#i just want input guys

[undead-cypress]

Strohl and Hulkenberg are so funny to me as a duo. They're the exact same type of people - they NEED to pledge their life to a liege or they'll start ripping up your couch like an understimulated shepherd dog. However they go about it in polar opposite directions. (Early-game story spoilers ahead, mid-game gameplay spoilers) Hulkenberg had her life purpose taken away years back and comes to realize hyperfocusing probably isn't the optimal way to go about it, so she expands her horizons to do her duty better. Strohl had no will to live until joining the assassination plot, and then it fails so bad he resolves to hyperfocus so hard the classes he unlocks can only do one thing, critical slash damage really really well

Hulkenberg is the formal knightly one but she delights in mucking around and would rather fist fight people than think. But then she demolishes you in chess and teaches you tactics while Strohl, the familiar casual guy who's a lot more stategically minded is the one always sharpening a sword and implying if anything happened to you, seppuku may be on the table - Gallica this is so scary play encounter music - my courage has increased

It all clicked when I saw their third tier classes are paladin/dark knight and samurai. Ohhhh you guys are henchmen. You wanna be henchmen so bad. They're the exact same kinda guy but are completely baffled by everything the other guy does. They have everything in common and nothing in common. They both think they're the normal one of the group. They have completely different ideas about how to best do their jobs but they simply must beat the shit out of each other on the deck daily or else they might have to actually go to therapy. I need an early 2000s team up/roadtrip action movie with these two where Will is faking being kidnapped to draw out the bad guys but Gallica didn't tell Strohl and Hulkenberg because their bad acting would immediately give it away and they proceed to absolutely demolish the metaphorical furniture of the house of Euchronia looking for the world's most specialest lil' captain. Do you see my vision 🤌

[tinylongwing]

Vide Noir's dual narrative structure

All right, here it is, me making good on at least one of my meta threats. Lord Huron's album Vide Noir can be interpreted as an album with two parallel, contrasting narratives - that of the lead protagonist Buck Vernon, as well as that of Johnnie Redmayne.

Disclaimer: this is an interpretation I think is pretty sound and well-reasoned, but I make no claim to any of this being proven canon information.

---

For those unfamiliar or who need a reminder, the primary narrative is this: the year is 1967, and we start near the end of Buck's journey, as he awakens from being black-brained (Lost in Time and Space). Having just suffered an overdose on the drug vide noir, his memories are slow to return to him, but return they do - his fiancee, Leigh/Lee Green (from here on Leigh but both spellings have been used), left him without a word one night, and he decided to follow, heading west to Los Angeles from their home town of Detroit, Michigan. He's been struggling to find her, checking every bar in the city in case she was booked to sing at one as her move was the result of her chasing her dream of becoming a singer. He doesn't remember a lot about himself, really, after that overdose, but he remembers her, and his love for her makes him desperate to find her.

We're then taken back to the night he left to find her (Never Ever) and his journey is mostly linear from there - he meets a fortune teller, Lady Moonbeam, who tells him that pursuing Leigh will end in his ruin, but he refuses to accept her advice and pushes on (Ancient Names I & II). He laments that he's been some kind of fuckup, that maybe he chased Leigh away through his own behavior, but that he still loves her and begs for her to return (Wait By the River). At some point around here he also learns of the drug vide noir and contemplates using it himself for clues.

(Note that unlike in the movie, in the album, nothing suggests that Buck suffered from a murder attempt by Z'Oiseau's henchmen but that instead he may have overdosed himself in an attempt to find Lee. However, there's plenty of reason to suspect that the film is the canon interpretation here anyway and the henchmen kidnapping Buck just doesn't make for a song I guess.)

One way or another, he winds up black-brained, where some deep existential truths of the universe are revealed to him (Secret of Life - namely that everyone and everything dies in the end, and that a human life is brief, fleeting, and ultimately meaningless within the context of the universe as a whole). He somehow reawakens rather than dying (Back from the Edge) and, again, understands that nothing he does will ever matter, has never mattered*, but that *even though* he's suffered greatly already on this quest, he's still committed to trying to find Leigh, pitting himself against that careless universe (The Balancer's Eye).

