#i just want to let you know that it's because i value you. highly.

[lucky-clover-gazette]

rating the volo voice lines from pokemon masters ex as i hear them for the first time

“I’m Volo of the Ginkgo Guild, the go-to choice for your mercantile needs.” 

Sounds like he’s practicing his merchant persona in front of a mirror. Very pleased with his own performance. Might break out into song about it. 8/10

“Allow me to present this to you.” 

Spot-on cadence of Chris Traeger from Parks and Recreation. 4/10

“Here’s a special treat for you!” 

Creepy. Feels like he’s going to hand me a bomb. 2/10

“Oh! It’s looking lively around here.” 

Sounds like he thinks he’s too cool for the party you’ve both walked into and wants to know that you hate it too. 7/10

“What a joy to be alive!” 

Said with the paradoxical determination and resignation of someone who values his own life too highly to end it, but hates that life so fucking bad. 10/10

“Oh! My heart is racing with excitement!” 

Sounds like he just made himself think of something he actually cares about in order to generate enthusiasm about your thing. Also, overdoing it on the “oh,” there. 7/10

“If we use this well, the world will open up.” 

Whatever you say, beautiful. What are we talking about? 8/10 

“I like you better and better!” 

He’s telling the truth, but he likes me for reasons way less innocent and simple than my continued business. Regardless, the praise is appreciated. 10/10 

“Fancy running into you again!” 

Two possibilities: he very intentionally arranged this meeting and is pretending to be surprised, or he was surprised by the meeting and is pretending to be chill about it. 8/10 

“Maybe we’ll get to know each other better now!” 

Sounds like he’s about to ask for my social security number, and if I’m into men, and if I’m into giving men my social security number. 6/10

“Of course. I’d be glad to help.” 

He’s foaming at the mouth to involve himself in whatever protagonist shit I’m up to right now. 9/10

“I can see a whole new world!” 

According to Bulbapedia, he says this “upon reaching max level.” Is that like a relationship level? Does that mean I’m his world? Knowing his motivations in PLA, this could easily have a double meaning—getting close to me, and therefore Arceus, allows him to create a new world. This concerns me less because of the world erasure thing, and more because it might mean he doesn’t actually care about me. 1/10 

“Let the battle begin!” 

Doing a pretty good job sounding normal with this one. 3/10 

“That’s it! Go right ahead!” 

According to Bulbapedia he’s saying this to Togepi, which is very sweet. Also explains why it doesn’t sound fake as hell. 10/10 

“Here you are!” 

He says this to Togepi when he gives her an item in battle, I’m assuming a potion? Which is, again, extremely sweet. 10/10 

“Pay me later!” 

He says this while “using Trainer move,” which I assume is like his signature flourish during battle. The reference to his merchant persona is clever and he sounds like he’s very proud of it. I’m amused by the implication that I’m supposed to pay him for something, though. Is he helping me or battling me? Both? What are we, Volo? 4/10

“Delightful!” 

Accompanies the “nice” emote. I’m not going to complain. 5/10

“Careful now!” 

Accompanies the “watch out” emote. He sounds concerned, but like, in a “please don’t inconvenience me with your pain” way. I wish he truly cared, but maybe if I lie to myself, I can believe that he does. 3/10 

“I’m filled with curiosity!” 

Said with the exact cadence of Grunkle Stan talking to idiot tourists at the Mystery Shack. Ostensibly laughing at himself, but actually laughing at the people who are stupid enough to believe him. 9/10

“Pokemon battles are always good fun!” 

He only says this when he wins, which means they’re not always good fun. Makes perfect sense for the character and I like the delivery. 8/10 

“Too powerful…” 

He says, actively fantasizing about eventually proving himself more powerful. 10/10 

“BEHOLD! DESTINY! LEGENDS! UNDONE!” 

Bulbapedia identifies these words as things he yells during “unity attack/theme skill.” I have no idea what that means. It sounds to me like he’s accidentally taken a double dose of his ADHD stimulant medication and is just saying whatever the fuck comes to mind. 6/10 

“Allow me!” 

Said while “switching in.” Assuming he’s helping me, this is rather nice to hear. I’m more than happy to set this strange contemptuous man on my battle opponent. 9/10 

“Oh dear, that’s too bad.” 

Said while “recalling fainted Pokemon.” Option 1: He’s recalling his Togepi and trying very hard to sound brave about it. 10/10. Option 2: He’s taunting me about my fainted Pokemon with a sickly-sweet condescending tone. Also 10/10. 

“Good morning! Are you heading out today?” 

I appreciate the casual greeting and barely-contained rabid interest in my protagonist activities. 8/10 

“In that case, potions are a must.” 

Thoughtful and dedicated to his quotas. It does feel like he’s five seconds from calling me “milady,” though. Wait, in PLA I think he actually does that. It might be “madam.” He’s so embarrassing. 7/10 

“The weather outsider is lovely today.” 

Sounds like he’s about to take his lunch break so we can enjoy it together. 8/10 

“So, how about it? Care to go on an outing with me?” 

Already beat him to it. He’s trying so hard to sound chill, but I think if I said no it would ruin his day. Also, what’s with “outing?” Just say “date.” The game knows you’re saying “date.” This is a dating sim. 10/10

“Please, don’t overexert yourself too late at night. I don’t want to lose one of my loyal customers!” 

First, that’s what she said. 6/10. Second, he’s negging me again. 9/10. Third, he has other loyal customers?! 0/10

“Ah!”

Sounds like the peanut butter baby from that 2016 viral video. 4/10

“Rrrrrrr…” 

Nintendog. 7/10

*Sighs deeply* 

Agreed. 9/10

“Yes.” 

Me when I say “yes.” 5/10 

*Increasingly loud fake bouts of laughter* 

This man is going to end up on the news. 10/10

*Evil chuckle, tapering off into deranged humming* 

This man is going to end up at the Tony Awards. 10/10 

*Bitchy throat clear that turns into a laugh* 

This is how he laughs at the PLA protagonist after he insults their “curious getup.” 10/10

“Outstanding!” 

He’s high, tipsy, and/or sleep deprived, and someone just suggested getting takeout. 6/10 

“As expected…” 

Apropos of nothing, but he does like to feel smart. 7/10 

“CONGRAAAAAAATULATIONS!!!” 

This is perfect. This is a perfect voice line. The voice actor understands the comedy of Volo’s character perfectly. Divine madness aside, he is a merchant NPC almost obsessively invested in the protagonist’s adventures—but unlike many such cases, the narrative both understands and demonstrates how fucking weird and off-putting that is. 1000000/10 

“I wish you great fortune.” 

Reminds me of the PLA line, “Supporting you now is actually an investment in my own fortunes.” The voice actor nails the double meaning. 7/10 

“HOOOOW DARE????!!!!” 

I can’t find an explanation for this line. I think it’s just random. He’s so fucking weird. Did he read that in a book? Is he in a bad play? 10/10 

*Whimpering* 

Took a quick break to walk around my apartment and poorly make the bed. No further comment. ?/10

*Relieved sigh* 

It’s a relieved sigh. 

*Literal actual moaning* 

???????????????????

*Various other noises* 

The people in the comments of this video were not exaggerating. Holy shit. 

“Have some mercy!” 

WHAT IS THIS GAME RATED??????

*Deep sigh* “Now then…” 

I have no words. I don’t know. Why does this exist in the way it exists. 

“Right! Thank you!” 

I feel like I just witnessed something that I did not ask to witness. Does the Ginkgo Guild have a HR department? 

“My apologies.” 

That is not helping his case. 

“Leave it to me!” 

Good voice line. Great performance. He would say that. We’re back on track, love it. 5/10 

“No thank yewwwwww…” 

Bitch. 8/10 

“Please!”

“Indeed…” 

“That is quite something!” 

All very normal. 5/10 

“You’re too kind.” 

This is the weirdest line delivery yet. He sounds unhinged. Something happened around the 1:19 point of this video that neither of us can pretend didn’t happen. ???/10 

“Until next time.” 

Spoken like a charming male musical theater lead who just did a little song and dance about his life philosophy. 9/10 

“Come on, now.” 

Getting weird again. There is nothing I could possibly possess that would necessitate that amount of beleaguered desperation. 6/10

“Let’s get our blood pumping!” 

Not on the first date—sorry, outing. ?/10 

“The mysteries of the past… oH-hO! How they tICKle my curiosity!” 

Sure. Why not. 5/10 

“Investigating the odd and novel is key to any good merchant’s success.” 

This is delivered pretty much how I would imagine in the game! Also just such a fun line for him—he says this as if it makes all the sense in the world, but it literally doesn’t? It’s a total non-sequitor. Investigating the odd and novel have nothing to do with being a successful merchant, and later in the game he even admits to ditching work to do his research. I’ve always appreciated that part of his characterization—the way he knows that he’s bullshitting everyone and getting away with it, and is simultaneously so smug about his clever ruse and so miserable to be alone in his truth. 10/10

“A HISTORIC MOMENT!” 

Deeply bizarre final line for a deeply bizarre character. I hope he says this about mundane shit like dropping a cup of coffee or getting an email. 10/10.

[alfheimr]

My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?

[globalrebrand]

How long do you think it would take the reader to actually fall in love with Capitano because they're in an arranged marriage? And the other way around

Starting with Capitano!

Capitano will always uphold the values of marriage and will be a model husband. He is an a generous yet pragmatic provider. Capitano will not spoil you, but he will ensure what you have is more than adequate for your needs. However, above all, Capitano is honest and loyal, he will never lie or attempt to deceive you.

At first this ideal husband behavior is more so because he respects the institution of marriage very highly and not necessarily because of who you are, though Capitano makes an effort to get to know you. He questions you about your habits and hobbies and after a while will think about how to cater to them.

Capitano actually has rather high expectations of his spouse. I imagine Capitano was pushed to marry due to his status and position, so he will want a partner who is independent, intelligent and dutiful. He will expect the same level of respect in the union that he is giving to you. The irony is that while he picked these characteristics to get a lover who will not disturb him, Capitano is deeply attracted to diligent, mindful and clever individuals. So as the reader demonstrates these traits, Capitano begins to fall in love with them, but due to their independent nature they aren't be the most receptive to the ways in which Capitano shows love, namely by being over protective and insisting on doing everything together. He's home so seldom that what little free time he has he would prefer to spend with his spouse. This becomes especially apparent the longer you two are together.

As detailed above, Capitano possesses many admirable traits which on paper make him easy to fall for, however this ignores his blunt, keen and sometimes prideful nature which depending on who you are, could rub you the wrong way at first.

He is an acute observer even without you detailing the quotidian goings on of your daily life, Capitano will start to notice and comment. He isn't necessarily critiquing, just seeing and noting. He will casually tell you about yourself which can be incredibly jarring at first, especially if you're unused to being seen by the people in your life. However...when it comes to himself, he doesn't freely offer information which can be frustrating. He wants to expose all of your inner workings, but is very selective when divulging his own. He begins to share more freely when you earn his trust, which builds slower than his actual affections for you. Capitano will come to love you before he fully trusts you. It's just the nature of the fatui that make him so suspicious and not necessarily you. He wants to trust you but years in his position have made it difficult for him to lower his guard.

Basically, Capitano appreciates a partner who is brave, self-sufficent and above all loyal. Devote yourself to him and Capitano will find his feelings changing rather soon into your union. Ultimately it takes maybe 2-3 months for Capitano to fall for the reader.

The reader in A Lady's Secret is incredibly independent and self-sufficient young woman from a modest background who knows what she wants and doesn't require Capitano's support. She is principled, hardworking, and doesn't meddle in Capitano's affairs. In fact she develops a pretty well rounded life outside of their marriage. She has season tickets to the ballet, successfully convinces Capitano to let her have two dogs (large thick furred beasts who can easily takedown wolves) and walks them around the forest to visit their distant neighbors when the winds aren't too cold.

The reader does these activities alone because she assumes that Capitano wouldn't want to join her but when he quietly questions why she doesn't invite him she starts to incorporate him into these activities. Not all of them. Capitano has no interest in visiting the neighbors, but he can be convinced to attend a quiet night at the ballet and walk the dogs in the forest. And the reader while initially worried she'd find that his company dulled her experiences, is delighted to realize that she actually prefers his accompaniment.

They definitely butted heads in the beginning when Capitano demanded that she inform him every time she left the house. She wasn't too keen on her whereabouts being surveilled, as she was used to coming and going as she pleased. Initially he was more flexible about these things but as he began to get attached he assigned her a personal body guard which had her really annoyed with him. This led to an argument where she called "smothering" and he called her "stubborn."

The difficult part for the reader early on is that she's intensely attracted to Capitano so she starts the sexual part of their relationship right away, but her feelings for him are slower to crystalize and Capitano uses this to his advantage. When you're still arguing with him about a security detail, he'll be withholding until you agree to his terms.

For someone as independent as the reader she struggles with Capitano's desire for control over her. He's not possessive per se but he is very very over protective and unfortunately due to his position he has every right to be. She just resents that she doesn't quite feel like his equal when he frets over her like this.

However, as she comes to appreciate his company, she is more permissive of Capitano's particular brand of affection which is demonstrated through ensuring her safety. Once the reader learns to appreciate Capitano's brand of care she falls for him. He is a supportive partner and an excellent listener. He is stoic and gruff but she knows from his actions that he cares for her deeply. I would say it takes the reader about 5-7 months to reciprocate his feelings in earnest.

