Harry's feet. 'Expelliarmus!' Lupin shouted. [...] Lupin caught them all defty then moved into the room, staring at Black, who still had Crookshanks lying protectively across his chest. [...] Then Lupin spoke, in an odd voice, a voice that shook with some suppressed emotion. 'Where is he, Sirius?' [...] Black's face was quite expressionless. For a few seconds, he didn't move at all. Then, very slowly, he raised his empty hand, and pointed straight at Ron. 'But then… Lupin muttered, staring at Black so intently it seemed he was trying to read his mind. “'Why hasn’t he shown himself before now? Unless...-' Lupin's eyes suddenly widened, as though he was seeing something beyond Black, something none of the rest could see, '-unless he was the one… unless you switched… without telling me?' Very slowly, his sunken gaze never leaving Lupin’s face, Black nodded.  [...] Lupin lowered his wand. Next moment, he had walked to Black's side, seized his hand, pulled hm to his feet so that Crookshanks fell to the floor, and embraced Black like a brother.
And then he says, still without having received any explanation, just like that,
'I haven't been Sirius' friend for twelve years, but I am now... let me explain...'
They are so in synch with their actions without even having to talk about it; they're forming a united front (I'm getting to that later on), they're again reaching a silent understanding just by looking at one another (again),
Both Black and Lupin strode forwards, seized Pettigrew's shoulders and threw him backwards onto the floor. [...] Black and Lupin stood shoulder to shoulder, wands raised. [...] Black and Lupin both looked staggered. [...] Black and Lupin were looking at each other. Then, with one movement, they lowered their wands.
I think it's also important to note that they do not just look, but look to check for each other's opinion on the matter. Harry asks them not to murder Peter and of course they listen to him, but they first look at each other as if checking to be on the same page. So - they've just reunited after over twelve years and immediately take the other person into consideration (I'm getting to that later on).
Then in OotP there's the famous fourty line stare where Remus is just intently staring at Sirius while he and Molly are arguing, as opposed to the others who are watching the conversation (who does that?),
'Lupin, who had been about to take a sip of whine, lowered his goblet slowly, looking wary' [...] Lupin's eyes were fixed on Sirius. [fourty lines of back and forth between Molly and Sirius] 'Personally,' said Lupin quietly, looking away from Sirius at last.
And it's not just Remus doing it. It's mutual. They act like a unit (again, getting to that). They care for each other's opinion and they do know each other so well that a single fleeting look is enough for them to check in with the other,
He [Harry] thought he saw Sirius and Lupin exchange the most fleeting of looks before Sirius answered [...]
And again when Harry contacts them via floo to discuss Snape's Worst Memory, they do it again,
They exchanged a look of great surprise [...] Lupin glanced sideways at Sirius, then said, [...]
They communicate via touch, too:
Black's wand arm rose, but Lupin seized him around the wrist, gave him a warning look, then turned again to Pettigrew, his voice light and casual [...]
So - Remus does not only convince headstrong Sirius to back down nonverbally just by looking and touching him, no I think it's also important to note that Remus, who isn't a 'touch person' (he's awkward when comforting Molly, he (as far as I recall) never hugs Harry, always just shakes hands), doesn't even seem to think twice about touching Sirius. No, he immediately pulls him into a hug, then is restraining him physically when he tries to launch at Scabbers, then continues to communicate via looks and touch. After twelve years of separation he's immediately comfortable enough to initiate it.
They're super in synch - also with how they say things
It carries through the whole of OotP, really. Sirius says something just for Remus to say something immediately afterwards or the other way around. When they're together in a scene, the vibe is always them carrying the conversation together, one adding to the other's thoughts.
It already starts in PoA,
'They didn't say what they thought they saw !' said Black savagely [...]. 'Everyone thought Sirius killed Peter,', said Lupin nodding.
But in OotP it's taken to whole new levels. It's too much to put here, but in that conversation where they tell Harry about the Order it's basically:
said Sirius / said Lupin /said Sirius /said Lupin... throughout the whole scene. One of them says something and the other one adds. And again. And again. And again.
And it happens again (though not to that extent) before Harry's Ministry hearing. In the Boggart scene. And then again when they discuss 'Snape's Worst Memory'.
They're also portrayed as being close to one another (distance-wise) repeatedly throughout OotP.
Like when Remus is there chances are Sirius isn't far. That doesn't have to mean anything of course but the frequency puts out a certain vibe to me,
'I said - shut - UP!', roared the man [Sirius] and with a stupendous effort he and Lupin managed to force the curtains closed again
Honestly, I think it's kind of funny that even when there're a number of people the two of them are always mentioned right after one another. Before Harry's ministry hearing, at Ron and Hermione's party, when Mrs Weasley is battling the Boggart, in the Department of Mysteries,
He pushed it open and saw Mr and Mrs Weasley, Sirius, Lupin and Tonks sitting at [...] Sirius, Lupin, Tonks and Kingsley Shacklebolt were already there Lupin had come running into the room, closely followed by Sirius [...] [...] and five more people sprinted into the room: Sirius, Lupin, Moody, Tonks and Kingsley.
And then when Harry floos to see Sirius after he has seen 'Snape's Worst Memory' Remus is there again-, casually sitting at the table and reading and Harry mistakes him for Sirius even (because he's looking so at home?). But Remus immediately knows where to fetch Sirius and comes back with him quickly after. That just has such a domestic vibe to me.
[...] long wooden table where a man sat poring over a piece of parchment. [...] 'Sirius'? [...] It was not Sirius, it was Lupin. [...] 'I'll call him,' said Lupin. [...] And Harry saw Lupin hurry out of the kitchen. [...] Lupin returned with Sirius at his heels moments after.
Remus and his relationship to his friends
Remus mentions Sirius first when he speaks about his friends, although in every other occasion it's always James who's mentioned first. He always says 'James and Sirius'/'your father and Sirius'; it's always James first, Sirius second, but when he's talking about him finding friends for the first time in his life, it's suddenly Sirius first,
'I had friends, three great friend. Sirius Black... Peter Pettigrew... and, of course, your father, Harry - James Potter.'
I don't think that necessarily means anything though, but I felt like adding it just for the sake of it... (I know the author stated James supported Remus after Hogwarts, not Sirius, implying they were (always) closer, but - and that's just my general personal approach - I don't care much for what she said in any Interviews/on pottermore/wizardingworld.com or whatever. She's contradicting herself so often there (see below). To me it's always books first and the books show that Remus and Sirius are close as adults whereas we don't have much information about Remus/James).
Then Remus is very obviously operating on double standards when it comes to Sirius as opposed to Peter. In his conversation with Harry it's insinuated that he doesn't want Sirius, who he believes to have betrayed Lily and James and killed Peter and twelve others, to receive the Dementor's kiss.
'He deserves it,' he [Harry] said suddenly. 'You think so?' said Lupin lightly. 'Do you really think anyone deserves that?
Yet later when he learns the truth he has no qualms whatsoever about killing Peter. He doesn't stop Sirius, he doesn't hesitate, he's joinng in. Why's this so different suddenly? Selling away your friends lives and framing your other friend (Peter) isn't worse than selling away your friends' lives and killing your other friend (allegedly Sirius), is it? So if their 'alleged' crimes are comparable, why is Remus acting different about Peter's than he is about Sirius's?
'Shall we kill him together?' 'Yes, I think s,' said Lupin grimly.
It's not about him thinking the Dementor's kiss was worse than death either. Because he as no qualms to bring Peter to the Dementors when Harry stops them from murdering him. So... why the double standards again?