So he keeps searching (When the Night is Over) until he finds a clue, or a helping hand of some sort, that leads him on the right path to his beloved Leigh (Moonbeam). We get one more reminder of the forces at work here - vide noir is some awful stuff, it nearly killed him, Leigh herself is hooked on it now, it shows you terrible truths and nightmares beyond human comprehension (Vide Noir) - and when all is said and done, as Buck thinks he's about to "rescue" Leigh from her fate and bring her back to his fantasy of a perfect happy life together, she rejects him. He came all this way through time and space, and she doesn't love him at all in the end (Emerald Star).

---

I consider this the primary narrative here because it makes use of all the songs on the album, it has a clear start and ending and a mostly linear structure, and the album basically serves as a soundtrack to Buck's fool's errand. The film agrees - every scene is centered around his journey, after all. But we have context from Lord Huron's other albums, as well as the lyrics and musical stylings of multiple songs on Vide Noir, that show us that Buck isn't necessarily the only narrator on this album. Strange Trails, of course, came out three years prior, and features songs by multiple fictional bands performing songs which serve as narration for a diverse cast of characters. Unlike on Strange Trails, where each track has a writer or band specifically named and assigned to it as well as a character narrative, Vide Noir does not give us such conclusive information, but we can still put clues together to understand at least some of who the in-universe performers might be on Vide Noir.

Most likely, multiple of these songs are by the Buck Vernon Band - this is pretty obvious. Buck's semi-autobiographical music is all over Strange Trails, usually referencing a girl he loves, sometimes referencing that the girl left him, often giving her different names, all starting with L (Fool For Love's "Lily", and "Louisa").

But the other band that we can easily identify as performers on Vide Noir are the Phantom Riders. For those who need an introduction, this is the band composed of four members of the World Enders gang, with Dale Redmayne at the helm as lead writer. They were seen previously on Strange Trails as well, with banger surf/rockabilly hits like Hurricane, Until the Night Turns, and The World Ender. As a storytelling tool, they are primarily brought in to tell us about the man-turned-undead horror entity known as The World Ender himself, and then otherwise mostly we get their songs about Dale's brother Johnnie Redmayne, who is introduced to us in Strange Trails as a fun-loving and presumably fairly young guy, a thrillseeker and hedonist, who lives for the moment as if the world could end any day. The Buck Vernon Band jumps in between some of these songs with an interjection to tell us that wait, Johnnie is dead, or was, but he got back up. In Dead Man's Hand, Buck speculates that Johnnie could have been murdered or may have killed himself, accidentally or intentionally, upon first seeing him. It's in Vide Noir that we actually learn more about the circumstances of Johnnie's death.

Before we get to that, let's first identify which Vide Noir songs are by the Phantom Riders. This isn't all that hard to do. Any song that references The World Ender is presumably theirs - that gives us Secret of Life right away ("I sit alone in the dark, and I try to remember the words you spoke when you summoned the Ender"). This is reinforced in the Alive From Whispering Pines webseries, episode 423 - Secret of Life, when played, shows a skeleton prop the band has jokingly referred to as Cobb Avery on their social media posts in the past, and after the song ends in this episode, the tune continues in a slowed and distorted fashion through a clip of a WBUB movie version of Dead Man's Hand showing Johnnie rising from the pavement when Buck is about to bury him.

Ancient Names Parts I and II are presumably written by the same band as a two-part song. In the Vide Noir film, the Phantom Riders are performing Part II in the underground club. Additionally, in Alive From Whispering Pines episode 426, after Tubbs Tarbell is done reminiscing about the band and their nihilism, Ancient Names Part II is the next song covered - and often in this series, the structure of the segments between songs are intentional and related to either the song they precede or the song they follow, so it's likely that the placement of the Phantom Riders' appearance followed by a track they're associated with is meant to help confirm them as the performers. In addition, Ancient Names Part I references a fortune teller, and we know from the film that the fortune teller in question, Lady Moonbeam, is associated with the World Enders and knows the Redmaynes.

The last track on Vide Noir that is most likely theirs is the title track, Vide Noir. We have two points of evidence for this - one lyrical ("Many evils have I enjoyed, prowling the night raising hell with the boys" which feels like a pretty direct reference to the World Enders' nighttime violence) and one musical - the main melody of Vide Noir is identical to that of Ancient Names (and Fortune Teller's Theme, actually). In Strange Trails, using the same melody for multiple songs was an easy way to tie Frankie Lou's songs together, and here we can see that it ties two Phantom Riders tracks together directly, indicating that not only are they both by the same band, but that Vide Noir is a followup to Ancient Names part I, in which our fortune teller did warn us things would go very, very wrong.