[elysiansparadise]

Composite Chart observations

🤍Jupiter or Part of Fortune in the 1st house not only indicates that you feel more joyful with the other, but that when or after being with the other, many opportunities of any kind can come to you. The relationship will bring with it a lot of self-improvement for both and a feeling that things in life become simpler.

🤍When Sun it's in the 7th, 8th or 12th house we find ourselves in a mirror relationship, in which you will show each other the other sides of yourselves that you had never been aware of. They will be more similar than they look, because in terms of core they can be very alike. The other will openly display behaviors that you repress.

🤍A peculiarity of Mars and/or Mercury in the 11th house is that both are likely to have very different personal opinions but very similar goals. They may be very different at first impression and even have very different ways of behaving, but they can understand each other well and go after what they want as a team.

🤍I have noticed that when Saturn is making just positive aspects on a composite chart, it is capable of helping the tensions that some squares can cause, as it adds stability and durability to the dynamics of the relationship, but above all the willingness to solve problems by fact that both see in this relationship something to maintain in the long term.

🤍The Moon-Venus conjunction gives us that relationship in which if one of the parties is moody and the other enters the room, their day immediately brightens. It seems that they only need to see each other to be happier. They evoke a lot of sweetness and tenderness in each other. They will love to take care of each other in every way, from the most practical to the emotional side, without forgetting to mention how comfortable they feel simply being by each other's side.

🤍Jupiter or Saturn in the 10th house cause there to be a mutual and very strong admiration for the person the other is, what they achieve and their ambition. If these planets positively aspect the Sun, Venus or Mercury will constantly let each other know, and even other people.

🤍Having a Stellium in the 11th house makes the dynamic lighthearted, fun and very pleasant for both of you. You will feel that you can be yourself uninhibitedly and be able to express your ideas and emotions without being judged. Likewise, they will have a great willingness to help each other and will awaken the empathetic and altruistic side of the other. They can have very similar worldviews despite differences in temperament and attitude.

🤍Venus in Aries allows the duo to spend many moments of joy and laughter. They may have many similarities between them and love to joke with each other. It is an indicator of playful teasing, of a lot of enthusiasm and fun. They really love each other's company, even if it's just few minutes. They highly value being authentic and transparent with others.

🤍When the Moon or Venus is in the 12th house, it shows us a duo or a couple who is affectionate or more affectionate in private, they may prefer a moment of greater intimacy since it makes them likely to be very reserved people with their feelings but, surprisingly , very open between them.

🤍Neptune in water houses favors emotional connection and the ability to intuit the feelings of the other, also giving the sensation of understanding each other without words and without much difficulty. They can have a very great feeling of adoration and fascination for each other, as well as devotion.

🤍The Moon-Neptune aspects make them deeply connected to each other on an almost inexplicable level. Both not only read and understand each other like no one else, but they seem to quickly feel what the other feels. They can infect each other with their moods. It is even likely that, for example, if one is thinking about the other, the other will send a message or call them on the phone. They absorb each other's mood and can quickly adopt their usual behaviors or phrases even without realizing it.

🤍With Pluto in the 9th house, both will profoundly change the way the other sees things. Being together and having a regular conversation with each other entails many epiphanies, seeing things from other perspectives and feeling that things finally make sense. Both have the goal of teaching each other a lot and fully trust that the other positively influences their lives. They simultaneously add depth and fun to the other person's life.

🤍Having Mars in the angles makes both of you motivated almost instantly. Being next to each other makes them feel energized, motivated and they easily make the other feel capable of achieving and going after everything they want. They can bring out the confident and sociable side of each other.

🤍When you have Venus or Moon in the 10th house, the duo shows others, consciously or unconsciously, the high degree of affection and appreciation they have for each other. People tend to see them as very similar and compatible like each other and they tend to provoke adoration in others. It may even be a couple or pair of friends that others find admirable or your dynamic may be something that people would like to have in their lives.

[aurumalatus]

𝐭𝐮𝐫𝐧𝐟𝐢𝐫𝐞 [𝟑]

pairing. kinich x fem!reader

word count. 3.6k

genre/warnings. childhood friends to lovers, slow burn, fluff and angst, drabble collection, cursing, mentions of abuse/alcoholism, character death and graphic descriptions of death, mentions of vomit

summary.

in which kinich learns the value of all things: lives, friendship, and, of course, you. or, in which kinich realizes that you are the only priceless thing in this world.

author's note. this one is... a lot. take heed of the warnings/let me know if there's something i forgot to tag! i might've missed some errors because it's late so i will fix in the morning, otherwise please enjoy! reblogs/interaction highly appreciated!

↢ 𝐩𝐫𝐞𝐯𝐢𝐨𝐮𝐬 | 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 | 𝐧𝐞𝐱𝐭 ↣

𝗛𝗢𝗟𝗗𝗜𝗡𝗚 𝗢𝗡 𝗔𝗡𝗗 𝗟𝗘𝗧𝗧𝗜𝗡𝗚 𝗚𝗢

When the meadows grow full and lush, Kinich awaits your reappearance.

The winter had been long—with his crops iced over, he’d had to rely on hunting to survive. His mother’s absence had taken a heavy toll on his family (though he uses the word loosely), and his father somehow finds more time to drink his life away. Now the sole homemaker, Kinich finds himself as his father’s newfound punching bag as well.

He discovers that he has a talent for patching wounds and bruises.

Some days, the man awakens in the dead of night, freshly sober—Kinich can hear him crying his mother’s name in the dark. He doesn’t know whether to take that as regret, or simply loneliness.

They don’t talk. They never really did, but the silence grows quickly, curling and weaving and winding like vines through the house, until Kinich can feel it wrapping his throat shut. Days and weeks go by without him talking to anyone at all.

Still, he moves on.

The ice finally melts, and he welcomes the sight of animals returning from hibernation, despite how they nip at his garden. New life sprouts from the ground, and it’s only a matter of time before you appear in the forest again as well.

This time, you’re touting a burlap bag of Quenepa Berries, and you offer him one as he approaches.

“They’re sweeter at this time of year,” you comment, before popping one of the fruits into your mouth. He accepts and does the same—this batch is fattened and sweet, he thinks as the juice dribbles down his chin. You must have an eye for a good harvest.

“You came back,” is all he replies, as a greeting.

An incredulous expression crosses your face, almost judgmental—you hold the bag of berries away from him as teasing punishment. “You thought I wouldn’t?”

He reaches over you, quick as a fox, catching one of the fruits in his fingers. 

“Don’t know.”

There’s no way to tell you about his mother’s disappearance, at least not one that he’s confident about. After all, he feels there’s no logic in informing you anyway—there’s no solution that you could potentially offer, and it’s not as though it affects you. But it’s the thought of that, and the lasting image of her footsteps, that had instilled this fear within him.

The fear that you would never return.

But you’re here, he soothes himself, another berry in your outstretched palm. He takes it, just as your voice rings out again.

“So, do your parents not like girls?”

The skin of the fruit catches in his throat at your question, and he lets out a series of wet coughs—you pat his back, eyes wide with concern. It takes a few moments for him to return to his senses.

“What are you talking about?” he splutters, uncharacteristically flustered.

You don’t seem to notice, too absorbed in picking through your bag—you prefer the lightest blue berries, the ones that are still slightly unripe. Perhaps you enjoy the tartness they offer.

“I don’t know,” you reply. “It just seems like you don’t want your parents to see me.”

And there’s no easy way to explain his situation, so he doesn’t. Instead, he hums, watching the birds soar by overhead. His heart vaguely tugs with jealousy at the sight of them.

“It’s not that. My parents just…don’t like people hanging around our house. That’s why we moved out of the village.”

Not a total lie, he reasons—the financial issues were the root cause, but his father had also grown tired of neighbors attempting to intervene in his parents’ endless disputes. It had given him hope, for a time, that someone might be able to remedy the situation. 

But that hope was quickly snuffed out.

“Makes sense,” you say, tracing shapes in the dirt with your foot. You draw a heart, a smiley face, and then something that looks like a defective Yumkasaurus. “Your dad is the mean one, right?”

You’re still not quite educated on social faux-pas at your age, and Kinich almost chokes again.

“What?”

Something rustles in the bushes nearby—an animal scared away by the sudden loudness of his voice.

“He always used to yell at me when I’d come around to leave you things,” you explain, overwhelmingly casual. “Smelled like that stuff that us kids aren’t allowed to go near in the market.”

Kinich vaguely remembers hearing his parents argue about something like that, but all the fighting tends to blur together after a time. He’s not sure how to reply to that, or what you might think if he did.

So he doesn’t.

He asks you about your winter instead, a topic change that you welcome eagerly. You tell him about the village, the white-topped roofs and the way the Yumkasauri would redden and sneeze, whelps hiding in their mother’s wings. You tell him about how you tried ice skating on the frozen river, recounting how many times you fell flat on your face. The thought makes him smile faintly.

He’s almost surprised by how enthusiastic you are about it—you’d told him before about your parents’ death in the cold season. He wonders how you seem to move past it all.

You turn your attention back to him, curious. “What about you? What happened during your winter?”

There’s a lot he could say, but none of it feels right, every word sticking to his tongue, stubborn. 

“The winter felt really long,” he finally says, mostly to himself, chewing thoughtfully.

You glance at him out of the corner of your eye. “It did. But it’s not so bad, I think.”

He hums. “Really?”

You shrug. “Spring always comes again anyway.”

/

On Kinich’s seventh birthday, you knock at his door in the evening.

The November air is crisp, but not yet chilling. After all, the nation of Pyro tends to run warm until the very depths of winter. It’s for that reason that the fireplace still lies darkened and empty, and that the kitchen window is still open a crack.

The sound shocks him at first—it’s been a long time since anyone has visited at all, so much so that the dull thump is unfamiliar. Wilder animals tend to come out when the sun sets, so he tries to finish up his farming and hunting beforehand—at this time, he’s usually preparing some sort of meal for the next day.

He glances at the source of the noise, then at his father, slumped over the kitchen table, drool dripping from the corner of his mouth. The man will likely be asleep until the early morning anyway.

So Kinich pads to the door, pulling it open just a crack, and it’s your eye that peers back at him, curious.

Another inch, and then the rest of you is revealed to him—you’re holding a neatly wrapped box in your hands, an innocent smile spread across your lips.

His first words come out in a hiss.

“What are you doing here?”

He thinks he’s been quite clear about your need to return to the village by this time, for many reasons. It’s growing dark, a time where animals and humans alike grow more dangerous, and his father tends to be home. The man has a talent of putting Kinich in the worst moods, and he’d rather not spread that to you.

“It’s your birthday,” you greet, as an explanation, shrugging like it’s all so obvious. Kinich tilts his head.

“So?”

“So, we’re celebrating! I spent the whole day baking this cake with Chief Wayna’s help.”

Kinich steps outside, quietly letting the door shut behind him. The sunset sky is burning away at this time, pinks and reds fading into black and blue. The stars will be out soon. 

“It’s nighttime,” he says, crossing his arms.

You nod vigorously, undeterred. “Yup! All so you can see the candles better. It looks so much cooler when it’s dark.”

It’s a ridiculous statement to someone like him, and Kinich is once again reminded how different the two of you are. His sense of logic doesn’t seem to align with your enduring enthusiasm. Still, he likes the fire that you have about you, and has no interest in snuffing it out, so he merely sighs and leads you away from the front door.

Once you’re a bit away, the house still in view, he looks to you again.

“So, what is it about candles?”

Without a reply, you turn away from him, fiddling with various things—he hears a match being lit, sees the faint light reflect from behind you—and then you’re facing him again, proudly holding out the cake.

There’s seven brightly colored candles sticking out from the top. The candlelight illuminates your face with a soft glow, a cheeky smile spreading across your lips.

“It looks good, right?”

Kinich peers down at the treat—it does look good, with the expensive kind of frosting that he used to look at longingly in the market. He hasn’t had something this sweet, this luxurious, in a long time, or maybe ever. When he glances back up, you’re staring up at him expectantly—he shrinks back from the pressure.

“What is it?” he asks, feeling self-conscious. You point to the candles.

“You have to blow it out.”

Vaguely, he thinks back on when he used to live in the village. He’s seen people hold birthday parties before (though he can’t say he’d ever been invited), but he’s not sure he’s heard of this tradition. Birthday celebrations weren’t something his family could ever afford anyway, or maybe they just didn’t care to.

Kinich realizes he doesn’t even know when his parents’ birthdays are.

But you’re still watching him, so he pushes that thought aside. Instead, he leans over and gently blows out the candles in three small puffs of breath.

“It’s fun, isn’t it?” You cheer, tilting the cake toward him. “I hope you made a wish!”

You’d forgotten to mention that before he blew out the candles, he thinks to himself, but he’s in no position to argue with your good will anyway. So he nods, silently making a wish after the fact.

“Alright, the best part is eating it,” you whisper conspiratorially, like you’re sharing a life-shattering secret. “And Elder Leik says it’s bad to have sugar before bed, but I think it’s okay just this once—”

“Kinich!”

That voice—

His heart freezes in his chest. Your face morphs in confusion, and then he’s grasping at your arm and yanking, hiding you behind him—you’re not much smaller than him, though, so it’s a futile effort. At the force, the cake slips out of your grip, smashing uselessly into the grass.

Kinich has half a mind to apologize, but he can’t—instead, he holds you tighter.

“Kinich?” A hoarse voice echoes in the dark. “Where the hell are you?” 

“I’m here. I was just taking a walk,” he replies. His voice shakes at the edges of each syllable—he hopes his father doesn’t notice. 