Sirius/Remus also so do 'relationship behaviour'. I mean the whole nonverbal communication already, but also,
'Sirius, sit down.' [...] Sirius sank slowly back into his chair, his face white.
Remus gets Sirius even after over twelve years of being separated. Sirius is impatient in PoA, because he - finally - wants to take revenge on Peter. Remus not only sees that but tries to stop him. To me it reads as if he knows that Harry's opinion is important to Sirius, will be, once he sees clearly again and that he doesn't want him to destroy his chances with Harry by acting too impulsive. Because his intervention isn't rooted in his concern for Peter's life obviously, because he's ready to kill Peter once they explained everything,
'[...] I think Molly's right, Sirius. We've said enough.' Sirius half-shrugged, but did not argue. 'I'm coming up there to have a word with Snape!' said Sirius forcefully, and he actually made to stand up, but Lupin wrenched him back down again. 'If anyone's going to tell Snape it will be me!' he said firmly
Sirius doesn't exactly react well to being emasculated (and that's an understatement). He doesn't react well when Harry doesn't want him to come ro Hogsmeade as Padfoot - he lashes out and answers with a low-blow ('You're less like your father than I thought '). And yes, that's in OotP where his mental health isn't the best. But the rest of those scenes also happen in OotP. And he lets Remus call the shots, lets Remus stop him, in front of all the others. Remus is giving him a direct order like he is a f**** dog (not going deeper into this because I *hate* all those pup/pet play fics) and Sirius does not only not fight back, he complies. I'm not saying he respects/likes Remus more than Harry, I'm just using this example to point out that, considering Sirius's character it's a really big deal.
Remus understands Sirius and is looking out for him
'Sirius, NO!, Lupin yelled, launching himself forwards and dragging Black away from Ron again. “WAIT! You can’t do it just like that - they need to understand - we’ve got to explain -“ 'We can explain afterwards!,' snarled Black, trying to throw Lupin off, one hand still clawing the air as the tried to reach Scabbers, who was squealing like a piglet, scratching Ron’s face and neck as he tried to escape.  'They’ve - got - a - right - to - know - everything!,' Lupin panted, still trying to restrain Black. 'Ron’s kept him as a pet! There are parts of it even I don’t understand! And Harry - you owe Harry the truth'
And then again he's stepping in when Sirius is not doing himself any favor with Harry (again),
'And why did he fake this death?' he [Harry] said furiously. 'Because he knew you were about to kill him like you killed my parents.' 'No', said Lupin. 'Harry-' 'And now you've come to finish him off!' 'Yes, I have,' said Black, with an evil look at Scabbers. 'Then I should've let Snape take you!' Harry shouted. 'Harry,', said Lupin hurriedly, 'don't you see? All this time we've thought Sirius betrayed your parents, and Peter tracked him down - but it was the other way around, don't you see? Peter betrayed your mother and father - Sirius tracked Peter down-'
And then Remus is stepping in - again - when it's getting too much for Sirius,
'Harry... I as good as killed them', he [Sirius] croaked. 'I persuaded Lily and James to change to Peter at the last moment [...] I was scared. I set out for your parents' house straight away. And when I saw their house, destroyed and their bodies - I realized what Peter must'v done. What I'd done.' His voice broke. He turned away 'Enough of this,' said Lupin, and there was a steely note in his voice Harry had never heard before.
And in this scene in OotP he's also looking out for him,
'I'm coming up there to have a word with Snape!' said Sirius forcefully, and he actually made to stand up, but Lupin wrenched him back down again. 'If anyone's going to tell Snape it will be me!' he said firmly
They're forming a united front - not once, but it's a recurring motive.
Both are ready to handle the whole Peter thing together. They haven't seen each other for over twelve years, they didn't part on good terms and still they're immediately including the other. Even Sirius who's (in this situation) either failing to see how his behavior isn't doing him any good with building a relationshio with Harry or is incapable of stopping himself, is including Remus,
'Ready, Sirius' said Lupin [...] 'Together?' he [Sirius] said quietly. ‘I think so', said Lupin [...]
And then again, they're ready to kill him together, too,
'Of course,' said Black, and the ghost of a grin flitted across his gaunt face. He, too, began rolling up his sleeves. 'Shall we kill him together?' 'Yes, I think so,' said Lupin grimly.
And also non-verbally they're an united front (see above),
Both Black and Lupin strode forwards, seized Pettigrew's shoulders and threw him backwards onto the floor. [...] Black and Lupin stood shoulder to shoulder, wands raised. [...] Black and Lupin both looked staggered. [...] Black and Lupin were looking at each other. Then, with one movement, they lowered their wands.
Then they're portrayed as 'shoulder to shoulder' (figuratively speaking) in other situations as well. Remus is taking Sirius's side in the argument with Molly although he has no business doing so, although he usually prefers to stay in the background. He's usually keeping quiet, usually not speaking up - Molly even thinks she's getting an ally when he joins the conversation,
'Personally,' said Lupin quietly, looking away from Sirius at last, as Mrs Weasley turned quickly to him, hopeful that finally she was about to get an ally. 'I think it better that Harry gets the facts - not all the facts, Molly, but the general picture - from us, rather than a garbled version from ... others.' [...] 'Molly you're not the only person at this table who cares about Harry', said Lupin sharply.
Remus is always taking Sirius's Side - he keeps making excuses for James and Sirius's behavior at Hogwarts, he keeps playing it down - even as an adult. He's damn biased, he doesn't move an inch - as long as they're in public at least,
'Sirius thought it would be - er - amusing, to tell Snape all he had to do was prod the knot on the tree-trunk with a long stick and he’d be able to get in after me.'
'a schoolboy grudge' [Remus to Snape]
Lupin looked sideways at Sirius, then aid, 'Look, Harry, what you've got to understand is that your father and Sirius were the best in the school at whatever they did - everyone thought they were the height of cool - if they sometimes got a bit carried away-' 'If we were sometimes arrogant little berks, you mean',, said Sirius. Lupin smiled.
And I think it's important to point out that Remus does this even though it's not his real stance on the matter,
'[...] it would be - er - amusing, to tell Snape [...]' 'We were in the same year, you know and we - er - didn’t like each other very much. He especially disliked James. Jealous, I think, of James’s talent on the Quidditch pitch…'
The 'er' and 'I think' is a speech pattern of his that indicates he's not being completely honest/doesn't truly believe what he says. ('So he - er - accidentally let slip that I am a werewolf this morning at breakfast.' / 'Er - perhaps it will be best if we don’t revive him until we’re safely back in the castle.). He doesn't truly think they were as harmless as he's portraying it ('Did I ever have the guts to tell you I thought you were ought of order?').
So - united front on the outside, no matter what. But it's insinuated that behind closed doors Remus is taking a different stance. He's blaming himself for not stepping in with the whole Snape thing, because that's just who he is - blaming himself for everything (sometimes rightfully so, sometimes not) While I do think he didn't say anything outwardly, there must have been something that made it clear to the others that Remus didn't approve of their behavior,
'Of course he was a bit of an idiot,' said Sirius bracingly, 'we were all idiots! Well - Moony not so much', he said fairly, looking at Lupin.  But Remus shook his head. 'Did I ever tell you to lay off Snape?”' he said. 'Did I ever have the guts to tell you I thought you were out of order?'  'Yeah, well', said Sirius, 'you made us feel ashamed of ourselves sometimes… that was something….' 
