#i just havent given my own talk yet 😅
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the-dance-of-italy · 10 months ago
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hey- it's the same anon who sent that long ask about the chosen lol. the boycott the chosen account does not have their asks on so i'm like.. hoping they see this
i don't personally know about contacting the cast members. i personally think we would gain much more traction on instagram because a majority of the fanbase is active there & they post there very frequently and primarily. all the posts they posted supporting israel were on instagram. i thought once the cause gets enough traction it might pressure the actors involved that i named, i hadn't thought about contacting them directly and i don't really know if that'll work, thoughts on that??
i did mention shaan sharma particularly because he's on sag-aftra board of directors and i haven't seen anyone else talk about how sag-aftra is supporting israel too. since he's involved there we could get a lot more attention directing attention to how sag aftra's pro-israel. and like, mention shaan sharma on the list of people remaining silent, and how he's in the chosen too
the thing is, it's my personal opinion that it might actually be worth switching to insta entirely? i said before in the other ask that i was just going to make my own account but i don't have the time or energy to fully run it; i also don't really know how i'd do it. the tumblr fandom for the chosen is very minimal, and stuff that happens on tumblr tends to be really contained. i don't know how many people there are on twitter though. like i strongly recommend that we shift our focus to insta, make like actual posts with the chosen's tags because the insta algorithm is pretty good with showing tagged stuff like that. remember the pride flag controversy? almost all of that was within instagram and it was enough to get that video response out of multiple cast members
also, i could make some infographics if needed/requested. i do realize anyone could theoretically because it's not too hard to design but right now im offering to make infographics for instagram or possibly twitter (i don't know how it works there haha)
i just personally think right now that it's unlikely for that entire cast & crew, every single person, to support israel wholeheartedly alongside dallas jenkins. (especially luke dimyan; he's vocal about arab and yeah, he could support israel too, but still) if there's enough conversation & backlash on the internet, it could be enough to motivate/provoke some of them to speak up. it's also optimal timing tbh because season 4's released in theatres next month, this is the first time they're making money off their episodes, and if enough people cancel tickets it might do something. although im honestly pessimistic that we'll gain enough traction in time for that or that enough people would even care. but still its worth trying i think!!
man i realized this was long and i'm sorry haha, so basically tl;dr i could help with infographics if needed. and i think we should really prioritize spreading posts on instagram.
Seeing as things are going, i too agree that containing ourselves to just tumblr and twitter is limiting us. It may be too late to prevent Season 4, but there's still time for the future seasons, and the less support they have for the last seasons the better.
I can work on the IG account myself ,im always on my phone anyway. Its still the second week and they havent given me any heavy assignments yet haha. If its not too much trouble, i would accept if you (or anyone who see's and wants to do it) could make the infographics / or any other graphics for the account. I would, but my other laptop broke down and the one im usin doesn't have Adobe installed yet 😅.
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peskyphoenicians · 6 years ago
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Now that I’ve finished The History of Phoenicia a few days ago I can return to The Phoenicians and the West, which I think I will try and read cover to cover. 
Regarding The History of Phoenicia, Elayi writes this in her preface:
Up until now, no Phoenician specialist has risked writing a history of Phoenicia focusing both on historical events and the socioeconomic facets of the civilization . . . I wanted to unwind a common thread in this impassable and arcane labyrinth that I have been visiting for more than thirty years now. I think the reader will be able to follow me with the help of the chronological frame of Phoenicia’s history that I have endeavored to weave. I have presented the core of this history, based on the most recent research developments, so as to make it understandable and easily accessible. When several interpretations were possible for the same event, I have opted for the one which, to me, seemed the most plausible. I have pointed out the uncertainties when I was simply unable to get off the fence.
So the book is intended as a broadstrokes overview for the [person] to ground themselves in before engaging in more detailed & complex study (whereupon they will likely discover Elayi’s interpretations are not so simple). I’d like to say it succeeds spectacularly. The History of Phoenicia is cohesive, easy to follow, and a delight to read, much of which I assume is owed to translator Andrew Plummer. 
The one thing I find frustrating is the dearth of information in ��PART TWO: THE PERIOD OF PHOENICIA’S INDEPENDENCE (1200–883)’. A few of the chapters in this section tend to focus on what other states are doing (such that they are not bothering the Phoenicians), rather than the Phoenicians themselves. My guess is that there simply is a dearth of information Elayi can’t avoid, given most the information we have about Phoenicians comes from other people (inc. occupiers). I don’t really know enough to say that for certain though.
Anyways good to read this broad account of the Phoenician “homeland”. It really does only pay passing mention to the colonies which suits me just fine for now. 
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