Something crunches in the distance; it’s the sound of grass underfoot. His father is coming this way, Kinich realizes in a panic. He glances back to your fearful eyes, clutching at the back of his thin t-shirt, and his chest burns with the desire to protect.

It’s too dim to see the man until he’s a few feet in front of you—he’s dressed in a tattered shirt and loose pants, feet dragging through the grass. His eyes narrow when he gets close enough, brows knitting together.

His gaze zeroes in on you, venomous. “It’s you again.”

The collar of Kinich’s shirt grows taut against his throat as you pull against him, afraid. He squeezes at your arm once, a comfort.

“You damn orphans, got nothing better to do? Just fucking around on my property, I should throw you off this goddamn cliff! Not like you got anyone to miss you.”

Kinich grits his teeth. “Leave her alone.”

His father laughs, a grating sound like nails on a chalkboard, then belches. The smell of cheap alcohol filters through the air, even from a distance.

“Go do something useful then. Too many useless people in this world, ha! Just like your damn mother.”

The mention makes the blood ice over in Kinich’s veins, a sharp frost crawling up his spine. Your grip loosens just a hair, likely in confusion, but the detail barely reaches his mind.

“You know where she is?”

The image of his mother’s footsteps in the newly fallen snow had never left his mind—he sees it in his nightmares, trapped and crawling in an endless frozen landscape, alone. He thinks of her when he farms, when he weaves, when he’s forced to eat another Grainfruit.

He thinks of her always, maybe, in the back of his mind.

And his father does too, maybe, based on the way his whole body seems to tighten with anger at the question. He doesn’t reply, at least not verbally.

You watch, horrified. Even as his father’s eyes glow with rage, even as he drunkenly hobbles toward you both, hands outstretched.

(Kinich blankly notes that they form the shape of his own neck.)

The man isn’t too coordinated, especially with the alcohol coursing through his veins—he stumbles a few times on the way, the grass seeming to curl around his ankles, slowing him down. Perhaps it’s the land’s way of protecting him, Kinich thinks. 

He grabs your hand, pulling you behind him. “Come on!”

Kinich runs, wind whipping at his face, the way he always does when his father gets this way. He takes you through the backyard, toward the forest, where his father might lose sight of you both and give up the chase. He knows the paths there and knows them well—the shadows of the trees will protect you both.

But the man is picking up speed behind you, roaring about what he’ll do once he catches you.

“Kinich,” you wheeze. You’d already been semi-exhausted by your trek here, and certainly not expecting a sprint like this.

“I know,” he pants back. “Just a little more.”

You’re trying your hardest, he knows.

But he’s faster than you, and you stumble, lagging behind.

“Kinich!”

His father lunges, fingers barely grasping at the leg of your pants. A shriek erupts from your throat as you tumble to the ground in a twisted pile, and Kinich cries out with you, just as the cliff seems to rumble beneath his feet. 

It happens in slow motion. 

Kinich’s father meets his son’s gaze, enraged, then afraid. Terrified, just as he feels his legs dangle over the edge of the cliff, just as the weight of your smaller body pushes his torso over. Shocked, just as the rest of you starts to come down with him. 

Your screams echo off the darkened mountain. 

Kinich weighs his options—it doesn’t take long—and then leaps forward. His chest smacks painfully into the dirt, but he manages to grab your wrist just as you slip down the cliff.

“Kinich!” 

His father is screaming his name, and so are you, pleading, begging for his help. And you’re still in his grasp, but you’re slipping, and his father is reaching for him, and if he could just grab him with his other hand, he could maybe pull you both up, but—

Kinich’s gaze meets your tear-filled eyes.

So he grits his teeth, clawing at the dirt, and with his other hand, he grabs—

You.

He doesn’t have time to catch his father’s expression—he doesn’t think he’d want to see it anyway—before he’s hauling you up, yanking you into his arms until you’re both collapsing into the grass. The crown of your skull clashes with his chin harshly.

His father is still bellowing curses, not that you seem to hear it over the sound of your screams and cries. But Kinich hears it, somehow, floating above the chaos and agony in your voice.

“It’s your fucking fault! This is all your fault!”

His eyes flutter shut as the voice fades away, and then grows silent.

It’s too quiet.

Even the crickets seem to censor themselves, hiding from the entire ordeal. Kinich releases his hold on you, rolling onto his stomach, then onto his knees. The grass seems to waver under his stare, rippling and oscillating until it feels like the entire world is quivering beneath him.

He barely registers that you’re struggling to pull yourself upright behind him.

You turn away from Kinich’s hunched form to vomit in the grass, overwhelmed by it all. A corpse lies at the foot of the cliff now, one that could’ve just as easily been you. One that might have actually been your fault. The thought makes you vomit again. 

After a few more dry heaves, Kinich’s hand rubs at your back, the other gently easing your hair away from your mouth. You look over your shoulder at him, eyes filled with tears and nose dripping with snot. 

“Kinich,” you sob, trying to catch your breath. “I’m sorry. I’m so sorry. I was too slow, and he—he fell. I didn’t mean it. I’m so sorry. I know he wasn’t—I don’t—but that was your—your father—”

He takes you by the shoulders, forcing you to look at him—really look at him. His expression seems the same as always, but you know the difference. You note the quivering at the edge of his lips, the light sheen at the corners of his eyes. It disappears as quickly as you notice it, flattening under a disposition of stone.

“I weighed the value between you,” he says, gaze meeting your glassy stare. Your heart flutters. “And I chose you.”

And for a bit, you pretend that you can’t hear the thick lump in his throat, or the way his nose scrunches to keep the tears from slipping. Instead, you take his hand, struggling to your feet.

Kinich gives you a once-over—your pant leg is tattered now, a long strip of fabric ripped from the bottom. A flash of crimson peeks from under the remaining cloth.

Thin lines of blood bloom over the joint there, slowly running down the length of your leg.

“You’re bleeding,” he rasps, assessing the extent of your wound. It’s not deep—a skinned knee at most, which he’s grateful for. He’s treated much worse on his own body.

There’s so much to do, he thinks, pushing through the foggy haze permeating his mind. He has to retrieve his father’s body. He has to treat your wound. With his father gone, he needs to make a plan for his own survival.

It’s not as if his father ever really helped out anyway, but the thought of being truly, totally alone is harrowing. It takes another minute for him to remember that you’re still standing at his side.

“Go back to the house,” he mumbles, almost to himself. “Wait for me in the kitchen—”

“No!” You blurt, looking surprised despite yourself. Kinich jolts, meeting your eyes. “You’re going to get his body, right?”

After a moment of hesitation, he nods solemnly.

Kinich has looked down these cliffs many times; he knows the sheer height of them. There’s absolutely no chance that his father’s body is in any sort of good shape at the bottom. The thought makes bile rise in his throat.

You swallow. “So let’s go.”

The fear is reflected in the way your hands shake, but your shoulders straighten and you reach for him, slotting your fingers together. It’s the most bravery that you can manage, at least right now. Kinich accepts it gratefully.

Making your way down the cliff is treacherous with the little light you have. You don’t speak, barely even breathe. The stars lay watchful above, winking and illuminating your way. 

Even with your hand in his, Kinich glances back occasionally, ensuring you’re still with him—you always are, still sniffling and scrubbing at your eyes. 

It’s hard for you, and it’s obvious; he has to catch you several times when your foot slips off the stone, but you’re still with him. You’re still with him, he thinks. Kinich repeats it to himself a few times, letting it anchor him as he struggles down the rocks.

His father’s body is stiff by the time you reach it.

You’re too afraid to look at first, meekly standing behind him. It takes a few minutes before you work up the courage to peek over his shoulder, one hand over your mouth. Kinich isn’t sure whether to pray, or cry, or leave it all behind—for a few minutes, he doesn’t do anything at all.

The body is mangled, as he’d expected. You don’t dare to look at it again; you pace about the area, trying to keep your wits about you. 

Everything about it is too familiar. He sees himself in the corpse, the blond hair fanned around the head like a halo, the golden eyes forever stuck in a faraway stare. The grappling hook that he always kept on his person.

His father. A half of him. His flesh and blood.

And he’d let him go.

Kinich feels for his own heartbeat over his shirt, fisting at the cloth there.

You are still alive, it whispers.

So he calls your name, soft. You peek at him through the darkness.

“We have to bring it back,” he murmurs.

And you, despite it all, despite the terror that licks hot up your neck, simply nod.

“Okay.”

As the two of you drag the corpse back toward the house, fingertips sticky with blood that freezes in the passing wind, Kinich realizes it—

This is the coldest November he’s ever experienced.

[why-animals-do-the-thing]

You may notice I frequently comment on the assumptions people make about animal facilities based on their branding. Frequently, people assume accredited facilities are inherently better for animals than unaccredited facilities, or assume sanctuaries are inherently more moral / better at caring for their animals than zoos.

I want to show you an example of why I am always, always skeptical of these assumptions.

If you’re in the California area, you might have heard about Hank the Tank - who is actually a Henrietta, btw - the 500 pound nuisance bear from Lake Tahoe who broke into 21 homes in search of food. She was recently captured by wildlife officials and moved to a sanctuary in Colorado. The Wild Animal Sanctuary has three main facilities, two in Colorado and one in TX. To give you some context, it’s the biggest carnivore sanctuary in the country - they advertise somewhere between 300-500 animals, mostly large carnivores, between their properties. It’s where most of the Tiger King cats went. It’s PETA’s preferred placement for confiscated exotic animals. So, obviously, it’s got to be great, right? Except… take a look at what they posted about Henrietta’s arrival.

Here’s their post about Henrietta’s arrival at the Refuge, the large facility in Colorado that isn’t open to the public. Let’s take a closer look at that food trough…

What do we see here? An entire rotisserie chicken that is either blackened or highly seasoned, and a whole ham. Maybe a second chicken underneath the pile, I can’t quite tell. The sanctuary gets the majority of their bear food donated from groceries stores once it’s past the sell-by date, so we know those are older meats and they’re full of a ton of salt. Then, for fruit and veg, there’s a cantaloupe, mango, corn, avocado, grapes, and apples. Maybe a pepper or two, it’s hard to tell. That’s a lot of sugar and not a lot of fiber or roughage.

But… on top of it and to the right… are those Twizzlers?

Yes.

The sanctuary confirmed on Facebook that they fed this recently rescued obese bear what looks like almost an entire pack of Twizzlers.

I don’t know of any world in which it’s appropriate to feed candy to a bear. Maybe a piece or two as a really high value reinforcer for hard behaviors (that isn’t relevant here, it’s openly against this sanctuary’s ethos to do any husbandry or medical training). An entire pack of Twizzlers is just appalling. But it’s not uncommon for this facility! I have a book written about their operations and animal care (that I bought at their gift shop this spring) which openly discusses how the bears get fed bread, doughnuts, marshmallows, and all sorts of incredibly unhealthy food that comes in with the grocery donations.

But hey, this is apparently fine for the bears, according to the sanctuary’s founder. He was quoted in that same book as saying “Bears are the only animal I know of that can eat insane amounts of sugar and it never hurts them. It does not hurt their organs. They do not get clogged arteries. They do not have high blood pressure. In the wild they eat all these sweet berries in the fall, and they convert sugar to fat… so the more sugar they get the better… we would all love to have a system like that!”

Now while it’s true that bears have physiological adaptations that modulate their insulin production and sensitivity in ways that appear to prevent them from from developing diabetes, that does’t mean it’s healthy for them to regularly eat processed carbohydrates, sugar, and general junk food. And remember - Henrietta gained her fame because of how incredibly overweight she already is, and because she was seeking out human food, According to the Washington Department of Fish and Wildlife, a healthy weight for a normal adult black bear is between 100-300 pounds. So, obviously, the best thing to do is… continue to feed her candy.

Then, later on in the book, it details how they have to bribe a camel to sit tight for a regular medical examination (since they don’t train for medical behaviors) by letting him drink a can of Mountain Dew each time.

If a zoo was known publicly to be feeding their animals Mountain Dew or a couple Twizzlers - even just once, on a rare occasion - they’d be eviscerated in the media and by public opinion. But feeding out inappropriate junk food appears to be a pretty common practice at this place, and it just goes unscrutinized because everyone assumes sanctuaries are inherently better for animals.

So, long story short, never make assumptions about the quality of a facility based on it’s branding or accreditation. (TWAS is accredited by the Global Federation of Animal Sanctuaries). If you have concerns about the ethics or practices of a facility, always try to put your preconceptions aside, go and see for yourself, and think critically about what you see and what you’re told.

[punkpandapatrixk]

💓The Greatest Romance of Your Life! ♦︎ Timeless Pick A Card

You know you’re destined to be with your Soulmate; deep in your Soul you know there’s something beautiful already written in the stars for you and your Divine Lover★

What’s the story? What’s the drama? How will they pursue you? Aaaah! This One who will love you completely and sweetly and only! ♥︎

SONG: ohhh! by Chara

A WHOLE DREAMY VIBE: The Best of Piero Piccioni

[PAC Masterlist] [Part 1] [Part 2]

[Patreon] [Paid Readings]

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 1 – That Handsome Gentle Soul

VIBE: Emily in Paris (just S1!)

your options? – 2 of Pentacles

Oh! You’re such a tease and you have many admirers, I can tell XD By the time events in your Life are leading you to a union with your Destined One, you will have quite a bit of options, and actually, you’re weighing at least two people in this scenario. Under normal circumstances, you’d consider yourself a person of traditional values. You always think to yourself that you’re a simple and straightforward person with very ‘normal’ desires.