Remus is suddenly living at Grimmauld Place
So at the end of GoF Remus obviously has his own place (or is living with his father again, although he didn't want to because he didn't want to disturb his quiet life according to the author? But then again I don't care what she said on Pottermore).
'Sirius, I need you to set off at once. You are to alert Remus Lupin, Arabella Figg, Mundungus Fletcher —the old crowd. Lie low at Lupin's for a while, I will contact you there.'
So that's at the end of June. And then at the beginning of August when Harry arrives in London, just six weeks later, he's living at Grimmauldplace already, and not only at Grimmauld Place, he's living with Sirius
Lupin, who was staying at the house with Sirius but who left it for long periods to do mysterious work for the Order [...]
And then rhey give away joint Christmas presents,
Sirius and Lupin had given Harry a set of excellent books entitled Practical Defensive Magic and its Use Against the Dark Arts, which had superb, moving colour illustrations of all the counter-jinxes and hexes it described.
They act differently with / because of one another
Sometimes they even defy their core character traits.
Remus's primal drive in everything he does is to be liked/fit in/be seen as good by others (and not as the monster he sees himself as deep down). He's even sometimes manipulative and hypocritical because of it. For example he doesn't tell Dumbledore about Sirius's animagus form because of it (or at least it's part of the reason, or he believes it to be). But when Snape enters the Shrieking Shack he doesn't care about himself getting into trouble for - allegedly - helping a supposed mass murderer break into the castle and everything. Even though he stated before that he didn't tell Dumbledore about Sirius for fear of losing his respect, all he cares about suddenly is Sirius's safety:
'Severus, you're making a mistake,' said Lupin urgently. 'You haven't heard everything - I can explain - Sirius is not here to kill Harry-' [...] 'You fool,' said Lupin softly. 'Is a schoolboy grudge worth putting an innocent man back inside Azkaban.'
Also Remus is able to get through to Sirius even in a state of utmost agitation. Sirius is trying to murder Peter and Remus stops him and Sirius listens, even though his goal is finally in reach. Although, up to that point, he didn't exactly act very sensible (slashing the Fat Lady, breaking into Harry's dorm with a knife),
'All right then,' Black said, without taking his eyes off the rat. “Tell them whatever you like. But make it quick, Remus. I want to commit the murder I was imprisoned for…' 
And he continues to listen to Remus, Remus continues to be able to get through to him even when he's getting emotional. And Remus, who's always trying to appear mild (for fear of being perceived as aggressive which he can not afford because of the werewolf-thing), who even spoke quietly before in that very same conversation, is losing parts of his composure when Sirius is attacked,
“Molly, you’re not the only person at this table who cares about Harry”, said Lupin sharply. “Sirius, sit down.” Molly’s lower lip was trembling. Sirius sank slowly back into his chair, his face white.
Remus is letting loose around him (and the other marauders). He quips,
'Did you like question ten, Moony?' asked Sirius  as they emerged to the Entrance Hall. 'Loved it,' said Lupin briskly. 'Give five signs that identify the werewolf. Excellent question.'  'D’you think you managed to get all the signs?,' said James in tones of mock concern.  'Think I did,' said Lupin seriously, as they joined the crowd thronging around the front doors eager to get out into the sunlit grounds. 'One: he’s sitting on my chair. Two: he’s wearing my clothes. Three: his name’s Remus Lupin.'
'Well, as everyone thinks I’m a mad mass-murderer and the Ministry’s put a ten thousand Galleon price on my head, I can hardly stroll up the street and start handing out leaflets, can I?,' said Sirius restlessly.  'And I’m not a very popular dinner guest with most of the community,' said Lupin. “It’s an occupational hazard of being a werewolf.' 
[As @remusawoooo put it: let's form a comedy duo <3]
And Remus is obviously very comfortable with Sirius. He's always restraining himself, Harry narrates his way of speaking as 'mild' or 'quiet' so many times, but apparently he's different when he's alone with Sirius. That hints at a great level of trust. He doesn't bother to keep up his act around him, because he doesn't worry about being perceived as mild with him and just speaks his truth ( e.g. about Umbridge). He can just be and oh boy, thinking about Remus's character that has to be the greatest fucking deal ever.
'I know she's a nasty piece of work, though - you should hear Remus talk about her.'
And then Remus, who is so good at appearing restrained, is losing his composure when Sirius dies,
'He can’t come back, Harry,' said Lupin, his voice breaking as he struggled to contain Harry. 'He can’t come back, because he’s d-' [...] Lupin's face was pale. [...] Lupin turned away from the archway as he spoke. It sounded as if every word were causing him pain.
In this moment Harry himself is in huge (emotional) pain, but he still notices - must've been rather obvious, then?
Edit (because it's been pointed out to me): and then Remus goes into self-destruction mode after Sirius's death, signing off for dangerous Order missions, obviously falling into some sort of depression..
Their mutual respect for one another
So, I've read how Sirius wouldn't/couldn't possibly respect Remus / see him as an equal. How they wouldn't fully 'trust' one another. No matter if you 'see' Wolfstar or not, that is just plain wrong.
Sirius respected Remus already as a teenager. He (and James, too), cared for his opinion, otherwise they wouldn't have been affected by whatever he thought about their bullying. But they were ('you made us feel ashamed of ourselves sometimes').
The whole Sirius thinking Remus was the spy thing also shows that he respected him. He saw him as capable - not just as capable of betraying his friends, but also as a capable person in general, a person with an own agenda, not just a copy of him or James. He didn't see Peter like that.
Sirius lets Remus take the lead in the scene in the Shrieking Shack even though the whole taking revenge on Peter/avenging James (James!) thing is most important to him. He does not only let himself be swayed by Remus and lowers his wand instead of killing Peter right after they forced him to transform, he also let's Remus lead the conversation. To me that shows a huge level of trust. He only joins in after Peter accused him of having learned tricks from Voldemort. But before that it's just Remus talking for some paragraphs?
And Sirius listens to Remus not only in that scene, but also in OotP. First he sits down again in his argument with Molly simply because Remus told him so. Then he's waiting for Remus to come back to the room before he even starts telling Harry about the Order business.
Lupin hurried of to the portrait to restore calm. It was only after he had returned, closing the kitchen door behind him and taking hs seat at the table again, that Sirius spoke.
Then he just accepts when Remus says they've said enough without arguing,
'[...] I think Molly's right, Sirius. We've said enough.' Sirius half-shrugged, but did not argue.
Headstrong Sirius, who's even challenging Dumbledore's orders by insisting on telling Harry stuff, who's challenging Dumbledore's orders by accompanying Harry to King's Cross (as Padfoot), who's willing to challenge Dumbledore's orders when he suggests meeting up at Hogsmeade (as Padfoot). But Remus says we've said enough and he is just like 'okay'. Remus says 'sit down' and despite him having been attacked personally he just does. He clearly respects him a great deal.
On a more subtle note (and maybe I'm reading too much into the source material here, but it makes sense to me)... The Prank was not a big deal in canon. At least not initially. But adult Remus tells us in PoA,
'That was still really dangerous! Running around in the dark with a werewolf! What if you’d given the others the slip and bitten somebody?' [Hermione] 'A thought that still haunts me,' said Remus heavily. 'And there were near misses, many of them. We laughed about them afterwards. We were young, thoughtless - carried away with our own cleverness. I sometimes felt guilty about betraying Dumbledore’s trust, of course… he had admitted me to Hogwarts when no other headmaster would have done so and he had no idea I was breaking the riles he had set down for my own and others’ safety.[...]'
