#i just need to let it out

[iyliss]

Actually thinking about Saiou and Mizuchi childhood stuff and what it means in the scope of gx generally being about growing up and transition to adulthood and all that and MOSTLY the contrast with Edo.

So on one end you have a kid who have learned adults couldn't be relied upon, but still holds onto strong bonds with the ones he trusts (living or dead). And on the other two kids who grew up seeing adults as actively dangerous to them. They have such contrasting relationships with adulthood.

Edo would have a pretty poor idea of adults. He has this weird balance of false maturity and independance, and childishness he holds onto (because "his clock stopped moving" and all that, because no longer being a child means no longer being his father's child). But then there's the even WEIRDER expression of Saiou's fake maturity. Everything about how Saiou looks strange to everyone who meets him, it also has to do with how professional he sounds. of course he doesn't feel like he is in the same range as the rest of the main cast, he perpetually acts like he's in a business meeting.

Edo refuse to ask for help, Saiou and Mizuchi don't even think they can do that. Edo wants to appear distant to others, especially people his age, but his emotions and struggles spills out of him the moment he faces Judai. Saiou constantly creates this distance well, he even makes his duels not about himself.

Edo both wants and hates "adulthood", and Saiou uses it as a form of security. And in Saiou's case it's kind of part of his general weirdness, how he never really seem to belong anywhere. He neither really feels like a child, nor a teenager, nor an adult, and never did and that part. Like I have feelings on it but it gets even less sensical.

[soobinies]

and I’m crying again

[deeveedoodle]

I swear

I can still feel her haunting me

[originalgenshinscenarios]

I have a question

Why does the Genshin fandom always have to make ship wars? It's always "x ship is better than y and here is why" and never just "I love x ship :)"

Like fuck going on Gui//li tag ANYWHERE keeps making me see shit like "omG Gui//PinG and ZhoNg//ChI LoSInG hArD herE" or the opposite cuz people tag like idiots so instead of seeing heartbreaking edits headcannons and fanart I just see discourse after discourse.

And ofc I don't mean JUST that war. Because it happens ALL the time. People just go on and ON trying to invalidate ships for NO reason!! Like most of popular ships are kinda meh to me, BUT I JUST DON'T TALK ABOUT THEM. I'm just sitting in my little bubble waiting for people to share stuff with and keep ship hate to my dms not to public!

If you gotta do ship wars at LEAST don't tag ships you're bashing ffs you're just being obnoxious and I hate you if you do that regardless of your taste.

And tbh, I don't enjoy a lot of ships I normally would thanks to people like that! Which makes me sad because I like doing ship content!

[aquielzadiel]

Me: Remember dude you almost fainted because you denied taking care of yourself as punishment.

Also Me: Yeah, yeah, I'll still live. I wasn't really planning to kill myself today.

Me: *facepalm* OMG STOP.

[honey-rambles-alot]

My old diary blog was banned so I have alot I had ready to post, sorry if I'm clogging your feed up already<3

[kensatou]

(✿◕‿◕) die (ꈍ ꒳ ꈍ✿)

[hymnoeides]

'Cause I'm stuck with your stories

[hinamie]

I'm always pushing you away from me / but you come back with gravity / and when I call, you come home

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[egophiliac]

was this anyone else's first thought, or

[mccromy]

The Shen Jiu & Shen Yuan dynamic I need to see more of is Shen Jiu coming to see Shen Yuan as a father figure, perhaps even a mother figure. And not in the way you think.

We are always talking about Shen Yuan's wife beam, but we don't talk about his mommy beam. I think Shen Jiu could resist the wife beam if subjected to it, but I don't believe he has any defense against the mommy beam. Now, I'm not talking about Shen Yuan transmigrating earlier than canon, meeting a child Shen Jiu and adopting him.

I'm talking about Shen Yuan transmigrating after Shen Jiu has already taken over Qing Jin peak. I'm talking about 21 year old Shen Yuan transmigrating into the body of a nameless rogue cultivator, meeting fully grown man already in his thirties Peak Lord Shen Qingqiu, and hitting him with his mommy/daddy-issuesinator and causing him a life threatening Qi deviation.

Shen Qingqiu can't help but trust him, and eventually looks up to him, sees him as a wise elder he seeks out for advice. He fucking hates it but he can't help himself. This homeless man he met in the forest is the closest thing he's ever had to a father. Also. He sort of wants Shen Yuan to breastfeed him in a, and he means this, non sexual way and he can't cope with that. He would just feel so safe!!

Shen Yuan, 21 years old, rogue cultivator, first time transmigrator and the father who stepped up, thinks he befriended the scum villain, and maybe? He can be a good influence on him? Be a good friend and guide him towards a fully limbed future. He's practically raising him but nobody tell him that.

Shen Jiu lost his childhood to slavery and his teenage years to violent madmen. and now he's behaving in ways he doesn't understand. He once lost sight of Shen Yuan in the town's market, ran towards a man who looked exactly like Shen Yuan from behind, and almost had a panic attack when the man turned out to be a stranger. It's all good because Shen Yuan found him before he started swinging Xiu Ya ("Have you seen my friend? He's this tall, clearly traumatized, but we haven't had the talk")

People think they're lovers at some point because Shen Jiu is quite possessive of Shen Yuan's attention, but everybody realizes that there's something way more innocent, and also weirder, and worse, going on between them when Shen Yuan drags Shen Qingqiu by the hand to apologize to the sect leader for being so rude when poor A-Yue is trying his best, and stands there with arms crossed, eyebrows raised, until Shen Qingqiu mumbles an apology, glances at Shen Yuan, and runs away.