You want the house, the security and stability, and all those ‘normal things’ that come with a marriage. It’s all understandably expected. You’ve always thought to yourself, ‘I want what is normally expected.’ People have rules in society and it is best to keep to what’s already within the guidelines. You’ll be ruminating these values and gains a lot during this time of your Life.

No matter your actual age at this time, psychologically speaking, you’d want to choose the person who seems more stable and wealthier. It sounds like such a no-brainer; but you’re finding yourself ruminating this shit to no end. And you’d wish things could be a lot simpler; after all, aren’t you simple? Oh, as it turns out, you’re really not all that simple—especially since meeting this other fucker who’s lighted up your horizon~

decisions, decisions, decisions – 10 of Cups Rx

In the beginning, you may not immediately realise that this person we’re talking about is your Destined One. By that time in your Life, you could’ve forgotten all about this reading hahah And you’d be so preoccupied with Life’s more pragmatic duties. By this time, half of you could either be in your late 20s or early 30s, being asked endlessly why you’re not married yet; another half of you could be in your early 50s and simply wanting things to settle and get ‘normal’ in your Life.

The thing is, your Higher Self has arranged for you to meet a Soulmate, a Divine Lover who will actually show you how not normal you are if you were honest with yourself LMAO This person on the outside is actually what you are on the inside if you let yourself be. This Destined One is unorthodox, they are weird in a way that suits your tastes and they somehow align with your values! You’re crazy attracted to this about them, but at some point, you will pull away from them because you’re afraid!

You’re afraid this person will pull you away from everything that’s normal and expected of you. But are you really the type of person who regards a matrimony that highly? Seriously? If you’re honest? This person will show you that they, too, don’t particularly care about the expectations of a marriage. They will show you that they care more about the love and romance and all those sweet feelings that come with being actually in love with someone you adore. No riches in the world can substitute the happiness of holding someone you love in your arms~ With this person, you understand that <3

your True Love?! – 5 of Wands Rx

The biggest reason you will pull away from your Destined One is that you’re afraid of fucking things up with this wonderful person who seems like such a grand prize. Rather than facing the reality of losing this person’s favour out of your own fucking things up, you’d rather never be with them in the first place. And that’s such a sad thing because your Destined One would never think of such things about you!

Out of all the options you could be having at this phase of your Life, you will recognise that your one and only true love is somebody who doesn’t make you feel pressured towards making a decision. I’m getting that your Destined One is very gentle and peaceful, and they’re really understanding of the kinds of negative thoughts that often encircle your mind. If anything, your Destined One will want to erase those scary thoughts from your mind. They want to put you at ease~

They’re not weak or shy though. If anything, your Destined Person is quite shameless and they will want to win you over LMAO But they won’t be forceful or pushy. They’re respectful of your boundaries. They will only continue to come forward with Love, and Love, and just Love—they do worry about you tho ;P So, occasionally you will be able to see their ‘cute side’ when they scold you because they’ve been worried sick!

FIRST KISS🔻💛

feelings pouring sweet~ – Red Magus (Edward Kelly)

the meaning of it all? – Priestess of Beauty

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 2 – Ahhh, You Know You Like Being Swallowed Whole~ ;P

VIBE: Green Snake (1993)

your options? – 5 of Swords Rx

At first glance, it feels to me you won’t be dealing with too many options during this time of your Life where you’re being led to a union with your Destined One; but it isn’t because you don’t have many eyes vying for your hand in marriage, nooo far from it; you, just already know who you’re gonna allow to make a move on you ;P You just already know who you want to be with! ★ And it seems to me you’re the one who’s gonna do the pursuing ;P

If you’re a feminine aenergy attracted to a masculine aenergy, you’re going to lead them on. Basically, from the moment you fell for your Destined One, they’re already in the palm of your hand. I reckon you’re the one who’s gonna recognise who your Destined Person is, and it’s all because you’re a highly spiritual entity. And honestly, you’ve been through quite a lot of shit and you’ve experienced quite a bit how other people’s negative resonance brought down your protective barriers in the past.

You don’t want to entertain low-vibing suitors anymore. You can’t stand the idea of your Life being turned upside down ugly by people whose hearts are UGLY AF. You’ve got no time for any of that. You want your Destined Person and you’ll do anything in your power to make this person fall in love with you <3 I sense a majority of you choosing this pile actually identify as a masculine aenergy attracted to a feminine aenergy regardless of your gender, which makes a lot of sense XD

decisions, decisions, decisions – Knight of Swords

In the past, you’ve dealt with people who are all over you because you’re attractive as fuck. Maybe they wanted your money, status, whatever. You’re a grand prize, you know. People would be so lucky to call you their own. And you got fucking pissed with being seen as a trophy boyfriend/girlfriend—as if you haven’t got your own personality or other achievements. How about your heart and dreams and Love, right? And you know that most people don’t value you for these things. They value you for the things that, to you, don’t matter at all!

By the time the Universe is arranging for you to be in a divine union with your spiritual Soulmate, you’ll have been single for quite a significant time. You’ve shielded yourself from cheap romances. Are you a sigma? LOL You’re honestly not even that interested in people to begin with. Most of the time, you like your own company and keep to yourself a lot. You’ll have been elusive for a number of years before you meet your Destined Person by chance~ This could be a work/professional setting but you’ll still feel like it’s a destined chance meeting hahah

The moment you catch a glimpse of your Destined Person, you feel something electrifying and know immediately this person is special—different from the rest and that you need to figure them out. Perhaps by your second or third meeting, something in you has made it clear to your conscious mind that this is The One. If you’re the masculine in this situation, it’s pretty obvious you’re going to charm them so that they open their heart to you ♡ If you’re a feminine in this situation, you’re going to tease them a lot until they know it’s perfectly alright for them as a masculine to charm you LMAO

your True Love?! – 7 of Cups

So it’s interesting to see a card of a plethora of choices after all that’s said and done. As mentioned before, you’re an attractive high-quality person who’s lusted over by many undeserving asses, and I’m getting mostly this vibe, that when you’re about to make it official with your Destined Person, there’s gonna come a negative force to try and ruin your chances. For many of you this could be anything, really, but for some of you this could be an ex, or basically someone you used to be quite close to, coming back into your Life in the hopes of winning you over. Or worse—even if they know they can’t win you over, they’re still gonna come over to taunt your Destined Person out of jealousy! OMG

If this ‘trying force’ doesn’t come from your end, this could also come from your Destined Person’s end. After all, your Destined Person is ALSO popular and a lot of people are gonna hate on you for being so close to them hahah So, you and your one True Love are gonna be viewed as that power couple and before you come together there will be forces that try and separate you. It's very likely there is a time you become quite distant from each other because of all these negative intents from your environment.

You’ve got people lining up to become your spouse and each one of them could become uncontrollably jealous when you proclaim a relationship with your Destined One XD Oh, you heartbreaker~ And in the case of an ex, or a very close ex-friend who used to harbour feelings and hopes for you, this person could well break your Destined Person’s heart and make them cry. They might even try and do something very evil to your Destined Person just to hurt YOU! This, is your lesson from the Universe to decide how you’re going to protect the one and only person you say you love~

FIRST KISS🔻💜

feelings pouring sweet~ – Red Astronomer (Johannes Kepler)

the meaning of it all? – Priestess of Magick

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Pile 3 – This the One Who’ll Sacrifice Anything for You

VIBE: Titanic (1997)

your options? – Page of Wands Rx

During this time when the Universe is arranging for you to be with your Destined Person, very strange and complex situations are happening in your Life. First, it’s possible you’re already steady/engaged/married to someone else, and this is why it seems you’re not dealing with a variety of romantic options. Two, it could just be that you’re totally NOT opening yourself up to the prospect of a relationship or even a marriage HAHAH

By this point in your Life, if you have friends or are in the public eye, it’ll have been quite obvious to everybody that you’re not the marrying type. For whatever reason, you’re quite sceptical—even cynical—about this whole notion of a relationship or a matrimony. Either you’re tired or afraid of being bound by a loveless contract. You’ve seen how people switch up and betray their spouses. You’ve heard plenty of cheating couples and broken trusts. Ain’t nobody got time to open up to horrendous crimes like that!

To everybody else, you’re an elusive siren who lives in your own world of make-believe, which annoyingly only makes you even more sought-after. At this point in your Life, you appear to the world as some sort of a rare catch and people will be sneakily trying to woo you, to win you over, because that would make them look cool. Many courageous (or should we say reckless?) warriors will attempt to break your icy castle and die in vain, never realising the whole time you were wishing for a King!☆

decisions, decisions, decisions – 10 of Pentacles

To say that you ‘don’t want to be married’ is actually quite a contrarian thing. Deep in your Soul, you want to have a wholesome, a complete and harmonious relationship with a Kingly character. You want something real that most people don’t even know how to give—because most people are shallow and infantile and so poor in character… These peasants… Sigh, they bore you to death. They disappoint to no end. But then, one day…

By some miraculous encounter you bump into your Destined One. Some miraculous encounter that wouldn’t have happened at all if some curiously specific events did not stack up a certain way. It is by Divine Design that you meet at all on that very day. That very moment you see this person, your heart jump and a voice in you exclaim, ‘Husband??’ or ‘Wife??’

Of course that’s super strange that a voice within you would say that at all. You might find it cringe or think you’ve lost all your marbles completely. ‘I think I’m delusional because I’ve been lonesome for a while…’ But soon after, you really wake up to the realisation that the Universe has sent you a pretty gift in the form of a Human who’s the perfect match for you. This person is THE IDEAL, the moment, the archetype, the everything you’ve ever dreamt a true love—your true love—would be~

your True Love?! – King of Wands

The complete package. This Destined Person, is literally YOU in a different form. They may not be perfect for any other person, but for you, all your fingers fit each other perfectly. Mind you, your Destined Person is very attractive in spite of all their flaws, so it’s not like there isn’t any competition here XP Your Destined Person is definitely somebody who turns heads when they enter a room. Even the parking lot is their runway!

This person commands respect, indeed they exude a very Kingly aenergy. They are charisma personified—very giving, honourable, even sacrificial. Your Destined Person is somebody who truly understands what it means to give back to the community. A true King who gains respect for the service he has given to his people. A King like this is truly loved and revered instead of feared. That’s the kind of aenergy your Destined Person operates with.

You will be very happy with this person. You know that, thus the exclamation upon seeing them! In spite of your apprehensions about marriage, when your King proposes, when they claim you as their Queen (LOL), you simply simply simply curiously intuitively know you’re gonna be taken care of~ And that’s such a nice feeling to have to finally feel safe with someone who truly cares for your wellbeing. Someone whom you know, at all times, will make big sacrifices just to put a smile on your face ♥︎

FIRST KISS🔻🧡

feelings pouring sweet~ – Silver Astrologer (John Dee)

the meaning of it all? – Priestess of Energy

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

[PAC Masterlist] [Part 1] [Part 2]

[Patreon] [Paid Readings]

[girlokwhatever]

gf golden retriever!paige with blackcat!reader 🥺🥺

i love this cause we all know it’s true!!

golden retriever!paige bueckers x blackcat!gf hcs

🦮₊˚ෆ✰- ,,-‘๑’-🐈‍⬛ golden retriever paige with a black cat gf,,

— she’s attached to your hip AS OFTEN AS POSSIBLE

— she’s very very affectionate verbally and physically

- you accept it with love and appreciation

— she’s always hyper and you have to be the one to tell her to chill a bit

— will do absolutely anything for you

— you are very protective LOL

- “i don’t like the way she’s looking at you babe.”

— you’re also constantly side-eyeing people and it’s not even a joke atp

— she thinks you’re SO SEXXYYY LIKKEE

- you just have that demeanor about you

— she’s lowkey intimidated by you a little

- she knows not to make you mad

— she’ll take you shopping, buy you everything you want, AND carry all your bags

— you’ll be getting dressed up for the club; hair done, nails done, makeup done, outfit sexy and perfect

- she gawks over you the whole time

— she’s a big fan of holding your hand in public

— she also lowkey loves to be little spoon so that she can feel you holding her

— when you argue she gets really worked up and you’re always so calm about it but defo have a dismissive attitude

- you apologize later 🤗

— you highly value alone time or just silence every now and then

- paige is so respectful of your wishes cause she loves you so much so sometimes you two will just read forever and not say anything

— paige buys you guys matching clothes

— LIKE I SAID SHES VERRRYYYY AFFECTIONATE VERBALLY!!!!

- expect compliments every few minutes (every few seconds tbh)

— somehow she always ends up wearing lighter-colored clothes and you’re wearing something dark

— she’s also really attentive towards you

— paige really admires how well you can keep composure in literally any situation

— you’re definitely more introverted, not super talkative with ppl you don’t know

- paige is literally the exact opposite and tries to help bring you out of your shell

— she’s always saying how “mysterious” you are

— she can talk for hours and you’ll just listen

- that dynamic works really well for you two though, neither of you ever complain

— you both feel like you complete each other

- like she’s your other half and you’re hers

— you love giving her hickeys and she loves getting them

— at first it was kind of a struggle just because your personalities are so different

- but you both realized you brought the best out of each other and just need to communicate boundaries and wants

— she wouldn’t trade you for literally anything

— you’re sassy AF

— you actually lost her in the grocery store once cause she wouldn’t leave the tru fru aisle….

— “you look so edible right now i swear. please let me take a picture.”

- “edible paige, really?”