And he's still making excuses for the prank in this scene and Sirius still says how, 'it served him [Snape] right'
But then in OotP when they discuss Snape's Worst Memory with Harry, Sirius obviously has some introspection and to me it easily reads as if they had talked about that behavior - as adults,
'I'm not proud of it,' said Sirius quickly. Lupin looked sideways at Sirius, then said, 'Look, Harry [...] if they sometimes got a bit carried away-' 'If we were sometimes arrogant little berks you mean,' said Sirius. Lupin smiled.
He cuts him off and to me it reads like, 'okay Remus, you can stop making excuses for me'. Maybe adult Sirius came to that conclusion himself with being out of Azkaban for almost two years at this point. He's certainly emotionally intelligent enough to do so. But then again, he's incredibly blind when it comes to Snape in general, even as an adult, so I'm not so sure about that.
Other things
Sirius was lounging in his chair at his ease, tilting it back on two legs. He was very good-looking, his dark hair fell into his eyes with a sort of casual elegance neither James's nor Harry's could ever have achieved, and a girl sitting behind him was eyeing him hopefully, though he didn't seem to have noticed. And two seats along from this girl - Harry's stomach gave another pleasurable squirm - was Remus lupin.
I personally think that's over-interpreting the source material, but I've read someone pointing out how it reads like,
'Hormonal male teen doesn't care for the attention of a teenage girl, why could that be, why could that be... oh, here's why: ...'
(let's not forget about asexual people though)
The Original source material getting ridiculously obvious without the author intending so
Okay, so I personally don't set great store by this, but I think it's funny:
Their names being the biggest cliche ever
Remus 'Moony' Lupin and Sirius ' the Dog Star' Black. Moon and stars, come on. All this from an author who's taking the name game to ridiculous levels. (I mean Remus Lupin = Wolf-son Wolf?, even Lyall = Wolf. And Sirius = the Dog Star Black. And he's a black dog.... really?)
Nearly matching Patroni
They have (supposedly) nearly matching Patroni. Remus's is a wolf while Sirius's is supposedly a dog because it usually aligns with the caster's Animagus form. Anyhow, it's supposed to reflect the caster's personality. Matching Patroni are a huge deal in HP. And a wolf and a dog are pretty damn close, meaning that even if they're not 'matching' technically speaking, they (the caster) are pretty damn close character-wise?
But what about...?
All your 'proof' doesn't necessarily mean they're a thing romantically
No, that's right. I'm not saying wolfstar is canon, I'm just saying it makes sense, even from a canon perspective. Obviously the author didn't intend them to be canon. My point is that it's no stretch to read them as being a thing (whatever that means - being together or just having some sort of unresolved feelings) even in canon.
I'm aware that the things I pointed out don't mean much if you look at them individually. I agree. Like, of course joint presents don't have to mean anything, maybe Sirius is just being 'nice', is including Remus. But it's the sum that give off that vibe—at least to me.
But hey, I'm not trying to convince anyone of Wolfstar; I'm just trying to elaborate. I'd be happy if we could all agree that, no matter any romantic feelings, they were very close friends. Because that, as I hope to have pointed out, is definitely canon.
They don't make sense because of the prank
First - they don't have necessarily to have been a thing back in fifth year already.
Second - the prank was no big deal in canon. I've already ranted about this in another post, so I won't repeat myself here. But canonically Remus didn't make a scene. Like it or not, think it's in character or not, but he didn't.
But Sirius disregards Remus's feelings in 'Snape's worst memory
So this is, what we're talking about, right,
'I’m bored,' said Sirius. 'Wish it was full moon.'  'You might', said Lupin darkly.
Again, they don't have to have necessarily been a thing back in fifth year already. Most of the 'show' we get from the original source material is from when they're adults.
And: Sirius being flippant is just how he is, it's not unique to his relationship with Remus, it doesn't mean he disrespects Remus or anything. He's sarcastic with James in that very same scene, too, even though James had just been insulted and turned down by Lily in front of numerous bystanders (maybe not the nicest thing to do?).
'Bad luck, Prongs' [...] 'Reading between the lines I'd say she thinks you're a bit conceited, mate.'
We - as a fandom - are turning the full moons into a much bigger deal than they were - or at least than Remus wanted them to be. ('And they didn’t desert me at all. Instead they did something for me that would make my transformations not only bearable, but the best times of my life. They became Animagi.')
But Sirius thought Remus was the spy - they couldn't have been close in 1981
'Being close' is a matter of definition, like, I can be super hurt and disgusted by someone's behaviour and still the person can mean a lot to me. So I think it's possible that they cared for each other even though Sirius suspected Remus to be the spy. But in the sense of them 'emotionally getting' each other I definitely agree. But - even if they weren't close in 1981 - what does that say about their teenage years? Or about them past PoA? Right, nothing.
But Lily's letter didn't even mention Remus and Remus isn't standing with them in the Order photograph
See above.
But you don't just move past something like mistrusting each other so deeply
Maybe you don't. They did. Because they did, no matter what you think about wolfstar. Btw, Sirius is asking for Remus's forgiveness, so there's that for the whole 'he can't forgive him for not having him gotten out of Azkaban'-thing.
'Forgive me Remus', said Black. 'Not at all, Padfoot, old friend,' said Lupin, who was now rolling up his sleeves. 'And will you, in turn, forgive me for believing you were the spy?' 'Of course,' said Black, and the ghost of a grin flitted across his gaunt face.
The ghost of a grin. Yes, Sirius is obviously very resentful.
And even if they had a chat about it during 'Lie low at Lupin's', even if they worked through some old baggage - by the beginning of OotP they're definitely super casual with one another.
Their whole dynamic is super toxic... The mistrust and everything. That's not a healthy basis for anything
Unfortunately, being toxic doesn't stop people from being in a relationship. But I don't think they are toxic, not necessarily. While I agree that they definitely have issues (I don't see either of them being good at healthy communication; how were they supposed to learn? Besides, both of them have problematic character traits), I do think, in general, they treat each other with respect. And there's no evidence whatsoever for either of them holding grudges about the spy situation. I know people want Sirius to be resentful because they feel Remus deserves it for letting him 'rot' in Azkaban, but there's no evidence for that.
But Sirius didn't seek out Remus's help in PoA when he was after Peter
That would have been risky, wouldn't it? And I don't think there was much on Sirius's mind except for the revenge thing. Sirius is usually quite calm and way less dramatic than fanon makes him out to be. But he loses it completely with the whole Peter affair. I mean slashing the Fat Lady and acting like the mad mass murderer everyone thinks him to be by breaking into Harry's dorm with that knife? (Stupid and also super risky with no wand)
But Sirius isn't with Remus in GoF but rather lives in a cave
Yes, to be close to Harry. Because Harry is his top priority (see below). So what does that prove? He's rather with Harry than with Remus. Agreed. But it's not like he was roaming the UK instead of being at Remus's before. He was somewhere south, far far away to evade seizure. He only comes back because of Harry.
It's understandable, because he feels responsible for Harry (and perhaps guilty because he blames himself for James's death). He doesn't feel responsible for Remus, who is a grown man - and Remus's safety isn't at stake. His own safety is more important than just being with his friend/lover/whatever, but it's not more important than Harry's safety. I think that's a pretty healthy dynamic actually.
Harry doesn't notice so they can't be a thing
Harry is great at noticing some things. Others, not so much. For example Harry thinks Tonks is in love with Sirius, so so much for Harry's perceptiveness. The books being from Harry's perspective is part of the point of Wolfstar making sense.