(And besides all of that, the Phantom Riders tracks on Vide Noir all tend to be similar in musical style - psychedelia-flavored garage rock with a heavy bass line, in contrast to other songs on the album.)

With those songs identified, we should also be aware of just how much Lord Huron seem to love their dual narratives. In Strange Trails, we have a really concrete example of this with The Night We Met. This song was in-universe written by Frankie Lou, presumably about her doomed relationship with Z'Oiseau and how much she wishes she had never met him to begin with (as she echoes in her dialogue in the Vide Noir film when speaking to Buck in her dressing room). However, the music video for this song shows not Frankie and Z'Oiseau, but instead Buck, driving west, while reflecting on his own failure to keep Leigh, wishing he could go back in time and fix things, and meanwhile kind of hallucinating her as he goes. In the album Long Lost, we get another dual narrative in I Lied, which is performed by Donny and Midge but is also sung by Leigh in Vide Noir, foreshadowing her breakup with and lack of love for Buck. There are certainly other dual narratives in both of those albums to be found as well - so what we should keep in mind here is that often, songs can be written and performed by a character or band in order to narrate for themselves or someone close to them, but that just as in our real-world movie soundtracks or our favorite character playlists on spotify, those songs can be applied to other characters in different (but somewhat similar) situations than the ones they were written for.

So! We have four Phantom Riders tracks on Vide Noir, all of which were presumably not written originally in-universe about Buck Vernon, because why would they be, Buck and the World Enders only briefly cross paths and at the very least we know that Ancient Names Part II was written well before he ever met them. Instead, it makes the most sense if like the bulk of the Phantom Riders songs, these tracks serve Johnnie's narration instead.

---

If that's the case, what does that give us? Winding around and through Buck's journey is this second storyline. Johnnie Redmayne, having used and enjoyed vide noir himself abundantly ("I had a vision tonight that the world was ending" as one probable example), decides it's time to get his hands on bulk quantities so as to get the Enders in on controlling the flow of the drug in LA rather than letting Z'Oiseau maintain a monopoly, thereby also increasing revenue for the members of the gang.

It's Moonbeam who warns him to knock it off first. We know, thanks to the film, that he'd spoken to her at some point about his plans to investigate the source of the drug at Tobey's arcade and try to get his hands on some to sell. Whatever his exact plan was, in Ancient Names Part 1, Moonbeam warns him that pursuing this is going to get him killed. Vide noir isn't just a drug, it's something extremely dangerous, tied to dangerous people, and he needs to get away from "her" (and note that frequently throughout music history, drugs have been personified as a "her" or an unnamed lover, whether for poetic reasons or to evade censorship that might come from talking directly about drug use - and Cursed, off Strange Trails, is one more in-universe example, where "her" refers both to Leigh Green and to drug use, specifically vide noir).

Immediately afterward, Ancient Names Part 2, in addition to serving as a very classic sort of World Enders nihilism anthem, can easily be interpreted as Johnnie saying "fuck that, I do what I want, you only live one life anyway and even if it kills me, I want to make my mark before I go out." Death is something hypothetical - sure, it'll get him some day, it gets everyone, and maybe Moonbeam is even right, but he isn't going to let her warning stop him.

On Strange Trails, Buck and Johnnie cross paths at Dead Man's Hand. On this album they only cross thematically, and the pivotal moment of intersection might be Secret of Life. This song may be the point at which Buck learns some forbidden secrets revealed by taking vide noir as discussed above, but its lyrics speak a lot more specifically to Johnnie's experience, implying some connection between him, vide noir, and the World Ender.

It may be that as we see with Buck in the film, perhaps Johnnie too has suffered the effects of being black-brained prior to taking it due to the time and space-bending effects of the drug (notice, for example, in Strange Trails we get Johnnie's story in a scrambled chronological order) and here he's confronted with the harsh truths of what those past visions of his possible future mean for him: he has been set on a path that is no longer avoidable due to his eventual future overdose. So perhaps it's at this point that he acknowledges that he is going to die sooner rather than later and that his life and death will not have meant anything to the greater cosmos, but this information, which was new to Buck, is not something Johnnie fears. Johnnie is hardly new to this point of view. He's seen past echoes of the knowledge imparted by vide noir throughout his life, both in his future visions of the end of the world (again see Until The Night Turns) and in the knowledge passed on through other World Enders, including their own motto ("The fair, the brave, the good must die", or in Secret of Life here, "The darkness comes for all of us").