🦮₊˚ෆ✰- ,,-‘๑’-🐈‍⬛

this is a cute trope!!

hope i did it justice 😜🩷😒🩷🩷

[night-raven-tattler]

What's your ideal type?

Summary: What would be the best traits for their potential partner to have?

Characters: Savanaclaw dorm (Leona, Jack, Ruggie) ×GN!Reader (separate, romantic)

Other parts of the series: Heartslabyul, Octavinelle, Scarabia, Pomefiore, Ignihyde, Diasomnia

Warnings: none

By opening the document, you agree to Mx Tattly's terms of source confidentiality.

-ˋˏ’✄┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

Leona's ideal type would be...

Someone who knows themselves and their worth. Leona might be apathetic and somewhat lazy, but he knows exactly what he's capable of. While he is willing to nudge people in the right direction, he doesn't want to deal with any dead weight.

Someone who doesn't take things at face value. He thinks having people who do what he wants are an advantage, but he doesn't think highly of any brainless followers. You are allowed to question him, disagree with him, even completely go against him. You also can disagree whenever he says he's "fine" and "just tired" whenever he's been skipping classes for too many days in a row, and there's an unopened letter from Falena on his desk.

Someone who doesn't mock his sleeping habits. Leona has some chaoric sleeping patterns, and he often doesn't sleep for a full night. If he says it's naptime, then it's naptime, and you don't get to do more than playfully argue. He'll also allow you to join him if you keep quiet enough.

Someone who doesn't belittle him. He knows he will never be enough. He knows he's just a second choice, if not less than that. He knows that he will not always be your top priority. And he doesn't believe you when you say or prove to him otherwise. But it's the first time he enjoys seeing someone try to prove him wrong.

『••✎••』

Jack's ideal type would be...

Someone who doesn't share his black and white way of thinking. Jack had a very rigid code of conduct, and he sticks to it religiously. While his views can't always be challenged, he likes the idea that regardless of your way of thinking you're still willing to understand him, and he's willing to do the same.

Someone who wants a serious relationship. As a wolf beastman and a witness of the dedicated love the generations before him showed, Jack has some very idealised expectations for his love life. He doesn't jump into relationships right away, and he's open with what he wants from the very beginning of your relationship. lf you stick around, he'll take it you feel the same.

Someone who is more of a realist. Jack finds enjoyment in becoming the best version of himself on all levels. Yet, he struggles to keep an open mind when he's decided to do something. Reminding him to give up on his tunnel vision from time to time and see the bigger picture brings him back to reality and makes him feel thankful for you and your ability to remind him to be a bit more real with his plans.

Someone he can care for. This is not a matter of size or personality, and while Jack knows you'll always have his back, it's very important for him to feel like he's also protecting you. Some of it does stem from his view on relationships, but he also likes caring for people. Let him brush your hair after he grooms his fur, or let him reach for that one book you need that's just out if reach.

『••✎••』

Ruggie'a ideal type would be...

Someone who saves leftovers for him. This is kind of obvious: Ruggie has some bad food anxiety, because he grew up not really knowing when his next meal would be. Someone who helps him soothe some of that anxiety will make his heart feel fluttery.

Someone that sticks with him through thick and thin. Spotted hyenas stick together in clans and have a very strict hyerarchy. However, Ruggie is also an opportunist, and you can't expect him to always stand by your side if you don't do the same. Unwavering loyalty has to be at the base of your relationship no matter what, and don't let it falter once you reach that point.

Someone who doesn't let him rely too much on his bad habits. And by that I mean mostly his pickpocketing habits. Yeah, you can't really stop him from stealing from Leona's wallet whenever he gets ahold of it, but he'll remember you made him a sweather! You gifted him a blanket! You invited him over for dinner! Okay, maybe he has himself somewhat covered already, shyehehehehe.

Someone who loves unconditionally. Everytime you show him affection without really expecting anything in return, his mind goes back to the days when he was little, and his grams told him stories about love that conquered all, love that made everything easier. He never thought of himself as worthy of that type of love.... But with you in his arms and head on his chest, then maybe... just maybe...

『••✎••』

[marvel-starwarsfangirl]

Crosshair's character in TBB honestly makes a lot of sense when looking back at CW. He and his brothers have such an implicit trust in each other (something we saw in "Into the Breach"). With the exception of Cody, Crosshair says "we don't usually work with regs." The Batch is literally Cross' ride or die and it's not surprising he expresses a sense of superiority in S1 of TBB. He literally spends all his time with his brothers who show off just as much as he does. And when Rex says to leave Cody in Kix's care, Crosshair voices his concern. From the very beginning, loyalty is something he highly values.

Every single time Crosshair opens his mouth and makes a rude comment, Wrecker always comes in to defend him. I can imagine Crosshair just getting so comfortable with making comments because he knows that his brothers will defend him. When he falls from the pipe on Skako Minor, Wrecker doesn't hesitate to jump after him. Cross also trusts Wrecker to not let him fall when they jump on to the Keeradaks.

Crosshair is also very quiet and observational. He's the first to notice danger and the one to hang back to be the lookout. The amount of faith his brothers have in his abilities probably means so much to him.

Now, imagine you're Crosshair in TBB S1. Your squad, who've been your ride or die since day 1, leaves you behind and you don't know why. That implicit trust that was once there is gone. That loyalty you once thought you had didn't matter apparently. But you still want them to come back because of how tight knit your bond used to be. Not defending his choices, but I bet that's what was going on inside his head.

[signedkoko]

(separate) lucifer and striker with an s/o who fell from the heavens headcanons!! the more closer they get, the more they realize their s/o was one of the angels on the council but didn’t condone the extermination — of which, they were casted down to hell.

Lucifer | Striker X Reader [Romantic]

In which they know you are a fallen angel, but not the extent to which you protected hell. Reader is genderneutral.

Lucifer could sense your presence quite fast

But only because you weren't an exterminator—no, you were something far stronger

It pained him to see a new angel cast down, the first since he was, bloodied and caught in the fiery pit you'd have to call home

He understood you must have been an angel that came along after him, though, because he didn't recognize you

Either way, Lucifer offered you a place to stay and let you adjust to life in hell through his lens—a safe house where demons couldn't bother you as much

Of course, he also wanted to make sure the news of your existence didn't get out

He could only imagine the kinds of people who might want to get their hands on a fresh angel

Even though he was cast down himself, Lucifer is very flattered that you know him and that you speak so highly of him

You quickly worm your way into his heart, and he loves talking to you a lot about his past and all the things he kept buried within him

Even down here, you still seemed happy, although a tad uneasy

He won't pressure you for your backstory too much, but with his knowledge of heaven he is able to gather that you were at least a mid-ranking angel on the council

Your position exactly, he wasn't sure

He only found out after he spoke about his daughter's plan with the hotel

" Thats a wonderful idea! They may cast me down for demanding an end to extermination, but I won't let them ruin your daughters redemption plans. "

You dropped it so casually that he almost missed it, swooning at how supportive of Charlie you were

Actually chokes

Please give him a moment to catch his breath because, wait, really?

That explains a lot, at least

Of course, heaven would cast down the most beautiful of angels just for being kind to even the most damned beings

That same anger within him roars back to life, both for you being shut down and for how he, too, was treated in heaven

He'd make sure your life was far better here, no matter what it took

Being a fallen angel is already an extremely worrisome background for Striker, especially following his hate for royalty

Not that a fallen angel is royalty, but the power dynamic is hard for him to get over, as guilty as he feels now for holding it against you

When you first met, he saved you from another bounty hunter

Saved is the wrong word

He stole you so he could get a prize himself

But it all backfired when you were just so kind and curious, and offering you up to some terrible people didn't feel like the right move

Striker told himself he'd hold onto you until he knew the true value of an angel, but that may have just been him stalling for time

Either way, your charm worked wonders, and now he was stuck with the most attention-grabbing partner in all of hell

Oh well, he knew he could protect you

While he was curious about your life in heaven, Striker was extremely used to not asking questions about others past

But the more he knew, the more he wanted to know

Every few months, you'd tell a story that revealed a new interesting piece of information, things that made him wonder what you had to have done to be so harshly cast down

It all made sense when he puzzled it together one afternoon, when you were particularly fond of your past memories

" I hope Em isn't in trouble too. "

" Why so? "

" Well, she also thought killing demons was pretty bad... "

" Of course, hun. "

As usual he nods along with you before he freezes and jumps out of his chair

" Hol on now, what? "

Striker is able to puzzle things together fast, and he's not sure if he's more pissed at the angels above you or if he's surprised you felt that way

He'd always assumed no angels thought good of demons, but this changed things

Next extermination, he wants to have a hand at capturing one of those winged fuckers and seeing if he can force some more out of them

Author's Note - DEVIL FINALLY I GOT TO UR REQ!!! More Striker content, love to see it- and ofc Lucifer, who I know is about to be eaten up by every person in this god forsaken community. Thank you for requesting 🖤

[deesseshesca]

PAC : Why are u the baddest ?

What do u mean, u are staring at an ICON !

!!DON’T FORGET TO CHECK THE FLASH SALE!!

KO-FI

Choose the image that’s speak to you and allow yourself to soak ONLY what’s reasoning with YOUR SITUATION 

Rules and Disclaimer 

I am the type of tarot reader to say as it is. Nothing is sugar coated but everything is sent with good intention. If you are not ready to face some truth, you should vagabond somewhere else.

Pile 1: The Strategic Visionary 🌟

Overall Energy: Nine of Wands You are a warrior at heart. The Nine of Wands as your overall energy shows that you've been through battles—both internal and external—and yet, you remain standing. Your resilience is unmatched. Each scar, each challenge, has only made you stronger and more determined. What sets you apart is your unwavering commitment to your intentions. Every decision you make is rooted in your core beliefs and desires, which acts as your guiding star. This card signifies that you're not just surviving; you're thriving because you’ve learned to harness your experiences and channel them into wisdom and strength.

Knight of Wands The Knight of Wands embodies your bold and adventurous spirit. You are someone who is driven by passion and ambition, and you’re not afraid to take risks to achieve your goals. Your decisions are fueled by your inner fire, and once you set your mind on something, nothing can stand in your way. The Knight of Wands is all about action and momentum, and you embody that energy. You’re always moving forward, always seeking new experiences, and always ready to take on the next challenge. Your intention drives your every move, making you a powerful force in any situation.

Three of Wands (Reversed) While the upright Three of Wands represents expansion and looking toward the future, its reversal indicates that you’re someone who knows the value of timing and patience. You don’t rush into things without careful consideration, and you’re not easily swayed by the allure of what’s ahead without being certain of your steps. This card suggests that you’re strategic in your approach—you don’t just leap into the unknown without a plan. Your strength lies in your ability to assess situations, learn from past experiences, and make informed decisions that align with your long-term goals. You’re not afraid to wait for the right moment to strike, ensuring that when you do, you achieve the maximum impact...

For the rest... (with moodboard)

Pile 2: The Baddest Bitch Energy 🔥

Overall Energy: Justice (Reversed) You embody the kind of energy that doesn't wait for things to be handed to you. You are not someone who depends on external validation or fairness from the world. You understand that the world is not always just, and you've adapted by creating your own justice. You don’t wait for karma; you are karma. This reversal of Justice indicates that you’re willing to bend the rules, push boundaries, and break down barriers to get what you want. You're the kind of person who doesn’t rely on the system to deliver fairness—you make your own rules and execute them with precision.

Four of Cups (Reversed) While others might wallow in missed opportunities or what they don’t have, you’re the kind of person who sees potential in every situation. You don’t get stuck in a rut; instead, you’re always looking for the next opportunity, the next move. This card in reverse indicates that you are highly adaptable and quick to shift your mindset when you realize there’s a better way forward. You don’t stay down for long. If life hands you lemons, you’re the type to make lemonade, start a lemonade stand, and turn it into a whole franchise. You’re constantly evolving, constantly moving forward, never letting anything hold you back.

Page of Pentacles This card speaks to your go-getter mentality. You’re someone who has the vision and the drive to see your dreams through from conception to reality. You’re always learning, always growing, and always thinking about the next step. You’re not afraid to put in the work, to start from the ground up, and to build something solid. The Page of Pentacles represents your relentless pursuit of success, your practical approach to achieving your goals, and your willingness to invest the time and energy needed to manifest your desires. You have a keen eye for opportunities and the patience to see them through, which makes you unstoppable.

For the rest...(with moodboard)

Pile 3: Born to Be Badass 💥

Overall Energy: The Inborn Power

Pile 3, you’ve always been different. While others might have had to struggle and evolve to become strong, you were born with a natural strength and resilience that sets you apart. You didn’t need to go through the same trials and tribulations to find your power—it’s always been within you. Your energy is innate, undeniable, and unshakeable. You were born the baddest, and the cards confirm that this is your birthright.

Eight of Wands Speed, precision, and relentless momentum define your approach to life. The Eight of Wands speaks to your ability to move quickly and decisively. When you set your sights on something, you go after it with a fierce, unstoppable energy. You don’t waste time doubting yourself or second-guessing your decisions—you move forward with confidence and purpose. This card reflects your natural ability to manifest your desires with ease and speed. While others might get bogged down by obstacles or hesitation, you forge ahead, trusting your instincts and knowing that success is inevitable.

Ten of Cups You carry an innate sense of fulfillment and joy that radiates from within. The Ten of Cups indicates that you were born with a deep understanding of what truly matters in life—love, connection, and harmony. You have a natural ability to create and attract happiness, both for yourself and those around you. This card signifies that you don’t just chase after success—you embody it in every aspect of your life. Your presence brings a sense of completeness and joy to those who are fortunate enough to be in your orbit. You have an intuitive grasp of emotional intelligence, which allows you to navigate relationships and situations with grace and ease.

