#i just think its a good song for his relationship with his Saint pre RnS

[silverskye13]

One of these days I'm going to make a lyric comic for Helsknight to Opposite of Icarus by Kyle Stibbs. One of these days.....

[ber-bonfamille-lyons]

Made You A Mixtape: September 2015

@simba-lyons

Happy Three Year Anniversary to Simber!!!!! To celebrate, the following playlist is the first playlist that Berlioz made Simba. Yes, that’s right, I have tried to recreate what it would have been here, which means that these songs reflect three criteria:

1. They came out in 2015 or before 2015 and would be on Berlioz’s radar  2. They remind Berlioz of Simba, and so they are mostly cheerful and a bit funky and are Big Sounds 3. Lowkey Berlioz is in love with Simba and these songs are telling him if he would just PAY ATTENTION. This is most obvious in the fact that Ber put two of his fave songs ever on this playlist-- Eskimo Kiss and Wood. They are both on this like massive playlist that he gives people for like Songs That Sound Like Ber’s Soul so yes!

So this is not a ship soundtrack as much as it is a Simba Soundtrack or a Simba-as-he-sounds-to-Berlioz-in-September Soundtrack. <333 The following descriptions are all basically incoherent, so I apologize. 

Out of the Blue- Prides 

Hear you come, my heart's only drummer I've been holding out for your symphony The air in my lungs is like thunder And I can't fight what you've made of me.

This is a Big Sound Song and a good way to open the mixtape in Berlioz’s opinion. He’d talk to Simba about the scratchy guitar that rumbles under like thunder, those drums, and that persistent, driving synth. And when he’s talking about those sounds, what he’s really saying is basically what the lyrics are saying honestly, like-- this song “text paints” very well, as in, it uses a storm metaphor for a lot of it and builds a storm with its instrumentation by creating a very heavy sonic atmosphere, like with all those layers and booming drums-- wow i really do sound probably how Berlioz sounded when really what he was saying is “You’re like thunder to me” and that’s really romantic and super embarrassing 

Shut Up And Dance- Walk the Moon 

A backless dress and some beat up sneaks My discotheque Juliet, teenage dream I felt it in my chest since she looked at me I knew we were bound to be together Bound to be together

GOD this CHEESY 80s dance guitar powerhouse of a jam!! I feel like i don’t even need to describe how this is such a Simba song in every single way and why Berlioz would think of Simba at once. But yeah, I mean: the sheer joy of it, not to mention that honestly Simba is the discotheque juliet teenage dream in this song who is grabbing Berlioz and telling him to dance. But yeah, I mean it’s so over the top in like every single way. Like Simba.

On the Regular- Shamir

Hi, hi, howdy, howdy, hi, hi! While everyone is minus, you could call me multiply Just so you know, yes, yes, I'm that guy You could get five fingers and I'm not waving "hi" Guess I'm never-ending, you could call me pi But really, how long till the world realize?

Kay so Shamir is a HELLA Simba artist and this song has a lot of these kooky sound samples that Berlioz really loves, especially when it comes to Simba. I want to say that tapping noise is a cowbell? Super fun and funky. And of course, lyrics wise, this song is brimming with confidence and attitude which is definitely how Berlioz saw Simba at first. (He still sees that, but of course this song I think, more than others, really reflects the beginnings of their relationship because obviously Ber knew nothing about the drinking and depression etc.) So yeah, Berlioz literally thinks Simba’s “regular” is this cool, funky, ridiculous guy and including this on the song would be conveying that impression, while also being like “Hey Simba, you should check out Shamir if you don’t know him because his sound is You.”

Oh Girl You’re the Devil - Mika  

And I said follow me Whoever you want to be Don't care where you where you go As long as you stay with me

This is another song along the same lines of “On the Regular”-- very groovy, playful, with some fun quirky sounds and structures that just evoke Simba musically more so than lyrical content. But it’s definitely a song that Berlioz would think Simba would like and find fun to dance to/sing along to. And I mean honestly: this entire album is Simba. Me and Berlioz really struggled with which song to put on here. In addition, this was one of Mika’s more personal albums when it came to his sexuality and including Mika on here and probably writing “Please listen to all of No Place in Heaven” in the margins of the notes included with this playlist was Berlioz subtly talking about his own sexuality to Simba.

Bite Down- Bastille/HAIM

You’ve got your claws buried deep Bite down, bite down into me Bite down, bite down into me You better sink your teeth before I disappear Bite down, bite down into me

Ah yes, another “I’m very into you please make out with my face” subliminal message (is it subliminal?? Is it?) Here’s why this is a Simba song-- because its carnal and aggressive and Big. I do body rolls during the pre-chorus anyone else just me?? And the shifts from chorus to verse to post-chorus is so jarring, it just grabs your attention and keeps your attention, which is probably what Berlioz would point out to Simba. And that’s a very Simba thing too, at least a Simba thing according to Berlioz. Also, I personally love the irony considering this song foreshadows the back and forth that Simber will go through in the winter.

Love Me Anyway-The Mowglis

Oh, you know I love you But no, I am not a saint Oh, I make stupid mistakes But you love me anyway Oh, I forgot your birthday And yeah, I show up late Oh, I'll get it right someday 'Cause you love me anyway

So The Mowglis are a very Berlioz band and this album was probably something Berlioz was definitely listening to. The sing-a-long chorusy stuff is VERY Simba-sound as well as the lyrical content just being so very Simba. I like to think that even though Ber and Simba were very much getting to know each other, this chorus still makes a lot of sense since Simba would show up late and forget all these little things-- but obviously, he has such a big heart and always came across as so sincere to Berlioz. It’s a song Berlioz would maybe learn how to play on guitar and think to himself “Hey I bet Simba would really like this song!”