(As an aside, there's still a lot to unravel with Secret of Life that I haven't touched on here. It's a fascinating song with some really mysterious lyrics. I've speculated at length in the LH discord about some additional interpretations this song could yield but won't veer off topic here.)

And yet despite what looks like a very certain and dire end, Johnnie maintains hope that perhaps he, too, will live past this. Because if Cobb Avery did, why can't he? This is part of the gang's core mythos - their founder is a dead man. He clawed his way back out of the grave for revenge, they thought it was just so fucking cool that he was unkillable that they had to join him, and together they dismantled the Winthrop Corporation, one murder at a time. When the police finally caught up to him, they lynched him - but the noose did nothing, for he was already dead, and now in the form of a skeleton, he called the gang to his side (see Strange Trails: The World Ender comic book). In the ensuing chaos, he flees, the gang heads west and relocates to east Los Angeles, and in the time contemporary with the events of Vide Noir, he is still present among them but this appears to be unknown to the public (Daily Trails prop, by Kim Berens, used in both Vide Noir and Alive From Whispering Pines where it was modified to Ten years later).

Whether The World Ender is readily visible to and known by most members of the gang at this point is unknown, but we know that those who were black-brained can see him (in the film, Buck sees him approaching, bumps into him, plunges into a hallucination of his own future, and when he comes too, the Ender is gone). Given the Secret of Life lyrics, it's reasonable to guess that Johnnie at least can see the World Ender just fine and one way or another, in speaking with him and in conjunction with consuming vide noir, has learned enough secret knowledge to make some kind of choice - and this is what later enables him, too, to drag his way back to the world of the living.

Fate catches up to Johnnie and as we learn in the film, his death was at the hands of Z'Oiseau's henchmen for trying to gain access to dealing in vide noir. Like Buck, he is black-brained - forced to swallow enough of the drug to kill him. And so the track Vide Noir opens with the Fortune Teller's Theme previously heard in Ancient Names Part 1, and that tune is woven through the track - Moonbeam's "I warned you, I told you so" to both of these fools who disregarded her advice. Although, again, the lyrics are clearly meant primarily to narrate for Johnnie - "Many evils have I enjoyed, prowling the night raising hell with the boys, getting high on a pure black void" sounds a lot more like what Johnnie gets up to than Buck. We are given a glimpse of his last words and final thoughts as life slips away and his consciousness is sent straight to the final edge of the cosmos.

---

So ultimately, this is what we're left with:

Vide Noir is an album that tells the story of Buck Vernon, whose fiancee has left him. His journey culminates in a near-brush with death, in finding Leigh, and in learning that she does not love him and that he's nothing, his life is worth nothing more than dust and that none of it mattered or will ever matter, that once he eventually dies he will vanish and be forgotten in time.

Vide Noir also tells the story of Johnnie Redmayne, who for once tries to do something that isn't just for his own hedonistic pleasure but that might actually help bring in money to support his friends and family, but he's too headstrong and impulsive to listen to the warnings he's given, and is killed in the attempt.

One lives who probably shouldn't have and comes out at rock bottom and now has to work out how to move on from here, and one dies a nihilist who should presumably just accept the inevitability of death, but has the knowledge and absolute stubborn determination to enable his eventual return, following in the footsteps of Cobb Avery.

And what happens to both of them afterward? Well, we don't know. Hopefully some day (SOON?? BEN PLEASE) we'll get the opportunity to find out!

[mushroominaforest]

I was inspired by my beloved moot @a-rabid-snake's humanizations of Saint and Arti, so i decided to take a crack at making a human version of Saint lol

Y'all already KNOW they're snug as a bug in a rug

anyways its just a concept so far, and im still cooking up the Arti design so if you have any, plz throw some constructive criticism at me cause I wanna improve the Saint design lol

(their hair is that thing ppl sometimes do in the winter, thick braids that loop over the ears and get woven (or tied) together and then they function as earmuffs sorta. Ik Saint looks super feminine, they're still nb but long hair is a nice perk to have in the cold!)