Death The Death card is a powerful symbol of transformation and rebirth, and in your case, it speaks to your inherent ability to embrace change and thrive in it. You don’t fear the end of one chapter, because you know it’s the beginning of another. While others might struggle with letting go or facing the unknown, you welcome it with open arms. This card reveals that you were born with a natural talent for transformation—you know how to reinvent yourself, adapt to new circumstances, and emerge stronger each time. You don’t cling to the past; you evolve, shedding what no longer serves you and embracing what’s to come with a fearless heart.

For the rest ...(with moodboard)

[bonny-kookoo]

Jungkook

𝐄𝖝𝖊𝖈𝖚𝖙𝖎𝖔𝖓𝖊𝖗 | Teaser

When second chances are wasted, there's only one thing left to do.

Tags/Warnings: Dystopian AU, Werewolf AU, Alpha!Jungkook, Omega!Reader, Angst, Some fluff, romance but he's a bit weird about it pls let him cook he's awkward okay, Violence, crime and.. bad stuff.

-> Masterlist

There is no taglist for this fic.

A/N: oh look another werewolf fic oops. BTW if you do not like any of the tags or the trailer doesnt vibe with you, don't read the story. I literally have tons of other content for you instead. Thanks.

⋅ ⋅ ── ⋅ ⋅ ── ⋅ ⋅ ── ⋅ ⋅ ── ⋅ ⋅ ── ⋅ ⋅ ── ⋅ ⋅ ── ⋅ ⋅ ── ⋅ ⋅

“Do you think that people can change?”

No. Jungkook does not believe that people have the ability to shed their dark desires once they've shown their ugly faces to the world. Once someone has lost control over themselves and their inner demons even just once, it’s over. A wolf's inner beast set free won’t be tamed again, by anyone. There is no coming back from that- and a crime committed has to be punished, especially when there’s not even any effort put into areas trying to redeem one’s self. second chances should always be valued highly if given-

Because everyone has to face judgement for their actions, and if those second chances are wasted, he is the man who will execute the fitting punishment.

Jungkook doesn't believe in second chances.

A man who’s laid his hand on his wife will never truly change his mind and put the shackles onto himself after the line has been crossed. A cheating spouse will not suddenly become loyal as a dog again just because they realize the hurt they’ve caused. A murderer can’t give back the life they’ve taken even if they desperately want to. A young wolf lost to a frenzy can’t gain back their sanity with the snap of a finger.

He is part of the new world’s law.

Violence is the punishment put on people who can’t seem to keep themselves in check even after second chances. Violence is the final answer to the worst of the worst, the people who will never change.

Violence is the thing that changes people- from being alive to no longer being a threat to anyone ever again.

To Jungkook, these people are like maggots, infesting the cities and homes of families who just want to exist and live. Jungkook is the pest control, he removes those insects, cleans out the infestations.

Saves potential victims.

“I didn’t do anything!” the man slurs a little, alcohol in his veins causing him to visibly struggle with his bodily functions, even if he wants to desperately be sober in this moment. You’re sitting in the corner still, watching, well aware not to interfere with a man sent by the people in charge of the wolf’s law to carry out the final judgement.

“Evasion. Armed robbery, twice. Domestic abuse, twice. Attempted kidnap of a child while intoxicated.” Jungkook lists, having memorized what this person is being accused of- or rather yet, has already been judged for in the past. “You’ve shown that you do not aim to change.” He says, not even looking at you once. Instead, he just walks closer, like a predator, staring down his prey. “And now, keeping an omega hostage? Not exactly the actions of a man innocent.”

“I-“ the man tries, but he doesn’t get far with his words. “-There’s- nothing happened- Tell him! Nothing happened, right-?” He asks you, who’s staring him down.

Jungkook looks at you as well now, awaiting your answer.

You’ve got a life in your hands.

Your lips part, but you can’t speak- when suddenly, the man moves again, lifts his hand as he steps towards you, ready to intimidate you into answering if needed- but Jungkook is faster, having seen enough. Even if nothing happened- yet- surely if he was to leave, you’d be another body found. “Where- where are you taking me?” the man begs to know, unable to really go against the hand that holds the back of his head by the hair, fingers tightly dug into the locks to have a secure hold on him as he drags him into a corner or the small, run down house.

In this moment, Jungkook looks like a different person to you. There’s no trace of the man who just wants to help others. The hands that force this stranger to his knees aren’t the same that helped you stand earlier that day, hold gentle and without any intention to hurt. Those eyes are dark as coal, like two black voids swallowing any reflection whole.

“I'll take you straight to hell, where you belong.” Jungkook simply answers the man, before he lets go-

And takes out his gun, to fire the first shot of many.

[trillscienceofficer]

I would like to clarify that when I say that Seven's situation on Voyager is fucked up (like in this post I wrote yesterday) I don't mean that Janeway should've listened to her demands and let her go in “The Gift”, or that Janeway and the Doctor had no right to start removing her implants (leaving them would've killed her after all). What I mean is that the fucked-upness is in the whole situation that made Seven's reclamation from the Borg possible but also put her in an environment (the USS Voyager) where survival is guaranteed by the close collaboration of everyone on board, which also means concessions of personal freedom and privacy. Other crewmembers entered this pact voluntarily (we can discuss some other time what choice did the Maquis actually have other than join the crew), but Seven unequivocally did not. Yet it's the only way she could've been reclaimed because we know, and the show drives this point home multiple times, that she was so young when she was assimilated that Seven of Nine, Tertiary Adjunct of Unimatrix Zero One alone would always choose the Borg. She knew of no other alternative.

I don't think letting Seven go back to the Borg in “The Gift” would've been an actually ethical choice, even if it's true that that was what she wanted. She was undoubtedly a prisoner, but I think that we forget (well, I do sometimes at least) that Seven, outside of any metaphor, can be very dangerous. She is strong and quick, she has Borg weaponry and technology at her disposal, she is relentless when pursuing her goal, and even as a drone she knows how Voyager works inside and out. Janeway took the gamble of disconnecting her from the Collective in “Scorpion, part 2” because they were expecting her to try and assimilate Voyager on her own, which she promptly tried to do as soon as the Species 8472 was no longer the main threat. So imho the ethical question posed by “The Gift” is, what do you do when an extremely dangerous individual asks you to be freed so she can rejoin the genocidal alien army of brainwashed zombies that terrorizes the galaxy? They will likely pursue you afterwards, but even if by some lucky chance they don't, you'll still have given back both a weapon and cannon fodder to the genocidal alien army. In addition to that, there's the concrete possibility that your prisoner might one day start living a different life once the brainwashing loses its hold on her.

So no, I really don't think that Janeway made a bad or even questionable choice in “The Gift”, even if it's painful to see Seven struggle against it. The complication has only just started at that point, imho. The fucked-upness comes from her having to “become an individual” in a highly-regulated and closely-surveilled community, one she could've never chosen on her own. On one hand this allows Seven to develop skills she completely lacked in a somewhat safe environment, but on the other hand it limits quite severely what she can or can't do. And while at first she rails against those limitations (she spends the entirety of season 4 doing just that), with time she starts understanding the value of living on Voyager. She manages to resist the Borg Queen's threats in “Dark Frontier” because she has learned compassion in the meantime, eventually choosing voluntarily to return to Voyager. It's a turning point that definitely does a lot to compensate for her lack of agency in “The Gift”. She thinks of Voyager as her new collective, which is equally a testament of how far she's come as much as it is a worrying admission that her new group identity is not that far off the Borg, in her mind.

By season 7 Seven is outright grateful for everything Janeway has done for her, but it still doesn't make her arc learning to ‘fit in’ any less of an exercise in shaping herself into the mold she was given as her only possible future. Is it better than being a murderous, mind-controlled zombie? Yes, it absolutely still is. Seven's independent thoughts and actions now matter, even when they clash with the rules, which is just not comparable with being a Borg drone in any way. Yet it's easy to see why her role on Voyager is also stifling, and that again she can't choose differently because she knows of no other alternative, and none are available to her anyway.

The fucked-upness also comes from extra-diegetical, production reasons, of course. The stupid ideas about what a woman is and what Seven should do to really be one (does she even want to be one?), the fact that a medical practitioner could control so closely how she presents and what she eats, the lack of actual clothes in order to make her a sexy babe for the 90s Trek target audience (“males aged 16-40”), the lack of locks on Cargo Bay 2 where she regenerates, and many other aspects that I'm sure I'm forgetting now... Ignorant, ‘default’ assumptions on how things ‘are’ that the show simply refuses to acknowledge. I know they only seem so obvious now because more than twenty years have passed since Star Trek: Voyager was on the air and the culture (in the US) has changed so much since then. This, I agree, is the kind of fucked up that I could easily do without and Seven's story would be better for it.

So in conclusion, when I say that Seven's situation is fucked up it's not so much because I think Kathryn Janeway should have chosen differently when it came to her; it's more that Seven's arc on Voyager is very complicated, for the most part, by design. Even if I think Janeway could've handled some things in a different way, in most cases it makes sense for her character to have taken those decisions regarding Seven, and I don't always think it would've made for a better story if she hadn't. Obviously I wish the production-level assumptions weren't there, and I think part of what Star Trek: Picard did right in its first season was flipping a lot of those assumptions on their head in just a handful of episodes where Seven appears.

Personally I find it valuable to keep in mind that Seven's storyline on Voyager can be complicated and fucked up without necessarily wanting to make it ‘better’. It still is interesting and effective because it's far from perfect, because everyone tried the best they could given the very difficult circumstances, because we've never seen the whole crew, much less the Captain, outside of survival mode. Yet Seven is also a survivor of almost unimaginable violence and coercion and it makes sense, I think, that her presence regularly poses ethical challenges to what other characters and even the audience might consider ‘right choices’ or ‘right behavior’. Survivors in real life, I think, often challenge our societies (none of them perfect, and where many also live in survival mode) in precisely the same way.

[crezz-star]

Why Luffy is highly attached to Zoro and why Zoro is highly attached to Luffy, and why the straw hats is aware of this and accepts it.

(some rare rambles of Mine. This is based on my own character studies and observations. COPY PASTED FROM MY X [twitter] )

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👒

Firstly, we have to look at how Luffy grew up.

Luffy was given to Dadan by Garp, told her to take care of him. While Dadan introduced Luffy

to Ace and Ace at first was not very... Friendly. And I will not sugarcoat it, Ace did not care about Luffy as first and went through dangerous places that could have killed Luffy, and Ace again, shows how he did not care if that happened. Yet, just like with Shanks, Luffy was doing his best for Ace to accept him and let him join him.

It was always Luffy who was making an effort chasing after people he admires and began to care for, but was always getting denied.

And so being left alone.

Yes, Ace did accept him but not after Ace mentioned, along with Sabo that they should kill him first.

Luffy, being so young back then, and impressionable even, now have it engraved in his mind that if he isn't useful, he will never be accepted by anyone or anywhere.

And so, its become a fear in Luffy deep down, a fear he would push far back in his mind. But would reflect in his actions when he grows up and finds his crew. Luffy is afraid to be useless and abandoned by people he shows interest and care for. Which is why he gets possessive of what is his. That when anyone shows desire to leave, he gets upset and emotional and... angry. That he doesn't want anyone to leave, doesn't allow anyone to leave. And if they still do leave. It deals a blow to his emotional and mental state. He becomes irrational to the point that to bring the person back, he will let himself be walked on like a doormat.

That's where Zoro comes in.

Luffy first heard Zoro's name and immediately felt intrigued. And when he finally met Zoro, who was in obvious predicament, Luffy was hooked especially knowing that Zoro was a good person, and decided that ah. He wanted this man to be in his crew. So being the typical Luffy to do all he can to gain favor towards people he shows clear interest in, he tells Zoro, if I bring back your swords, you WILL join my crew. Because in his mind, if he's useful, people would accept him then! He was sure of it. Since that's how it was with him growing up.

Zoro would find this odd. Even calling Luffy the son of a demon because of how messed up his thinking is. But I think this would be the start of Zoro's observation of Luffy and how Luffy would need someone to correct him in his thinking and actions later on.

So Zoro joins Luffy not just because he freed him and gave his swords back, but because of the strength Luffy showed. One that Zoro acknowledged and respected.

Luffy gaining his first mate would then start to make Luffy be unconsciously more aware of how his crew acts and he would notice how Zoro, unlike everyone else in his life, got his back the most

Zoro chooses to follow him of his own accord. And this would get even more evident when: Nami, betrays Luffy and Zoro told him they should just let her be. Luffy insisted of course, but it shows Zoro's protectiveness of his captain. Sanji favoring Nami and making it almost seem that his reason of joining was her, (this was cleared up later in the crew barrel vows of course), still Zoro did not like him any better as he still thinks Sanji would most likely value women more than their captain.

Usopp leaving the crew and even challenging Luffy for a duel to be captain, which is a huge disrespect to Luffy. Yet Luffy was about to accept him with open arms again as if nothing happened. That's why Zoro stepped in to keep him in check.

This was one of the important moments

Luffy sees how Zoro really truly have his back. Zoro always returning to his side no matter how many times they got separated throughout their adventures. Zoro taking care of his crew, that of which Luffy all recruited himself (Zoro did not trust them all too easily), and now, + 

Zoro giving Luffy a hard life lesson to be a good captain.