What about James?
What about James? Is this a contest? No one says Sirius and James weren't best friends (I won't step into the shipping James/Sirius debate here, I respect the ship eve though it isn't my cup of tea). We all agree they were super close. We all agree they were inseparable and that Sirius was devastated about James's death. Following this line of argument Jily makes no sense either (as @myheadsgonenumb pointed out). People are capable of loving their partners (or loving someone unrequitedly or loving someone without realizing) and having a close best friend at the same time.
Plus, who's to say he wouldn't have been devastated if Remus had died, too? People have the ability to care deeply about more than one person (and again, it's not a contest)
BANG! Thin, snake-like cords burst from the end of Snape’s wand and twisted themselves around Lupin’s mouth, wrists and ankles; he overbalanced and fell to the floor, unable to move. With a roar of rage, Sirius started toward Snape, [...]
Yes, Sirius is obviously completely indifferent to what happens to Remus.
BUT it does annoy me that a lot of wolfstar fics are erasing James / are turning Remus into everything James was for Sirius. Like James was just a side character for.Sirius. That's unrealistic. Sirius needs James, Wolfstar or not.
But it's stated Sirius and James only cared for each others opinions, no one else's
Is it really? I've basically already tackled that one above, but, while I agree that they were most important to one another, Sirius himself says to Remus, 'Yeah, well. You made us feel ashamed of ourselves sometimes… that was something….'
What about Harry - the books state he was the most important person to Sirius (and vice versa), not Remus?
Agreed and again - is it a contest? That line of reasoning would mean that parents aren't capable of loving their partners because they have children.
But Sirius wouldn't be with someone who let Harry suffer at his aunt's / who allegedly endangered Harry's life in PoA by withholding information from Dumbledore...
He wouldn't? The backbone of this argument is that Sirius would not trust/forgive someone who did these things. And wether you ship wolfstar or not, that is just canonically wrong. They were canonically close in OotP (see quotes above) - if you're negating this you're being delusional.
I don't think I have to deep-dive into Sirius's character here because it's obvious that he didn't hold a grudge against Remus.
Remus is too much of a loser for Sirius to want him as a partner
I feel like that's pretty much the same argument, so it get's pretty much the same answer: He wouldn't?
The backbone of this argument is that Sirius was too cool for Remus, had not enough respect for Remus, which is, canonically simply not true. No matter if you like it, no matter if you think it makes sense considering Sirius's character, it's fact that adult Sirius respected him very much. He listened to him, he cared for his opinion, he backed down because of him, he allowed Remus to take the lead. He doesn't treat him as inferior. Not a single time.
But Sirius is so much better than Remus, he has a better moral code, he's a better man, a better [insert statement here]...
Again - it doesn't matter much if you think so, or what I think about it. But Sirius didn't think so. Not a single proof he's resentful towards Remus, not a single proof he thinks Remus is inferior to him, not a single proof he doesn't respect him. The opposite actually.
But Remus is such a pushover, it just doesn't fit personality-wise. Sirius needs someone strong
Is Remus really? Because he isn't as an adult. At least not as long as he isn't concerned personally.
I see Remus as someone with deep-rooted self-worth issues, hence he's struggling to stand up for himself (his worst decisions are all linked to his poor self-esteem). But he has no problem in PoA to stand up to Snape (in the scene in the Shack), he has no problem to stand up to Sirius (multiple times in that scene), he has no problem to take the lead in the conversation with Peter. He has no problem to stand up to Molly when she's attacking Sirius and he tells Sirius to leave it to him to deal with Snape when they learn that Snape stopped giving Harry Occlumency lessons (and wrenches him down again). He's not as gentle/soft/pushover-y as people sometimes think.
Besides, we don't know much about how he really was as a teenager. He himself says that he didn't call them out for the whole Snape thing, but his self-perception isn't the best and he tends to blame himself for everything, so we don't really know how true that really is... As mentioned before, Sirius himself says,
''Yeah, well. You made us feel ashamed of ourselves sometimes… that was something….'
And also (before that),
'Of course he was a bit of an idiot,' said Sirius bracingly, 'we were all idiots! Well - Moony not so much.'
But Sirius is depressive in OotP - the long hair, the drinking, his moods...
Yes, of course, he's trapped in his childhood home without being able to do anything, he's feeling useless. No wonder he's depressed. Having a relationship doesn't save you from depression (although having no fulfilling platonic/romantic relationships at all can be a major factor for getting depressed).
If one or two pillars have crumbled that is possibly already enough for the roof to tumble down - even though the third is still standing (surprise!).
[On a personal note: I know what I'm talking about (although not everyone's experience is the same obvs) because I'm suffering from depression despite having a wonderful partner, great sisters and great friends.]
But Harry inherited all of Sirius's money/belongings when he died, not Remus.
I don't know about you, but I don't peg Remus as somebody who would've accepted it. Apart from that, Remus was an adult whom Sirius saw as an equal, just as capable as himself, whereas Harry was Sirius's godchild, whom he felt responsible for (and probably still guilty towards).
But Sirius had his wall plastered with pictures of bikini-clad girls
And I had a poster of my favorite (male) singer over my bed at the age of fourteen. Guess what, I'm not straight.
What about Remadora?
I'm not stepping into the 'Is Remus gay'/'Is Remus bisexual' debate right here because I don't think it's necessary. Remadora was after Sirius's death. Period.
And the whole Remadora ship is awful - for both of them. @lizlemonbennet wrote a beautiful post about that
Tonks deserved better - she was so unhappy pining after him, it was literally sucking joy and confidence out of her (her hair changed and her Patronus changed). Lets talk about her Patronus actually. Before Remus it was a rabbit, after she fell in love with him it was a wolf. If Patroni represent your personality, what does it say about you when your Patronus is your lover's literal prey? To me that's a pretty obviously unhealthy dynamic.
But you're erasing women from the story
No, we're not. Wolfstar was a thing before Remadora and Sirius doesn't even have a canonic love interest. Besides - I love Jily and doesn't Hermione get paired with just about anyone?
But the author stated on wizardingworld.com that Remus had never fallen in love before he met Tonks.
I think the whole killing off Sirius and marrying off Remus thing was just the author dealing with fans interpreting her story in a way she didn't like. So, that's point Pro Wolfstar in my book. Either way, I don't care much about what she wrote on Wizardingworld or elsewhere when it contradicts the original source material. Because the author contradicting herself in interviews, on Pottermore, with the films, and even within the books is really nothing new. Just a short list of her making no sense:
James Potter being a seeker, no a chaser, no a seeker, actually nvm
Saying that Snape was in a gang with the Lestranges ('a married couple') at school, when Bellatrix had already left school when Snape arrived at Hogwarts
Saying James was fifteen in 'Snape's Worst Memory' when he had to have been sixteen. It happened after O.W.L.s and students turn sixteen during their fifth year of school. With his birthday being stated as being in March in the very source material itself (DH), sorry, but that's just wrong.
The whole timeline of the Order deaths in 1981
Halloween 1981 being a Wednesday when it actually was a Saturday (Wednesday - Saturday, close, huh?). The story starts from Vernon Dursley's perspective who's on his way to work and Harry's been brought to Privet Drive the same evening. According to the 'real calendar' this means baby Harry spent over a day alone in the ruins of his parents' house? Cool
September first, 1993, being a full moon, meaning Remus has to have transformed on either the train ride to Hogwarts or during the Start of Term feast. Meet your need DADA professor, he's a werewolf, like, right now. Ups, I guess the jig is up.