Eskimo Kiss- the Kooks

Oh lonely bones I'm coming through the sun And our lives have just begun Oh lonely bones I'm coming through the sun And our lives have just begun

As I mentioned above this is literally the biggest fucking tell that Berlioz has a big ol fat crush on Simba. This is one of his favorite songs, ever. This was not even a little bit new, it came out in 2011, and yet Berlioz listened to this song and to lyrics like “She's like a rose without a thorn/She's like the sunflower/That never looks back at the sun” and his first thought was “Simba.” He’d probably say some bullshit about how he just liked the lyrics because they were nice and it seemed like the kinda cheerful thing Simba would like. But it was bullshit and what he was really saying was lets please eskimo kiss under the bar rn because you make me feel both sunshiny like this first half of the song and achey and tender like this second part of the song, so, like, how i imagine how love feels like. That was the inner monologue there. And really, the shift in this song from the upbeat jangly acoustic to that tender part emulates Simba’s two sides, because he is very capable of being a gentle honeybun sweetie pie. 

Smile - The Royal Concept 

I've got to dress sharp, you know I will Give you what it takes cause I'm not Gonna be outdone By those beautiful fakes In your halo, there's gotta be gold I've got you waitin' on I'll step on a grenade so you Can see I'm the bomb

And here we are back at that interesting mix of Berlioz finding some funky songs for Simba but also songs that speak to Berlioz’s perception of Simba’s characters in subtle ways/songs that Ber really wants Simba to be into so they can talk about it! So musically wise, you’ve got a lot of the same elements as previous songs here, lots of powerful guitar and some layered vocals and a pretty groovy tempo. Basically this is an alt rock song that makes you want to dance, and that’s the perfect place where Songs-that-sound-like-Simba live (there aren’t a lot of straight pop songs on this mix as you might have noticed.) But then of course, it’s all about this guy trying to go out of his way to make a girl smile (he “carries sorrow” and will “step on a grenade” for her etc) and if that isn’t the most Simba thing. What i like is this is one of those lowkey sad songs that sounds super upbeat and happy too-- which is also a Simba thing, and I like to think Ber would pick up on those vibes. He’d definitely notice Simba trying to make others happy. And I mean.................. who else was making Berlioz smile............

Shine- Years and Years

I was biting my tongue I was trying to hide (Ooh oh oh oh, ooh oh oh ooh) I'll forget what I've done I'll be redefined

Okay, I admit: this song is really not about Simba at all, this one is Berlioz trying to tell Simba he likes him by putting this song on this mixtape and look I am not responsible for Simba not getting that.

Okay but more seriously: shine/sun/light etc are all motifs that reoccur for Berlioz when it comes to Simba, and have for Simber in general. Years and Years debuted the summer before Ber met Simba and was, again, this openly queer artist who Berlioz was definitely listening to a lot of, so it makes a lot of since that he’d go into their album and put a song on there, hoping Simba would get into them so they’d have this kind of shared connection. He picked Shine because of all the songs, Shine is the most optimistic and romantic, so naturally he thought: Simba. And again, there’s this lowkey thread of Berlioz using music to address his sexuality without actually talking about it.

By My Side- Great Good Fine Ok

Baby when I come to get you I'm all I find Every time I go to come back to see it's not my time Any time you think something is on my mind I'll tell you when it's all about you, I need you by my side

So Great Good Fine Ok is like the contemporary BeeGees, and their velvety falsetto and solid dance beats were Berlioz’s Jam in 2015. Seriously, go back and look, I reblogged all their stuff. ANYWAY, so this song really hits all three of the criteria as I talked about above-- this is a band that Berlioz was SUPER excited about and he wanted Simba to like. Sound-wise, totally upbeat and those trumpets in the end!!! scream Simba, which was basically what Berlioz said to him. He’s always associated brass with Simba, that’s just like, a general known fact. He said “The ending with the trumpets really reminded me of you.” And the translation for that is “Please be my boyfriend.” And of course lyrically, this is about someone pining over another… and that’s really not a Simba mood but it is a Ber one.  

Indian Summer- Jai Wolf

It would not be a Berlioz mixtape without at least one instrumental song or something. And this one! This one! If you noticed, Berlioz organized this playlist so it shifted toward more techno/dance music in the second half and part of that was to BUILD to this song right here, his musical climax if you will. Everything about this song screams Simba to him and I honestly do not have a developed enough vocabulary for music to talk about how that works. Maybe it’s just the scope of the song-- and that it has that very BIG scope and it goes from soft, chime-like sounds to exploding outward in these huuuge moments  that are Cinematic as heck. It’s beautiful and soft while also powerful and strong (and that’s simba for u, those four things). It sounds like adventure, like starlight, like camping? And he thinks Simba would like all those things and was probalby like “Oh he’ll like running to this song.” 

man anyone having serious simba feelings at this point just me or 

Wood- Rostam

Sunlight on your eyelids You were sleeping Ah ah, ah ah ah Sunlight on your back You were dreaming

And following a climax, you must have your falling action and resolution. Berlioz decided to end softly and tenderly with another one of his all time favorites, therefore revealing that he associates Simba with all of his favourite sounds-- all the plucky violin and bongo drum and flute. Plus, it describes sleeping with your lover. That’s it. That’s the whole song. And that’s what Berlioz wants: cat naps in the sun with his sunshine boy. 

He wouldn’t have said that obviously, he would have been like, this “cool percussion bro.” 

But we all know what he meant.