Zoro really was looking out for him. So much. Sticking by him all these times no matter how many times his Life got put to danger.

That's why when Zoro mentioned if he fails as a captain, it will be him who will leave, Luffy would panic at the thought and was enough to make Luffy listen and stop desperately chasing after a crew who disrespected him.

Not Zoro. He doesn't want Zoro of all people to leave him.

So Luffy listens. Reflects. Learns how to be a better captain.

but I think one of the most important moment Luffy saw how Zoro will never leave him , like everyone else he cared for in his life did, was when Zoro made his vow to him in Baratie.

That's when he knew, Zoro will not betray him. Will never leave him. That's when he knew, he can trust Zoro with his life and his future crew. He knew Zoro would keep everyone safe.

Luffy felt like he doesn't have to chase after Zoro so terribly desperately the way he did with Shanks or Ace. For the first time in his life, someone CHOSE to stay by his side. Vowed to stay by his side.

It made Luffy happy. Glad. Acknowledged. For some it would seem like the vow was someone serving Luffy. But in Luffy's mind, Zoro made that vow, not because of a master and servant thing, it was because they would be partners, equals in chasing after their dreams. Someone Luffy can face the world with. Give and take.

And this is why Luffy is so attached to Zoro. Because he knows Zoro will never leave him. Zoro will never betray him like what the others did (even if they had their own reasons). Because Zoro chose to be by his side. To be his anchor. His voice of reason when he's washed over with irrational emotions. Why he listens to Zoro the most, becoming silent to listen close to every word that Zoro would say.

Zoro takes care of him and the crew and family Luffy had built.

Zoro stayed and choose to keep staying and returning to him, and because of this, because of Zoro, Luffy learned that he doesn't have to chase after anyone again. That if people wants to stay, they would. That if people wants to stay, they should be the one to ask Luffy. To tell him. To beg him. Because Zoro knows and sees that Luffy is a person worth following and being loyal to.

---

⚔

Now on to why Zoro is attached to Luffy.

I would be lying when I deny the idea of Zoro seeing some parts of Kuina's personality with Luffy.

Kuina did her best to get stronger and prove herself as a great swordsman despite being female, because Kuina believes that, just because she's female, she was weak. Unless she works hard, but still she still have such thoughts buried in the back of her mind. This is why she desperately pushes herself so much. To make people acknowledge her for her own skills and efforts, because she's afraid to be disregarded, left behind. To be not be taken seriously. To be useless.

Who else have this unspoken desperation to be acknowledged and fear of being useless?

Luffy.

Zoro most likely saw the similar personality traits, and seeing how Kuina is important to Zoro, how their shared dream is what pushes him forward, it may have helped him to somewhat lower his guard, even a bit slightly, towards this funny rubber boy.

Humoring him by joining his crew. And eventually, Zoro being able to see the strength Luffy has, and if there's anything that would gain Zoro's favor and respect? It's strength and heart.

Reason why despite seeing him as his enemy, Zoro respects Mihawk, and even the opponents he had hard time defeating.

And towards Luffy, Zoro sees that endless pool of potential And power.

Making him accept Luffy more and more, not just as his captain or the person he dedicates his loyalty to, but as his equal. Just like he did once with Kuina.

He saw her not just as his goal, but also as his equal.

Zoro's treatment and view of Luffy as a simple naïve pirate became something more and was solidified when he saw how Luffy truly valued his dreams at Baratie. How Luffy took it very seriously even knowing that Zoro might die. Zoro took that as full serious acknowledgement and felt that Luffy DID respect him. That Luffy was serious after all.

The way Luffy stopped Johnny and Yosaku from interfering in Zoro's fight Gained tons respect from Zoro. Because that dream of his, isn't just his. It was Kuina's too, and Zoro felt as if through that, Luffy respected Kuina's dream too, Why Zoro was thankful to Luffy. That's why Zoro began to follow Luffy. Because he knows, if anyone can help him accomplish his dream, a dream he shares with his old childhood friend, If anyone can help him reach his goal, it would be Luffy. His dream is safe with him.

Along the way, Zoro would also see how Luffy is reckless. That his kind - and at certain times naive - heart was also going to be his downfall, that's why Zoro keeps Luffy in check, at first Zoro was doing all of his caring for Luffy as means to reach his goal, but spending time with him and understanding him, Zoro saw something more about Luffy, saw his potential quality for greatness and Zoro wants to.. NEEDS to see it.

The way Luffy carries burdens of others and liberates them.

It's something Zoro finds not just as something respectful, but something he admires.

With Luffy by his side, everything and anything feels possible.

That's why as early on as Alabasta, Zoro had already developed a desire to make Luffy's dream, one of his own, his new dream. But still prefer to keep quiet about it when someone asks.

Zoro's attachment to Luffy started as something reminding him of a long passed friend, but as time passed, began to see and understand Luffy more, seeing him as a person/captain worth following, and as well as his most trusted best friend.

Which is why Zoro will do everything he can to help Luffy. Protect what's his and what he built. Help Luffy in reaching his goal, crowning him as king of the pirates, by making Luffy's dream part of his, and is also now his priority as well.

Now on to why the straw hats accepts this.

They all have their own mistakes and majority of the crew, Nami, Usopp, Sanji and Robin, all 'betrayed' Luffy. I say that with a quotation because they all had their reasons. I'm well aware they really didn't do it wholeheartedly and they were just.... In a certain predicament or internal turmoil

They know how Zoro would do everything he could to protect Luffy. How amongst all the older og crew, Zoro was the ONLY one who never even dared to betray Luffy at all. Not even having thoughts about it. That Zoro was EXTREMELY loyal and protective of their captain. Making Luffy favor Zoro the most even if he doesn't notice it himself.

They can see how Zoro and Luffy once at each other's side, can be immersed in their own little world. How when they fight, the silent looks they give one was enough for each other to know what they were planning.

The crew sees this and accepts this. Because deep inside, they have their own guilts. Except perhaps for Franky , Brook and Jinbei but those three are the mature types to already accept that what level of bond that Zoro and Luffy has, None of them can EVER have nor break.

Thus the whole strawhats understands this.

Understands that Zoro and Luffy is inseparable. Is attached at the hip and that's okay. Because they have their whole faith in them, as captain and vice captain. They trust them with their life. Especially with how Luffy gave them a home and Zoro protecting them.

How both Zoro and Luffy would agree to save them

Strawhats is their family and Zoro and Luffy are the protectors of the family

Luffy, the savior and liberator.

Zoro the guardian and protector 

[rainbow-crane]

In-Depth Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 2: Mondo Owada

So yeah, I decided to do Mondo's next. After all the material I ended up inadvertently collecting for him in my Taka analysis, it just made more sense to go ahead and get him out of the way, even if I'd rather go for my personal favorite characters first.

As noted previously, this analysis will only be using canon material. It'll primarily focus on the game and its english translation since that's what I'm most familiar with, but may also pull from the original Japanese, as well as the animation, stageplay, etc. If you aren't interested, just keep scrolling. Mondo fans, prepare some popcorn, and perhaps a tissue box since if you're anything like the Taka fans you may end up crying. You're welcome.

Part 1- Character Design

Mondo Owada is a delinquent character whose design pays homage to manga series Jojo's Bizarre Adventure: Diamond is Unbreakable, and is modeled after its protagonist, Josuke Hikashigata. Mondo sports a massive pompadour and a modified uniform that mimics Josuke's, and is the leader of a biker gang called the Crazy Diamonds, a direct reference to Josuke's Stand, Crazy Diamond.

Due to leading this biker gang, he was given the title of SHSL Gang Leader, or Ultimate Biker Gang Leader.

Part 2- Character Introduction

Most of Mondo's character introduction isn't actually from himself, but from the researching Makoto did prior to entering the school in-game. We know immediately that he's leader of the largest biker gang in Japan, and get a look into his public image via Makoto. Despite the fact that Mondo is being fairly chill with his greeting, Makoto remains terrified of him based off of reputation alone- "I'd better be careful around him. One wrong word and I could wake up at the bottom of the sea..."

However, we can quickly see that this reputation is built mainly on bravado, as when Monokuma first calls for the entrance ceremony, we can see Mondo begin to sweat, despite his claiming otherwise- "Well hell, it ain't like I'm scared or nothin'. Let's just get this over with!"

He continues to sweat throughout Monokuma's explanation of the communal life, attempting to cover it up by yelling at the bear to let them out. We get a brief look at his more protective nature, as he purposefully puts himself between Hiro and Monokuma in order to confront him. We also quickly learn just how easily provoked he is.

Despite this provocation, he's not completely swept up in his rage, as he's able to listen to Kyoko's warning of the bomb and follows her advice- to throw it away- without hesitation. So our first real impression of him is that he's a short-tempered and intimidating- but well-intentioned- protector of sorts. He's not completely brainless; he's considerate of his classmates and their safety even when putting himself at risk.

Part 3- Early Game Development

Mondo is an interesting case, as he's a character that almost immediately looks directly into the camera and tells the player directly what their main motivation is. The only other character in this series that's as transparent about their goals so early in is Sayaka, and even then the game makes you ask for that information.

He tells us, in no uncertain terms, that keeping promises is the #1 most important thing to him. He also tells us indirectly how highly he values his family and personal connections, holding his brother's word as law. These combined with his talent being that of a gang leader all suggest a pack leader mentality, which is immediately confirmed by his anger at Byakuya for trying to separate from the group- "Like hell I'm gonna let you run off and do whatever you want!"

Not only is this loss of control upsetting to him, but he's then immediately provoked and called insignificant by Byakuya, leading him to lash out at the closest person in an attempt to regain that hold of power- which just so happens to be Makoto. Not only is this response irrational and violent, but it knocks out Makoto for 10-11 hours. Mondo is a leader, yes, but he's a gang leader, and his bite does match his bark.

Mondo's aggressive and fairly single-minded nature is made apparent when he continuously tries to break down the hatch in the main hall. Not only does he attempt to bust it open with Sakura on the first day, but he then returns to the hatch with Leon the following day, despite the fact he already admitted there was probably no way to open it from inside, and continues to check into the following chapter. He sees one possible way out, and zeroes in on it, just in case.

The game continues to double down on the irrational, defensive aspects of his character when Monokuma appears again to present the first motive. He again confronts Monokuma directly- pretending as if he knows who's piloting the bear for a fact("We know who you are!")- and attempting to intimidate him into letting them go. Once again, this demonstrates both his desire to protect himself and his classmates, and his unwavering confidence in the intelligence of said classmates, as Chihiro was the one to suggest the mastermind being Genocide Jack based only off her gut feeling. He then proceeds to immediately turn around and make Makoto be the one to go find the motive instead of going himself, getting extremely angry when Makoto doesn't instantly do as he's told- "Hey... Hey hey hey hey hey... HEEEEEY!!! You see how passionately I'm begging you!? What's the big deal? Just check it out real quick!"

He then calms down the second Makoto agrees.

It creates a sort of duality with his character between his more protective nature and his need to exert control, something the game makes a point to call out.

Part 4- Relationships

Mondo develops a fair number of relationships across his time in the game, to varying levels of importance- some antagonistic, some exceedingly complex. We'll go from least to most important to the overarching story.

4.1- Celeste

Celeste and Mondo are written in directly opposing ways, as while they're both fairly short-tempered, Celeste is much better at hiding it. It's by this logic that throughout the early game, oftentimes when Mondo starts to get riled up by the rules of the school and/or their circumstances, it's Celeste who ends up deescalating before he can explode, maintaining a facade of calm where he can't.

4.2- Sakuraoi

While not very touched upon, Mondo does end up developing a mutual respect for Sakura and Hina. When the class splits up to investigate the school on the first day, he joins the two of them in trying to find a way to get back to the outside, and he and Sakura work together to try and bust open the hatch in the main hall.

Hina's the one that stops Mondo from attacking Byakuya in the library, and when Chihiro begins to cry over Mondo saying that 'women are naturally weak anyway', it's Hina who calls him out for 'screaming like a lunatic.'

His relationship with Taka is also directly contrasted to Sakura's with Hina by Sakura herself- "Friendship between men seems very simplistic. Nothing like what I'm used to with girls." "Yeah, for real..." It's an interesting comparison, considering both Sakura and Mondo end up dying and leaving the responsibility of failure on Hina and Taka.

4.3- Byakuya

Byakuya antagonizes Mondo more than once, first as they're splitting up to search the school, and again after the library opens. Both times he seems to take enjoyment from it, calling him unimportant more than once and refusing to even entertain the idea that he might die.

"So miniscule, so insignificant, they couldn't possibly have any kind of influence on the boundless ocean."

"You know, I still just can't believe it..." "Believe what?" "That an uneducated, brain-dead, useless piece of garbage like you has survived this long."

"You all need to try harder. If an opponent isn't going to give it their best, where's the fun for me?"

It's enough of a threat for Mondo to genuinely believe that he's dangerous and want to keep him bound so he can't attack (foreshadowing when Byakuya himself would go one to tie Chihiro up? Probably not but it's a neat connection)

He also goes on to fuck with Chihiro, both by mocking her fear and by purposefully tampering with (what he believed to be) the crime scene of her death. On both counts, this directly affects Mondo, calling him out for his bullying("Hey, shithead! You get off on bullying people that can't fight back?") and letting Byakuya pin the crime of killing Chihiro on himself in the trial.

However, despite all this, Mondo never gets the chance to give Byakuya his comeuppance for his words and actions.