Remus not transforming in PoA when he hurries to the Shack despite sun already having set just because the moon is blocked by clouds??? It's that easy to evade transformation, yes? Why not lock yourself in the basement, then?
.... (don't get me started on plot holes, I could rant about this to no end)
Other reasons the ship appeals to so many people
Friends to lovers (with a bit of enemies to lovers because of the spy thing?)
I don't have to elaborate on that do I?
Just the right measure of opposites attract / Like will to like - They're good together or at least have the potential to be
I didn't mean to turn this into some Remus Lupin / Sirius Black meta, but...
In some ways they are super similar. It's very important to both of them to be viewed as 'good' by others (although their definitions may differ). Remus because he needs that sort of validation because of his poor self-worth. Sirius needs to be seen as 'good' as opposed to his family. They get each other partly because they know how it's to be reduced to a single trait. But then they act very differently about it - Sirius plunges into action while Remus retreats and masks.
They're both dark in some ways; they were both ready to kill Peter.
James didn't believe one of his friends would betray him. Both Sirius and Remus weren't so naive (Although drawing the wrong conclusions):
You think I'm a fool?" demanded Harry.  'No, I think you're like James,' said Lupin, 'who would have regarded it as the height of dishonor to mistrust his friends.'
Remus is kind/gentle but he's also passive-aggressive at times and sometimes manipulative. Whereas Sirius is harsh, sometimes even cruel, but that means he's also blunt. That has the potential of them dragging one another away from the extremes a bit, meeting in the middle (although Sirius probably would be able to do so on his own, I think most times he simply doesn't care).
While Sirius is much less dramatic and rash than parts of the fandom make him out to be, he has a tendency to act impulsive (acting like a mad mass murderer when he breaks into the castle / wanting to murder Peter without thinking about what that means for his relationship with Harry / jumping to his feet to immediately have a word with Snape when he hears about him dropping the Occlumency lessons). He can do with some sort of counterforce just as Remus needs somebody who forces him to crawl out of his shell.
The drama
They get each other without really getting each other. Sirius thinking Remus is the spy is super tragic because he's (probably) in one way or another reducing him to the werewolf thing, which is the one thing that really hurts Remus.
But he doesn't do that for malicious intent - he does so because he sees Remus's struggle, because it makes sense to him and because he deems Remus capable. But he doesn't really *get* Remus. Because if he did, he would have realized that for Remus it was always most important to be liked/fit in. He'd never betray his friends' trust, because he's so grateful for having them in the first place. He would have rather died, - he doesn't think his life is worth much anyhow (as opposed to Peter). Remus would rather die than risk being shunned.
So he sees Remus but misses the point spectacularly. Which just breaks my heart. And still they're finding back to each other (as friends at least)
Goodbye
Thanks to everyone who's read that far. Again, I don't mean to bash any other ship, this is just about my 'love' for Wolfstar - canon wolfstar especially, meaning keeping their canon personalities and not erasing James or playing down his importance. Don't tell me I can't write a canon compliant Wolfstar story just because the fandom has transformed the characters into something else.
I'm also not saying that you have to read it the way I do, it's always interpretation anyhow. But I hope I managed to shed some light on the whole matter.
I didn't check the text because I didn't intend it to get that long tbh. I only had time to write it down because I'm sick at the moment. But I hope there's no holes or anything.
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pandora-writes-one-piece · 1 month ago
Note
HAPPY BIRTHDAY TO ONE OF THE BEST AUTHORS ON THIS PLATFORM.
I have a request is there any way you could do the “I’ve never met anyone as infuriating as you, and I can’t stop thinking about you" prompt but with Zoro. Having a female reader just recently joined the crew only for them to be enemies. Both of them have a history of being enemies and now the whole crew sees them fight so the other is 5ft feet under. Only for them to be confused as to why their heart beats like crazy around each other.
Would really appreciate it if you did my request! 🥰🙏
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Thank you so much for your kind words @mars-mizuko and @beachaddict48 🥰🥰 I love reading your reactions to my little silly stories and I tried my hardest to make you happy with this request! It turned out a bit bigger than the others, but I don't want to limit myself with the story I want to tell and I've accepted that some requests will have bigger fics than others! I do sincerely hope you enjoy this! Thank you for participating in the event and for all of your support!
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Source for Pic
Backstabber
Word Count: 3637
Tags: fem!reader; enemies to lovers; suggestive content; implied sex; cursing; sexual tension; idiots in love;
Special Warning: English is not my first language, I apologise for any possible spelling or grammar mistakes.
Summary: You never thought you'd meet the infamous bounty hunter Roronoa Zoro again after four years apart. Yet here you are, part of his crew, and all he wants is to get rid of you.
|Masterlist|
“No, Luffy.” 
Two words. Just two words and I already want to rip his head off his shoulders. This is gonna be great!
“Why?” Luffy cocks his head to the side, his pinky reaching inside his nose in search of the annoyance there.
“Shut up, Mosshead!” Sanji growls, his face close to Zoro’s closed-off expression. “Luffy, yes. She would be the most wonderful addition to our crew.”
Aw, see, the cook’s nice!
“She’s not trustworthy.” The swordsman has both his eyes closed but you can see the way his jaw ticks as he tries to keep his emotions at bay.
“Ditto, Roronoa, yet I just helped save your ass.” You bite back. Two can play the accusation game. It’s actually been four years since the last time you saw Roronoa Zoro. He was skinnier then, less… bulk. Still the same asshole, though.
His eye snaps open and you notice yet another difference. He’s more dangerous, ruthless, and predatory. “Measure your words, Backstabber. I’m not the same man I was four years ago.”
You inch forward, squaring your shoulders and measuring up to his height, even if you can’t reach it. “It’s too bad I am not the same woman I was four years ago, either.”
Nami and Robin watch the interaction with veiled smirks. Sanji is seething and being restrained by Franky to prevent him from attacking Zoro for speaking rudely to a lady. 
“Welcome her in, Luffy.” Robin says with a hint of amusement in her voice.
“I’d say she fits right in, Cap.” Nami says with a chuckle.
And just like that, you’re welcomed into the most dysfunctional pirate crew you’ve ever met.
-*-
You and Zoro don’t like each other. Period. There’s no truce, there isn’t even a semblance of a fake peace. It’s an all-out conflict between the two of you and the Sunny has become an active warzone. 
“I don’t want you anywhere near my space, Backstabber!”
“You don’t own the ship, Roronoa!” 
Nami accepts the refreshment Sanji brings her and sighs, tilting her head up to where the two of you are bickering. You just wanted to train and shake away inertia, and the crow’s nest is where the barbells are. 
But nooo, Mr. Salty claims that this is his space! As if he fucking owns the ship.
“LUFFY!” You both yell out the window trying to get your captain to resolve your issue this time. 
“It’s been a week.” Robin says weakly from her perch on the lawn chair.
“I don’t know how much more of this I can take.” Nami whispers back to her.
“Guys, make it stop, they’re so loud!” Chopper whines as he cuddles in Robin’s lap.
Luffy, bless him, doesn’t even move from his spot, so you sigh, pushing your index finger and thumb against the bridge of your nose trying to contain the massive migraine threatening to settle behind your eyes. 
“Look here, Roronoa, we have to make this work. Whether we like it or not, we are now Nakama and-...”