[starrycat123-blog]

rip to siffrin and loop but I'd get out of the time loops way faster than them and without having to have a complete mental breakdown because I'd tell my party about the loops almost immediately if not immediately and we'd figure it out together as a team

[grimrester]

not watcher making their content exclusively subscription model while their fellow buzzfeed graduates the try guys have increasingly made their content diverse and accessible

[strxnged]

you study and i send you a drabble with a character and scenario of your choice (as long as i can write it)

but tomorrow bc idk what words are anymore

:P

yes sir! i will study...! i mean... you could write one of 4ggravate convincing me to study because it matters for my future. it would be great motivation

[yanderespamton78]

damn it feels so good to actually have friends who i feel safe around. like to have friends who im not worried that if they find out that i like "cringe" things they wont judge me. woah!!

@angry-avaocardo @silly1xxx @gollyimsosoevil

[bugmistake]

there's a darkwave/goth/post punk music night at a coffee shop i like next month..... i wanna go real bad but i always chicken out of going to goth events cuz im like . i feel like a DORK i feel like a POSER i feel like a CREEP im a WEIRDO waddahell am i doing here?????

[whatthefuckisasweep]

Welcome to the It Loser Ships MEGABRAWL!!!

Hello Clowntown.

Do you have a favorite It ship? Do you want to think about random dynamics and which ones you like better? Are you curious about fandom metrics on ships? Do you want to rep your rarepair?

Then I've got just the poll bracket for you!

With the input/help from friends, I decided I'm going to host a Losers best ship bracket.

The rules and parameters:

Reddie is disqualified. We all know they would landslide the win, so we have to put the boundary somewhere if we wanna watch the polls like Gay Clowns Superbowl. Don't worry, we still love those two idiots.

Only Losers are allowed in the ships - sorry StanPat, you would have gotten so far if you were allowed and I love you.

Polls last one day each. Remember to get your votes in before the end of the day!

There will be 5 rounds, with the 6th round revealing the winner.

Due to the number of ships here (20), the second round is a little whack. Here is the bracket:

ROUND 1: 1a. Beveddie (Bev/Eddie) vs. Kaspbrough (Bill/Eddie)✔️ 1b. Kasplon (Mike/Eddie) vs. Steddie(Stan/Eddie)✔️ 1c. Hansbrak(Ben/Eddie) vs. Beverie(Bev/Richie)✔️ 1d. Bichie(Bill/Richie)✔️ vs. Hanzier(Ben/Richie)

ROUND 2: 2a. Stozier (Stan/Richie)✔️ vs. Kaspbrough(Bill/Eddie) 2b. Michie(Mike/Richie) vs. Steddie(Stan/Eddie)✔️ 2c. Billverly(Bill/Bev) vs. Beverie(Bev/Richie)✔️ 2d. Beverlon(Mike/Bev)✔️ vs. Stanverly(Stan/Bev) 2e. Benverly (Ben/Bev) vs. Bike(Bill/Mike)✔️ 2f. Stenbrough(Stan/Bill)✔️ vs. Denscom(Ben/Bill) 2g. Stanlon(Stan/Mike)✔️ vs. Benlon(Ben/Mike) 2h. Stanscom (Stan/Ben) vs. Bichie(Bill/Richie)✔️

ROUND 3: 3a. Stozier(Stan/Richie) ✔️vs. Steddie(Stan/Eddie) 3b. Beverie(Bev/Richie)✔️ vs. Beverlon(Mike/Bev) 3c. Bike(Bill/Mike)✔️ vs. Stenbrough(Stan/Bill) 3d. Stanlon(Stan/Mike)✔️ vs. Bichie(Bill/Richie)

ROUND 4: 4a. Stozier(Stan/Richie)✔️ vs. Beverie(Bev/Richie) 4b. Bike(Bill/Mike)✔️ vs. Stanlon(Stan/Mike)

ROUND 5: 5a. Stozier(Stan/Richie) vs. Bike(Bill/Mike)✔️

ROUND 6: WINNER OF THE ULTIMATE LOSERS SHIP MEGABRAWL, EARNING THE TITLE OF THE SECOND-MOST-POPULAR-IT-SHIP.

The Grand Prize:

Whichever ship wins the bracket will receive a fanart of it by me since I do want there to be some type of stakes! Plus, it's fun for me to look forward to it!