4.4- Ishimondo (yeah these bitches gay)

Similarly to Byakuya, Taka starts in a more antagonistic position, directly opposing Mondo as the unofficial, self-designated 'leader' of the class and remaining insensitive to the feelings of his classmates.

Unlike Byakuya, there's no actual intent to harm here, and their banter remains more focused on their differing ideas on how to help their classmates than anything else. Still, as time continues to pass, Mondo's impatience combined with the recent losses from ch 1 starts to push him over the edge, getting angrier with the class's lack of urgency.

This impatience only leads him to butt heads with Taka more, who's trying to keep the class together and safe first and foremost. On top of that, Mondo's delinquency is directly opposed to Taka's disciplinary background, making it all too easy to see each other as foes. Despite the fact they consider themselves the better type of man to the other, they have similar views on how men are to face each other, leading to the sauna scene.

Both characters' strong-willed determination and stubbornness inadvertently puts them on the same path, attempting to use their physical abilities to prove himself a more worthy leader than the other. It's a simplistic way of deciding, but it's one they both wholeheartedly believe in, and this gives them the opportunity to connect with each other in a way they're unable to with anyone else in the class. Thus, the following morning, when asked about the contest, the two have formed an inseparable brotherhood and refuse to even acknowledge the contest, as having a winner would put them on different levels. Interestingly, Mondo shares the belief with Taka that men bond by being naked around each other("Guys gotta expose themselves to each other, ya know?"), suggesting that he removed his clothes in order for this 'brotherhood' to form.

4.5- Daiya

The first thing we learn about Mondo's older brother in-game is that he was the one who taught Mondo to always keep his promises, no matter the cost. The second thing we learn is that he fucking died. And until nearly the end of Mondo's run in the game, that's all we as an audience need to know. He had an older brother that taught him his core values and passed away, leaving Mondo to carry out his wishes. It's not until after the chapter 2 trial is said and done that we learn anything more about him through Mondo's secret: "That embarrassing memory, that secret he didn't want anyone to know... You know what he did? He killed his own brother!"

It's through Monokuma that we learn the truth of Mondo's history with his brother: Daiya was his only family growing up, and thus, became his role model, the man Mondo himself wanted to become. He respected Daiya and Daiya alone. He followed him everywhere, and together, they formed the Crazy Diamonds, which went from a local biker gang to one of the greatest in Japan. It was through his brother that he developed his biking talent, and acted as his right hand. But some of the gang didn't believe in Mondo or trust him the way Daiya did. As Daiya grew older and prepared to retire, rumors of nepotism circulated throughout the gang, saying that Mondo was nothing compared to Daiya, that he wasn't worthy to take over the gang.

"Daiya created the gang with his bare hands! Mondo's just along for the ride." "Can someone like that be our leader?" "All that'll do is make the gang look bad."

Any accomplishments Mondo had made within the gang didn't count to the gang, or to Mondo himself, because they were put next to the leader's achievements. He compared himself to Daiya as well, feeding into the rumors and developing a deep-rooted jealousy. He felt like he had to be the stronger man, had to prove himself to the gang, had to best his brother or he wouldn't be accepted. So he challenged him. He challenged Daiya, and lost all restraint on the road, charging forward with the desperation of a dead man. And it cost him his brother's life.

His brother made him promise not to let the gang go as he passed; Mondo became shackled by his honor to stay. He fully believes it was his fault Daiya died, and now not only is he indebted to stay with the gang, but can never admit blame for fear of tarnishing not only his own reputation, but tearing his brother's gang apart. His community demands unwavering macho leadership, and he can't afford to break character for even a second.

4.6- Chihiro (will be using mostly he/him due to discussing canon)

Mondo and Chihiro exist on 2 sides of the same coin- toxic masculinity. Both characters (canonically speaking here) are men, but are perceived totally differently, both by those around them and by themselves. And because of this design, when put into the high-stress scenario that they were, they were doomed to drive each other to ruin.

Even before chapter 2 starts, there are multiple instances of Mondo listening to Chihiro and respecting his words without doubt(his theory of Genocide Jack and asking his opinion on '11037'). We've also seen Mondo's confrontational and protective nature in action. So it's no surprise at all when he stands up to Byakuya on Chihiro's behalf when he clams up. And while this is done with good intentions, it only serves to make Chihiro feel weaker. Mondo is physically stronger- anyone can see that- and he's not afraid to mouth off to someone showing excitement at the killing game they were all forced into. So when asked if he's okay the following morning, he can't help but explain himself- he feels weak, and doesn't like having someone else stand up for him. For Mondo, this goes directly against his idea of strength, and can't comprehend why "she'd" possibly care.

With all of Mondo's toughness, he carries not just the expectations of a man, but the misogynist beliefs that often come with it. But regardless of that, he's immediately able to tell he fucked up("Hey, c'mon, don't cry... I-It's my fault, okay? I won't yell anymore...") as far as the narrative will allow him due to writer's bias*. He feels bad about this, genuinely, enough to offer Chihiro his promise as a man. It's enough of a gesture for Chihiro to trust him completely, believing in the man's promise he's emphasized as being the most important thing to him since the very beginning.

(*Writer's bias in this case means the author is also sexist to a degree. Mondo is very clearly meant to be a tough guy with good intentions but because the creator appears to agree with the sentiment that women are weaker on average, we as an audience are meant to take issue with the fact that he's yelling and not the sexist statement. Said bias is made pretty clear by the fact their 'weak boy' character is dressed like a woman to emphasize his weakness and be a 'gotcha', as well as the fact they later have Kyoko force Makoto to tear paper out of Hifumi's rigor mortis hand because Makoto's a boy and she's a girl, even though earlier in that same game she, still a girl, was allowed to examine Chihiro's corpse in enough detail to find her dick. Writer's biases can and does affect the final product, so it's always important to consider that when looking at a character's development to determine whether they're being shitty because they're supposed to be or if it's some fault with the creator themself inputting their biases into something that otherwise wouldn't develop in this way. This has been Critical Consumption of Media 101.)

When Chihiro's found dead, Mondo keeps his head hung, lamenting about the fact that Chihiro wanted to be stronger, and when Makoto points out Chihiro was a woman anyway, Mondo just dismisses it, contradicting his earlier statement.

He respects Chihiro's memory and refuses to speak poorly of him. And while at first glance this is all it appears to be, as the trial unfolds and we learn the truth about what happened to Chihiro, a dual meaning behind this reveals itself- another showcasing of his devotion to the promises he keeps and the desire to protect his friend, even in death.

Chihiro is physically weak; a strong wind could probably knock him over, and he's much more in-tune with his emotions than your average guy. He mourns the losses of Sayaka, "Junko", and Leon all deeply, and has a deep shame for not being able to defend himself against Byakuya. But despite all this, when tested by Monokuma's secrets motive, he doesn't crumble away. He thrives, taking that threat and turning it into motivation to push his limits. He has the self-awareness to know when to ask for help, and isn't swayed by the threat of death. He's physically weak, but is incredibly strong mentally and is able to conquer his fears and face the lie he created for himself. Unfortunately for him, living with this toxic idea of what masculinity is supposed to look like makes him believe the way to do this can only be found in becoming physically stronger, and dies without ever seeing the strength he already had.

Mondo, on the inverse, is extremely physically capable, even without trying. He's 187 cm of muscle, and is confrontational to a fault, only giving him more opportunities to show off that physical strength. But on the inside, he can't face the sins of his past, can't admit his faults, and can't comprehend how to make peace with himself. All this is exacerbated by the weight he carries of leading the gang his brother formed, unable to release that weight from his conscience.

"N-No matter what... I couldn't let the other gang members find out. If that happened, everything would've been ruined... Everything me and my brother worked to create... woulda been destroyed... His death... all the guilt I'd been carrying around... it all woulda been for nothing."

And when Monokuma tests his resolve, he completely crumbles. Unable to admit the truth to himself, he's faced with Chihiro, someone who has the mental capability he could only dream of. That primal fear of breaking the promise he made for his brother on his deathbed, combined with Chihiro's unwavering confidence as he happily chimes how unbothered Mondo must be, blocks out all rationale. He spirals, forgetting where he is and who he's talking to, trying to make the panic go away as he throws the dumbbell in his hand.

Chihiro and Mondo each have everything the other wants, and drive each other to death trying to get it.

Part 5- Chihiro's Trial

For most of the trial, Mondo doesn't appear suspicious at all. So much time is spent on Byakuya's suspicious behavior and his framing of Genocide Jack that you barely notice him. He fully appears to be trying to find Chihiro's killer and find justice for her, following Makoto's line of reasoning to find Byakuya as the killer- with the body's suspension and the subtle differences between Jack's methods of killing and the murder of Chihiro herself. He's all too eager to declare Byakuya as the killer- and though we can't know for sure, he may have genuinely believed it. After all, walking into the girls' locker room to find her body suspended and the message of 'Bloodlust' written on the walls certainly wasn't his doing. Unfortunately for him, that's all Byakuya did, and the conversation continues.

In the end, Mondo brings about his own execution. Even after slipping up with his words, the conversation is able to continue on, sfifting focus over to Chihiro's missing E-Handbook and what exactly happened to it. And when Mondo becomes cornered with Makoto's mention of the sauna, it's not Mondo who goes on the defensive; it's Taka. Mondo gives up; he lets his tough-guy persona go. He finally faces the truth; he's undoubtedly the one that ended Chihiro's life, no matter how he may have wanted to delude himself otherwise. He sees his bro defending him, and he accepts that he has to die. It's not beyond reason to say that Taka's insistence of his innocence was what pushed him to truly admit his guilt, both to the class and to himself. Up until this point, he'd still been trying to play it off and get away with it. But was it worth it to live and kill his bro, and everyone else, just to protect his pride? No. He admits to being the killer, straight up.

"Yeah. Yeah... I did it... I killed him."

"Go ahead, Monokuma. Get it over with... Ask for the goddamned verdict..."

Part 6- The Cage of Death

The first person that comments with some variation of OH MY GOD YOU'RE SO EVIL HOW COULD YOU PUT THE EXECUTION IN THIS gets a cookie. Anyways, the executions in these games are always thematic to the characters and are meant to send them into the worst possible despair in their final moments, so let's break this down.

The execution begins with Mondo forcefully strapped to his motorcycle by Monokuma, who's sporting the same pompadour as him. This may be representative of Mondo feeling confined to the biker gang by his guilt; he was never able to break free of the lie he created about that night. The pompadour is likely just Monokuma making fun of him for his hair again, as the thing that nearly killed him in the prologue.

The kanji written on the motorcycle reads 'Little Black Sambo,' a reference to a children's story of the same title. The entire execution is an inverse of this story as well. In the story, a boy named Sambo is surrounded by four hungry tigers, and gives up his clothes to avoid being eaten. The tigers are all conceited and argue over who's the best-dressed, chasing each other in circles until they churn themselves into butter. Sambo is then able to recollect his clothes and the butter, and his mother uses the butter to make pancakes. This story is well-known and beloved in Japan, but isn't in basically the entire rest of the world on account of the racist caricatures of the POC present in it.

Mondo's execution is a inversed version of the story(and also, because Mondo isn't blasian there's thankfully no directly racist art in it, just tigers). Rather than being the one to trick the tigers, he's the one who's full of pride, and so he's sent into a motorcycle cage and left to spin around and around, while the tigers dance on either side of him. He ends up being the one who's turned into butter, and Monokuma gets to enjoy a delicious plate of Mondocakes. It's meant to represent the downfall of Mondo's macho personality and how he sent himself into a spiral, but loses a lot of its meaning if you aren't familiar with the story.

Part 7- Jealousy

So, we've torn this character apart. We know what makes him tick, but why does that all matter? What was the point of his story? Simple- it's a cautionary tale. It's a warning against everything he stands for. Mondo, through all his faults, is NOT someone you're actually supposed to idealize or hold up as the epitome of manhood in the way that Chihiro does. Rather, he's a deconstruction of everything society views as 'manly', and a demonstration of why that line of thinking is inherently flawed. He's big and tough, he yells and cusses at the people around him, he doesn't have a handle on his own strength. He knocks a dude out for like, 10 hours straight because he was mad at someone else!!! That's not a healthy way to get your frustration out!!!

Simply put, your image and pride are not worth your mental health, and comparing yourself to the people around you not only tortures yourself, but can hurt those who you love. Mondo couldn't stop comparing his own faults to the strengths of others, and ended up pushing himself too hard trying to prove himself. Not only did he lose his brother over it, but he felt like he had to keep all his pain and regret locked up for the sake of an image they'd painted together. It pushed him up to the edge, and he never learned to cope with it in a way that was healthy. It only led to him lashing out more and more, and repeating history when he killed Chihiro. Your trauma can't be fixed by ignoring it or shoving it down; seek out help when you need it. It's okay to confide in your friends; they aren't your enemy, and they aren't making fun of you. That line of thinking will only push you over the edge.

Afterword

So yeah, this was longer than anticipated. Even after doing Taka's and creating a point of reference for myself, I still ended up surprised. I mean, Taka survived longer, so you'd think his would be longer, right? But no, Mondo is not only a very well-established character, but he has more important connections and a much more impactful storyline. I'm gonna go out on a limb here and say Mondo may be one of the easiest characters to understand from THH, considering how in-your-face they make him. And I respect that, even if his whole facade can be kind of annoying for me. I totally see why this guy is so popular among fans. Happy birthday Mondo!

Anyways, hope y'all enjoyed this one, and be sure to stick around! Sayaka's analysis is coming up next, and holy shit am I excited for this one.