“I could never be your Nakama!” He hisses, dropping the barbell near his feet with the loudest thud imaginable. Sweat drips from his hair and runs down his temples, making the vein there glisten as it throbs menacingly. His (big, muscular, defined) chest heaves from barely contained rage and you force your eyes to settle back on his face because, somehow, the sight of his sweaty, glistening pecs turns you hot and bothered for reasons that have nothing to do with anger. 
“Well boo-freaking-hoo. Learn to deal with it, will you? You’re a big boy.” You say slowly, emphasising each word with a step in his direction. You’re taken aback by your closeness when his scent envelops you and dazes you in more ways than one. 
It’s familiar and comforting: steel, salt, sweat…
But it’s also intoxicating and dangerous and new…
Fuck.
-*-
It’s only been one week and Zoro is ready to throw you overboard. Too bad you don’t have a devil fruit or he could watch you sink without a hint of remorse. That being the case, it would just be funny as hell to watch you get pissed off at him while soaking wet.
Wet like you are now. 
He found you in the middle of your workout in his crow’s nest using his training equipment in his space. You’d been there long enough for sweat to make your hair cling to your forehead, for your top to turn a darker shade and cling sinfully to your curves, and for your sweet scent to mingle with his sanctuary, making his head spin. 
Zoro feels like growling, though he’s not sure if he’s growling for the right reasons. 
And now you’re approaching him with fearless steps, your finger pointing at him accusingly, while your lusciously plump lips form words: ‘boo-freaking-hoo’. And all he can think about is how your lips would feel wrapped around his cock.
“Get the fuck out.” He growls for real this time and you stop pacing. He knows he’s giving off a dangerous aura and he means it. Because his heart is doing some freaking weird shit he doesn’t want to dissect right now and he needs you out of his sight.
Immediately.
It’s a good thing you obey and scurry out - still pissed and calling him all sorts of names, though - because the strain in his pants was about to force him to bend you over the nearest surface and have his way with you.
And he definitely can’t do that.
-*-
Eventually, with mediation from Robin and Franky, you and Zoro settle on a schedule for using the crow’s nest to train. It’s not so hard, since Zoro spends half the morning and afternoon napping, leaving you plenty of time for your daily workout.
“Why do you and Zoro hate each other?” Chopper asks innocently during lunch, and the table falls into an awkward silence. No one tries to change the subject since everyone’s curious.
A heavy sigh escapes your lips as memories from the past come rushing back. You and Zoro used to bounty hunt together. You met randomly while tracking the same wanted pirate. After beating the pirate’s crew and helping each other out, you split the bounty and became friends. 
From then on, the friendship blossomed. Zoro had an easier laugh before, he wasn’t so guarded, so closed off. 
Did I cause him to be like that?
You bonded. Actually, so much more than that, you were head over heels for him. The whole works: stomach aflutter with butterflies, fireworks exploding behind closed eyelids, a drum instead of a heart. 
And then there was a misunderstanding. You got a tip about a small-time fry, barely 6k berries, hardly worth your time. But the asshole was harassing a town and you knew you could take him alone. Zoro was collecting a previous bounty so you didn’t even tell him where you were going. 
Turns out the fry wasn’t easy or small. It was huge. It was 16k, not 6k, and he was a tough nut to crack. You could’ve used Zoro’s strength, but you managed. Scraped, bruised but prideful. When you went to collect, intending to share the bounty with him, Zoro was beyond angry. He found out where you’d gone and assumed you’d gone behind his back to collect the bounty and the fame for yourself. 
Things escalated. You fell out with each other.
Over a freaking misunderstanding. 
You were stubborn as fuck. And you soon found out he was equally stubborn, if not more. So here you were. Still mad at each other over something that had happened more than four years ago.
“We just don’t get along, Chopper. We used to be friends, and then… we stopped.”
Zoro’s glass nearly shatters with the force he uses to set it down on the table. “Bullshit, Backstabber.”
“Stop calling me that, asshole.”
“Guys, guys, you’re at the table…” Franky starts.
“Backstabber? Why? You went behind my back and collected a huge bounty without telling me. That sounds like backstabbing to me!”
“You didn’t even let me explain!” You rise, palms slapping against the wood, causing your water glass to turn and spill. 
“What was there to explain? How you got greedy? How you abandoned me without a word? Because that shit stung more than the fucking bounty!”
You gasp and take a step back, grasping the underlying hurt in his words. Abandoned him…? Is that what he thinks happened?
“I… I never meant to abandon you…” Lowering your eyes, you sense the crew shifting uncomfortably under your words. 
Zoro is silent. 
Just as you raise your head to meet his eyes, a cannon blast shakes the ship, forcing the crew outside to battle an oncoming enemy. 
-*-
In the heat of the battle, all animosities are forgotten. You and Zoro move as one, even after four years apart, you can still fight back to back as you used to. It’s both exhilarating and overwhelming. 
Zoro still hasn’t calmed the frenzied rhythm of his heart. You had claimed you never meant to abandon him. Were you speaking the truth? Because, as far as he knew, you had chosen to leave him behind, collect the big bounty and disappear from his life without ever looking back. 
That had been the biggest disappointment he'd faced in a long while. After four years, he thought you were part of his past. No longer a constant presence in his mind, or worse,  in his dreams. 
You were gone, and good riddance.
What were the chances of him meeting you again in the Grand Line, anyway?
The Marines attacking the Straw Hats are predictably weak, but there are many of them and Zoro is distracted by the earlier conversation. Apparently, so are you, because there’s no way in hell four-years-ago-you would’ve let that attack slip through your defences, let alone now-you. 
Zoro grunts and slices through the three Marines in front of him to reach the bastard pinning you against the Sunny’s wall. His sword blade pressed to your throat, your arm laying limp and bloodied, rendered useless for the rest of the fight. 
“I’m gonna count to three and before I fucking reach two, you’d better have let go of her and be out of my fucking sight, or you’ll lose your limbs one by one to my blades. Starting with that hand.” He growls as he notices the Marine pressing his hand against your chest to keep you pinned to the wall. 
-*-
Fuck, that was hot. 
How can your heart be racing this fast when you’re facing possible death at the hands of a freaking weak Marine? You have no idea how you got into this position. You know how to fight better than any of these army fools! 
You were distracted, dumbass.
Yeah, you were distracted. You were thinking about the possibilities and the what-ifs of four years ago, if only you had spoken to Zoro before he thought you abandoned him. And all that thinking got you pinned to the wall with an injured arm and a blade to your throat.  
“One…” Zoro starts counting and you hold your breath. You’ve seen him fight, the Marine better run. “Two…”
His voice is eerily calm, but the intensity of his words leaves no room for argument. He’s dangerous, he’s lethal, and he’s not playing games.  
Even though the Marine drops you unceremoniously and starts to run, you know he isn't getting far. The manic grin on Zoro’s face just before he slashes the Marine makes the critters in your belly flutter and dance all at once.
Fuck.
Zoro did start with his hand.
-*-
“She’s fine!” Chopper exclaims as he steps out of the infirmary with a wide smile, his hoof clasping your uninjured hand as you join your Nakama by the galley. The crew receives you with cheers and you feel a bit ashamed. You wanted to prove your worth but the battle didn’t go the way you meant it to. Still, none of them make you feel unworthy.
Robin fusses over you, Luffy tries to hug you before Nami stops him with a punch, Usopp is already retelling the tale of the thousand Marines who attacked you and Sanji glides to your side with a refreshment and amiable words, worried, anxious and happy you’re safe.
And that’s where Zoro draws the line. “Can we talk?” His gruff voice rolls over you like a caress, and you bite the inside of your cheek trying to snap out of it. 