ROUND ONE

Beveddie vs. Kaspbrough

Kasplon vs. Steddie

Hansbrak vs. Beverie

Bichie vs. Hanzier

ROUND TWO

Stozier vs. Kaspbrough

Michie vs. Steddie

Billverly vs. Beverie

Beverlon vs. Stanverly

Benverly vs. Bike

Stenbrough vs. Denscom

Stanlon vs. Benlon

Stanscom vs. Bichie

ROUND THREE

Stozier vs. Steddie

Beverie vs. Beverlon

Bike vs. Stenbrough

Stanlon vs. Bichie

ROUND FOUR

Stozier vs. Beverie

Bike vs. Stanlon

ROUND FIVE

Stozier vs. Bike

ROUND SIX

WINNER OF THE SECOND-MOST-POPULAR-IT-SHIP: 🎉BIKE! 🎉

Overall Rankings:

FIRST PLACE: Bike (Bill/Mike)

SECOND PLACE: Stozier(Stan/Richie)

THIRD: Beverie(Bev/Richie)

FOURTH: Stanlon(Stan/Mike)

[indi-glo-archive]

ELLE HAS BOX BRAIDS!!!!

[martyrbat]

so many of you talk about the cruel adults in your childhood that negatively effected you and caused lifelong insecurity yet you're still perfectly fine with being that mean stranger to any kid that has the misfortune of existing around you and thats just really gross !!!

[wizardysseus]

i'm so new to murderbot fandom that i feel like i don't get an opinion on the show casting, but i do think a lot about that post that points out that "the two construct genders are, effectively, 'cop' and 'prostitute'"... and there is a part of me that thinks that, in a visual medium, it would be harder to get the idea of what it means to Be Assigned SecUnit across if murderbot didn't present masc and white.

i wouldn't call mbd copaganda and i wouldn't say that casting a nonbinary actor of color is the same as going "look at how diverse our fictional cops are," but at the same time, i feel that these are coded aspects of being a secunit, which may be invisible on the page, but would matter more in a tv adaptation. does that make sense?

[nyaskitten]

wu ninjago... I love you...

[prosebushpatch]

fully aware that a night of sleep might be enough for me to realize it's garbage and still majorly lacking BUT I JUST WROTE A QUERY DRAFT FOR MY MERMAID STORY AND I THINK IM FINALLY ONTO SOMETHING. IT ONLY TOOK, WHAT, 5 YEARS TO FIGURE OUT QUERIES?!?!?!

[skrunksthatwunk]

"i'm not disabled" followed immediately by "i've got bad knees and a bad back" is certainly something to read 🤨 you know it doesn't have to be cripling for it to count, right...? it's not normal to be in pain after 15 minutes of standing. ableds can stand for, like, an hour at a time before they need to sit.

i know! i appreciate the concern, but i uh. dunno lol. genuinely i don't know. but i included the afaik ("i'm not disabled afaik" was the original phrase, though i'm not like mad at you for excluding it or anything) because i'm well aware that it's a possibility. it's hard to explain but there's a lot of little things that don't add up to much but are like. noticeable. like i would prefer to do most things sitting, if i could, as a matter of comfort. it would be easier for me. and walking isn't as bad as just standing. i've never been great at taking care of my body, and this has only gotten worse with time. it's hard for me to know what i should read as necessity and what i should read as preference, and how much weight to put on said preferences. like you said, i know it doesn't need to be "if i don't sit down i'm going to collapse" or anything, but where to draw that line between Definitely A Medical Thing That Affects Me More Than Other People and.. not that, i'm not sure. i kinda just thought i was a persistently slightly tired and low energy person, but it doesn't seem bad enough to be chronic fatigue, so...? is it related to the half-diagnosed. idk it's complicated depression (and yes in hindsight i probably should've counted that as disabling but whatever)? idk it's not a rabbit hole i've explored much at all is my point. but i know it's there and uh i guess this was sort of validating in a way anon so.. yeah? yeah👍

[niteshade925]

I can see how the regional phenomena in totk is basically totk's version of a modern 4 horsemen of the apocalypse: pollution (the sludge), addiction (marbled rock roast), climate change (the extreme blizzard; admittedly this one is a bit of a stretch), and pestilence/infectious disease (the giant mosquito boss and the undead gibdo). Which, hey, references to real life issues, great, but what I didn't like so much was how you can just solve puzzles and fight bosses--basically have a handful of big name heroes running around doing tasks--and the water will magically clear up, the addicts will magically become normal people again, the extreme storms will magically dissipate, and the pestilence will magically disappear. Real life does not work that way. I know, I know, it's a game why you taking it so seriously blah blah, but I'm just saying, we have to remember that for any of these problems to be solved, it takes a lot of effort and cooperation from a lot of people to accomplish, and that's definitely an understatement.