#i just love even so much

[hollis-art]

ngl im not even a superman fan. i just REALLY like clark kent,,, (thank you, Smallville, for that.)

[maythedreadwolftakeyou]

Viago, when playing as Rook De Riva: you IDIOT you were my favorite fledgling why did you have to make a mess of this now I have to jump through all these convoluted hoops to keep you safe. Teia stop telling Rook how much I missed them it's not funny they could have DIED. also your room is exactly the way you left it please come home

Strife, when playing as Rook Aldwir: Why hasn't this weird bug i kicked out of our camp ages ago died yet :|

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[poorly-drawn-mdzs]

Dog Meshi.

[chimchiri]

gideon & harrow OR rd and sf as cowboys please please please

It's the cowgirl necro and her gunslinger cav! Who is so damn extra she's got three guns: one left, one right, and one in pole position! (She swears the ladies love it!)

[palarien]

sketched this out at jury duty actually

[cloama]

I know the internet is full of hyperbole but I can honestly say that[to me] every Superman production has missed the mark on the Clark/Superman difference until now. I can confidently say that because it’s irked me for years.

This might be the first production to actually really get into the weeds with some simple changes, use lighting, costuming, hair&makeup (peep the contour!)to convey that Clark and Supes look nothing alike. This is so cool to me!!!!! They finally did it.

Shout out to the departments. Shout out to whoever realized they needed way bigger (longer)eyeglass frames with a thick bridge that would alter the appearance of his nose making him unclockable. Whoever you are, I love this work. I love how the base of the cape on the shoulders and the collar work together. It gets the job done but also looks like it was comfortable to wear during hours of shooting. I love that supes has a bit of contouring in the makeup differing from Clark. Shout out to whoever decided to make Clark’s suits oversized and flimsy! It accurately demonstrates Clark’s attempt to look like a little fish in a big pond. He’s not just like that; everything is a choice with him.

Shout out to Peter King and Lindsay McCallister on the hair design/hair story. They did their big one. Clark’s hair is such a big change(so fluffy and undressed!) and accurately shows how someone would manipulate their curly hair to change their appearance. Superman’s hair really works. Honey, that hair is dressed! It is reminiscent enough to please fans but different enough to feel fresh. I like that it’s rounded on top instead of square.

Also I’ve never seen this actor before in my life but he is embodying my man in the trailer so that is also exciting. I don’t even care if the movie is good. I’m a bit over hero movies but I love me some Supes. Everyone seems to really be invested in the visuals of this project. The commitment to color is commendable after years of dark grey low lit mess. Anyway…

I love new faces. I love movies! I love departments! I love unions! I hate David Zaslav!

[egophiliac]

everyone out of the way, this is the only thing I'm going to be thinking about from now on.

(okay, there is one more thing)

[nalonzooo]

you ever like someone so much

[inkskinned]

probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.

we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."

at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.

the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.

the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.

what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.

here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.

[morganbritton132]

17 year old, CEO Tim Drake canceling a press conference and then putting out a statement like, “Sorry for canceling last min, Alfred said that he was going to run my laptop through the dishwasher if I didn’t clean my room. I think he’d do it :/. Also, wasn’t really in the mood. Cya -Tim.”

[nutmeggery]

actually I will say something about this:

setting up a romance line but waiting until one of the actors is a freshly legal adult before executing it is creepy, actually, especially when the co-star is 15 years older

[kaahmbem]

legend has it that the young witch circe and the once beautiful nymph scylla shared a complicated past...

[ashwii]

I love this stupid game and its stupid dialog options, it's the best part

[5ummit]

We’re Harkonnens. So this is how we’ll survive. By being Harkonnens.

[triona-tribblescore]

Soooo uhhh, I watched Sonic 3...

Anyway completely irrelevant but guess what has made a comeback for my brain?