“Yeah.” You follow him to the crow’s nest unsure of what he wants to say. The entire walk is wrapped in piercing silence, tension hanging like a thick fog. Once you arrive, you’re too wound up to sit, so you start pacing. 
“Explain.” He says, apparently too wound up to sit as well.
The fuck?
“Explain what?”
“What you meant at lunch.”
You try to cross your arms over your chest, but the injured limb is still out of action so, instead, you place your good hand on your hip and stamp your foot. “Listen, honey,” you mock, “you better start using your big boy words because I’m not going to play riddles with you and-...”
Your sentence is cut short when he takes two strides forward, forcing you to step back until you collide with the training bars. Zoro’s face is inches from yours and the ticking in his jaw is back. 
His eye pins yours, and your legs wobble under the intensity of his stare. “I’ve never met anyone as infuriating as you,” he drawls, slamming his hand against the bars beside your face. “And I can’t stop thinking about you.”
The world spins as you suck in a breath, trying to understand his words. What does he mean?
“I can’t stop thinking about your lips…” His thumb presses against your lower lip, tracing it roughly. “I can’t stop thinking about kissing your neck.” His lips brush against the pulse on your neck, teeth nibbling and pinching. “I can’t stop thinking about you… squirming under me!”
Zoro’s hand gropes the flesh of your hip, his fingers sinking in, pulling a soft moan from your lips. “Tell me to stop.” He whispers, his tongue tracing your earlobe with sinful licks. “Fuck. Just say the words.”
Your head falls back against the bars in abandon as his hand drops from your hips, fingers inching under the waistband of your jeans. 
“Don’t stop.” You sigh.
And he doesn’t.
-*-
“I didn’t abandon you.” You’re still in bliss after the moment you just shared. You had thought about this, fantasied, dreamed, imagined… every possible variation of what just happened. But it was still better. “I didn’t know the pirate had a 16k berries bounty. I thought it was 6k. I was going to take care of him, call it a day and meet you to collect the bounty.”
Zoro’s still, his chest still heaving slightly, sweat clinging sinfully to where your mouth had been moments ago. 
“But then you left, thinking I betrayed you, without giving me a chance to explain before disappearing from my life.” Your legs are still shaking and aching. Zoro was brutal and intense. And you loved every second of it. 
“Well that makes sense…” He says as his expression softens.
“Are you fucking kidding me?” Your disbelief makes you face him with a scowl and bared teeth. 
“Look at how much fun we could’ve been having for four years instead of hating each other. My bad, I guess!” His cheeky grin only makes you seethe more and you scramble to your feet to collect your clothes and leave him there. 
“Unbelievable! You’re an ass, Zoro.” You state as you open the hatch to leave him and his smugness behind.
“Meet me later?”
The blush spreads from your cheeks to your nose and then to your ears as you face him. If looks could kill, he’d be a dead man. You show him the middle finger before closing the hatch. “After dinner in this spot. Be naked and don’t be late. Asshole.”
Roronoa Zoro used to be a friend, then an enemy, then a Nakama… now you can’t deny all the fluttering in your belly when he looks at you. But the fluttering’s fine. You can live with that, it’s actually exhilarating. 
It’s the frenzied beating of your heart that you have a problem with. That, and the clenching in your chest when you and Zoro gaze at each other. 
That’s what scares you.
-*-
Dinner that evening is the tensest meal you’ve had on the Sunny since joining the crew. On the outside everything looks normal. Luffy is eating from everybody’s plate, Sanji is fawning over Nami, Robin and you, and Usopp is entertaining the table with how he single-handedly defeated one hundred marines in the fight you had earlier. 
But every time you glance at Zoro, he’s pinning you under his gaze, an infuriating smirk lifting the corner of his lips as he downs an entire bottle of sake. You try your damn hardest to focus on the food in front of you instead of letting your mind revisit the most mind-shattering and intense moment of your life. 
Nami asks if you’re alright and you weakly respond with a yes, saying that you’re just tired from the fight, but you don’t miss her curious expression when she catches the way Zoro is staring at you. Fuck. If he doesn’t stop doing that, he might as well wear a sign on his forehead saying you just had sex. 
Bastard.
Zoro leaves first and after helping Sanji clear the plates - even if he vehemently refuses your help - you make your way up to the crow’s nest. You told Zoro to be waiting naked, but you’re actually having second thoughts. Has he forgiven you for what happened four years ago? Have you forgiven him for not even wanting to hear your explanations? 
You’re not even sure if you’re friends, acquaintances, enemies or something else entirely. And that needs to be settled. 
Taking a deep steadying breath before opening the hatch, you brace yourself for whatever is coming, but you can’t help a small squeak from escaping your lips as you see Zoro waiting for you, bare-chested, cross-legged and leaning up against the bars.
“You’re late, Backstabber.”
“Your pants are still on, Mr. Salty.”
He chuckles and the sound makes your heart skip a beat weirdly. Should you talk to Chopper about this? It seems like something you should worry about. 
Zoro moves away from the bars and takes a step your way, that smug grin tilting his lips in an endearing way. “You want them off that bad?”
You take another step back, though your legs feel like jelly. “Smug asshole.”
He doesn’t answer you with a cheeky reply and his lips turn into a thin line again. That same closed-off expression he had when you first joined and now it seems like the step back you took was a step back in… whatever this is.
“Look…” He says your name while scratching the back of his head. “I’m sorry. About the way things ended between us all that time ago. It seems silly to still be upset about it, especially now that you’ve explained yourself.”
You nod, agreeing and there’s a lightness to your chest that wasn’t there before. A sort of closure to that chapter of your lives, something you’ve carried with you even if you were unaware of it. 
“Also,” he continues as he takes another step forward. This time you don’t back away. “About what I said the other day - about us not being Nakama - I didn’t mean it that way.” He sighs and reaches for your wrist, his touch surprisingly gentle. “I was just angry.”
“Are you still angry?” You ask, your breath catching slightly in your throat. 
Zoro’s finger brushes the inside of your wrist, absentmindedly. “I don’t even know.” He lets out a sigh that resembles a grunt and tugs at your wrist, pulling you to him. “But I know I can’t go another day without you, let alone four years.”
Your heart skips another beat as his words sink in, and this time it continues to beat in this weird staccato rhythm. “Then don’t…” You finally murmur, pressing yourself against him, feeling the heat of his skin against your fingers. 
He grins again, that shit-eating grin he used to give you back when things were still fine. “Good.” He drawls out as he pinches your chin and crashes his lips against yours in a desperate claim. His touch electrifies you and tingles in places it shouldn’t, lighting you up from within and making you feel more alive than ever. 
-*-
Time passes and something shifts. The crew notices it since you bicker less. You’re pretty sure Nami and Robin know what is going on between the both of you, though they don’t say anything. But it should be a dead giveaway since you’re ‘training’ together now instead of sticking to your separate training schedule. 
You still argue on a daily basis, though now there’s an underlying understanding that wasn’t there before. You’re not arguing out of past sorrows, hurt, or unresolved conflict. You’re arguing because it’s just your nature. And you notice that there’s something deeper in your connection. Those skipped beats of your heart, that fluttering in your belly… Those are all part of something far more intense that you don’t want to name yet. But you realise that there’s no rush in naming whatever you have. You have time.
Because Zoro might still call you ‘Backstabber’ with an annoyingly smug smirk, and you might call him ‘Mr. Salty’ with equal fervour now and again, but at the end of the day, you’re both exactly where you want to be: right beside each other.
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