"I'm sorry about that, Sect Leader Yue, he's had a bad day. I'm sure he didn't mean it."

Yue Qingyuan, someone who did actually sort of raise Shen Qingqiu, who's stood in Shen Yuan's shoes before, extracting reluctant apologies from a sullen Shen Jiu, to authority figures so he wouldn't get in trouble, is overcome by an intense, never before experienced wave of jealousy, so sudden it makes him spit vinegar flavored blood.

Then, a panicked Shen Yuan accidentally hits him with the mommy beam by accidentally adopting him (trying to befriend this guy who clearly needs a friend he can confide in!). And now he's placed himself in the young step-mom role who's desperately trying to bond with her new husband's teenage children but they're wired to not like her! (He used those exact words when explaining to Shang Qinghua where that new tension he has with the Sect Leader came from)

Liu Qingge is afraid of him. Maybe. He runs away when their eyes meet but he keeps leaving dead things at his feet so like, he's probably threatening him? He feels intimidated by him? Or something?

(Liu Qingge thinks Shen Qingqiu's older brother is so cool and really wants to hang out with him, but if Shen Yuan calls him Didi one more time Liu Qingge's barely held back "Yes, Gege?" Is going to jump out of his mouth and he WILL Qi deviate and EXPLODE)

When Binghe enters the equation shit gets a lot weirder.

First, he believes Shen Yuan to be Shen Qingqiu's neglected spouse (Shizun keeps leaving his poor wife alone when he goes out on night hunts and to visit brothels! Shen Yuan has needs!! He should be with someone who cherished him!! Someone who would treat him as he deserves to be treated, someone who'd wait hand and foot on him!!!) needless to say, Luo Binghe's teenage fantasies take on an even more illicit turn than in canon (it goes from "STERN TEACHER POUNDED BY STUDENT AT BAIZHAN TRAINING GROUNDS" to "NEGLECTED WIFE CHEATS WITH STUDENT ON HUSBAND'S BED!! IMPREGNATED WHILE HUSBAND IS AWAY")

Luo Binghe, of course, does his best to seduce him, but ends up being coddled and cuddled.

"it's like I'm his handmaiden, his shadow, the only witness to my lady's heartbreak at her husband's cold regard and indiscretions. Shizun won't spare him a moment if not to discuss cultivation or business! He won't allow Shen Yuan more than a head pat! and move away from any other touch! How ungrateful! They don't even share a bed! I brush his hair, I dress him every morning, I pour him tea and he lets me rest my weary head on his lap. The intimacy we share is not sexual, but Ning-Shijie, I wish it was! I saw the outline of his dick yesterday and I need it!"

"A-Luo please stop talking."

Then, he realizes he misunderstood. Shen Yuan is a cultivator so of course he looks so young! Shen Yuan is clearly Shen Qingqiu's father. He's constantly worried for his un-filial son and remains by his side!! That explains everything!!!(LONELY DILF RIDES YOUNG MAN ON QING JING'S LIBRARY!! HE WISHES YOUNG MAN WAS HIS SON!!!!)

He goes from trying to steal Shen Qingqiu's wife to steal his father. He could be Shen Yuan's friend, lover, and son. His student. His confidant. His silly rabbit.

Shen Qingqiu KNOWS this. But nobody will fucking believe him!! The jiejies at the pavilion giggle and tell him he must be exaggerating, and when he went to Yue Qingyuan so he could intervene and fix it, Yue Qi just looked at him dead eyed and said to "Let him." !!! Let him what?? Deflower our father Qi-Ge??? Shame on you!! That beast is trying to break this family apart!!

But wait!!! look!!! a crack opened in the fabric of space and reality, leading directly to hell. Wouldn't it be a shame if someone were to, accidentally, drop kick this homewrecker inside it?

Luo Binghe is gone when Shen Qingqiu realizes oh wait, that was a demon mark on his forehead wasn't it. Oh good, now he has an excuse. Baba will understand.

(Baba doesn't understand. Baba acts as if he's lost his soul and won't look him in the eye. He's also growing mushrooms bodies in the garden, and added a drop of Shen Qingqiu's blood in the seeds before planting? Which is odd. but at least if he's gardening then he's not staring at that swordmound for hours on end)

I don't even know where I'm going with this

[valtsv]

"why do you talk so much" i like to share things with people andd a wizard cursed me to use at least three words wherever one would suffice so just fucking deal with it alright

[wombywoo]

retired 🩶

[aalghul]

once again thinking about jason as duke’s robin. he’s ~4 years younger than jason, and that puts him at 8-12 during Jason’s time as robin. that’s prime time to get attached to your local kid vigilante before your own life goes downhill.

and if we try to keep duke’s meeting with bruce in zero year + duke’s age (so he can remember the meeting and hold that conversation with bruce), he has to be around 8. if he starts following batman through the news at that time because of the mess that just happened, the robin he sees is probably jason. I’ve literally connected the dots

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.